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                    <text>J?age 14

ST.

J 0 H N' S · C 0 LL EGE

game. Matteson totaled 24 points for the Juniors and Bounds added 10 more , while the
Sophomores were led by Moray, Kramer and
Wall ace with 8 each.
Matteson again led Junior 3 to a win over
Junior-Senior 2B by a 65-30 count, scoring 31
points. Bounds registered 16 points, while
Cave led the losers with 14 points.
With their fir st string lineup complete for
the first time, Junior 3 took the measure of the
Freshmen 74-40 , as the Frosh , playing without
full strength, dropped their first game of the
season. For the Juniors, Matteson scored 31 ,
Bounds 15, Gallup 12 and Terry 10 , while
Frame totaled 25 and Feinberg 13 for the Freshmen.
The Sophomores found their bearings
against Junior-Senior 2B to take a 56-24 victory , their first of the season. M oray tallied 14
points for the Sophomores, aided by ten points
each by W oodward , Wallace and Weinstein.
Cave was high point man for the losers, making 13.
In the last game, Junior-Senior I A broke
into the win column by gaining a hard fought
win over the F reshmen 49-31. The Frosh
overcame a 20-8 half-time deficit to take a
slight edge in the third period, but the JuniorSeniors came back in the final period to win .
Schleicher made 20 points for the winners, with
12 each added by C ave and Bauder, while the
losers were paced by Thomas with 10 points ,
Widder with 9 and Logue with 8 .
In individual scoring, Matteson led the college with 115 points in four games, while
Frame, of the Freshmen, was second with a total
of 64 in three games. The leading scorers in the
first 8 games :
Player- Team
Games Pts .
Matteson-Junior 3
4
115
Frame- Freshmen
3
64
4
Cave-Juniorl Senior 1A
50
4
Bounds-Junior 3
43
Schleicher- Junior-Senior lA.
4
42
Widder- Freshmen
3
31
Team stand ings on December 8:
W.
L. Pts. 0.P.
Junior 3 .. .
4 0
213
127
Jun-Sen IA
1
1
76
69
2
2
Freshmen .. ..
187
. 197
Sophomores . . .
1
2
Ill
106
Jun-Sen 2B ..
0
3
102
191
It was announced recently that the St.
J ohn's basketball team, which has already

racked up a win and tie with two of the Annapolis league members, has caught the eye of
one of the tow n's leading sport enthusiasts and
has jonied the league as the Annapol is Sportsman 's Center team, spo nsored b y Eddie Leonard. Mr. Leonard , owner of the Sportsman's
Center on Conduit street, has equipped the team
with white uniforms and blue sweat jackets,
and will pay the fran chise fee necessary fo r admission to the league.
Although the eight-team league schedules
its games regularly on Fridays, the St. J ohn's
five will play on Sundays at the Armory, with
an admission fee of 3 0 cents for games.

Kam ikaze
l

Enlarging out of the tower of his velocity
He'd come, sacred, young we think, and a
student,
But more a religious man- questionably
An ace , or anything of that quality .
He may have remembered silken ladies then,
Though how in such time there might have
been a thought
Of anything not of planes in intersection
On a curve of space tight as a coffee bean.
I don 't know. Thoughts from abroad are so
trimmed.
We had no dissertation that was not private,
No sea story not exclusive wherein
The wide gulls disdained to offer legend-.
Quite less on the emerging from a cloud
Of a foreign expert perhaps wearing a shroud.
11

It having been a case there in the sun
Of its being not deadly , not then unmentionable,
There was a kind of dull rejoicing done
There by the breach in the blue day w here the
smoke hung .
Passive as any marker for a grave
And not sparkling like the rest of the world
But suitably so uncommunicative
As to signify n othing b ut that some lived.
And some died . A death no t mourned , though
heroic
To a Japa nese extent, it was celebrated
For what it was w orth in not being correct d
In its grand figure of wid e fleets all wrecke ·
These were modest fetes for raging men,
The tick of a pulse, the sting of a seasonal sun.
-JOHN SANBORN·

t. John's Collegian
Vol. LX -

No. 6 ANNAPOLIS . WEDNESDAY, JANUARY 29 , 1947

The Duchess of Malfi
I suppose this play is the most sombre and
intense acting tragedy in English except for
Shakespeare's very best and perhaps Webster's
other great play The White Devil. It seems to
me also the hardest play in English to put on
the stage. It is uniquely harrowing and terrible, inexcu sabl y uneven and hardly constructed
at all. Its atmosphere of monstrous violence,
corruption and catastrophe is unparalleled, but
it is built up through straggling scenes and in
spite of episodes that go beyond dramatic possibility-the " artificial figures " in wax, the
madmen and so on . If the King William Players' performance had not been well done indeed
it would have dragged unendurably and some
of those creations of Webster 's humorless mind
would have been received with general merriment. It is not under ordinary circumstances
that a dead man's hand can be tossed around in
front of an American audience.
T his audience, however, were more engrossed as the play went on, though if they
we re not familiar with the text they must have
been mystified at various points. I realize that
after the intermission many who for one reaso n or another had got into the wrong building we re no longer present. Nevertheless there
as
W an increasingly intense inteFest in the second part that an indifferent production would
never have got . I think we are justified in
making a strong statement about this performance of Mr. Landau and his associates , namely
t~at it was adequa te to a distinguished and very
difficult play.
We needn't hesitate to agree that it would

1
~~ve been better if done by a small troupe or

hight of angels. In particular more of it would
ave been heard . There is an unescapable prob 1
em of communication here, no matter what you
~~tt to do about spectacular variety and fl.exr~ity of position and motion on the stage.
th e pu~po se of speaking the lines is first to have
e audience hear them , and in this kind of a
1
pay especially , not well known at all and where

Price : 10¢

so much of the total effect is obtained by what
sort of thing the characters say , it would seem
to be import ant that everybody should be able
to hear every line. It also seems to be agreed
that that was not the case in t his performance.
Probably an unusual proportion of the total
words were inaudible, for one reason or another.
Of all the famous lines of the play, for instance,
I c ~ c :-:.1c::-ib::::: c :1~ y c ne , Mrs. Bays' s " I am
D uchess of Malf. stiL, ' that was treated with
the respect due it. In addition to the frequent
subordination of audibility to stage business ,
one felt from time to time that some of the
players did not steadily have in mind what extraordinary words they were speaking. Bosola's
" Look you, the stars shine still, " while audible
was hard ly more than just another line, andto end this particularized complaining- few in
the audience who did not already know it could
have got the most famous line of all, Ferdinand's
' 'Cover her face ; mine eyes dazzle ; she died
young ," delivered in a choked voice backstage
to the backdrop.
That appears to bring up what I understand
is the ex tensively debated matter of Mr. Salinas's
performance as l""'eHlmanG. This chatacter towers over the ot hers. W ebster did more for him
than for any of them- more than for the
Duchess, who has little to do but suffer , more
than for Bosola, who has plenty to do but who
is left, in the frequent manner of the Jacobeans,
unintelligible. The great Calabrian duke is the
heart of this play. He is also as hard an acting
part as you are likely to find. The director
thus is in an unhappy fix at the beginning: h e
has to count on his Ferdinand 's giving a performance beyond the powers of most actors , or
realize at the outset that his play is not going to
be very successful. (There is no use ever feeling sorry for a director; he has masochistic
tendencies.) It seems to me extraordinary that
while Mr. Salinas was the chief sinner in the
matter of non-communication, not because he
bad to be but (as I think) because of failure to
realize sufficiently that the quiet is often stronger
than the spectacular. the terrible Arragonian
brother nevertheless ca me to dreadful life on the

�ST.
Page 2

ST.

JOHN'S

stage. It was a remarkable acting achievement:
not so good as if we could have heard more of
what the Duke said, but really putting up there
the violence and passion, the horrible obsession
leading to madness and death. I don't know
of anyone else in the College who could have
done it. Having said that I add, wishing to do
this as much in the way Thomas of Aquinas
would have done it as is possible to conceded
matter, that it would still be agreeable if Mr.
Salinas would believe that passion, conflict, rage,
cruelty, agony and the taint of madness can all
be presented without hurtling words out in a
series of shouts so they simply can' t be heard,
and that variety and :flexibility and naturalness
can be achieved without taking so much away
from the audience.
Mr. Camponeschi's Bosola, which I am
sure many thought the high point of the play,
was a brilliant performance, sensitive and
incisive, done with fine dramatic feeling. He
bc:is notable ease and mobility on the stage and
a foir for these Jacobean parts , and if I think
h~s performance was more like Volpone than
Bosola I am no doubt wrong, partly because in
the second place I have no good idea of what
Bosob is really supposed to be. Whatever he
is at heart, if anything, he has done murder and
served in the galleys, he is a black malcontent,
we are told more than once of his foul melancholy; probably he has a quality of the sombre,
sinister, ominous and vicious that I missed in
Mr. Camponeschi, who seemed to me rather
more jaunty than less. However, maybe such
a quality should not have been there, or maybe
it was. Bosola was a :flexible and strong piece
of acting and of course a vital part of the play.
I suppose everybody liked Mr. Albritton's
Antonio. This is a hard part too, not because
it requires the presentation of gre2t pass~ons but
because Antonio has so little positive dramatic
&lt;iction. The character is a kind that Webster
was not very much interested in ; he remains a
comparatively unoccupied figure. Mr. Albritton did the part with modesty and clarity, and
cff ectively. Furthermore he has a good stage
voice and spoke to be heard . That was true
also of the other of the Arragonian brethren,
z,nd of the Duchess of Malfi. Mr. Killorin was
an imposing and memorable figure robed in
scarlet and evil. Perhaps his performance was
a little too restrained, but it conv~yed a dramatic
impression of a man who as a Prince of the

COLLEGE

JOHN'S

COLLEGE

Page 3

Three Cold Season Songs

Church was surely no better than he ought to
have been . It is debatable if the Cardinal
should have been so composed and imperturbable, such a courteous and serene figure. Perhaps the principle of evil could have been more
reprehensively vital : It was, however, an intelligent, sensitive and solid performance. W e
were lucky to have Mrs. Bays to take the p art
of the Duchess. The poise, training and skill
that this part demands could hardly have been
found in a less experienced actress. Probably
there has been no one else around here since
Louise Platt who could have done it. A difficult
part, requiring not o~ly strong emotional acting
but plenty of management, the Duchess as M rs.
Bays did it was a lesson in fine reading and an
effective and enjoyable piece of work. It is a
pleasure to express our congratulations and
thanks to her. To Mrs. Pumphrey, Mrs . Adleman and Mrs . Spohn as well , good in smaller
parts the competent acting of which was important to the performance.
As for Mr. Landau , the excellence of the
whole is his as well as the responsibility for
anything and everything else. No one who has
not directed or closely followed the directing of
a difficult play like The Duchess of M alfi. kno ws
how much sheer work, in planning, arrangi ng
and contriving, it is, or how much fine theatrical intelligence, patience, self-control and sweetr:ess of spirit it takes, beginning after that point,
to make it a succes~. The choice of this play
was more tha.n dauntless ; it would have been
pride if it had not turned out not to be. It
was the best of Mr. Landau's productions at
St. John 's College, which means I believe the
best that has been produced h ere. Perhaps he
could have continued more dourly to insist that
the words of the play be heard . His stage
handling of complicated and difficult action a.nd
all the rest of tbe direction was strong, imagmative and technically very competent. His yearning for the :flamboyant (the word is not used
reproachfully) burst out only once, I think.
namely in the certainly not undelightful but
still startling appearance of little Lord Fauntleroy, who after all is really in another work.
In The Duchess of M alfi most of the great
scenes are toward the beginning, most of t~e
grotesqueries toward the end. To have kept t e
play lifting was an artistic accomplishment on
everybody's part.
-F. K. B.

Jerusalem and Athens

I

Most of us who spent Thanksgiving on the
campus were at least thankf~~ not to have
missed Mr. Strauss' lecture,
Jerusalem and
Athens:"
Mr. Strauss, who would rather live at Jerusalem than at Athens (although one suspects
he would want to be a visiting lecturer now and
then ·at the latter) , first described areas of agree-.
ment between Jew (Christian) and Greek.

Pierce the mood of October
and the bubble of all ]oy is burst;
blow the wind but a trifle chiller
and the clean light leap is cursed
with the prickling pain of forming ice.

II
The fat man holds advantage now,
and knowing this, he nourishes ·
his body 's soft round fort to fight
a cushion war against the mood
held in the ·solid sharp-edged air
which cuts and tears and numbs to sleep.

· Jew and Greek lived in male societies. J ustice, a male enthusiasm, was a common basis to
both ways of life. Even the framework .of
morality was similar: age was respected, family
counted rather heavily, there was a tendency to~ards monogamy, slavery was possible.

But look at the signs of a grand and awful
area of disagreement: "Wonder" is the begir:nin er of wisdom for the Greek; for the Jew, it
is, '~fear of the law." In all of Greek phi~oso­
phy there is no such thing as a sense of gmltand to the extent that sense made its way to the
surface in Greek Tragedy, the philosophers
condemned tragedy. Even a sense of "shame:'
Ill
had no meaning for Aristotle except as a rhet.oncal device for adolescant souls, that they might
Grave simple-souled slim twig waiting to flower,
you shiver unclad through the fated annua) grey; avoid error before the age of reason. In all the
you starkly point your pain in the unblessed Gospels there is no reco~.d of Jesus laughi~g.
._:.,'.
bower,
He weeps on several occasions. I~ all the J?iabut hope is yours through hope, for hope you logues there is no record of Socrates weepmg.
But he laughs at least once (be~ore his death
may :
since for you the lovely god empty bled,
" when someone cries, " how terrible that they ·.
·
.
socra t es
y.
was cut, o sweet; o harsh unlovely gaping :. have . condemned you unjust 1 I"
wound!
laughs, "would it be better if the'&gt;'.' ~ad done .so
that the brown sick langour of too-ripeness :fled, justly?") . If hope, fear and divme prom.ise
characterize the Bible, then woncJ.er and seremty
you might again blow fresh and greenly soon.
mark Gr.eek expression.
Fortunate eternal branch, perpetual youth and
What is 'a t. the bottom of the difference ber-..
charm,
tween Jew and Greek, both male peoples, both
You .do but rightly humbly love the cycle life.
stressing morality] It is this. Mo:ality, itself
so kind to you ; -o hotly chasing e-Jery cold the needs authority and basis. The b~sis of Gr~ek
s . warm ,
- Morality was speculation; the basis of Je:-r1sh
Prings genially the Spring and ends that Nature- Morality w as the love of God. 1!-nd the d1ff e~­
strife.
ence between asserting and denymg the omm- ·
potence of God is not a dialectical. difference. ,It
Why drop not the brown crisp leaves from this is a difference in living and breathmg.
exhausted stalk?
No one has even established peace between
No god· h as d ie d f or ·me wit h npeness now o ' er ·
·
·
faith and reason. When a philosopher (St . .
filled
·
Thomas) accepts revelation, he ~laces his faith ., ·
anct the :oad of strict unf~lding I must walk
much hicrher than his speculation. If there
rush
.
,
es me to death for what I never willed.
arises an; variance, the latter is as stra':". When
a theologian (Hegel) accepts the dictates of
-EUGENE V. THAU.

So this .encasement courses now, but the promise of Nature's flourishes, 'mid the massing womb-returning flight,
dies fast, and sloth is now our food.
0 when the moderate time is near
shall e'er we from our cocoon creep?

�Page 4

ST. JOHN'S

philosophy, his revelation marks strict time to
his dialectical jig. One always swallows the
other.
A polite man, Mr. Strauss assumed our intimacy with Greek speculation, and only paused
to show us what kind of an experience it is to
go to the Bible for truth. Remember, one
doesn't go to the Bible because there is a social
need for revelation, or because philosophical
morality is inferior to biblical morality. The
only book in defense of the Bible is the Bible,
and arguments of faith all prove to be circular.
Two notes of caution before reading the
Bible: (I) Don't pre-suppose that the author
of Genesis is a - "theologian;" e.g. don't offhandedly equate the serpent with the devil.
(2) Suspect any modern "Bible-Criticism"
which explains the Bible to its own satisfaction
in terms of "sources," and does not find it a
problem why Moses selected this passage and
struck out that one, from his source material.
-Now look at what you can learn from the
book of Genesis, chapters 1, 2 and 3. (The remarks that follow are by no means a complete
report, but they indicate Mr. Strauss' approach.)
( 1.) God specifically calls, "good," everything He creates with two exceptions-heaven,
and man.
(Because man can disobey, and
heaven can tempt?)
(2) Of all knowledge, the knowledge of
good and evil is ultimate.
(23 The serpent was not commanded not
to induce Eve to eat of the tree. Yet without
previous law, the serpent is punished. God's
revealed word does not reveal his full power
or His full desire. Radical obedience is what
God loves, and radical obedience requ.ires the
divination of unpromulgated law-as when
Abraham bargained with God for Sodom.
( 4) Again, Cain broke no law when he
murdered his brother. But he failed to divine
God's will. God is hidden. ( " I will be gracious to whom I will be gracious._ . ) Because
God is hidden, heresies are an essential accomponiment of true faith.
( 5) Actions displeasing to God are turned
to good: the banishment of Cain brought about
the establishment of cities; the kingship in
Israel yielded a David.
Such talk is foolishness to the Greeks-to
Plato and Aristotle who had their fill of envious Gods, and no proofs. But who can refute the man who believes? How can a philos-

COLLEGE
opher or scientist who premisses the impossibility of the miracular, disprove a miracle? Mr.
Strauss assures us that neither side has ever refuted the · other.
Consider that there are only these two
heavyweights contending: philosophy and
revelation. No third champion, such as art,
offers to guide a human being through his life.
In the Statesman, Plato, himself, draws the
line .... " If there is no divine guidance, human
guidance is the one thing needful." There are
only these two, and neither can refute the other.
Then how do these contestants stand against
each other? Is there. any advantage either one
has over the other?
Don't we find that philosophy, the love of
evident truth, requires of man that he suspend
judgment, when circumstances are involved and
unclear; and at the same time don't we find
that life, at least active life, requires decision?
Doesn't the philosopher have to admit (of himself) what Goethe once said, "Man as an acting creature lacks conscience."
Further and more important, isn't it so that
revelation makes no claim it can logically reduce its opponents, and that philosophy stands
on its being able to do so? Revelation makes a
boast of its own improbability. On the other
hand , to choose philosophy as a way of life
while there remains unrefuted some other way,
is a partial act of faith in itself-an act which
philosophy can not only not accept, but which,
indeed , it must destroy.
Of the two powerful contestants, Mr.
Strauss finds that revelation has the longer
reach. Since neutrality means either to be a
lump o f cl ay or t,0 go mad , one must make a
choice.
In the question period , there were several
discussions which seemed to be all things to all
men. To one question-where Detroit placed
itself in relation to Jerusalem and Athens-Mr.
Strauss replied that he thought there might be
something new under the sun, that modern man
turned neither to Nature, nor to God for guidance, but to himself.
-W. ZEIK.

Sophomore On Seminars
Now that the Founding Fathers have passed
on to new worlds, it behooves us all to shoulder
a measure of the responsibifity for the success of
the new program. THE COLLEGIAN, it seems

ST. JOHN'S COLLEGE

Page 5

to me. might well serve as a medium of discus- so much of true judgment. Aristotle confrontsion and debate about the St. John's system ing the same problems can produce only so
among those who know from first hand student much, too, but it may be that his product supand faculty experience what the system is really - plements mine. When I find in him an eligible
doing. To keep the revolution alive there must opinion or insight not duplicating my own I
be the severest self-examination and most can- am the richer for having understood him.
did criticism by those of us who believe that the
Understanding the content is important,
program is essentially what a liberal education too, to a study of the later partic_pants in the
i
should be. Each of us should sense the signific- Great Conversation. In the replies and reance of the work left to us to carry on here and joinders that are heard down through the ages,
with the best judgment we possess at the mo- each assumes his reader to have understood what
ment, however faulty that may be by an absolute has gone before.
standard, be quick to speak our minds with seriIt is this second utility of the books that the
ous disapproval or applause.
seminar is failing to exploit. None of us alone
I start the ball rolling with some unfavor- can understand fully an author's meaning. But
able remarks on our seminars. Are we exploit- fifteen or twenty of us working together toward
ing them to the best advantage? Do they con- understanding can approximate it more closely
tribute as they might to our understanding of than can one alone. Some part of the seminar,
the books and to the improvement of our dia- preferably the first part, I should think, should
lectical faculties? My answer to those ques- be spent in cooperative search for what the
tions, which I gladly give you without even be- author is saying, in analysis and interpretation.
ing asked, is an unequivocal "no."
Fortunately, there will always be disagreements
The books we read teach us in at least two as to the content of this what. Intelligible,
ways. First, because they are intricate, compli- fruitful controversy, with the issues concrete and
cated, and difficult, they make us work for their defined, will grow out of these disagreements.
meaning. This painful digging into the auAt present that small portion of our disthor' s content is a valuable discipline in itself. cussion devoted to the books is in the main
The mathematical books best illustrate this sort critical discussion . Because criticism to be ilof active discipline, because in them the actual luminative must be built upon understanding,
conclusion reached, the proposition proved , is and since we give no time to the analysis and
often commonplace and insignificant. It is the interpretation that produce understanding, our
rigorous mental exercise that the proof provides criticism is inevitably dark and confused. As
that gives a book of Euclid its pedagogical value. Ecclesiastes would have put it: "There is a
The emptiest romance in Collier's weekly would time to examine, and there is a time to judge."
be worthw bile to a freshman if it were written Premature criticism is worse than none at all,
in Greek. All great books, even in English because it takes the attention aw ay fro m its
translations, because they are elevated and writ- proper object of the moment. When a student
ten by keen, taut minds with no tendency to in seminar proceeds directly to criticism based on
multiply explanations and waste words, teach his particular reading of an author's content
by being hard to understand, regardless of what without any attention to the varying interprethey say. This discipline the college is giving tations or lack of interpretation in other studus in healthy doses.
ents' minds , he will either not be understood
at all or will fail to persuade for not having first
But the books have a content, too; the what
justified the interpretation from which his criticthey have to say. And this what has its value,
ism takes its departure.
not much inferior to the hard how of the first
discipline. It is this consideration of substance
that prompts us to study Plato and Virgil in
language tutorials and not selections from a
Greek Colliers. The content is important, not
because it is necessarily true or acceptable to belief, but for the same reason that two heads are
better than one. My own wit confronting personal and political problems can produce only

So much for what we ought to talk about.
Now a word or two as to how we might do the
talking. The seminar has proved such an effective device for drawing us out of ourselves, at
least most of us, that it has made us captious and
contentious. We are not as interested in clarifying an issue by helping the other man make
his point as we are in demolishing an opponent

�Page 6

ST.

JOHN'S

COLLEGE
ST.

by whatever tactic, legitimate or sophistical. gotten · around to doing this, not just in a few
With too little shame we sabotage promising tutori~ls, put for . the entire college. No one
discussion by irrelevant interjections. There is wants a freshman course in the Appreciation of
reason to suspect that the popular radio pro- Poetry 1 ,of course-but (also of course) no one
gram, "It Pays to ·be Ignorant, " which makes got on~ : The difference between such a course
comic capital out of the crazy veering of dis- and Mr. Van Doren' s lecture is this, that the
cussion. from one track to another, is a plagiar- former acquaints you with your professor's
ism of a St. John's seminar.
opinion of the meaning and beauties of certain
These vices will disappe&lt;J.r, I believe, only particular poems, usually without adding to
when the seminar door is ope.ned to the thought- y.0ur ability to read other particular poems by
ful pause. At present we have a dread of yourself, while the latter attempted to give you·
u
silence no less uneasy than a hostess at her te~ . an understanding of the p_ rpose and use of.
party. If seminar talk were small talk to be- verse and some practice in the art of reading. it.
guile the time, then this sort of . soli'citude -an understanding without which verse indeed
against lapses might . be defensible. . But where seems useless folderol, ·and an art without which
the topic is heavy and troublesome, complicated you can'.t quite get the idea of a poem.
and important, we can suspect that an argument
Since this, I believe, was Mr. Van Doren's
that proceeds without pause is superficial. A purpose, and since h'is audience was, by and
lapse in talk need not imply a . lapse in mental large, the uninitiated, I believe he might have
activity. A few exceptional people .may be able reversed the order of his lecture, beginning close
to engage simultaneously in straight thinking to home, with the verses themselves, and proand verbal expression, but . the rest of us need ceeding away and up, to the description of
time for both if the end product is to be worth Verse, where in fact the lecture began. For
imposing on the ears of others.
though there is no exact science of;verse, and no
one should expect mathematical reasoning from
J .P.M.
facts to the theory explaining the facts in a dis---10--cussion of verse, such a discussion might be more
easily followed and more valuable if it began
Mark Van Doren on Verse
with the practical problem, which is reading
No demonstration, however exact, will verse, and the n went to the rationale of verse.
However we probably have no right to ask
convince the butt-headed; and Mr. Van Doren 's
kind of demonstration, which is far from Euclid- or expect Mr. Van D oren to change his style for
ean, must certainly fail to change the minds of the occasion, since his style, like that of all poets,
those who thump on their chests arid. .declare is inextricably tied . up with his meaning, and
that verse is a lot of useless folderol, that· you . distortion of one distorts the other. Mr. Van
can say it just as well in prose, if you haue Doren approaches his subject as a sculptor apsomething to say: in fact a lot better~ " For- : proaches the rough stone. He chips off an aphortunately these are rare beasts, rarer than they ism here, and chisles a simile there. He works
seem at first glance, for a se&lt;'.ond look 'a t such . on the front a · while, · then moves to the back,
chest-thumpers will usually discover, beneath • ·to one side, to the top.
. an area becomes dethe pugnacious exterior, a wistful and . some- fined here, another there, w ith uncut formless
times painful desire to know why it is that the stone between them.
. but at last when he is
long-haired boys get so excited by a misplaced done his subject stands out clearly, . undemonsyllable or a well-selected verb-while they strated and unexplainable, but evident and elewho can read a page of complex prose without gant as a :finished statue. . Or perhaps we should
wincing, get tied in knots at the sight of a son- say that Mr. Van D~r~n deyelops his subject as
net. I believe Mr. Van Doren was addressing ·a composer develops 'his. themes, and we must
himself to these wistful ones, as well as to niost . listen to his lecture as we listen to music. we
of the rest of US, who have been jogging along must remember each theme, arid' it.S ~aria,tions,
now for a term or several years without much for though other .th~mes f?llow ir:.(·,it wil! recaring whether it's written in verse or in prose appear, · in a dlff,erentkey, wit.h new yaria.t1ons ..
as long as we get the idea. ::~
. with new ;harrrtdnies a'nd 'in different relations
And a good thing it is that someone of Mr. to other Hie mes: . :Each ' i-eappear'ari~e· adds lusVan Doren's insight and authority has finally tre to the original statement, to the intervening

1

JOHN'S

COLLEGE

Page 7

socialism by the misgivings we have about synva riations, and to the other themes. And what cronized joyfulness. The democrat or the so.
.
we "get out of" the lecture is not the c1imactic
. tatement at the end of a chain of logic, but the . cialist who can talk to the most of us is the one
~ucid coherant whole of a piece of music whose who knows things aren't going to be entirely
blessed either way.
.
parts are still fresh in ~he me~ory. .
During the question penod vanous ideas
Poetry is not fiction if by that we m.ean a_nywere entertained, as were the participants, es- thing but imagination. · If we mean. 1~agrna ­
pecially during the attempts to explain the tion, a poem, like a biblical utterance, is. literally
Wyatt poem. Mr. Van Doren suggested that true. But some good poems are ternbly un''They" were girls, Mr. Witwer suggested that satisfying literal truth. The literal .reading o.u~­
"They" were ideas, and Mrs. Schofield sug- rages us; it severs our connection with ontohg1g~sted that girls were ideas. It was a pleasant
cal aareement. One of the things that keeps
peopl~ from reading poetry is the literal stateevening.
-GENE THORNTON.
ment. Colonials are such because they hate to
be alone .
- -- 0 &gt;--- Whatever we dream is true even if it does
The Fine Arts
not deliaht us. But there is not so much difT HE POEMS OF ROBERT FROST. Mod- ference between good and bad dreams if interpretation of dreams is the high art it's said to be.
ern Library, 1946. $1.10.
A delightful or a miserable dream is ~rs~ a
The land was ours before we were the land's.
dream: then a dream acted upon by pre Judice.
What might we become? Perhaps of all The dream perfectly understood would be just
questions that is the one which keeps govern- dr eam, just true.
ments from governing, teachers from teaching,
The poem which paraphrases itself is willed
v:riters from writing, lovers from toving , heroes rJther than imagined. It informs itself. What,
from the greatest deeds. Most of us have known then of those poems which have very evident
good students afraid of attending their classes. explicit meanings?
Some poetry (Sweeney
I know theorists in poetics afraid to read poetry. Among the Nightingales, Wyatt ' s "They flee
peopie whose love for poetry I nevertheless must from me . . . '', songs of Shakespeare, som.e
respect.
Wallace Stevens Cummings, Dylan Thomas) is
By such an enterprise as the Modern Library not at all explicit. Most of Frost is.
the book is easily ours. What we might become
Poems can be, l, totally explicit; 2. to tall Y
is more if we allow being possessed by some of
implicit; 3, both; 4, neither. None of the~2
the gifts that are ours. We are "still coloniels"
if the only i·1convenience we suffer is that of terms are good, because all human speech is
gming and reading the book. We are still Eng- totally implicit. Nobody ever understood. any b nd's. To be possessed by poetry we must suf- tbing anyone ever said. Then all ~peech i.s tofer philosophical inconvenience. (This almost tally explicit, because the only entire exp1an~­
rules out any poetry which Plato might keep tion of a thing is the thing itself. No speech is
both implicit and explicit. But for the sake of
for the state, poetry which paraphrases itself.)
communication ears give us notice of speech and
When we do not suffer thus the inconvenience
goes back to that again of picking up the book. by common experience when we speak we have
We read because we have said we "like poetry," a sort of workable inkling of vvhat we are saying and of what we will be thought ~o have
or "ought to read poetry."
Some people say they find too little mod- said. Poetry is nice because it works this alterern friaht in the poetry of Robert Frost. It able equipment to its utmost extremity.
All aesthetics is nearly contained in the deseems ;o me that far from being anything of
light, however mild, of ordering black c?ff ~e
a gentleman poet, Mr. Frost has always theo ret ical miscrivinas of the best order. His evi- ::rnd receiving black coffee without sugar m it
C&gt;
b
dent sureness of the value of the individual without having said anything about the sugar
integrity might estrange us all if we thought in it without having said anything about sugar.
seriously that in a socialist state, or in Plato's, The poet who does not work on this ba~is,
things would certainly be very nice, but we are who writes pretty much explicitly may be domg
as much in danger of being estranged from too little. may not be modern enough; but

�Page 8

ST.

JOHN ' S COLLEGE

again he may be up to something more ambitious than mysterious-looking mysteries ; he
may be working with the contrast, or the conflict, of evident reason and implied madness, or
of ontos versus cosmos. One thing he might
be is metaphysical. He is forcing us beyond
paraphrase by making the paraphrase too easy .
Shakespeare otherwise would not now be modern except for passages h ere and there. He
might be a minor poet . Donne would be nearly
forgotten. He made paraphrase so elaborately
unnecessary as to be an act more uninspired than
saluting an officer. ·
In the one poem of Frost 's which I can
hardly bear to mention for fear of altering somebody 's reading of it there is no opportunity for
para phrase. A poem which is totally explicit
is of the same order as one which is totally
implicit. To explain either would be to explain the cosmos . " The Silken Tent " is a
poem. I think that is what Mr. Frost has been
trying all his life to do : write a poem which ,
in the most exacting laguage available, is still
called poem, unqualified. It is worth a life .
M r. Frost h as w r it ten other poems . P er haps it is a highest state of pleasure to be able,
along with all the other things that are said,
m us t be said , to say that even in our t ime poems
are written. Someh o w, even tbough it may be
a radical thing to say , and not immediately a
systematic one, that tJ1is sugges ts strongly that
poems are read in our time , and that it is not a
miracle. There are some do w nright, unqualified , and of course admirabl e people somewhere
n ow , who read p oetry .

they w ere able to score only two field goals in
the second half . Inaccuracy caused by forcing,
and a failure to follow in for rebounds were the
chief ca uses of the defeat.
On Sunday afternoon , probably due to an
invigorating Saturday night, the team eked out
a 3 9-3 7 victory over a rough A.A.A . group.
T he game was a t hrill er all th e wa y, being tied
at half-time 2 3- 2 3, and not decided until the
closing seconds . Not as much forcing prevailed
a nd the offensive rebound work showed an improven1 ent. This success, however , was almost
thrown ;nvay by ou'r failure to anticipate the
opponent 's long court attack. Camponeschi,
Frame, and Matteson were the top scorers , but
each had too many w ild streaks . This was a
mu ch improved team, though , and the chances
of staying on the winning side seem brighter.
Bo x score:
Spor t C enter

-

-

-

] OHN S ANBORN.

0- - -

SPORTS
The school 's basketball team, hidden to
few in their blue and white Sportsmen's Center uniforms , tackled two opponents over the
last weekend . On Friday night they were unable to hit, and bowed to the Rams 43-32 .
On ly four points b ehind at the intermission ,

T

4

0

8

Dobreer, f .

1

0

2

Frame , c.

5

0

10

Camponeschi , g.

8

Totals .

17

0

Bauder, g.

G

Jones, f.

3

Norman , f.

3

0

0

3

F r ancis, g.

F

4

Stevens. c.

T
6

9
0

6

7

14

3

3

4

M aggio. g.

Totals .

2

39

19

Hewitt , g.

-

F

Matteso n , f.

A.A.A
Perhaps this is wh at w e might become, t he
thing most of us fear so muc h, the thing our
dons do not understand us for fea ring to become.

G

6

9

37

Non-scoring players- S. C.: Gallup and
Short : A.A.A.: Heise. Referees: Russell and
Han ts kc. Timer : Stone. Scorer : Cicarrone.

St. John's Collegian
Vol. LX -

No. 7

ANNAPOLIS, FRIDAY, FEBRUARY 21, 1947

St. Thomas a la Buchanan
It has become the St. John 's fashion to regard the reading of St. Thomas as a chore. There
is an increasing tendency to approach the
Summa Theologica with a frown , come halfheartedly to terms with it, say farewell · to it
with a sigh of relief , and forget it as quickly as
possible. Since St. Thomas and St. Augustine
should be for sophomores what Plato · and
Aristotle are for freshmen , Kant for juniors,
and the calculus for seniors, it is to be hoped
that Mr. Buchanan's lecture was an effective-rebuke for the bad reading habits that have been
formulated here as standard for Thomas.
As Mr. Buchanan reads him, St. Thomas
is a superb formulator of propositions, for he
asks questions which the reader would if he
could, and answers them. The impact of the
answers discovered by St. Thomas in a significant universe upon us in " a world now grinding
itself into finer and finer dust" is powerful and
mysterious . St. Thomas was able to see great
conflicts in his universe, made one in the
medieval synthesis, while perhaps we cannot
discover enough significances in our world to
disagree successfully .
·
The Summa Th eologica ma y: be read as a
record of St. Thomas' s discovery of the medieval
un iverse where God is · th e center . and circum ference. · In establishing theology as the queen
of the scie~ces, , St . Thomas drew freely from
Aristotle, the greatest Greek formulator of
propositions', and he followed the Aristotelian
scheme and used all the Aristotelian machinery
of logic and metaphysics to formulate expressions for the three levels of being, the natural
world , the angels, and God . 1. St. Thomas was
aided in his formulation by the opposition all
around him, in Europe where Aristotle was relatively new, in Avicenna and Averroes, in the
Greeks and Jews, and in the schisms of the East.
Mr. Buchanan then .chose to look back at
this discovery, or " construct, " of St. Thomas:s.
At the center of the structure is intelligence, for
the intellect is. the " faculty of reality; " " the
way to temporal salvation is through self-

Price: 10¢

knowledge." To become itself the world must
understand itself , things must take on form , i. e.,
intellect. The natural world is in act , or is
meaningful. insofar as it is informed . The
angels, who exist between the natural world and
the divine, are incorporeal substances, intelligences, a version of Platonic ideas. In God , essence is existence, all is act , and there is no
potentiality.
There are several parodies and perversions of
the Thomistic intellig-ence. One is the reduction
of God to theology , an acceptance of the human
discursive and intuitive intellects as the divine
intelligence. From an effect of God , the human
intellect , we know something of that intelligence which is God , but darkly , not becaus~ it
is dark in itself, but only to us . Theological
discourse tends to produce a " syllogistic God, "
and the theologian must take care not to propose things really " quoad nos" as ~~ou~?
" secundum se." Such perverted sylloglSlng ts
akin to the contemporary algebraizing ,- but Mr.
Buchanan recalled that in his earlier lecture this
year he had shown that the formulation of ideas
into discourse is , however dangerous, necessary
and inevitable.
The intellectualism in St. Thomas should
lead the theologian to imitate God, i. e. , to understand his own ideas and to use them. The
" qualitative identity " of ideas , t~eir vari~ty in
application, and the order of their embodiment
in individuals should provide a cycle of understanding for hurllan intellects. Man would
thus know that he can 't grasp the idea of .God ,
for human intelligence is most proportioned to
nature , and it is through symbols th~t the
human intellect establi~hes its proper distance
from natural objects. ·
A legend relates that St. Th~m.as said of h~~
work as he was dying, " Straw, it is all· stra~ ,
and that Christ then appeared and consoled him,
saying, " Thou hast done very well . by me ,
Thomas.''
The questions asked Mr. Buchanan underlined an important omission in t~e . lectur~, the
character of St. Thomas as a Chnstian ph1loso-

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                    <text>Page 8

ST. JOHN'S

again he may be up to something more ambitious than mysterious-looking mysteries; he
may be working with the contrast, or the conflict , of evident reason and implied madness, or
of ontos versus cosmos. One thing he might
be is metaphysical. He is forcing us beyond
paraphrase by making the paraphrase too easy.
Shakespeare otherwise would not now be modern except for passages here and there. He
might be a minor poet. Donne would be nearly
forgotten. He made paraphrase so elaborately
unnecessary as to be an act more uninspired than
saluting an officer. ·
In the one poem of Frost 's which I can
hardly bear to mention for fear of altering somebody's reading of it there is no opportunity for
paraphrase. A poem which is totally explicit
is of the same order as one which is totally
implicit. To explain either would be to explain the cosmos. " The Silken Tent" is a
poem. I think that is what Mr. Frost has been
t rying all his life to do: write a poem which,
in the most exacting laguage available, is still
called poem, unqualified. It is worth a life.
l\/lr. Frost has written other poems. Perhaps it is a highest state of pleasure to be able,
along with all the other things that are said,
must be said, to say tbat even in our time poems
are written. Somehow, even though it may be
a radical thing to say. and not immediately a
systematic one, that this suggests strongly that
poems are read in our time, and that it is not a
mi racle. There are some downright, unqualified, and of course admirable people somewhere
now, who read poetry.

COLLEGE
they were able to score only two field goals in
the second half. Inaccuracy caused by forcing,
and a failure to follow in for rebounds were the
chief ca uses of the defeat.
On Sunday afternoon, probably due to an
invigorating Saturday night, the team eked out
a 3 9-3 7 victory over a rough A.A.A. group.
The game was a thriller all the way. being tied
at half-time 23-23, and not decided until the
closing seconds. Not as much forcing prevailed
&lt;md the offensive rebound work showed an improverncnt. This success, however, was almost
thrown away by ou'r failure to anticipate the
opponent's long court attack. Camponeschi,
Frame, and Matteson were the top scorers, but
each had too many wild streaks. This was a
much improved team, though , and the chances
of staying on the winning side seem brighter.
Box score:
Sport Center

Matteson, f.

4

Frame, c.

5

Camponeschi, g.
Bauder, g.

Totals .

---0---

SPORTS
The school 's basketball team, hidden to
few in their blue and white Sportsmen's Center uniforms, tackled two opponents over the
last weekend. On Friday night they were unable to hit, and bowed to the Rams 43-32.
Only four points behind at the intermission.

8

2

0

10
17

0

G
3

Norman , f.

3

0

0

3

Francis, g.

F

4

Stevens. c.

2

39

19

Jones, f.

T
6
9

0

6

7

14

3

3

4

M;:iggio. g.

Totals .

T

0

8

Hewitt, g.

- ] OHN SANBORN.

F

0

Dobreer, f.

A.A.A
Perhaps tbis is what we might become , the
thing most of us fear so much , the thing our
dons do not understand us for fearing to become.

G

6

9

37

Non-scoring players-S. C.: Gallup and
Short: A.A.A.: Heise. Referees: Russell and
Hantskc. Timer: Stone. Scorer: Cicarrone.

St. John's Collegian
Vol. LX -

No. 7

ANNAPOLIS. FRIDAY, FEBRUARY 21. 1947

St. Thomas a la Buchanan
It has become the St. John's fashion to regard the reading of St. Thomas as a chore. There
is an increasing tendency to approach the
Summa Theologica with a frown, come halfheartedly to terms with it, say farewell to it
with a sigh of relief. and forget it as quickly as
possible. Since St. Thomas and St. Augustine
should be for sophomores what Plato and
Aristotle are for freshmen, Kant for juniors,
and the calculus for seniors, it is to be hoped
that Mr. Buchanan's lecture was an effective-rebuke for the bad reading habits that have been
formulated here as standard for Thomas.
As Mr. Buchanan reads him, St. Thomas
is a superb formulator of propositions, for he
asks questions which the reader would if he
could. and answers them. The impact of the
answers discovered by St. Thomas in a significant universe upon us in " a world now grinding
itself into finer and finer dust" is powerful and
mysterious. St. Thomas was able to see great
conflicts in his universe, made one in the
medieval synthesis. while perhaps we cannot
discover enough significances in our world to
disagree successfully.
The Summa Theologica may be read as a
record of St. Thomas' s discovery of the medieval
universe where God is · the center and circumference. · In establishing theology as the queen
of the scie~ces, St. Thomas drew freely from
Aristotle . the greatest Greek formulator of
propositions', and he followed the Aristotelian
scheme and used all the Aristotelian machinery
of logic and metaphysics to formulate expressions for the three levels of being, the natural
world , the angels, and God . 1_ St. Thomas was
aided in his formulation by the opposition all
around him, in Europe where Aristotle was relative! y new. in Avicenna and Averroes, in the
Greeks and Jews, and in the schisms of the East.
Mr. Buchanan then chose to look back at
this discovery . or "construct," of St. Thomas: s.
At the center of the structure is intelligence, for
the intellect is. the "faculty of reality;" "the
way to temporal salvation is through self-

Price: l 0¢

knowledge." To become itself the world must
understand itself, things must take on form. i. e.,
intellect. The natural world is in act, or is
meaningful. insofar as it is informed. The
angels, who exist between the natural world and
the divine, are incorporeal substances, intelligences, a version of Platonic ideas. In God, essence is existence, all is act, and there is no
potentiality.
There are several parodies and perversions of
the Thomistic intellig-ence. One is the reduction
of God to theology, an acceptance of the human
discursive and intuitive intellects as the divine
intelligence. From an effect of God, the human
intellect, we know something of that intelligence which is God . but darkly, not becaus~ it
is dark in itself. but only to us. Theological
discourse tends to produce a "syllogistic God, "
and the theologian must take care not to propose things really "quoad nos" as ~~ou~?
"secundum se." Such perverted syllogismg ts
akin to the contemporary algebraizing,- but Mr.
Buchanan recalled that in his earlier lecture this
year he had shown that the formulation of ideas
into discourse is, however dangerous, necessary
and inevitable.
The intellectualism in St. Thomas should
lead the theologian to imitate God, i. e .. to understand his own ideas and to use them. The
'' qualitative identity '' of ideas, t~eir vari~ty in
application, and the order of their embodiment
in individuals should provide a cycle of understanding for human intellects.
Man would
thus know that he can't grasp the idea of .God,
for human intelligence is most proportioned to
nature, and it is through symbols that the
human intellect establishes its proper distance
from natural objects.
A legend relates that St. Th~m.as said of h~~
work as he was dying, " Straw, tt is all· stra~,
and that Christ then appeared and consoled him,
saying, " Thou hast done very well . by me,
Thomas. ''
·
The questions asked Mr. Buchanan underlined an important omission in t~e. lectur~. the
character of St. Thomas as a Christian ph1loso-

�Page 2

S T . J 0 .:. H N ' S C 0 L L E G E

pher. In finding intelligence at the center of St.
Thomas, Mr. Buchanan was as aptly describing
Aristotle, and with some qualification, Plato
and Kant. The roots of St. Thomas are not
only in Aristotle but in Holy Scripture and in
the Church Fathers, particularly St. Augustine,
and the power in St. Thomas is not only in intelligence but in salvation through love and
grace.
-R.W.

On Intelligibility
This is dedicated to the two articles appearing in last issue of the Collegian by Mr. "JPM,"
and my friend, John Sanborn.
It is indeed a wondrous thing to realize
suddenly that we must do all that was ordained
for us to do. However, it seems that all of the
creatures put on this earth are by their very
nature complicated and immensely tragic characters. That there is no rhyme or reason to the
present scheme of things is an apparent pa radoxical symbol of great things to come in the
21st century. Certainly there are many obvious truths: ( 1) all creatures must exist in air,
land, or water; (2) no one person can determine the cosmos of this world or the other; (3)
we are all caught by the web-like mesh spun by
the hairy ones. Or in this connection one
might logically assume that, on the contrary,
the hairy ones are pinned between Lucifer and
P oseidon. Which of the alternatives of (3) is
true does not concern us here, but we must realize that this rhyme (or poetry ) and this reason
(er seminar itself) are not contradictory items
as they would seem to be on a hasty perusal of
a Great Book. For truly rhyme and reason,
poetry and seminar, are entities of themselves
which paraphrase their very existence!
This symbol, this concept of wholeness
mere! y shows that it, like all symbols , is either
( 1) implicitly explicit or (2) explicitly implicit.
Now the fact that implicitly explicite and explicitly implicit seem to the untrained mind, to
be contradictory terms, is of little importance
when one realizes that nothing anyone has ever
said about anything at anytime in a given area
has ever meant anything to anybody.
In criticizing what some one has to say, the
student must be exceedingly careful of premature judgment. The fact that amagazine like
Colliers has resorted to empty, romantic stories
is ample evidence of the tendency of the Amer1

ican youth of today to be empty and premature
in their judgments of everyday things. The
simple truth of the matter is that we are becoming. Now this truism is not. to be taken too
lightly for it is because of this that poets aren't
poetical, writers aren't readable, reviewers aren't
reviewable, v's aren 't moveable. So we can
readily see that this state of becoming is reaching a new height of indignation. The truth of
the matter is that we are still Mother Russia's
and Father Spain's; neither Peron nor FDR
ever said that it is possible to have a one world
concept of the universe without taking into
consideration the eidos of the good. This is
exactly the problem which the publisher of Collier's and other leading magazines have been endeavoring to do since President Harding symbolized the "how" of the first obvious truth
mentioned at the ~ommencement of this article.
Now insofar as the seminar and poetry are
concerned with ideas and the logical recipients
of these ideas we must remember that the hairy
things alluded to in the first paragraph seem to
show by their movements a complete and
rational reason for the passing of things from
the sensible to the intelligible. Intelligible in
regard to what? may be asked rightly. The
answer is not a simple one, nor it is one that
appears on the surface of articles appearing in
the Collegian or even in Collier's. Some of the
better students who don' t attend seminars and
some of the theorists in poetics who are panic
stricken at the sight of verse, have endeavored
to tie up these symbols and interpret them into
lay language. Now when the seminar door is
opened to the thoughtful pause, some of these
vices will disappear, and when some of these
provincial colonels realize that the war is over,
then perhaps there can be some respect for the
right, the true, the poetic, and the ' intelligible.
-BOB GOLDBERG.

THE FINE ARTS
Art Exhibits
The exhibition of Dutch and Flemish
paintings just concluded in the Common room
is noteworthy for many reasons, but it seems
most important because it represents art in one
of its most healthy and productive periods. As
most observers probably noticed, it was an exhibition that dealt directly with its subject matter. There was very little interest by the artist
in the artist per se, but a very great deal of inter-

ST. JOHN'S
est in those things which were being painted and
the technique with which it was being done.
Most of the "Little Dutch Masters," starting
with the genre paintings and ending just before
the era of Vermeer, Rembrandt and Hals, were
interested in the pleasurable aspects of life
around them. Pictures of court yards and wedding scenes, realistic portraits, and sharply defined still lifes all show the loving interest they
took in life around them. No self-consciousness exhibited, no expressionism, but rather an
objective approach with a fine basis in technique.
Only in such later men as Rembrandt does
one feel that there is a bit more than the genial
warmth and humor displayed by most of the
lesser men. Here is the same passion for textures and form, but it is tempered by an interest in a subjective approach. Yet never does it
lose the unifying quality chat binds the Dutch
and Flemish masters together into a group-a
certain flavor of the soil.
Such statements concerning the artist's objectivity and his interest in the subject more than
himself can seldom be made of the next show
that is on view. Here can be found a completely
.2ifferent sort of attitude. Instead of being con:erned with the world around them, there is an
a!most complete lack of interest in it. Subject
matter still appears but now it is there not for
its own sake or for the sake of what it represents but as an agent on the artist's mind. No
longer is it the emotion of the subject that is
put down but the emotion of the artist while
looking at the emotion of the subject.
To question why this change has taken place
is not my purpose in this brief review, but I
should like to forward one idea about it . The
modern attitude might be said to stem from the
change in the state of the Low countries in the
sixteenth and seventeenth centuries and the
world today. The artists of the exhibition just
ended had a great amount of faith in the world.
It might have been the unifying force of religion; it might have been the economic or political set-up of the time. But the fact remains,
they had a cheerful attitude towards the state
of the world. The artists of today do not seem
to have that same faith in the world about them.
They have been driven away from the world
and have turned more and more within themselves. An ivory tower in art has been their
fate . Of course there is the American regionalist trend, which portrays the genre scene, but

COLLEGE

Page 3

it seems to be a last dying struggle with the
major movement rather than an important
movement in itself.
To get back to the exhibitions, however.
These are the first of a series of exhibitions which
will continue throughout the year. It was
decided that first-rate paintings in prints would
be better than second quality work that would
be available to us in the original. However,
plans are being made for a show of modern
drawings, lithographs and etchings.
-JOSEPH ABLOW.

Reminiscences of a War
Correspondent
that day about noon we came to a first-aid station,
we did Chuck's wound; there was a lad there
from Tucson I believe he said, I believe yes,
Tucson:
he was dispensing coffee, we drank one after
another;
Pinkey (the general. He called me Emmon)
gave us a permit for a jeep, we needed a jeep;
we got a ride to the dock in a native wagon,
took our jeep and beat it onto the ship ;
Chuck said well here we go; well and you're
wounded
I said, proud of his guts. Chuck was swell.
flagrank or no flagrank, in the wardroom they
talked
about frenchWoman and about some war-struck
pleasures,
l1 standing his own with the immortals,
Xerxes,
" his teeth :fifteen white horses on a red hill"
(I remember wiring) talking with godlike ease,
( o tame, the disparagement of leadership
now in the crew's spaces among all this fleet
this inhabited most trying architecture)
·'I remember anticipation of finite numberless
waacs waves spars ladymarines"
(bring the womanbranch over here they said)
and stewardmates standing sidewise by the ship's
rail
eating icecream in the warm wind;
spinning, the stars spinning round; the ocean
spun counterclockwise in the dark, supple,
o tougher than you think, this enterable ocean
jumping like a tiger around the gunwhales.

�Page 4

ST . JOHN ' S COLLEGE

Xerxes talked beautifully, in rare form ;
Chuck ~ I pitied the sailors their missing this :
Xerxes in form. burly and bright the ocean,
the stewardsmate burly, bright , contestable,.
the Word unwinding in his brain at war ,
coming now, coming the tuneless day
and in this distraught companionship of Deed,
(why him aboard? why Xerxes like a king ?)
all so right (if you like) when (of course) you
know,
~ I so wanted Xerxes understood
I went running to my darkened stateroom to
write ;
time for a gladdened heart to sing of battle ments
:fleet at sea ten knots and blinking amiably
now in right waters, knowing later
Chuck would get pictures {1 I stories of some

ST. JOHN ' S COLLEGE

parts of a whole, a number of pictures from difThe pattern of this decline fits rather nicely into
ferent prospectives which ultimately aimed at
a theory of Bienstock' s-that all ideas as they
portraying the soul of the great Behemouth of
rend to be translated into some kind of practical
the modern world-Soviet Russia.
action, gradually degenerate .
Omnipresent in a deterministic philosophy
This transformation of the Marxist myth
of history that translates itself into a grammar
points up what, for Bienstock, is its greatest falof political action is the paradox of Determinlacy-the substitution of political for moral
ism and free w ill. This problem itself demands
ends and the degradation of individual intega series of lectures which would merely open the
rity that follows inevitably from such a shift.
question to clearer inquiry. Bienstock merely ' When the moral worth of the individual, and
noted it, diagnosed its genesis in the contradicthe individual's action are not the cornerstone of
tory influence that the _
English Pragmatists and
any social or political action , means become unHegelian metaphysics had on Marx, and indiimportant and all crimes can be (and actually in
cated that its resolution was not implicit in a
Russia are ) justified in terms of future goals.
Marxist dialectic of history.
This leads to a moral decay that can well toll
There is then the problem of the individual
the death knell of any civilization-no matter
and the culture pattern, irrespective of whether
how great or how strong.
this takes a philosophical, theological or political
Dr. Bienstock reiterated this point over and
nKe
form . For pre-Marxian Russia it was largely
over in a not so lively discussion with Mr.
rowdy right intended helpwar slaughter
theological, the Russian peasant losing, or as
Witwer during the question period. Mr. Witin w·rong waters, wrong, but then, Xerxes
some argue, finding himself in the mystical body
wer's difficulty seemed to lie in his inability to
-JOHN SANBORN.
of the Christian Church . To successfully grasp
distinguish between moral principles that he
the imagination of a people that had historicclaimed could be understood to be implicit in
ally been guided by this way of life, x must be
Marx ' s philosophy, and the precisely different
The Great Temptation
substituted for y , a political myth created to
reading that all the men that have actually transIt is always interesting and usually provoca- supplant a theological one, and finally a hislated Marx's writings into practice have made .
tive to hear personally from individuals who torical , political figure introduced to shadow the
Bienstock was concerned not with what Marxhave been emeshed in the key machinations of religious savior. In other words the production
ism might have been or could be-given a difmodern history , and Dr. Gregory Bienstock, continues with the same cast-but in different
ferent reading-but what it had been as far as
Anything less subtle and more
who was an intimate, if not a prominent figure costume.
Russia was concerned. He argued that the revoin the Russian Revolution, is not an exception definitive is doomed to failure.
lutionary pamphlets (Eighteenth Brummaire,
to this rule. Dr. Bienstock' s subject-Marxism
Marx 's problem then was to create an hisetc. ) were the texts that had the greatest influand Russia-is a correlation in theory and a torical myth, guided by an imaginative hisence on the Russian revolutionaries and which
story in REALPOLI T IK that he h as been pre- torical figure, powerful and moving enough to
also contained the least of any possible moral
occupied w ith most of h is life . This same close- assume the Messianic role that Christianity had
implications. I cannot help but feel that this
ness, this intimacy may well explain his rather thus far successfully portrayed. This, of course,
overdrawn and overdone point precluded any
fragmentar y , loosely constructed presentation- was the proletariat. The individual submerged
general discussion , and marred the quality of
a pronounced departure from the more rigorous himself in this mystical body in order to bring
the after lecture session.
form strived for here. Indeed the relevance and about the Marxian or materialistic counterpart
Dr. Bienstock's central thesis'the irreconworth of his staccatto-like illuminations, how- of salvation-the classless, sinless, and strifeless
cilability of Marxism and morality is a rather
ever. might forgive such rhetorical sinning, or community of man.
familiar one to most of us. Its arresting simat least modify its mortal quality to venial.
The means by which this millenium is
plicity, its rather striking appeal (valid as I beDr. Biens tock spoke not of M ar x , or Marx- achieved are revolutionary. The Christian ethic
lieve it basically is ) seem to blind a good many
ian theory, but of the effect of the Marxist " doc- which ennunciates the individual moral being
to t he numb er of complex subordinate factors
trine " on Russia. " Marxism is the national of each man as an end in himself , quite naturally
that total up to something that might well
church of Russia, " he stated, and the main por- is replaced by a revolutionary " ethos" which
change the nature or at least the tone of the contion of his lecture was addressed to the task of reduces the individual to the proletariat and
clusions of such a simplified analysis. Granted
telling how, but not why , this came about. His judges his actions by the degree of failure or
the relevance and importance of the transposiapproach was circular in nature , and in some- success in the realization of its revolutionary 1 tion of the political for the religious myth , there
thing like the fashion of the Van Doren defined ends. Dr. Bienstock insisted that a gradual
is still the problem of what forces made such a
critic-he moved in rapid , but not easy circles transformation took place in Lenin's period, in
shift necessary.
around his subject , darting in with judgments which the concept of the proletariat merged into
This is the area that Bienstock did not exwhen they offered themselves to him naturally, the concept of the revolution , and this in turn
plore and it is precisely within this area of inas if on the fly. These darting judgments were deg nerated into more of an end than a means.
vestigation that the evidences of m? ral justifica0

Page 5

tion for the Marxist revolution lie. In short,
Dr. Bienstock gave us some valuable insights into a complex problem that demands our immediate attention, and better understanding. The
danger involved would be in taking his part for
the whole , judging Russia in terms of absolutes
while resisting self-examination and self-judgment ,-and ,nally in dispair, resisting to the
great temptation, and what follows from itnamely the acceptance of historical determinism
and consequent political inaction.
-W.M. G .
--~o---

Student Relief Committee
The Student Relief Committee on this campus is organized to collect and transmit funds
for the relief of the present sickness and want
which many students in countries overseas
suffer.
This past fall the Committee decided to
single out Athens College as a focal point for
our effort- mainly to establish the kind of communication with students in that community
which would assure us that our monies were
being wisely used, as well as to promote an active concern for more than the financial side of
their difficulties . This was not to plunge into
politics. Larger questions about the character
of the Greek nation's internal and external policies do not concern the Committee as such, although many of us have strong (and divergent)
personal opinions about the matter. We are
concerned about alleviating near-starvation,
about th e menace of tuberculosis amon g Greek
students.
The World Student Service Fund, through
which the Committe-e transmits funds colle.cted,
maintains a representative in Athens, Mr. Harold Reed . Miss Roosenberg, the Dutch student
who spoke here before Christmas, of her experiences with the Resistance movement in Holland
during the German occupation, has given us a
strong recommendation of R eed , w hom she
knows personally through her connection with
European Student Relief activities. Yet it would
seem unnecessary to bring forward such testimony ; World Student Relief, through the international headquarters at Geneva, is " a nongovernmental international organization that
works impartially without refernce to race, nationality, religion or politics, to meet human
needs . Its basic principles are : impartial service

�Page 6

ST. JOHN'S COLLEGE

ST. JOHN'S COLLEGE

to all students and professors in need .
. rehabilitation of university life in its full scope
rather than relief only; promotion of self-help
and cooperated efforts in addition to direct
assistance.''
At a recent meeting the Committee decided
to send the funds students here contribute to
Greece to Harold Reed in Athens, primarily earmarked for use at Athens College, but with the
proviso that if he should judge that the needs
of other student groups there demand more immediate alleviation, he should so administer our
contribution.

If you desire, the Committee will forward
your contribution to whatever country you
wish to designate. We would like to remind
the student body that the College Librarian
will receive books and clothing for relief purposes for shipment through the World Student
Service Fund. The following is an excerpt of
a letter from Harold Reed, written when he first
began working in Athens last 'year, before the
stoppage of UNRRA supplies:

Sports
As basketball swung into the second
round, several upsets caused a considerable
change in the court picture. The first one came
when a rejuvenated Freshman quintet handed
Junior 3 its first loss of the season by a 45-42 '
count. With Frame ineligible due to his duties
as athletic assistant, Thomas took over the scor.
ing honors for the Freshmen with 16 points.
Matteson, who tallied 14 points in the first half
for the Juniors, was held to a single basket in
the second half, and tied for point with Gallup,
who also tallied 16 for the Juniors. At the
half the Juniors had a 25-19 lead.
With the announcement by Coach Ned
Lathrop that the Seniors would now be eligible
to play with either Junior 1 or 2, whenever
available, the cellar-place Junior-Senior 2 organization sprung to life and dumped Junior
3 for a second victory, 35-26. The JuniorSeniors, paced· by Krol with 11 points, held a
flimsy I-point margin at half time, but opened
up in the last half. Matteson led the Junior 3
team with 14 points.

"Greek students must spend their
With the championship race open to all
strength in find one meal a day .
. If
comers, Junior-Senior 1 turned out with two
a student is lucky he has, on the aver· full teams to give the Freshmen a decisive 61-3 5
age, one pair of very old shoes, one pair
thumping and move into first place as we go to
of trousers, one shirt or scarf (instead press. Cave paced the winners with 20 points,
of a shirt), one jacket, one pair of with Schleicher adding 18, and Widder,
pajamas (which are worn in the house Thomas and Feinberg tallied 8 each for tbe
during the daytime), and no hat, handFreshmen.
kerchief, or underclothing .
In other games, the Freshmen got off to an
" Students in Athens must find their
early lead and went on to down the Sophomores!
own accommodation in a city crowded
with homeless refugees and swarming 47-26, with Goldberg leading the Freshman atwith a population double its 1939 size. tack with 14 points. Wallace scored 9 for tbe
Some find their accommodation in rail- losers.
1
The two Junior-Senior teams met for tbe
road stations, or on the counter of a
store. Some are even afraid to say first time in a route that saw 1 A, sparked by
Schleicher, hold the 2B team to a single basket
where they sleep.
" At present, the canteen of the by Van Sant in the first half, and then go on
University Club feeds 3000 students to roll up 51 points in the .second half to win
. The total 6 3-15. Schleicher tallied 28 points; and Wilone good meal a day.
I
average calories per day for Greek peo- son scored seven to lead the losers.
Junior 3 spotted the Sophomores a one-1
ple is now estimated at about 1400
calories a day. These indigent students point lead at half ·time in another thriller, ~nd
are lucky if they eat 1000 calories a then ca me back to win 41- 3 3. The J un1ors
day, and nearly all are forced to work were led by Matteson and Bounds with I 4 j
each, and Wallace scored I 0 points for the
to earn a precarious living .
losers.
For the Committee :
Another close-fought game saw Junior·
S. BERGEN.
Senior 1 edge the Sophomores 29-26. Schleicher

again paced the winners with 12 points, while
Moray and Wallace tallied seven each for the
Sophs.
Matteson continued to lead the college in
individual scoring, with 159 points in seven
games, for a 23-point average; while Schleicher,
with 58 points in three games , moved into second place with a total of 100 points. Cave
maintained third place with 91 points. Frame
of the Freshmen, although ineligible now, moved
no lower than fourth place by virtue of his 64
points scored in three early games. Leading
scorers:

.

7
6
6
5

....

5

Pts.
159
100
91
64
63
60
51
48
46
42

Team standings on February 2:
W.
L.
4
1
Junior-Senior 1
2
Junior 3 . . . . . . . . .
5
3
Freshmen
4
4
1
Junior-Senior 2
1
5
Sophomores

Ave.
.800
.714
.571
.200
.167

Player- Team
Matteson, Junior 3
Schleicher, Seniors
Cave, Junior 1 . . . . . . . ..
Frame, Freshmen
Bounds, Junior 3
Gallup, Junior 3 . . . . . . .
Feinberg, Freshmen
Wallace, Sophomores
Widder, Freshmen
Thomas, Freshmen . . . . .

. . .

Games
7
7
7
3
7

Page 'J

asked is a restatement of some of what was being said, put in this loose and unelaborated
form to invite comment and prescription of an
equally fragmentary kind.
1. Less of the platform manner. Conversation is in a bad way around here, though there
is a good deal of talking; and the Collegian
might function partly as a locus for conversations. Not debates or manifestos or spats, but
a number of people conversing with a degree of
attention and clarity and good disorder about
something that interests them.
2. If such conversations were entered also
by the faculty, it might help to restore an ease
of communication between them and the student body .
3. The present form of the Collegian discourages people who have things to say that
feel about two paragraphs long, or more question than answer, more investigatory than conclusive. It demands from prospective contributors a full-dress rhetorical organization that is
difficult, frequent I y unnecessary and sometimes
stullifying. Not that essays should be forbidden, but those with something less than an essay
to write should not feel gauche and uninvited.
Breaking up the present format of the paper, or
departmentalizing it, are possible measures.
Also possible, is that copy should be typewritten, and on one side of paper only.Compositor.

4. There is a lot of solemnity per columnar
inch. And politeness.
Editor's Note-The following notes represent, in digest form, the sense of a recent meeting , called by the ditorial board to discuss
critically the form, content and policy of the
Collegian. Present at the meeting were both
students and faculty members, that have either
contributed to or shown interest in its publication. The Editors are very anxious to receiv_e
informal, even fragmentary, comment on those
points raised at the meeting, and any other suggestions directed to this same question.

Collegian Meeting
Dear Editor: The general feeling was that
the Collegian could be improved, but what is
Wrong with the Collegian was perhaps not very
Precise in anybody's mind. So the best I can
do toward summarizing that meeting as you

5. What should the Collegian be doing?
What is its proper relation to the rest of the
words on this campus? Mr. Neustadt asked
this question, and though an answer is vaguely
implied in the comments reported, no one at the
meeting formulated it.
-R.A.

The following books have recently been
purchased by the library and are now available
for circulation:
Adams, Henry. The war of 1812.
Asch. East River.
Audubon. The birds of America.
Barzun. Teacher in America.
Bentley. Playwrite as thinker.
Dewey , John . Problems of men.

�Page 8

ST.

JOHN'S

Farrand. Records of the Federal conventions.
Farrar. Bibliography of English translations
from medieval sources.
Granville-Barker. Preface to Shakespeare.
Graves. I , Claudius.
Greenslet. The Lowells and their seven worlds.
Henderson. Antioch College; its design for liberal education.
Isherwood. The memorial.
Jones. Bennington College.
Josephson. Stendhal.
Kafka. The great wall of China.
Kafka. Metamorphosis.
Santayana. The idea of Christ in the Gospels.
Schorer. William Blake.
Seneca. His tenne tragedies, edited by Thomas
Newton, introduction by T. S. Eliot.
Warren. All the kings men.
Waugh. When the going was good.
The Partisan Reader, 1934-44.

COLLEGE

One World Department
Some of the aims of the Air Force Association, which was formed in January, 1946, are:
"To preserve and foster the spirit of fellowship
among former, present and future members of
the United States Army Air Force; to provide
an organization through which they may unite
in the fratern~l bonds of comradeship; to educate its members and the public at large in the
proper development of air power and to keep
them abreast of new accomplishments in the
field of aviation; to assist in every way possible
in keeping the U. S. Air Forces adequate, strong
and powerful for defense of our country by
supporting the establishment and maintenance
of an Air Force appropriately related in status
to the Army and Navy ; to help develop friendly relations among nations based on respect for
the principle of equal rights to all people." From a news release distributed by the Air
Force Association, a new national organization
for Air Force vets.

St. John's Collegian
Vol. LX -

No. 8

ANNAPOLIS, MARCH 5, 1947

Symbolism m Poetry
Mr. William Weedon is a tall , intense guy
who can be heard. I liked his rough-cut reading, and I like the Virginian manhandling of a
certain dipthong, which became extinct here
with the departure of Teddy Betts. The drive,
the accent, and the occasional sting of a personal prejudice, make him good to listen to.
I hope he will come back.
Mr. Weedon asked for a criterion of genuine poetry , and answered that literary criticism,
in relating poetry to man, will always establish
that criterion in the light of prevailing ethics.
This gives us one of the criteria of a criterion.
I would have taken this, for what it is worth,
on Mr. Weedon' s authority. But I cannot take
his word that I should take it on Plato' s. For
Mr. Weedon understands Plato's poet to have
been divinely inspired. And as the divine is
good , so is the poet good . But the State is also
good. And yet the State disowns the poet.
The lecturer's introduction to his subject
caricatured, I hope, an important abuse to which
the classics may be put. It is one thing to
answer a question in the words of a Master, and
it is quite another to stifle that question with the
magic dust of a disinterred Name. The question-What is poetry-is unanswerable either
by rote or by quote. It was the poets' unreadiness to answer which led Socrates to taunt them
as madmen or mere tools of Muses. Never did
he permit them to embark on a long, ballasted
voyage such as he found necessary to the question, What is Justice. But as he well knew , you
don ' t invade such a question; you evade it. You
ask, What are my , or someone else's, criteria of
poetry ? Mr. Weedon , def erring at this point to
the Socratic side of Plato, put himself in the
hands of one of the most untrustworthy literary critics of all time. The point of departure
of the State from poetry is most explicit in Book
X: " For if you . ... allow the honeyed muse
to enter , either in epic or lyric verse, pleasure and
pain will be the lords of your State instead of
law .
Poetry would reintroduce the
human element in this State which is perfect
only in its inhumanity. The heart is a corruptible organ, but there is no poet of any time

Price: 10¢

or place who would not argue that only by it
can the applicability of law to human beings
be measured. Rational structures are at the
mercy of their premises. Ethical premises themselves are answerable only to the primitive, however civilized, understanding of pain and
pleasure.
But I intended to upbraid Mr. Weedon 's
abuse, not his use, of Socrates. He has chosen
to read the Ion as a serious defence o( the notion
that the Socratic criterion of poetry is divine
inspiration. This is a matter of interpretation.
I suggest you read the dialogue again . Certainly
one might equally well choose the later Republican idea that poetry is second-hand imitation.
What was ludicrous in the evening at hand was
the acceptance by the lecturer and his audience
of the divine inspiration of poetry as a timeless
hypothesis. No one in the question period
raised his voice for poetry as an art. If " divine
inspiration " means special access to God , it is an
unmerited flattery ; if it negates free will and
craft, it is an unmerited insult. The pious and
hard-working Mr. Eliot would reject both
alternatives. But to grant for the moment the
divine poet: it followed that because the divine
is good , therefore the poet is good. So we are
at a loss to see why the good poet is evicted from
the good Republic. Alas, there is more than
one divinity in Plato 's mind. The Muse of the
Ion is not the God of the R epublic. I n th for mer dialogue , in Socrates' own words, Homer is
"the best and most divine of poets," while in
the latter he is " a teller of bad lies. " So it does
not follow that the divine poet is necessarily
good. And if he may be either good or bad, we
may make ethical judgment without having to
define real poetry as that which the ethic approues. Plato 's rules do not , Mr. Weedon, discriminate between real and bastard poets. They
discriminate against all poets, every one of whom
is to be limited to writing " hymns to the gods
and praises of famous men ." And we don ' t
know any more about what poetry is than we
ever did.
I think this Greek digression was intended
to support the lecturer 's personal and not at all
Platonic view that true poets really do work

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                    <text>Page 8

ST.

JOHN'S

Farrand. Records of the Federal conventions.
Farrar. Bibliography of English translations
from medieval sources.
Granville-Barker. Preface to Shakespeare.
Graves. I, Claudius.
Greenslet. The Lowells and their seven worlds.
Henderson. Antioch College; its design for liberal education.
Isherwood . The memorial.
Jones. Bennington College.
Josephson. Stendhal.
Kafka. The great wall of China.
Kafka. Metamorphosis.
Santayana. The idea of Christ in the Gospels.
Scharer. William Blake.
Seneca. His tenne tragedies, edited by Thomas
Newton, introduction by T. S. Eliot.
Warren . All the kings men.
Waugh. When the going was good.
The Partisan Reader, 1934-44.

COLLEGE

One World Department
Some of the aims of the Air Force Association, which was formed in January, 1946, are:
" To preserve and foster the spirit of fellowship
among former, present and future members of
the United States Army Air Force; to provide
an organization through which they may unite
in the fratern~l bonds of comradeship; to educate its members and the public at large in the
proper development of air power and to keep
them abreast of new accomplishments in the
:field of aviation; to assist in every way possible
in keeping the U. S. Air Forces adequate, strong
and powerful for defense of our country by
supporting the establishment and maintenance
of an Air Force appropriately related in status
to the Army and Navy ; to help develop friend ly relations among nations based on respect for
the principle of equal rights to all people." From a news release distributed by the Air
Force Association, a new national organization
for Air Force vets.

St. John's Collegian
Vol. LX -

No. 8

ANNAPOLIS, MARCH 5, 1947

Symbolism m Poetry
Mr. William Weedon is a tall , intense guy
who can be heard. I liked his rough-cut reading, and I like the Virginian manhandling of a
certain dipthong, which became extinct here
with the departure of Teddy Betts. The drive,
the accent, and the occasional sting of a personal prejudice, make him good to listen to.
I hope he will come back.
Mr. Weedon asked for a criterion of genuine poetry, and answered that literary criticism,
in relating poetry to man, will always establish
that criterion in the light of prevailing ethics.
This gives us one of the criteria of a criterion .
I would have taken this, for what it is worth,
on Mr. Weedon' s authority . But I cannot take
his word that I should take it on Plato 's. For
Mr. Weedon understands Pia to' s poet to have
been divinely inspired. And as the divine is
good , so is the poet good . But the State is also
good . And y et the State disowns the poet.
The lecturer 's introduction to his subject
caricatured, I hope , an important abuse to which
the classics may be put. It is one thing to
answer a question in the words of a Master , and
it is quite another to stifle that question with the
magic dust of a disinterred Name . The question- What is poetry-is unanswerable either
by rote or by quote. It was the poets ' unreadiness to answer which led Socrates to taunt them
as madmen or mere tools of Muses. Never did
he permit them to embark on a long , ballasted
voyage such as he found necessary to the question , What is Justice. But as he well knew , you
don't invade such a question ; you evade it. You
ask, Wh at are my , or someone else's, criteria of
poetry ? Mr . W eedon. deferring at this point to
the Socratic side of Plato, put himself in the
hands of one of the most untrustworthy literary critics of all time. The point of departure
of the State from poetry is most explicit in Book
X: " For if you .. .. allow the honeyed muse
to enter, either in epic or lyric verse, pleasure and
Pain will b e the lords of your State instead of
Poetry would reintroduce the
law ... . "
human element in this State which is perfect
on]y in its inhumanity. The heart is a corruptible organ, but there is no poet of any time

Price: 10¢

or place who would not argue that only by it
can the applicability of law to human beings
be measured . Rational structures are at the
mercy of their premises . Ethical premises them selves are answerable only to the primitive, however civilized , understanding of pain and
pleasure .
But I intended to upbraid Mr. Weedon 's
abuse, not his use, of Socrates. He has chosen
to read the Ion as a serious defence of the notion
that the Socratic criterion of poetry is divine
inspiration. This is a matter of interpretation .
I suggest you read the dialogue again . Certain Iy
one might equally well choose the later Republican idea that poetry is second-hand imitation .
What was ludicrous in the evening at hand was
the acceptance by the lecturer and his audience
of the divine inspiration of poetry as a timeless
hypothes1·s. No one in the question period
raised his voice for poetry as an art . If " divine
inspiration " means special access to God , it is an
unmerited flattery ; if it negates free will and
craft, it is an unmerited insult. The pious and
hard-working Mr. Eliot would reject both
alternatives. But to grant for the moment the
divine poet : it followed that because the divine
is good , therefore the poet is good. So we are
at a loss to see why the good poet is evicted from
the good Republic . Alas, there is more than
one divinity in Plato 's mind. The Muse of the
I on is not the God of the Republic. I n the for mer dialogue , in Socrates' own words , Homer is
" the best and most divine of poets ," while in
the latter h e is " a teller of bad lies." So it does
not follow that the divine poet is necessarily
good . And if he may be either good or bad , we
may make ethical judgment without having to
define real poetry as that which the ethic approues. Plato's rules do not , Mr. Weedon , discriminate between real and bastard poets. They
discriminate against all poets , every one of whom
is to be limited to writing " hymns to the gods
and praises of famous men ." And we don ' t
know any more about what poetry is than we
ever did.
I think this Greek digression was intended
to support the lecturer 's personal and not at all
Platonic view that true poets really do work

�Pagt 2

ST. JOHN'S

for the true good of the true Republic; that our
participation in poetry is an admission of allegiance to that ideal State, and that no literary
criticism is valid which does not refer to it. Certainly this view is appropriate to the study of
T. S. Eliot. Mr. Eliot and Plato are both Republicans of a great tradition which neither began nor ended with Plato-the tradition of the
human instinct for good which Plato called reason, which Mr. Eliot calls God, and which Mr.
Weedon a pparen ti y calls poetry.

*

*

*

*

*

The poetic process is difficult to speak of in
abstract terms. Mr. Weedon tried hard to tell
us how poetry is and is not dialectic; how poetic
symbols carry the impact of dialectical processes
without their dead-weight, suggesting rather
than demonstrating, being rather than becoming; how in the relation of symbol-words to
one another they are reciprocally modified not
only by what they are, or as in prose by where
they are, but also by how they are in quantity
(metre) and quality (rhyme , alliteration, etc.,
which are qualities in time; sibilance, etc., qualities in tone ) . Socrates could play with words
in this way, getting their subtler signification,
because Plato was a poet before (and often
after) he became a philosopher.
As to the content of poetry: without being
told what it perennially is, we were informed
that modem poetry is too unscientific, and modern science too unpoetic; that poetry is too fond
of final causes, science too unfond. This was
misunderstood to mean that Mr . Weedon wants
a new Lucretius. Starting here, the questionperiod w an dered away from th e lect ure in all
directions. Messrs. Van Doren and Santee were
much concerned to preserve for science and poetry
their tranditional respective provinces. Theology and philosophy soon raised their heads, and
everyone tried very hard to categorize these four
as straitly as might be. The q.p. accordingly
became a higher and more hideous Babel even
than usual. In a general way it was finally
decided (or it may have been. I was quite
sleepy) that science is truth for truth's sake,
poetry is truth for man 's sake, theology for
God's sake ; philosophy attempts, or should attempt, to see all the truths and all the sakes at
once, and make them into a disinterested unity.
The scientist loves truth, the poet loves man,
the saint loves God, and the philosopher becomes God. Now observably all very good men
do all these things, and our categories are dis-

COLLEGE

ST. JOHN'S

pensable. I understand Mr. Weedon to have
complained that too few modern scientists and
poets are such good, complex men; that they
have specialized myth out of science and intellect out of poetry. Here he and Mr. Eliot are
riding the same horse. (See the essay, "Catholicism and International Order.")

*

*

*

*
*
When the lecturer turned from poetry in
general to a poem in particular, Mr. Eliot's Ash
Wednesday-which he read, I think appropriately, with all the delicacy of a pneumatic drill,
making bitter anguish of what I had taken for
bead-told monody-when he came down to the
real thing, all talk of criteria was over. Here
was a genuine poem, whether or not we found
an ethic to consent to it, and the job was relating it not to the State but to the reader. Is it
obscure because, as the indictment has it, modern poetry is without intellect? And if so, how,
not to say why, is it to be approached? Mr.
Weedon arrived at a method which he was at
pains to defend as scientific, and which may be,
but which resembled nothing so much as ordinary intelligent close reading. Some poetry is
abscure to some people because they read it with
the hurried half-attention they customarily bring
to the works of Kilroy. The obscurity of Ash
Wednesday is of another kind.
It requires
erudition as well as application. Even a liberal
artist, if he were a pagan, might read here forever without seeing anything to feel. For Mr.
Eliot has taken his symbols from the world of
Christian scholarship, a world which is alien
to many of us, but which is in no sense the private world of Mr. Eliot. We need never read
his biography nor puzzle about his subconscious
mind. The title tells us everything. His poem
is ours if Ash Wednesday is ours. Mr. Weedon' s analysis did . nothing beyond bridging the
gulf between Mr. Eliot's education and our own.
The great thing was that it did this job wonderfully well.
.
T. S. Eliot is a scholar 's poet. You do not
hear young men say that last year they "went
through an Eliot period." There is :fta vour to
him, but there is also bone and marrow. He
invites labour and maturity, and at the point
where most of us are now, such a reading as
this one is only a preview.
Poetry now needs readers like Mr. Weedon
more than it needs new poets. Creation is a
closed circuit; where there is giving there must

be accepting ; magnanimity desires gratitude,
conception requires to be perceived. The poem
in the book is dead.

-Ted Townsend.
---01----

The Neo-Oxford Croup
They had graduated the earlier schools and used
chairs
Instead of floors, for there was no bond of unhappinessExcept that they all disdained the worldChairs to isolate,
Even from one another, no plane flowing mutually as a floor,
They disdained one another too.
And tea that no one liked except to demonstrate how to drink
And hold the cup and criticize. Dull esoteric
books,
Morbid and despondent, to be criticized.
The world is lost and we are much too bored
to save
These erring children with their false values,
they say.
Some music perhaps, prokofieff, listened to with
eyebrow raised.
Too bad-such poor taste-so much noiseThey say.
Goodbye then. We must leave. Your russian
cigarettes
Were devine. So glad you came you saved my
life.
Fling your scarf so consciously about your neck
and home.

-Phoenix.
---0....__ _

Mr. Van Doren
American literature is mainly a nineteenth
century phenomenon. It is the only major national literature that postdates the invention of
printing, and is therefore without myth, without the legend of kings, priests, the deluge and
the golden age. It is also relatively without
The Program, of which its century and a half
has taken a dim view, but it may nevertheless
be good, in some way. Even if it were not it
is our own and necessary to our knowledge of
ourselves. So let us look at it.
It is, first of all, written since the di.scovery
that most people can and should read; it is
Popular literature in that sense. But it has also
sometimes been anti-popular literature. Responsible writers have ~uspected that democracy

COLLEGE

Page 3

must be contemptuous of excellence. Matthew
Arnold had asked whether literature as a distinguished thing could survive the handicap of
popularity. Carlyle (in a pamphlet, Shooting
Niagara) answered that it could not. De Tocqueville, visiting us, feared that intellect itself
might go under, and reflected that literature
might necessarily be a product of aristocracy.
Through the nineteenth century many Americans worried with him. Fenimore Cooper in
the latter part of his career devoted himself to
protest against the rising chill between the snobbish-intellectual and the proud-stupid (in two
novels, Homeward Bound and Home as Found,
which were not best sellers). Today, Time,
for example, furthers a coy version of this quarrel. The petulant word "highbrow" would
not have interested Shakespeare, who moved
freely "between intellectual games and games of
ball" and never wondered whether he was going
up or down. In Homeward Bound the returning expatriates are appalled at the vanished
glory of the American experiment; we have become vulgarians all. Whitman called us yahoos.
H. L. Mencken informed us that we were Boobs
by choice. Some of the best Americans and
American books have said these things. We
must face the difficulty of being democratic
without despising singularity and jeering at
excellence. If we dodge to either side of that
difficulty we are democracy's enemies.
It is convenient to examine American literature by relating it to Europe. This relation
might be made in several ways. The migration
of certain ideas forth or back across the Atlantic , for instance. Seventeenth and eighteenth
century literature here was largely Calvinist.
The New England divines (Increase and Cotton
Mather, Jonathan Edwards) wrote in Calvin's
shadow. Or consider Benjamin Franklin thinking, as a scientist (or what he called philosopher,
and it is too bad the distinction has been made)
under the tutelage of Locke and other greater
minds in Europe. Or political ideas: Europe
acknowledges .its debts to Jefferson, Adams, Jay,
Madison . Europeans sometimes speak of the
Federalist Papers as The American Book. Or
look at Emerson , Thoreau and perhaps Hawthorne as products of German idealism via
Transcendentalism. And of course Romanticism conditioned the work of Irving, Cooper,
Hawthorne, Poe, Melville and Whitman (in the
last three cases ideas went back as well) . Or
Parkman and Prescott (the Conquest of Mex-

�Page 4

ST. JOHN'S

ico) continuing the European habit of history
in the grand style.
Or nineteenth century
science and philosophy working in such Americans as Willard Gibbs or William James. Or
late nineteenth century naturalism , the invention
of Zola (or possibly Balzac) , in such Americans as Crane, Norris, Dreiser. All these are
debts to E urope and payments of debt. A way
of looking at American literature. Not a very
profitable way, but one that would have to be
tried.
Another way : locating individual Americans among their European counterparts. Only
a few can stand it. Take Jonathan Edwards
("I consider him one of the greatest writers
who ever lived" ) . The lecturer read a passage
from Edwards ' Personal Narrative describing
his gradual reconciliation to the doctrines of
election and damnation .
. " From my childhood up I was tormented by the doctrine of
God 's sovereignty ," but as he grew there grew
a " delightful conviction ," a " calm sweet abstraction of soul from all concerns of this
world, " a " sweet sense of divine things" (like
all mystics, Edwards was infatuated with the
word " sweet" ). An American who was a
world-theologian.
Or Franklin as a world-person , adored by
Europe, his extraordinary mind expressed in a
temper, a style. Or Poe, taken to Europe's heart
by an enormously greater poet, Baudelaire, who
devotedly translated even a Laplacean-Plotinian
work on celestial mechanics called Euroka.
Arthur Eddington has been reading it lately ; he
'·
calls it " imagina tive scient ific discourse."
As a matter of fact Europe often recognizes
our excellence before we do : Edwards , Franklin,
The Federalist Papers, Rip Van Winkle , Poe,
Emerson (Arnold at Oxford in the 1840s said
of him " This is the greatest writer alive") . We
have a way of waiting anxiously for Europe to
value us . Tolstoy told us about Thoreau.
Whitman , who reviewed his own :first book
(favorably) three times, was pointed out to us
by the English. Melville was a greater :figure in
England . When he stopped wridng (he wrote
his books between 25 and 31, one a year, was
stopped by the threat of insanity ) we forgot
him. In England he survived . Oxford gave
Mark Twain an honorary degree while we still
suspected that he was too entertaining to be
good . (" He is a great poet, " said Mr . Van
Doren. ) It took us a long time to find out
about Emily Dickenson, too (" On e of the great

COLLEGE
poets of the world, perhaps the only American
poet I can confidently say that of"). This
placing of American figures. among the world's
great is another way, but again rather " sterile
and thankless. "
A third way would be in terms of the consciousness American literature has had of
Europe. It has been constant and uneasy. We
have violently asserted our superiority or inferiority, flown into periodic rages at the condescension of English literary journalists, which
is probably no more meaningful than the parrot's " Polly ." But this is less interesting than
its dangerous obverse, intellectual isolationism,
the notion that we sho_ ld be absolutely original.
u
The Great American Novel defeats itself by taking the Great American stance. Our attention is
constantly diverted to Americanism, a parade
that is crude and shallow and ends by hiding its
head in local color. Research into our folk resources, to be sure, is a valuable enterprise, but
it does not conjure great works.
Americans in Europe have been frequent in
our :fiction , judged affectionately (as by Mark
Twain) or not (as by Cooper or Henry James).
James was obsessed with this theme, unable as
he was to feel at home here or there . Sinclair
Lewis touched it in Dodsworth. The 1920 expatriates wrote of it. Hawthorne. started four
novels about an American " uncomfortable over
there. "
The claim that we will live greatly in our
own imagination and intellect has been made
on many levels , among them the high one of
Emerson : " Our age is retrospective .. . . why
should not w e also enjoy an original relation to
the universe .
. a literature of insight rather
than tradition ." Not that Emerson disdained
the thoughts that Plato thought, but the vision
of an American hewing them out again by himself in Massachusetts went to his head . He has
been taken up and travestied by his inferiorsthe knownothings, arrogantly uninformed,
with whom o ur universities and subways are
crowded. The arm-swinging Americanist is al~
ways with us, beating every bush for the Unique
and Great American Character. The best way
to develop an American character is to forget it;
We have never known how to live with Europe
or how to live without it. We must ask our~
selves whether we can live without it.
The lecture , somewhat stifled in summary,
was in Mr. Van D oren ' s best conversational
manner, and I certainly am not going to make a

ST. JOHN ' S COLLEGE

Page 5

former position so it took us some time to work
back to it. I again suggested that he could not
hold both positions. I was rather glad to hear
him say that he meant by the latter position
-R.A.
something other than I had thought he meant .
In time the real position was stated , and with
It is not the wine from the vine that makes
more feeling than I had expected. It still did
men drunk but rather the intemperate nature not seem clear that this was a valid restatement
of Time , and even if one of those plants were of the misunderstood position , and upon my
to be taken out of the rank and mistaken garsaying this he inquired of me whether words
dens of Earth where the sun is not simply solar always meant what they said. "
but is flippant and impish and tipsy and itself
I asked Finley whether he had had a ready
dankly disguised but as a gypsy expelled from
answer.
Paradise , and set then in one of the excellent
" No, I hadn' t. My ·opponent (Finley injardinieres of Heaven , God would not succumb
dicated that he did not mean me to take this
to its purpley-extracted scum but with real
regality would partake only of his usual laud- seriously) then said that he stuck by his posianum and the one true and laudable grape, tions. I was a little put out at this and , I think
unpardonably , suggested that rather than have
Eternity!
me draw from him the laws of contradiction-G. John.
which the seminar leader had twice done-that
---0--he take one of his positions and that we inquire
into the things which follow from it. His reply
Mithmere Papers
was that I had not disproved him and he seemed
I met Finley Mithmere in the coffee shop as
rather proud of this. "
was our custom. He seemed more perplexed
This seemed an important point in Finley 's
th an usual. I asked him if the evening seminar
tale and I said that I should be glad to hear on.
had been as interesting as his past seminars had
" Certainly, though I think that is really the
been. He thought for a few moments as LeRoy
end of the incident. In spite of some misgivings
gave him his change and as w e sought our usual
as to the appropriateness of my talking for such
corner table.
a long while- there were two or three com" Very much so. As is natural , there are
ments that increased these misgivings- I went
still one or two things which I don 't underon , inquiring whether my opponent (Mithmere
sta nd about the seminar method . But I am sure
again indicated that this was not to be taken
they will come in time."
seriously ) attributed any significance to the
I was unable to restrain my curiosity and I answer he was surely about to give to my quesasked Finley to indicat e some of h is difficulties.
t ion. I was encouraged b y the promptness of
" I will try to. Tonight's was an especially the "'No' which I received but somewhat surnoisy seminar, but I realize that this is often a prised by the fact that a long explanation fol hea lthy thing. As usual there were one or two lowed ."
fell ows who insisted on asking consecutive
I asked Finley if the explanation had clariquestions. That method , I'm sure you know , fied th e negative answer .
is very common in Plato 's dialogues but is not
" It didn' t seem to. It was at this point that
common seminar practice. There seemed to be · I controlled my probably unreasonable and
rather general agreement that it was not a very strange! y powerful . desire to pursue the discuspromising way of talking. "
sion further. The consensus seem ed to b e that
I asked Finley if he was sure that there was I was being overly serious about the matter and
such agreement.
so we turned to other things ."
I wondered whether Finley's opponent had
"At first I was not. In fact, in one of the
earlier seminars I adopted that method. My resolved his difficulties.
" No, he has not. At one time I was of the
• classmates were very patient with me. The fellow I was questioning answered very readily , opinion that it was a fairly important matter ,
though at some length . After some time he took but the majority would have me believe othera position that seemed to contradict a former wise. Someone suggested that · if it was im Position . He was not sure that he had taken the portant it was certainly unimportant. This,
scene about Critical Method. After the rigors
of Mr. Weedon's critical method, it is pleasant to
acknowledge the charm of improvisation.

�Page 6

ST. JOHN'S

naturally enough, was not immediately apparent to me.
We had gotten somewhat
along into this problem when the fellow of the
other debate took over the argument. The same
exchange took place, and I don't think you will
be surprised when I say that we got no further in our inquiry into the nature of paradox."
I said that I was not surprised and that it
was supposed to be a very deep matter. In order to clear up another point I again asked Finley about the evening's seminar.
" Quite a good one, I think. As you seem to
hint, there has been a change, and I think that
by now I have myself well under control. I try
to limit myself to four or five questions when a
point continues to be unclear. If I feel tempted
to go on I stay silent for a moment and usually
someone will change the subject enough to bring
another viewpoint in. There are one or two
fellows who try to insist on staying on the subject, although theirs is an unpopular view. I
certainly could not be classed with them, although I have not yet been able to bring myself
to change the subject of inquiry , which , at least
now and then, would seem to be my duty. One
of the advantages of this seminar method is that
there is great freedom and any of us can bring
in anything he wishes to introduce into the talk.
Several amusing things are said in the course
of each seminar. While we do not get into any
one viewpoint 'very deeply we manage to state
several viewpoints. Naturally there is much
confusion, but, as one of the tutors points out,
this is probably a healthy sign ."
A friend· called, "Mithmere," and Finley
said that he had promised to work on some lab
- B. J.
report, and so we parted .
---0---

Arms And The Man
The powerful motives, movements and
characters emerged to the foreground of the
imagery one remembers of the Iliad through Mr.
Abrahamson's lecture, "Arms and the Man."
The god-inspired wrath of Achilles, oft renewed , becomes the content of the poem. His
wrath against both Trojan and Greek was born
with Agamemnon, and caused the death of both
his true friend Patrokles and the mighty Hector.
Although Achilles ' wrath , permeates the
pages of the Iliad, the story is of the fall of
Troy . That Troy must fall and that Achilles
must meet his death is known by everyone.
These feelings are echoed in the wavering spirit
of the soldiers and in the hearts of the Trojans.

COLLEGE

ST . JOHN'S COLLEGE

~ge

7

This long and terrible war is expressed symbolOne of the most curious events of the colT H E F I N E A RT S
ically in terms of Achilles, the strongest of men,
lege year is the annual fight about whether or
who harbors the greatest of resentments, and
Reading Stories
not Hamlet and Macbeth are tragic heros.
who finally becomes like a beast and mutilates
The Wednesday night play-reading group .. Everyone can give you page and paragraph numHector's corpse. As a lion or wolf he kills all
reads plays. Sometimes it doesn't read them ber of the definition of the tragic hero, and some
suppliants but Priam, and causes the death of
too well. At the worst , when no one has even can quote it in Greek with derivations of the key
Patrokles, the kindest of men. Mr. Abrahamlooked at the play before the reading begins, words , but who cares whether Hamlet is wishyson believes the wrath of Achilles symbolizes the
this is what happens. The grammar of the play washy and ineffectual, or is all the time carrying
Trojan war.
is complicated, and in a crucial speech a few out a deep-laid plot to avenge his father? The
commas are overlooked and dropped out. The seminar dies in a wrangle over definitions and
The abduction of Helen, said to be the cause
reader has been hoping that he will find out classifications, and Macbeth dies unheeded.
of the war, was not the first of its kind reported.
what the speech means while he is reading it, Oedipus gouges his eyes out in the midst of a
Abductions of women were frequent enough to
but he doesn 't , and he reads nonsense which peripeteial flurry , and Natasha goes to her first
prompt the Persians to say that women could
neither he nor anyone else can make out. Then ball while the seminar tries to decide whether
not be carried away , unless they wanted to be.
no one understands the story.
one great man or many little men make history .
However, Helen appeared late in the story, consumed with longing for her former husband as
Suppose, though, that everyone gets the Don Quixote dances naked on a mountain top ,
she sat weaving at her loom far from her native
grammar straight. Now someone reads in a :flat while the seminar, high above the Sierra Morena,
land. She wept at the happenings she was remonotone or a ponderous rant a speech which formulates a definition of The Comic Hero.
sponsible for, believing her brothers too
is delicately ironic. Again he is reading nonI will probably be misunderstood as saying ,
ashamed to :fight for her, not knowing of their
sense , and the story falls to pieces, this time be- in this column, that we should not read stories
deaths.
cause the reader isn ' t considering the character in the light of general ideas , or even worse, that
whose speech he is reading, and the situation the we should not discuss general ideas. I am not
Helen cannot help being Helen. Possessed
character is in . A given speech can usually be saying that. We should discuss general ideas,
by Aphrodite, she is overcome with shame and
read in a number of different ways, so that it we should discuss stories in the light of the genthinks mostly of herself. Austere, modest and
preoccupied, she at last wishes she had died. Her
means a number of different things , but there is era! ideas which are implicit in them or can be
lover and abductor Paris does not appear to be usually one reading which is best, and that is the abstracted from them. But :first we should read
warlike . He too is under Aphrodite's spell, and one which makes most sense in the context of the story.
It is impossible to discuss The
although Hector continually upbraids him, he the play. So when we are reading aloud, we Comic Hero without first being familiar with
are reduced to considering the most obvious several heroes of comic stories.
cannot help himself either.
The question is why so few people have the
The tragedy of the lot of men is relieved by things in a story. The characters, · what they
are like, what they want , what they don ' t want, faintest interest in the characters of a story. The
subtle comedy at Olympus. Mr. Abrahamson
believes that only the gods in the Iliad partake how they behave and why. And the plot. answer usually given: Well , ideas are more inof comedy. In the throes of disorder Zeus What is happening. Why it happens. What teresting. That is , I mean, they're clear and
mocked Hera and Athene, and fell in love to it's leading to. The thought in the play is im- distinct . I mean you can talk about them . Oh,
sleep while mischief was being done. Ares ap- portant too, but the dramatic re-creation of the you know what I mean. Characters and plots
peared as the greatest dope and Posiedon as a story depends first of all on our knowing the -well, they ' re so complicated. I mean they ' re
buffoon. While no hero cries when wounded, characters and plot , and we cannot :fly off from irrational, in a sense. They 're somehow-so,
the story like a pith ball from a charged rod and well, so material.
Aries and Aphrodite emitted great screams.
\Vhich means, in effect , that you have to
The gods cannot exist without men. There circle around in the realm of ideas as we do in
seminar. When we are reading aloud, we know know and remember a lot of details and see
are no consequences for them as there are for
men . Zeus did not appear to men and wanted this, and the mistakes .we make on Wednesday their relations to know a character or a story.
no one kiiled. Aphrodite , stronger than Zeus nights are due more to laziness or lack of time That you have to read a story closely and with
puts him to sleep. Apollo, defender of Troy,
than ignorance.
love to be able to talk about it.
The same cannot be said for the mistakes
I have cited the Wednesday night playsends disease to the Greeks in the beginning , and
We make on Monday and Thursday nights .
reading group as one group on campus which is
the story ended with him.
One appreciates the humor and warm feelWe have enough time to read the stories as- trying to read stories as stories primarily and
ing coloring Mr. Abrahamson's lectures. He signed-ask the Dean if we don't-and usually not primarily as springboards for philosophical
discusses a poetical work in its own terms and the grammar of the story 's sentences is clear to discussion. I should mention the recent public
through high-lighting and artistry the poem everyone. But-even though everyone has read reading of Wilde 's The Importance of Being
takes on greater unity . and clarity. The frag- ' the story before seminar-nobody knows or Ernest . There were no costumes, no sets, no
ments of things remembered need to be rejoined cares anything about the people in the story or girls to take the female parts , and no profesfor one to see the unity, and the review of the What they do. That 's odd, here at St. John's, sional actors , but the parts were read with such
Iliad is like a visit home after an absence in that since Aristotle says plot and character are the care and und erstanding that these incongruities
two most important parts of a tragedy.
were forgotten and an illusion of reality was
-Daniel Brochhuizen.
respect.

�ST. JOHN'S

Pagr 8

created. And I must cite, as another good example of good story reading with which everyone in the college should be familiar , Mr.
Abrahamson 's recent lecture on the Iliad.
Mr. Abrahamson obviously loves to read the
Iliad, and he loves the treasures he finds in it.
This gives him a big advantage over someone
who reads it because he feels he must find something in it to talk about before the eight o ' clock
bell rings. The Iliad, like a girl, does not give
itself to rape. but it may yield to courtship, and
you will court it if you find it lovable.
Mr. Abrahamson talked about the characters of the Iliad and what they did. He
apologized for doing this, as indeed he should
have, for Homer has said everything about them
that need be said. But he went ahead and
talked about them anyway , since his close and
artistic reading might help us ·see the things we
missed in our cursory and liberal artistic reading.
His method is interesting. He looks at little apparently insignificant actions and words which
we overlook in our mad dash for ideas, and
tries to see what they say about the personality
and motives of people in the story. He follows
one character from the beginning to the end of
the poem , to see how all his actions and words
add us to one coherant whole, which is his character. Then he tries to see how the characters
interact to make the story. He does not despise
ideas. (This should comfort us .) He admits
that Aphrodite is Love , but he does not then
enter into a discussion of What Love Is . He
·tries to find out what Aphrodite is like, and what
she makes Helen and Paris do. For if Homer
is trying to tell us What Love Is, or What War
Is, he is doing it b y telling a story , and w e must
return from t he realm of ideas to the story,
again and again, if we are to find what he means.
We will probably end up at the story, rather
than Up Yonder , and will be unable to give an
adequate definition of love or war, but we may
know more about them.

-Gene Thornton .

Sports
After relinquishing first place for a brief
period , the Junior 3 basketballers hit the comeback trail with victories over their two closest
rivals , which leaves them comfortably settled in
the driver 's seat as we go to press. However, the
seven remaining games can still bestow the winning laurels on any of three teams.
Junior 3 faces three tough contests, two of

COLLEGE

St. John's Collegian

them against championship contenders. Only
by defeating the Sophomores and both JuniorSenior combinations can they be assured of the
title. Junior -Senior l, with the same number
of losses, but two less wins, can still sneak past
Vol. LX - No. 9
ANNAPOLIS, APRIL 24, 1947
Price: lOc
Junior 3 by taking their three games, against the
Freshmen, Sophomores and Junior 3. Still in '
But a little reflection made clear the possibilities
Reviewing A Comic Drama
the running for a tie and of key importance is
for taking these amiss ; so we went back to the
the dark horse , Junior-Senior 2. By defeating
Presented By
beginning. There are some who say that a perfect
Junior 3 , they can set up a possible three-way
THE FORD K. BROWN PLAYERS:
comedy leaves everything or nothing to be s:i.id a.bout
tie, while by losing, they will give the Juniors
"READING SHAKESPEARE AND
it. We thought we had spotted an out here, given
a strong chance for the title.
CERVANTES"
our rectdiness to accept the happier course, when we
In recent games, Junior-Senior 2 continued to
suddenly stopped transfixed like Socrates in the mid *****
show its new-found power by handing the
On our way to Greg's last Friday night, in dle of the snow. A horrible thought had hold of
Sophomores two consecutive defeats , the first by
search of that with which to cheer onward the us : do you remember when Mr. Brown, in mentiona 38-34 margin , and the second by a more imlatest effort of our freer spirit sparked this time ing the Duke's disguising himself as a friar, alluded
posing 5 7-3 3 count. Krol was the spark plug
by the art of Mr. Brown, we were trying without so casually to the fact that this was an old gag used
of both contests, rolling up 13 points in the
much success to imagine how to review his lecture in just about every play to date? Suppose, just supfirst game and 2 2 in the second. Weinstein talwith the least of the injustice we felt certain to do pose for one awful instant, that for the last t"\w:ntylied 9 points in each game to lead the Sophohim. To us his performance much more than a two years St. John's has unv:ittingly sheltered in her
mores .
lecture had been a perfect comedy, and we were very bosom a Friar disguised as Ford K. Brown!
reluctant to hack up ours or offend others imJunior 3 showed its heels to the challengLike mad we ran to the front of Greg's, pulled
pressions in a poor effort of sharing with those who
ing Junior-Senior 1 team in a rough see-saw
had missed it. For a moment in this light we out our notes once so joyously scribbled, and there· n
contest that saw the Juniors threatened until the
thought it might be well to let the review consist beyond doubt now saw the notorious Thon-:ist relast five minutes , when a surge of power gave
entirely of two citations, the first the lines over vealed. 0 sly, 0 crafty Brown' Look:-:first, and
them a 47-43 victory. Twenty-nine personal
Shakespeare's tomb, the second the last lines from so devoutly, the obeisance to the TRINITY: tonight
fouls were committed in the game. Matteson
he would cover only about a THIRD of what he
Don Quixote.
tallied 16 points and Terry 15 for the winners,
wanted to talk about; he had in mind a SERIES OF
while Cave scored 10 for the Junior-Seniors.
("Good friend for Jesus sake forbeare
THREE which would yet be only ONE SUBJECT ;
To Digg the dust enclosed heare.
Matteson sparked Junior 3 to a second viche touched on that mode of reading which cowrs
Blessed be ye man yt spares thes stones
tory over the Freshmen 44-3 9, scoring 19
the outside THIRDS of a page to get at the ONE
And Curst be ye yt moves my bones."
points. Bounds tallied 18 points for the JunAND EVANESCENT meaning of the wcrk.
iors, while the Freshmen were paced by Thomas
Next, and so fittingly, he emphasized the ne:essity
*****
and Feinberg with 10 each.
"And thou, Reader, if ever thou can'st find him of getting on a good footing and establi.c::hing a firm
out in his obscurity, I beseech thee advise him like- basis with respect to ARISTOTLE, in the words of
The Sophomores, after four consecutive dewise to let the wearied, mouldring bones of Don St. Thomas himself, "That most glorious of Pagan
feats , showed a tight defense and a capable ofQuixote, rest quiet in the earth that covers 'em. philosophers." Then, and in the style of the very
fense by d ow n ing t h e Freshmen 49 - 18. y ielding
Let him not expose 'em in Old Castile, against the Summa itself, the appeal to authority ; direct q-~1ota ­
only one basket and four fouls in the second
sanctions of death, impiously raking him out of the tions from ARISTOTLE; Socrates; St. Augustine ;
half. Weinstein paced the Sophomore attack
vault where he really lies stretched out beyond a ARISTOTLE; Prof. Smythe ; Swift ; ARISTOTLE;
with 15 points and Phil Smith tallied 9 for the
possibility of takng a third ramble through the Anonymous; Ben Johnson; ARISTOTLE; Prmp:::r
losers .
world . The two rnllies he has made already (which le Tour · Conareve· ARISTOTLE; Charlie Chan.
Junior -Senior I strengthened its bid for best
are the subject of these two volumes and have met And th~ subje~t m~tter! How diabolically, professoffense and defense by romping over the Sophowith such universal applause in these and other ing to be concerned only with facts, he undermined
mores by a 75 - 29 count. Ray Cave , in an atkingdoms) are svfficient to ridicule the pretended us with his demonstration of Shakespeare's indiftempt to break the college record , dropped in 17
adventures of Knights-Errants. Thus advising him fere nee to such things in "Measure for Measure",
baskets and added a couple of free throws for a
for the best, thou shalt discharge the duty of a a morality play not only centering around the whole
3 6-point total. The Sophomores were led by
Christian, and do good to him that wishes thee evil. problem of CHASTITY, but also, according to the
Weinstein with 9 points.
As for me, I must esteem myself happy to have authoritative E. Haldeman-Julius "Little Blue Book"
Dick Matteson maintained better than a 21been the first that rendered those fabulous, non- Library, "raising the whole problem of EQUITY."
point average to continu e in first place for insensical stories of Knight- Errantry, the object of the In conclusion, and so evangelically, a few exhortadividual points, with 194 in 9 games. Cave
publick aversion. They are already going down, tions: who can new suppose that the seemingly
moved up to second with 13 7 in 9 games, while
and I do not doubt but that they will drop and deprecatory remarks about arithmomania, cosmoSchleicher, of the Seniors, totaled 114 in 9 confall altgether in good earnest, never to rise again . mania, and mountain climbmg were aimed at anytests.
Adieu." Ed.)
thing but winnowing out tho::; e of little faith and

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                    <text>ST. JOHN'S COLLEGE

Pagt 8

created. And I must cite, as another good example of good story reading with which everyone in the college should be familiar, Mr.
Abrahamson' s recent lecture on the Iliad.
Mr. Abrahamson obviously loves to read the
Iliad, and he loves the treasures he finds in it.
This gives him a big advantage over someone
who reads it because he feels he must find something in it to talk about before the eight o'clock
bell rings. The Iliad , like a girl , does not give
itself to rape, but it may yield to courtship, and
you will court it if you find it lovable.
Mr. Abrahamson talked about the characters of the Iliad and what they did. He
apologized for doing this, as indeed he should
have, for Homer has said everything about them
that need be said. But he went ahead and
talked about them anyway, since his close and
artistic reading might help us see the things we
missed in our cursory and liberal artistic reading.
His method is interesting. He looks at little apparently insignificant actions and words which
we overlook in our mad dash for ideas, and
tries to see what they say about the personality
and motives of people in the story. He follows
one character from the beginning to the end of
the poem, to see how all his actions and words
add us to one coherant whole, which is his character. Then he tries to see how the characters
interact to make the story. He does not despise
ideas. (This should comfort us.) He admits
that Aphrodite is Love, but he does not then
enter into a discussion of What Love Is. He
tries to find out what Aphrodite is like, and what
she makes Helen and Paris do. For if Homer
is trying to tell us What Love Is, or What War
Is, he is doing it by telling a story, and we must
return from the realm of ideas to the story,
again and again, if we are to find what he means.
We will probably end up at the story, rather
than Up Yonder, and will be unable to give an
adequate definition of love or war, but we may
know more about them.

-Gene Thornton.

Sports
After relinquishing first place for a brief
period, the Junior 3 basketballers hit the comeback trail with victories over their two closest
rivals, which leaves them comfortably settled in
the driver's seat as we go to press. However, the
seven remaining games can still bestow the winning laurels on any of three teams.
Junior 3 faces three tough contests, two of

them against championship contenders. Only
by defeating the Sophomores and both JuniorSenior combinations can they be assured of the
title. Junior-Senior I, with the same number
of losses, but two less wins, can still sneak past
Junior 3 by taking their three games, against the
Freshmen, Sophomores and Junior 3. Still in
the running for a tie and of key importance is
the dark horse, Junior-Senior 2. By defeating
Junior 3, they can set up a possible three-way
tie, while by losing, they will give the Juniors
a strong chance for the title.
In recent games, Junior-Senior 2 continued to
show its new-found power by handing the
Sophomores two consecutive defeats, the first by
a 38-34 margin, and the second by a more imposing 5 7 -3 3 count. Krol was the spark plug
of both contests, rolling up 13 points in the
first game and 2 2 in the second. Weinstein tallied 9 points in each game to lead the Sophomores.
Junior 3 showed its heels to the challenging Junior-Senior 1 team in a rough see -saw
contest that saw the Juniors threatened until the
last five minutes, when a surge of power gave
them a 47-43 victory. Twenty-nine personal
fouls were committed in the game. Matteson
tallied 16 points and Terry 15 for the winners,
while Cave scored 10 for the Junior-Seniors.
Matteson sparked Junior 3 to a second victory over the Freshmen 44- 3 9, scoring 19
points. Bounds tallied 18 points for the Juniors, while the Freshmen were paced by Thomas
and Feinberg with 10 each.
The Sophomores, after four consecutive defeats, showed a tight defense and a capable ?ffense by downing th Fr shm n 49-18, yielding
only one basket and four fouls in the second
half. Weinstein paced the Sophomore attack
with 15 points and Phil Smith tallied 9 for the
losers.
Junior-Senior 1 strengthened its bid for best
offense and defense by romping over the Sopho.
t
mores by a 75-29 count. Ray Cave , in a.n a 7
tempt to break tbe college record, dropped in 1
baskets and added a couple of free throws for a
3 6-point total. The Sophomores were led by
Weinstein with 9 poi~ts. .
lDick Matteson mamtarned better than a ~
point average to continue in first place for in..
.
'h
div1dual pornts, w1t 194. 9 ga mes · Cave
rn
b'le
moved up to second with 13 7 in 9 games. w 1
·
Schleicher, of the Seniors, totaled 114 in 9 con·
tests.

St. John's Collegian
Vol. LX -

No. 9

ANNAPOLIS, APRIL 24, 1947

Reviewing A Comic Drama
Presented By
THE FORD K. BROWN PLAYERS:
"READING SHAKESPEARE AND
CERVANTES"

*****

On our way to Greg's last Friday night, in
search of that with which to cheer onward the
latest effort of our freer spirit sparked this time
by the art of Mr. Brown, we were trying without
much success to imagine how to review his lecture
with the least of the injustice we felt certain to do
him . To us his performance much more than a
lecture had been a perfect comedy, and we were
reluctant to hack up ours or offend others im,
pressions in a poor effort of sharing with those who
had missed it. For a moment in this light we
thought it might be well to let the review consist
entirely of two citations, the first the lines over
Shakespeare's tomb, the second the last lines from
Don Quixote.
("Good friend for Jesus sake forbeare
To Digg the dust enclosed heare.
Blessed be ye man yt spares thes stones
And Curst be ye yt moves my bones."

*****

"And thou, Reader, if ever thou can 'st find him
out in his obscurity, I beseech thee advise him like,
wise to let the wearied, mouldring bones of Don
Quixote, rest quiet in the earth that covers 'em.
Let him not expose 'em in Old Castile, against the
sanctions of death, impiously raking him out of the
vault where he really lies stretched out beyond a
possibility of takng a third ramble through the
world. The two Eallies he has made already (which
are the subject of these two volumes and have met
With such universal applause in th ese and other
kingdoms) are stifli-:ient to ridicule the pretended
adventures of Knights, Errants. Thus advising him
for the best, thou shalt discharge the duty of a
Christian, and do good to him that wishes thee evil.
As for me, I mu~t esteem myself happy to have
been the first that rendered those fabulous, nonsensical stories of Knight, Errantry, the object of the
ublick aversion. They are already going down,
P
~nd I do not doubt but that they will drop and
altgether in good earnest, never to rise again.
'•d1eu." Ed .)

;u
.

Price: lOc

But a little reflection made clear the possibilities
for taking these amiss; so we went back to the
beginning. There are some who say that a perfect
comedy leaves everything or nothing to be said about
it. We thought we had spotted an out here, given
our readiness to accept the happier course, when we
suddenly stopped transfixed like Socrates in the mid,
dle of the snow. A horrible thought had hold of
us: do you remember when Mr. Brown, in mention,
ing the Duke's disguising himself as a friar, alluded
so casually to the fact that this was an old gag used
in just about every play to date? Suppose, just sup ,
pose for one awful instant, that for the last tw2nty two years St. John's has l.mv:ittingly sheltered in her
very bosom a Friar disguised as Ford K. Brown!
Like mad we ran to the front of Greg's, pulled
out our notes once so joyously scribbled, and there:n
beyond doubt now saw the notorious Thon-: ist revealed. 0 sly, 0 crafty Brown! Look :-first, and
so devoutly, the obeisance to the TRINITY: tonight
he would cover only about a THIRD of wh;:it he
wanted to talk about ; he had in mind a SERIES OF
THREE which would yet be only ONE SUBJECT ;
he touched on that mode of reading which co\:ers
the outside THIRDS of a page to get at the ONE
AND EVANESCENT meaning of the wcrk.
Next, and so fittingly, he emphasized the ne-:&lt;::ssity
of getting on a good footing and establishing a firm
basis with respect to ARISTOTLE, in the words of
St. Thomas himself, "That most glorious of Pagan
philosophers." Then, and in the style of the very
Summa itself, the appeal to authority; direct q:Jotations from ARISTOTLE; Socrates; St. Augustine;
ARISTOTLE; Prof. Smythe; Swift; ARISTOTLE;
Anonymous; Ben Johnson; ARISTOTLE ; Pro.c:p::r
le Tour; Congreve; ARISTOTLE; Charlie Chan.
And the subje~t matter! How diabolically, profess,
ing to be concerned only with facts, he undermined
us with his derr.onstration of Shakespeare's indif,
ference to such things in "Measure for Measure",
a morality play not only centering around the whole
problem of CHASTITY, but also, according to the
authoritative E. Haldeman, Julius "Little Blue Book"
Library, "raising the whole problem of EQUITY."
In conclusion, and so evangelically, a few exhorta,
tions : who can new suppose that the seemingly
deprecatory remarks about arithmomania, cosmo,
mania, and mountain climbmg were aimed at any,
thing but winnowing out tho:e of little faith and

�2

ST .

JOHN'S

clearing these fields for the brave and t enacious, for
those who, when they hear "Man at pinnacle have
no place to go but off,,, can hear in glorious counterpoint the words of St. Thomas, "Through that leap
is perfect freedom found.,,
So cruel a reversal, so stunning a revelation,
barely left us with the strength to make it inside to
a booth, where we hoarsely called for that which
happily serves equally well to encourage the rising
spirit or to console the fallen.
-R. 0 . D .

SECOND SONG
While we danced to the tinny moan of a
V ibra-harp and a saxophone the
Ocean fog began to spill like
Water over the window sill, and

In the mirror at my back I
Saw her face begin to crack.
When her bright facade broke
Fog to fog without spoke.
She moaned and turned away and ran she
Up the downward sliding sand, the
Ocean fog ro.::e up aroun d the
Melting dunes till she was drowned.
-GENE TH ORNTON.

MYTHOLOGY
In a concise lectur Mr. Kieffer gave :in cxJ.mple of the kind of careful amlysis that a s::holarly
liberal artist is capable of employing to obtain an
understanding of the relationship between the world
of reality and the world of symbols.
It is this kind of careful, almost pedantic
approach that is too frequently lacking from the
dialectic of the coffee shop and even the seminar.
It involves the thoughtful reading and well developed skill in the manipulation of the liberal arts
that together with imagination produce the best
poets and the most excellent liberal artists; for no
person will reach his perfection without the mutual
control between imagination and reason and the
light which each faculty sheds on the other. The
training which t~e lib:ral arts give the reason acts
at once and as a spur and a rein to the imagination.
Mythology is a standpoint from which to view
the world. It is the ordering of symhols, in su:h

COLLEGE
a way that t.hey are intelligible, about something
which the mmd understands or thinks it understands. In the development of the Greek myth, one
may see the ways in which one can vie"Y the world.
Later we shall talk about the Greek myth as a source
of ~ducation in the liberal arts, an d about the relationship of the myth to modern science.
The Greek words mythos and logos are both
symbols for the expression of human thought. However, they very early began to refer to this expression in differen t ways. Whereas mythos implies the
wholeness of an exp ression and belongs to the world
of p::::ctry, logos implies analysis and belongs to the
world of prose. Mythqlogy, then, implies the sepa·
rating, the ordering, and the classifying of facts to
be presented as a story which represents reality.
Greek Myth begins in attempts to remember
memorable events . Such legends concerning the
exploits of warriors, the ascent of kings and so forth
were simple expressions of fac ts. After a while the
legends began to lose touch with th e actual persons
and places involved and to tell the story for the
value that the p~ot had, either as entertainment, or
more particularly if the st ory had some advice for
the conduct of human action. The third stage of
the myth is concerned with etiology, with the ultimate causes of the coming to be of the Gods, and
the world . H omer, by combining the several forms
of the myths creates new myths and becomes the
b::i.sis fer the future Greek literature; for after
Hcmer, the e:sence or p!ots of his myths were used
by the traged ians who concerned them.selves with
eti logy, or more particularly with r,;,orals, and
human action. Plato, following theo, u.c:ecl the myth
in a new forr:.1, on the highest level, to attempt to
say what are the ultima te causes oc th'.ngs. The
r:.1yth E:eemed to be able to eay what logos and dia·
le: tic are unable to say. The b::i.sic p at ~ern which
he cxp"oited all thru this lc: ture can 6 cn be Eeen;Homer ccnccrned with recording legend and being
an historian, the tragedians concerned with the myth
as a source of cnLghtment fe r oorals and law and
religion, and Plato concerned with the myth as a
vehicle for the unden:t:mding cf bei:!g T he undert:tanding of each level requires the undcr;::tanding of
the levels which have gone before it; so the understanding of ultimates c av be achieved 0:1ly by the
understanding of the lcwi: : r levels.

This three-fold divi::-ion of the u~c of symbols
is illuminated by and illuminates other fields of
human knowledge. In medicine, for inst1nce, the
simple gathering of data such as is done by the pre·
Socratic physicians is like the assembling of the facts
of ~eg: nd, t hat is, just ::etti:1g dcwn wha~ has hav
p::::1cd. The phy:::icia:1 pro::eeds to the middle level

ST .

JOHN'S

when he attempts to predict the course of disease,
and proceeds to the highest level when he investigates the causes of man's functions, that is when
he attempts to know man as a living organism. In
human affairs, history is a simple gathering of fact,
oratory attempts to use fact for persuasion, and
ethics attempts to find the true basis of political
action . The constant correlation in Plato between
the beautiful, the useful, and the good provides
another analogy with these three levels of thought.
The beautiful is concerned with things as seen, and
the person who refuses to advance beyond their
beguiling spell is an aesthete. But if the perfection
of man's nature lies in knowing, one must advance
from the beautiful to the useful and to the good ;
here also each higher level is understood thru a
knowledge of the lower levels, and the lower levels
are only truly understood as the higher level illumi·
nates them .
In the ancient world, poets, scientists and philosophers derived their inspiration from the Muses,
the mother of whom was Memory. The Muses were
ill defined in their functions, and they gradually
became only a formality to the later poets. However, after the A1exandrian age, they disappeared
and in their place appeared the seven liberal arts
which were the new guides of men in their intellectual endeavours, and became the curriculum for
universities. Myth came to scorn and men called
the ancient myths fairy tales, without recognizing
that there was some difficulty in proving that they
had constructed anything mote than fairy tales.
But the new myths that they constructed still com·
manded their respect because the child in man desires a whole story which only the myth could tell
about the unknown.
This childishness in man is then one of the
reasons that scientists theorize; but there is lack of
recognition that their theories are mythical in character. Scientists indeed protest that mythology is
about Gods, science about, say, elements. But here
they are mistaking historical priority for what is
the essence of a myth, namely that a myth is an
expression of what man understands about the world
around him. It may also be protested that science
tries to find truth, whereas mythology is poetical;
but the expression of scienti.fic theory grows with
the understanding of phenomena, perhaps beyond
the understanding. For example, words used by
modern scientists like gravity, and force, are no better words than those used by the ancients such as
Gea and Zeus.
Let us apply the pattern of the first part of the
1ecture to what we are saying about science. Mythology starts in legend and runs through folk tales to

1

COLLEGE
dialectic. In science the same pattern of understanding is apparent, for science starts with the classification and collection of data and proceeds to techniques of measurement and then to the construction
of a theory.
Mr. Kieffer suggested that a better understanding of the problem of knowing the world, or at
least a verbal solution could be obtained by a comparison of the pattern he outlined with the divided
line.
It is unfortunate that a sore throat prevented
the lecturer from expanding the pattern more completely in regard to modern science, and particularly
with regard to the mathematization of science which
he barely mentioned. Perhaps a future lecture would
aid in clarifying this subject, if undertaken soon
enough so that he could assume that this one was
still being held in mind.
-

VERNON DERR.

THE CLOCK STRUCK TEN
Once upon a time in a far off country called
Silopanna there lived a colony of sometimes happy
beavers. But let me· assure you that these were not
the kind of beavers that you hear about, busily at
work on some dam project or another. Oh, no,
these little fellows had gathered in Silopanna for the
express purpose of sharing an intellectual life with
some of the smartest beavers that ever were! These
bewhiskered playmates were unusual in another respect: you see, they, unlike most smart beavers, knew
they were intelligent animals and didn't mind telling · one another so. To tal~ to them one would
think without a doubt that this was a group of very,
very eager beavers.
Twice each week at 8 P.M. the colony would
break up into small groups and assemble in the
woods as Beaver Group Ia, Ib, and so on. And
in these woods the beavers gave the appearance of
working very hard . A handful busily chopped at
old trees with exceedinly sharp axes while another
small group dug deep holes into the ground . However, most of the others made feeble attempts with
rusty scythes to remove the tall grass, while others
pretended to search on hill tops, in the skies and
atop trees. Now this, I know seems to be a silly
way to spend a fine evening- beavers in other countries would just be schocked to see what they would
call a ludicrous sight. But really it was not so
fruitless a task as you might think. You see all of
them were supposedly searching for Doog which
is a magic herb and might be found almost anywhere. Once discovered, any and all who ate of it
would be happy forever.

�4

ST.

JOHN'S

You might well ask why it was that some bea,
vers had to do such hard work (that is chopping
and digging) while others hardly any at all. The
very truth is that things were not supposed to be
this way for when the beavers came to Silopanna
they agreed to work together and share the burden
of the search. But-that was a long time ago. As
you might expect this did cause a few unpleasantries.
However, to make matters worse most of the bea,
vers who had been searching in the skies and atop
trees for Doog, were afilicted with extreme cases of
decoclockomania. What a problem! Each night
that the beavers met, some unhappy beavers would
become frightfully sick and suffer severe chills
culminating in a dead faint as the clock struck ten.
The situation was a bother, indeed, for even
those who did not suffer from the disease grew in,
creasingly annoyed and distressed. Soon it became
apparent that there was less chopping of trees and
less digging of holes into the ground. The poor,
sick beavers unable to find the cause of the dreaded
malady soon came to heckle other beavers and accuse
them of carrying the germs.
What a trying time! Finally one of the brighter
beavers decided that there was no time like the pres,
ent to act. In fact he decided that there should be
no time at all. And so one night when all of the
little beavers were asleep, he gathered up all of the
clocks and watches and smashed them into hundreds
of pieces. This should do it, he thought. But, sadly
on the very next meeting in the woods, he saw that
all of the beavers who had been sick were still sick
and had nice new shiny watches on their wrists.
Now being a smart beaver he suddenly realized
that his fellow beavers were somehow enjoying the
disease although they really suffered from it. And
so he called a caucus of all the beavers who were
not afilicted and together they decided that the only
thing they could do was to search on harder than
ever as though the poor, sick beavers were not there
and just hope for the best.
This is the end and the moral is clear: a Beaver
who thin~s must be of good cheer; he must forget
friend Shirker, the non-working worker and con,
tinue to endeevor to be an eager beaver.
-BOB GOLDBERG.

THE FINE ARTS

"A KING, A KING."
In late February Donald W ol:fit brought his
English company to the Century Theatre in New
York and played three weeks of repertory in Vol-

COLLEGE
pone and four plays by Shakespeare. King Lear,
As You Li~e It, The Merchant of Venice and
Hamlet were the Shakespeare plays and except for
the last, of which it cannot be said that we lack
frequent presentation, none of the others has been
professionally offered to New York for some years.
Besides the Old Vic's visiting repertory last spring,
which included both parts of Henry IV, Wol:fit's
repertory presented, with two successful ex~eptions,
the only Shakespeare that New York had seen in
a dozen years that was not. secure under the patent
of Margaret Webster. The Old Vic, although
provincial and suburban in origin, is a highly professional London group.; Wolfit's players make up
a provincial company which spends most of its
time touring the small towns of England, Scotland
and Wales. If 'the New York journalists had found
the Old Vic's Shakespeare dull, it was predictable
that they would exacerbate their perceptions to
finding Wol:fit's Sha!cespeare tedious. New York
had not seen an actor like W ol:fit since Mantell
and Hampden more than twenty years ago. The
reviewers, however, did not thump each other on
the back in helpless invocation of the good old
days: they congratulated themselves, if Shakespeare
and Ben Jonson were examples, on the obvious
progress of their pity, their irony and their wit.
There were exceptions, and the majority endorsed
Volpone with an almost alarming recognition of
that play's merit, but however disposed they were
toward Wolfit and his company, it was clear that
the reviewers didn't take to the plays in his repertory and couldn't entertain the notion that those
plays demanded serious dramatic presentation or
critical treatment; it was never "Such plays as
these don't deserve what Wolfit does to them," it
was always "Why bother with these plays at all?"
The victory of Margaret Webster's "Shakespeare
Without Tears" productions was more radically
corr.plete than the Theatre Guild's seduction of its
patrons into Art by means of O~lahoma!
Years ago, with R ichard II, Margaret Webster
started out by claiming that modern audiences re'
quired the old razzle-dazzle before they would
look at Shakespeare. She has practiced this theory
often enough (Henry IV, Hamlet, Twelfth Night,
Macbeth, Othello, The Tempest) and successfully
enough to have become a school marm to the reviewers on the New York dailies, who are pre'
sumably of her own generation. What was assumed
in \\l ebster 's early and reiterated thesis is that
Shakespeare hasn't enough show- otherwise the
'old' razz~e - dazzle would be proper and usable.
Another more ioport:wt assumption is that The

ST.

JOHN'S

COLLEGE

Swan of Avon, whom she loves with a passion and · matic presentation on a stage or violated the mean,
with whom she conducts an r.iff aire du coeur with ing of plays in their intelligibility as literature, but
the newspapers as her semi-private liaison, is, let's because W ol:fit acts within a dramatic and not a
face it, boys and girls, just plain dull in parts and, . literary tradition. This means that at the end, one
in parts, also silly. (The let's-face-it approach of the plays might be paraphrased in the same way
assures everyone that Webster is intimate enough that it is paraphrased after a reading of it, but that
the means by which the paraphrase is possibl~ differ
with The Bard and his plays to be authoritative.)
Now what Webster did about this was to keep the fundamentally; the difference is between underdull and silly parts in, as a challenge, and distract standing the work as one understands any other
the illiterate audience with business and spectacle. book and understanding the work as a play. LitThis was most effectively achieved by singing actors erary illusion (Margaret Webster's dullness and
but that had a certain monotony and she then silliness) might suffer distortion on the stage: so it
called in razzle-dazzle casts, people like Paul Robe- should if literature has forgot itself and failed to
son and Vera Zorina and Canada Lee. Webster's note essential differences inside itself.
most recent and most daring effort, last fall, was
King Lear is the play of Shakespeare's that has
with Henry VIII, which was so dull and silly that figured most in the argument about plays as literait needed more panoply and costuming than any ture and plays as playable. If Lamb and Bradley
other play of The Bard's she had tried. She suc- are right, to portray Lear is a "betrayal" of Lear.
ceeded and I . understand the spectacle of the show This play "is Shakespeare at his very greatest, but
was only rivalled by the plushy revival of Lady not the mere dramatist (sic) Shake:Jpeare." Thus
Windermere's Fan. A play of Shakespeare's less Bradley, a great critic. The great Shakespeare
pretentiously done or a play specifying, in her own critic who was also an actor, a director and a proterms, fewer pretentions, was unthinkable to Web- ducer, Grat1ville-Barker, disagreed: "At best, of
ster at this stage; her affair with The Swan has be- course, the actor can be but a token of the ideal
come so close that she is One with The Master. Lear; and (thanking him) some of us may still feel
Unfortunately, Webster produced Henry VIII with that in the rarefied spaces of our imagination withthe American Repertory Theatre, a new company out his aid we come nearer to Sh akespeare '~ imaginthat could hardly afford the budget of an M-G-M ings-though what have we after all but a token
musical.
of words upon paper to measure these by? But docs
Donald W olfi.t works on assumptions different the actor only remove us a stage farther from our
from those of Margaret Webster and he has liad source? I think not. He gives the words objectivity
audiences more difficult to persuade. When he and life. Shakespeare has provided for his interstarted his group he wanted to take Shakespeare all vention. He can at least be a true token." I think
over England, and he had trouble: Shakespeare is Donald Wol:fit's production of King Lear proves
as foreign to Swansea as it is to Duluth. The war Grnnville, Barker's point. The play turns out to be
also interrupted W ol:fit 's to'uring plans, which did as playable as Ha.mlet, and this is especially true
not materialize until 1944. He travelled on the because with all its virtues, W olfit's production has
continent and in London he gave hour, long ex- myriad faults. With some intelligence, no actor
cerpts from Shakespeare at lunch-time, the dramatic who can also project and disguise his voice can go
equivalent to the National Gallery concerts. There wrong in the part: it is a "natural." There is,
after all, as much shilly-shallying in the actorwen~ 2 500 performances of Shakespeare in all and
\lt one time his theatre was the only one open in producer's fear of the play as th ere is in the muthe city. The company's equipment is at a mini- sician-conductor's dread of the Storm Section in
mum, all the plays have unit settings that allow the Pastoral Symphony: both were written tq be
rapid pace·, the costumes are not dazzling and the played.
The pictures you might have seen of Wol:fit
lighting is, by New York standards, of high school
caliber. To Wol:fit the play is the thing and any- as Lear are bad photographs, but the impression of
thing less than or more than the play itself is in- a bent figure with a chalk-white face, long white
admissible. T emptations to use more than elemental hair and beard, costumed in light colors rather than
scenery, props, costumes or special effects are pro- in royal hues, is generally accurate. W ol:fit is not,
hibited by respect for the work as a drama written however, the absurd "old man tottering about the
for the stage, where it is most eas:ly and best stage with a walking stick," for whom Lamb pre,
understood. Students of Shakespeare as literature dieted certain failure. In the first scene of the play,
might have been· disappointed with his repertory, the authoritative impatience of . "Come, nob!e Burnot because the plays were contradictory in dn.' gundy," at his exit is not less authentically forcefu1

�6

ST.

JOHN'S

and impatient than "Attend the Lords of France
and Burgundy," at his entrance, although the impatience is of another sort. In Scene 4 W ol:fit uses
the cracking but still powerful voice of an old
king- of an old man young enough to hunt-when
he is impatient {\Jr his dinner and for his Fool, and
when he intt:rviews Kent. At his ignored demands
for his Fool, the impatience takes on pathos and
there is a suggestion of what Lear's madness will
be. He asks for his Fool when he cannot effectively
call for anything else. When one of his knights
goes in search of the Fool, Lear is animated to
strike Oswald, Goneril's steward, for his impertinence. The actor conceals a long whip in his belt
under his cloak and when he lashes Oswald with
it, the surprise is immense and in one moment the
sources of authority remaining to Lear are defined
dramatically. Lear would like to belie the Fool
with his native wit when the Fool begs him to
"keep a schoolmaster that can teach thy fool to
lie"-the Fool would "fain learn to lie," ever since
the king made his daughters his mothers-but Lear
can merely fall back on the whip and threaten him.
His impatience with the discovery that he has lost
his old authority during the interview with Goneril
in this scene, is an impatience no longer justified
because he is no longer a king, and it is this stubborn impatience that he knows might drive him
mad. His direct questions to Goneril, "Are you our
daughter?" and, "Your name, fair gentlewoman?"both questions Goneril does not answer, insist upon
his authority in vain, and W ol:fit asks them in a
regal ironic tone which does not admit that any
reply of Goneril's will be unsatisfactory: he is beginning to remember his Fool. When Wol:fit strikes
his head at " O Lear, Lear, Lear!" and appeals to
nature repeatedly to curse his daughter and dooms
her to laughter and contempt, the king becomes a
figure with the stature of Oedipus and the knowledge of Tiresias.
The Fool carries his purpose too far and Lear
whips him when he is direct: "Thou shouldst not
have been old before thou hadst been wise." Lear's
next lines as he drops the whip, the 0:1ly verse he
speaks in this short scene,
"O ! let me not be mad, not mad, sweet heaven;
Keep me in temper; I would not be mad.",
show his vision of the absurdity in the vexation he
must still assume he can be possessed by. At the
end of the scene, the Fool brings the whip to Lear,
he takes it, pulls the Fool close to his side and they
exit with Lear's "Come, boy." as the thunder
cracks.
W olfit 's delivery of the often quoted speech
"O ! r eason not the need.
" at the end of Act II

COLLEGE
is more moving than I wm,Ild have thought possible. He read the speech differently in the two
performances I saw. Goneril and Regan are on
either side of him and at Regan's line he throws
his cape over his shoulder and turns from them for
the :first part 'o f the speech and weeps as he beseeches the gods not to let women's weapons stain
his cheeks. As he turns back to them, flinging his
cape and pointing with down-turned palms and
outstretched fingers as if groping for articulation,
he predicts his revenge in a low and ghastly knowing voice that is reminiscent of the "Away, away"
after his earlier cursing of Goneril, and the silence
after "they shall be the terrors of the earth" is the
quiet of his having terrified the whole earth. He
has quieted himself as well as Goneril and Regan
with his vague terrors and he turns his back again,
weeping as he swears he'll not weep.
His prediction to the Fool that he will go mad
is more plausible by this reading of the speech than

by the Titanic reading Wolfit gave it another time.
Gods are not inarticulate and although force and
authority are terri:ying when he turns back and
points to his daughters with a firm hand and fixes
them with a rageful eye, they become absurd at
Lear's inability to name his revenges, and his wanting not to weep is unnecessary: Titan's don't. The
:first reading is the better bridge to the real Titan
that Lear can become on the heath against other,
simpler elements, and to the madness that he suffers
there.
The Storm Scenes are not done over-realistically, but there is lightning and plenty of thunder, which often interrupts the speeches. Wolfit's
voice, the largest I have heard in a theatre, is not
inaudible for this, but the Fool and Kent are not
heard at all at the beginning. Lear stands leaning
against a narrow high rock, the Fool clutching him
in fear, and does not move throughout his :first
scene. I'm afraid I don't find the thunder interruptions offensive. The wonder of the words is a
theatrical and dramatic wonder and if their clarity
is sacrificed in a few lines I am pleased at the reality
of the other lines, a reality I do not always find in
them on a page. It is not, again, so much the
reality of the lines themselves that I question as
the unreal quality the seen_ and the Eituation have
in the text. I suppose I am saying that the Storm
Scenes in King Lear an~ incredible to me as I read
the play as a "poem" or, better, that I cannot read
the play as a poem. The text is more than a poem,
however "huge," and if I can't read the lines aloud
or hear so:.neone else ffad them, the fuil value of
the text is not conveyed. No one who has called

ST.

JOHN'S

it a great poem, and most people have, doubts its
achievement, but they have found it impossible to
discuss it except lyrically or epically. These critics
tremble at the stage consequences of the witches in
Macbeth and the Ghost Scenes in Hamlet. My
simple nature is embarrassed when the witches and
the ghost are not thoroughly visible when I see
these plays. Similarly, the Storm Scenes in Lear
seem to me to demand performance. I confess that
the scenes are enormous problems for the actor and
the director, that the actor's voice will easily fail
him if the scenes are not broken, that the director
must not obscure whole sections of speeches with
over-zealous realism, etc., but these difficulties are
of a simpler sort than the imaginative difficulties
spoken of by Bradley, for instance. "The Storm,
scenes in King Lear gain nothing [on the stage J
and their very essence is destroyed." Shakespeare
the dramatist has failed and Bradley re-instates him
in the library with a brilliant case based upon
poetic rather than dramatic, achievement. It is
extraordinary that Bradley, who appreciated Shake,
speare's being "immensely effective in the theatre"
in most of the plays, should have noted collapse
here. King Lear is an enormous work not wholly
intelligible in one performance, but neither is it at
a single reading, or many readings. As GranvilleBarker said, both words and actors are tokens. For
Shakespeare the words were for the sake of the
actor, who could best give them to us. Bradley's
readings led him to anticipate the miraculous in a
performance of Lear. When he didn't :find it, he
called it impossible. Literature and its critics might
become less embarrassed at finding the playwright
Shakespeare in their midst; the evidence of an acting
tradition that Wolfit brought to New York should
remind us that much literary criticism of Shake,
speare is potentially nonsense.
The Wolfit production is cut for intermission
at Act III, Scene 4, with the putting out of
Gloucester's eyes (the whole play ran two hours
and a half, with cuts). Just before this, in the
Hovel Scene, the play loses its momentum. The
set for the scene is too confined and the people too
crowded in it for either their words or their movements to be clear. I am sure that those who were
unfamiliar with the play didn't know there was a
mock trial of Goneril and Regan going on; it was
only plain that Lear was as mad as Edgar pretended
to be. If better direction could not be mustered,
\V olfit might have heeded the Folio and omitted the
trial. This was the :first time that careless direction
sacrificed the whole meaning of a scene.
The madness of Lear is not the traditional
Problem that the "madness" of Hamlet has been

COLLEGE

7

because Lear is a simpler, less intellectually astute
character and certainly also because debility is not
unnatural to old age. In King Lear it is a noble
madness, in Hamlet a noble mind o'erthrown. Wolfit's Lear is a very old man and his madness from
Act III until his reunion with Cordelia in Act V
would therefore seem to be less marked than if he
played the part more vigorously, but I think this
interpretation is essential to the play. Lear is afraid
of madness and repeatedly says that he is afraid of
it not only because of what has been done to him,
but also because of how this must affect a man like
him. One of Shakespeare's ways of making him
the man he is is by the long list of repetitions,
natural to the aged, that he gave Lear to speak
("O! you sir, you sir, come you hither, sir."; "Hear,
Nature, hear! dear goddess, hear!"; "O Lear, Lear,
Lear!"; "No, no, no, no!", etc.) There are a number of examples and whatever other functions these
repetitions have, the frailty and carelessness and
helplessness they reveal in the king is their :first,
simple purpose. Stark Young, the one critic who
knew the play well enough and respected it enough
to care what Wol:fit did with the role, found his
madness exaggerated and extreme. I don't think
this view is tenable unless Lear is played as a much
younger man. Perhaps there have been agile, com,
paratively . youthful Lears (I remember seeing a
portrait of Macready in the role and although his
hair was white and profuse, his strong unwrinkled
face was not bearded) , but I would suspect that
Lear's madness in such performances would suggest
the grotesque, as some scenes do in 'The Duchess of
Malfi, say, rather than provoke the horrible and
the piteous.
The degeneration into madness in Act III can
nevertheless fail in effect without physical as well as
vocal techniques on the actor's part. W olfit accomplishes this splendidly by moves and gestures as
frail as before except that in the mad scenes, Lear's
imperious gestures, which he could still make in
the early part of the play, are also frail and aimless; he wills to make these gestures but they have
the mark of nervousness that his involuntary gestures had previously. In the meeting with Gloucester at Dover, Wolfit enters Mad (Shakespeare),
carrying a small bouquet (a compromise with
Capet's addition, fantastically dressed with wild
fiowers). Anything more than the bouquet in the
Wolfit setting would have been pretentious: the
flowers were the only color in it and a lei would
have made the scene visually a burlesque. Gloucester does not help Wolfit in this scene and Edgar
is ornamental, yet with the set resembling the
facade of Sing Sing and standing on a papier-mache

�8

ST.

JOHN'S

rock, he carries it, against all immediate odds and
against odds imposed · on his dramatist. Act IV,
Scene 6 is filled with quotations from The Bard
and I was disposed for paralysis. These were not
played up; it was a pleasure to see the clever playwright win out with all the words. They were all
W olfit had and all he needed.
W olfit follows a melancholy but r esp ected tradition for his reunion with · Cordelia and lies sleeping in his tent as soft music plays at the beginning
of the scene. This is moving but not as moving as
the playwright's direction would have been : Enter
Lear in a chair carried by servants, and the analogy
between the chair and Lear's throne is missed. The
changes the actor produces in the Lear we saw last
in the scene with Gloucester is not an ingenuous
return to the Lear before the H eath Scenes; his
patience is weary with the result of his impatience,
Lear is fatigued at emerging from a madness that
is the effect of his just agitation, caused in turn by
his wrath with Cordelia. Cordelia cannot miraculously revive him. Lear's contempt for her has
been dearly paid for, the interval h as been :filled
with enduring, there have been too many counteractions for him to turnabout and quickly embrace
the object of the folly that w as their cause. It is at
Cordelia's wish to confront her sisters that he can
refer to the complete and redeeming joy he might
find with her. But this possibility is cut off by h er
death, the :final resolution of the folly the gods still
judge pitiless. Lear, even had C ordelia not died,
would have doubtless perished in attempting to live
the lesson of his folly without remembering the
awful devices by which he gained it. I think t his
is the answer Granville- Barker w anted to the plea,
"Try to imagine his survival. . ." Cordelia's death
in the Wolfit production was no less inexor able or
w anton than the other works of the arch-villians,
Goneril, Regan and Edmund, however imper fectly
those parts were played. As Lear has suffered from
their caprice for his own fault, or rather as his fault
had been coincident with their wickedness, he had
negatively authorized their caprice and although
they are now dead, they have all been kilted by
their own hands as it were, and not by the demand
Lear might hav·e made. In terms of Lear's not
having acted against them directly, they go on living
and Cordelia must die. The bodies of Goneril and
. R egan on stage, which W olfit flinches at, confirm
this. Lear of course w as powerless to have them
executed because of his abrogation of his own position, an abrogation his d:iughters read without
scruple. In the w orld the vile daughters inhabit,
which is al::o the world of EdL un d, th e king has
no wish to act . The other w orld he: des::ribes to

COLLEGE
Cordelia, where they will "tell old tales~ and laugh
at gilded butterflies," is the same transcendent world
Richard II paints for Aumerle, a magical world
where they will "make foul w eather with despised
tears," and a world, for Lear, where there is no
need of noble anger.
Before Wolfit's entrance with Cordelia's body,
the beginning of Lear's line, "Howl, howl, howl. .. "
is heard off-stage. He enters and kneels, supports
her on his left knee, then lays her down. "And
my poor fool is hang'd" crushes Lear more . The
fact that this line is notable and that the recognition
of Kent is complete illustrates how Wolfit avoids
the "insufferable" effect that Bradley foresaw for
any effort to "turn continually in anguish towards
the corpse." The last speech of Lear had, as W olfit
played it, enough pat hos t o remind me that Bradley had called it the o ost p zi. the tic speech ever
written. But afterwards I wondered if the pathos
had been sufficient to sustain Bradley's astonishing
perception that Lear imagines C ordelia to be still
alive.
The second time I s:iw the play I tried to
ju~tify the apparent'.y natural lack of sympathy
p c:op ~e once had for its unhappy ending. Their

inclination was supported by the sub3titu ted version
of Nahun Tate, which w as insert ed in ;ill p erformances of Lear for a hundred and :fi ~ty-ceven years
un til H azlitt and others prevailed upon Kean to
restore the original ending. (Kean did this in 1823
and in 1838 Macready restored much of the play,
although Granville-Barker notes that he, too, " tamp:::red w ith its structure and--by much omissionw ith its text" .) Bradley turned "with disgust from
Tate's sentimental version, from his c .arriage of
Edgar and C ordelia, and from t hat c. cap moral
which every one of Shakespeare's tragedies contra,
diets, 'that Truth and Virtue shall at last succeed .'"
Then again Bradley wasn 't sure " that we are right
when we unreser ved ly condemn the feeli ng which
prom pted these alterations." Kin g L-:ar thus fails
fo r Bradley as he wishes the l:ing a'.c.d Cordelia to
escap e their dco:n. Such a faJure would of course
be just as gross in the " w ork of p ae j ::: imagination"
he contriv s to save Shake~pcarc 's rcpul'a::ion. Uw
r :::served conder.mation of the feelin g which
pro!11 pted the alterat icns will be just with any iw
s'. ght into th e subject m:.tt ter and situation of King
Lear and the diff ercnces from the other tragedies
this was bound to exact from its author. The new
world that Lear found, that he was forced to find,
is no unhappy one. Lear's difference from Shakesp eare's other heroes, the play's difference from all
the other p ~ays, warrants a q·1 t10:1ing cf t he work
e
as a d r;rn~atic t ngecly be.it clces not allow of slothful

ST .

JOHN'S

inquiry so much as to call it a dramatic gloss.
Literary appreciation and criticism of Shakespeare
can unnerve actors, producers and audiences alike.
Bad taste in the drawing room becomes bad taste
on the stage. But to bother with Shakespeare at
all is to ignore taste; he was offensive to Tate's
time, to Johnson's time, to Hazlitt's time, to Bradley's time and to ours. No better antidote is to be
found than in productions of his plays by Wol:fit
and others like him, whatever their faults.
The faults of this King Lear are many. Wolfit's performance is the only great one. The other
people in the cast are typical members of a provincial stock company, some good, some satisfactory,
but mostly bad. This has unfortunate consequences
for the play as a whole and I can understand Bradley's dissatisfaction at productions like this, which
once were probably legion in England, but the de,
gree to which W olfit compensates for the defects
by his illumination of Lear is immense and I per,
sonally found the play more rewarding than my
reading of Bradley's lectures on the subject. (I am
not being snide; I can find no higher example.)
The near loss of the play's sub-plot was one of the
consequences. Frederick Harrey, who gave an excellent performance in Volpone, delivered Edmund's first long speech to the audience in an intimate, off-hand attitude-in the manner of a 17th
century French wit, as if he were Osric in Hamlet,
so that the audience not unreasonably questioned
his capability for any evil greater than snitching
sandwiches. I read in my program that Harrey had
played Oedipus in the London production of 'The
Infernal Machine and when I saw the play again
I attempted to discover more in his reading of the
role. Despite his resemblance to him, Edmund is
not Iago and he will compromise his wickedness by
flippancy, and Harrey was still the flippant carefree devil. Eric Maxon, the old character actor of
the company, was Gloucester (when you see the
' parts the regulars play in Lear, their roles in the
other plays can be guessed; Maxon does Tubal,
Polonius and Corbaccio). His performance was
effortless and the simple rattling-off of lines although his appearance was adequate. It is elementary in acting that actors must listen to what
other actors say to them and not anticipate their
cues; the attention requisite for listening is not just
fixing the eyes and staring in feigned concern at
what is being said or maintaining an impervious,
j occupied expression that defies scrutiny. I am sure
that Mr. Landau never considers his actors perfect
in this respect, but the King William Players are
more skilled in the minimum requirement than some
of the players were in Wolfit's King Lear. Glouces-

COLLEGE

9

ter and Edmund together ·almost cancelled out the
dramatic value of the sub-plot. Gloucester's blinding is ghastly by nature and W olfit 's actors tried
to tone it down, which abashed Shakespeare and
the audience, neither of whom shirks horror when
it is called for. Gloucester sat in a chair facing
backstage; Cornwall and Regan we.re not a jot
more frightening than a couple of barbers. The
scene is brilliantly lighted! To confirm our suspicions that nothing dreadful occurred, the bandage
that Gloucester wears over his eyes is wet with only
perspiration and is less bloody than a bandaid.
Perhaps Wolfit (who presumably staged all the
plays) had in mind Bradley's "the blinding of
Gloster belongs rightly to King Lear in its proper
world of imagination; it is a blot upon King Lear
as a stage-play." I keep hoping that Lionel Barrymore will some day leave Hollywood for a few
months and take on the role for which his flair
is indispensable. He seems to me the ideal Gloucester. Years ago I understand he played scenes from
Lear with his brother on the radio. He might
search for another Lear and fulfill the debt he owes
his art and not continue to wait for the good movie
role that comes to him once every aeon .
The scene at Dover where Gloucester throws
himself off an imaginary cliff was absurdly managed .
A small, low rock stood stage,center and when
Gloucester leaped it was at considerable effort that
he did not merely stumble. The sound of the sea
in the background was the only credible aspect in
the scene. Mr. Van Doren, however, did not admire this effect as I did and remarked that of course
Gloucester and Edgar were not near the sea at all.
The scene direction 'The Country near Dover was
thus literally ignored by W ol:fit, but as I re-read
the scene and also try to discover how it should
have been done, I still think the sea-sound is needed
for the pathos the scene must produce in the theatre.
The real quality of the sound of the waves certainly
showed up the make-shift quality of the realistic
set in the W olfit production, but might not the
trouble here have been not the sound of the waves
but the naive imitation in. the scenery? Gloucester,
early in the scene, says that he does not hear the
sea, which as a blind man would be his clue, and
Edgar describes the dizzy height and the fisherman
along the beach to deceive him, for he knows his
intent and wants to prevent it. Perhaps the two
actually are on a hill and not on a cliff over the
sea, perhaps Gloucester is so determined to end his
misery and is so anguished by his eyes that 'he caw
not heed the evidence of his other sense, but in the
theatre I don't know how the audience is . to be
made aware of what Edgar is doing unless an actual

�10

ST.

JOHN'S

cliff and beach are close by for him to be saving
his father from. The sea-sound also has an unreal
and mysterious quality that would assist a setting
less real. A cliff extending far backstage, dimly
lighted, with the sea below on three sides and the
land slightly lower on the other, might accomplish
what I have in mind. Gloucester would not then
fall in a ridiculous fashion into a pail of water, as
it were, and when Edgar turns him toward the
land the audience would have no doubt that he is
saving his father, and the slight incline would permit Gloucester to fall forward and down, all of
which would tend to stress the pathetic rather than
the comic. Gloucester would not be over-credulous
when he is persuaded that he has truly fallen. The
scene is an awfully difficult one and I do not possess the "common sense" that made it easy for Bradley. I have not been to Dover but the sound of the
sea must be audible for miles in the surrounding
country. I know Mr. Van Doren will not mind
my speaking of his objection. · No solution would
have occurred to me if he had not made it.
Kempster Barnes, the matinee idol in the Wolfit group, looked splendid as Edgar. He has a quiet
voice with a range so narrow that its sound is more
striking than the words it speaks. In the Heath
Scenes the distortion he gave his voice did not help
its audibility. Kent, played by Alexander Gauge,
was probably the most satisfactory performance.
Kent is not disposed to express himself passionately,
yet since his love for Lear is the pasE:ion he lives
by, Gauge could have given him more than the
duty of a mascot. The Fool (Geoffrey Wilkinson)
I thought so bad the first time I saw him that I
went the second time prepared to protest publicly.
His voice is shrill and offensive and he could not
lend the Fool's songs either the melody or the
lyrical quality that Shakespeare put them there fo r ;
instead he shrieked in rhythm, with snatches of intelligibility. If music would disguise the words,
screaming destroys them. The Fool hopped about
the stage awkwardly and ungracefully in his first
scene. Ballet, of course, is not required, but a hopscotch executed without nimbleness is grotesque and
no Fool could think it diverting or funny . Ready
as I wa to declaim against him, W ilkinson had
calmed down for the last performance and I was
more struck by the artful way Wol:fit used the
Fool, defining his relation to him by a careless and
almost inattentive heeding of his words at first .
Doubtless Lear is not solicitous about the Fool during the Storm and "It is foolish of him, no doubt,
to follow his master into such a storm- but, then,
he is a fool " and that is the only virtue Lear w ants
in him. Granville-Barker also says that the Fool

COLLEGE

ST.

JOHN'S

C OLL E GE

11

is characterless alone, and in this sense Wilkinson
rnent and participation m the play are manifestly critics, by competition. The art by which t h e actor
was a perfect foil for W ol:fi.t.
necessary, Wolfit's accomplishment is more manifest participates in the playwright's imagination is a
still.
high critical art . Surely of Shakespeare it is the
As for the smaller parts, Cornwall and Albany
were done adequately, particularly the latter, and
King Lear has been act ed only twice in New · best criticism we shall ever have.
- F.M.
Oswald, whom Johnson thought the one · wholly
York since t he days of Robert B. Mantell-since
evil character in all Shakespeare, was understood
the fi rst World War. Curtis Cooksey and the
in the same way by John Wynyard, who affected
Shakespeare T heatre actors produ ced it unsuccessthis idea to excellent dramatic advantage.
full y in 1932. Sam Jaffe gave a performance as
Lear in a semi-professional production of the play
Rosalind lden's Cordelia was lovely in appearC limaxing a five-game w inning strea k, an aler t
at the New School in 1940. The Wolfit presenta- Junior-Senior lA quintet nosed out a for midable
ance and absolutely competent in performance, yet
tion is probably the last we shall see for many Junior 3 team by a 29 to 28 score to cop the basket I was indifferent to her portrayal. After I had obyears, unless the O ld Vic company can be per, ball championship before an estimated crowd of ten
served Miss !den's success in the comic roles I exsuaded to endure again the circus maximus that people in a n ight game p layed in Iglehart Hall.
plained her failure as Cordelia as a lack of natural
;ti the Century T heatre and bring to New York
response to a tragic part, but her Ophelia was so
The Junior-·Seniors spotted the losers a 10 point
cl1eir K ing Lear with Laurence Olivier and Alec
staggering that this became nonsense. My indiffer,
margin in the opening minutes of the game, as S'..:cvc
0 uiness.
ence might be accounted for by the problem everyT erry drove under the basket four times and Biil
one has in talking about Cordelia. How can any
I don't know when Wolfit p layed Lear fi rst, Ross dropped in a set shot. O nly a one hander by
actress play the role except negatively, in sweet
but it is his most famous role and he had recently Ray Cave kept the winners from being blan~:ed in
contrast to Goneril and Regan? Cordelia must be
finished a limited London engagement in the play the first quarter.
proud in the first scene, but there, too, the con'
in the early fall of 1944. This was the season of
Coming back after the rest period, Stern and
niving obeisance of her two sisters will assist the
John G ielgud's repertor y of Ham let, The D uchess Schleicher tallied and Krol dropped in a free throw
actress who portrays her. Cordelia should not be
of Ma lfi, Love for Love and A Mi dsummer N..ight's
to bring the score up to 7- 10 before C lark scored
excessively solicitous with the king in the last
Dream, of the O ld Vic's Richard III, Peer Gynt for the J uniors. T hree baskets by Cave pu:= the
scenes. Miss Iden did not mother him, but her awe
and Arms and the Man, and incidentally the season Jun~or - Seniors into a one point lead, and th ccorc
of him could have been greater.
of the ,first of the over,stuffed revivals, W ilde's An sec,sawed then until the half, when it read l G, 16.
Goneril and Regan are acted by Violet FareId eal Husband. The London theatre public differs
In the third period, the score continued to
brother and Ann Chalkley, respectively. Both were
from the intelligentsia public that would have
waver back and forth until a i:et shot by E:irl
extraordinary English fem ales and albeit past their
mainly supported such plays in N ew York, and
Bauder and a free throw by Cave put the Juniorbow-and -arrow, bicyclin' days, each bore the stamp
the English newspapers and periodicals refl ected
Seniors into a three point lead . In the final fr:i.me,
of those rolickin' times. Both were commanding,
this audience's enthusiasm for Wolfit's King Lear.
both teams tuned up their defenE:e to a fren zied
one w as heavy in flesh, which she was obliged to· It is strange that this same actor in the same play,
pitch, with much of the play comisting
interdisplay by her costume, and both had the English
which was admired tremendously among other
cepted passes and violent struggles under t he hoops .
sandpaper voice-the most rasping, breathless voices. great portrayals iri other great plays in London in
A lay up by Dick Matteson and a basket by Wes
I have ever heard. Miss Farebrother was so enor19 44 , should have been despised in N ew York in
Gallup brought the Juniors in the lead again , but
mous and so patently the Brunnhilde type that I
194 7. The theatre in N ew York cannot boast of
Roll Schleicher, with two men hanging on, t aliied
was convinced she was in the wrong auditorium.
anything in so typical a London season except a
fer the winners. Cave then t ossed in a one hander,
H eaving divas we must tolerate ; heaving actresses,
plushier Wilde revival, more musical comedies and
but Gallup came back fast to put in a hcok shot
never. Miss Farebrother's entrance into Gloucester's. Alfred Lunt and Lynn Fontanne. In New York
castle was a moment I shall not forget. Her blue· there are r..o great actors. No new great plays is no shortly before the game ended .
Foul throws were the deciding factor, w ith the
costume was emblazoned with a bright red toga and , excuse fer this; there are no new great plays in
winners sinking five of their eight attemp ts, while
when she suddenly threw open the gates and stood
London, either. Acting is sustained and extended
holding them apart, the effect w as, at first, terrifyby Shakespeare's plays and others like them. Acci- the Juniors only scored on two out of seventeen
ing. Unfortunately the only possible sequel to the
dentally-and i t is only accidental- the London tries, Gallup missing ten of eleven chances.
full melodramatic manner in which Miss FareCave led the scoring with E:ix baskets an d a
revivals can compete with pcpular plays and mu '
brother executed this entrance was the Battle Cry
sical comedies because the London public likes the free throw for thirteen points, while Terry p aced
from D ie W a I~ure . Both these lad ies intimidated
classical drama and enjoys good act ing. The pre- the losing team with five baskets and a foul for
the audience and not their proper objects within
tentiousness of potential re per tory theatres in New eleven points.
the play.
York has doomed them before they have begun ;
In their third encounter, Junior 3 once more
they have imagind that they must compete with downed the cellar -p03ition Sophomores, this time by
That King Lear, the least happy of all his productions, was still no minor success, was a particular , what they ar e there to p revent. U ndisguised and a 48 to 3 5' count . T he Sopho::nores functioned
honest presentation of classical drama in N ew York smcothly but continual substitutions did more to
and very special achievement for Donald W olfit.
might well serve a h:gher fonct:o:1 and cJ:. .c::e 2. r::crc hurt than h e~p their organization. M atteson mainAll the defects, alongside his Lear, are not striking
valuable reaction than the revivals have done in tained :first position in individu al scoring by tallyin the theatre while the play is in progress; insofar
as the character and the number of the faults spe'
London . Const ant revival of classical plays will ing 26 points, and Wall a::::e s::::ord eight to le:id th:::
ci fy the degree t o which proj ection into temperacertainly restor e acting and that might alco i:tartle Sophorn.orcs.

SPOR TS

o:

�12

ST.

JOHN'S

Junior,Senior , A got off to a fast start against
I
the Freshmen, piling up a 43,9 margin at half,time
and then coasting in to win 65 ,29. Cave scored 20
points and Thomas of the Freshmen hit the hoop fot
10 points.
Junior,Senior 2B continued along the come-back
trail with a 55 to 51 upset over Junior 3. The
Juniors stepped out to a 13,9 lead in the first quaP
ter, but the Junior,Seniors crept up in the second
frame and a basket by Van Sant on a pass from
Hooker put them into a 22- 20 lead at the half. In
the third period, the Juniors pulled up one hard
fought point and early in the final period they
pulled into the lead as Matteson, Gallup, Ross and
Dei-r all scored; but three baskets by lanky George
Van Sant brought the. sccre even ·and a one,hander
by Bill Elliott put the Junior,Seniors ahead again.
In the closing minutes, the gap wid~ned as Hool~er,
Elliott, Krol and Van Doren tallied to make the
score 55 -49. Matteson of the Juniors dropped one
through the basket just before the game ended.
A near upset. came when an inspired Sophomore team led the champion Junior,Senior lA outfit
through three quarters of play, Qnly to go down to
a 43-41 defeat in the closing minutes. The Sopha,
mores piled up a 17 ,4 lead in the first few minutes,
but the winners rallied and were trailing by one
point at the half. In the third period, the Sophomores continued to hold a slight edge, but early in
the last quarter, the Junior-Seniors pulled into the
lead to win the game. Schleicher .scored 17 points
to lead the winners, while the Sophomores were
paced by Gargle with eleven and Wallace with ten
points.
Junior,Senior 2B won its fifth straight game,
downing the Freshmen 61 to 37. The Freshmen
were only trailing by one point at half-time, but
in the second half, the Junior,Seniors turned on the
heat and piled up 38 points to the Freshmen's 15
points. Van Doren scored 20 points for the winners
and Thomas led the Freshmen with 15.
In the final game before the ch:impionship
match, the two Junior-Senior coaibinat ·ons came
together once more, 1A risking a season record of
seven wins and two losses, and 2B riding on the
crest of a five game winning streak. When the dust
had cleared lA had racked up another victory, by
a 66-5 4 count. The winners scored first on baskets
by Bauder and Cave and stretched the margin to
18 -12 at the first quarter. In the second period,
lA showed an alert defense and yielded only nine
points, while pouring 29 counters through the hoop
as first Schleicher and then Cave got hot. With
the score reading 47-21 against the::l, 2B turned on

COLLEGE
the heat in the third period and tallied 17 points
before lA could recover from the shock, but after
pulling up to 42,53 at the end of the third period,
the drive collapsed and the two teams battled neck
and neck in the final frame. Schleicher, of lA took
scoring honors with 22 points, and Charlie Van
Doren totalled 20 for the losers.
Final standings in basketball:

w.

L.

Ave.

Pts.

0.P.

Jun.,Sen. lA ---·------

9

2

.8 18

541

373

Junior 3 --- ---------------

8.

4

.667

540

432

Jun.,Sen. 2B -·----------

5

5

.500

417

501

freshmen ---------------Sophomores ------------

4

7

.363

437

544

2

10

.167

417

502

Individual scoring:
Games

Pts.

Matteson, Junior 3

12

242

Cave, Junior 1 --··----------------- -- ---- ----··- --

13

186

Schleicher, Senior a --·----···-··---··-----··-

13

174

Krol, Seniora a ··----·--------- -----·--·---------

16

117

Bounds, Junior 3 ···--------------·------------

11

102

Gallup, Junior 3 --------------·---··---·---·-·- :

12

97

Player and 'Team

Wallace, Sophs --·--·- ------------------·--------

12

88

Thomas, Frosh --· ·----------- ---·----- -·- ·---· --

9

81

Weinstein, Sophs -----·-· ··- -- ·--·----·--·-----

11

78

Van Doren, Senior b ----- --·------ ------·-·-

6

71

Although a 28-game basketball s:hedule has
been completed without a single forfeit, athletics
at St. John's appear destined to continue on the
downgrade which started when the war began. Fall
softball was cancelled because of poor turnouts;
swimming is no longer poscible; only tc:1 of :fifteen
football games were played; lacrcssc i" no longer
scheduled in the former backyard of the national
champions; and volleyball, according to a recent
canvas by Mr. Lathrop, will be played cnly by Aristotle, Plato, Kant and Mrs. Pcrlitz .
On the basis of such re.prcsent::i.tion, it is impossible for schedules to be arranged in these sports,
but it is suggested that those individuals who are
interested in playing volleyball or lacrosce contact
the members of their [eminar, and prepare a list of
potential players to submit to Mr. Lathrop. Only
by such action can any kind of competition be
arranged which will allow for regular scheduling of
thc3e sports; and without regular schedules, team
spirit as well as competent officiating is lost.

St. John's Collegian
Vol. LX- No. I 0

ANNAPOLIS, MAY 15, 1947

THE INNOCENTS ABROAD
Mr. Van Deren concluded with his second lee,
ture on American Literature. In contrast with the
Erst, where he considered it la~-gely from the view
ot Europeans, he chose to consider it this time as
an Ar.nerican, examining his own world. The lecture was chiefly historical since the literature itself
falls into an historical pattern, but it falls into a
number of genera and it will be presented here in
that light .
,
To begin with, there was the Discovery, an
event unparalleled .in history, either before or af,
ter. From the geographical side alone it was an
immense prize; The Ghost Went West, to garble
Hegel with a recent movie, in the person of Co,
lumbus, and found a continent greater than Europe in size and potential richness. The literature
begins with the Journals of Columbus, and we
know the disco\;ery is not over, for it went on
and still continues; there were endless roads to
travel and endless things to see-endless things to
find out. So there is the literature of the Frontier,
of the West, of Texas, of California and the gold
rush, and in later times, the T.V.A. and the New
Deal. There was the Indian, "Who's Untutored
Mind Sees God in the Clouds and Hears Him in
the Wind," and who, being somewhat resentful
of the white man's invasion, provoked a series
of books on Indian Captivities; here was found
the savage incarnate. Later on came the Leather
Stocking Tales of Fenimore Cooper, which earned
for that writer an international reputation and
v.1hich every boy still reads, although Cooper's
stories of the noble savages were resented by the
public after the last, cruel battles, and subsequent
v1:riters such as Mark Twain portray the Indian as
dirty, ignorant and contemptible. He was, by that
time, having risen . to untoid heights of savagery
and degradation through generous applications of
rifles, whiskey, and dispossession. Newer and so,
berer researches such as the Government Survey
indicate the Indian as being both philosophical
and wise; he was devoutly religious and where his
, poetry was prayer, his philosophy was ritual. Besides the Indian there was the pioneer of whom
tn en made legends: Kit Carson, Lewis and Clark,
Wild Bill Hickock, Buffalo Bill, and Davy Crockett, who boasted that he could dive deeper, swim
farther and come up drier than any man alive.

Price: I Oc

Through all of these wntmgs there is the persistent theme of discovery and newness, with cow
sequent heroes; always there is the relentless pushing west and north, through the wilderness, across
the prairies to the mountains, and down frcm the
mountains to the sea. A desire to go places and
see new things has always moved Americans, and
Seymour Dunbar's . "History of American Travel"
is a classic of its kind in its description of the
result.
After the Discovery there followed Experiment.
Americans have always loved invention ancl novelty and they idolize the ingenious in such enterprises; but if the ciesire is for novelty it is not for
real origin;tlity, and as such is probably not a
healthy one. The love for Experiment is exemplified in the writings of Melville, Emerson, Thoreau and Hawthorne. whose "Scarlet Letter" is
the ~tory of a man V:·ho tried the experiment of
living precisely as he pleased-and faiied. In iater
times we b:we Stephen Cnm; and Theodore
Dreiser who ber-an 'Nhat has come to be called
the N~turalism '"of American Literature. Their
books, and those of practically e'Jeryone elst: who
has foliowed, are distinguished by t"\VO char:lcter,
istics: thcv speak of persons who are conditioned
and \Vitb~ut. fre e will, made for better or worse
by their society, and they try to tell us things v.:e
have not heard before. An ex~-tmple is Caldwell's
"Tobacco Road," where we are i~pressed by the
" authe.nticity" of misery ; thz book would be trivial
if it were not about "real people," c;.nd that is its
condemnation . When the Naturalists try to ex,
plain themselves they fare a bit worse; Steinl"eck
cheapened an otherwise excellent novel, "The
Grapes of Wrath," by frequent, though short, chap'
tcrs of philosophical interludes which served only
to ma.ke the Eader wish to omit them and get on
with the story. Books today must be authentic,
their sources correct, their subjects novel, and such
terms are symbolic of poor understanding. Amer,
icans have · either forgotten or they never knew ·
that good literature talks about the same things
over and over again; only it talks ti.bout universal,
unconditioned things-love and death, tragedy and
life, man and the universe-&lt;:i.nd if Amencans
really believe such thnigs no longer worth talk,
ing about they will never write af'ything worth a
nickel. But if \Ve are always seehng new ideas
and new theories, it is because wt?. have no tradi,

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                  <text>The Collegian began as a student newspaper; became a college community literary publication in 1952 and continued until 1969; became a student newspaper again in 1969; discontinued publication from 1980 until 1989 when it again became a student literary publication.&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="The Collegian" href="http://digitalarchives.sjc.edu/items/browse?collection=26"&gt;Items in The Collegian Collection&lt;/a&gt; to view and sort all items in the collection.</text>
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                    <text>12

ST.

JOHN'S

Junior,Senior JA got off to a fast start against
the Freshmen, piling up a 43,9 margin at half,time
and then coasting in to win 65' ,29. Cave scored 20
points and Thomas of the Freshmen hit the hoop fat
10 points.
Junior,Senior 2B continued along the come-back
trail with a 55' to 5'1 upset over Junior 3. The
Juniors stepped out to a 13,9 lead in the first quarter, but the Junior-Seniors crept up in the second
frame and a basket by Van Sant on a pass from
Hooker put them into a 22-20 lead at the half. In
the third period, the Juniors pulled up one hard
fought point and early in the final period they
pulled into the lead as Matteson, Gallup, Ross and
Derr all scored; but three baskets by lanky George
Van Sant brought the. sccre even ·and a one,hander
by Bill Elliott put the Junior-Seniors ahead again.
In the closing minutes, the gap wid~ned as Hool~er,
Elliott, Krol and· Van Doren tallied to make the
score 5'5'-49. Matteson of the Juniors dropped one
through the basket just before the game ended.
A near upset . came when an inspired Sophomore team led the champion Junior,Senior lA outfit
through three quarters of play, 9nly to go down to
a 4 3-41 defeat in the closing minutes. The Sopha,
mores piled up a 17 ,4 lead in the first few minutes,
but the winners rallied and were trailing by one
point at the half. In the third period, the Sopha,
mores continued to hold a slight edge, but early in
the last quarter, the Junior-Seniors pulled into the
lead to win the game. Schleicher .scored 17 points
to lead the winners, while the Sophomores were
paced by Gargle with eleven and Wallace with ten
points.
Junior-Senior 2B won its fi fth straight game,
downing the Freshmen 61 to 37. The Freshmen
were only trailing by one point at half-time, but
in the second half, the Junior,Seniors turned on the
heat and piled up 38 points to the Freshmen's 15'
points. Van Doren scored 20 points for the winners
and Thomas led the Freshmen with 15'.
In the final game before the ch:impionship
match, the two Junior-Senior combinat ·ons came
together once more, IA risking a season record of
seven wins and two losses, and 2B riding on the
crest of a five game winning streak. When the dust
had cleared lA had racked up another victory, by
a 66-5' 4 count. The winners scored first on baskets
by Bauder and Cave and stretched the margin to
18-12 at the first quarter. In the second period,
lA showed an alert defense and yielded only nine
points, while pourir1g 29 counters through the hoop
as first Schleicher and then Cave got hot. With
the score reading 47-21 against the::-t, 2D turned on

COLLEGE
the heat in the third period and tallied 17 points
before lA could recover from the shock, but after
pulling up to 42,5'3 at the end of the third period,
the drive collapsed and the two teams battled neck
and neck in the final frame. Schleicher, of lA took
scoring honors with 22 points, and Charlie Van
Doren totalled 20 for the losers.
Final standings in basketball:

w.

L.

Ave.

Pts.

0.P.

Jun.,Sen. lA ----------

9

2

.818

5'41

373

Junior 3 --- --------------Jun.,Sen. 2B ____ _ _
______

8.

4

.667

5'40

432

5'

5'

.5'00

417

5'01

freshmen ---------------Sophomores -- --- -- -----

4

7

.363

437

5'44

2

10

.167

417

5'02

Individual scoring:
Player and 7' eam

Games

Pts.

Matteson, Junior 3

12

242

Cave, Junior 1 -- .. ---·----------- -------- ---·····Schleicher, Senior a .... ___ .. ______________ __ _
Krol, Seniora a .. _____________ .. _
_______________ _

13

186

13

174

16

117

Bounds, Junior 3 ________ .... ___ .... _ _____ .. _
..

11

102

Gallup, Junior 3 .... ____ .. _____________________ :

12

97

Wallace, Sophs .. ------------------- -- ----------Thomas, Frosh .... ___ _ _ .. ___ _ __ ___ .. __
___ ___
____

12

88

9

81

Weinstein, Sophs _... ....... _ __ ____ _____ .. __
_
__

11

78

Van Doren, Senior b .... -... __ ___ ____ __ ,, _
__

6

71

Although a 28-game basketball s :hedule has
been comp 1eted without a single forfeit, athletics
at St. John's appear destined to continue on the
downgrade which started when the war began. Fall
softball was cancelled because of poor turnouts;
swimming is no longer pos:ible ; only to of fifteen
football games were played ; lacrcsse is no longer
scheduled in the former backyard of the national
champions; and volleyball, according to a recent
canvas by Mr. Lathrop, will be played cn!y by Aris'
totle, Plato, Kant and Mrs. Pcrlitz.
On the basis of such representation, it is im'
possible for schedules to be arranged in these sports,
but it is suggested that those individuals who are
interested in playing volleyball or lacros::e contact
the members of their 1:eminar, and prepare a list of
potential players to submit to Mr. Lathrop. Only
by such action can any kind of competition be
arranged which will allow for regular scheduling of
thc:;e sports; and without regular schedules, team
spirit as well J.s competent officiating is lost.

St. John's Collegian
Vol. LX- No. I 0

ANNAPOLIS, MAY 15, 1947

THE INNOCENTS ABROAD
Mr. Van Deren concluded with his second lecture on American Literature. In contrast with the
Erst, where he considaed it la~·gely from the view
ot Europeans, he chose to consider it this time as
an A'Tierican, examining his own world. The lecture was chiefly historical since the literature itself
falls into an historical pattern, but it falls into a
number of genera and it will be presented here in
that light.
,
To begin with, there was the Discovery, an
event unparalleled .in history, either before or after. From the geographical side alone it was an
immense prize; The Ghost Went West, to garble
Hegel with a recent movie, in the person of Co,
lumbus, and found a continent greater than Europe in size and potential richness. The literature
begins with the Journals of Columbus, and we
know the disco'l.~ery is not over, for it went on
and still continues; there were endless roads to
travel and endless things to see-endless things to
find out. So there is the literature of the Frontier,
of the West, of Texas, of California and the gold
rush, and in later times, the TV.A. and the New
Deal. There was the Indian, "Who's Untutored
Mind Sees God in the Clouds and Hears Him in
the Wind," and who, being somewhat resentful
of the white man's invasion, provoked a series
of books on Indian Captivities ; here was found
the savage incarnate. Later on came the Leather
Stocking Tales of Fenimore Cooper, which earned
for that writer an international reputation and
v.rhich every boy still reads, although Cooper's
stories of the noble savages were resented by the
public after the last, cruel battles, and subsequent
'l."\. riters such as Mark Twain portray the Indian as
dirty, ignorant and contemptible. He was, by that
time, having risen . to untoid heights of savagery
and degradation through generous applications of
rifles, whiskey, and dispossession. Newer and so,
berer researches such as the Government Survey
indicate the Indian as being both philosophical
and wise; he was devoutly religious and where his
poetry was prayer, his philosophy was ritual. Besides the Indian there was the pioneer of whom
tnen made legends: Kit Carson, Lewis and Clark,
Wild Bill Hickock, Buffalo Bill, and Davy Crockett, who boasted that he could dive deeper, swim
farther and come up drier than any man alive.
1

Price: I Oc

Through all of these wntmgs there is the per,
sistent theme of discovery and newness, with consequent heroes; always there is the relentless push,
ing west and north, through the wilderness, across
the prairies to the mountains, and down frcm the
mountains to the sea. A desire to go places and
see new things has always moved Americans, and
Seymour Dunbar's . "History of American Travel"
is a classic of its kir.d in its description of the
result.
After the Discovery there followed Experiment.
Americans have always loved invention and novelty and they idolize the ingenious in such enterprises; but if the ciesire is for novelty it is not for
real origin;tlity, and a.s such is probably not a
healthy one . The love for Experiment is exemplified in the writings of Melville, Emerson, Tho,
reau, ancl Hawthorne, \vhose "Scarlet Letter" is
the :;tory of a man who tried the e:r.:periment of
living precisely :.i.s he pleased-and faiied. In iater
times we h:we Stephe!l Cnm: and Theodore
Dreiser, who began 'Nhat has come to be called
the Naturalism of .l\merican Literature. Their
books, and those of practically everyone else \.Vho
has followed, are distinguished by two char:lcter,
istics: they speak of pl?rsons who are conditioned
and vvitbout free will, made for better or worse
by their society, and they try to tell us things 'Ne
have not heard before. An ex;-i.mple is Caldwell's
"Tob?..cco Road," where we are i~ pressed by the
"authenticity" of misery ; th2 book would be trivial
if it were not about "real people," a.nd that is its
condemnation . When the Naturalists try to ex,
plain themselves they fare a bit worse; Steinbeck
cheapened an otherwise excellent novel, "The
Grapes of Wrath," by frequent, though short, chap,
tcrs of philosophical interludes which served only
to make the Loader wish to omit them and get on
'l.vith th~ story. Books today must be authentic,
their sources correct, their subjects novel, and such
terms are symbolic of poor understanding. Amer,
icans have · either forgotten or they never knew
that good literature talks about the same things
over and over again; only it talks a.bout universal,
unconditioned things-love and de~Lth, tragedy and
life, man and the universe-and if Amen cans
really believe such thnigs no longer worth talk,
ing about they will never write arything worth a
nickel. But if \ve are always sed-ing new ideas
and new theories, it is becrnse W':'. have no tradi-

�2

ST.

JOHN'S

tion and no gods to steady us; we have no religion
and no p::i.st, only something like a religion in
something like a past. American writers who are
aware of the fact for the most part consider themselves failures, and the list of them includes Melville, Henry Adams, Hawthorne, and Mark
Twain.
Next there is the Humor. Humor is said to be
bounded by national limits, but we like to think
that American humorists have been among the
best. One of the best examinations of this is in
Constance Rourke's "American Heroes " in which
she includes as humorists even Emerson, and Henry
Jame.:;, and she speaks of humor as "that which
is prior to wit." Perhaps the greatest of them all,
Mark Twain, the man who brought the Mississippi East, is a vast strc:tm of wi::-e humor. In his
conversation and speeches, which he used to give
all over the country, he was unparalleled, anr1 the
magnificent dinners he sponsored at the old HotE'l
Delmonico in New York were usually graced with
~l delightful lecture. There was Artemus Ward
deserving of immortality by the one statemen~
alone: "Today I visited the tomb of the late lamented Shakespeare; it is a great success. " Besides Twain and Ward there is Ring Lardner: God
alone knows how many hours one could spend
laughing over his stories and " plays," and th&lt;?
question of whether he is a great writer or not is
put aside while we have the pleasure of reading
him. Now there are White and Thurber ma.de
famous in The New Yorker and by their own
books, whose humor is acid but nonetheless effective. And although the lecturer didn't mention
him, we ought not to forget Don Marquis.
So much is our literature: our novels, plays, essays, philosophy, our religion and our love, cur
thoughts and aspirations. None of it is good
enough. Mr. Van Doren gave us, as Americans,
some advice before leaving the platform; advice
that is probablv ::i translation into his terms of Mr.
Buchanan's Advice to Young Men Cuncerning
Prisms, which stated, in effect, that for ten years
er s~ we ought to look for a prism through which
to view the world. When we have found it we
·will have learned to live; Mr. Van Doren would
say we will have learned to die. Both require an
understanding of the tragedy of life and death, of
our semi-immortality. For the knowledge that we
have for a few years is immortal and uncnangeable; our bodies are evil and corrupt and must
pass away. For a time, the who]{&gt; world, whether
we are Aristotelians or Kantians, is at our :fingertips; then it is gone, to be revived in us only by
myths. As Americans we must recognize that the
world is at our fingertips, but that it will not al-

ST .

COLLEGE
ways be there, at least in any physical way. We
must reach out and take it while we have t!-ie
chance, that is, we must be&lt;;:ome a great people,
and when we realize that greatness is only for a
time we wil1 write eloquently of the tragedy. If
we do not reach, if we do not take the Pascalian
leap, we will tumble on the edge forever, and Jik,,.
the leaves, turn red and fall.

-C.V.D.
- J.V.D.

TWO POEMS
Mentally dull she was, and o the singing
flies and beetles of her dehydrated
summer, when she asked for peace, asking;
We found her in the meadow because we loved her
damp eyes and slick eyes, eyes
round and round, and moving her square hips,
pressing flat the flowers under her tread,
she tramped the summer days derelict,
perhaps needing medicine, and drifting;
But her lips were and her breasts were thick
round as round as eyes, eyes not resting,
looking but not seeing: so we found her.
She was having a dull summer, and we,
drew diagonals through her heart like a tree.

Ron 13
I don't now remember the numbers of the fl eets,
Or of the armies, nam es of divisions, th gcner::i.ls ;
The admirals I forget already, and the sweepers;
The islands I can't remember: green, ephemeral,
Forgotten; though still rcm.inded I don't remember
M types of ship, Q types of enemy:
Kinds of friend; then; there was a dancer;
Her name was some Spanish, like the wind, but
then I
Didn't know her, though I danced some with her;
But I've lost the touch, lost the war-con~acts,
Lost the historical pluperfector
Of the good redblooded factual account,
But I remember the buNav number
Of one squadron, though I forget the officer.
-John Sanborn.

JOHN'S

COLLEGE

3

Church. The R eligion itself is, in these cas~s,
that of the internal Proletariat, the downtrodden
masses of the old, d ecaying civilization which is
taken over by the external Proletariat, the bar,
In his lecture last Friday, Mr. Barr made a gal- barian tribes on the fringe of the decaying civillant ;md, on the whole, rather successful effort to ization. These tribes break in the Universal Emexpound in an hour and a half the ideas set pire which the old Civilization has become, are
forth by Arnold Toynbee in the first thr.::e vol- converted to the Universal Church, and become
umes of his work, "A STUDY OF HISTORY." the New Civilization.
We shall not attempt to recount in detail the lecIn addition to these complete civilizations Toynture as Mr. Barr gave it, but rather to give what bee discovers several abortive attempts . Of these
seem to us to be the more important facts of the the star example is the Irish, which was killed by
lecture, with such comment as seems appropriate. the Western just as it was making good progress.
Toynbee's work is the most recent effort of It was in some ways akin to the Greek Orthodox,
man to answer the question of his origin and his ,and, as it, like the Orthodox and the Western,
destiny by the study of History. Toynbee's an- came from the Hellenic Universal Church, the
swer to these questions is contained in an image, Western Culture may here b e accused of fratrathe image of the mountain of time. This is a cide. The whole business of whether the damaae
steep, virtually perpendicular slope, jagged with done to outsiders by an expanding civilization is
occasional shelfs, ledges, crevices, etc., on which justified seems to be passed over with a shudder.
we see men representing the societies of all ages
Besides the Civilization which "made it," and
Some are lying on ledges, still in death, some arc those which started but failed, there are the Eskiclinging to the naked rock, their whole strength mo, (too cold) , the Nomad, (today) , both of
expended in maintaining their hold, while some whom faced too big a job, and the Polynesian,
few still climb feebly toward the next ledge. The which got off too easily.
total number who have attempted tht. ascent is
This leads us to Toynbee's answer to the Quesuncounted, for there are few of which there is tion "How does a civilization come about?" It
any trace left to count. Of those which arc still
is i~plicit in the image of the Mountain, and is
visible twenty-one reached a height sufficient to
contained in the phrase, "Challenge and Re ·
warrant our calling them civilizations.
sponse." A group of men living in a primitive
These are:
society meet an obstacle, either n atural or human.
1. The Egyptian
] f they are crushed by it, nothing happens; if
2. The Andian (Inca)
they respond to the challenge, they are soon con3. The Sinic (Yell ow River)
fronted with another, and so on . The example
4. The Minoan
here is Egypt. Tonbee thinks that during the
5. The Sumeric
lee Age the Sahara was a fertile plain in which
6. The Mayan
1ived tribes of hunters. Then as the Glaciers re ·
7. The Indic (Brahmin)
treated, the plain gradually dried up. Some of the
8. The Hittite
hunters went south and west to the Sudan, where
9. The Syriac
they continued as before . Some, however, went
10. The Hellenic
cast into a wild tangle of swamp and jungle along
11. The Western
the river Nile. Clearing this was the first chal12. The Orthodox · Christian (Russian)
lenge which led to the rise of the Egyptiac Civil13. The Orthodox Christian (B:ilkan)
ization.
14. The Far Eastern (China)
There are two obvious points for an attack on
15. The Far Eastern (Korea &amp; Japan)
Toynbee's theory. The :first question, which was
16. The Arabic
thoroughly belabored in the question period is,
17. The Hindu
"Is the Catalog of Civilizations complete?" For
18. The Babylonian
instance, is the Egyptiac Civilization really one, or
19. The Ucetec
is it divided by the Hyksos period? Are not the
20. The Mexic
Babylonian and Sumerian Civilization parts of one
21. The Iranic
These are connected to one another in various continuous development? Is the Provencile culways, the most interesting of which (to West- ture a civiiization? What happened to the great
Kymer-Tha.i culture of the lower Orient? Is it
erners at least) is that of the Universal Church.
For Toynbee thinks that the Western culture was really part of the Indic? Isn't the culture of the
born out of Hellenic by the Roman Catholic Niger and Sen gal valleys another Ireland?

Of a Lecture About a Treatise
on Climbing Mountains

�4

ST.

JOHN'S

COLLEGE

The only tests given by Toynbee as to whether what in other civilization was the beginning of the
a social unit is a civilization are: ( 1) The devolp, end. Perhaps they were the end, perhaps not. In
ment of art, religion, science, etc., and (2) the ;rny event, it is virtually certain that No. III would
ability to maintain itself against other civilizations. do the trick. No civilization has ever achieved its
Thus the provencile ]s not a civilization, even if final unity by peaceful means, but there is nothing
you admit that the religions and artistic difference in the theory of "Challenge and Response" to pr"were sufficient to make it so, for it failed to sur, vent one from so doing. It is Toynbee's hope tha~
vive. Some of the others pose more difficult prob, Western Culture was not killed in 1914, nor in
lems. The second great question to be asked, is 1939 and that we will meet the heretofore "final"
the old one of causation. Is Toynbee's answer chall~nge with full response, and enough reserve
good, and how far does it go? Oswald Spengler, energy to scale new heights.
-Morgan.
in the second volume of his "Decline of the
West," expends a considerable portion of his im,
mense store of invective against "English Type,
Evolutionary Causality" in history. This type of
causality, of which Darwin is the leading example,
A problem usually faces anyone reviewing ama·
postulates the slow change of life forms to meet tGur oerformances at St. John's of how to be honchanging conditions. Spengler believes in "form c.::tly '" critical yet sufficiently grateful and polite.
fulfilment," that is, that forms of life appear, in, For, as it must always be remembered, these per,
crease, decline, and are succeeded by new forms. formances are gratuitous, and usuJ.lly the only
As evidence he offers the facts that before the manifestation of sustained interest in a Fine Art
diluvial age there were no forms resembling man, among us . But a facil and satisfactory solution to
during and since that age, the man form has been the problem is &amp;imply to take the performance at
substantially the same. Similarly, there are no its full worth, considering only the facts of the
civilizations before the Ice Age. Such forms orig- music and musicianship undiluted by patronizing
inate in a sudden "Wandlung" (mutation), the sentiments. After all, fear set aside, the best show
cause of which is a mystery to us .
of appreciation for the Chamber Music R~cital is
We are not certain whether or not Toynbee is the serious and sincere criticism we are willmg to
Gne of these English Evolutionaries. There is cer, give it.
tainly a trace of them in "Challenge and Re,
Mrs. Benac is an old friend through Chamber
sponse, "' in so far as this is based on the chang, Music performances of the last several year~. She
ing conditions. The saving clause seems to be the bas always been our stand,by violinist, but 111 the
not unusual one of the presence of a God. As this Mozart A Major Sonata her playing had not, for
is another way of saying mystery, the two systems the most part, the polish I recall in those past retend to the same blank wall, "how did the form citals. I qualified with for the most part because I
Civili'.'..ation come to be?" To put it in another did not mean to include the last movement. Th~
manner, a challenge is a change: of condition, re, cl;fficulty seemed to be a technical one- too light
sponse is adaptation to the new condition.
bowing in the fast passa§!eS destroying the tone
The main interest in Toynbee, as in any other ---rather than faulty phrasing. In the last mnve'
Philosophy of History is in what conclusions may ment, however, Mrs. Benac launched her best
be drawn with regard to our future. In Spengler style: vigorous bowing, rich tone and clear, even
there is only one possible answer. A Civilization variations of volume. The piano part, played by
has a life cycle just as does a plant. It is born, it Mr. William Buchanan, was too loud, but the
grows and develops, flowered, it remains only to fault might have been due partly to ti1e pian')
being opened too wide. I disagree, moreover, with
die gracefully.
I_ Toynbee, on the other hand, things are much Mr. Buchanan's percussive in~erpretat ion of many
n
less certain. A civilization is born, rises from passages that seemed to me lyrical. I realize tha_t
challenge to challenge until it reaches the one this is done to keep Mozart from sounding sentt'
final challenge, Political unity. Here the chal, ment1l and romantic, but it can be accomplished,
lenge though finally overcome is so strong as to dubious though the purpose may be, while still
completely exhaust the powers of the Civilization. preserving more legato playing in passages w~ich
After that it falls on the ledge of unity and awaits obviously call for it. The tempo of the piece,
its end, or less poeticaly, waits to be destroyed by though perhaps slightly slow, was consistent and
less exhausted neighbors. Our civilization has ,-iolin and piano stayed together except for some
reached the stage where Unity is a necessity. The of the first movement. I think, however, that
World Wars I and II have all the earmarks of these criticisms are very minor compared to the

CHAMBER MUSIC RECITAL

ST.

JOHN ' S

5

COLLEGE

first attempt at ensemble playing , his perform3.nce
excellent musicianship of hoth Mr. Buchanan and
.
Mrs. Benac. In a real sense their performance did is little short of ph enomenal.
For those who as yet don't know it, to 1vfr.
;ustice to the work, no mean achievement.
Abrahamson goes the full credit of org::m1z111g the
· I had never heard the Hindemith Sonata before
recital. One hopes he will not hold brt.ck, but
and I must already break my rough shell of de,
&lt;rive us more of the same, for h e seems the only
t 3 chment to voice the gr2.titude due Mr. Abraham··
~ne among us both capable an~ willing _to orgrt.mze
son and Mr. Goldstein for bringing us such a susuch performances . St. Johns musioans sho~ld
perb piece of music. I liked the per~o;mance very seek him, however, not wait, with destructive
much too, and although Mr. Goldstein s tone could
have been a little sharper, (I understand he had a modesty, to be asked .
-Eugene V. Thau.
bad cold), he has a fine sense of phrasing and ~l
fcdina for the compiicated rythms. Mr. Abrahams;ns' performance was the finest of the afteP
noon. One felt he had perfect control over his
playing at every moment; there was no .uneasiness
A city with an exemplary dramatic season w_o~1ld
er
·
in listening to him, which cannot be said for any otter rev1va1 as di.verse as new plays a nd musKal s,
s
·
of the other musicians. Like the Mozart, it was we should see, among others, 'The Merchant of
the last movement I thought particularly· well Ven ice and As 'You Li}z e It of ten and Hamlet
iJlayed by both flute ancl piano,-as thrilling and played by at least two actors.
~oetic a climax as I have ever heard in a Chamber
Commonplace Eeasons, on the other hand, would
satirt.te our appetites for the most popular . of
\VOrk.
The Mozart Sonata in C Major for four hands,
Shakespear e's plays &lt;tnd we should remam obhv1'
3.lthough thoroughly enjoyable in Messrs. Fraker ous to the defects as well as to the men7t of his
and Benedict's treatm ent, nevertheless was marred othe-r work. Theatre seasons in New York ;i.re
by a serious fault. Here the musicians seemed to neither exemplary nor commonplace. ~ onald
be vying. with one another, pressing each other W olfit 's presentation of King Lear was his one
a.imost petulantly. I refer, of course, to their play- challenge to a commonplace season; for the rest,
ing only and not to their mental attitudes about he and his visiting English actors were cont ent w
which I am ignorant. The antagonism n.:1ght havz present plays that Broadway, because of it~ f ealty
been merely a conscious interpretation or the four, to hybrid productions, had reason to re~uire A s.
hand sonata, but in any case I disagree with the 'You Li}z e It has been performed there twice in_ the
method. Mr. Fraker, whose keyboard dexterity is past fifteen years and each of these productio_ns
v:onderful, used a p ercussive treatment reminiscen t played for two weeks; 'The Merchant oJ Venic~
of Mr. Buchanan's performance and also of harpsi, was produced last by F ntz Lieber m 19 .1 1. How
chord piaying. (Yet in that particular style it was ever much figures on high school performances of
certainly fine playing.) Mr. Benedict produced these plays might attempt to persu~ de me that the
more t emperate sounds, bearing further witness to piaywrights and actors m New Yo1K ha,~ absorbed
my feeling that he possesses an excell ent "Mozart ;i,nd ;11 ft.slered these elementary com cnes 111 the
touch."
impressionism and vigor _of their ~dolesenc_e, _
I
Haggin, the model for all self-assured young f,hould be dishonest if I did not conL ess a fa1hue
critics, puts the Bach G M ajor Sonata for Flute, tc note in that city either an approach to the open
Violin and Figured Bass in his list of the com, corni.::: spirit of the plays or a JOt of evidence that
.uch plays could be acted there with any . eas~~
poser's "unimportant or uninteresting works." Al, E
I assume every school boy knows As 'You Li}ze
though for the most part reliabl e, I think he over,
and 'The Me rchant of Venice as "beautifully constates a bit in this case. But even if this stately
structed" plays, perfect of their kind, that any
little work is unimportant compared to Bach's nedant wil assure him h e is right ab ou~ . I also
greatc:st sonatas, it is hardly uninteresting. Mrs. ~ssume that Shylock do es not frighten the acto r,
Benac was in better form than £or the Mozart, that Portia, if she is not mistaken for Stella Dalb.s
Mr. Goldstein's tone seemed clearer than before :i.fter tb e styk of Helen Hayes, is a p&lt;Ht pl_a.y ;:i ~,le
and Mr. Ablow completed the trio with a re- by a high school sophomore,_and that Rosalmd i~
strained treatment of the piano part. Too re, to the actress what Hamlet 1s to the actor--::i. part
strained, however, for he held back the pace Mr. in which reasonable presentability b eing granted,
. ,
Goldstein began with, maintaining a sluggish tempo failure is hardly possible."
Berm.rd Shaw o;Ke said that Rosalind s popu,
throuahout the piece. However, having heard
iarity was due t o three causes: '"First, she only
froJT1 Mr. Abraham son tl-1at this was Mr. Ablow's

A PART OF THE. FOREST

1

�6

ST.

JOHN'S

.speaks blank verse for a few minutes. Second, she
only wears a skirt for a few minutes . . . Third,
.she makes love to the man instead o~ waiting for
the man to make love to her." She was thus a
sure success to the Elizabethans and so she is for
us. Let me here and now celebrate my good taste
and say that I am very fond of As You Li~e It .
Rosalind has always been for me the one bearable
extrovert in the history of the· drama and she is
the one heroine of Shakespeare I unreservedly admire. The Wolfit production of the play gave reason to supplement this idiot devotion. Rosalind
Iden is a :fine actress and not just because of her
first name. Her capability for the role she was
named for and the design with which she executed
the part seem to me so exceptional that I search
vainly for an equivalent in our theatre. M 'ss Iden
is the only actress I know who can beguile without ingratiating her person or insinuating her offstage reputation. H er appearance is pecularily unAnglo-Srt.xon, to Judge by the other ladies in the
Wolfit company. She is tall and blonde and the
metropolitan critics notwithst::mding, she is no
sensation in tights Her voice is strong and pleasant
and ideal · for comedy; she can declaim without being elocutionary. She addressed herself to the
play and to the audience without cu~eness, never
as if to say that she was the most precious girl
that ever breathed and weren't all these simple
people adorable? Miss Iden appcarl?d in all five of
the plays in the Wolfit repertory and I find that
after seeing her in all of them I cannot describe
her as a personality. How much actresses should
giv_e of themselves in a part is defin ed by the phywnght and it is clear that they must not betray
themselves outside the limits of their play. Within
each one of the plays, as Cordelia, Rosalind Portia, Ophelia and Celia, Miss Iden betrayed herself
appropriately, and the sum of these betrayals is
evidence of her art, not of her breeding. A fact
that exposes most of our present day actresses is
that we don't care about watching them act as
much as we'd like to take them out to dinner.
As You Li~e It is the one play of Shakespeare's
that can be presented out of doors in the daytime.
Only three short scenes are set indoors, anuteurs
and pastoral players here and in England frequently preform it in a natural setting and there
is the story, in a novel, of its being played in the
crangery of a French country house. Wolfit's
presentation of the play had something like that
story in mind. Settings were formal and stylyzed
and convinced everyone that th ere wouid be no
attempt to be authentically woody. The scenery
was composed of groups of m!ltching low screens
b2cked by a plain dark curtain that were rcvcr-

ST.

COLLEGE
sible for court and country, and props were reversible, too, alternately serving for love seat and
tree stump. The front curtain was used only at
intermission and at the end of the piay. The
'·wooden O" ·that Shakespeare was later to complain of was not crammf.d, its confines were ex8. ggerated to so great . an extent that it was aprarent that it would have been silly to try and
overcome them. The set, in remarking its own
limitations thus forced the audience to rely upon
the play, an unfair advantage to have taken even
with As You Li~e It. A bare stage would have
been better. It would seem that where inadequacies in scenery might be supplied by ample reference in the text, scenery of the type Wolfit med
would be proper, but for As You Li~e It a preciousness and pever-never-land quality in the
scenery anticipates and makes prematurely a judgment about the play. The scenery in effect sentimentalizes the mechanics of the Elizabethan theatre (e.g. the movie Henry V) and asks that the
;:i udience question the reality of the ph y the scenery complements. This is Jaqu.::s, not Sh;ikespeare,
and in the play itself there is quite enough of
Jaques.
During the play or after it is over we
can doubt its reality, but not before the play has
b egun . The reversible screens were turned arcund
by husky girls dressed as pagt:s and at every seen:::
change they bowed prettily.
John Wynyard played Jaques, the sad .old wag,
extremely well, most of the time speaking t o the
audience directly. This attitud1:: received censurefrom scme critics who were not ~1onest enough to
admit that they werC' bored to death with what
Jaques had to say and didn't like Mr. Wynyard's
assuming that they loved it; en the cont::rary, they
suggested that the PeJ.rls might best b ;~ directed
to Olympus. The theory that comedy is all talk
has excellent suppor~ in Jaques. I don't know
\Ji.rhat happens to the th eory when Jaques is n~cor,­
nized as a jackass. Hazlitt notes that in As You
Li~e It it "is not what is done, but what is said,
that claims our attention." Rosalind is provokingly
loquacious and talks herself into love. Jaqu?s " docs
nothing." He t alks and talks only to confirm
his old bromides. The long unhappy development
of the bappy metaphor "All the ·world's a stage"
if. no less tedious a rant in the theatre than it is
in print.
Dom.Id Wolfi.t curiously elected to play Touch.stone and acted him with more wit than is native
to that character. Kempster Barnes' Orlando was
his most credible imperson at10n. He speaks prose
more easily than he speaks poetry, he did not capitalize on his appearance overmuch and since his
acti n~ is not a critic:i.l art, Orbndo as i hyed by

1

JOHN'S

COLLEGE

7

him \.V?.s sirrlple without any self-reflection. Alex- uberance of Rosalind and must wait for the Trial
ander Guage played the Good Old Duke as his . Scene to show .her real self. "The quality of
playwright dictates; in the manner of the retired mercy . . ." speech has become a piece of girl
scout ethics in the schools and this usually tends
British colonel.
The one faultlessly staged scene in this produc, to make Portia a prig. But Rosalind Iden undertion was Act V, Scene 2, where Shakespeare has stood the speech and did not adjust Portia to a
made it impossible for the director to go wrong. misunderstanding of it. In the Trial Scene she
Rosalind stood back-stage center, Silvius and was bluntly outspoken and said the speech openly,
Phebe were grouped near the footlights on the with courage and conviction. The scene did not
right of Rosalind and Orlando was stage-left. As pause for her auditors to soak up her humanity;
they spoke the repititious lines of the scene it was it was manifest in the progress of the speech. Miss
plain that the talk was fabulous and yet Gany- Iden's Portia was a witty girl and not a school
mede's last speech in the scene-" ... Tomorrow mistress.
Of ali the parts that Donald Wolfit plays in his
meet me all together. (To Phe.) I will marry you,
if ever I marry woman, an&lt;l I'll be married tomor- repertory, Shylock is the p;irt that best suits his
row. (To Orl.) I will satisfy you, if ever I satis- natural voice. Eminently audible, the voice is hard
:fi.'d man, and you shall be married tomorrow. (To and sometimes coarse and strident. Slight disguise
Sil.) I will content you, if what pleases you con- rnbsequ ~ntly makes it h c: rsh and villianous. Woltent you, and you shall be married tomor- fit is a strong, hating Shylock, who is also unrerow . . ."- was spoken by Rosalind Iden in a ienting in his woe at his daughter's escape. His destraight and hearty style, with no coyness and light in Antonio's ill luck collapes when Tubal re,
with only the obvious gestures, so that the moral- minds him of Jessica and Wolfit throws himself
izing world of "good in everything" was for once down on the ground before his house and cries her
vindicated without excessive sentimentality. The n;:ime. In the Trial Scene, as Shylock, defeated,
.shepherds and Phebe and Audrey were not played leaves the stage, the words "I am not well," were
as renegade circus clowns and were actu:illy spoken in a way that questioned the excuse and
funny. Penelope Chandler's Celia provided inter- at Gratiana's taunt, W olfit turned from the door
ference and no relief to Rosalind's garrulousness. and walked across the stage to Antonio and BasFor Miss !den's delivery of the Epilogue, which I sanin to spit in their faces.
From the point of view of acting, 'The. Merchant
defy any actress to speak "vith a proper mean between intimacy and vulgarity, I have a respect of Ven ice was all round the best of the W olfi.t
productions. The supernumeraries, though, were
that borders on pride at her defiance of me.
mechanical and if the costumes were gayly colored,
the scenery was neutral brown and drab. The
2.
Trial Secene did not have the archways of the
'The Merchant of Veni ce is an earlier fantastic unit setting and with its three plain walls was replay. Granville- Barker calls it a fa iry tale and pugnant to the eye. The direction was especially
.says that there "is no more reality in Shylock's good in the Casket Scenes. I am certain that David
bond and the Lord of Belmont's will than i::i Jack Dodimead's Prince of Aragon is the best I shall
ir.. the Beanstalk." Shylock, however comes close
ever see.
Lo reality cmd to Mr. Van Doren he "is cllway.s
There is one respect in which the present New
strange to the play and outrageous ... " He goes
York theatre season can a pp roach the spirit beon to say that Shylock is no monster, that "gentlehind As You Li~e It and The Merchant of Venice;
men within the code are as harsh to Shylock as
the personality of Ingrid Bergman. Miss BergShylock is to them."' The place that the character
man·~ on-stage presence in a quasitragic part this
has in a comedy that is pure fantasy must seem to
year has seduced the New York newspaper critics
compromise it. What happens is of course the
exact opposite. The umeal Jessica and Lorenzo into an orgy of relief and thanks for her great
cancel Shylock out and after the Trial Scene he personal charm. They have confused the issue by
is forgotten. 'T he Merchant of Venice is the eas- calling her a great actress. It is impossible not to
iest of all Shakespeare's plays to act because the note in the largesse of their devotion a panacea for
plots and not the characters keep up the momen- their own frustration . This frustration is not for
tum. Here is the same business about the heroine great acting, which they are in most cases insensiplaying a man. Just as we miss the double joke in tive to, but for comedy, pure and simple. Maxwell
modern production of As You Li~e It, the boy- Anderson, in his play for Miss Bergman, has unPortia is played by actresses who take the woman wittingly satisfied a portion of the gap by requirPortia too seriously. Portia does not have the ex- ing of her a portrayal of Joan of Arc that is not

�8

ST.

JOHN'S

far from Peter Pan. The Merchant of Venice and
As You Li~e It are perhaps fairy tales and out
of this world, but the charm of the plays and their
characters does not rely upon a wit that had degenerated into the whimsy of a never,never land.
Miss Bergman couldn't be whimsical if she tried
2nd Mr. Anderson's play is a success b ecause Jn,
grid Bergman can't be anything but genuine .
Hollywood gives her less arty occasion to be so,
but negatively she has embarrassed the Broadway
playwrights. In the plays of Mr. Anderson and
our other comic writers we know what to expect
of our reflexes even if we don't know what to
expect from the characters in the plays (after
all, they come from 15th century France, Washington, Brooklyn and Glocka Morra) . The writers of these phys are the audience: what they
want is what the audience wants. Apparently the
audience always wants the same thing and consequently we always have the same mixture. May
I indulge in the language .of the schools and call
As You Li~e It the paradigm fo r the mixture?
Elizabethan audiences also knew what they
wanted and once in a while Shc
Lkcspeare had to
give it to them. In As You Li~ e It the tern ptation
to remark th at he wanted other things too wa.:;
irresistible: the titl e means th:i. t as we lau ah th e
laugh is on us. Shakespeare·s model ha c'='kwork
came propitiously to N ew York. Mu ch as we
might think of th e play we can not admire it as
we do the play3 in which Shakespea re mad e his
;:i.udience see what he wanted and t:l.U aht some of
them and us, in turn, what we deser~re.
- F.M.

Dirge
The ao·,:: of dim rebellion takes its cue
Fro m t yrants known in hidd en ways.
The tyrant mart with undiscovered loss,
'J/hik subjects sulk in rul e rcm;:i.inin g.
Bond.lge fled , the child freedom born,
Yoke's release brings dream ed- of boundar y,
Only soon to burst with swelling-sickness.
Again the perfect path is w hol e.

COLLEGE

COLLEGE MEETING
The iast three College Meetings have been
among the best of the year. Spring seems to have
brought an end to the sniffing stage of our relations with the new President and Dean, as well as
to theirs with their offices. Then too, the vernal
smells, colors, sounds, are wond erfully reassuring
of our substantiality; ifs good to feel ourselves
more th an the last wisps of a vanishing a!Jstraction, to know ourselves more than the molted shell
of an earlier spring 's idea, to find ourselves with
a life and body of our own. We can converse more
easily together now.
In the last meeting b efore vacation, Mr. N custa cit sug ge.c: ted that we keep an eye cocked for the
Ides of M arch, around when the winter's c;.tlm has
oft en been more or less violently shattered h ere.
\Vhether he had Spring or Caesar in min d 'XC
\Veren 't sure, but h e called this a time w hen St
Johnnies are wont to ride the seaso nal swell to
heights never dreamed of by nJ.ture; this is a t im::
when all thin gs b ecom e clearly possible to rGad t.: rs
of the Great Books, and all sorts of strange thing:&gt;
h appen. Without doubting the eff ective n,~ss of the
D ean·s rhetoric, since not many of us heard him,
ir is difficult to teli wh eth er the present relati vc
c;:dm (April 20) should be aeributed to a1nthy or
to s:i.ge restraint on tl1 c part of us latlcr day
discipl es~ cert::tinly 1t is :i. n exci ting Spring.
Week before last Mr. Keiffer gave an account
of hi s trip with Mr. N eustadt to Pittsfi eld during
vn. cation They enjoyed several days with Mr .
Barr and Mr. Bu chan::i n . loo~ina over the gro unds
flt Stockbrid ge, and talkin g about nuny thing;::.
The President and D ean felt abl e to repo r t to
their predecessors that St. John's is having ?. good
year; they in turn reported on th e progress at
Stockbrid ge. Mr. Keiffer th en passed on to Harv:i. rd, for his first r.cturn in eighteen years, whe re,
in conv2rs.:i. tions with an old fri end and an old
tutor, h e found both fe elin g not too keen about
th e possibilities of H :1rvard's gen eral e..Ju cation
cour e :i.s presently set up. Train service t o and
from Pittsfield is on the primitive sid e ; it ca ll.:; for
carrying your own lun ch, a pair of coverall s, ,rnd
a compass.
Last week M r . Keiffer comm ented first on the
current crop of rum ors , species latrina. It is quite
true that some revisions of th e program are under
consideration; however, no NEW N ew Program
i::; contemplated; our herita ge will not be sold for
a mess of pot~age Also, if a group of sober mid,
dle aged citizen s be seen ahout campus· shortly,
th ey will very likely be m embers of the board, not
refe rees in b:i.n kruptcy : th e sheriff is quite a dis-

ST .

JOHN'S

9

COLLEGE

tance from the door, and not even walking toward swimming pools, and their love for Chinese arch,
it at the moment. Furthermore, the policy of ids. That all of this was untrue did not disturb us;
having tutors will be retained. All will be an - ·it was all part of dishonest euphemism for words
nounced in due time; in the meantime we are in- we knew and were scared of saying . Tiley gave
vited by the administration to keep speculating, us women and situations immoral in a polite way.
both as some sign of interest and as a possible
But this time they had argued benevolence and
source of suggestion. Mr. Keiffer talked next righteousness. Further it was asserted that this
about one of the aspects of the problems some was a subject one shouldn't lie about, and our
seniors are encountering in their first contacts with ignorance of the bomb precluded our knowing if
graduate schools. This problem is one of getting we wanted lies about it or not. And so we were
out of them what you want, which is usually con, convinced that Hollywood was going to speak the
siderably different from what they are set up to truth, and we were anxious to hear it.
put into you, . (even if they are willing). The
What was to be seen in "The Beginni!l.g or the
specialization, the channelization, has become End" was Hollywood's usual dissipated, chaotic
pretty rigid .
spectacle. Its claims to competition with Ringling
Attendance reached a several months' high of Bros., Barnum &amp; Bailey w as replete with ::he
40 at this last meeting ; the average through the death scene of F.D.R.; a Rooseveltation of Harry
winter months hovered around 10 (attendance). S., showing him as an international Big Time Op,
Looking at it optimistically, that's an increase of crator; the heroic death of a young atom bomb
300%; candidly, it's still an increase of 15 %. scientist whose married life was chaste because of
Somehow, in a sense, some way, it would be good his work; service life farce on the never-never .
if more of us went more often. Granted that Fri, level of General Staff; a confession of scholastic
day is a mundane day, 5:15 a prosaic hour, the humbleness by one Albert Einstein, the long-·
gym a pointable place; still, College Meeting is a haired; and then, as expected, the scenes .of Flash
very special occasion. More than any other ac, Gordon laboratories looking like a slot machine
tivity here it makes our whole more than the sum with its ballet of blinking lights and ominous
of its parts. If you never go, at least listen to music. Notably absent was Mickey Mouse and his
the bell; you may hear it toll your acquiescence to charming wife, Minnie.
the fashionable death.
Th·i~ .sounds funny, but our last laugh ought to
-R.O.D.
be a Palliachian one, remember what we looked t o
the picture for.
What the bomb did at Nagasaki, and thus what
To the Editor of the
it could do at other NagaEakis, and the answer to
a " so what" about what the bomb_ could do, was
St. John's Collegian:
answered in the last dying minutes of the picture.
They were said by newsreels taken a few miles
In seeing MGM's "The Beginning or the End,"
witnessed an act criminally committed against up, and by two women 15 ,000 miles away waiting
the world politic. This violent accusation is not for men who were on the more pleasant end of
made, I hope, in satire or because of uncalloused relations with the bomb. The movie's scientists
adolescent · sensitivity, but rather with sober seri, constantly had dramatic outbursts of airing a guilty
conscience, but what they were guilty of they
ousness and anger.
Hollywood very publically announced it was go- never said, and we never learned . The atom bomb
ing to annex itself into the world in trying to remained a w ell guarded secret in the picture.
We left the show with a more, rather than less,
make citizentry aware of th e problem the atomic.
bomb's power presented. It immodedy stated it confused conception of the atomic bomb. The pichad something important to say. Not just pro- ture pu.shed it further from our understanding,
vincial words to be conversed with in its own made its image more shadowy. Hollywood offered
standards, but talk of universal human sounding. to lead blind men across a dangerous intersection
We (the audience) were well experienced to and then rolled us in a vacant lot . This act in ithearing a picture called an epic miracle. Publicity self is abhorring, the most shocking kind of malici,
told us that each picture was the first of its kind, ous commercialism . No impunity ought to be ac,
the greatest, the most sure to win an oscar, the crued because of ignorance, for naiveness by such
most thrilling, the most et cetera. Parasite movie a weighty force is criminal. Hollywood presents
magazines and columnists told us of the human a heavy argument for Plato's treatment of poets.
side of each star, th e number of their divorces and

-R.C.F.

�10

ST.

JOHN'S

ST .

COLLEGE

TWO POEMS

SPORTS

I
Er9s

Junior 3, with an inside track in the blazer
race, started off the spring baseball season with
an 8 to 2 victory over Junior,Senior 2B. The
Juniors spotted the losers one run in the firs t
inning, made by Bill Elliott, but in the fifth
Gaiiup and Terry stole their way into home,
and four more runs in the sixth clinched the
game. Left fielder Bill Ross starred for the win·
ners with three singles in four trips to the plate.

The Ven us-smells rise
From the steaming plain
Of each our Armageddon
Where we raged so bravely
For a mutual death
Of lost identityRepudiated sign
Of battle's evil origin
Too long lingering
Where now her mean sway
Is given over done
To death our portion wandered
The cosmic kouros leads.

II
Two Commands
'Break heart'
Is a pompously sentimental
Spondee to echo
The Bard repeating
Whenwithwhatsoever concern
We :6.nd us standing
Near some exterior wreck
And desola.tion
But issued a suicidal
Wish for the rich
And poisoned blood
To flow freely off
Bearing a tide
0 organic anguish
The phrase is acceptable
' Break heart.,

RH E
8 10 1
2 4 4
Battery: Bounds-Matteson ; Nelson- Don Elliott

Junior 3
Junior-Senior 2B

In the second game Junior-Senior lA scored
four runs in the first inning and had easy going
for the rest of the game to overpower the Freshmen 8 to 4.

8

Junior-Senior lA
!:' reshman
Battery:

J.

4

5

7
7

4

Van D oren-Stern ; Thomas-York

In a wild game that saw the winning team
come back from five and eight run deficits, Junior 3 edged out the Sophomores 16:. 15. Both
teams scored seven runs in the first three innings,
then the Sophomores pulled into the lead with
five in the fourth and three more in the fifth. In
the sixth inning the Juniors rallied with seven
hits and as many runs to tie the score, sneaking
one more across in the final inning to take the
game.
Junior 3
16 14 7
Sophomores
15 10
Battery: Leff el-Matteson; Sherman, Schoolfield

WONDER
Wide-eyed Greeks, who knew so well
How hard and strd.nge man's end to tell;
They soared aloft on wonder's wings,
Brought back the news that nature sings.

Junior 3 chalked up its third straight win to
down the Freshmen 13-2 . The winners were
never pressed.

DOUBT
Dark doubter plunged down skeptic's hole,
And joined the unrepentant mole.
2:hey dug together 'till they spied,
l he corpse of truth that long had died.

Battery: Matteson- Bounds; Herrod- De Tullio
The two Junior-Senior combinations met in a
game that saw both teams turning in_ ~xcellent
fielding performances, with the final count going
to 1A by a 5· 4 score. 1A got off to an early lead
and a fifth ianing rally by 2B was unable to bring
in more than two runs.

BELIEF
Believer's lot, a two-faced one,
Opinion ·s slave or saviour's son.
Conclusion's hard, can :6.x each way,
But highest stakes demand such pay.

Junior 3
Frt:sha1e..n

Junior-Senior IA
Junior,Senior 2B

13
2

8

3

4 11

5 9
4 9

3

Battery: Freeman-Stern; Bill Elliott-Don Elliott

JOHN'S

COLLEGE

11

Junior 3 ended the first round with a perfect cal antiquity, after the dark centuries of the age
record by downing Junior-Senior 1 by a 16 to 13 · of Faith, it was notorious that even classictl
score. The Junior,Seniors stepped out to a seven science had failed to produce the machines with
run lead in the first two innings, but the Juniors which men might master nature, and one another.
came from behind once more to tally nine runs Classical science had been perverted from its tn~e
in the fourth inning off three hits and four criti· end by the metaphysical delusion of knowledge
for its own sake, just as mediaeval superstitution
cal errors .
had wasted its slender store of intellectual sub,
16 10 5
Junior 3
stance upon such profitless dreams as the orch:ring
Junior-Senior 1A 13 11 10
of the arts and sciences to the glory of God . The
syllogism, instead of producing a science which
Team standings on April 27:
would put into human hands the power of storming the gates of heaven itself, had led men only
L i\ve.
TEAM
into the b arren fields of scholasticism. There are
4 0 1.000
Junior 3
no practic::i.l plans for steam engines, gasoline
motors, atomic bombs, or technicolor motion pic.750
Junior-Senior lA
3
tures in all the thousands of pages in the Summa.
.000
0 2
Sophomores
Life was pretty crude in those aid days. The old
oraanon had deluded men into idle and impracti·
.000
2B
0 2
Junior-Senior
b
cal talk about "substantial forms", "essences",
.000
Freshme!1
0 2
":final causes'', and similar murky superstitions.
A new organon was absolutely necessary.
It is true that mathematics, even in the dark
ages before modern times, yielded a certainty
which, as Descartes noticed, contrasted sh;uply
'Nith the morbid dialectical confusions ai1d interMr. Wilburn in his lecture on the attack upon
the syllogism in the renaissance, and the substitu- minable quibbling of the schoulmen. B-ut even
v
tion of a new organon for science whi.ch resulted, the old mathematics had no;: achieved the pm. er
which a truly universal mathematics, not remade clear some of the reC1sons for a kind of in,
commensurability which is often felt to exi.st be, stricted to the narrow confines of the Aristotelian
tween the first two years of the program and the category of quantity, was to yield. It was clumsy,
last two. The birth of the \ 'modern" world took in its synthetic, geometrical form, r:::quiring the
place in the 1 S'th, 16th, and 17th centuries. In tedious labour of thought, and recalling unpleasour time it has reached the as yet unsurpassed antly in its mode of reasoning and order cif '1emconsummation of the two World wars, and there onstration the sterile laws and forms of the old•
is promised an even more glorious apothwsis, or Organon. The old mathematics was like a powerepiphrmy, of the scientific, liberal spirit in the ful genii imprisoned in a bottle by some peripatenot too distant furture. The scientists and phi- tic sorceror, needing only to be set free hy carlosophers who served as midwives for the delivery tesian crenius to become man's servant, capable of
b
of this brave new world required a new msthod leading hi~ to empire without limit. Freed, it be,
or organon. They felt that the old instrument3 comes the Universal Algebra, invented definiof intellectual obstetrics, invented or discovered tively by Descartes in analytic geometry, and
by Socrates and Aristotle, and known variously only dimly foreshadowed by Diophan:us, the
as dialectic, and syllogistic logic, had brought Pythagoreans, and the mediaev::i.l algorists. This
forth only metaphysical "wind eggs". It had new liberated mathematics, "generalized'" so tha.t
proved of relatively little or no practical use and its elements are no longer magnitudes or numbers,
significance, in terms of the really important hu, but attain the exalted status of real variables
man ends of military, political, industrial, and empty of ali specific meaning, is seen finally ,as one
t:conomic power. Although men of this new age, with the new logic. It was reserved to our own
of which we are the happy inheritors, thought days to complete and perfect the new organon in
of themselves as initiating a renaissance of classi, this way, beginning with the algebra of classes

w

NOVUM ORGANUM

�12

ST.

JOHN'S

of Boole, and proceeding in an order of increasing
generality ·and emptines~, to the real foundation
of all mathematics and method, the calculus of
propositions and of propositional functions of
Whitehead and Russell. In this process, Aristotelian syllogistic logic is shown in its properly
dimini~hed proportions, as a small and trivial part
of an enormously greater whole. This is the ful. fi.llment of the dreams of Leibniz, who sought for
a "universal characteristic", and of Ramon Lull,
who in mediaeval darkness and gloom saw faint
gleams of what he called the "Ars Magna". Ultimately, everything is to be exhibited in terms of
that fundamental logical relationship, overlooked
by Aristotle, disjunction, interpreted more liberally as not only either-or, but also both. Thus,
as Mr. Wilburn pointed out, symbolic logicians
have come to understand material implication in
terms of the formula-p v q. This means that a
false proposition implies any proposition, true or
faJse, a true proposition is implied by any proposition, and, finally, a true proposition implies any
true proposition (providing one knows any true
propositions). Mr. Wilburn was perhJ.ps a little
skeptical of the possibility of deriving what is
sometimes called logical "entailment", or formal
inference as a connection of meanings, from rnaterial implication, but to most modern symbolic
logicians this is merely a trivial detail scarcdy
worthy of notice, and one which will probably
be solved at Harvard next Tuesday.
This powerful universal analysis (although it
is curious that symbolic logic has yet to yield the
practical results one confidently expects of it),
when combined with a rdormed technique of induction (whose foundations were laid by Francis
Bacon, the author of Shakespeare), became what
is now called by all right-minded people ''Scientific Method". The S and the M are always capitalized, as a kind of symbolic indication d the
spiritual act of genuflexion proper to respectable,
well bred communicants in th(: New Church, the
foundations for which were laid by the parallel
movement called the "reformation". The new
Church was called by Comte the ·'religion of
humanity", and by others, "the religion of
science".
There have, it is true, been scandalous examples of heresy, although for the most part the
infidels have been few, and of little influence,

COLLEGE
and are promptly dealt \Vith by the proper authorities. In this country the Faith has had remarkably little opposition, save in small centers
of heresy like Annapolis, and, of course, among
the ignorant and u_ncultivated ni.ass of papists and
obscurantists. It therefore becomes my painful
duty to record that I found in Mr. Wilburn's
lecture certain notes of doubt, and a skeptical
tone which can oniy be harmful to the Faith
among the young who were listening to his lecture.
The progress of heresy in respect to the very
foundations of the modern world must naturally
be resisted by all true · humanists. It has been
suggested · even that the · New Method itself is
only a machine, designed to dispense ~th thinking. The proper answer in our new catechism to
this charge is that of the 19th century positivists,
who revealed to us that "thinking" in the old-prcScientific Method days, was really superstition.
Any effort. of thought to expl:tin nature by the
fiction of "causality" (especially those causes
most inimical to 's cience, the so-called formal and
final), rather than to describe sensations by the
Method, is to be anthropomorphic, metaphysical,
and at worst, religious. It is to imagine that, as
Thales said, "all things are full of gods". We
know now that they are empty of any . internal
principle of intelligibility whatever. A scientific
description, showing the how and not the why,
will enable us to · predict and control the behaviour of nature and of our neighbor. With
the extension of the Method into psychology and
the social studies we have now learned thzi.t the
old "dialectical" illusions were really only the
sublimation of certain repressions, or the rationalization of certain unconscious desires. The new
man who is about to evolve as a final triumph of
the Method, if the race can hold out a few years
longer, will be free of such . childish repressions,
and ~hereby free of the painful burden of thinking, which we have learned is nothing but a kindof speech reflex anyway. In the place of thinking, it will be sufficient only to use certain techniques of propaganda and advertising, following
from the M.::thod, which will guarantee those
conditioned responses which best suit man for
the new Totalitarian Age just dawning. 0 happy
day!
Leonard Eslick

St. John's Collegian
Vol. LX -

No. 11

ANNAPOLIS, JUNE 6, 1947

EVOLUTION
To a huge aud ience (for College Meeting) of
roughly fifty people, Mr. Neustadt on May 2 told
this Community the history-past, present, and fu.
ture-of the current rumor going around-that of
the proposed changes in the Program.
Mr. Neustadt's fear of being misquoted is not
without some ground; for to quote him verbatim
would, of course, · be well nigh impossible. Wt'
think, however, that we can report in an honest and
for~hright manner what he had to say, without dis torting the essence of his talk.
The immediate past history of this 'idea' centers
on the discussions that the Instruction Committee
and other faculty members close to the Committee
had been having for the past ten years. In the last
six wee:cs or so they had buckled down to it, w as
to formulate some definite changes in some of the
phases of Laboratory work done at Saint John's.
The laboratory program, he stressed, was indeed in
need of revision. It had always been a problem in
the New Program; since to organize a Laboratory
program along the lines of and in conjunction with
the Program was no small task. The integration of
the sciences, the unity, the continuity, the cumulative effect-these are all big problems. The biggest
problem, perhaps, was the proper functional rela·
fonship between operation and understanding
This, of course, goes for all phases of the Program
\Ve must find the correct emphases; a'n d when we
have, one of our big problems is solved .
It is common understanding that we suffer from
a "poverty of Great Books" in the Laboratory, this
poverty dating back some four hundred years. We
cm find resolution in but a few of the texts; we
must find it primarily in the experiments.
The specific measures recommended by the committee; considered, weighed, adopted, judged, by the
members of the faculty is, for adoption in the fall
term of 1947:
THIRD YEAR:
(periods)
(periods)
12
18 Histology
Anatomy
Organic Chemistry 24
Elements &amp;
16
14 Mechanics
Instruments
6 Magnetism &amp;?
Statics
FIRST YEAR:

Price: lOc

Music
4
Quantitative Chemical
Elements
18
SECOND YEAR:
(periods)
-Sound
8
4
Heat
G
Light
Blood &amp;?
18
Embryology
Semi-micro
Qualitative
24
Analysis

Electricity

8

FOURTH YEAR:
(periods)
16
Physiology
Phyc:ical · Chemistry 12
6
Light
18
Electricity

One of the major changes, as one can notice, is
the length of time to be spent in the Laboratory.
Junior and Senior hours are not affected, but a
tabulation will show that the time is doubled for
the first two years. This change is not without
merits; it will reduce considerably the amount of
'take-home' work to be done, with all efforts concentrated in the Laboratory rather than in the
s:cnctity of one's own room. For example, Statics in
the Freshman year is now done in three periods;
next year it will be done in four.
One of the merits Mr. Neustadt sees is the unity
this change provides. The Dean also recognizes
da1wers· "Allowing the 'technical drive' to take
ove;," ;,as one he specifically enumerated.
This has implications in the Mathematics progran1 also. }/any of the topics considered in the
Laboratory will now revert solely to the mathemati:s tutorial; and to consider many phases in this
new Laboratory schedule, there will have to he
more and earl ·er Analytic Mathematics. It should
be stated, however, that the changes made in the
mathematics program were considered necessary and
important even without reference to the Laboratory.
The Mathematics program, according to the Dean,
now runs too heavily into the "Synthetic Geometers" and the "avoidance of Analytic Machines."
The sum total of the changes in the Mathematics
Program are :
THIRD YEAR:

FIRST YEAR:
Euclid
Appolonius
Ptolemy

(weeks)
18
8
7

Newton
Calculus
Dedekind

(weeks)
16
16
1

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                <text>Commencement (St. John's College, Annapolis, MD) </text>
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                    <text>JUNE WEEK
At

St. John's College
Annapolis, Maryland

1696-1947

JUNE

4-9, 1947

�WEDNESDAY, JUNE 4

THE ALCHEMIST, a play by Ben Jonson, presented by the
King William Players

IGLEHART HALL, 8:30 P.M.

~~~

FRIDAY, JUNE 6

Picnic for all members of the faculty and their families,
given by the members of the senior class. Luncheon begins at

4:30

LOWER FIELD, BACK CAMPUS

~~

THE ALCHEMIST, second performance

IGLEHART HALL, 8:30P.M.

~~

INFORMAL RECORD DANCE

BoAT HousE, 10:30 P.M.

�SATURDAY, JUNE 7

BASEBALL GAME, Seniors vs. Faculty

.

BACK CAMPUS, 2: 30 p.M.

PICNIC SuPPER, Everyone is invited

BACK CAMPUS, 6:00P.M.

THE PRESIDENT'S DINNER FOR THE
SENIOR CLASS

LOG INN, 7:00 P.M.

IGLEHART HALL, 10:00 P.M.

JUNE BALL

SUNDAY, JUNE 8

BACCALAUREATE SERVICE
Sermon by the Rev. W . Kyle Smith
ST. ANNE'S CHURCH, 4:30 P.M.

The Academic Procession will form
in McDowell Hall at 4: 15

�THE PRESIDENT' s GARDEN PARTY

for Seniors and their guests at the
6

President's house, 139 Market St.

P.M.

to 8

P.M.

CoNCERT

by members of the College

GREAT HALL,

8:00 P.M.

MONDAY, JUNE 9
THE ONE HUNDRED FIFTY-FIFTH COMMENCEMENT

Address by Jacob Klein, Tutor,
St. John's College
11:00 A.M.

Under the Liberty Tree

The Academic Procession will form
in McDowell Hall at 10:45

LUNCHEON

Everyone is invited

CAMPUS,

1:00

P.M.

�</text>
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                  <text>Playbills and programs from various St. John's College events. Many of these items are from productions by The King William Players, the St. John's student theater troupe.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Playbills &amp;amp; Programs" href="http://digitalarchives.sjc.edu/items/browse?collection=20"&gt;Items in the Playbills &amp;amp; Programs Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
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                    <text>12

ST.

JOHN'S

of Boole, and proceeding in an order of increasing
generality and em ptines~, to the real foundation
of all mathematics and method, the calculus of
propositions and of propositional functions of
Whitehead and Russell. In this process, Arist·
otelian syllogistic logic is shown in its properly
diminished proportions, as a small and trivial part
of an enormously greater whole. This is the ful·
fiJlment of the dreams of Leibniz, who sought for
a "universal characteristic", and of Ramon Lull,
who in mediaeval darkness and gloom saw faint
gleams of what he called the "Ars Magna" . Ulti·
mately, everything is to be exhibited in terms of
that fundamental logical relationship, overlooked
by Aristotle, disjunction, interpreted more lib·
erally as not only either-or, but also both. Thus,
as Mr. Wilburn pointed out, symbolic logicians
have come to understand material implication in
terms of the formula-p v q. This means that a
false proposition implies any proposition, true or
fal&amp;e, a true proposition is implied by any proposition, and, finally, a true proposition implies any
true proposition (providing one knows any trne
propositions). Mr. Wilburn was perhaps a little
skeptical of the possibility of deriving what is
sometimes called logical "entailment", or formal
inference as a connection of meanings, from material implication, but to most modern symbolic
logicians this is merely a trivial detail scarcdy
worthy of notice, and one which will probably
be solved at Harvard next Tuesday.
This powerful universal analysis (although it
is curious that symbolic logic has yet to yield the
practical results one confidently expects of it),
when combined with a rdormed technique of induction (whose foundations were laid by Francis
Bacon, the author of Shakespeare), beet.me what
is now called by all right·minded people '"Scientific Method" . The S and the M are always capitalized, as a kind of symbolic indication cf the
spiritual act of genuflexion proper to ret&gt;pectable,
well bred communicants in the New Church, the
foundations for which were laid by the pa....-allel
movement called the "reformation". The new
Church was called by Comte the ·'religion of
humanity", and by others, "the religion of
science".
There have, it is true, been scandalou. ex·
s
amples of heresy, although for the most part the
infidels have been few, and of little influence,

COLLEGE
and are promptly dealt with by the proper authorities. In this country the Faith has had remarkably little opposition, save in small center 5
of ~eresy like Annapol~s, and, of course, among
the 1gnonnt and u_ncult1vated mass of papists and
obscurantists. It therefore becomes my painful
duty to record that I found in Mr. Wilburn's
lecture certain notes of doubt, and a skeptical
tone. which can only be harmful to the Faith
among the young who were listening to his lee·
ture .
The progress of heresy in respect to the very
foundations of the modern world must naturally
be resisted by all true · humanists. It has been
suggested · even that the · New Method itself is
only a machine, designed to dispense with think·
ing. The proper answer in our new catechism to
this charge is that of the 19th century positivists,
who revealed to us that "thinking" in the old-pre·
Scientific Method days, was really superstition.
Any effort. of thought to exp];;.in nature by the
fiction of "causality" (especially those causes
most inimical to Science, the '30·called formal and
final), rather than to describe sensations by t he
Method, is to be anthropomorphic, metaphysical,
and at worst, religious. It is to imagine that, as
Thales said, "all things are full of gods". We
know now that they are empty of any in ~ern al
principle of intelligibility whatever. A scientific
description, showing the how and not the why,
will enable us to · predict and control the behaviour of natui~e and of our neighbor. With
the extension of the Method into psychology and
the social studies we have now le:i.rned th2t the
old "dialectical" illusions were really only t he
sublimation of certain repressions, or the rationa·
lization of certain unconscious desires . The new
man who is about to evolve as a final triumph of
the Method, if the race can hold out a few yeai:s
longer, will be free of such childish repressions,
and ::hereby free of the painful burden of think·
ing, which we have learned is nothing but a kind·
of speech reflex anyway. In the place of think·
ing, it will be sufficient only to use certain tech·
niques of propaganda and advertising, follo wing
from the Mdhod, which will guarantee those
conditioned responses which best suit man fo r
the new Totalitarian Age just dawning. 0 happy
day!
Leonard Eslick

St. John's Collegian
EVOLUTION
To a huge audience (for College Meeting) of
roughly fifty people, Mr. Neustadt on May 2 told
this Community the history- past, present, and fu.
turc- of the current rumor going around-that of
the proposed changes in the Program.
M r. Neustadt's fear of being misquoted is not
without some ground ; for to quote him verbatim
wou ld, of course, be well nigh impossible. W ~
think, however, that we can report in an honest and
for ~hright manner what he had to say, without dis·
tarting the essence of his talk.
The immediate past history of this 'idea' centers
on the discussions that the Instruction Committee
and other faculty members close to the Committee
had been having for the past ten years. In the last
s'.x wee:cs or so they had buckled down to it, w as
to formulate so:ne definite changes in some of the
phases of Laboratory work done at Saint John's.
The laboratory program, he stressed, was indeed in
rreed of revision. It had always been a problem in
the New Program; since to organize a Laboratory
program along the lines of and in con junction with
the Program was no small task. The integration of
the sciences, the unity, the continuity, the cumulative effect- these are all big problems. The biggest
problem, perhaps, was the proper functional rela·
fonship between operation and understanding
This, of course, goes for all phases of the Program
\Ve must find the correct emphases; and when we
have, one of our big problems is solved.
It is common understanding that we suffer from
a "poverty of Great Books" in the Laboratory, this
poverty dating back some four hundred years. We
C:ln find resolution in but a few of the texts; we
must find it primarily in the experiments.
The specific measures recommended by the com·
rnittce; considered, weighed, adopted, judged, by the
n1embers of the faculty is, for adoption in the fall
term of 1947:

FIRST YEAR:
Anatomy
Elements &amp;
Instruments
Statics

Price: 10c

ANNAPOLIS, JUNE 6, 1947

Vol. LX- No. 11

(periods)
18
14
6

THIRD YEAR:
(periods)
12
Histology
Organic Chemistry 24
16
Mechanics
Magnetism &amp;

Music
4
Quantitative Chemical
Elements
18
SECOND YEAR:
(periods)
8
-Sound
4
Heat
G
Light
Blood &amp;
18
Embryology
Semi,micro
Qualitative
24
Analysis

Electricity

8

FOURTH YEAR:
(periods)
16
Physiology
Phy;.:ical · Chemistry
12
6
Light
18
Electricity

One of the major changes, as one can notice, is
the length of time to be spent in the Laboratory.
] unior and Senior hours are not affected, but a
tabulation will show that the time is doubled for
the first two years. This change is not without
merits; it will reduce considerably the amount of
'take-ho;ne' work to be done, with all efforts con·
centrated in the Laboratory rather than in the
s:cnctity of one's own room . For example, Statics in
the Freshman year is now done in three periods;
next year it will be done in four.
One of the merits Mr. Neustadt sees is the unity
this change provides. The Dean also recognizes
dangers; "Allowing the 'technical drive' to take
over," was one he specifically enumerated .
This has implications in the Mathematics pro·
gram ?Jso. 1'/any of the topics considered in the
Laboratory will now revert solely to the mathemafr:s tutorial; and to consider many ph;:lSes in this
new Laboratory schedule, there will have to he
more and earl ·er Analytic Mathematics. It should
be stated, however, that the changes made in the
mathematics program were considered necessary and
important even without reference to the Laboratory.
The Mathematics program, according to the Dean,
now runs too heavily into the " Synthetic Geometers" and the "avoidance of Analytic Machines."
T he sum total of the changes in the Mathematics
Program are:
THIRD YEAR:

FIRST YEAR:

(weeks)

(weeks)
Euclid
Appolonius
Ptolemy

18
8
7

Newton
Calculus
Dedekind

16
16
1

�2
SECOND YEAR:
Ptolemy &amp;
Copernicus
Kepler
Galileo
Algebra
Descartes
Analytic Geometry
Trigonometry

ST.

7
3
5

7
2
6
3

JOHN'S

FOURTH YEAR:
Series
Differential
Equations
Physical
Applications
Lobachevski
Cantor

8
8

8
2
3

Suchthings as Aristarchus will be entirely omit
ted from the First Year mathematics program;
Archimedes will be relegated to the Laboratory
program.
The reason for the inclusion of Algebra and other
things heretofore either touched on or experimented
which seems to be because the pre-college mathematics preparation is insufficient to meet the demands
of the Laboratory program.
"This integration will take years," said Mr
N eustadt. "It will affect the present Sophomore and
Junior Classes negligibly. The present Freshmen
will be the most radically affected; the incoming
Freshmen will bear the brunt of the change, if it
can be said that it wilf be a change for them at all.
It represents not the 'New' New Program as opposed to the 'Old ' New Program, but a rectification of emphases that are needed to be made, a reexamination long overdue. These concrete schedules
are meant as a 'working outline' rather than the
exact crystallized systems they seem to be."
The Dean does see one reason to foment mass
hysteria. That is if one feels that a 'scared cow' is
being kicked. The program, organized ten years
ago, is now only in its fifth year, because of interruptions of war; it may seem to some to be that
epitome of instruction, so inflexible, so rigid as to
leave no room for change. That is not so. It was
designed to be flexible enough to be changed; it is
in a constant state of change; indeed, if it could not
be changed, it could not have existed, for no one
thing is made perfect.
Mr. N eustadt told us of a little tale Mr. Mortimer Adler used to tell. He used to joke about "The
necessary incompetence of the faculty, because if
they (the faculty) ever thought they had the 'dope,'
God help the students." (Mr. Adler, of course,
knew all the while that he had the 'dope,' and was
passing it along to all comers in a ready-or-not-here1-come fashion). This Mr. Neustadt agffes with
The faculty hasn't got the 'dope'; this evolution that
has come about might still be not quite what is
sought. "We 're still groping," says the Dean, "but
we want to grope. When we've stopped groping,
we've stopped learning."
B.M.

COLLEGE

LETTER TO THE EDITOR
Allow me to suggest that the Community is
directly confronted by a situation providing us with
a rare opportunity to discover our present character
and to determine our future development to a con·
siderable extent. Certain changes of major proportions are to be made in the foremost of our meanE
for realizing the Program, the curriculum. In a
College · which in theory is unique precisely in its
respect for the subtleties of the relations between
means ·and ends, such alterations necessarily demand
an extraordinary re-examination of our purposes,
not only t o assure the validity of the shift but also
to confirm its original possibility of success; an uncriticized revision of means may in effect constitute
an unwilled departure from ends.
W e expect the Faculty men1bers to have fulfilled
ther obligations in these respects; the significance of
their activities, however , hangs to vary according to
the degree and depth of our deliberations about
their prescriptions. It is difficult, in treating of intellectual ends and their means, to escape the paradox
that proper choice and fruitful op 2ration of means
seem to require possession of the very end for the
sake of which they arc presumably instituted. This
paradox can be wedged somewhat by believing that
all men by nature poscess the critical spirit and a
desire to use it, and by taking the immediate end of
liberal education to be the development of this spirit
throu_ h exerciE:e in the liberal arts; the ultimate end
g
r.:.ay be understood as the preservation of this spirit
through exercise on its community. At any time the
qnantitative workings o' such a setup might be
rauged by two rnrrelated measurements, the one of
dep-re2 of proficiency in subject matters, the other
of de~ree of co ncern for their matrix. If any activity of the Facul~y is to be meaningful, we have to
give o-:casional evidence favoring the basic assumption; about an extraordinary occasion we ought to
he extraordinarily curious . \Ve mav, if w : so rhocsc ,
\'J:th one stroke stamp cur whcle ent erprfr·" llS radically absurd by declining to respond at all.
The degree and mode of our resporn:e will be sure
sig1 s of the success or failure of St . John's with re,
spect to us, and of us to it. We are called on for
an exercise of the critical spirit on an esse;1tial part
of our community, the curriculum; we must conduct
a performance in self-criticism, self-examination, intellectual activity of the highest order ; we are invited to engage in the most liberal occupation. To
the extent we do w, to the same extent is the Program invigorating us ; to the degree we do so liberally, to the same degree is the Program informing
us. The convcn:e is equally true and important.

ST.

JOHN'S

The importance of our preserving a sane and
balanced attitude toward the issue at hand is reemphasized by the peculiar nature of the underlying problem. Mr. Neustadt has called it "an old
one, one recognized at the inception of the Pro·
gram, that of integrating the great experi:nental
sciences into the liberal tradition"; the College
catalogue will remind us this is not unlike the situation whose malhandling by Eliot of Harvard played
so large a part in developing the cancerous elective
system. There is a temptation to suppose the problem and procedure seen by presuming the purpose
of the liberal tradition to be the defense 0£ final
causes, and that of the experimental sciences their
denial; the underlying theory of a program based on
an equal mixture of both would be that a reciprocal
enlightenment will occur through an exchange of
ideas. The basic assumption is that all men by na,
ture possess an equal and constant capacity to exercise the critical spirit. The necessary condition proving false, the sine quae non for communication
gradually diminishing, the consequences are catas,
trophic ; interchange of ideas gives way to exchange
of rhe~oric, which in turn yields to a test of force .
Either art or science is driven out, which, in the absence of the critical spirit, constitutes a perfectly
conclusive proof.
A more diffi cult framework arises when the end
of the liberal tradition is understood as the cultivation of the critical spirit, if the proper activity of
the liberal artist is supposed to be demonstrating
la.ck of knowledge of final causes through the
trivium, that of the liberal scientist to be demonstrating the lack of knowledge of final causes
through the quadrivium. Such a setup depends for
its original vigor on the power of each to create
stories likely enough to attract belief; for its continual refreshment on the power of each to draw
analogies from the other; for its motiG&gt;n on a continual imbalance; and for its preservation on the
power of each to contradict the other, when either
alone has refined its symbols to the point of being
un able to i:::ee its own contradictions. But the exist,
ence outside the liberal tradition of so tremendous
a body of knowledge as the experimental sciences
raises two extremely difficult questions to the liberal
tradition so understood: first, supposing these
sciences were once in the liberal tradition, how
could they possibly have got out? Enabling crises
might arise in several ways at least: from an imbalance going so far beyond just proportions as to
stretch the tension to the breaking point, possibly
through a protracted failure of the quadrivium, say,
to contradict a work of the trivium; or a general

COLLEGE

3

agreement to accept as true and final the edifice of
one activity, even leading perhaps to a po"sitive attempt by the other activity to confirm, to realize,
that edifice; or contempt for, indifference to, or
ignorance of the tradition. Any combinations like
these being accountable, attempts at reintegration
would be in order and at least theoretically not
hopeless; the pro:edure indicated would be to try
to find out where and how they broke away. If,
however, the experimental sciences were born
through some kind of parthenogenesis, the beginning of another tradition wholly independent of the
liberal tradition, then the basic axioms of the liberal
tradition are contradicted; and our urgent business
must become a search either for a whole new set of
trivial symbols or a new mind to fit the new tradition. If this dilemma is a real one, if resolution of
the Program depends on a decision as to whether
these two traditions are really one or radically irreconcilable and if evidence for this decision cannot
be acquired without a resolution, then a minimum
of dogmatic statements ought to be m2.de about the
place of the laboratory, or the analytic mathematics,
or the liberal arts. In this light, or lack of it, we
may be doing something like what is necessary, shift,
ing around a little more, again and again, hoping
to stumble en rnmething, while we keep trying to
figure out what it might be.
The pursuit of the Common Good is a venture
ii to obscurity, calling for great courage; let us continue to try to be up to it.
Publi:itus.

-:-:-:-

POLITY
Perhaps the lack of a real polity here signifies
either a lack or an excess somehow deep in the nature of a community such as this. The evident unproductivity of our own society is of a different
kind than is the complex unproductivity of the
society of nations, but there is an analogy worth
looking at.
A student comes to the liberal arts as instituted
here not characteristically for a part in · producing
any marketable goods or even any measurable
goods. In the liberal arts his first duty is to himself;
his next duty is to the condition of the symbols in
his tradition; his third, to the regeneraton of the
first two among his society, or, th4t is, to the mean,
ings of the symbols. Duty to society is not apparently primary except in the sense that these three
are a class of primary necessities, taken as one.
An animal tends, chronologically, to discover
which and what it is before extending its species

�4

ST.

JOHN'S

into time, space, and number. It discovers very
early which of the things in the world is itself, how
to keep this distinction constant. It crawls, flies,
walks in special directions and with special mterests. It makes selections from among things generally for particular uses. It projects programs.
At some point it discovers species and makes
physiological analogies as to own kind and as to
other kind. It discovers the complication of sex
wants and learns to distinguish useful objects from
useless. It makes further analogies.
It commits regeneration.
Nations are more complicated, in the sense that
we can discover in them more complications.
Man is more complicated than either; man is
rational animal. Presumably man can make the
three discoveries, which, what, why, on the absolute
animal level fairly quickly. When he convokes
upon the liberal arts he must know these. But the
prerequisites are something like the requisites. In
the liberal arts, at the risk of unlearning the three
first things from one moment to another, or at
worst, consecutively for whole moments, a man's
duty lies in three directions: self consciousness,
nearly impossible and most difficult: self, and other,
identification (naming, counting, defining, ordering), which is exercising the analogical faculty:
efficiently wasting powers-of-analogy in working to
assure the race of the possibility of intelligence in
the next generations. Ideally: major poetry; creation of perfect institutions; correlation of the content of the liberal and fine arts. Possibly: minor
poetry; creation of workable institutions or engag·
ing in liberal professions; teaching the liberal professions.
A real nation among nations ought to have a real
culture, a view of the world and of other nations
and a divisibility which allows intercourse with
those other nations for the perpetuation of reai cultures. It ought to inconvenience it.:elf so far as that
is necessary to keeping the communication of stuffs
and ideas working for a common good which will
consist in prevention of desperation and intercourse
by emergency.
A beautiful woman ought 'to conduct herself in
such a way that enough of formal grace is imitated
to reduce the necessity of informal intervention.
An animal ought to stay in its habitat, but it
ought also to allow the passing through there of
other animals. In all cases there are casualties; perfection is not indicated. Animals, for instance,
sometimes depend too radically upon one another.
A student ought to be performing the formal
graces of a curriculum, the separate virtues of distortion of curriculum and the hospitality, nearly

ST.

COLLEGE
possible, of allowing passage through his elegant
habitat merely because each of his three duties is
efficient to the other and because the conspiracy
against nonsense which is intellectual is by nature
regeneration, and depends on mythical discretions
of time, space, and number.
If we here are making the remarkable fact of
our convocation a pattern for our several uses, and
if we become dependent upon it other than merely
absolutely, as official members of the program,
merely by coincidence, perhaps we would discover
in the organism greater strength.
Perhaps a student pol~ty cannot be imposed, but
must come from prior dependence upon real
polity.
The Collegian is a small paper with a concern
properly for small issues. The student polity is a
small matter with large implications. Perhaps an
instituted polity is indeed unnecessary.
The opinion we stand upon is of the importance
of polity in the world . We suggest one for St.
John's College.
- John Sanborn

THE PLAY'S THE THING
I suppose one of the most difficult things to talk
about in any final or co11:lusive way is a play. Any
literary work is subject to many interpretations each
of which may have its individual validity, and none
of which seem to have that universal element we
co:1stantly seek. Mr. Landau stated that the Arista,
telian Poetics is a failure as a universal critique. It
i rather a critique of one play or perhaps o f the
Greek Drama. There are too many plays in his
opinion and in the opinion of many others that are
good and yet do not fit into the Aristotelian scheme
One of these plays: declared Mr. Landau, is the
"Duchess of Malfi ."
0. e cannot criticize the "Duchess of Malfi" in
terms of the Poetics, Mr. Landau went on, because
of the great gulf between the Greek drama and
that of the Elizabethan period . Greek drama a
understood by Aristotle emphasizes plot thought
and character. Greek characters, for instance, are
proper, good, true to life and consistent, whereas
the characters in the Duchess are sinning, corrupt
and sometimes inconsistent. Diction, melody and
spectacle are made to play a less important part in
the construction of a Greek dramatic work. On the
other hand diction, melody and spectacle take on
splendour with Webster. And again whereas the
motive is clear in Oedipus, for instance, the same

JOHN'S

is not the case in the Duchess. Webster is concerned
with creating a mood and in many instances he is
forced to sacrifice the Aristotelian essentials in
order to do so. It is most important that we feel the
tragic madness, that we see evil and corruption in its
most brilliant form.
However it seems to me that there is a fair sized
patch of ground on which both Aristote and Webster might tread if they so desired. For instance the
motive in the Duchess with some good detective
work might be made clear. That motive is, of course,
the incestuous love that the Duke has for his sister,
the consummation of which is impossible and hence
the tragedy. Again considering the Aristotelian
function of tragedy i.e. that it purge the emotions
of pity and fear or the like, Webster certainly
triumphs on this score. This is true, if we consider
"catharsis" as the arousing of the emotions and the
continual "feeling" of thern throughout the play and
hence the spending of them. Then again Aristotle
and Webster are no longer treading the same patch
when we consider change or recognition. Mr. Landau pointed out that most of the characters die as
they are throughout the play, although this is also
debatable .
Examining these differences, Mr. Landau arrived
at the conclusion that although the Poetics is a good
critical work, it is not of that universal nature that
we suppose it to be. There are too many good
plays both Eliz,ahethan and "Modern" that oppose
the schematic handling of Aristotle. I \vould agree
and add that it is quite dangerous to say that 1f it's
not in the Poetics, it can't be good.
Mr. Landau's second and perhaps more vital
point was that plays are written to be seen and
heard. Once more Mr. Landau returned to the
Duche s to demonstrate the validity of his position,
after having quoted Mr. Buchanan as saying,
"There's something about the spoken word." Mr.
Landau maintained that the actors are symbols
whose meaning we best comprehend when we see
their conflict on the stage, when we see them move
and act, when we hear them speak. Besides the
harmony of the whole and the spectacle (costumes;
props, scenery, etc.), the staging of a play serves to
clarify the author's intention.
The horror of the dead hand, the madness of the
Duke, the queenlike stature of the Duchess are
made startlingly clear on the stage. A competent
director and sensitive acting can make the looseness
and problematic structure of the Duchess less confusing to an audience. In this sense, the crew of a
play can be considered as midwives between a pregnant author and an expectant audience.
However one main point in question is the following. Is the distinction betwe~n reading and see-

5

COLLEGE

ing a play a dis~inction in kind or degree? Or perhaps there is very little distinction at all. The
reader of a play can interpret the play as a director
does. He can conceive of the intention of each
character's speech. He can imagine the conflict, the
action or movement, the spectacle. In short, he can
see with his mind's eye and hear with his mind's
ear. And who can determine whether the reader·s
"play" is truer than that on the stage? While it
is conceivable that twenty specialists schooled in the
art of producing plays may very well do a better
job than one individual reader, yet it is a rare intellectual delight to discover, imagine and understand the world of a play by oneself.
Those of you who remember Mr. Brown's lecture
will recall how interesting and humorous it was. So
was Mr. Landau's. And there is a kind of passive
parallel between the two lectures. On the one hand,
the clever reviewer of the first lecture discovered
that the "underlying substratum" of the first lecture was the Prime Pusher. Mr. Landau rejects
being pushed. On the other hand, Mr. Brown's
lecture did not "need" a question period. Mr.
Landau's did. And it proved fruitful.
In the question period Mr. Landau's position was
pushed to the wall by Mr. Klein. Mr. Landau admitted at Mr. Klein's urging that looking was the
highest principle in life, and Mr. Landau was right
back to Aristotle again. Mr. N eustadt wondered
whether al! plays could be staged successfully. The
lecturer admitted that King Lear and parts of Faust
could not be staged ideally but that they could be
staQ"ed It was also pointed out in the question
period that playing could be made significant in that
the import of the play-world, by nature of its beginning-middle and end form, is comprehensible. It
was also pointed out that playing is like making
believe the knowledge of which permits you to look
or play without expecting a conclusive answer.

P. A .C.
-:-:-:-

Dragon's Teeth for Germany
Recently Mrs. Plunder has had called to her at·
tention a project which may interest St. John's
students concerned about the political reeducation
of the German people. During the war German
prisoners in this country were made acquainted with
our theory of government, with the bases of democratic principles. we all have heard that often
this instruction was answered only by apathy or
contempt. Certain prisoners, however, most probably those who, from the first, maintained in some
measure their integrity against nazism, were suffi-

�ST.

6

JOHN'S

ciently affected to attempt the same kind of instruction in their communities upon returning to Ger,
many. Several types of study groups have been
formed, connected with adult education directly, or
with certain trade union organizations.
This effort continues, but obviously under great
difficulties stemming from the unsettled political
and economic conditions in the country. One of the
greatest handicaps is the shortage of books and
other reading material, not only of all kinds, but in
this case, of the specific writings most useful for
the task of political reeducation. Some of these are:
Halperin, S W
Germany 'T'ried Democracy
Crowell City, 1946
Rosenburg, A
A History of the German
Republic Methuen 1936
Valentin, V
The German People
Knopf 1946
Neumann, F
Behemoth Oxford Press 1944
Koestler, A
The Yogi and the
Taylor A J P
Dewey, J

Commissar
The Course of German
History 1946
German Philosophy and
Politics

Students who could make any of the above (or
similar works)* available should contact me in the
near future. Direct cash contributions will also be
forwarded to the government agency in Washington handling these matters.
S. Bergen
*? (ed.)

-:-:-:-

POEM
Cutting the sizes of all the parts of love
Perhaps, when she leans with her fingers out the
window,
Catching the green sources of the vine,
Moving them somehow, waiting to read my letter
On glass by a lamp on a glass table top,
Slowly, consciously, astute as any
Woman of Boston, pretty as any detail
Of jungles, with a will, a grandeur, a dance of
limbs
Slow as the curve of gestures of an oracle.
When ultimately she was sitting by breakfast
dishes,
Silver and cold, arching her long neck,
Acknowledging nevertheless flowers and whiskey;
Paper, grey, a color of her eyes
Was the color of some of her real biography;
Curiously so the color of what she wrote:
True of something, if but a thing, expired:
Something within something; her fingers succeed:

COLLEGE
'o this was a green flower, those violets,
but I am not ready. I will come
when I speak to you Prokoffief you wolf;
I shall move presently among your estates
when I have learnt dancing dead and alive.
here I have your flowers as you a dear boy ·
and I cannot speak to you, I am so polite.
what can you say I having spoken then,
say, Tibet? now, say Aztec? dress me?
you bring me nothing for me that's not, oh,
bring me subtler, subtler incantations,
bring me a Swiss helmet, and let me ponder.'
What she'd write was accurate, static;
She has long fingers, and no doctor
Ever traced a symptom of despair
To the way her fingers are part of the highest mass,
Moving the frame of her exquisite excesses.
I made some such mistake, telling the thing
In the form of: 'Your hands are like a river .·
She laughed, struck me across the eyes, and laughed
I said, 'willows.' She said, 'witches,' and left
The house. I've never thought of being a doctor,
She knows it, I suffer losses of spirit
For such archaic diligence, and she,
She's in Mexico, writing to tell me
'This is forgiven, Darling, you are kind;
I am older than you, and crueller,
Come here, there are no intelligent men any more.'
I will not move to Mexico. Not stay
In Peru. I might perform some gladiator
Skill in cities: roar at Darning mouths,
Listen to the Roman roar of girls
Riding paper boats abstractly hard,
Indulging in somehow periferal assaults:
Papyrus without bulrushes, time without place.
This is an age of death of ballads why,
This is a time of laureate dependency
Whv : how narrow the space between the substance
And the spectacle. I cannot go
Too close. I'll sing a little foreign ditty.
Lurkinc; among some fragments of this flower,
A most reliable timely hright flower.
-John Sanborn

ST .

JOHN'S

Mr. Neustadt started by putting his revised title
on the blackboard in mathematical symbols; first one
zero; then two zeros close together. He continued in
arithmetic symbolism for the introduction of his lecture. Given: a plus zero equals a, then: a minus
zero equal a. O.K. ! Given: a times zero equals
zero, then: a equals zero divided by zero. Nonsense
or amazing r Similarly, given: a divided by zero
equals infinity, then: a equals zero times infinity.
How can this be? If zero i.s just plain nothing,
then no matter how many of them you take, still
nothing is all you have. However, if zero in this
case was not absolute nothing but almost nothing,
then it is possible that the statement has some meaning. Though such expressions are outlawed where
mathematical rigor is desired, yet they may sometimes be fruitful. The lecturer proceeded to the infinitesimal calculus to illustrate.
N ewton, in investigating the area und er a curve,
divided the base at a number of points, erected perpendiculars at these points, and using the points
where these perpendiculars cut the curve he con,
structed the circumscribed and inscribed rectangles.
Since the difference of the circumscribed and inscribed figure is the greatest rectangle, then the
ratio of the circumscribed to the inscribed figure
approaches unity as the number of rectangles is increased indefinitely . The curvilinear figure always
falling between will be the limit of both the inscribed
and circumscribed figure.
Returning to our equation, a equals zero times
infinity, let a be the area of the curvilinear figure.
If the number of rectangles is increased indefinitely
then the size of each of them approaches zero. So
that in the limit, a, the total area equals zero, the
area of each infinitesimal rectangle, times infinity,
the number of rectangles.

DIVISIBILITY

Mr. Neustad t gave further examples of the in,
finitesimal methods with a tangent to a curve, velocity as infinitesimal space over infinitesimal time,
equal magnitudes differing by an infinitesimal
amount, and rest where the velocity is infinitesin:ial.
Though these methods proved very valuable, they
often led men astray. Some of the best minds became intoxicated with it. Galileo and Kepler
succumbed.

Our dean was a bit uncertain as to the proper
title for his lecture . His final suggestion was
"Everything and Nothing" which certainly was
broad enough, and we were left to decide what
falls under each heading. Perhaps we could suggest an alternrt.tive title or two: Mathematical Infinity and the Great Books or Reason and Intuition:
Complements.

Some philosophers were indignant. Berkeley
called it rationization and Hegel found infinitesimals
a case of the bad infinity. Carroll found only the
smile. We turned to the Greeks and they didn't
like it. Aristotle said that mathematicians clidn 't
need it and Euclid and Archimedes showed by ex
ample that rigor could be maintained in identical
problems. They avoided the difficulties of the in-

COLLEGE

7

finite by requiring a preassigned small area epsilon
and the reductio ad absurdum proof.
W eierstrauss established rigor in the calculus by
a similar procedure. He precisely defined limit by
using an epsilon and further removed the basic notions from geometry to number purely. Thus a task
was done for Newton and Leibnitz which they
found burdensome and unnecessary.
Cantor, Hilbert, and Bertrand Russell have dealt
with a different aspect of the infinite in more mod ern times. Our lecturer found tautology in Russell's
classes to which everything is supposedly reduced.
Through his empty symbols mathematics and logic
become one. How do we test the compatibility of
abstracted axioms? Why, we deabstract them and if
they fit a real system, then they are noncontradictory.
Thus as the day of Newton and Leibnitz had too
much unrestrained intuition, the modern days are
overburdened with too much empty reason. Poincare wisely suggests a balance. Use syllogism and
intuition hand in hand, intuition as guide and instrument of invention, syllogism to analyze, review,
solidify.
W . G. Spohn

- .- .. - .-

DOCTRINES OF RIGHTS
Jean Jacques Rousseau was the object of Mr.
Straus's lecture and it was the man with which he
was particularly concerned. The man through his
work rather than the wcr'.{; siT::e according to the
lecturer the work presents such difficulties that an
understanding of Roussau 's purpose is necessary for
an adequate understanding of his writings. Mr.
Straus's argument was so complex and so subtile as
to prevent the success of even an ela~orate sum,
mary; so I shall not attempt to directly consider
the lecture but shall confine myself to a discussion
of some questions necessarily raised by his consideration of Rousseau.
Rousseau's thesis, as presented by the lecturer, im
plies the assumption the good for man lies ultimately
in the state. It considers that his primary good is
political; and (here I rely on Mr. Straus's insight),
a step further that the majority of men do not pos·
sess the potentiality of any higher good. For the
greater part of mankind can neither receive nor be
benefited by the sublime pronouncements of the great
thinkers in all fields of human reason. That this is
not an accidental condition is shown by the fact
that all possibility of popular advance, in the sense
of intellectual aggrandisement, is rejected as im ,
possible. The mental n eeds of man are held to be

�8

ST.

JOHN'S

ornaments. The profane are held capable of only
opinion, either by their nature, or through immutable
social condition. The populace must be told a lie
which does not contain even a distorted picture of
the truth. Science and philosophy may not be pro,
pagated, even in diluted form.
Rousseau's understanding of man's political na,
ture leads him to a definition of political attain,
ment. Individual freedom under law offers the only
acceptable social form. The concept of the General
Will is a resolute attempt to use man's essential
mediocrity as the principle of the ideal government.
It is needless to point out that men's abilities are
not in balance and that political skill is, as Rousseau
himself knew, seldom the result of education or the
lack of it. In other words man's mediocrity must be
cconsidered. The most carefully formed political
structure, buttressed by tradition and collectivism
would be most likely by its fundamental nature to
produce an internal tendency to change. This
would not be in the form of government itself, of
course; but in the governors, whether few or the en,
tirety. And this would be as bad for the people.
Rousseau apparently abandoned natural law
and with it natural right because . he thought they
were essentially unworkable principles. Natural
goodness and a non,political virtue were for him
powerless as standards for the betterment of man's
state; and the ideal government of antiquity was
dismissed as utopian, since not grounded in a true
understanding of the average man's nature. The
Rousseauan aristocrat, who is the scientist and
philosopher, may possess thet:e virtues, but his only
function is to tell the royal lie; and he stands absolutely outside of society in so far as he is either.
Rousseau recognized that fear has been his,
turically the fundamental power in political structures. Tradition and custom have supplemented
fear whence the servile conservatism of the / ellahin,
and his brothers in the world's best examples of the
permanent state. "Passion itself pleads on its behalf" and a government based on sentiment and
the basic emotions of mankind is the result. We
shall not be obliged to ma~e man a philosopher be,
fore he is a man. His duties toward others are not
dict,ited to him only by the late lessons of wisdom,
and, so long as he does not resist the internal im·
pulse of compassion, he will never hurt any othei
man.
Writing what he admitted as propaganda, and
hoped to be effective, Rousseau was willing to sup,
press what he considered dangerous truths. The
Calif Omar conflagration would have undoubtedly
been an object of personal vituperation to Rousseau
as a philosopher; but as the act of a statesman it

COLLEGE
could only, considering his opm1ons, receive his
commendation. The individual who can surmount
the handicaps of the Rousseauan state may find him,
self on the solitary peak of individual achievement;
but he will be politically ineffective, presumably because of his scarcity. His contemplation must be for
and to himself alone. He would presumably have
the choice of suffering political castration through
isolation; or of becoming a lawgiver with the
dubious function of retelling the royal lie .
Mr. Straus did not consider the implications of
such a political doctrine to the present; being concerned with only presenting Rousseau's thesis in its
historical and p ersonal contexts. Both Rousseau's
life and the impact of his work on modern thinking
might well become the subject of another lecture.
W . R.

COLLEGE MEETING
April 25': The meeting today had some trouble
getting under way. The chairs were set up for the
evening concert, but a piano tuner was still deeply
absorbed in his work as we straggled in and sat
down, all more or less contingently. A few strained
minutes went by while the tuner gave no sign whatsoever of intending to recognize the impasse, until
Steve Benedict, swallowing his misgivings about
forcing the issue on one of such a temperamental
lot, approached the tuner cautiously and, after due
pause, managed to secure his attention. The outcome of their exchange was Mr. Benedict's being
able to inform Mr. Kieffer that the gentleman esti,
mated he might be finished in fifteen minutes.
There seemed then to be effected a general agreement not to press matters any further fer a few
more minutes at least; so everyone settled back un,
easily again, no one being quite sure what might
constitute an intelligent mode of accomodation to
this situation, and most apparently beginning to
frel pretty sure there might not be any. So we sub,
r:.1it~ed with various attitudes to a highly rarifi.ed
concert for a long five minutes, the gathering taking on more and more the aspects of the local
equivalent to a Quaker meeting. Things were rapid,
ly nearing a general quiet hysteria when the tuner
startingly turned and asked, fortunately without
addressing anyone in particular, "Do you want me
to quit?" It wasn't at all clear whether this was a
threat or an offer; however, Mr. Kieffer, from a
safe distance, neatly rescued the situation by venturing the estimation that he too might be done in fif,
teen minutes. These were the magic words where·
upon, to the great relief of all, the piano tuner con,
ceded, and Mr. Kieffer ascended the platform .

ST.

JOHN'S

He told us first about the Board meeting on April
22. They had not gathered in alarm over the
faculty problem of teaching the sciences and math,
ematics; rather, they had confidently appointed Mr .
Kieff er as permanent President of the College, with
definite intent that a member of the faculty should
be so chosen, as symbolic of our growth and contiam.nce. Also, they appointed Mr. Logan Marrett
of Cincinnati to be our new Vice, President and
treasurer, to succeed Mr. Campbell.
In a brief survey of the College at present, Mr.
Kieffer regarded the winter term as very successful,
certainly in our overcoming its many possibilities for
disarrangement and discouragement. Our spirit has
been generally good, and perhaps we are not un,
successfully imitating the great College many people
think we are. For the future he has the general
hopes, fears, and expectations; there are many
things on which we must work together to be what
we would. The teaching method and the laboratory
must be and are under continual examination, as re,
cent developments witness. The problem of the
polity, however, so much needed for transition from
administrative dictatorship and student anarchy to
a balanced control, remains pretty much unsolved.
The Board whose province may be defined principally as the material well-being of the College, has
ta 1'en action in seeking and achieving community
support. The Board at best, however, can only as,
sure potential donors of our awareness of their interest and arn:ue for our worthiness, which we alone
can substantiate, through continued adherence to
the princip 1es of the pro~ram, education through the
great bool~s in the tradition of the liberal ar ts . If
we work together responsibly, material well,being
will follow; if we don't, money, or the lack of it,
won't matter. In closing the President expressed
hopes for the virtues to play his part well and invited us to feel free to .r;ive our help and advice in
every possible way, to the end that we mig;ht all be
ah 1e to reach the judgment that liberal education is
tabng pbce as we would have it.
R. 0. D.

-.-.-.-

MARQUIS . CHILDS
Marquis Childs came to the library Sunday night
with a background of political reporting and of
reading our books, and some that should be ours.
He spoke on "Our Divided Government."
As a reporter Mr. Childs notes th at Washington
is in stalemate because of the Repulslican contro11Cd
Congress and the Democratic prc.::ident. Legda-

COLLEGE

tion on labor issues and foreign affairs is blocked
because of this conflict and the division of power
and responsibility. The Republican party has the
power to legislate; and the D emocratic party, be,
cause of its control of the White House, has the
re.:;ponsibility of legislation.
As a result of the last mid,term election of the
R epublican party controls Congress; yet Scm.tor
Taft, depending on the short memory of the pub,
lie, was able to charge the Democratic party with
killing price control. This is not new, but is almost
always the case when one p arty loses strength be,
fore its president's term expires. This happened to
Roosevelt in 1938 and to Hoover in 1930, and it
has happened many times before in American
history.
Right now a per'.od of stalemate is dangerous.
In fore ign affairs the proposal of President Truman
to aid Greece and Turkey will have been acted
upon too late to achieve the desired result. In labor
matters the partisan congress is acting only with the
cle::tion in mind, and delay may bring on an un,
precedented economic crisis.

In short our Government is divided : the unity
of purpose and objective we had during the war is
gone, and little ur ity is left to face the extremely
complicated world of peace.
Why is that? Mr. Childs answers as an original
thinker about Atl'erican Government: Our political
life is o f an accidental nature, we have systems of
fixed ten~s of cffice for the president and division
of legislative and executive power coming from the
lSth century. Our present president holds office as
a poli:ical accident and is much better than we de,
serve. A characteristic product of American. public
life, Mr. Truman began his career at th ~ service of
one of the toughest political bosses in the country.
Yet he displayed extreme loyalty and pride in his
personal integrity. Obeying Boss Pendergast he
left his belovecl Kansas City and went to the Sen,
ate of the United States. Today without ever having sought the offi e, Mr. Truman is President by
reason of per~ona l accident, and he is unable to
enact a consistent program of action because of our
system.

In any other democracy Mr. Truman would have
had to resign his office, dissolve the Congress over
the issue where they disagree, and call a general
election. As an example, price control; in this the
president vetoed the legislation of congress. The
public would vote with a sharp issue in mind and
return a Congress and chief executive who have
one program and could then carry it out.

9

�10

ST.

JOHN'S

In one of every three elections in our country a
congress that disagreed with the president has been
put in office. In the past that didn't make too much
difference. Our government was ceremonial and
ritualistic, not functional. And today we say we
are proud of the Declaration of Independence and
our Constitution.
How do we look at them in the light of modern
conditions? Today we are the only democracy with
fixed terms of office. Last year all the polls of pub
lie opinion showed at least 60% of the public in
favor of price control; and yet Congress and the
President could give us no suitable price control
program.
Our elections at fixed intervals are not based on
any issue but just tally the composite of the voters'
irritations. The consequence is not a benefit to the
public. Technology has pulled the world together
Since we are shackled with antiquated systems of
government, our reactions to new conditions are
slow and uncertain, hurting us and the rest of the
world.
Mr. Childs cites Brooks Adams, a native American radical, as predicting the enormous centralizing of power in the hands of the United States and
Russia. Adams wrote in 1890, but even then he
saw the trend of technological advancement. The
ratio of man to the instruments of his power did
not change significantly from Alexander the Great
to George Washington. Since Washington, technology has made the world smaller and our age, an
age of power.
T o meet these new conditions our government
should be put under glass and examined without
awe of consideration of tradition. Our founding
fathers were modern, and radical men for their
time; for our time revisions are needed .

COLLEGE
The term of the president should not be fixed.
The drafters of the Constitution envisioned a president resigning if his hands were tied by Congress
Not advocating a complete adoption of the Parliamentary system, Mr. Childs suggests a meeting in
Philadelphia of the best minds on government in
this country, to examine our political framework
with the same qualities of pragmatism, political
vigor and creativeness as the men who made our
government.
In our stalemate what we have to fear is not
communism. To Mr. Childs the fear of communism
for us living in the richest country of the world is
explicable only in terms of neurosis. What can
threaten us however, is either one of these two
mental attitudes:
1. The conviction that no good can happen or
has happened in the present. This cult of the past
resents change and wants to return to the era of
McKinley.
2. A view of all life's happenings in terms of one
concept and an imposition of that concept on all
human activity. Examples of this are the ideas behind the French and the Russian revolutions. Perhaps communism is such a concept just as fascism
may be an example of the former.
We must examine our government without either
rigidity of mind and join a conflict to be resolved
by answering these questions: How can we produce
rewards and satisfactions for our people better than
the Russian system? How can we integrate all our
peoples, and elevate those who regard themselves as
second class citizens, by using our technological
advances and an efficient government for the good
of all?
Donald Kaplan

�</text>
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                    <text>ST. JOHN'S COLLEGE
ANNAPOLIS, MARYLAND

1696 -1947

COMMENCEMENT EXERCISES

MONDAY, JUNE NINTH
NINETEEN HUNDRED FORTY-SEVEN

I

�PROGRAM

Honors and Prizes

FOR THE
ONE HUNDRED FIFTY-FIFTH COMMENCEMENT
IN THE
TWO HUNDRED FIFTIETH YEAR OF THE COLLEGE

To the member of the Senior
Class who has written the
best final essay, a prize of
$27.50. Offered under the
will of the late Judge Walter
I. Dawkins ................ TRISTAM JOSEPH CAMPBELL, JR.
.
{CHARLES ARTHUR NELSON
Honorable Mention ..... "' ... ' .
ARREN SEYMOUR ZEIK

w

ACADEMIC PROCESSION

INVOCATION .................... The Reverend W. Kyle Smith

To the senior who has the
highest standing, a gold
medal. Offered by the Board
of Visitors and Governors .......... JOHN SCOTT DESJARDINS

ANNOUNCEMENT OF PRIZES AND AWARDS
The President of the College

To the member of the Freshman, Sophomore, or Junior
Class who has written the
best annual essay, the John
Martin Green prize of $10.00* ...... CLARENCE JAY KRAMER

ADDRESS TO THE GRADUATING CLASS ............... Jacob Klein
Tutor of the College

Honorable Mention ........ ROGERS GARLAND ALBRITTON

CONFERRING OF DEGREES ......... The President of the College

To the student who has written the best original sonnet,
a prize of $10.00 ......... WILLIAM CHESTER BUCHANAN, JR.

BENEDICTION ................... The Reverend W. Kyle Smith

ACADEMIC PROCESSION

Reception and Tea at McDowell Hall for Members of
the College and their Guests

To the student who has prepared the most elegant solution of a mathematical problem (the problem for the
year being to construct, by
Euchdean methods, a tangent to a cycloid), a prize of
$10.00 ........................ WILLIAM GIDEON SPOHN, JR.
*For the year 1945-46 ......... WILLIAM CHESTER BUCHANAN, JR.

�Candidates For Degrees

AS OF THE CLASS OF 1946

Rite

BACHELOR OF ARTS

HARRY CHARLES ROCKEY .......... Philadelphia, Pennsylvania
JAMES WILLARD SHARP ................ Freeland, Pennsylvania

AS OF THE CLASS OF 1943

Rite
MONTE FERRIS BOURJAILY, JR...................•.• Washington
DOUGLAS BUCHANAN ................ Richmond, Massachusetts

Cum Laude
CHARLES LINCOLN VAN DOREN .......... New York, New York

HERBERT WILLARD STERN ........... Philadelphia, Pennsylvania

Magna Cum Laude

Cum Laude

HENRY THEODORE WENSEL, JR ................... Chevy Chase

JOHN WEBER, JR............................ Cleveland, Ohio

AS OF THE CLASS OF 1944

CLASS OF 1947

Rite

Rite

NICHOLAS DANIEL BONADIES ............ Winsted, Connecticut
ROBERT FREDRIC GARLAND BUNTING ................ Baltimore
EDWARD MAURICE GODSCHALK .......... Montclair, New Jersey
CARL SCHLEE HAMMEN ........................... Linkwood

STEPHEN GORDON BENEDICT .......... Scarborough, New York
TRISTRAM JOSEPH CAMPBELL, JR...... Old Orchard Beach, Maine
WILLIAM PAUL ELLIOTT ..................... Aurora, Illinois
ALLEN ABBEY GOLDSTEIN ......................... Baltimore

Cum Laude

RICHARD EAGLESTON JAMESON ...................... Fallston

CASIMIR THADDEUS KROL .................... Chicago, Illinois
HAVEN ELY SIMMONS .................... Cedar Rapids, Iowa

ROWELL ANTON VON MAGIUS SCHLEICHER,
· · Forest Hills, New York

WILLIAM GIDEON SPOHN, JR.................•..... Baltimore

ROBERT RUSSELL WEISS ....................... Federalsburg

ANDREW SHREFFLER WITWER, JR .•.............. Joliet, Illinois

Cum Laude

wARREN SEYMOUR ZEIK ................. Bayonne, New Jersey
Magna Cum Laude
JOSEPH FRANCIS HOLLYWOOD, JR ......... New York, New York

AS OF THE CLASS OF 1945

Rite

WILLIAM EDWIN HARRIS .................. Saginaw, Michigan
JOHN VAN DOREN ..................... New York, New York

Magna Cum Laude
JOHN SCOTT DESJARDINS ................ Scarsdale, New

HENRY RESOLVED MACK ..................... Dover, Delaware

AS OF 1944

Cum Laude
STEPHEN WINDSOR BERGEN ............ St. Alban's, New York

y ork

Cum Laude

CHARLES ARTHUR NELSON ................... Berwyn, Illinois

JOSEPH CHARLES SMITH

............. Washington,

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                  <text>Addresses given at commencement and programs of events related to, and including, the annual commencement ceremonies at St. John's College. Includes both the undergraduate and Graduate Institute commencements. &lt;br /&gt;&lt;br /&gt;The College Archives holds programs and/or addresses for the following years:&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;1796&lt;/li&gt;
&lt;li&gt;1835-1836&lt;/li&gt;
&lt;li&gt;1842&lt;/li&gt;
&lt;li&gt;1852&lt;/li&gt;
&lt;li&gt;1856-1857&lt;/li&gt;
&lt;li&gt;1870&lt;/li&gt;
&lt;li&gt;1878&lt;/li&gt;
&lt;li&gt;1880&lt;/li&gt;
&lt;li&gt;1890&lt;/li&gt;
&lt;li&gt;1893&lt;/li&gt;
&lt;li&gt;1895&lt;/li&gt;
&lt;li&gt;1897&lt;/li&gt;
&lt;li&gt;1907&lt;/li&gt;
&lt;li&gt;1910-1918&lt;/li&gt;
&lt;li&gt;1920-1924&lt;/li&gt;
&lt;li&gt;1928-1929&lt;/li&gt;
&lt;li&gt;1932&lt;/li&gt;
&lt;li&gt;1936-1937&lt;/li&gt;
&lt;li&gt;1939-1945&lt;/li&gt;
&lt;li&gt;1947-present  &lt;/li&gt;
&lt;/ul&gt;
Click on &lt;strong&gt;&lt;a title="Commencement Programs and Addresses" href="http://digitalarchives.sjc.edu/items/browse?collection=18&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the Commencement Programs and Addresses Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
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                <text>Commencement Exercises.  1696-1947.  Program for the One Hundred Fifty-Fifth Commencement in the Two Hundred Fiftieth Year of the College.</text>
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                  <text>&lt;p&gt;The Greenfield Library Image Collection houses over 5,000 photographs, postcards, drawings, and other graphic materials.  The images in the collection document the history, academic, and community life of St. John’s College. &lt;/p&gt;
To learn more about the Greenfield Library's archives use policy or to obtain high-resolution images, please see the &lt;strong&gt;&lt;a title="Image Collection Use Policy" href="http://www.sjc.edu/academic-programs/libraries/greenfield-library/policies/#photographicarchivepolicy" target="_blank" rel="noreferrer noopener"&gt;Library’s Image Collection Use Policy&lt;/a&gt;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Photographic Archives" href="http://digitalarchives.sjc.edu/items/browse?collection=7"&gt;Items in the Image Collection—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
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                  <text>St. John's College</text>
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                  <text>St. John's College Greenfield Library</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>17.5 x 13 cm.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Identifier</name>
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                <text>Jacob Klein, in Academic Robe, Speaking at Podium during Commencement under the Liberty Tree, St. John's College, Annapolis, Maryland, June 9, 1947</text>
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              <elementText elementTextId="69340">
                <text>Unknown</text>
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            <name>Subject</name>
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                <text>Commencement (St. John's College, Annapolis, MD). </text>
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                <text> St. John's College (Annapolis, Md.). -- Deans </text>
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                <text> St. John's College (Annapolis, Md.). -- Faculty. </text>
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                <text> Baccalaureate addresses </text>
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                <text> Klein, Jacob, 1899-1978.</text>
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            <name>Rights</name>
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              <elementText elementTextId="69349">
                <text>St. John's College owns the rights to this photograph.</text>
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                    <text>ST. JOHNjS COLLEGE&#13;
IN ANNAPOLIS&#13;
&#13;
�ST. JOHN'S COLLEGE&#13;
IN ANNAPOLIS&#13;
OFFICIAL STATEMENT OF&#13;
THE ST. JOHN'S PROGRAM&#13;
CATALOGUE&#13;
1946-1947&#13;
&#13;
CALENDAR&#13;
1947-1948&#13;
&#13;
ANNAPOLIS, MARYLAND&#13;
&#13;
JULY, 1947&#13;
Founded ;is King William's School, 1696&#13;
&#13;
Chartered as St. John's College, 1785&#13;
&#13;
�TABLE OF CONTENTS&#13;
PAGE&#13;
COLLEGE CALENDAR&#13;
.BOARD OF VISITORS A~; G~~~~~~&#13;
&#13;
................... .&#13;
&#13;
OFFICERS OF ADMINISTRATION&#13;
&#13;
................... .&#13;
&#13;
FACULTY . . . . . . . . . . . . . . . . . . : : : : : : : : : : : : : : : : : . . . . . . . .&#13;
THE ST. JOHN'S PROGRAM&#13;
....... .&#13;
&#13;
This catalogue contains the full official&#13;
statement of the curriculum of St. John's&#13;
College. In the following pages the curriculum is described as:&#13;
1.&#13;
&#13;
2.&#13;
&#13;
A four-year, all-required course containing no electives and leading to the degree of Bachelor of Arts;&#13;
Aimed at initiating in the student skills&#13;
of learning in language, mathematics,&#13;
and abstract thinking that are necessary in anything he may choose to do&#13;
the rest of his life;&#13;
&#13;
3. Available to applicants who are able and&#13;
willing to undertake the responsibility&#13;
of a substantial program in the Liberal&#13;
Arts. See section on Admissions.&#13;
&#13;
St. John's College has no graduate or professional schools.&#13;
&#13;
On College Catalogues .........................&#13;
Why a College Education Should be Liberal&#13;
The Crisis in Liberal Education. . .&#13;
.......&#13;
The Liberal Arts&#13;
. . ............&#13;
The Classics as. T~~~he·r~ ........................&#13;
Science and the Modern W~~id&#13;
The Curriculum&#13;
............ .&#13;
The Tutorial~ ....................... .&#13;
&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
.................. .&#13;
&#13;
...................&#13;
&#13;
The Language Tutorial ............ : : : : : : : : : :&#13;
The Mathematics Tutorial . .................. .&#13;
The Seminar .&#13;
&#13;
4&#13;
6&#13;
8&#13;
9&#13;
14&#13;
14&#13;
16&#13;
&#13;
17&#13;
18&#13;
&#13;
21&#13;
22&#13;
24&#13;
&#13;
25&#13;
26&#13;
&#13;
........................ .&#13;
&#13;
27&#13;
28&#13;
&#13;
The Laboratory ... : : : : : : : : : : : : : : : : : : : : : : : : :&#13;
The Schedule ................................. .&#13;
The Faculty .............................. .&#13;
Academic Standing .................. .&#13;
The Degree of Bachelor of Arts&#13;
' ........ .&#13;
A List of Great Books&#13;
.................. .&#13;
&#13;
30&#13;
30&#13;
&#13;
The Formal&#13;
&#13;
L~c~~~~&#13;
&#13;
: :: : : : : :: : : :: :: :..... .&#13;
&#13;
In Chronological. O~d~~&#13;
By Years . . . . . . . . . . ........................&#13;
. .... .&#13;
By Subject Matter ......................... .&#13;
Instructional Charts&#13;
Laboratory Exerci~~s. : : : : : : : : : : : : : : : : : : : .... .&#13;
RESIDENCE AND ACTIVITIES&#13;
.... .&#13;
How TO APPLY FOR ADM~S~~~~: . . . . . . . . . . . . . . . . . . . . . .&#13;
FEES . . . .&#13;
. .................... .&#13;
&#13;
..................................... .&#13;
APPENDIX A, HI~~~~~.~; ·;~~ ·C~~~~~~ ................ .&#13;
APPENDIX B, THE DEGREE OF BACHELO~· ~~·A~~~: : : : : : : :&#13;
&#13;
FINANCIAL. A~~&#13;
&#13;
32&#13;
35&#13;
36&#13;
40&#13;
40&#13;
42&#13;
43&#13;
44&#13;
46&#13;
49&#13;
&#13;
55&#13;
59&#13;
63&#13;
67&#13;
73&#13;
&#13;
p~~~~-~::::::&#13;
&#13;
77&#13;
80&#13;
&#13;
REGISTER OF STUDENTS&#13;
&#13;
83&#13;
&#13;
INDEX . . . . . . . . . . . . . . : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :&#13;
&#13;
90&#13;
&#13;
APPENDIX&#13;
&#13;
C,&#13;
&#13;
INTERCOLLEGIATE ATHLETICS.&#13;
&#13;
BIBLIOGRAPHY OF ARTICLES ON ST. JOHN'S&#13;
&#13;
3&#13;
\&#13;
&#13;
�COLLEGE CALENDAR&#13;
1946-4 7&#13;
Annual Examinations&#13;
&#13;
COLLEGE CALENDAR&#13;
&#13;
1947-48&#13;
&#13;
.. September 19-21&#13;
Annual Examinations ..................... September 16-20&#13;
&#13;
Registration&#13;
&#13;
. September 21&#13;
&#13;
Convocation&#13;
&#13;
. September 22&#13;
&#13;
Registration ............................. September 19-20&#13;
Convocation ............................... September 21&#13;
First Term begins.&#13;
&#13;
....................... September 23&#13;
First Term begins 9 A.M .................... : . September 22&#13;
&#13;
First Term ends 12 noon.&#13;
&#13;
.................. December 20&#13;
First Term ends 5 P.M ........................ December 19&#13;
&#13;
Second Term begins 9 A.M ...................... January 6&#13;
Second Term ends 12 noon .............. .&#13;
&#13;
...... March 21&#13;
&#13;
Third Term begins 9 A.M .............. .&#13;
&#13;
.... April 7&#13;
&#13;
Third Term ends 12 noon .......................... June 6&#13;
&#13;
Second Term begins 9 A.M ....................... January 5&#13;
Second Term ends 5 P.M ......................... March 19&#13;
Third Term begins 9 A.M .......................... April 5&#13;
Third Term ends 5 P.M ............................ June 4&#13;
&#13;
Baccalaureate Sermon .............................. June 8&#13;
&#13;
Baccalaureate Sermon ................... .&#13;
&#13;
Commencement&#13;
&#13;
Commencement .................................. June 7&#13;
&#13;
•&#13;
&#13;
.......................... June 9&#13;
&#13;
CALENDAR&#13;
&#13;
JANUARY&#13;
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FOR&#13;
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1947&#13;
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31 ••••••••••••&#13;
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•• 1 2 3 4 5 6&#13;
7 8 9 10111213&#13;
14151617181920&#13;
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OCTOBER&#13;
S MT WT F&#13;
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262728293031 ..&#13;
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•••••••••••• 1&#13;
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7 8 9 10 11 12 13&#13;
14151617 1819 20&#13;
212223 24 25 26 27&#13;
28293031 ••••••&#13;
&#13;
.. .. ... .. .. .. .. .. .. .. .. .. .. .. ..............&#13;
4&#13;
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JANUARY&#13;
S MT WT F&#13;
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CALENDAR&#13;
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4 5 6 7 8 9 10&#13;
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APRIL&#13;
M T W T F&#13;
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FEBRUARY&#13;
&#13;
..............&#13;
MARCH&#13;
&#13;
•• 1 2 3 4 5 6&#13;
7 8 9 10 11 1213&#13;
14161617181920&#13;
212223 24 25 26 27&#13;
28293031 ......&#13;
&#13;
194 8&#13;
&#13;
JULY&#13;
M T WT F&#13;
&#13;
s&#13;
&#13;
•&#13;
&#13;
OCTOBER&#13;
S MT WT F&#13;
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•••••••• 1 2 3 ••••••.• 1 2 3 .••••••••• 1 s&#13;
2&#13;
4 5 6 7 8 9 10 4 5 6 7 8 9 10 3 4 5&#13;
6 7 8 9&#13;
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252627282930 .. 25 26 27 28 29 30 31 24 25 26 27 28 29 30&#13;
31 .....•.••...&#13;
&#13;
.............. ..............&#13;
&#13;
1 2 3 4 5 6 7&#13;
891011121314&#13;
15161718192021&#13;
22 23 24 25 26 27 28&#13;
29 ••.••• · ••••••&#13;
&#13;
FOR&#13;
&#13;
. ...... June 6&#13;
&#13;
MAY&#13;
&#13;
.. .. .. .. .. .. ..&#13;
AUGUST&#13;
&#13;
.•...•.•.••• 1&#13;
1 2 3 4 5 6 7&#13;
2 3 4 5 6 7 8&#13;
8 9 1011121314&#13;
9 101112131415 15 16 17 18 19 20 21&#13;
16171819202122 22 23 24 25 26 27 28&#13;
23 24 25 26 27 28 29 293031 ••••••••&#13;
30 31 .•....•..•&#13;
&#13;
NOVEMBER&#13;
&#13;
.• 1 2 3 4 5 6&#13;
7 8 9 10 111213&#13;
14151617181920&#13;
21 22 23 24 25 26 27&#13;
282930 ••••••••&#13;
&#13;
.............. .. .. .. .. .. .. ..&#13;
&#13;
JUNE&#13;
&#13;
SEPTEMBER&#13;
&#13;
•••• 1 2 3 4 5 •••.•• 1 2. 3 4&#13;
6 7 8 9 10 1112 5 6 7 8 9 1011&#13;
13141516171819 12 13141516 17 18&#13;
20 21 22 23 24 25 26 19 20 21 22 23 24 25&#13;
27 2_? 29 30 .•...• 2627282930 ••..&#13;
&#13;
5&#13;
&#13;
DECEMBER&#13;
&#13;
•••••• 1 2 3 4&#13;
5 6 7 8 9 10 11&#13;
12 13 141516 17 18&#13;
19 20 21 22 23 24 25&#13;
262728293031 ••&#13;
&#13;
�BOARD OF VISITORS AND GOVERNORS&#13;
&#13;
MEMBERS EX OFFICIO&#13;
&#13;
Chairman, RICHARD F. CLEVELAND, Lawyer, Baltimore Trust&#13;
Bldg., Baltimore, Maryland.&#13;
Vice Chairman, FRANCIS PICKENS MILLER, University Station,&#13;
Charlottesville, Virginia.&#13;
Secretary, WILLIAM LENTZ, Lawyer, Equitable Bldg., Baltimore,&#13;
Maryland.&#13;
DR. THOMAS PARRAN, JR., Surgeon General, U. S. Public Health&#13;
Service, Washington, D. C.&#13;
DR. AMos F. HUTCHINS, Surgeon, 1227 N. Calvert Street, Baltimore, Maryland.&#13;
EDWIN WARFIELD, JR., Editor, The Daily Record, 15 E. Saratoga&#13;
Street, Baltimore, Maryland.&#13;
PAULL. BANFIELD, Headmaster, The Landon School for Boys,&#13;
Edgemoor, Washington, D. C.&#13;
ROBERT M. HUTCHINS, Chancellor, University of Chicago,&#13;
Chicago, Illinois.&#13;
CLARENCE W. STRYKER, Professor Emeritus of History, Box 63,&#13;
Annapolis, Maryland.&#13;
HAROLD F. LINDER, 39 Broadway, New York City.&#13;
HERVEY ALLEN, Author, Rippleton Road, Cazenovia, New&#13;
York.&#13;
DR. WILLIAM J. FRENCH, Director, Anne Arundel County&#13;
Health Department, Annapolis, Maryland.&#13;
ALEXANDER MEIKLEJOHN, Lecturer, St. John's College, 1525 La&#13;
Loma Avenue, Berkeley, California.&#13;
MARK VAN DOREN, Professor, Columbia University, Lecturer,&#13;
St. John's College, 393 Bleecker Street, New York City.&#13;
RICHARD ScoFIELD, Tutor, St. John's College, Annapolis,&#13;
Maryland.&#13;
JOHN SPANGLER KIEFFER, President, St. John's College, Annapolis, Maryland.&#13;
BRIG. GENERAL WILLIAM C. PURNELL, Lawyer, Standard Oil&#13;
Building, Baltimore, Maryland.&#13;
JUDGE LEVIN CLAUDE BAILEY, Salisbury, Maryland.&#13;
LOGAN MORRILL, Vice President and Treasurer, St. John's Col-&#13;
&#13;
President Ex Officio, His Excellency, WM. PRESTON LANE, JR.,&#13;
Governor of Maryland, Annapolis, Maryland&#13;
JOSEPH R. BYRNES, President of the Senate, Baltimore, Maryland&#13;
C. FERDINAND SYBERT, Speaker of the House of Delegates,&#13;
Ellicott City, Maryland&#13;
JUDGES&#13;
&#13;
OF&#13;
&#13;
THE COURT&#13;
&#13;
APPEALS&#13;
&#13;
OGLE MARBURY, Chief Judge ................... Laurel,&#13;
EDWARDS. DELAPLAINE, Associate Judge ....... Frederick,&#13;
STEPHEN R. COLLINS, Associate Judg:e. . . . . . Chest er t own,&#13;
~&#13;
C. Gus GRAsoN, Associate Judge. . . .&#13;
. ....... Towson,&#13;
WILLIAM L. HENDERSON, Associate Judge.&#13;
. Baltimore,&#13;
CHARLES MARKELL, Associate Judge .......... Baltimore,&#13;
&#13;
lege, .l\anapolis, :rvraryland.&#13;
RAYMOND N. WILBURN, Dean, SL John's College, Annapolis,&#13;
MARYLAND.&#13;
6&#13;
&#13;
OF&#13;
&#13;
7&#13;
&#13;
Md.&#13;
Md.&#13;
Md .&#13;
Md.&#13;
Md.&#13;
Md.&#13;
&#13;
�OFFICERS OF ADMINISTRATION*&#13;
&#13;
FACULTY*&#13;
&#13;
PRESIDENT&#13;
&#13;
PRESIDENT&#13;
&#13;
JoHN SPANGLER KIEFFER, A. B., A. M ....... 12 McDowell Hall&#13;
ACTING DEAN&#13;
&#13;
JoHN OTTo NEUSTADT, B. A., M.A. (Until June 30, 1947)&#13;
. . . . . . . . . . . . . . . .................. . 11 McDowell Hall&#13;
'&#13;
&#13;
DEAN&#13;
&#13;
RAYMOND NEIKIRK WILBURN, B. S., M.A. (From July 1, 1947)&#13;
.................. . . . . . . . . . . . . . . . 11 McDowell Hall&#13;
&#13;
JoHN SPANGLER KIEFFER .................. 139 Market Street&#13;
B. A., Harvard College, 1927, as of 1926; M. A., 1929, Harvard University.&#13;
Master in French and English, Litchfield (Connecticut) School, 1927-28; Instructor in Classical Languages, St. John's College, 1929-34; Assistant Professor of&#13;
Classical Languages, St. John's College, 1934-39. Tutor, St. John's College, 1939-:&#13;
Board of Visitors and Governors, 1943-; Acting President, January 1, 1947- April&#13;
22, 1947; President, April 22, 1947-.&#13;
&#13;
ASSISTANT TO PRESIDENT&#13;
&#13;
ACTING DEAN&#13;
&#13;
CHARLES A. NELSON (Until June 30, 1947) .. 14 McDowell Hall&#13;
ASSISTANT DEAN&#13;
&#13;
JosEPH WINFREE SMITH, B. A., M. A., B. D. (Until June 30,&#13;
1947) ............................. 14 McDowell H21.ll&#13;
LUKE HARVEY PoE, JR., B. S., LL. B. (From August 1, 1947)&#13;
............................. . . . . . . 14 McDowell Hall&#13;
&#13;
(Until June 30, 1947)&#13;
&#13;
JoHN OTTo NEUSTADT ................... 61 College Avenue&#13;
B. A., 1939; M. A., 1942, St. John's College. Tutor, St. John's College, 1940-42.&#13;
Army of the United States, 1942-46. Tutor, St. John's College, 1946-47; Acting&#13;
Dean, 1946-47 .&#13;
&#13;
DEAN&#13;
&#13;
TREASURER&#13;
&#13;
(From July l, 1947)&#13;
&#13;
KENT CAMPBELL, B. A. (Until June 30, 1947)&#13;
&#13;
.................................. 13 McDowell Hall&#13;
VICE PRESIDENT AND TREASURER&#13;
&#13;
LOGAN MoRRILL, B. A., LL. B. (From July 1, 1947)&#13;
.................................. 13 McDowell Hall&#13;
REGISTRAR&#13;
&#13;
MIRIAM STRANGE, B. A. ................... 11 McDowell Hall&#13;
LIBRARIAN&#13;
&#13;
CHARLOTTE rLETCHER, A. B., B.&#13;
&#13;
s............ Woodward Hall&#13;
&#13;
DIRECTOR OF ADULT EDUCATION&#13;
&#13;
FoRD KEELER BROWN, B. A., D. Phil. ........ McDowell Annex&#13;
COLLEGE PHYSICIAN&#13;
&#13;
J. OLIVER PURVIS, M. A.,&#13;
&#13;
M. D ........ .&#13;
&#13;
....... Infirmary&#13;
&#13;
DIETITIAN&#13;
&#13;
MARIAN E. ALEXANDER, B.&#13;
&#13;
s....&#13;
&#13;
. Randall Hall&#13;
&#13;
DIRECTOR OF ATHLETICS&#13;
&#13;
EDWARD FLINT LATHROP, JR., B. A.. . . . . . . .&#13;
&#13;
B. S., 1935; M. A., 1938, University of Virginia. Lecturer in Philosophy,&#13;
Columbia University, 1937-38. Tutor and Assistant Dean, St. John's College,&#13;
1938-43. Active duty with the United States Navy, 1943-46. Tutor, St. John's&#13;
College, 1946-; Dean, 1947-; Board of Visitors and Governors, 1947-.&#13;
&#13;
TUTORS&#13;
GEORGE ALTHOFF BINGLEY .... - ....&#13;
&#13;
. ...... Brice House&#13;
&#13;
B. A., 1910, M. A., 1916, Princeton University. Instructor in Government&#13;
Schools, Osaka, Japan, 1910-13; University of Goettingen, 1913-14; Elizabeth&#13;
Gardner Scholar in Mathematics, Princeton University, 1915-16; Instructor in&#13;
Mathematics, Georgia Institute of Technology, 1918-19; Instructor in Mathematics, United States Naval Academy, 1919-23; Assistant Professor of Mathematics, St. John's College, 1923-24; Associate Professor of Mathematics and Physics,&#13;
St. John's College, 1924-27; Associate Professor of Mathematics, St. John's College,&#13;
1927-31; Professor of Mathematics, St. John's College, 1931-39. Tutor, St. John's&#13;
College, 1939-.&#13;
&#13;
. Iglehart Hall&#13;
&#13;
SUPERINTENDENT OF BUILDINGS AND GROUNDS&#13;
&#13;
ARCHIBALD McCouRT ..................... McDowell Annex&#13;
AUDITOR&#13;
&#13;
SEWARD AND MoNDE, C. P.A ........ New Haven, Connecticut&#13;
•Stringfellow Barr, President, resigned December 31, 1946 ..&#13;
Scott Buchanan, Dean, leave of absence July l, 1946; resigned Decem?er 31,&#13;
1946.&#13;
8&#13;
&#13;
RAYMOND NEIKIRK VVILBURN .................. 36 East Street&#13;
&#13;
FoRD KEELER BROWN ............... 243 King George Street&#13;
B. A., University of Washington, 1920: D. Phil., Oxford University, 1926.&#13;
Assistant in English, 1919-20, Assistant Professor of English, 1923-25, University&#13;
of Washington; Associate Professor of English, St. John's College, 1925-29:&#13;
Professor of English, St. John's College, 1929-39. Tutor, St. John's College,&#13;
1939-42; Active duty with the United States Navy, 1942-45: Tutor and Director&#13;
of Adult Education, St. John's College, 1945-.&#13;
&#13;
"CE. Pg. 32.&#13;
9&#13;
&#13;
'I&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
RICHARD SCOFIELD .&#13;
... 58 State Circle&#13;
B. A., 1919, M. A., 1920, University of California; B. A., Oxford University,&#13;
1924. Assistant in English, University of California, 1919-20; Commission for the&#13;
Relief of Belgium Exchange Fellow, Universite libre de Bruxelles, 1920-21;&#13;
Instructor in English, New York University, 1925-27; Associate Professor of Art&#13;
and English, St. John's College, 1927-39. Tutor, St. John's College, 1939-; Board&#13;
of Visitors and Governors, 1943-.&#13;
&#13;
LEONARD JAMES EsucK.&#13;
. Brice House&#13;
~· A.'. University. o_f Chicago, 1934; M. A., Tulane University, 1936; Ph. D.,&#13;
Umvers1ty&#13;
·&#13;
v· · · - of Virgm1a, 1939.. Du .Pont Fellow in Philosophy , u nn,ersi·ty o f&#13;
.&#13;
irg1ma', 1936-39, Instructor m Philosophy, Drake University, 1939-42; Tutor,&#13;
St. Johns College, 1943-.&#13;
&#13;
JO&#13;
&#13;
j ACOB&#13;
&#13;
KLEIN .&#13;
... 217 Hanover Street&#13;
Friedrichs Realgymnasium, Berlin, 1917; Ph.D. University of Marburg-Lahn,&#13;
1922; Research Work, University of Berlin and University of Marburg, 1924-33;&#13;
Visiting Lecturer, University of Prague, 1934-35; Fellow of the Mendelssohn&#13;
Stiftung zur Foerderung der Geisteswissenschaften, 1935-37; Tutor, St. John's&#13;
College 1938-.&#13;
EDWARD FLINT LATHROP, JR ..&#13;
.. 214 S. Cherry Grove Avenue&#13;
B. A., St. John's College, 1938. Assistant Coach in Football and Lacrosse, St.&#13;
John's College, 1937-39. Tutor, St. John's College, 1938-41. Director of Athletics,&#13;
St. John's College, 1939-41. Active duty with United States Navy, 1941-45. Tutor&#13;
and Director of Athletics, St. John's College, 1945-.&#13;
KENT CAMPBELL.&#13;
. . . Brice House&#13;
1919-20, U. S. Naval Academy; B. A., 1924, Harvard College; University of&#13;
Paris, 1923-24. Dillon, Read and Co., New York City, 1924-30; G. L. Ohrstrom&#13;
and Co., New York City, 1930-32; Fitch Investment Service, Boston, 1932-41.&#13;
Tutor and Treasurer, St. John's College, 1941-42. Active duty with the United&#13;
States Navy, 1942-46. Tutor and Treasurer, St. John's College, 1946-47.&#13;
BERNARD MANN PEEBLES.&#13;
. Pinkney House&#13;
B. A., 1926, University of Virginia; M. A., 1928, Ph. D., 1940, Harvard&#13;
University. Instructor in Greek, University of Virginia, 1928-29. Fellow, American&#13;
Academy, Rome, 1932-34. Instructor, Department of Classics, Graduate School,&#13;
Fordham University, 1934-35. Instructor in Classics and Tutor in the Division&#13;
of Ancient Languages, Harvard University, 1937-39. Assistant Professor, Department of Classics, Graduate School, Fordham University, 1939-41. Tutor, St.&#13;
John's College, 1941-42. Army of the United States, 1942-45. Tutor, St. John's&#13;
College, 1945-.&#13;
&#13;
H&#13;
&#13;
WILLIAM ~RVING HARPER.&#13;
. Brice House&#13;
B. A., _Ohio Sta~e University, 1931; M. A., Columbia University, 1934. Instr~ctor. m Chemistry, McGill University, 1932-33; Instructor in Chemistry,&#13;
Umvers1ty of Buffalo, 1935-37; Fellow, Clare College, Cambrido·e Universit;•&#13;
1938-39. Tutor, St. John's College, 1943-.&#13;
"&#13;
''&#13;
SIMON KAPLAN.&#13;
.&#13;
. ...&#13;
. 58 State Circle&#13;
Graduate, "Real-School" (College) in Libau, Russia, 1912; Institute of Technology, Darm~tadt, and U~iver~ity of Heidelberg, 1912-14; University of Leningrad, 19~1-23, ~h. D., Umvers1ty of Jena, 1924-27. Teaching Member of the&#13;
Free Philosophical Association, Leningrad, 1921-22; Fellow of the Hermann&#13;
Cohen Foundation, Berlin, 1928-31; Research Studies, University of Paris&#13;
1934-36; Tutor, St. John's College, 1943-.&#13;
'&#13;
NORMAN ATWOOD GARIS.&#13;
.176 Prince George Street&#13;
B. A., St. John's College, 1941; Student Assistant, St. John's College, 1941-44;&#13;
Tutor, St. John's College, 1944-.&#13;
]ACK LANDAU&#13;
.&#13;
. . . . . . . . . . . 58 State Circle&#13;
B. A., St. John's College, 1944. Tutor, St. John's College, 1944-.&#13;
&#13;
LUKE HARVEY PoE, JR.. .&#13;
.&#13;
. 49 Cornhill Street&#13;
·&#13;
't&#13;
.B. . S. in Mathematics, Universit)' of Virginia , 1938 . LL . B ., U n1vers1 y o f&#13;
~&#13;
.&#13;
.&#13;
Vngmia, 1941. Cravath, Swame &amp; Moore, New York, 1941-42. Active duty with&#13;
the United States Navy, 1942-46. Tutor, St. John's College 1946-· As · t· t&#13;
Dean, 1947-.&#13;
'&#13;
'&#13;
,sis an&#13;
CHARLES]. .ALBA..&#13;
. Wild Rose Shores&#13;
B. S., M. S. m Electncal Engineering, 1934, Massachusetts Institute of Technology. Massachusetts Geodetic Survey , Computer , 1934 -36 . Rad·io c orporatwn&#13;
·&#13;
.&#13;
. .&#13;
of Amenca ~nd U .. s. T_elevlSlon Manufacturing Company, Engineer, 1936-39.&#13;
Capito~ Ra~w Engi_neermg Institute, Instructor, 1939-40. Civil Aeronautics&#13;
Adnumstratwn, Engmeer, 1940-42. Air Track Manufacturing Company, Research Engmeer, 1942-46. Tutor, St. John's College, 1946-.&#13;
&#13;
Street&#13;
&#13;
ULRICH STEPHAN ALLERS . . . . . . . . . . . . . . . . . . . . 4 Revell Street&#13;
B. A., 1939; M. A., 1941, Catholic University. Tutor, St. John's College, 1946-.&#13;
&#13;
B. A., 1934, M. A., 1935, University of Virginia; B. D., 1938, Virginia Theological Seminary. Deacon-in-charge 1938-39, Rector, 1939-41, St. Paul's Church,&#13;
Ivy Depot, Virginia. Tutor, St. John's College, 1941-; Assistant Dean, 1947.&#13;
&#13;
RoBERT S. BART . . . . . . . . . . . . . . . . . . . . . . . 49 Colleo-e Avenue&#13;
. B. A., 1940, Harvard College, s.c.J. Sheldon Travelling Fellow, Ha~vard University, 1940-41. Tutor, St. John's College 1946-.&#13;
&#13;
ERNST ABRAHAMSON .&#13;
... Brice House&#13;
Ph. D., Prague, 1934; Teacher of Classics, Director of Music, Country School&#13;
Villa Pazzi, Florence, 1935-37; Assistant d'Allemand, Ecole Normale, Chfilons-surMarne, France, 1937-39; Instructor in Latin and Romance Languages, Howard&#13;
University, 1939-41; Tutor, St. John's College, 1942-.&#13;
&#13;
CARLOS FRAKER . . . . . . . . . . . . . . . . . . . . . . . . . . Hanover Street&#13;
A. B., Massachusetts State College. B. M:os., Yale University. Tutor, St. John's&#13;
College, 1946-.&#13;
&#13;
JOSEPH WINFREE SMITH, JR ..&#13;
&#13;
. 49&#13;
&#13;
Cornhill&#13;
&#13;
WILLIAM KYLE SMITH.&#13;
. Revcrdy Johnson House&#13;
B. S., University of Virginia, 1921; Th. B., Princeton Theological Seminary,&#13;
1924. Instructor in Bible Literature, University of Virginia, 1933-42. Tutor and&#13;
Assistant Dean, St. John's College, 1942-46. Tutor, St. John's College, 1946-.&#13;
&#13;
WILBUR&lt;?- ~ORHA~. .&#13;
. 201 Hanover Street&#13;
~- A ... Umversi~y ?£ Illm01s, 1922; M. A., Columbia University, 1925; Ph. D.,&#13;
Umversity of M1ch1gan, 1931. Instructor, Columbia University, 1922-26. Professor, .State Teachers College, Buffalo , New York ) 192o,--29 . Res~- 1_,1, " '.tl)'SiO.iO' '&#13;
1&#13;
•&#13;
.&#13;
1..-a ..,a .A.&#13;
g1st, Fifth Avenue Hospital, New York, 1931-32. Rinehart, Inc., New York,&#13;
1932-41. Lecturer, Colgate University, 1942-45. Lecturer, Union Colleae&#13;
Schenectady, New York, 1945-46. Tutor, St. John's College, 1946-.&#13;
" '&#13;
&#13;
�1%&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST .. JOHN'S COLLEGE&#13;
&#13;
. vVeems Creek&#13;
&#13;
WILLIAM HENRY HATFIELD.&#13;
&#13;
B. A., St. John's College. 1941. Tutor, St. John's. College, 1946-.&#13;
&#13;
Ill&#13;
&#13;
ALEXANDER MEIKLEJOHN, 1525 La Loma Avenue, Berkeley, Cal.&#13;
&#13;
B. A., Murray State Teachers College (Kentucky), 1936. M. A., Vanderbilt&#13;
University, 1937. Graduate work, University oE North Carolina, 1937-41. Teac~­&#13;
ing Assistant in English, University of North Carolina, 1937-39; Instructor m&#13;
English, University of North Carolina, 19,39-41. Active duty with the United&#13;
States Navy, 1941-46. Diplomas in Electronics, Naval Research Laboratory, 1942.&#13;
and Massachusetts Institute of Technology, 1945. Historian, Staff Joint Task&#13;
Force One, 1946. Tutor, St. John's College, 1946-.&#13;
&#13;
Ph. D., Cornell University, 1897; A. M., Amherst College, 1913; LL. D.,&#13;
Williams College, 1912, Mt. Holyoke College, 1912, Brown, 1913, Allegheny College, 1915, University of Vermont, 1916, University of California, 1933, University&#13;
of Hawaii, 1937: Instructor of Philosophy, 1897-99, Assistant Professor, 1899190.3, Associate Professor, 1903-06, Professor of Logic and Metaphysics, 1906-12,&#13;
Dean, 1901-12, Brown University; President, Amherst College, 1912-24; Professor&#13;
of Philosophy and Chairman, Experimental College, University of Wisconsin,&#13;
1926-38, Professor Emeritus since 1938; Chairman, School for Social Studies, San&#13;
Francisco, 1933-36; Lecturer, St. John's College, 1940-, Board of Visitors and&#13;
Governors, 1943-.&#13;
&#13;
CLAUDE SPENCER LEFFEL, JR ............... 138 Charles Street&#13;
&#13;
MARK&#13;
&#13;
JOSEPH J. HORRELL ..................... 53Yz Cornhill Street&#13;
&#13;
B. A., St. John's College, 1943. United States Army, 1943-46. Tutor, St. John's&#13;
College, 1946-.&#13;
&#13;
F RANCIS SCARLETT MASON , JR........... .&#13;
&#13;
. 58 State Circle&#13;
&#13;
B. A., St. John's College, 1943. Active duty with the United States Navy.&#13;
1943-46. Tutor, St. John's College, 1946-.&#13;
&#13;
vAN DOREN .&#13;
&#13;
.. 393 Bleecker Street, New York City&#13;
&#13;
A. B., 1914, A. M., 1915, University of Illinois; Ph. D., Columbia University.&#13;
1920; Litt. D., Bowdoin College, 1944. Instructor in English, 1920-24, Assistant&#13;
Professor, 1924-35, Associate Professor, 1935-42, Professor, 1942-, Columbia&#13;
Uni,1ersity. Literary Editor, The Nation, 1924-28; Motion Picture Critic, The&#13;
Nation, 19115-38. Lecturer, St. John's College, 1942-, Board of Visitors and&#13;
Governors, 1943-.&#13;
&#13;
FRANZ PLUNDER. . . . . . . . . . . . . . . . . . . . . . Cooper Apartments&#13;
Stadtisches Gymnasium, Bregenz, 1909-1913. Royal Academy of Fine Arts.&#13;
Vienna, 1911-1914, Master Degree. Technical University, Vienna, Yacht Design,&#13;
Master Degree, 1914. Tutor, St. John's College, 1946-.&#13;
&#13;
FREDERICK LAMOTTE SANTEE.&#13;
&#13;
....... Manhattan Beach&#13;
&#13;
B. A., Harvard, 1924; B. A., Oxford, 1926; M. A., Oxford, 1929; M. D., Johns&#13;
Hopkins, 1938. Fellow of American Academy, Rome, 1927. Instructor in Latin.&#13;
Lehigh University, 1927-29. Assistant Professor of Latin and Greek, Vanderbilt&#13;
University, 1929-34. Associate Professor of Classics, Kenyon College, 1938-42.&#13;
Lieutenant (M.C.), United States Navy, 1943-45. Tutor, St. John's College, 1946-.&#13;
&#13;
.. 42 East Street&#13;
&#13;
LAWRENCE TOWNSEND.&#13;
&#13;
B. A., 1932, Butler University. Tutor, St. John's College, 1946-.&#13;
&#13;
.... vVhitehall Road&#13;
&#13;
LOGAN MORRILL.&#13;
&#13;
B. A., Princeton University, 1929; LL. B., University of Cincinnati College of&#13;
Law, 1935. Investment Counsellor, Cincinnati, Ohio, 1929-1947. Lawyer, Cincinnati, Ohio, 1935-1947. Lecturer, University of Cincinnati College of Law,&#13;
1941, 1946. Army of the United States, 1942-1945. Vice President and Treasurer, Tutor, St. John's College, 1947-.&#13;
&#13;
LECTURERS&#13;
MORTIMER ADLER.&#13;
&#13;
. 227 East Delaware Place, Chicago, Ill.&#13;
&#13;
Ph. D., Columbia University, 1929. Instructor in Psychology, Columbia&#13;
University, 1923-29; Assistant Director of the People's Institute, New York City,&#13;
1928-29; Associate Professor of the Philosophy of Law, 1930-41, Professor, 1941-,&#13;
University of Chicago; Member of the Committee on the Liberal Arts, University of Chicago, 1936-37; Lecturer, St. John's College, 1937-.&#13;
&#13;
PRESIDENT EMERITUS&#13;
ENOCH BARTON GAREY. .&#13;
&#13;
. Los Angeles, Calif.&#13;
&#13;
B. A., St. John's College, 1903; Graduate, United States Military Academy,&#13;
1908; LL. D., Washington College, 1923; LL. D., St. John's College, 1933. Professor of Military Science and Tactics, Johns Hopkins University, 1920-23;&#13;
President of St. John's College, 1923-29; President, The Garey School, 1933-35.&#13;
&#13;
PROFESSOR EMERITUS OF HISTORY&#13;
CLARENCE WILSON STRYKER .....&#13;
&#13;
. ..... Annapolis, Maryland&#13;
&#13;
B. A., Union College, 1885; M. A., Columbia University, 1914. Acting Professor&#13;
of Economics, Kenyon College, 1912-13; Professor of History and Economics, St.&#13;
John's College, 1904-12, 1916-23; Professor of History, 1923-32; Board of Visitors&#13;
and Governors, 1938-.&#13;
&#13;
PROFESSOR EMERITUS OF FRENCH&#13;
JACOB. BERNARD SEGALL .....&#13;
&#13;
..... Baltimore, Maryland&#13;
&#13;
B. L., and B. Sc., Lycee of Jassy, Runiania, 1884; Ph. D., Columbia University,&#13;
1893. Fellow in Romance Languages, Columbia University, 1892-93; Instructor in&#13;
French, Cornell University, 1893-96; Sorbonne, Paris, 1896-97; Instructor in&#13;
French, Cornell University, 1897-1900; Lecturer, Modern Languages, McGill&#13;
University, 1900-01; Instructor in French, College of the City of New York,&#13;
1901-03; Professor of Romance Langnages, University of Maine, 1903-20; Professor of French, University of Maine, 1920-28; Visiting Professor of French,&#13;
Summer Session, Northwestern University, 1928; Professor of Romance Languages, St. John's College, 1928-29; Professor of French, St. John's College,&#13;
1929-39.&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
THE ST. JOHN'S PROGRAM&#13;
ON COLLEGE CATALOGUES&#13;
&#13;
It seems wise to begin with an observation on college cat~­&#13;
logues in general and a bit of advice to the reader of this&#13;
catalogue in particular.&#13;
When liberal colleges were started in this country everybody&#13;
knew that education at the college level should be liberal. It&#13;
was generally admitted that every free citizen shou~d be able&#13;
to read, write, and reckon, and that every profess10nal man&#13;
should have a mind free enough and disciplined enough to&#13;
recognize his professional e~ds and to underst~nd the ~eans&#13;
which must be used to achieve them. Acadexmes and liberal&#13;
colleges were establishe~ to assure ii:itellectu~ freedom and&#13;
discipline to the professions and theIT respective schools. It&#13;
was therefore necessary merely to use a few familiar phrases&#13;
to identify and describe an institution that was teaching the&#13;
"liberal arts and sciences."&#13;
The multiplication of such institutions, the increase in number of students, and the confusion of professional and t~ade&#13;
schools have robbed the familiar phrases of their meanmgs.&#13;
To a far greater degree than we realize, the liberal ai:s and&#13;
sciences have themselves disappeared and what remams of&#13;
them has been confused in the minds of administrators and&#13;
teachers as well as in the minds of the people, all of whom now&#13;
need the education that the liberal college should provide.&#13;
It would be convenient and truthful to describe the SL John's&#13;
Colleo-e Program as the re-establishment * of the original colleo-e ~ith its original function of intellectual freedom and&#13;
.&#13;
discipline, but unfortunately that needs explanat10n at so~e&#13;
length. Let this be an apology to the reader an~ a warnmg&#13;
that he is reading an unusual college catalogue, which attempts&#13;
to define and expound the ends and means of liber~l education&#13;
as well as to describe St. John's College in Annapolis.&#13;
~&#13;
&#13;
WHY A COLLEGE EDUCATION SHOULD BE LIBERAL&#13;
&#13;
The College Charter says in effect that the wisest and best&#13;
regulated States have promoted a~d encou:ag~d instit~tions&#13;
for the liberal education of youth m the pnnoples of virtue,&#13;
"' Cf. Appendix A.&#13;
&#13;
14&#13;
&#13;
knowledge, and useful literature because such institutions are&#13;
of the' highest benefit to society. In an aristocratic society this&#13;
statement might suggest an invidious distinction between the&#13;
rulers who alone would exercise the highest functions and the&#13;
ruled who alone would subserve the higher ends by exercising&#13;
the lower functions. In a democratic republic there is no such&#13;
division of labor. It is an integral part of the American dream&#13;
that each man in our society may and must perform the highest&#13;
functions. These functions consist in the intelligent free choice&#13;
of the ends and means of both our common and individual life.&#13;
This is a most glorious and most difficult proposition to which&#13;
we are dedicated. Among other things it means that each man&#13;
must have his measure of liberal education, since choices can&#13;
be neither free nor intelligent without relevant training and&#13;
understanding.&#13;
These trainings and understandings are parts of the liberal&#13;
arts and sciences. Each profession and vocation is partly liberal;&#13;
therefore professional and vocational schools study their respective minimal amounts of theoretical science. But in addition&#13;
there are basic trainings and understandings common to all&#13;
vocations and therefore common necessities of all free men.&#13;
Thomas Jefferson persuaded the early revolutionary colonies&#13;
of the need for the universal literacy of the citizenry. The major&#13;
success in that minimal democratic education has made abundantly dear the need in addition for the universal distribution&#13;
of critical intelligence, a minimal intellectuality which can distinguish between fact and fiction, between principle and case,&#13;
between opinion and insight, between propaganda and instruction, between truth and falsity. This degree of intellectual&#13;
training is absolutely necessary for the highest activities of men&#13;
in democratic society, namely for both individual and common&#13;
deliberation and decision in practical affairs. That which fulfills&#13;
this basic common necessity is of the "highest benefit" to&#13;
democratic soeiety.&#13;
A good economic, social, and political life will maintain these&#13;
instruments of liberty, but one of its chief concerns will be to&#13;
pass on to youth the germinal insights and habits the cultivation of which will make them free. These insights and habits&#13;
are available in the traditional liberal arts, and they can be&#13;
transmitted and communicated if teachers have them and an&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
16&#13;
&#13;
17&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
allowed to exercise students in their practice on th5 best&#13;
materials.&#13;
Institutions should be set up and maintained which shall&#13;
devote themselves to this end in a single-minded fashion, and&#13;
they should distinguish themselves from the schools of vocational training which minister directly to the special utilities.&#13;
The liberal colleges, together with the public schools, are the&#13;
spiritual strongb,olds of the liberal state which watches and&#13;
insures that men shall be able to do what they ought to do.&#13;
THE CRISIS IN LIBERAL EDUCATION&#13;
&#13;
By a series of historical accidents following the establishment of the elective system by Eliot of Harvard in the late&#13;
nineteenth century, such single-minded institutions are no&#13;
longer available for the training of youth. Eliot introduced&#13;
the device of free election of studies in order to absorb and&#13;
assimilate the natural sciences to the liberal arts tradition. It&#13;
was a minor tactic to meet a larger problem than the liberal&#13;
college had ever faced before. Far from accomplishing its major&#13;
end, it allowed the free and irresponsible invasion of all&#13;
branches of the liberal arts by the research specialist. The&#13;
research teacher became the competitive salesman of a subject&#13;
matter. Later by a system of majors and prerequisites each&#13;
successful salesman was able to eliminate competition with&#13;
other subject matters after the first choice by the student.&#13;
Thus the elective system became an unorganized array of special&#13;
required courses, and each of these in turn was sanctioned by&#13;
its connection with professional and vocational graduate work&#13;
as the pre-medical, pre-legal, pre-commercial, pre-educational,&#13;
or pre-earning-a-living course. Needless to say, the liberal college forgot its function, redoubled its efforts and its courses,&#13;
and became timidly and fanatically preparatory. In acceding&#13;
to the professional and vocational pressures it transmitted&#13;
their destructive energy to the whole public school system.&#13;
The result is that the student now must make a vocational&#13;
choice at some point in his secondary education and changes&#13;
it later only at great educational risk. One thing he cannot&#13;
choose because it does not exist in our educational system: that&#13;
is a balanced liberal education.&#13;
This situation, as soon as it is recognized, constitutes a crisis,&#13;
a point where judgment and decision can be made. We can&#13;
&#13;
choose to restore the liberal arts, not necessarily the old curricu1m~, but a mo~em equivalent. That is what St. John's College&#13;
decide~ to do.rn 1937: Since then the College has for ten years.&#13;
teste~ its curriculum m actual operation. The choice to restore&#13;
the liberal arts has ~et with favorable response and the College&#13;
has assumed a position of leadership in American education.&#13;
THE LIBERAL ARTS&#13;
&#13;
The front cover of this catalogue carries the official seal of&#13;
the College. The Latin proverb on it says, No Way is Impassable to Courage. .The College has courageously undertaken&#13;
the larger task which the. elective system failed to accomplish,&#13;
namely to see that the .liberal arts assimilate, transform, and&#13;
pass on the modern subject matter on which they should be at&#13;
work. ~~e seal on th~ back cover of the catalogue points to&#13;
the trad1t10n from which we derive our courage . Th e L a t.&#13;
.&#13;
. .&#13;
in&#13;
mscnpt10n says that we are making free men out of children&#13;
by means of bo~ks and balances. The figures on the seal repres.ent the seven liberal arts as they were traditionally conceived&#13;
f~r about two thousand years, up to the beginning of the&#13;
n~nete~nth ce?tury. In ancie~t .style they are grammar, rhetoric,&#13;
d1al~ctic, which form the t:ivmm; and arithmetic, geometry,&#13;
music, and astronomy, makmg the quadrivium. In the center&#13;
and fore~ound stands a pair of chemical balances which represents .the mstruments ~f the mo~ern scientific laboratory, where&#13;
the liberal arts are bemg practiced at their best and fullest in&#13;
the modem world.&#13;
A great deal ~s said these days about the teaching of methods,&#13;
but the profess10nal and specialist's bias has left its mark h&#13;
1 h&#13;
I · b .&#13;
ere&#13;
~s e sew ere.&#13;
t is o v10us to any teacher that there are different m~t~ods ~or different subject matters, but where experts&#13;
and specialists d1s~gree then free men must decide. Free minds&#13;
m~st be able ~o view concrete situations, deliberate by formu~atrng clear d1l~m~as, and arrive at a deciding choice. This&#13;
mv.olves a combmatlon and organizing of all methods, and edu~at~~n should. provide a training which would bring precision,&#13;
fac~hty, and mdependence in this most human of all human&#13;
a~t10ns. The formulation of alternatives for such choice is the&#13;
highest art of freedom toward which all the liberal arts should&#13;
be ordered. Considerations of various kinds of truth and falsity&#13;
&#13;
�l8&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
must be introduced, and even subtler distinctions ~nvolving&#13;
the use of symbols in imaginatio1:1 as well a~ reasonmg must&#13;
be made. Memory, manual dexterity, calculat10n and .measure·&#13;
ment must be cultivated as arts, if we are to make mmds free.&#13;
The child is potentially a free man, ~nd this mea~s t~at he&#13;
has the capacities which these arts reqmre. The reahzat10n of&#13;
these capacities comes about by thei~ exercise .under controlled&#13;
conditions in which ordinary learnmg by tnal and err~r be·&#13;
comes discipline under the guidance of teachers. ~y children&#13;
then we mean men who are capable of liberal learnmg.&#13;
THE CLASSICS AS TEACHERS&#13;
&#13;
Although we have no new fads in tea_ching :nethods, but&#13;
rather use all available methods and devices, still :'e have a&#13;
special interpretation of the teache_r'~ function. _This can best&#13;
be stated by saying that the real ongmal and ultimate teachers&#13;
at St. John's are the authors of some hundred of th: greatest&#13;
books of European and American thought. The l:st of the&#13;
great books and their authors who are now . t~~chmg ~t St.&#13;
John's, subject to continual revision and cnticism, will be&#13;
found on page 40. These are the real teachers, ~~t we_ also&#13;
have a secondary faculty of tutors who act as aux1hary mter·&#13;
mediaries between the books and the students.&#13;
These books were chosen over a period of nearly twen~y&#13;
years by auxiliary teachers in various. places, notably_ Col~mbia&#13;
University, the University of Chicago, the Umvers~ty. of&#13;
. · ·&#13;
V ugmia, an d St . John's College · The list was under cnt1osm&#13;
.&#13;
.&#13;
·&#13;
1&#13;
and testing by teaching and learnmg expenence _d_unng t 1at&#13;
period, and the process has ~ontinued ~nder cond1t10ns set by&#13;
the single all-required curnculum which all students at St.&#13;
John's take.&#13;
This experience of co-operative teaching with the_ authors of&#13;
the great books has led us_ to a new unders~and1:1g of the&#13;
classics and classical educat10n. The pre-elective ~1b~ral arts&#13;
colleges had come to understand and_ d:fine the classics i~ te:rm~&#13;
of the symbolic mediums of transmission_ and commumc~t10n,&#13;
they taught Greek, Latin, a:id mat~~matics as ai: exter:s10n of&#13;
·&#13;
-' . -~~ ··'o~ u ... ~a.u "o' ", ··· · · '""&#13;
primary. eulic&lt;t.Ll u 'n .,_.,,,.,,..:i 1ncr wnt1nP" and anthmet1c. We&#13;
.&#13;
are also emphasizing language and mathematics for reasons&#13;
that will appear on later pages. On the other ha~d&#13;
a~e&#13;
reading the classics in English. As we do that, certam cntena&#13;
&#13;
w:&#13;
&#13;
19&#13;
&#13;
emerge and provide a new understanding of the original&#13;
motives in classical liberal arts education. The criteria divide&#13;
themselves into two kinds, those that are exemplified in single&#13;
books and make them great, and those that appear in the effects&#13;
that one book has on another and on the reader and teacher.&#13;
The first criterion is that a classic must be a masterpiece in&#13;
the liberal arts. Its author must be a master of the liberal arts&#13;
of his time, and his work must exemplify the direction of those&#13;
arts of thought and imagination to their proper ends, the understanding and exposition of the truth as he sees it.&#13;
The second criterion follows from the first, namely that a&#13;
classical book must be a work of fine art. It must have that&#13;
clarity and beauty on its surface which provides an immediate&#13;
intelligibility and leads the mind of the reader to its interior&#13;
depths of illumination and understanding. This is of first importance in teaching, and its principle is almost universally&#13;
violated in the textbooks that have developed in the ordinary&#13;
elective system. The great books were written for the ordinary&#13;
intelligent public, and they therefore have the seductive charm&#13;
of works in the fine arts. They are intrinsically interesting and&#13;
impose their disciplines with pleasure.&#13;
The third criterion concerns the internal structure of a&#13;
classic. A great book has many possible interpretations. This&#13;
does not mean that it is simply ambiguous and thus leads to&#13;
confusion. On the contrary it is possible to discover in a great&#13;
work such as Dante's Divine Comedy or Newton's Principia&#13;
several distinct, complete, and independent meanings, each&#13;
allowing the others to stand by its side and each supporting&#13;
and complementing the others. It is the business of a liberal&#13;
artist to construct such works and also to analyze and under·&#13;
stand them.&#13;
The fourth criterion demands that a great book shall raise&#13;
the persistent and humanly unanswerable questions about the&#13;
great themes in human experience. On the one hand this means&#13;
that a great book shall be honest about the limits of its powers&#13;
of exposition, admitting the paradoxes and mysteries that surround the practice of the liberal arts. On the other hand it&#13;
means that a liberal artist should not allow a false modesty er&#13;
scepticism to excuse him from pushing reason and imagination&#13;
to ultimate questions. The entertainment and exploration of&#13;
ultimate questions concerning number and measurement, form&#13;
&#13;
�20&#13;
&#13;
CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
CATALOGUE OF ST JOHN'S COLLEGE&#13;
&#13;
and matter, substance, tragedy, and God extend, moderate,&#13;
and balance the use of our intellectual capacities.&#13;
All of these criteria apply as much to books on mathematics&#13;
as to books oE poetry, to books on practical individual and&#13;
social problems as much as to books on metaphysics and&#13;
theology.&#13;
The extrinsic criteria concern the relations of the books to&#13;
each other and their teaching powers in relation to students&#13;
and readers. It is generally true that these books have had&#13;
the greatest numbers of readers throughout European history.&#13;
Plato, Euclid, the Bible, and Shakespeare are all European bestsellers; there are a few exceptions but it would be almost safe&#13;
to take this criterion as a working rule for the selection of&#13;
books for any list of classics, particularly if the numbers were&#13;
estimated in proportion to the time the book has endured.&#13;
Although each book must tell its own independent story, it&#13;
is an important fact, which we regularly exploit, that one great&#13;
book talks about the others, both those that came before, and,&#13;
by anticipation of doctrine, those that come after. Each book&#13;
in a list of classics is introduced, supported, and criticized by&#13;
all the other books in the list. It thus gains pedagogical power&#13;
and critical correction from its context. Background and&#13;
preparation are thus efficiently supplied by the chronological&#13;
ordering of the classics, and difficult books surprise us by their&#13;
intelligibility and eloquence as they come in their providential&#13;
order. Thus Newton's Principia and Maxwell's Electricity anri&#13;
Magnetism as gracefully submit themselves to the learning&#13;
processes of the student of the liberal arts who has read Euclid,&#13;
Apollonius, and Ptolemy as Kant's Critique of Pure Reason&#13;
and Dante's Divine Comedy do for one who has read Plato&#13;
and Aristotle. It is this unguessed but abundantly confirmed&#13;
collaborative teaching by the masters of the liberal arts that&#13;
makes it possible and imperative to bring back to each modern&#13;
youth his lost heritage of classical education.&#13;
The fact is that such a collection of the great books has in&#13;
it the shining thread of the great liberal tradition in the&#13;
·western ·world. It is this thread that the elective system has&#13;
lost, and the lack of which we 2.re feeling in the uncertainties&#13;
and fears of contemporary daily life. Its loss has made it necessary to construct synthetic cultures, and it is its ghost that&#13;
frightens decadent liberals who would have us get along without&#13;
&#13;
~raditions. They would have us as persons detach ourselves&#13;
fr?m the tradition without knowing what it is or has been.&#13;
Like current textbooks which similarly detach themselves from&#13;
tradition we would be saluting the tradition in our spiritual&#13;
deaths.&#13;
&#13;
21&#13;
&#13;
SCIENCE AND THE MODERN WORLD&#13;
&#13;
The tradition moves on into the modern world and it is&#13;
transfo~mi~g itself in most lively and important wa~s. This is&#13;
~appenmg m two ways primarily, one in mathematics, another&#13;
m the l~boratory. St. John_'s College has more required&#13;
mathematics than ~ny other hberal college in the country; it&#13;
also has ~ore reqmred laboratory work than any other liberal&#13;
college m the country. Together mathematics and natural&#13;
science .constitute more than one-half of the required work.&#13;
Three ~undred _years ago ~lgebra and the arts of analytic&#13;
mathematics w.er~ mtroduced mto European thought by Rene&#13;
?escartes. This is perhaps the greatest intellectual revolution&#13;
~n re~o_rded history, paralleling the other great revolutions&#13;
m rehg10n, morals, politics, and industry. No liberal, and therefore no citizen of a democratic country, can afford to be ianorant of this change and its issues. It has redefined and tr~ns­&#13;
formed our whole n_atural and cultural world. Although it is&#13;
not the only focal pomt around which the St. John's curriculum&#13;
may be_ organized'. it is one which we take special care to&#13;
emphasize. There is scarcely an item in the course which does&#13;
not bear upon it. The last two years of the course exhibit&#13;
completely the changes in the liberal arts that flow from it&#13;
an~ these could n?t b~ appre~iated without the first two year~&#13;
which cover the h1stoncal penod from the Greeks to Descartes.&#13;
Descartes, by using and reinterpreting the knowledge of the&#13;
Greeks, made_ modern mathematics and the laboratory possible,&#13;
so that now if we would follow tbe classical thread into the&#13;
modern world we must know the constructions of the mathematicians and find our classical loci in the instruments of the&#13;
laboratory as well as in the great books.&#13;
For thi~ purpose we have set up a four-year laboratory in&#13;
mathematics and the natural sciences with four main themes&#13;
woven together to. catch the understandings and insights that&#13;
we need. There is the theme of mathematical constructions&#13;
taught and exemplified in a great variety of exercises with the&#13;
&#13;
�22&#13;
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CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
drawing board. There is the theme of measurement wh~ch&#13;
involves the analytical study of the instruments of observat10n&#13;
and measurement, the chemical balances, the meter stick, the&#13;
thermometer, the barometer, the miscroscope, telescope, spectrometer, and interferometer, the use of scales, gauges, and&#13;
graphic methods of recording observation. There is the s.t~dy&#13;
of concrete materials and situations in biology and medicme&#13;
which demand the combination of scientific findings, both in&#13;
theory and in fact; and this in turn demands practice in crucial&#13;
experiments in the history of science. All this is backed ~y a&#13;
solid training in the mathematical techniques and symbolisms&#13;
as far as differential equations.&#13;
This provides the material and intellectual ?ackgrou~d for&#13;
the modern study of humanistic and social science. Without&#13;
this it is empty and romantic. With it one may hope for a&#13;
creneration of conlpetent economists, political scientists, and&#13;
0&#13;
'd&#13;
even sociologists. Social studies at present do not provi e an&#13;
intelligible set of organizing principles; until they d~ we shall&#13;
aim the mathematical and scientific work at the pomt where&#13;
the medical and humanistic traditions cross; they agree that the&#13;
proper study of mankind is man.&#13;
&#13;
as teaching in methods of reading and writing. The second list&#13;
~hows th~ division of books into four groups according to the&#13;
four sess10ns of the college course. This list also divides the&#13;
books into three columns according to the classification of the&#13;
primary symbolic medium in which they are presented, languages and literature, mathematics and science, and those books&#13;
fewer in number which deal explicitly with the liberal arts and&#13;
sciences. The third list shows how these books distribute themselv~s o~er the conventional array of subject matters as they are&#13;
studied m the contemporary colleges which follow the elective&#13;
system. This third list is presented for those who wish to compare and contrast the St. John's program with the ordinary college; they should be warned to assure themselves of a real&#13;
compar~son by using only the selections from the subject matters which a normal student would make in the elective system.&#13;
It should also be noted that many books actually fall in several divisions according to subject matter, as on the other hand&#13;
many books in an elective system are read in almost complete&#13;
isolation, therefore without background and aid from other&#13;
books. There is also a general warning that such lists are only&#13;
diagrams for emphasizing this or that special aspect of the&#13;
curriculum; for instance there is nothing in any of these diagrams to show the weightings of time or emphasis on special&#13;
books, nothing to show the weightings that individual students&#13;
are encouraged to put upon them for their own individual benefit or interests. With these qualifications, which should suggest&#13;
still others, the lists give a fairly accurate general impression&#13;
of the curriculum.&#13;
&#13;
THE CURRICULUM&#13;
&#13;
The proper subject matter for the study of the liberal .arts&#13;
is man and the world, with all that these imply; the medmm&#13;
we have chosen to convey this knowledge and appreciation is&#13;
the classical books arranged in both a chronological and pedagogical order; the methods of learning and te~chin.g ~re. the&#13;
liberal arts; the end of the teaching and learnmg 1s msight,&#13;
understanding, and good intellectual and moral habits which&#13;
provide the basis for human freedom. The following paragraphs will be a description of the sc~eduled arrangements for&#13;
doing this in four thirty-three week sess10ns of the college course.&#13;
Such arrangements call for two kinds of distribution of the&#13;
materials and methods of instruction, one according to allotted&#13;
times and the other according to teaching functions. On pages&#13;
40 to 43 the reader will find three listings of the books.&#13;
The first shows the chronological order for books and authors,&#13;
becrinnincr with Homer. and endini?: with Russell, Freud, and&#13;
0&#13;
0&#13;
.&#13;
James. This represents the required readmgs for the four&#13;
years and implies further readings in secondary books as welJ&#13;
~&#13;
&#13;
23&#13;
&#13;
The division into four years has an interesting significance.&#13;
Something over two thousand years of intellectual history is&#13;
covered in the first two years; about three hundred years of&#13;
history is studied in an equal or slightly greater number of&#13;
books in the last two years. The first year is devoted mostly&#13;
to the Greeks and their special understanding of the liberal&#13;
arts; the second year contains books most of which were originally written in Latin, and covers the Roman and medieval&#13;
periods; the third year has books originally written in Romance&#13;
languages for the most part although English has a large share;&#13;
the fourth year introduces German works and concentrates on&#13;
the nineteenth and the twentieth centuries. This four-year&#13;
schedule was not made because of any underlying theory&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
24&#13;
&#13;
25&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
about recapitulations of history, but it happens to catch any&#13;
genuine values that such a theory may point out in practice.&#13;
There are certain critical questions raised by the use of a ·&#13;
selected book list. A great many of these questions turn out&#13;
to be questions of private taste and sentiment. A~o~g the&#13;
objective questions the most urgent concern the omission of&#13;
the Oriental classics and the classics of the pure fine arts.&#13;
Two reasons may be given for omitting the Oriental classics.&#13;
They are culturally and linguistically unavailable to us of the&#13;
Occidental world; they are therefore subject to almost inevitable corruption and misuse as educational mediums. We&#13;
moderns may be able to exploit them when our own intellectual disciplines have been recovered.&#13;
The fine arts contain the most imposing set of disciplines&#13;
that have established themselves and survived in the modern&#13;
world by claiming independence from the liberal arts. It is&#13;
one of our aims to recover and reintegrate them with the liberal arts. We are therefore providing for them outside the&#13;
curriculum and planning to reassimilate them by stages, first&#13;
by including music in the curriculum, reading musical scores&#13;
in the seminars, and studying harmony in the laboratory. We&#13;
hope that by this and other stages to follow, intellectual light&#13;
will be transmitted to the fine arts and that they may make&#13;
their reflected light available to all the classics.&#13;
The main emphasis in teaching is on the writing, reading,&#13;
and experimental disciplines, but the actual teaching falls into&#13;
five sharply distinguished kinds of teaching techniques. None&#13;
of these is newly discovered or invented, but some of them have&#13;
been in disrepute for fairly long periods. We call them severally&#13;
Seminar, Formal Lecture, Language Tutorial, Mathematics&#13;
Tutorial, and Laboratory. The seminar comes perhaps nearest to the immediate educational end which we are aiming at,&#13;
while the tutorials, laboratories, and lectures make secondary&#13;
contributions.&#13;
&#13;
The Tutorials&#13;
Every good student knows that his learning must be double.&#13;
He must be acquiring the skills that go with the subject matter,&#13;
but he must also get to know his teacher. The converse of this&#13;
&#13;
is even more important for good teaching: the good teacher&#13;
knows that he must be in the learning process himself and he&#13;
must also know his pupil. The tutorial class, which is composed&#13;
o~ from te~1 to twenty .students meeting five times a week, provide~ .the ideal. cond1t10ns for collaborative study and for the&#13;
mamfold teachmg and learning relations that hold in a company ?f good friends. The tutor makes daily diagnostic observau.on~ of ~ach. student as he works and gives the proper&#13;
prescnpt1ve directions as they are needed. There is also an&#13;
?pportu.nity for each student to contribute his measure of&#13;
mstruct10n to his fellows.&#13;
&#13;
The Language Tutorial&#13;
The aim here is to use some external device that will induce&#13;
the strengthening and discipli~ing of the imagination. Foreign&#13;
languages have often been praised for their mental discipline,&#13;
but the. vaguenes.s of the statement mirrors the decay of a&#13;
pedagogICal techmque. The imagination is the place where the&#13;
mtellect touches human experience, but it cannot do its work&#13;
if the imaginat~on is not pr~pared to receive intellectual light.&#13;
It must be polished and adjusted. Normally it is our mother&#13;
tongue that brings about such preparation as we have. Unfor~unately American habits with the mother tongue are for&#13;
vanous reasons abnormal and we have babbling minds as a&#13;
con~eq1:1ence. Speci~l attention must be given to our linguistic&#13;
habits if we are to improve matters. Liberal artists have always&#13;
k~own the pm~erful effects of foreign language in getting this&#13;
kmd of attent10n. We therefore require the study of four&#13;
foreign languages, one a year for the four years, Greek, Latin,&#13;
French and German.&#13;
It is ob~ious th~t we do not expect to have these languages&#13;
mastered m the time allotted, even though it is five hours a&#13;
week. For each year the schedule is as follows. During the first&#13;
term paradigms of declensions and conjugations, and passages&#13;
of good prose and poetry from the books are committed to&#13;
memory by rote. During the period of elective and orogressive&#13;
education, rote memory has been abhorred becaus~ it~has its&#13;
dangers. In our system these dangers are avoided by devices that&#13;
force memory to carry its proper load of imagination and&#13;
&#13;
�26&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
thought. The second term is concerned with various ~inds of&#13;
translation from important texts in which important thmgs are&#13;
being said and the grammar of the language is being used for&#13;
purposes of full expression. These translations . range £:0~&#13;
technical grammatical translation, through vanous . stylistic&#13;
variations to abstract and concise formulation of logical content. The last term in each year is devoted to the writing of&#13;
grammatical, rhetorical, and logical commentaries .on the texts&#13;
with a final emphasis on original writing on the topics suggested&#13;
by the text.&#13;
Language is man's most intimate external possession. The&#13;
trained language sense extends man's imaginative powers. We&#13;
therefore move on it with an organized strategy. The effects&#13;
are in sustained powers of imagination and therefore in increased attention and powers of analytic thought.&#13;
These tutorials meet in small classes so that individual&#13;
observation and instruction are the rule. Not a small part of&#13;
the advantage of such instruction comes from the opportunity&#13;
for tutors to diagnose individual difficulties.&#13;
&#13;
27&#13;
&#13;
of study the other books in mathematics and natural science,&#13;
now so formidable to both teacher and student, can be approached and conquered.&#13;
For this purpose the tutorial classes in mathematics meet five&#13;
times a week throughout the four years. The teaching is conventional and familiar for the most part, exposition, recitation,&#13;
drill in calculation and proof. On the other hand intelligibility&#13;
must be added to operational skills, and this is brought to light&#13;
by discussion of the incidence of mathematics, not only on the&#13;
sciences, but also on logic and metaphysics, and through this on&#13;
the entire subject matter of the program. Mathematics belongs&#13;
to the liberal arts and its development through symbolic procedures throws a great deal of light not only on speculation but&#13;
upon the literary and scientific imagination. As in the case of&#13;
the language tutorials, the small class of not over ten students&#13;
allows individual diagnosis and instruction, and the student&#13;
who has difficulties on the operational level may have special&#13;
remedial laboratory exercises prescribed for him. Thus handminded boys may discover the liberal dimensions of their skills&#13;
&#13;
The Mathematics Tutorial&#13;
&#13;
The Seminar&#13;
&#13;
Next to the mother tongue the language of numbers and&#13;
figures is the most important symbolic possession of ~ei:i-. In&#13;
fact it is a language within the mother tongue prov1dmg a&#13;
most powerful practical and theoretical ex~e~sion. I~ view&#13;
of our present scientific and industri.al c.ond1t10ns. of l~fe, the&#13;
decay and elimination of mathematics m educat10n is most&#13;
disturbing. This default has become so common now t~at&#13;
many persons believe that they .nat~vely lack. m~t~emat1cal&#13;
ability. Nothing could be more cnpplmg to th~ md1~1~ual .n~r&#13;
more discouraging for the future of democratic soc1eue~, if it&#13;
were true. The apparent disability is due to a decay m the&#13;
techniques for teaching mathematics and this in tu~n is ~ue&#13;
to misunderstandings of the fundamental nature and mtenuon&#13;
of mathematics. Wide variation in individual training and&#13;
performance is evidence of this state of affairs.&#13;
Therefore we begin with almost a complete year spent in&#13;
a thorough study of Euclid's Elements in . its ent~rety. Th~s&#13;
is the book that made European mathematics possible, and it&#13;
can still be used to remedy our deficiencies. Given this year&#13;
&#13;
A book is one-half of a conversation, and good conversation,&#13;
whether practical or theoretical in intention, is one of the&#13;
highest performances in the liberal arts. Seminars of from ten&#13;
to twenty students with at least two instructors or leaders,&#13;
answer back the other half of the conversations that great&#13;
books demand. Plato's Dialogues, most of which are read in the&#13;
first year, set the models for seminar discussion, and first lessons&#13;
in discussion are learned in reading Plato. Books of various&#13;
kinds are discussed in various ways. Some books such as&#13;
Aristotle's Organon are read in the seminar with the French&#13;
method of explication de texte to insure understanding. It i's&#13;
assumed that other books have presented a subject, and discussion starts where they leave off, following the argument where&#13;
it leads. Literary works demand literary criticism; scientific&#13;
books demand a philosophy of nature.&#13;
Versatility in question and answer allows the exploitation of&#13;
the work done in other parts of the program. Training in&#13;
language facilitates formulation of opinion; mathematical&#13;
imagination and insight open up new depths and subtleties&#13;
&#13;
�28&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
in both literature and science. Dialectic starts on the levels of&#13;
language and mathematics and with their aids reaches the&#13;
fundamentals and ultimates, and in the process the book under&#13;
discussion may be torn to pieces.&#13;
One immediate result is the improvement in actual reading.&#13;
To accompany the reading of the books, the seminars meet&#13;
twice a week for two hours. Recovery from confusion and misunderstanding may result from the first meeting; on the other&#13;
hand it may be only at the last meeting or later meetings that&#13;
the text delivers up its meaning. The seminars are the substantial core of the whole program and the intellectual process&#13;
prepared for by reading and writing is brought to realization&#13;
most often under seminar conditions.&#13;
&#13;
The Formal Lecture&#13;
Formal lectures are delivered to the entire student body at&#13;
least once a week. Lecturing by instructors is discouraged&#13;
elsewhere in the curriculum and concentrated in the formal&#13;
lecture. These lectures are given in the evening with audience&#13;
and platform set as for an outside lecturer. All the formal arts&#13;
of the platform are used for the purpose of a sustained and&#13;
artistic exposition of a subject matter that may have been&#13;
studied in fragments in other ways. About half of the lectures&#13;
are given by guest lecturers, notably Mortimer Adler of the&#13;
University of Chicago, Mark Van Doren of Columbia, and&#13;
Edward Kasner of Columbia. Members of the resident College&#13;
faculty give the rest, no sing-le member giving more than three&#13;
during the year.&#13;
Lecturing except on the popular platform is almost a lost&#13;
art in this country. It is a very high art demanding artistic&#13;
skill and sensitivity which are dulled and killed by the forced&#13;
practice of the ordinary university classroom. Long preparation is needed to free it from sophistry and empty personal&#13;
rhetoric. Our lectures are not always successful, but when&#13;
they are successful they might be given and understood on&#13;
any occasion. Students learn to listen to good talk, to talk&#13;
that is often aver their heads, but talk th&lt;it is remembered&#13;
and absorbed long after the immediate hearing. Each lecture&#13;
is followed by a period of informal query and discussion, in&#13;
which the students learn to talk back.&#13;
&#13;
CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
29&#13;
&#13;
FORMAL LECTURES&#13;
&#13;
1946-47&#13;
The Oar nf Ulysst's . .&#13;
&#13;
. ....... John 0. Neustadt&#13;
&#13;
Trivi1tm.&#13;
&#13;
. ... John S. Kieffer&#13;
&#13;
Quadrivium? .................................. .Jacob Klein&#13;
Vico&#13;
&#13;
..... StTingfellow Barr&#13;
&#13;
The Liar.&#13;
&#13;
Alexander Koyre&#13;
New School for Social Research&#13;
&#13;
Analogy.&#13;
&#13;
. . Scott Buchanan&#13;
&#13;
SjJheres ancl Cells.&#13;
&#13;
.Edward Kasner&#13;
Columbia University&#13;
&#13;
The Dark Night of the Soul&#13;
&#13;
Recital&#13;
&#13;
. . . . . . . . Leonard ]. Eslick&#13;
............ Alexander Schneider, Violinist&#13;
Ralph Kirkpatrick, Harpsichordist&#13;
&#13;
.Jewsalem rmcl Athens ......................... Leo Strauss&#13;
&#13;
New School for Social Research&#13;
- - - . - ......... - .......... Mark Van Doren&#13;
Dramatic Presentation: The D11c/1ess of ..1\·Inl"... . K.mg 'V·11·&#13;
,,&#13;
' i iam l'la)ers&#13;
1\iao; and Russia.&#13;
&#13;
On Reading St. Thomas.&#13;
,.-lmerican Literature I.&#13;
&#13;
. .......... Gregory Bienstock&#13;
. .. Scott Buchanan&#13;
. . - ..........:\fark \'an Doren&#13;
&#13;
SymlJolism and Poetry . ............. _ ... _.......\Villiam&#13;
&#13;
s...Weedon&#13;
Universit7 o[ \'irginia&#13;
&#13;
Anus and /he iVJan&#13;
Mytliology&#13;
&#13;
.... .Ernst Abrahamson&#13;
...... John S. Kieffer&#13;
&#13;
Reading, SlwkesjJeare and Cervantes ......... _ .. Ford K. Bro\\"n&#13;
The Rcd11clio11 of the Syllogism.&#13;
&#13;
......... Raymond N. Wilburn&#13;
&#13;
American Lilt:rature II .... _. __ ._ .............. . Mark \'an Doren&#13;
Toynliee's Themy of History.&#13;
&#13;
.. Stringfellow Barr&#13;
&#13;
Ro11s.1eall.&#13;
&#13;
Leo Strauss&#13;
New School for Social Rescarclt&#13;
&#13;
Divisibility.&#13;
&#13;
- ... - ......... .John 0. Neustadt&#13;
&#13;
Recital&#13;
&#13;
· · · - · · - .................... Andor Foldes, Pianist&#13;
Wonder, Doubt, and Belief.&#13;
.J. Winfree Smith&#13;
&#13;
How to Read A Play&#13;
&#13;
............. Jack Landau&#13;
&#13;
Tl1e Nineteenth Century.&#13;
&#13;
. ............ Jacob Klein&#13;
&#13;
Scfrnce and Civilization&#13;
&#13;
Freud.&#13;
&#13;
..... David Hawkins&#13;
George \Vashington Uniler,it;&#13;
. ... H. W. Loewald, M.D.&#13;
&#13;
Dram;uic Presentation: The Alc/1e1111·,.1 . . . . . . . . . K"mg ur11·iam P1a ye rs&#13;
.&#13;
"1&#13;
&#13;
�30&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
The Laboratory&#13;
The scientific laboratory is perhaps the most characteristic&#13;
institution of the modern world. It should be recalled that it&#13;
was for the purpose of introducing and assimilating the laboratory that Eliot of Harvard opened the liberal college to the elective system. The hope was that the college would provide the&#13;
conditions and the techniques for the liberalizing and humanizing of science. The present disorganization of our colleges is&#13;
evidence that th&lt;; problem is not yet solved. It is of utmost&#13;
importance that it be solved. St. John's College is making the&#13;
attempt.&#13;
The strategy is to recruit specialists in the sciences as teachers, to re-educate them in the liberal arts, and to reorganize the&#13;
laboratory as an instrument of liberal rather than pre-professional training. This is the research problem that is set for the&#13;
faculty, and it will continue to attack the problem step by step.&#13;
The laboratory staff contains an engineer and a medical man,&#13;
scientists whose interests can range beyond the special boundaries of each science. They co-operate with the mathematicians,&#13;
the physicists, the chemists, and the biologists in planning and&#13;
teaching the four-year course. Their field is the history of&#13;
science including the present, and the context is the rest of the&#13;
liberal arts and the classics in the program.&#13;
The present tactics are to take the best current pattern in&#13;
ordering the sciences as it is found in the pre-medical course,&#13;
to anchor it in the scientific classical books and experiments,&#13;
and to find the liberal arts in current practices and insights.&#13;
In general the main themes are mathematical constructions,&#13;
the instruments and techniques of measurement, repetition of&#13;
crucial experiments, and the combination of scientific findings&#13;
in concrete problems.&#13;
The laboratory classes meet once a week for three hours&#13;
during the first two years. Laboratory time is increased in the&#13;
last two years. This is more than is required by any other&#13;
liberal college at present.&#13;
THE SCHEDULE&#13;
&#13;
Perhaps the most obvious distinctive mark of St. John's&#13;
College· is the easily observable fact that all the students of&#13;
the same year are reading the same books at the same time with&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
31&#13;
&#13;
the same immediate preparation. This may be the week when&#13;
that "all Greek to me" look is on all freshman faces because&#13;
they are learning the Greek alphabet; or it may be the two&#13;
weeks that they are meeting Greek algebra in the fifth book&#13;
of Eucl~d's Elements; or i_t may be the first assignment in&#13;
Thucydid~s when t~e se~m.ar leaders are wondering if the&#13;
students will get the imphcat10ns of liberty in Pericles' funeral&#13;
oration. These are the educational realities that a common&#13;
schedule marks and emphasizes.&#13;
Each m?rning for five day~ of the week each student spends&#13;
one hour m a language tutorial and one hour in a mathematics&#13;
~utorial. One aftern~on a week each student spends three hours&#13;
m the laboratory durmg the first two years; in the last two years,&#13;
two afternoons a week. Two evenings from eight to ten each&#13;
student attends a seminar in organized conversation and discussion of the scheduled readings. On one or two evenings&#13;
there are ~ormal lectures. Nineteen or twenty hours per week&#13;
are si:ient m _regular classes. The rest of the time is spent in&#13;
studymg, eatmg, sleeping, talking, athletics, and other activitie~ such as music and dramatics. The week is the elementary&#13;
umt of the schedule and shows one complete rotation through&#13;
the varieties of work and play.&#13;
The three terms of the College year average ten weeks in&#13;
length an~ _mark pi~ces of work projected and accomplished.&#13;
In recogmt10n of this there are oral examinations at the end&#13;
of each term. These are conducted by seminar leaders with&#13;
the help of the tutors. Each student sits with his examiners for&#13;
a half hour during which he is questioned freely and informally&#13;
?n the texts he has read, on his critical or interpretative opin10ns, and encouraged to consider parts of his study in relation&#13;
to each other and in relation to fresh problems that may not&#13;
have been treated in his classes.&#13;
A few days after the examination before the end of the term&#13;
the student again sits with his instructors for fifteen minutes&#13;
during ~hich his tutors and laboratory instructor report to&#13;
the semmar leader on his work for the term. These so-called&#13;
"don rags" are brief and recurrent consultations between&#13;
tea:h~rs and student for the purpose of diagnosis and prescnpt10n rather than for report of marks. They are followed&#13;
~y va~ations in which a fresh start is possible and new directions m study may be explored. Grades are not reported in&#13;
&#13;
�CATALOGUE OF ST. JOHN'S CO~LEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
these don rags, and they are not the center of interest, as is&#13;
shown by the fact that the student is invited to report on himself and to judge his own work.&#13;
The end of each year is marked by a long essay written by&#13;
each student on some theme which he has chosen in the books.&#13;
These are due the first of May. The annual written and oral&#13;
examinations are given in the following September after the&#13;
Jong vacation period during which the salutary processes of&#13;
&#13;
bination of teaching and research in each member of the&#13;
faculty. The principle is that the teaching mind must be a&#13;
learning mind, and therefore good teaching demands continued&#13;
learning. This has come to mean in academic practice that the&#13;
good teacher must be making original contributions to knowledge and that he must publish if he wishes to be promoted.&#13;
The faculty at St. John's is again going back to first principles and making another application of them. Learning is a&#13;
co-operative enterprise and it is best carried out when persons&#13;
at different stages of comprehension work together. The typical&#13;
learning situation at St. John's involves ten or twelve learners.&#13;
First in the learning line come the author-teachers, the writers&#13;
of the great books, who are talking in most cases at the high&#13;
point of their own learning. Next comes the reading and talking teacher who is a member of the faculty: his stage of learning&#13;
is somewhere between the author and the best student. There&#13;
then follow the other students at distances proportional to their&#13;
degree of understanding. The old-fashioned ranking of classes&#13;
in the little red schoolhouse is the image that we have in mind.&#13;
At the head of the class is the author-teacher, at the foot of the&#13;
class the worst student in relation to the subject matter. All&#13;
the others are both teachers and pupils, each learning from&#13;
those above and teaching those below.&#13;
The aim in all the classes is to exploit the differences in&#13;
knowledge, character, and skill as they are distributed among&#13;
the students and the tutors. Since it is not our policy to select&#13;
only the best students for admission, but rather to aim at the&#13;
normal distribution of ability that is found in the average&#13;
American community, we count heavily on the normal social&#13;
processes of mutual understanding to catch and amplify the&#13;
teaching. Our classes exemplify in their various styles all the&#13;
types of collaborative study, allowing even the dull or slow&#13;
student on occasion to hold the class to the main learning purpose. Socrates and the slave-boy is not an unfamiliar spectacle&#13;
in the St. John's classroom; we count on it to keep our teaching&#13;
fresh and genuine.&#13;
The faculty member is then researching in the subject matter&#13;
of the book with the guide and help of the author and any&#13;
other special professional aids that he may be able to use. He&#13;
may have beside him a colleague whose special knowledge complefilents his own. This is the situation in a seminar, where&#13;
&#13;
32&#13;
&#13;
A&#13;
Hour&#13;
9&#13;
&#13;
STUDENT'S CLASS SCHEDULE FOR THE WEEK&#13;
&#13;
Mon.&#13;
Language&#13;
Tutorial&#13;
&#13;
Tues.&#13;
Language&#13;
Tutorial&#13;
&#13;
Wed.&#13;
&#13;
Language&#13;
Tutorial&#13;
&#13;
Language&#13;
Tutorial&#13;
&#13;
Fri.&#13;
&#13;
Sat.&#13;
&#13;
Language&#13;
Tutorial&#13;
&#13;
I&#13;
&#13;
IO&#13;
11&#13;
&#13;
Thurs.&#13;
&#13;
Mathematics Mathematics Mathematics Mathematics Mathematics&#13;
Tutorial&#13;
Tutorial&#13;
Tutorial&#13;
Tutorial&#13;
Tutorial&#13;
&#13;
12&#13;
2&#13;
to&#13;
5&#13;
8&#13;
to&#13;
10&#13;
&#13;
Laboratory&#13;
for&#13;
Juniors,&#13;
Seniors&#13;
&#13;
Seminar&#13;
&#13;
Laboratory&#13;
&#13;
Laboratory&#13;
&#13;
for&#13;
Juniors,&#13;
Seniors&#13;
&#13;
for&#13;
Freshmen,&#13;
Sophomores&#13;
&#13;
(Lecture)&#13;
&#13;
Seminar&#13;
&#13;
Formal&#13;
Lecture&#13;
&#13;
forgetting, assimilation, and the maturing of insights have taken&#13;
place. The close organization of subject matter and the intensive teaching which results make vacations and unscheduled&#13;
ruminations functionally important. As one learns to skate in&#13;
summer and swim in winter, so one acquires wisdom in vacation. The annual ex~minations are aimed at detecting and&#13;
encouraging this process. There are plans for reading parties&#13;
in the summer vacation in which students may arrange the&#13;
proper conditions for the maturing of knowledge gained during&#13;
the session.&#13;
THE FACULTY&#13;
&#13;
Part of the intention .of the elective system since the time&#13;
of its introduction at Harvard has been to encourage the com-&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
there are at least two auxiliary teachers, but it is best exemplified in the editorial work that is being carried on by many&#13;
members of the faculty. The majority of the great books are&#13;
already in cheap and easily available English translations, b11:t&#13;
there are a considerable number of them that need new editions, and a smaller number which have not been translated or&#13;
are badly translated. So far the following books have been&#13;
reprinted: '&#13;
&#13;
pretation of the book list which occurs as an immediate byproduct of teaching the books in tutorial, in seminar, and in&#13;
the laboratory. Criticism of the books takes place in two directions primarily, first their historical order and background&#13;
which continually change and enrich themselves by connections&#13;
with other books; secondly in the bearing these books have on&#13;
the immediate teaching problem and the progress of current&#13;
thought in general.&#13;
Making the actual reading schedule for the seminars for each&#13;
year is a result of much faculty and student deliberation, and&#13;
the reading schedule registers teaching and learning experiences&#13;
from year to year.&#13;
The products of this kind of research go first into teaching&#13;
directly. Production for publication and learned societies is&#13;
and should be a secondary resuJ!t. :..1fhe students thus have&#13;
direct and contributing parts in, r..e enq1, and research has a&#13;
direct and contributing r6le in Jted B~10n.&#13;
The faculty now represents a&#13;
~alanced distribution of&#13;
special knowledge. Eventually ·'l's Bac1duates from the fouryear course itself will be the beshe (i;chers, and some of them&#13;
have already been taken on as te?&#13;
_Jg assistants.&#13;
&#13;
34&#13;
&#13;
Plato: Phaedrus, in Greek and Latin&#13;
Gospel according to St. John, in Greek and Latin .&#13;
Descartes: Discourse on Method, in French and Latm&#13;
Hippocrates: Selected Works&#13;
Archimedes: Selected Works&#13;
Lucian: True History&#13;
Aristarchus: Distances of Sun and Moon&#13;
Nicomachus: Introduction to Arithmetic&#13;
Spinoza: Theological-Political Treatise&#13;
Gilbert: On the Magnet&#13;
Harvey: The Works of&#13;
Rousseau: Du Contrat Social&#13;
Lavoisier: Elements of Chemistry&#13;
Hegel: Philosophy of History&#13;
Dalton: Chemical Philosophy&#13;
Bernard: Experimental Medicine&#13;
Fourier: Theory of Heat&#13;
Virchow: Cellular Pathology&#13;
&#13;
The following books have been translated for the first time&#13;
into English by members of the faculty:&#13;
Apollonius: Conics&#13;
Ptolemy: Mathematical Composition (Almagest)&#13;
Augustine: On Music&#13;
Scotus Erigena: The Division of Nature&#13;
Grosseteste: On Light&#13;
Oresme: On the Breadths of Forms&#13;
Copernicus: On the Revolution of the Spheres&#13;
Kepler: Epitome of Astronomy&#13;
Pico: On the Dignity of Man&#13;
&#13;
The following books have been retranslated by members of the&#13;
faculty:&#13;
Plato: Meno&#13;
Plotinus: Fifth Ennead&#13;
Aristotle: Physics, Books I-IV&#13;
Bonaventure: Reduction of Arts to Theology&#13;
Cantor: Transfinite Numbers&#13;
&#13;
This represents the first line of research.&#13;
_&#13;
The second line of research consists in the constant remter-&#13;
&#13;
85&#13;
&#13;
,lY&#13;
ACADEMIC STANDING&#13;
&#13;
The system of instruction allows for a close and varied&#13;
acquaintance of instructors and students; therefore the student's academic standing is known in detail from day to day.&#13;
This knowledge is pooled at the end of each term on the&#13;
occasion of the don rag and the combined judgments of the&#13;
staff are based on more than recorded grades. Since this is&#13;
the case academic standing is not determined by numerical&#13;
or literal grades, and judgments are made and reported for the&#13;
purpose of advice and planning both for the teachers and the&#13;
student. As soon as the performance of the student or other&#13;
evidence of capacity persuades the staff that the learning process has stopped and cannot be revived, the student is warned&#13;
that he will be dropped after a stated period of confirmation&#13;
of the judgment.&#13;
Ideally there is no reason for dropping any normal student&#13;
from this course of study. It is varied and rich enough for&#13;
great diversities of interest, performance, and achievement,&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
and there is ample room within it for a wide range of ability&#13;
and for individual choice and guidance. This fact permits and&#13;
demands a longer period of adjustment and tentative judgment&#13;
than in the regular elective system. It is assumed that each&#13;
student has the required capacities until evidence to the contrary is overwhelming. All disciplinary action is governed by&#13;
the assumption that bad habits can be changed.&#13;
Attendance on all regular scheduled College exercises is required. A record of absences is kept and posted. This record&#13;
is taken into consideration whenever there is occasion to determine academic standing.&#13;
Written and signed excuses from the following sources may&#13;
be submitted for filing with the student's record:&#13;
l) Parent, guardian, or . other responsible person outside&#13;
the College; 0 ~e~he .&#13;
2) Practising phy;rhe Wo~Jfionsulted by the student;&#13;
3) Instructor in cha'.t Contra class in which absence occurs;&#13;
iements&#13;
Ph'bsophy Cl&#13;
11&#13;
4) T he C0 ege&#13;
7ical P&#13;
&#13;
THE DEGREE OF BACHELOR ·erime,RTS&#13;
'rv nf&#13;
&#13;
*&#13;
&#13;
The original title of Bachcl0r of Arts signified the first&#13;
officially recognized stage of competence in the seven liberal&#13;
a:rts and sciences: grammar, rhetoric, logic, arithmetic, geometry, music, and astronomy. The St. John's degree of Bachelor&#13;
of Arts signifies the modern equivalent of these arts and&#13;
sciences. Specifically this implies:&#13;
Knowledge of the contents of the required books in the list;&#13;
Competence in the laboratory arts;&#13;
Competence in mathematics through the elementary calculus;&#13;
A reading knowledge of at least two foreign languages.&#13;
&#13;
In semester hours as recorded in the regular elective system&#13;
this amounts to:&#13;
Semester Hours&#13;
&#13;
Four Years&#13;
One Year&#13;
40&#13;
10&#13;
Language and Literature .... , .&#13;
40&#13;
10&#13;
Mathematics and Science .. .&#13;
16&#13;
4&#13;
Lectures on the Liberal Arts ..&#13;
12&#13;
Laboratory ......... , ................... . 3 (J.1 actual time)&#13;
32&#13;
8&#13;
Seminars. . ....... .&#13;
&#13;
Total.&#13;
"'Cf. Appendix B, pg. 71.&#13;
&#13;
.... ' ... 35&#13;
&#13;
140&#13;
&#13;
A more ~etailed analy~is of the content of these degree requirements will be gladly given by the Registrar on request.&#13;
The "rights and privileges appertaining" to the Bachelor of&#13;
Arts degree have undergone serious scrutiny during the last&#13;
part of the period in which the colleges have been under the&#13;
domination of the elective system. There have been concerted&#13;
attemrts to ~a~ntain common standards under the rapidly&#13;
changmg cond1.tlons of expansion in student bodies, in subject&#13;
matters, and m methods of instruction. Throughout the&#13;
~ountry the_re are regional boards which inspect the colleges&#13;
m each reg10n and rate their degrees. The Middle States Association of Colleges and Secondary Schools operates in this&#13;
r:gion .. T.hese Boa~ds cannot put a college on the approved&#13;
hst until its educational product can be judged. Since there&#13;
were no graduates of the new administration and program&#13;
before June, 1941, and few until the end of the war, there will&#13;
be an interim in which a rated B. A. degree cannot be&#13;
guaranteed.&#13;
This means that the St. John's Bachelor of Arts degree is&#13;
certified only by the charter of the College and the Maryland&#13;
State Board of Education.&#13;
On the other hand there is no serious doubt that the curriculum which is now offered and the instruction that is now&#13;
being given more than fulfill the common standards and that&#13;
they will prepare students adequately for any !rraduate work&#13;
0&#13;
which they wish to pursue.&#13;
~he gradua~e. and professional schools increasingly make&#13;
their final declSlons on candidates on the basis of individual&#13;
records and merits and ignore the bare minimum certification&#13;
of t~e . ordinary degree. The rated B. A. is no guarantee of&#13;
adm1ss10n to a graduate or professional school. Where inquiry&#13;
has been made these schools have given assurance of full consideration to St. John's graduates. The great variety of teaching&#13;
methods, the common subject matter, and the intimate and&#13;
continuous acquaintance between student and teacher that this&#13;
program provides allow detailed and comprehensive recommendations of individual candidates both for graduate schools&#13;
and for business positions. Such individual recommt:&gt;ndations&#13;
will always be our most effective communication with the&#13;
academic and I?ractical worlds into which our students graduate; we deal with other institutions on the basis of a common&#13;
&#13;
�38&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
recogmt10n of the realities of the learning process and the&#13;
exigencies of the war and revolution through which the worlrl&#13;
is passmg.&#13;
There is no question about the fitness of this program of&#13;
studies to meet the explicit requirements of law schools,&#13;
theological schools, business schools, schools of politics, and&#13;
economics, and schools of education. There may be some&#13;
doubt in the minds of the small business man and the craftsman about the utility of a liberal education for earning a&#13;
living. One who shares these doubts should read the Federalist&#13;
Papers and follow their discussions of the fundamental conditions and principles of American society to get free of the&#13;
prejudices which we inherit from societies that base themselves&#13;
on invidious class distinctions. The worker and the tradesman&#13;
in this country belong to a liberal society that demands a&#13;
liberal education of all its members.&#13;
The professions that base themselves on specialization in the&#13;
natural sciences have set up graduate departments that actually&#13;
need more liberal education in their preparatory stages than is&#13;
at present available in the elective system. In failing to get&#13;
students who have that minimal general education, they have&#13;
been forced to turn to a second best, a more intensive specialized&#13;
preparatory training. In some cases th~y take the student into&#13;
the graduate school before he has graduated from college, and&#13;
give the extra specialization that is required. In other cases, as&#13;
in some engineering schools, graduate physics, chemistry,&#13;
biology, and medicine, they have imposed heavy pre-professional&#13;
requirements on the liberal college. In effect, they ask the&#13;
liberal college to anticipate professional work. We refuse to&#13;
accept this imposition wherever it would force us to sacrifice&#13;
understanding to professional rote and rule of thumb. In place&#13;
of these we emphasize basic concepts, basic techniques of&#13;
measurement and experimentation, and general skills of the&#13;
laboratory, in short those starting-points which make the rapid&#13;
acquisition and revision of scientific knowledge a matter of&#13;
habit and second nature. In terms of this fundamental training,&#13;
our work in natural science more than meets the genuine&#13;
requirements of pre-professional education.&#13;
The medical schools, the sources of the heaviest pre-professional requirements, have expressed willingness, in some cases&#13;
enthusiasm, to consider our graduates as candidates. Their&#13;
&#13;
faculties realize the importance of the liberal education of the&#13;
physician, see that we require more hours in the laboratory&#13;
than they ask f~r, and believe that this basic instruction will lay&#13;
a good foundation for professional training. On the other hand,&#13;
a war~ing should&#13;
g~ven tha.t the St. John's student is running&#13;
the nsk that radical mnovat10n entails. The medical schools&#13;
a:e subject to many ~ncreasing demands, which they are finding&#13;
difficult to meet: rapidly growing knowledge relevant to medical&#13;
uses, the public need for more medical services, and the larae&#13;
nm~ber of applican.ts for admission. These pressures may for~e&#13;
arbitrary cons1de:a~10n of candidates, and the literal application&#13;
of rules of adm1ss10n. In view of this problematic situation,&#13;
student~ :vho comet? St. John's with the intention of going on&#13;
to med1cme are advised to make special arrangements for fulfilling the literal requirements for admission to medical schools.&#13;
Arrangements for extra work for this purpose can be made at&#13;
St. John's or at other institutions. In view of ti~ e o-reat scientific&#13;
and social problems facing the medical profesdon may be wise&#13;
to plan a year ~£ graduate work in mathem?'ir::s and physics&#13;
between graduat10n and entrance into med~ca ...:hool. Medical&#13;
schools are not asking for such additional prei. '.ration, but the&#13;
&#13;
39&#13;
&#13;
?e&#13;
&#13;
it&#13;
&#13;
~;~tak1!1:~~~L~v.~~E!9~.~a:~,.1£~at&#13;
&#13;
bey?11sl&#13;
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~1~~ po~erpf . 1i};~;~r..&#13;
&#13;
�40&#13;
&#13;
CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
I. A LIST OF GREAT BOOKS&#13;
In Chronological Order&#13;
Homer: Iliad and Odyssey&#13;
A!:schylus: Oresteia&#13;
Herodotus: History&#13;
Sophocles: &lt;Edipus Rex&#13;
Hippocrates: Ancient Medicine and Airs, Waters, and Places&#13;
Euripides: Medea&#13;
Thucydides: History of the Peloponnesian War&#13;
Aristophanes: Frogs, Clouds, Birds&#13;
Aristarchus: On the Sizes and Distances of the Sun and Moon&#13;
Plato: Dialogues&#13;
Aristotle: Organon, Poetics, Physics, Politics&#13;
Archimedes: Selected Works&#13;
Euclid: Elements&#13;
Apollonius: Conics&#13;
Cicero: On Duties&#13;
Lucretius: On the Nature of Things&#13;
Virgil: Jineid&#13;
The Bible&#13;
Epictetus: Moral Discourses&#13;
Nicomachus: lntrod· gtion to Arithmetic&#13;
Plutarch: Lives&#13;
fl&#13;
Tacitus: The History, The Annals&#13;
Ptolemy: Mathe11i:::faal, Composition (Almagest)&#13;
Lucian: True Hi'i1a,&#13;
Galen: On the No iral Faculties&#13;
Plotinus: Enneads 7&#13;
Augustine: Confessions, On Music, Concerning the Teacher&#13;
Justinian: lnstiwtes&#13;
Song of Roland&#13;
Saga of Burnt Nfal&#13;
Grosseteste: On Light&#13;
Bonaventure: On the Reduction of the Arts to Theology&#13;
Aquinas: On Being and Essence, Treatise on God, Treatise on Man&#13;
Dante: Divine Comedy&#13;
Chaucer: Canterbury Tales&#13;
Oresme: On the Breadths of Forms&#13;
Pico della Mirandola: On the Dignity of Man&#13;
Leonardo: Note Books&#13;
Machiavelli: The Prince&#13;
Erasmus: ln Praise of Folly&#13;
Rabelais: Gargantua&#13;
Copernicus: On the Revolutions of the Spheres&#13;
Calvin: Institutes&#13;
Montaigne: Essays&#13;
Gilbert: On the Loadstone&#13;
Cervantes: Don Quixote&#13;
Shakespeare: Henry IV, Hamlet, King Lear, Macbeth, Tempest&#13;
Francis Bacon: Novum Organwn&#13;
Kepler: Epitome of Astronomy&#13;
Harvey: On the Motion of the Heart&#13;
Galileo: Two New Sciences&#13;
Descartes: Geometry, Discourse on Method, Meditations&#13;
Hobbes: Leviathan&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
Boyle: Sceptical Chymist&#13;
Moliere: Tartuffe&#13;
Pascal: Pensees&#13;
Milton: Paradise Lost&#13;
Racine: Phedre&#13;
Grotius: Law of War and Peace&#13;
Spinoza: Ethics, Theological-Political Treatise&#13;
Newton: Principia Mathematica&#13;
Locke: Second Treatise on Civil Government&#13;
Huygens: Treatise on Light&#13;
Berkeley: Dialogues between Hylas and Philonous&#13;
Leibniz: Discourse on Metaphysics, Monadology&#13;
Vico: Scienza Nuova&#13;
Swift: Gulliver's Travels&#13;
Hume: Treatise of Human Nature&#13;
Montesquieu: Spirit of Laws&#13;
Fielding: Tom ]ones&#13;
Voltaire: Candide, Micromegas&#13;
Rousseau: Social Contract&#13;
Gibbon: Decline and Fall of the Roman Empire&#13;
Smith: Wealth of Nations&#13;
·&#13;
Kant: Critique of Pure Reason&#13;
Constitution of the United States&#13;
Federalist Papers&#13;
Bentham: Principles of Morals and Legislation&#13;
Lavoisier: Treatise on Chemistry&#13;
Malthus: Principles of Population&#13;
Dalton: A New System of Chemical Philosophy&#13;
Hegel: Philosophy of History&#13;
Fourier: Analytical Theory of Heat&#13;
Goethe: Faust&#13;
Lobachevski: Theory of Parallels&#13;
Faraday: Experimental Researches in Electricity&#13;
Peacock: Treatise on Algebra&#13;
Boole: Laws of Thought&#13;
Virchow: Cellular Pathology&#13;
Mill: On Liberty&#13;
Darwin: Origin of Species&#13;
Bernard: Introduction to Experimental Medicine&#13;
Mendel: Experiments in Plant Hybridization&#13;
Riemann: Hypotheses of Geometry&#13;
Dostoevski: The Brothers Karamazov&#13;
Marx: Capital&#13;
Tolstoi: War and Peace&#13;
Dedekind: Essays on Numbers&#13;
Maxwell: Electricity and Magnetism&#13;
Flaubert: Bouvard and Pecuchet&#13;
Ibsen: Ghosts, Rosmersholm&#13;
Joule: Scientific Papers&#13;
James: Principles of Psychology&#13;
Freud: Studies in Hysteria, The Interpretation of Dreams&#13;
Cantor: Transfinite Numbers&#13;
Hilbert: Foundations of Geometry&#13;
Poincare: Science and Hypothesis&#13;
Russell: Principles of Mathematics&#13;
&#13;
41&#13;
&#13;
�42&#13;
&#13;
first Yea:r&#13;
&#13;
Second Yea1&#13;
&#13;
Third Year&#13;
&#13;
Fourth Year&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
II. SCHEDULE OF READINGS BY YEARS&#13;
Languages and&#13;
Liberal Arts&#13;
Literature&#13;
Plato&#13;
Homer&#13;
Aristotle&#13;
Herodotus&#13;
Lucretius&#13;
Thucydides&#13;
A:schylus&#13;
Sophocles&#13;
Euripides&#13;
Aristophanes&#13;
Plutarch&#13;
Lucian&#13;
Epictetus&#13;
Tacitus&#13;
Plotinus&#13;
Cicero&#13;
Augustine&#13;
Virgil&#13;
Bonaventure&#13;
The Bible&#13;
Thomas Aquinas&#13;
Justinian&#13;
Grosseteste&#13;
Dante&#13;
Calvin&#13;
Saga of Burnt Njal&#13;
Pico&#13;
Song of Roland&#13;
Chaucer&#13;
Shakespeare&#13;
Cen'antes&#13;
Spinoza&#13;
Milton&#13;
Francis Bacon&#13;
Rabelais&#13;
Hobbes&#13;
Racine&#13;
Locke&#13;
Grotius&#13;
Berkeley&#13;
Moliere&#13;
Leibniz&#13;
Erasmus&#13;
Hume&#13;
Montaigne&#13;
Kant&#13;
Machiavelli&#13;
Peacock&#13;
Pascal&#13;
Boole&#13;
Vico&#13;
Montesquieu&#13;
Fielding&#13;
Gibbon&#13;
Voltaire&#13;
Swift&#13;
Rousseau&#13;
Adam Smith&#13;
U. S. Constitution&#13;
Federalist Papers&#13;
Goethe&#13;
Hegel&#13;
Malthus&#13;
Bentham&#13;
!lfarx&#13;
Mill&#13;
Flaubert&#13;
James&#13;
Ibsen&#13;
Freud&#13;
Dostoevski&#13;
Poincare&#13;
Tolstoi&#13;
Hilbert&#13;
Russell&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
lifothematics and&#13;
Science&#13;
Euclid&#13;
Hippocrates&#13;
Nicomachus&#13;
Aristarchus&#13;
Archimedes&#13;
&#13;
"'&#13;
~&#13;
&#13;
Apollonius&#13;
Ptolemy&#13;
Galen&#13;
Leonardo&#13;
Oresme&#13;
Copernicus&#13;
Descartes&#13;
Gilbert&#13;
Kepler&#13;
&#13;
....&#13;
E-&lt;&#13;
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"'&#13;
t;1&#13;
&#13;
....&#13;
E-&lt;&#13;
&#13;
Galileo&#13;
Harvey&#13;
Newton&#13;
Boyle&#13;
Huygens&#13;
Lavoisier&#13;
Dalton&#13;
&#13;
u&#13;
&#13;
l"-1&#13;
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...;&#13;
f,;!.l&#13;
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Cl)&#13;
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"'&#13;
-&lt;&#13;
...:i&#13;
u&#13;
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...;&#13;
&#13;
Fourier&#13;
Faraday&#13;
Maxwell&#13;
Joule&#13;
Darwin&#13;
Virchow&#13;
Bernard&#13;
Mendel&#13;
Cantor&#13;
Dedekind&#13;
Riemann&#13;
Lobacheveki&#13;
&#13;
43&#13;
&#13;
�44&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
The following schedules are taken from different years as&#13;
indicated, but they are subject to continual revisions, corrections, and improvements as teaching experience indicates them.&#13;
1942-43&#13;
Clock-hours of Class-room Work&#13;
Fourth Year&#13;
Second Year&#13;
Third Year&#13;
First Year&#13;
Assigned&#13;
German&#13;
Latin&#13;
French&#13;
Greek&#13;
Exercises&#13;
20 hours&#13;
10 hours&#13;
IO hours&#13;
40 hours&#13;
Memorizing&#13;
Grammar&#13;
Grammar&#13;
Grammar&#13;
Grammar&#13;
Paradigms&#13;
20 hours&#13;
20 hours&#13;
20 hours&#13;
10 hours&#13;
Selections&#13;
Goethe&#13;
Baudelaire&#13;
Virgil&#13;
Euclid&#13;
Hoelderlin&#13;
Catullus&#13;
Racine&#13;
St. John&#13;
Nietzsche&#13;
Horace&#13;
Plato&#13;
35 hours&#13;
20 hours&#13;
20 hours&#13;
5 hours&#13;
Reading&#13;
Bible&#13;
Descartes&#13;
Phaedrus&#13;
St. John&#13;
Double Texts&#13;
Faust&#13;
Latin-French&#13;
Greek-Latin&#13;
Greek-Latin&#13;
Hegel&#13;
25 hours&#13;
50 hours&#13;
50 hours&#13;
Translation and 50 hours&#13;
Lessing&#13;
Rousseau&#13;
Virgil&#13;
Plato&#13;
Close Reading&#13;
Schiller&#13;
Social&#13;
Aeneid IV&#13;
Republic&#13;
Contract&#13;
20 hours&#13;
20 hours&#13;
20 hours&#13;
20 hours&#13;
Formal Logic&#13;
Kant&#13;
Boole&#13;
Thomas&#13;
Aristotle&#13;
Treatises&#13;
Hegel&#13;
Laws of&#13;
De Ente et&#13;
Categories&#13;
Thought&#13;
Essentia&#13;
Prior&#13;
Analytics&#13;
30 hours&#13;
30 hours&#13;
30 hours&#13;
Formal Logic&#13;
25 hours&#13;
Kant&#13;
Pascal&#13;
Dante&#13;
Selections&#13;
Practice in&#13;
Hegel&#13;
Rousseau&#13;
Thomas&#13;
Anthology&#13;
Analytical&#13;
On Law&#13;
Sophocles&#13;
Commentary&#13;
Thucydides&#13;
Demostfienes&#13;
150 hours&#13;
150 hours&#13;
150 hours&#13;
150 hours&#13;
Total&#13;
600 hours (Four years)&#13;
LANGUAGE TUTORIALS DURING&#13;
&#13;
1943-44&#13;
Clock-hours of Class-room Work&#13;
Third&#13;
Second&#13;
First&#13;
Year&#13;
Year&#13;
Year&#13;
&#13;
45&#13;
&#13;
1943-44-Continued&#13;
Second&#13;
Third&#13;
Fourth&#13;
Year&#13;
Year&#13;
Year&#13;
63&#13;
50'&#13;
&#13;
MATHEMATICS TUTORIALS DURING&#13;
&#13;
First&#13;
Astronomy and Physics&#13;
Year&#13;
Astronomy ...&#13;
7&#13;
Mechanics and Hydrostatics.&#13;
9&#13;
Strength of Materials&#13;
Heat&#13;
Light. ' ' .. ' .......... .&#13;
&#13;
50&#13;
&#13;
20&#13;
25&#13;
&#13;
CLOCK-HOURS OF LABORATORY WORK DURING&#13;
&#13;
18&#13;
&#13;
15&#13;
&#13;
3&#13;
30&#13;
&#13;
24&#13;
&#13;
12&#13;
&#13;
9&#13;
&#13;
3&#13;
&#13;
21&#13;
&#13;
36&#13;
9&#13;
3&#13;
9&#13;
&#13;
3&#13;
&#13;
JS&#13;
&#13;
Chemistry&#13;
General Inorganic&#13;
Physical .&#13;
Quahtative .&#13;
Organic ..&#13;
&#13;
33&#13;
33&#13;
&#13;
6&#13;
&#13;
45&#13;
12&#13;
&#13;
227&#13;
&#13;
1942-43&#13;
&#13;
66&#13;
30&#13;
6&#13;
&#13;
9&#13;
&#13;
33&#13;
33&#13;
21&#13;
&#13;
Total for four years of Laboratory in Physics and Astronomy .....&#13;
&#13;
54&#13;
21&#13;
279&#13;
60&#13;
&#13;
15&#13;
15&#13;
&#13;
27&#13;
&#13;
3&#13;
&#13;
9&#13;
3&#13;
&#13;
!J&#13;
&#13;
Total for four years of Laboratory in Chemistry.&#13;
&#13;
Biology&#13;
Anatomy and Physiology.&#13;
Cellular Biology&#13;
Heredity&#13;
Embryolog}'.&#13;
........ '&#13;
Protozoo!ogy .&#13;
&#13;
59&#13;
20&#13;
25&#13;
3&#13;
&#13;
Total for four years of Physics in Mathematics Tutorials ....... .&#13;
&#13;
Physics and Astronomy&#13;
Mechanical Drawing ..&#13;
Astronomy. . ........ .&#13;
Mechanics and Hydrostatics.&#13;
Sound ...&#13;
Heat&#13;
Light. ...&#13;
Electricity and Magnetism.&#13;
Atomic Theory&#13;
&#13;
Total&#13;
120&#13;
&#13;
15&#13;
&#13;
Y!I&#13;
&#13;
33&#13;
&#13;
48&#13;
&#13;
36&#13;
9&#13;
&#13;
9&#13;
9&#13;
&#13;
36&#13;
9&#13;
9&#13;
9&#13;
&#13;
MATHEMATICS TUTORIALS DURING&#13;
&#13;
Mathematics&#13;
Plane Geometry&#13;
Solid Geometry&#13;
Theory of Numbers ..&#13;
Theory of Real Numbers.&#13;
Trigonometry ....&#13;
Analytic Geometry&#13;
Calculus.&#13;
Differential Equations&#13;
Fourier Series&#13;
Non-Euclidean Geometry&#13;
Transfinite Numbers&#13;
Projective Geometry&#13;
&#13;
56&#13;
10&#13;
&#13;
Fourth&#13;
Year&#13;
&#13;
Total&#13;
&#13;
68&#13;
&#13;
12&#13;
8&#13;
&#13;
4fl&#13;
30&#13;
&#13;
30&#13;
17&#13;
&#13;
g&#13;
&#13;
25&#13;
&#13;
19&#13;
&#13;
l9&#13;
&#13;
57&#13;
&#13;
57&#13;
87&#13;
&#13;
37&#13;
&#13;
50&#13;
10&#13;
5&#13;
20&#13;
10&#13;
&#13;
10&#13;
&#13;
10&#13;
&#13;
5&#13;
20&#13;
10&#13;
lO&#13;
&#13;
Total for four years of Mathematics in Mathematics Tutorials&#13;
&#13;
.. ;!l89&#13;
&#13;
Total for four years of Laboratory in Biology.&#13;
lH&#13;
NoTE: One-fifth to one-fourth of the laboratory time is spent in lectures on&#13;
assigned reading.&#13;
&#13;
The topics selected from the conventional subject-matters&#13;
follow. For further information concerning standards, see&#13;
Appendix B on Degree Requirements, page 71.&#13;
Astronomy: Aristarchus, Star charts, Ptolemy, Copernicus, Kepler.&#13;
Biology: Environment and health (Hippocrates); Form and locomotion of&#13;
animals; Digestive and urogenital systems and other parts of female rabbit;&#13;
Heart blood vessels in cat, living frog and turtle, sheep, and dogfish shark:&#13;
Urogenital system of male cat; Other parts of dogfish shark and aquatic&#13;
vertebrates; Fabrics of the animal body; Growth of animals and plants;&#13;
Hydra; Genesis of animals; The Protozoa-animal taxonomy; Heredity in&#13;
the pomage fly.&#13;
&#13;
�46&#13;
&#13;
CATALOGUE OF ST JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Drawing: Orthographic projection; Perspective projection.&#13;
Geometry: Euclid: 8; Apollonius: 5.&#13;
l\1 usic: Intervals; Scales; Keys (the rest not yet planned in detail).&#13;
Physics: Mechanics 15 (Archimedes, Galileo, Huygens, Newton); Surface tension,&#13;
viscosity; Heat 4 (Joule, Fourier, etc.); Strength of materials 4 (Galileo);&#13;
Light 14 (Newton, Huygens; telescope and microscope, diffraction and&#13;
interference; spectra); Electricity 11 (Gilbert, Faraday, etc.).&#13;
Chemistry: States of matter; W'ater-electrolysis, equivalent weight (Faraday);&#13;
Conservation of mass, combustion, oxygen (Lavoisier); Hydrogen, acids;&#13;
Combining proportions; Dalton's atomic theory; Gay-Lussac's law of volumes;&#13;
Molecular weight; Avogadro's number; Dalton's law of partial pressures;&#13;
Critical temperature; Diffusion; Osmosis; Sodium; Chlorine; Formulas;&#13;
HCl; Valence; Hydroxides, ionization; Mendeleyev's Table; Colloids, atomic&#13;
structure; Mass action; Equilibrium; Carbon compounds, paraffins, isomerism, bonds, hydrocarbons, alcohols, aldehydes, ketones, esters, ethers, sugars,&#13;
etc.; Fifth Group of Periodic Table; Ammonia, proteins.&#13;
&#13;
SECOND YEAR-Continued&#13;
11. Conics as four-line loci&#13;
21. Music&#13;
12. Stereographic projection and star 22. Copernicus&#13;
charts&#13;
23. Kepler&#13;
13. Stereographic projection and star 2·1. Prism colors and dispersion&#13;
charts&#13;
25. Chromatic aberration of a lens&#13;
14. Astronomical sights&#13;
26. Geometrical characteristics of Ice15. Celestial machines&#13;
land spar&#13;
16. Celestial machines&#13;
27. Double refraction&#13;
17. Sun and moon&#13;
28. Double refraction of polarized light&#13;
18. Gilbert's De Magnete&#13;
29. Speed of light&#13;
19. Music&#13;
30. Fluid pressure&#13;
20. Music&#13;
&#13;
The following is a list of laboratory exercises by years. It&#13;
is based on a schedule which was followed in 1941-42 but&#13;
is subject to continual revisions, corrections, and improvements&#13;
as teaching experience indicates them. In the spring of 1947,&#13;
the faculty adopted a revised laboratory schedule as the result&#13;
of several years' experience. Therefore, the following list is&#13;
printed for its historical interest only. For laboratory work&#13;
projected during 1947-48, the student should consult the Dean.&#13;
FIRST YEAR&#13;
l. OrthogTaphic projection&#13;
2. Orthographic projection&#13;
3. Trisection of an angle&#13;
4. Areas&#13;
.5. Plane, right angle, :ruler&#13;
6. Weight&#13;
7. Light&#13;
Zl. Circles and regular polygons&#13;
9. Ratios&#13;
IO. Lenses&#13;
11. Telescope and microscope&#13;
12. Compound ratio&#13;
13. Heat&#13;
14. Quadratic equations&#13;
15. Musical intervals and scales&#13;
&#13;
16.&#13;
17.&#13;
18.&#13;
19.&#13;
20.&#13;
&#13;
21.&#13;
22.&#13;
23.&#13;
24.&#13;
&#13;
25.&#13;
26.&#13;
&#13;
27.&#13;
28.&#13;
29.&#13;
30.&#13;
&#13;
The Greek diatonic scale&#13;
The just scale and its uses&#13;
The keys in music&#13;
Environment and health&#13;
Environment and health&#13;
Form and locomotion of animals&#13;
Photometry&#13;
Solid figures&#13;
Rectangular solids&#13;
Aristarchus&#13;
Archimedes' levers&#13;
Machines&#13;
Static equilibrium&#13;
Floating bodies&#13;
Metacenter&#13;
&#13;
SECOND YEAR&#13;
l. Digestive system of rabbit&#13;
2. Urogenital system of female rabbit&#13;
3. Thoracic cavity, mouth, central&#13;
nervous system&#13;
4. The parabola&#13;
5. Ellipse and hyperbola&#13;
&#13;
6. Perspective projection&#13;
&#13;
7. Perspective projection&#13;
8. Perspective projection&#13;
9. Focal points and light&#13;
(floating paraboloid)&#13;
IO. Parametric equations of ellipse&#13;
&#13;
47&#13;
&#13;
THIRD YEAR&#13;
33. Viscosity&#13;
34. Law of definite proportions, law&#13;
of multiple proportions, Dalton's&#13;
4. Strength of beams&#13;
atomic theory&#13;
5. l'alling bodies&#13;
35. Vibrations&#13;
6. Projectiles&#13;
36. Gay-Lussac's law of combining vol7. Sheep heart&#13;
umes, molecular weight, Avo8. Blood vessels of cat&#13;
gadro's number&#13;
9. Matter: crystalline state&#13;
37. Pressure-temperature relations&#13;
10. Blood vessels of cat&#13;
38. Dalton's law of partial pressures;&#13;
11. Boyle·s law&#13;
steam distillation, vapor tension,&#13;
12. Living heart in frog and turtle&#13;
critical temperature&#13;
13. Matter: liquid and gaseous states&#13;
39. Diffusion and osmosis&#13;
14. Smaller blood vessels in living frog&#13;
40. Magnetic fields&#13;
15. Urogenital systems of male cat&#13;
41. Sodium chloride: the active metal&#13;
16. Water and its properties, distillasodium&#13;
tion&#13;
42. Sodium chloride: the active non17. Dogfish shark and aquatic vertemetal chlorine&#13;
brates&#13;
43. Standard units in chemical reac18. Surface tension&#13;
tions. Chemical notation, equa19. Dogfish shark and aquatic verte·&#13;
tions, formulae&#13;
brates&#13;
44. Faraday's laws of electrolysis&#13;
20. Dogfish shark and aquatic verte·&#13;
45. Acids in aqueous solution: HCI&#13;
brates&#13;
46. Atomic and equivalent weights. Re·&#13;
21. Electrostatics&#13;
duction and oxidation, valence&#13;
22. Electrolysis of water, Faraday's laws&#13;
47. Potentiometer&#13;
23. Electrolysis of water, equivalent&#13;
48. Metallic hydroxides and salts in&#13;
weight&#13;
aqueous solution. Neutralization&#13;
24. Rigid body equilibrium&#13;
49. Electromagnetic induction&#13;
25. Conservation of mass; filtration,&#13;
50. Ionization&#13;
reduction with charcoal&#13;
51. Young's interference of light&#13;
26. Compound pendulum&#13;
52. Mendeleyev's Table&#13;
27. Lavoisier on calcination and com· 53. Spectrometer&#13;
bustion; oxygen&#13;
5-1. Colloidal state&#13;
28. Atwood's machine&#13;
55. Music&#13;
29. Chemical reactions&#13;
56. Music&#13;
30. Conservation of momentum&#13;
57. Music&#13;
31. Centripetal force&#13;
32. Hydrogen, acids, oxidation and reduction&#13;
l. Power of the vacuum&#13;
2. Strength of beams&#13;
3. Strength of beams&#13;
&#13;
�CATALOGUE OF ST. JOHN·s COLLEGE&#13;
&#13;
RESIDENCE AND ACTIVITIES&#13;
"FOUR TH YEAR&#13;
I.&#13;
2.&#13;
3.&#13;
4.&#13;
&#13;
Fabrics of the animal body&#13;
Magnetic measurements&#13;
Fabrics of the animal body&#13;
Law of magnetic forces&#13;
5. Fabrics of the animal body&#13;
6. Standard measures of electric current&#13;
7. Fabrics of the animal body&#13;
8. Fabrics of the animal body&#13;
9. Fabrics of the animal body&#13;
10. Fabrics of the animal body&#13;
11. Fabrics of the animal body&#13;
12. Fabrics of the animal body&#13;
13. The structure of the atom&#13;
14. Law of mass action&#13;
15. Diffraction, interference&#13;
16. Chemical equilibrium&#13;
I 7. Diffraction grating&#13;
18. Carbon and its compounds: I: the&#13;
paraffins&#13;
19. II: Isomerism of organic compounds, the carbon-carbon double and triple bonds. Unsaturated hydrocarbons&#13;
20. Alcohols, aldehydes, ketones&#13;
21. Fabrics of the animal body&#13;
22. Fabrics of the animal body&#13;
23. Fabrics of the animal body&#13;
24. Fabrics of the animal body&#13;
25. Growth of animals and plants&#13;
26. Growth of animals and plants&#13;
&#13;
27. Hydra&#13;
28. Hydra&#13;
29. Genesis of animals&#13;
30. Genesis of animals&#13;
31. Genesis of animals&#13;
&#13;
32. Protozoa-animal taxonomy&#13;
Protozoa-animal taxonomy&#13;
Heredity in the pomage fly&#13;
Heredity in the pomage fly&#13;
Heredity in the pornage fly&#13;
Spectral analysis&#13;
Esters, their hydrolysis, mono- and&#13;
di-basic acids, polyalcohol&#13;
39. Potentiometer, thermocouples&#13;
40. Ethers, acid anhydrides, hydroxyacids&#13;
41. Electromagnetic induction&#13;
42. Carbohydrates (sugars, starch,&#13;
cellulose)&#13;
43. Joule's electric heat&#13;
44. Isocyctic, aromatic hydrocarbons;&#13;
Cvclo-olefins, -paraffins&#13;
45. Fou;ier's heat analysis&#13;
46. The Fifth Group of the Periodic&#13;
Table&#13;
47. Ammonia, amines, amino-acids,&#13;
proteins&#13;
48. Music&#13;
49. Music&#13;
50. Music&#13;
&#13;
33.&#13;
34.&#13;
35.&#13;
36.&#13;
37.&#13;
38.&#13;
&#13;
A college should be a community in which the student can&#13;
discipline and develop his native powers, and at the same time&#13;
learn how to associate with other people in such a way as to&#13;
continue this development throughout life. Not only the&#13;
curriculum at St. John's, but the arrangements for residence&#13;
and extracurricular activities as well, are ordered to this&#13;
purpose.&#13;
It is the policy of the College to encourage any spontaneous&#13;
group activity that shows promise of a contribution to the life&#13;
of the community. The College co-operates in the financing of&#13;
those activities that require expenditures; and advice is given&#13;
where it can be helpful to the smooth functioning of the activity.&#13;
The kind of laissez-faire attitude which generally characterizes&#13;
the curricular aspect of American college life is in this College&#13;
transferred to the field of extracurricular activities.&#13;
Activities&#13;
It is no paradox, in view of the above, to say that the main&#13;
purpose of extracurricular activities is amusement and relaxation. Men can work in order to play, or they can regard play&#13;
as a natural component of a graceful, reasonable, and wellrounded human life. Since the things a person enjoys are&#13;
accurately correlated with that person's character and stage of&#13;
development, the recreational activities a student en joys are&#13;
the spontaneous fruit of his increasing knowledge and maturity.&#13;
Work and play are not set over against each other, so that the&#13;
work of the curriculum is looked upon as drudgery to be&#13;
endured until it is possible to get away to the movies. If this&#13;
should be the case, life would indeed become meaningless and&#13;
dull; and the hard work of the curriculum would be wasted.&#13;
Rather, the discovery and choice of certain activities as enjoyable, and the rejection of other forms of recreation as silly or&#13;
dull, follow as a free and natural consequence of the student's&#13;
expanding abilities, and must be proportionate to them.&#13;
Recreational activities have to derive their vitality from these&#13;
newly developed powers which support them, or else they cease&#13;
to be enjoyable. Thus recreation and play become an integral&#13;
part of the student's life in this community.&#13;
49&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Athletics and Music&#13;
The fruits of this maturing and developing process are found&#13;
primarily in the keen, joyful moments of new discovery of ideas&#13;
or unexpected insights and understandings. But this spontaneous play of the mind also extends to extracurricular activities&#13;
and infuses them with their full measure of human enjoyment.&#13;
This may take the form of a new light on the purposes and&#13;
meaning of athletic games and sports; or it may find expression&#13;
in a stimulated imagination which can produce creative writing&#13;
for one of the College publications, or for significant interpretation of works of music.&#13;
Since 19 39 athletics at St. John's have been organized on an&#13;
intramural basis with active participation by more than eightyfive per cent of the student body.* With the aid of student&#13;
athletic assistants who are experts in sports, the St. John's&#13;
Athletic Director carries on a series of individual and team&#13;
sports throughout the entire year. The athletic facilities include a well-equipped gymnasium, two large playing fields,&#13;
tennis courts surfaced for all-weather playing, and a College&#13;
boathouse with five sixteen foot sailboats. Excellence of performance in a wide variety of sports including sailing, tennis,&#13;
handball, squash, badminton, boxing, swimming, baseball,&#13;
basketball, fencing, lacrosse, and track is the instructional ideal&#13;
and is recognized through a number of individual and team&#13;
awards.&#13;
Extracurricular music complements the musical part of the&#13;
regular curriculum. Curricular music includes formal lectures&#13;
on music, group readings and seminar discussions of musical&#13;
scores, laboratory practice with stringed instruments, and&#13;
concerts which take up part of the time otherwise devoted to&#13;
formal lectures. The extracurricular music program makes&#13;
available to a maximum number of students the opportunity&#13;
of acquiring the necessary personal habits for the enjoyment&#13;
of music. Orchestral and choral groups composed of members&#13;
of the College and residents of Annapolis and surrounding&#13;
territory meet for practice and give occasional concerts. The&#13;
College provides a music center, containing a well-stocked&#13;
library of recordings, sheet music and scores, a recording&#13;
machine, an automatic phonograph, a grand piano, and a num-&#13;
&#13;
ber of orchestral instruments. Elsewhere on the campus are&#13;
other pianos and phonographs available for student use.&#13;
&#13;
.50&#13;
&#13;
* Reasons for the elimination of intercollegiate competition from the College&#13;
athletic system are set out in detail in Appendix C.&#13;
&#13;
51&#13;
&#13;
The Student Polity&#13;
The Student Polity, organized in 1945, of which all students&#13;
are members, was instituted by the students for the following&#13;
purposes, as outlined in its constitution:&#13;
1) to promote a conciousness in the student body of political&#13;
and communal responsibilities to both the College and the&#13;
civic communities,&#13;
2) to discover and submit to the College administration student opinion on all problems common to both the students&#13;
and the College administration,&#13;
3) to establish minimal dormitory regulations,&#13;
4) t? review annually the activities of all student organizations and to grant charters to those organizations ,vhose&#13;
activities are judged to be consistent with the aims of the&#13;
College community,&#13;
5) to determine further, jointly with the College administration, the proper delegation of authority in the community.&#13;
Other Extracurricular Activities&#13;
Some student activities are really an extension of the curriculum: for example, the Bible Class, and Latin and Mathemati.cs Clubs in w~ich students and faculty pursue in greater&#13;
detail problems raised by the seminar discussions of scientific&#13;
~hi~osophic~l, .and theological works. Other groups represen~&#13;
smular spec1ahzed pursuits in politics, law, medicine, language.&#13;
~he St. John's Collegian is a weekly student newspaper&#13;
which reports and comments on the events in the community.&#13;
~he St .. John's Yearbo.ok is a student-edited yearly publicat10n which departs radically from the conventional year-book&#13;
format. !n its present form it is a magazine whose purpose is&#13;
to recapitulate and summarize the past academic year. The&#13;
King William Players serve as a center for the readina of&#13;
drama and poetry in general, as well as for the activiti~ of&#13;
play production.&#13;
The Variety Club, specialists in libel and slander, presents&#13;
an annual comic revue satirizing the faculty and the College&#13;
program, or other matters of current interest. The Social Co-&#13;
&#13;
�-~-,&#13;
&#13;
I&#13;
&#13;
'&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
operative presents a series of formal and informal dances&#13;
throughout the year, including several informal movie-dances.&#13;
The Film Club presents annually a series of about twenty of&#13;
the outstanding foreign and domestic film productions in&#13;
cinema history-the "classics" of cinematic art.&#13;
The Student Employment Cooperative was organized in 1943&#13;
for the purpose of obtaining employment for its members, and&#13;
maintains an office to receive and stimulate employers' requests&#13;
for student workers.&#13;
As supports for an active social life, the College provides a&#13;
complete central social unit which consists of a Coffee Shop, a&#13;
Book Shop supplied with magazines and newspapers, and a&#13;
Junior Common Room for the use of the whole College. In&#13;
addition, there are smaller social quarters in each dormitory&#13;
unit, equipped with comfortable furniture. By providing these&#13;
facilities the College authorities expect to foster in the students&#13;
a recognition of the proper responsibility for their own human&#13;
welfare.&#13;
Residence&#13;
St. John's College is situated in the seventeenth century seaport town of Annapolis. The town has the air and reputation of&#13;
a romantic history. Actually it has a population of about fifteen&#13;
thousand people who are occupied with fishing and shipping in&#13;
the harbor, with the training of midshipmen in the Naval&#13;
Academy, with governing the State of Maryland from the state&#13;
government offices, and with the liberal education of young&#13;
men at St. John's College. A number of retired naval officers and&#13;
men of business live on estates in Anne Arundel County sur·&#13;
rounding the town.&#13;
The College has fifteen buildings on a tract of thirty-two&#13;
acres. Five of these buildings are for student dormitory residence, two of them built as dormitories, and three originally&#13;
used as residences for administrative officers of the College.&#13;
These five buildings are now furnished as residence halls for&#13;
students on a plan for small unit College communities.&#13;
An attempt is made to relate the grouping of students in the&#13;
houses to their seminar groups and their athletic teams. These&#13;
small integrated communities within the larger college community teach the incoming student to accept and enforce&#13;
restraints upon himself and also to make proper use of the help&#13;
&#13;
53&#13;
&#13;
and support that other students can give him in his college life.&#13;
TI:e College has four tem~orary ?uildings on the campus,&#13;
pr.ov1ded by. th~ Federal. Pubh: Housmg Authority, which con~am twelve family dwellmg unit.s. These units were provided in&#13;
an ~~ort to take care of marned veteran students and their&#13;
fanuhes. They are all occupied for the coming academic session.&#13;
Dormitories&#13;
All stud~nt~ not living at home are required to live in the&#13;
College bmldmgs and to take their meals in the Colleg n· ·&#13;
Hall.&#13;
e mmg&#13;
. Eac~ dormi.tory room is provided with the necessary furniture,&#13;
mcludmg a smgle bed with mattress, pillow, pillow cover and&#13;
b~dspread, a chest of drawers, book shelves, Venetian blinds or&#13;
wmdow shades, a study table, chairs, lamp, and a waste basket.&#13;
Towels, bed linen, and blankets are to be supplied by the student, as are also such decorations as window draperies, rugs,&#13;
and runners for chests of drawers and tables. The student should&#13;
:onsult ~is prospective roommate, if any, and his own good taste&#13;
m P.lannmg room decoration. Freshmen are frequently assigned&#13;
to smgle occupancy rooms.&#13;
Old students s~ould apply for rooms before they leave for&#13;
the summer vacat10n. Application blanks may be obtained from&#13;
t~e Manager of the Dining Hall and Dormitories. Students who&#13;
wish to room together should file joint applications.&#13;
New ~tudents ha~e rooms assigned to them tentatively from&#13;
the ~s.SIStant Dean s office as soon as their applications for&#13;
adm1ss10n have been accepted.&#13;
Rooms in dormitories may not be occupied durincr vacations&#13;
except by special permission. The dormitories will b0e open for&#13;
occupancy at the beginning of each term as follows:&#13;
For upperclassmen taking Annual Written Examinations&#13;
from noon of the day before the Examination days.&#13;
For freshi:ien from. noon of the day before registration day.&#13;
For defimte dates m. 1947-48 see the College Calendar.&#13;
The College maintains the care of the dormitories. There are&#13;
stu~ent dormitory managers whose duty it is to report com~&#13;
plamts, to see that the dormitories are kept in order and to&#13;
enforce the following regulations concerning break~ge and&#13;
damage to College property:&#13;
&#13;
�54&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Any damage to College property will be charged to th~&#13;
occupant or occupants of the room, or to the occupants of&#13;
the dormitory, in which the damage occurs.&#13;
.&#13;
Each student must make a deposit of ten dollars with the&#13;
Treasurer of the College on registration. Damage to College&#13;
property will be charged '!gainst this deposit according to ~e&#13;
student's share of responsibility for the damage. The d~pos1t&#13;
must be maintained at all times during the session. It will be&#13;
returned at the end of any session, or upon the withdraw~! ~r&#13;
graduation of the student from the College. This deposit is&#13;
called Caution Money.&#13;
The College reserves the right to repair completely, at the&#13;
expense of the occupant or occup_ants, any dormitory room&#13;
and furniture which have been seriously damaged.&#13;
Intentional damage to College property is a serious offense,&#13;
and it will be dealt with summarily.&#13;
&#13;
The Dining Hall&#13;
&#13;
. .&#13;
&#13;
The Dining Hall is maint~ined by ~he ~a~ager of the Dmmg&#13;
Hall and Dormitories. Special attention is given to a balanced&#13;
diet, an interesting variety of menus, and reas~:mabl~ cost. The&#13;
Dining Hall is closed when the College is not m sess10z:, except&#13;
for single holidays; it will open for supper oi:i the da! JUSt preceding the beginning of each term; and dmner will not be&#13;
served on the last day of each term.&#13;
Infirmary Service&#13;
A fully equipped Infirmary is ma~z:tained at ~e College.&#13;
It is in the charge of the College Physician, two tramed nurses,&#13;
and student assistants.&#13;
The College Physician holds office hours each day at the&#13;
Infirmary. During these hours his services are £I:ee to t~ose&#13;
who have paid their regular College fees. Medical services&#13;
rendered by others than members of the College Infirma:y&#13;
staff, whether for sickness or for athletic injuries, are not paid&#13;
for by the College.&#13;
Any illness must be reported prom~tly b~ the s~udent. Students suffering from contagious or mfect10us diseases must&#13;
reside in the Infimary until discharged by the College Physician.&#13;
The College Physician makes a daily report to the Dean.&#13;
&#13;
HOW TO APPLY FOR ADMISSION&#13;
General&#13;
The revolution which re-established the liberal arts curriculum in St. John's College in 1937 was a movement in the&#13;
Republic of Education which anticipated the current crisis in&#13;
world history. When the liberal arts were reinstated in the&#13;
College, it was known that many of the contemporary educational conventions do not promote the most successful pursuit&#13;
of the liberal arts, but the difficulty of the immediate task that&#13;
faced the College, that of putting a liberal curriculum into&#13;
operation, made advisable the postponement of the solutions&#13;
of some of the more extrinsic problems. So, for the first six&#13;
years, the conventional entrance requirement's were used.&#13;
Then, in December, 1942, when it was clear that students in&#13;
the Liberal Arts colleges were immediately needed for military&#13;
duty, St. John's College decided to make its contribution to the&#13;
w&lt;1.r effort by offering its program to younger students in a&#13;
schedule which would allow them to graduate before being&#13;
called to military service. Beginning in July, 1943, a summer&#13;
term was added to the regular schedule so that the four-year&#13;
course could be completed in three calendar years; students&#13;
were admitted at the beginning of any of the four terms during&#13;
the year; the minimum entrance requirements were two years&#13;
of high school work with a year of algebra, a year of plane&#13;
geometry, and an introductory course in one foreign language.&#13;
With the end of the war, St. John's now judges it possible and&#13;
wise to relieve the strain of its wartime schedule by returning&#13;
to its regular schedule, with no summer session and with admission of new students only at the beginning of the yearly session.&#13;
Requirements&#13;
A student is eligible for admission if he can provide evidence&#13;
of his ability and preparation to pursue the St. John's program&#13;
in terms of the following achievements:&#13;
Credits for&#13;
One and one-half years of algebra&#13;
One year of plane geometry&#13;
Two years of one foreign language&#13;
55&#13;
&#13;
�56&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Together with two of the three following requirements:&#13;
1. Graduation from a high or preparatory school&#13;
2. Passing either&#13;
i. The St. John's Entrance Examinations in arithmetic,&#13;
algebra, plane geometry, English, and one foreign&#13;
language, or&#13;
11. The Psychological Examination published by the&#13;
American Council on Education&#13;
3. A recommendation for work at St. John's College from&#13;
the principal or a teachet in the high or preparatory&#13;
school last attended&#13;
Note that these requirements make it possible for students&#13;
to enter St. John's before completing four years of high school&#13;
work, since these examinations may be taken by any student&#13;
who has not completed his formal preparatory work and wishes&#13;
to make an early start in Col'lege work; for instance, at the end&#13;
of his second year of high school.&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
57&#13;
&#13;
amination fee. We shall then arrange for the rest of&#13;
the examination.&#13;
5. As soon as the Registrar has collected your scholastic record,&#13;
recommendations, and the results of the Entrance Examinations, we shall promptly report the decision of the&#13;
Admissions Committee. No assurance of admission can&#13;
be made before the above data are provided.&#13;
6. If you are not able to pay the full College fees, ask us to send&#13;
you a blank of Application for Student Financial Aid.&#13;
Fill this out with special attention to your Tentative&#13;
Budget, send it to the Assistant Dean, and as soon as&#13;
your admission application has been acted on, we shall&#13;
let you know whether we can help and also how much.&#13;
See section on Financial Aid, p. 61.&#13;
Requests for further information may be directed to the&#13;
Registrar. You are urgently invited to visit the College and to&#13;
discuss further any problems that may need extra consideration.&#13;
No Admission with Advanced Standing from Other Colleges&#13;
&#13;
Procedure&#13;
I. Request a blank of Application for Admission from the&#13;
Assistant Dean.&#13;
2. Fill out the Admission blank as completely as possible, paying special attention to the third page where you are&#13;
asked to give full information concerning your formal&#13;
preparation for college, names and addresses of the high&#13;
or preparatory schools you have attended, with the dates&#13;
of your attendance. You should be careful to give the&#13;
name of your principal or other teacher who will be&#13;
able to give a substantial recommendation of your character and ability. If you think you need or .want to&#13;
enter by examination, pay special attention to the fourth&#13;
(back) page of the application blank.&#13;
3. Return the Application for Admission to the Registrar who&#13;
will then collect your scholastic records and recommendations, and arrange Entrance Examinations if they are&#13;
requested.&#13;
4. If you need or want to take the Entrance Examinations,&#13;
give us the name and address of a teacher or c~l~e.ge&#13;
graduate who will be willing to accept the respons1b1hty&#13;
for administering the examinations to you. We pay such&#13;
persons th,e sum of five dollars which you pay us as ex-&#13;
&#13;
Students who wish to transfer to the St. John's program must&#13;
register as freshmen for the four-year course; no advanced&#13;
standing in the program is granted for other college credits.&#13;
Admission before Graduation from High School&#13;
The College is still eager to admit students who have not&#13;
completed their formal four-year preparatory training, provided&#13;
the student and his parents are persuaded that he is able and&#13;
ready to undertake the responsibilities of a substantial program&#13;
in the liberal arts. The presence of a large number of veterans&#13;
will, for the next few years, make the d.ecision of a student&#13;
to apply for entrance before finishing his high school course&#13;
more hazardous. He should not make this decision without&#13;
consultation with the Dean.&#13;
Veterans' Educational Benefits&#13;
St. John's College is approved and accredited by the Maryland State Board of Education and the Veterans Administration&#13;
for the training of Veterans of World War II who are eligible&#13;
to receive educational benefits under Public Law 346 (the&#13;
Servicemen's Readjustment Act of 1944, or the "G.I. Bill") and&#13;
&#13;
�58&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Public Law 16 (the Vocational R~~abili~ation Act). Under&#13;
Public Law 346, the Veterans Admm1strat10n pays _t~ the College $500.00 for an academic session towards the tmtlon fee ?f&#13;
the veteran student and to the veteran during the academic&#13;
session $65.00 per month subsistence for single veterans an_d&#13;
$90.00 per month for those with dependent~. l!1:1de: Public&#13;
Law 16, veterans who qualify by reason of d1s_ab1h~y mcur~e~&#13;
in service are provided tuition fees and supph~s 1~ith_ a m1mmum subsistence of $105.00 per month, hosp1tahzatlon, and&#13;
additional allowances for dependents.&#13;
·. ·&#13;
h&#13;
Veterans who contemplate reg1stermg at St. Jo. n ' s Colleo-e&#13;
o&#13;
are urged to file their app~ications ~nder Public L_aw 346&#13;
accompanied by certified copies of service rec_ord and discharge&#13;
with their local Veterans Administration Reg10nal Office before&#13;
coming to College, so that their programs may be approved&#13;
and benefits begin as of the day they_ register at _tl~e . C:ollege.&#13;
The Regional Office will issue a Certificate of Ehg1b1hty and&#13;
Entitlement which the veteran will sign and turn over to the&#13;
Treasurer for certification of his admission and enrollmenL&#13;
If the veteran cannot make application to the Veterans&#13;
Administration Regional Office before arrival he may apply at&#13;
the College on a form supplied by the Treasurer:s Office whe~&#13;
he registers. This application m1:st be accompamed by a certified copy of service record and discharge.&#13;
Veterans desiring benefits under Public Law 16 must apply&#13;
directly to the Veterans Administration, and because of the&#13;
time required for consideration and approval, should do so as&#13;
early as possible.&#13;
&#13;
FEES&#13;
&#13;
College Finance&#13;
It is the aim of St. John's College to establish its fees for&#13;
tuition and residence at a figure which will approximate as&#13;
closely as possible the actual cost of furnishing tuition, board&#13;
and room, and meeting the administrative and other operating&#13;
expenses of the College.&#13;
Rising costs of operation for the College have prevented it&#13;
from realizing this aim or principle. In order to meet in part&#13;
these rising costs, St. John's College has established the fee for&#13;
tuition and residence at $1, 100 for all students enrolling in the&#13;
College in the fall of 194 7 or thereafter.&#13;
The College still relies upon other sources of income, principally support by private individuals, and by th\e public&#13;
through State Appropriations for four purposes: dosing the&#13;
gap between operating expense and operating income, financial&#13;
aid to students who are not able to pay the full costs, additions&#13;
to College buildings and equipment, and increasing of the&#13;
small College endowment.&#13;
The various other fixed charges for attendance at St. John's&#13;
are listed in the following paragraphs. In figuring the budget&#13;
for the academic year, each student should include additional&#13;
amounts for books, clothes, stationery, laundry, and other incidentals. The cost of books will in general average about $50&#13;
per year.&#13;
&#13;
Entrance Examination Fee&#13;
If a candidate for admission finds it necessary to take the&#13;
College entrance examinations in order to complete the requirements for admission, he will be charged a fee of $5.00, payable&#13;
to the College upon his request for examination. This fee is&#13;
charged to cover the expense of giving the examination; it will&#13;
not be refunded, nor will it be deducted from other fees.&#13;
&#13;
Annual Fees&#13;
Beginning with the fall term of 1947, the fixed annual fees&#13;
for all students for each year are as follows:&#13;
Tuition .&#13;
Residence&#13;
&#13;
............&#13;
..........&#13;
&#13;
Total ...&#13;
&#13;
.$650.00&#13;
450.00&#13;
&#13;
... $1,100.00&#13;
&#13;
59&#13;
&#13;
�60&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
These fees are payable in full on registration in S~pte~ber&#13;
or if preferred, in three installments: one-half on reg1strat~on,&#13;
o~e-fourth on January 5, and the remaining fourth on ~pnl 5.&#13;
On registering, the student must procure a T_reasurer s Ca_rd&#13;
showing that fees have been paid or that smtable ~nanoal&#13;
·&#13;
arrangements have b een ma d e, in ord er to be admitted to&#13;
.&#13;
classes, dormitories, the dining hall, the library, gymnasmm or&#13;
infirmary.&#13;
&#13;
Payment of Bills&#13;
Bills for College fees are presented directly ~o the student,&#13;
and the student assumes responsibility for their payment on&#13;
the dates due.&#13;
&#13;
61&#13;
&#13;
Deferred Payment of Fees&#13;
There is available to those students, veterans and nonveterans, and their parents who are unable to meet the College&#13;
fees in accordance 1vith the regular schedule a deferred tuition&#13;
plan, which provides for payment in equal in~tallments during&#13;
the College year, in most instances, nine installments. This&#13;
method of deferred tuition payment is handled through "Tuition Plan, Inc.," a corporation which offers this service to many&#13;
schools and colleges throughout the country. The plan is put&#13;
into effect by a contract signed by the parent or guardian of the&#13;
student and by the College and handled entirely by "Tuition&#13;
Plan, Inc." The additional cost is four per cent of the amount&#13;
financed.&#13;
&#13;
Payment of Fees by Veteran Students&#13;
&#13;
Refunds on Fees&#13;
If a student has paid any installment on his fees beyond _the&#13;
dates on which installments are due (September reg1strat10n,&#13;
January 5, April 5, and withdraws from College for any&#13;
cause whatever, such advance payment shall be refunded. But&#13;
no installment already due shall be refunded, :regardless of the&#13;
cause of withdrawal.&#13;
.&#13;
The College is not in business and does not regard itself as&#13;
sellino- instruction or food or lodging to students. Its fees can&#13;
best be understood by the student if he regards t~em as membership dues. These dues help the College to prov1d~, not only&#13;
instruction, food, and lodging, but also proper ~e?1cal_ supervision, athletic facilities, and whatever othe: cond1t10n~ it finds&#13;
best adapted to forward the common learmng enterpnse.&#13;
&#13;
Caution Money&#13;
Each student must make a deposit of $10.00 with the Treasurer on registration, subject to charges for laboratory ~reak­&#13;
age and damage to College proper~y. The ~mount of ~lus deposit must be maintained ~t a~l times durmg the session. A&#13;
refund check for this deposit will be sent to the s_tudent upon&#13;
.&#13;
nnd ~f '"'~" ._....._w.;;~......,&#13;
requeSl af•e-' ·he ...;_, , v o..Ai:. J ~&lt;&gt;~eion or after withdrawal or&#13;
l&#13;
Ll&#13;
graduation from College. Except for the caut10n money deposit, which is refundable after the close of the college year, the&#13;
College has no extra fees.&#13;
.i&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
-&#13;
&#13;
•&#13;
&#13;
For the veterans who have qualified to receive educational&#13;
benefits under Public Law 346, the Veterans Administration&#13;
pays to the College $500.00 for the academic session towards the&#13;
tuition fee of $650.00. The balance of this fee, amounting to&#13;
$150.00, and the residence fee of $450.00, or a total of $600.00,&#13;
is the direct responsibility of the veteran and must be paid by&#13;
him to the College. However, the College has arranged a&#13;
schedule of monthly payments of this balance, whereby the&#13;
veteran is enabled to use his monthly subsistence payment from&#13;
the Veterans Administration to meet in part his monthly payment to the College. In the case of a single veteran who receives&#13;
$65.00 per month subsistence, or approximately $585.00 for the&#13;
academic session of 9 months, the monthly payments to the&#13;
College will be slightly in excess of his subsistence payments&#13;
since his total balance due on fees to be paid to the College by&#13;
him is $600.00 for the academic session.&#13;
For the veteran qualified to receive educational benefits&#13;
under Public Law 16, the Veterans Administration will pay to&#13;
the College the tuition fee of the veteran student and charges&#13;
for books and supplies. The veteran will be directly responsible for payment to the College of the fee for residence, which&#13;
can also be paid in monthly installments timed to coincide with&#13;
his monthly subsistence checks.&#13;
The veteran qualified under Public Law 346 may elect to&#13;
have the Veterans Administration pay the excess of tuition&#13;
&#13;
�62&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
over $500.00 or $150.00, by surrendering entitlement at the&#13;
rate of one day for each $2.10 of such excess costs. Such an&#13;
election by the veteran would mean that his period of entitlement would be reduced by approximately 71 days for one&#13;
academic session. The veteran may also elect to have the&#13;
Veterans Administration pay for books and supplies for each&#13;
year up to a total charge of $50.00 under the same plan. A form&#13;
to take advantage of this plan is available at the Treasurer's&#13;
Office upon registration.&#13;
&#13;
FINANCIAL AID&#13;
&#13;
College Aid&#13;
Students unable to pay the full cost of their education may&#13;
get assistance from the College. If the total assistance which&#13;
a student needs for three terms amounts to not more than $200,&#13;
the College will undertake to advance him a loan of the amount&#13;
required and to find him employment at the College that will&#13;
yield him sufficient wages to repay his loan during the period&#13;
for which the money is needed. These loans do not bear&#13;
interest,&#13;
Since the available amounts of both work and money are&#13;
limited, only students who could not otherwise meet their&#13;
College expenses should apply for assistance.&#13;
The procedure for obtaining a loan from the •Student Aid&#13;
Fund of the College is to sign a loan agreement by which the&#13;
student engages himself to repay his loan as fast as his capacity&#13;
to earn money will permit. As fast as he makes payments on&#13;
this loan, new and smaller loan agreements will be substituted&#13;
for the one the Student Aid Fund holds. The privilege of borrowing from the Student Aid Fund is reserved to those who&#13;
perform satisfactorily for the College the work for which they&#13;
receive wages and for those who curta.il their loan promptly to&#13;
the limit which their wages will permit.&#13;
If the total assistance needed for the academic year amounts&#13;
to more than $200, the College will either make up the excess&#13;
by an outright grant from the Student Aid Fund or else reject&#13;
the application altogether. This practice is based on the experience that in most cases $200 is all the student can earn without&#13;
endangering his studies and on the College's belief that it is&#13;
undesirable that its members should graduate with a burden&#13;
of debt to the College. Outright grants are made only where&#13;
aid is so clearly needed and merited that the College can successfully appeal for donations to persons who are strangers to&#13;
the applicant.&#13;
The Committe on Aid will reject all applications, whether&#13;
for loans and employment or for outright grants, which do not&#13;
clearly demonstrate that all local sources have been thoroughly&#13;
canvassed. The Committee has the grave responsibility of&#13;
63&#13;
&#13;
�CATALOGUE 01' ST. JOHN'S COLLEGE&#13;
&#13;
administering justly a common financial resource of the community of scholars which the applicant seeks to join. It therefore subjects each case to a thorough investigation and it cannot initiate this investigation until the student aid blank has&#13;
been filled out fully, dearly, and accurately, and with sufficient detail to enable a judgment to be made.&#13;
All students hold aid, whether loan and employment or&#13;
money grant, only on condition that they maintain good&#13;
academic standing. Application for aid should be made at the&#13;
time the formal application for admission is forwarded to the&#13;
Registrar.&#13;
Maryland State Scholarships&#13;
Residents of the several counties of Maryland and the six&#13;
legislative districts of Baltimore are eligible to take the competitive examinations for scholarships at St. John's College.&#13;
Twenty-nine of these scholarships pay full fees, including tuition, board, and room; twenty-nine pay tuition fees only. They&#13;
are granted for four years, or in the case of a student ahe_ady&#13;
at the College, for the remainder of his course to graduat10n,&#13;
In all counties and legislative districts the competitive examinations are administered by the respective county or city&#13;
School Boards, and reports are rendered to the respective Senators who make the formal appointments. The College supplies&#13;
the examinations and grades the papers in all except two counties, Montgomery and Prince George's, where the School Boards&#13;
examine candidates and report directly to each Senator.&#13;
All appointments are conditional upon admission of the&#13;
candidate to the College.&#13;
The procedure for application, examination, and appointment to State scholarships is as follows:&#13;
l. Candidates, who must be residents of the county or district&#13;
that has an open scholarship, should watch the newspapers for the announcement of the time and place of&#13;
the examination and apply to the local School Board for&#13;
examination.&#13;
2, Candid3',tes ~hould mpply to thefr respective Senators evidence of their good character and financial need.&#13;
3. Appointees will be notified of their appointments by the&#13;
Senator and by the College.&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
65&#13;
&#13;
Schofar,ships Awarded by the College&#13;
THE PHILIP&#13;
&#13;
A.&#13;
&#13;
MYERS,&#13;
&#13;
H,&#13;
&#13;
SCHOLARSHIP&#13;
&#13;
To be awarded annually, the income from $10,000, the gift of&#13;
Philip A. Myers, II, Class of 1938.&#13;
THE CLIFTON&#13;
&#13;
c.&#13;
&#13;
ROEHLE SCHOLARSHIP&#13;
&#13;
To be awarded in tuition, the income from $6,000, the bequest of Mrs. Anna M. D. Roehle, in memory of her son,&#13;
Clifton C. Roehle.&#13;
THE JEREMIAH HUGHES SCHOLARSHIP&#13;
&#13;
To be awarded annually to some deserving student, preferably a resident of Annapolis, the sum of $30.00 to be applied&#13;
to the cost of tuition.&#13;
THE FRIEDRICH JONATHAN voN ScHWERDTNER SCHOLARSHIP&#13;
&#13;
To be awarded in tuition, to some deserving student, the&#13;
income fram the bequest offered annually under the will of&#13;
the late Friedrich Jonathan von Schwerdtner, in memory of his&#13;
son, Friedrich.&#13;
&#13;
Scholarships Awarded by Patriotic Societies&#13;
THE MATTHEW FONTAINE MAURY SCHOLARSHIP&#13;
&#13;
Awarded by the United Daughters of the Confederacy to a&#13;
student of exceptional character and scholarship and of established Confederate lineage. This scholarship is applied to tuition and residence fees, in accordance with the needs of the&#13;
student selected, and is awarded at present for four years unless&#13;
the appointee fails to maintain the required standard in his&#13;
academic record. Applications should be addressed directly to&#13;
Mrs. Sidney Cox, Smithfield, Virginia.&#13;
SCHOLARSHIP OF THE COLONIAL DAMES OF AMERICA&#13;
&#13;
Applicants for this scholarship are expected to submit evidence that they are of colonial descent and that they themselves revere the ideals and standards of their forbears. Appli-&#13;
&#13;
�66&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
canon should be made to the Chairman of the Scholarship&#13;
Committee of the Colonial Dames of America: Mrs. Henry 0.&#13;
Milliken, 421East6lst Street, New York City.&#13;
&#13;
Scholarships at Other Institutions for St. John's Students&#13;
&#13;
APPENDIX A&#13;
A SHORT EDUCATIONAL HISTORY OF ST. JOHN'S&#13;
COLLEGE&#13;
small&#13;
arts college for men,&#13;
ST.ItJOHN'S COLLEGE is aand hasliberal so since its founding.&#13;
is non-denominational,&#13;
been&#13;
It has never been coeducational. It maintains no graduate or pro-&#13;
&#13;
SCHOLARSHIPS IN ENGINEERING&#13;
&#13;
Three scholarships in engineering are offered at the Johns&#13;
Hopkins University to graduates of St. John's College.&#13;
.&#13;
These scholarships are awarded by the Faculty Committee&#13;
on Scholarships and Student Aid.&#13;
SCHOLARSHIPS IN MARINE BIOLOGY&#13;
&#13;
A tuition scholarship applicable to an approved course either&#13;
at the Biological Laboratory at Cold Spring Harbor, New&#13;
York, or at the Marine Biological Laboratory, Woods Hole,&#13;
Massachusetts, is offered annually to graduates of St. John's.&#13;
This scholarship is awarded by the Faculty Committee on&#13;
Scholarships and Student Aid.&#13;
&#13;
fessional schools. It is the third oldest college in the United States.&#13;
&#13;
1696&#13;
King William's School, first public free school on the American&#13;
Continent, founded in accordance with the following Petitionary&#13;
Act of the General Assembly of colonial Maryland:&#13;
A Petitionary act for free-schools. Lib. LL. No. 2, fol. 115.&#13;
Dread Sovereign . . . .&#13;
Being excited by his present Excellency, Francis Nicholson,&#13;
Esq.; your Majesty's Governor of this your Province, his&#13;
Zeal for your Majesty's Service, pious Endeavors and generous Offers for the Propagation of Christianity and good&#13;
Learning, herein we become humble Suitors to your most&#13;
sacred Majesty, to extend your Royal Grace and Favour to&#13;
us your Majesty's Subjects of this Province, represented&#13;
in this your Majesty's General Assembly thereof, THAT IT&#13;
MAY BE ENACTED.&#13;
II. AND MAY IT BE ENACTED, by the King's most excellent&#13;
majesty, by and with the advice, prayer and consent of this&#13;
present General Assembly, and the authority of the same,&#13;
That for the propagation of the gospel, and the education of&#13;
the youth of this province in good letters and manners, that a&#13;
certain place or places, for a free-school, or place of study of&#13;
Latin, Greek, writing, and the like, consisting of one master,&#13;
one usher, and one writing-master, or scribe, to a school, and&#13;
one hundred scholars, more or less, according to the ability of&#13;
the said free-school, may be made, erected, founded, propagated and established under your royal patronage. And that&#13;
the most reverend father in God, Thomas, by Divine Providence lord-archbishop of Canterbury, primate and metropolitan of all England, may be chancellor of the said school; and&#13;
that, to perpetuate the memory of your majesty, it may be&#13;
called King William's School, and managed by certain trustees, nominated, and appointed by your sacred majesty.&#13;
Laws of Maryland, Session of July 1-9, 1696.&#13;
67&#13;
&#13;
�CATALOGUE 01'' ST. JOHN'S COLLEGE&#13;
&#13;
68&#13;
&#13;
1776&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
The original Board of Visitors and Governors was as follows:&#13;
William West, D.D.&#13;
Thomas J. Claggett, D.D.&#13;
Nicholas Carroll&#13;
John H. Stone&#13;
William Beanes&#13;
Richard Ridgely&#13;
Samuel Chase •&#13;
John Thomas&#13;
Thomas Stone •&#13;
Alexander Hanson&#13;
Thomas Jennings&#13;
&#13;
According to tradition King William's School was used as a gunshop during the Revolutionary War.&#13;
&#13;
1785&#13;
&#13;
St. John's College chartered by the General Assembly of the&#13;
State of Maryland:&#13;
WHEREAS, Institutions for the liberal education of youth in&#13;
the principles of virtue, knowledge and useful literature are&#13;
of the highest benefit to society, in order to train up and&#13;
perpetuate a succession of able and honest men for discharging the various offices and duties of life, both civ_il ~nd&#13;
religious, with usefulness and reputation, and such mstltutions of learning have accordingly been promoted and encouraged by the wisest and best regulated States:&#13;
Be it enacted, by the General Assembly of Maryland, That&#13;
a college or general seminary of learning, by the name of&#13;
Saint John's, be established on the said Western Shore, upon&#13;
the following fundamental and inviolable principles, namely:&#13;
first, said college shall be founded and maintained forever,&#13;
upon a most liberal plan, for the benefit of y~uth of every&#13;
religious denomination, who shall be freely admitted to equal&#13;
privileges and advantages of education, and to all the literary&#13;
honors of the college, according to their merit, without requiring or enforcing any religious or civi_l _test, or wi~out&#13;
their attendance upon any particular religious worship or&#13;
service, other than what they have been educated in, or have&#13;
the consent and approbation of their parents or guardians to&#13;
attend; nor shall preference be given in the choice of a&#13;
principal, vice-principal, or other professor, master, or tutor,&#13;
in the said college, on account of his particular religious profession, having regard solely to his moral character and&#13;
literary abilities, and other necessary qualifications to fill the&#13;
place for which he shall be chosen. . . . .&#13;
The petition for this Charter was signed by William Paca• and&#13;
others.&#13;
&#13;
69&#13;
&#13;
James Brice&#13;
John Allen Thomas&#13;
Gustavus R. Brown&#13;
Edward Gantt&#13;
Clement Hill&#13;
Richard Sprigg&#13;
Charles Carroll of Carrollton •&#13;
Jeremiah T. Chase&#13;
Charles Wallace&#13;
John Carroll, D.D.&#13;
&#13;
First Principal of St. John's College, Dr. John McDowell.&#13;
&#13;
1786&#13;
The property, funds, masters, and students of King William's&#13;
School conveyed by an Act of the General Assembly to St. John's&#13;
College.&#13;
Reverend Ralph Higginbotham, Master of King William's School,&#13;
became Vice Principal of St. John's College.&#13;
Two members of the Board of Visitors and Governors of King&#13;
William's School became Visitors and Governors of St. John's&#13;
College&#13;
&#13;
1791&#13;
George Washington visits St. John's College.&#13;
To the Faculty of St. John's College:&#13;
Gentlemen:&#13;
The satisfaction which I have derived from my visit to your infant seminary&#13;
is expressed with much pleasure, and my wishes for its progress to perfection&#13;
are proffered with sincere regard.&#13;
The very promising appearance of its infancy must flatter all its friends (with&#13;
whom I entreat you to class me), with the hope of an early and at the same&#13;
time mature manhood.&#13;
You will do justice to the sentiments which your kind regard toward me&#13;
inspires, by believing that I reciprocate the good wishes contained in your&#13;
address, and I sincerely hope the excellence of your seminary will be manifested&#13;
in the morals and science of the youths who are favored with your care.&#13;
ANNAPOLIS, April 17, 1791.&#13;
&#13;
• Signer of the Declaration of Independence&#13;
• Signers of the Declaration of Independence.&#13;
&#13;
GEOltGE&#13;
&#13;
WASHINGTON&#13;
&#13;
�--------------70&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
1868&#13;
&#13;
1796&#13;
Graduation of Francis Scott Key, District Attorney of the United&#13;
States; author of The Star Spangled Banner.&#13;
&#13;
1799&#13;
Graduation of George Washington Parke Custis, step-grandson&#13;
of George Washington. Fairfax and Lawrence Washington, nephews&#13;
of George Washington, were also students at the College.&#13;
&#13;
1835&#13;
Curriculum during the Principalship of the Reverend Hector&#13;
Humphreys.&#13;
First Year&#13;
Greek&#13;
Xenophon&#13;
Herodotus&#13;
Thucydides&#13;
Lysias&#13;
Demosthenes&#13;
Isocrates&#13;
Plato&#13;
Latin&#13;
Livy&#13;
Horace&#13;
Virgil&#13;
Mathematics&#13;
Algebra&#13;
&#13;
Second l'ear&#13;
Greek&#13;
Homer&#13;
Hesiod&#13;
Tragedies&#13;
Latin&#13;
Juvenal&#13;
Cicero&#13;
Mathematics&#13;
Plane Geometry&#13;
Solid Geometry&#13;
Logarithms&#13;
Trigonometry&#13;
&#13;
Third Year&#13;
Greek&#13;
Minor Poets&#13;
Latin&#13;
Tacitus&#13;
Mathematics&#13;
Applications of&#13;
Trigonometry&#13;
Conic Sections&#13;
Chemistry&#13;
Natural Philosophy&#13;
Elements of Criticism&#13;
&#13;
Fourth Year&#13;
Latin&#13;
Horace&#13;
Natural Philosophy&#13;
Logic&#13;
Astronomy&#13;
Geology&#13;
Civil Engineering&#13;
American History&#13;
Political Economy&#13;
Natural Theology&#13;
&#13;
English Composition and Declamation in all four years.&#13;
Modern Languages by special arrangement in addition.&#13;
&#13;
Curriculum during Principalship of James C. Welling.&#13;
First Year&#13;
Greek&#13;
Homer&#13;
Herodotus&#13;
Latin&#13;
Virgil&#13;
Cicero&#13;
Livy&#13;
Horace&#13;
Mathematics&#13;
Algebra&#13;
Geometry&#13;
English&#13;
&#13;
Second Year&#13;
Greek&#13;
Xenophon&#13;
Plato&#13;
Euripides&#13;
Lucian&#13;
Latin&#13;
&#13;
19th Century Literature&#13;
&#13;
Horace&#13;
Cicero&#13;
Terence&#13;
Mathematics&#13;
Logarithms&#13;
Trigonometry&#13;
Solid Geometry&#13;
English&#13;
Shakespeare&#13;
18th Century Literature&#13;
&#13;
1 hird Year&#13;
Greek&#13;
Plato&#13;
iEschylus&#13;
Thucydides&#13;
Sophocles&#13;
Latin&#13;
Cicero&#13;
Juvenal&#13;
Plautus&#13;
English&#13;
Shakespeare&#13;
Spencer&#13;
Taylor&#13;
Hooker&#13;
Milton&#13;
Mathematics&#13;
Theory of Equations&#13;
Analytic Geometry&#13;
Descriptive Geometry&#13;
Use of Instruments&#13;
Natural Philosophy&#13;
Chemistry&#13;
Historical Methods&#13;
&#13;
Fourth Year&#13;
Greek&#13;
Lectures in Philosophy&#13;
Plato&#13;
and Social Science on:&#13;
Aristotle&#13;
Plato&#13;
Aristophanes&#13;
Aristotle&#13;
Demosthenes&#13;
Augustine&#13;
Latin&#13;
Thomas Aquinas&#13;
Tacitus&#13;
Vi co&#13;
Lucretius&#13;
Descartes&#13;
Persius&#13;
Bacon&#13;
Quintilian&#13;
Bossuet&#13;
English&#13;
Pascal&#13;
Authors of 13th, 14th, Paley&#13;
and 15th Centuries&#13;
Locke&#13;
Mathematics&#13;
Spinoza&#13;
Analytic Geometry&#13;
Montesquieu&#13;
Calculus&#13;
Kant&#13;
Mechanics&#13;
De Tocqueville&#13;
Natural Philosophy&#13;
Adam Smith&#13;
Astronomy&#13;
Fichte&#13;
Logic&#13;
Hegel&#13;
Evidence of Christianity&#13;
Buckle&#13;
Lecky&#13;
Malthus&#13;
Mill&#13;
Butler&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
72&#13;
&#13;
1886-1923&#13;
Presidency of Thomas Fell. A curriculum of Block Electives and&#13;
Military Training.&#13;
I.&#13;
2.&#13;
3.&#13;
4.&#13;
&#13;
Classical Course leading to the B. A. Degree.&#13;
Latin Scientific Course leading to the B. L. Degree&#13;
Scientific Course leading to the B. S. Degree&#13;
Mechanical Engineering Course leading to the M. E. Degree&#13;
&#13;
1923-1937&#13;
Period of Progressive Studies under the Open Elective System.&#13;
&#13;
1937&#13;
Restoration of the traditional program of Classics and Liberal&#13;
Arts unique in American colleges of today.&#13;
&#13;
APPENDIX B&#13;
THE DEGREE OF BACHELOR OF ARTS AT&#13;
ST. JOHN'S COLLEGE&#13;
Just as institutions are necessary for the carrying on of learning,&#13;
although these very institutions may become its greatest hindrance&#13;
through unwise direction and time's dullness, so any institution of&#13;
learning must require of its students certain marks and signs of their&#13;
attainments and progress even though misuse of such requirements has often prevented true progress. Their use must entail&#13;
care. Such requirements are inevitable if an institution is to pronounce public judgment upon its students, that is, to grant degrees.&#13;
The original title of Bachelor of Arts signified the first officially&#13;
recognized stage of competence in the seven liberal arts and sciences:&#13;
grammar, rhetoric, logic, arithmetic, geometry, music, and astronomy. The St. John's degree of Bachelor of Arts signifies competence&#13;
in the modern equivalent of these arts and sciences. This implies:&#13;
I. Knowledge of the contents of the required books in the list.&#13;
2. Competence in mathematics through the elementary calculus.&#13;
3. A reading knowledge of at least two foreign languages.&#13;
4. Four hundred and fifty hours of laboratory training.&#13;
Now, since students are of different capacities, and since colleges&#13;
of liberal arts, of all institutions of learning, are called upon to&#13;
judge not only of the attainments of their students but also of their&#13;
progress, it therefore seems wise that St. John's College offer three&#13;
degrees: namely, Bachelor of Arts magna cum laude, Bachelor of&#13;
Arts cum laude, Bachelor of Arts rite. The first to be awarded to&#13;
those students who, in the opinion of the faculty, are judged satisfactory both in attainments and progress, and capable of pursuing&#13;
their work in Law, Medicine and Theology or in the graduate&#13;
schools of language and literature, mathematics, the natural&#13;
sciences, and logic and metaphysics. The third to be awarded to&#13;
those students who, in the opinion of the faculty, have made sufficient progress in the intellectual virtues to warrant recognition by&#13;
the college, but on whose actual powers of operation in the several&#13;
arts and sciences and therefore on whose actual capacity for advancing further in professional or graduate schools, the faculty declines&#13;
to make a final judgment. The second degree represents a less&#13;
eminent case of the first.&#13;
In awarding degrees, the faculty must set up ways and means of&#13;
reaching decisions. To this end the following stipulations are made:&#13;
At the end of his third year, the student must stand four written&#13;
enabling examinations, one in language, one in mathematics, two in&#13;
73&#13;
&#13;
Preamble&#13;
&#13;
Degrees&#13;
&#13;
Ways &amp;&#13;
1'1eans&#13;
Enab~ing&#13;
&#13;
examinations&#13;
&#13;
�74&#13;
&#13;
Petition&#13;
&#13;
Disser·&#13;
tation&#13;
(general)&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
laboratory, theoretical and operational, and one oral examination&#13;
on seminar reading. These examinations are given normally in&#13;
September after the third year, although the student has the right&#13;
to demand them in June of the third year.&#13;
These examinations are largely technical in character. But the&#13;
technique required must be at all times related to the whole body&#13;
of the liberal arts and to appropriate subject matters. This relatedness is formally guaranteed by basing the enabling examinations on&#13;
a list of books named in Appendix I. The examination in language&#13;
covers general questions of grammar of all four languages, and logic.&#13;
The mathematics examination covers specifically simple operations&#13;
in geometry, conics, trigonometry, analytic geometry, and in the&#13;
differential calculus. The examination in laboratory covers specifically the analysis and operation of certain important instruments&#13;
to be named in Appendix I, p. 74.&#13;
After having taken his enabling examinations, the student may&#13;
petition the faculty to accept him as a candidate for the degree of&#13;
Bachelor of Arts, to be granted at the end of his fourth year. The&#13;
faculty through a committee then examines the, student's record up&#13;
to the time of the petition together with his performance on the&#13;
enabling examinations. It may make one of three judgments: either&#13;
(1) the student is accepted as a candidate for the degree, or (2) he&#13;
is not accepted but allowed to complete his fourth year of college&#13;
work, or (3) he is dismissed from the college.&#13;
In examining a student's record the committee of the faculty&#13;
especially named for this purpose is at liberty to question the tutors&#13;
and seminar leaders of the student both past and present, and the&#13;
student himself, as well as the formal judgment preserved in the&#13;
way of term marks or examination grades, or any examination&#13;
papers or yearly theses at hand. It would be a general principle that&#13;
the faculty not accept as a candidate for the degree any student who&#13;
had consistently neglected and ignored or had consistently failed in&#13;
any of the essential divisions of the first three years' program; that&#13;
is, either language and literature, or the liberal arts, or mathematics&#13;
and the natural sciences.&#13;
But the faculty committee, although refusing to accept a student&#13;
as a candidate for the degree, may judge the student capable of&#13;
benefiting from the fourth year's work without detriment to the&#13;
college community.&#13;
Any student accepted as a candidate for a degree or allowed to&#13;
remain the fourth year must then indicate a subject for a dissertation, to be agreed upon by the faculty, to be written during his&#13;
fourth year, and to be publicly expounded, amplified, and interpreted satisfactorily by him prior to the granting of the degree.&#13;
While the degree can not be granted before the end of the fourth&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
75&#13;
&#13;
year, the student may request more time to prepare and subm"t h"&#13;
disser.ta~ion for the apprthoval of the faculty. He may even re~ue~:&#13;
11&#13;
perm~ss10n to retur_n to&#13;
e co .ege for a fifth year, attending what&#13;
tutorials, laboratories, and semmars he pleases within the limits of&#13;
college discipline.&#13;
The student will choose, and the faculty will accept, a subject for&#13;
dissertation with an eye to all the first four years' work, and not as&#13;
a piece of specialized research or contribution to knowledge.&#13;
The Instruction Committee acts as an Examining Board. The&#13;
duties of the Examining Board are as follows:&#13;
1. To formulate and administer the Enabling Examinations&#13;
which are to be given in September.&#13;
2. To accept and approve projects for the final dissertation. Such&#13;
projects must be prepared and formulated by each candidate with&#13;
the help of a faculty adviser.&#13;
3. To read and accept the final dissertation, to administer the&#13;
final examination, and to recommend candidates for degrees.&#13;
&#13;
Disser-&#13;
&#13;
tation&#13;
(particu·&#13;
Iar)&#13;
Examining&#13;
&#13;
Board&#13;
&#13;
APPENDIX I&#13;
&#13;
The books of the first three years. on which the Enabling Examination are to be focussed are the following:&#13;
Texts studied in Tutorial&#13;
Republic&#13;
Organ on&#13;
Confessions&#13;
De Ente et Essentia&#13;
Social Contract&#13;
Les Pensees&#13;
&#13;
Euclid&#13;
Archimedes&#13;
Apollonius&#13;
Ptolemy&#13;
Galileo&#13;
Descartes&#13;
Newton&#13;
Boole&#13;
&#13;
Texts studied in Seminar&#13;
Iliad&#13;
Republic&#13;
Timaeus&#13;
&lt;Edi pus&#13;
Poetics&#13;
Physics&#13;
Galen&#13;
Divine Comedy&#13;
Don Quixote&#13;
&#13;
Hamlet&#13;
King Lear&#13;
The Tempest&#13;
Harvey&#13;
Lavoisier&#13;
Wealth of Nations&#13;
Federalist Papers&#13;
&#13;
As stated above, the examination in laboratory will cover specifically the operation and explanation of certain important instruments. The following list is arranged under three headings: Elements, Scopes, and Meters. There are two classes of scientific instruments: scopes and meters. The scopes are aids to observation and&#13;
the meters are aids to measurement. Witl;t the former, distinctions&#13;
&#13;
I&#13;
/I&#13;
&#13;
I&#13;
&#13;
I&#13;
&#13;
I&#13;
ii&#13;
ti&#13;
&#13;
ii&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
76&#13;
&#13;
of a qualitative kind can be made such as between more and less,&#13;
up and down, straight and not straight. The latter permit us to&#13;
make quantitative judgments, that is, to associate through similar&#13;
ratios some one of a series of numbers with the thing observed.&#13;
Often the same piece of apparatus can be used either as a scope or&#13;
as a meter. The elements are certain devices, not scientific instruments themselves, which enter into the construction of different&#13;
instruments.&#13;
Elements&#13;
Solids&#13;
Crystals&#13;
Fluids&#13;
Gases&#13;
Lever&#13;
Inclined plane&#13;
Screw&#13;
Pulley&#13;
Floating body&#13;
Spring&#13;
Pendulum&#13;
Magnet&#13;
Mirror&#13;
Lens&#13;
Prism&#13;
Grating&#13;
&#13;
Scopes&#13;
Straight edge&#13;
Plumb line, gnomon&#13;
Compasses, divider&#13;
Tuning fork&#13;
Electroscope&#13;
Telescope&#13;
Microscope&#13;
Oscilloscope&#13;
Stroboscope&#13;
&#13;
Meters&#13;
Scale&#13;
Ruler&#13;
Balance with set of&#13;
weights&#13;
Spring balance&#13;
Strength-of-materials&#13;
testing machine&#13;
Water clock&#13;
Barometer&#13;
Sonorneter&#13;
Disk siren with clock&#13;
and counter&#13;
Thermometer&#13;
Magnetic compass&#13;
Coulombmeter&#13;
Tangent galvanometer&#13;
Dioptra&#13;
Astrolabe&#13;
Micrometer microscope&#13;
Spectrometer with minimum deviation prism&#13;
&#13;
The examination in laboratory will be in two parts. In one the&#13;
student will be asked to make certain observations and measurements with some of the above instruments, and in the other to&#13;
answer questions on the theory and application of some of the&#13;
elements and instruments. The :references for this examination are&#13;
the mimeographed laboratory notes and the student's written reports of the first three years, as well as the scientific books among&#13;
the texts named above.&#13;
&#13;
APPENDIX C&#13;
INTERCOLLEGIATE ATHLETICS&#13;
By STRINGFELLOW&#13;
&#13;
BARR,&#13;
&#13;
President&#13;
&#13;
ST. JOHN'S COLLEGE RADIO PROGRAMS. SERIES ll, NO. J&#13;
From Station WFBR in Baltimore, Nov. 20, 19J8&#13;
&#13;
I propose to discuss an important step which St. John's College&#13;
has taken within the past ten days. Many of those who are listening&#13;
to me, including alumni members of the College, will by now almost&#13;
certainly have been told by somebody that the College administration has abolished athletics. Those who believed this statement&#13;
should, it seems to me, be gravely disturbed. I think I ought&#13;
promptly to disabuse them. To keep the record straight, I shall&#13;
therefore first state the facts. Athletics have not been abolished,&#13;
but the College has decided that after the dose of the present&#13;
academic session athletic facilities will be increased and at the same&#13;
time will be placed on a strictly intramural basis.&#13;
I am explaining tonight why significant changes have been announced in the athletic system at St. John's, to take effect next&#13;
September; but in explaining these changes I am discussing liberal&#13;
education in a democracy.&#13;
The system of intercollegiate athletics which has developed during the past twenty years will no longer support the prime purpose&#13;
of a liberal college. I suppose I ought to have forseen this. But I&#13;
didn't. Certainly, there have been enough Carnegie reports, enough&#13;
magazine articles by candid writers like John Tunis to convince&#13;
men of my generation that we are sheer sentimentalists and ignoramuses if we suppose that intercollegiate athletics are the same thing&#13;
we remember from twenty years back. They do things better now,&#13;
with rose bowls, cotton bowls, and sugar bowls; with costly equipment, transcontinental journeys, and big money; with costly coaches&#13;
and costly quarterbacks. I knew all this. The first thing I learned&#13;
about athletics on arrival at St. John's was that we were booked to&#13;
play our unnatural rivals, Army and N. Y. U.-in an effort to keep&#13;
down the high cost of modern athletics by earning a good "gate."&#13;
But still I thought it might be possible to adapt intercollegiate&#13;
athletics to educational ends, to pare down schedules, to decline&#13;
with thanks such games as Army and N. Y. U., and to protect the&#13;
:::oaches from criticism if they lost games by refusing to hire athletes.&#13;
l was mistaken.&#13;
The thing that taught me I was mistaken was what happened&#13;
when intercollegiate athletics collided with a curriculum that really&#13;
required work. Yet I should have known this by analogy. I had&#13;
77&#13;
&#13;
�78&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
known countless students who withdrew from intercollegiate&#13;
athletics when they entered medical or other professional work.&#13;
They withdrew because they knew, along with everybody else, that&#13;
you have to study to earn an M. D. while ordinarily you don't have&#13;
to study to earn a B. A. The undergraduate fills in his idle time&#13;
with athletics, which at its most professionalized is a lot better thing&#13;
to fill idle time with than some other things I know. But suppose&#13;
there isn't any idle time? Suppose there is just enough leisure time&#13;
for healthful outdoor games? Then every athletic trip becomes a&#13;
crisis and not what is known as an "athletic excuse." For students&#13;
who are really doing serious work know without being told that you&#13;
can't "make up" for something you should have learned but didn't,&#13;
by using the magic word "excuse." An excuse may square you with&#13;
the Dean. It won't convert ignorance into knowledge. There is no&#13;
reason on this round earth why securing a liberal education in an&#13;
undergraduate college should be a less serious business than acquiring a medical education in a medical school. But if it is a serious&#13;
business, then it had better steer dear of another very serious business, indeed a highly organized "big" business, intercollegiate&#13;
athletics. For this big business has its own exigencies: those who&#13;
won't meet them had better keep out.&#13;
That big business substitutes spectator psychosis for actual participation, cheering sections for playing teams, an orgy of sportsgoods equipment for costumes fit to have fun in, large business&#13;
staffs with long-term schedules for the old-time impromptu challenge&#13;
of natural antagonists, monotonous physical drill for learning to&#13;
play by playing, pressure from fellow-students for zest to play, the&#13;
exhibitionism of star performers for the satisfaction of playing well&#13;
because it is more fun to play a game well than badly. The sum&#13;
total of these things is hysteria, lost motion, the death of the&#13;
amateur spirit, and an athletic system that competes with study&#13;
instead of supplementing and strengthening it.&#13;
We have all known these things for years, unless we have been&#13;
ostriches or Rip Van Winkles. But I repeat, they don't prove fatal&#13;
so long as undergraduate education is run in low gear. In fact, I&#13;
should insist again that, so long as education is run in low gear,&#13;
these things are better than idleness. But there is something better&#13;
still, and that something is amateur athletics, amateur athletics of a&#13;
quality no college can achieve so long as it is meshed in with the&#13;
new kind of athletics, the big-business kind. The educational program now going on at St. John's must have the support of amateur&#13;
athletics. It must have it, because amateur athletics is rich in terms&#13;
of health, recreation, skill, and co-ordination. To get that support,&#13;
it will expand its intramural athletics. More varieties of sport will&#13;
&#13;
be offered and more facilities. Our colleges are often abusively&#13;
called country clubs. I want to see St. John's offer the sort of&#13;
athletic facilities ~ good country club offers. Every game we now&#13;
play we shall contmue to play, except that the six-man football we&#13;
started this year will replace the standard game. In addition we&#13;
want to exRand water sport~, with particular emphasis on sailing.&#13;
The alumm have already given us one sailboat; we shall acquire&#13;
five more.&#13;
Finally, it is essential, not only that games be played at the College b~t that they b: well played. A tutor with wide athletic experience will be placed m charge, but he will need a number of student&#13;
assistants. To secure good assistants, we propose to offer athletic&#13;
scholarships. In my own limited experience, this will be the first&#13;
Iegiti1?ate use to whic? athletic scholarships have been put by an&#13;
American college. I thmk you may rest assured there will be plenty&#13;
of excellent candidates. I hope you will help me find the best&#13;
candidates.&#13;
. Soo?er ~r later, I ~ope soon~r, t~e present system of semi-profess10nahzed mtercolleg1ate athletics will hang itself. When it does, the&#13;
proble~s that caused us to take our present stand will disappear.&#13;
When it does, we shall doubtless play games with other colleges as&#13;
naturally as such games were once played. Meanwhile athletics at&#13;
St. John's will be for the student, not the student for athletics.&#13;
&#13;
79&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
BIBLIOGRAPHY OF ARTICLES ON THE&#13;
ST. JOHN'S PROGRAM&#13;
ADLER, MORTIMER J.: The Crisis in Contemporary Education, The Social Frontier,&#13;
February 1939.&#13;
IIARR, STRINGFELLow: The A.rt of Liberation, Free America, September and&#13;
October 1939. Reprints available.&#13;
&#13;
-----: A College in Secession, Atlantic Monthly, July 1941. Reprints&#13;
available.&#13;
- - - - - The College of the Future, New York Times, May 9, 1943; Magazine&#13;
Digest, November 1943.&#13;
-----: A College Rebels, The Key Reporter, Phi Beta Kappa News&#13;
Magazine, Autumn 1938.&#13;
-----: Back to Fundamentals in Education, Talks, October 1937. Reported&#13;
from an address given over the Columbia Broadcasting System.&#13;
-----&#13;
&#13;
The Education of Freemen, The New Republic, August 31, 1942.&#13;
&#13;
- - - - - The Ends and Means of General Education, Address, Proceedings of&#13;
the Fifty-third Annual Convention of the Middle States Asso. of Colleges and&#13;
Secondary Schools, November 24-25, 1939. Reprints available.&#13;
- - - - - The Future of the American College, London Economist, July 3,&#13;
1943, also American Survey, July 3, !944.&#13;
-----: John Doe Goes to St. John's, Progressive Education, January 1939.&#13;
Reprints available.&#13;
- - - - - The St. John's Program, Encyclopaedia of Modern Education, The&#13;
Philosophical Library, Inc., 1943.&#13;
-----&#13;
&#13;
The: St. John's Program, The Virginia Spectator, December 1938.&#13;
&#13;
-----: Suspending Education, Address,&#13;
February 4, 1943.&#13;
&#13;
Columbia Broadcasting System,&#13;
&#13;
- - - - - Towards a Disciplined Mind, Address, Proceedings of the Head&#13;
Mistresses Asso. of the East, November 10-U, 1939.&#13;
- - - - - The War and the Colleges, Two Radio Addresses, May 1942. Reprints available.&#13;
BucHANAN, ScoTT: Back to First Principles, Survey Graphic, October 1939. Also&#13;
in How Can We Be Taught to Think, Farrar &amp; Rhinehart, 1940.&#13;
&#13;
- - - - - A Crisis in Liberal Education, The Amherst Graduates' Quarterly,&#13;
February 1938. Reprints available.&#13;
BULL, GEORGE, S. J.: St. John's Experiment to Reclaim a Lost Heritage, America,&#13;
April 23, 1938.&#13;
CAMP, LEO LEONARD: St. John's, Annapolis-After Five Years of Operation, The&#13;
Commonweal, October 22, 1943.&#13;
&#13;
-----:&#13;
&#13;
81&#13;
&#13;
DEWEY, JOHN: Challenge to Liberal Thought, Fortune, August 1944.&#13;
HooK, SIDNEY: Ballyhoo at St. John's Part I "Educati"on · R&#13;
'&#13;
•&#13;
in&#13;
etreat " and&#13;
Part II, "The 'Great Books' and Progressive Teaching" The N&#13;
May 27 and June 3, 1944.&#13;
'&#13;
ew eader,&#13;
&#13;
L&#13;
&#13;
KIEFFER, JOHN S.: The Classical Revival at St. John's, The Classical Journal,&#13;
December 1939.&#13;
&#13;
Journal of Educational Sociology, The: St. John's College: A Critical A&#13;
· 1&#13;
November, 1944. Edited by Alonzo Myers.&#13;
ppraisa'&#13;
LIFE MAGAZINE: The Classics-At St. John's They Come into Their Own Once&#13;
More, February 5, 1940.&#13;
LIPPMA.NN, WALTER: Crisis and Reform in Education, The New York Herald&#13;
Tnbune, February 15, 1943.&#13;
&#13;
-----: The St. John's Program, The New York Herald Tribune December&#13;
27, 1938. Reprints available.&#13;
'&#13;
LYND, HELEN MERRELL: Conflict in Education, New Republic, May 22, 1944.&#13;
MARTIN, W. A. P.:&#13;
31, 1937.&#13;
&#13;
The Revival of Learning, The Commonweal, December&#13;
&#13;
MAYER, MILTON S.: Socrates Crosses the Delaware-St. John's College and the&#13;
Great Books, Harpers Magazine, June 1939.&#13;
MEIKLEJOHN, ALEXANDER: A Reply to Mr. Dewey, Fortune Magazine, January 1945.&#13;
PRICE, JAMES HARRY: Click and Pick vs. the Atlantic, The Churchman, Christmas 1942.&#13;
PRINGLE, HENRY F.: College With an Idea, The Saturday Evening Post, October&#13;
14, 1944.&#13;
TALIAFERRO, R. CATESBY: Concerning the New Program at St. John's, The Maryland Club Woman, February 1938.&#13;
VAN DOREN, MARK: Education by Books, The Nation, December 6, 1933.&#13;
WARREN, CONSTANCE: Liberal Education in the Post-War World, Journal of the&#13;
American Association of University Women, Spring, 1944.&#13;
&#13;
ST. JOHN'S COLLEGE BULLETINS&#13;
REPORT&#13;
REPORT&#13;
REPORT&#13;
REPORT&#13;
REPORT&#13;
&#13;
OF&#13;
OF&#13;
OF&#13;
OF&#13;
OF&#13;
&#13;
THE&#13;
THE&#13;
THE&#13;
THE&#13;
THE&#13;
&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
&#13;
April 1939. Reprints available.&#13;
April 1940. Reprints available.&#13;
May 1941. Reprints available.&#13;
June 1942. Reprints available_&#13;
June 1943. Reprints available.&#13;
&#13;
Liberal Arts for Catholics, The Commonweal, April 14, 1944.&#13;
&#13;
CLEVELAND, RICHARD F.: The St. John's College Program, The Daily Reco:rd,&#13;
Baltimore, Md., March 23, 1938.&#13;
&#13;
80&#13;
&#13;
BOOKS ABOUT LIBERAL EDUCATION&#13;
ADLER, MORTIMER J.: How to Read a Book-or the Art of Getting a Liberal&#13;
Edi:cation, Simon &amp; Schust_e~, 1940. A book expounding the techniques by&#13;
which adult groups or md1v1duals can come to terms with the great books.&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
82&#13;
&#13;
AMERICAN LIBRARY ASSOCIATION: Classics of the Western World, with. forewords&#13;
by John Erskine and Everett Dean Martin. One of the book. lists out of&#13;
which the St. John's program grew, this pamphl~t co~tams valuable&#13;
secondary bibliographical material. It was first published m 1927 by the&#13;
American Library Association for the use of adult classes. 1944.&#13;
HUTCHINS, ROBERT M.: Education for Freedom, Louisiana State University Press,&#13;
1943.&#13;
MARITAIN, JACQUES: Education at the Crossroads, Yale University Press, 194!1.&#13;
MEIKLEJOHN, ALEXANDER: Education betU/een Two Worlds, Harper &amp; Brothers,&#13;
1942.&#13;
RICHARDS, I. A.; How to Read a Page, W. W. Norton, 1942. Still more detailed&#13;
techniques of reading.&#13;
VAN DOREN, MARK: Liberal Education, Henry Holt 8c Co., 1943.&#13;
&#13;
STUDENTS ENROLLED IN ST. JOHN'S COLLEGE&#13;
1946-47&#13;
FOURTH YEAR-CLASS OF 1947&#13;
Irving Victor Abb ............................ Frederick&#13;
Stephen Gordon Benedict. .................... Scarborough, New y ork&#13;
Stephen Windsor Bergen ...................... St. Albans, New York&#13;
Nicholas Daniel Bonadies ..................... Winsted, Connecticut&#13;
Robert F. G. Bunting ................. , ....... Baltimore&#13;
Tristram Joseph Campbell, Jr.................. Old Orchard Beach, Maine&#13;
John Scott Desjardins ........................ Scarsdale, New York&#13;
Julian Abbott Dorf. .......................... Chestertown&#13;
William Paul Elliott ......................... Aurora, Illinois&#13;
Theodor~ David Ernst. ....................... Cordova&#13;
Edward Maurice Godschalk ................... Montclair, New Jersey&#13;
Allen Abbey Goldstein ....................... Baltimore&#13;
John Gormly ................................. Sewickley, Pennsylvania&#13;
Carl Schlee Hammen ......................... Linkwood&#13;
William Edwin Harris ........................ Saginaw, Michigan&#13;
Joseph Francis Hollywood, Jr. ................. New York, New York&#13;
Richard Eagleston Jameson ................... Fallston&#13;
Joseph Ignatius Killorin, Jr................... Savannah, Georgi.a&#13;
Casimir T. Krol. ............................. Chicago, Illinois&#13;
Henry Resolved Mack ........................ Dover, Delaware&#13;
John Mathew Morgan ........................ Toledo, Ohio&#13;
Robert Wilson Mueller ....................... Milwaukee, Wisconsin&#13;
Charles Arthur Nelson ........................ Berwyn, Illinois&#13;
John Newton Lindsay Opie ................... Alexandria, Virginia&#13;
Rowell Anton von Magi us Schleicher .......... Forest Hills, New York&#13;
.James Willard Sharp ......................... Freeland, Pennsylvania&#13;
Haven Ely Simmons .......................... Cedar Rapids, Iowa&#13;
William Gideon Spohn, Jr..................... Baltimore&#13;
Herbert Willard Stern ........................ Philadelphia, Pennsylvania&#13;
Eugene Victor Thau .......................... New York, New York&#13;
Charles Lincoln Van Doren .................... New York, New York&#13;
John Van Doren ............................. New York, New York&#13;
Robert Russell Weiss ......................... Federalsburg&#13;
Henry Theodore Wensel, Jr. ................. Chevy Chase&#13;
Andrew Shreffler Witwer, Jr. .................. Joliet, Illinois&#13;
Warren Seymour Zeik ......................... Bayonne, New Jersey&#13;
THIRD YEAR-CLASS OF 1948&#13;
Rogers Garland Albritton ..................... Chevy Chase&#13;
Gerald Atterbury ............................. Annapolis&#13;
Earl Secord Bauder, Jr........................ Lancaster, Pennsylvania&#13;
Samuel Bancroft Bird, Jr. .................... Wilmington, Delaware&#13;
Donald Grant Bounds ........................ Salisbury&#13;
William Hurst Brubeck ....................... Annapolis&#13;
William Chester Buchanan, Jr................ East Lansing, Michigan&#13;
Ray Charles Cave ............................ Aberdeen Proving Ground&#13;
Theodore Willes Clark ....................... White Plains, New York&#13;
&#13;
83&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Peter Clogher ................................ Englewood, New J er_sey&#13;
Robert Mitchell Courtright. ................... Sumter, South Caroh~a&#13;
Robert Orval Davis .......................... Scottdale, Pennsylvama&#13;
Vernon E. Derr. ............................. Baltimore&#13;
David Dobreer ............................... Los Angeles, California&#13;
Alan Eckhart. ............................... Winnetka, Illinois&#13;
Donald Semadeni Elliott. ..................... Lutherville&#13;
Henry Raymond Freeman, III. ................ Sewickley, Pennsylvania&#13;
Alvin Fross .................................. Bayonne, New Jersey&#13;
Clarence Westcott Gallup, Jr. ................. Englewood, New Jersey&#13;
John Parker Gilbert .......................... Vineyard. Haven, Massachusetts&#13;
William Michael Goldsmith ................... Forest }Iills, New York&#13;
Bernet George Hammel. ...................... Orange, New Jersey&#13;
Earl Judson Hendrickson ...................... Baltimore&#13;
Chester Peter Hewitt .......................... Woodmere, New York&#13;
David Abbey Hooker ......................... Tucson, Arizona&#13;
Christian Arneson Hovde ..................... New York, New York&#13;
H. B. Gerald Hoxby .......................... Mariemont, Ohio&#13;
Donald Stanley Kaplan ........................ Groton, Conecticut&#13;
Michael Christopher Keane ................... Brooklyn, New York&#13;
Arthur David Kelso, Jr. ...................... Linthicum Heights&#13;
.&#13;
Lawrence Leslie Levin ....................... West Hartford, Connecticut&#13;
David Barrington Lowdenslager ............... Baltimore&#13;
John Duncan Mack .......................... New Yor~, New York&#13;
Charles Ferris Maikoffske ..................... Pleasantville, New York&#13;
Alan Schutz Maremont. ...................... Chicago, Illinois&#13;
Jack Lancaster Mason ........................ Harve de Grace&#13;
Richard Lewis Matteson ...................... Frostburg&#13;
Clarence Robert Morris, Jr................... Austin, Texas&#13;
Oswald Nagler .............................. Perry Point&#13;
Jules Olympio Pagano ........................ New York, N~w :ork&#13;
Morris Albert Parslow ........................ Muskegon, Michigan&#13;
Milton Perlman ............................. Memphis, Tennessee&#13;
William Warfield Ross ........................ Bethesda&#13;
Robert Julian Scolnik ....................... New York,_New York&#13;
"\Villiam Westerman Simmons ................ Cedar Rapids, Iowa&#13;
John Calvin Smedley ........................ Annapolis&#13;
.&#13;
.&#13;
Langford Wheaton Smith, Jr. ................. Berkeley'. Cahforma&#13;
William Kyle Smith, Jr...................... Annapolis&#13;
Robert Lee Sterling .......................... Crisfield&#13;
Stephen Wayne Terry, Jr. ..................... Indianapolis, Indiana&#13;
Robert Treat Thompson ..................... Oakland, California&#13;
.&#13;
Gene Perkins Thornton ...................... Greensboro, North Carolma&#13;
George Robert Trimble, Jr.................... North East&#13;
George Montgomery Vansant. ................ Hyattsville&#13;
James Rodney Whetstone ..................... Denver, Colorado&#13;
Robert Charles Wilson ...................... New York, New York&#13;
&#13;
Charles Crittendon Baldwin, Jr ................ Flushing, New York&#13;
Teddy Franklyn Betts ........................ Newport News, Virginia&#13;
Aaron M. Bisberg ............................ Annapolis&#13;
Eugene Bokras .............................. Peekskill, New York&#13;
Daniel Brockhuizen .......................... Saddle River, New Jersey&#13;
Jonathan Erskine Brooks ..................... Rocky River, Ohio&#13;
Peter F. Buri ................................ Eau Claire, Wisconsin&#13;
Robert Whitehouse Burnet. ................. New Rochelle, New York&#13;
Philip Albert Camponeschi ................... Baltimore&#13;
Jerome Herbert Cantor ....................... Boston, Massachusetts&#13;
George Warton Carden ....................... Upper Marlboro&#13;
James Watson Conrad ............ ." ........... Wilkinsburg, Pennsylvania&#13;
Clark Ralph Cridland, Jr..................... Michigan City, Indiana&#13;
George Howell Daffer ........................ Arlington, Virginia&#13;
Edward Francis Daley, Jr...................... Bridgeport, Connecticut&#13;
Peter John Davies ........................... New York, New York&#13;
Frederick Parsons Davis ...................... Hopkins, Minnesota&#13;
Andrew Dewing ............................ Wellesley, Massachusetts&#13;
Rudolph C. Ellsworth, II ..................... Chicago, Illinois&#13;
Charles Thomas Eunick, Jr.................... Westminster&#13;
Paul Carlyle Evans ........................... Syracuse, New York&#13;
Robert Dixon Fox ............................ Bowling Green, Kentucky&#13;
John Anthony Franken ....................... New York, New York&#13;
Paul Albert Frasca ........................... Flushing, New York&#13;
Alan Lawrence Gargle ........................ Brooklyn, New York&#13;
Donald Claude Gooch ........................ Abbeville, Louisiana&#13;
Richard Scott Harris ......................... Saginaw, Michigan&#13;
John P. Hayden .............................. Chevy Chase&#13;
E. Bennette Henson, Jr. ...................... Charleston, West Virginia&#13;
William Crawford Hill ....................... Pueblo, Colorado&#13;
Allan Paul Hoffman ......................... Lawrence, New York&#13;
Harold J. Hyden ............................ Tulsa, Oklahoma&#13;
Chester Arthur Johnson ...................... Wellesley, Massachusetts&#13;
Rowland Alfred Jones ........................ Irwin, Pennsylvania&#13;
Ralph Hall Keeney ........................... Providence, Rhode Island&#13;
Percival Cleveland Keith, Jr ................... Peapack, New Jersey&#13;
Wayne Sefton Kerwood ........ ·'· ............. Fairfax, Virginia&#13;
Jack Konigsberg ............................. Brooklyn, New York&#13;
Clarence J. Kramer ........................... Muskegon, Michigan&#13;
Ian Campbell Lea ........................... Lake Bluff, Illinois&#13;
William Reynolds Lieb .................. , .... Rancho Santa Fe, California&#13;
John James Lobell ........................... Baltimore&#13;
Thomas Delmar Lyne ....................... New York, New York&#13;
Vincen.t Wood McKay ........................ Montgomery, West Virginia&#13;
Gordon E. McNamee ......................... Kensington&#13;
Peter Kirkham MacNaughton ................. El Paso, Texas&#13;
John Richard Maguire ....................... New Rochelle, New York&#13;
Ellis Wooster Manning, Jr.................... Brinklow&#13;
Robert Irwin Marshall ....................... Chicago, Illinois&#13;
Edward Hector Mongeau ..................... Fall River, Massachusetts&#13;
Joseph Parker Morray ........................ Chicago, Illinois&#13;
Alexander Beauregard Morse .................. Washington, District of Columbia&#13;
Reinardo Patrick Louis Moure ................ LaPlata&#13;
David Burke Rea ............................. Three Rivers, Michigan&#13;
&#13;
84&#13;
&#13;
SECOND YEAR-CLASS OF 1949&#13;
Clarence Alfred Anderson, II ................. Randolph, New York&#13;
Robert Lord Arner. .......................... Washington, District of Columbia&#13;
Robert John Austin .......................... Antwerp, New York&#13;
Herbert Joseph Baer, Jr. ..................... Hamburg, New York&#13;
&#13;
85&#13;
&#13;
�86&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Lynn Homer Robinson ....................... Morrisville, New York&#13;
Michael Lee Rourke ......................... Los Angeles, California&#13;
James Pedro Salinas. . . . . . . ................ Baltimore&#13;
Bradley Johnson Saunders, Jr. ................ Kansas City, Missouri&#13;
Allen Polk Schoolfield, Jr..&#13;
. ............ Pocomoke City&#13;
Lawrence Holt Sherman.&#13;
. .............. Garden City, New York&#13;
Bruce Harris Sinkey... .&#13;
. ............. Maplewood, New Jersey&#13;
Lionel Spencer Starer.....&#13;
. ............... Utica, New York&#13;
Eric Albert Teel.&#13;
. ................ Lansing, Michigan&#13;
John Henry Thomas .......................... Racine, Wisconsin&#13;
Richard Van der Voort ...................... Pittsburgh, Pennsylvania&#13;
.John Campbell Wakefield ..................... Washington, District of Columbia&#13;
John Calvin ·wallace ......................... Chevy Chase&#13;
Guy Oliver Walser, Jr ........................ Sayville, New York&#13;
David Baer Weinstein............&#13;
. ...... Brooklyn, New York&#13;
Terry Hutchison Wells. . . . . . . . . . .&#13;
. . Evanston, Illinois&#13;
John Scott Woodward. . . . . . . . . . . . .&#13;
. ... Coldwater, Michigan&#13;
Richard Weston Young ....................... Winter Hill, Massachusetts&#13;
FIRST YEAR-CLASS OF 1950&#13;
Joseph Mayer Ablow.&#13;
. .... Salem, Massachusetts&#13;
James William Archer ....................... Frametown, West Virginia&#13;
Ernest Lynn Bartle ........................... Hagerstown&#13;
Frederick James Beardsley .................... Baltimore&#13;
Leod Daw Becker, Jr. ........................ Milford, New Jersey&#13;
Donald Lewis Breen. . . . . . .&#13;
. . Baltimore&#13;
Alan Burruss Brinkley.&#13;
. .. Lynchburg, Virginia&#13;
Philip Sheridan Burns.&#13;
. Lo~ Angele~, California .&#13;
Jack Carr&#13;
.. Philadelphia, Pennsylvania&#13;
George Barton Case. .&#13;
. .. Cumberland&#13;
John Lewis Caswell, Jr..&#13;
. ................. Kensington&#13;
.John Summerfield Clark. . . .................. Baconton, Georgia&#13;
Milton Stearns Clifton ........................ Bellingham, Washington&#13;
Bernard Smith Clorety.&#13;
. ... Los Angeles, California&#13;
George Harris Collingwood, Jr..&#13;
. . V\Tashington, District of Columbia&#13;
Richard Tower Congdon.&#13;
.Auburn, New York&#13;
Joseph ·william Cooper..&#13;
. ...... New York, New York&#13;
Patrick Darrell Davi£.&#13;
. ...... Washington, District of Columbia&#13;
Richard Holmes Davis ....................... Chicago, Illinois&#13;
·wmiarn Curwen Davis. .&#13;
. ................. Scranton, Pennsylvania&#13;
Edmond Everett DiTullio. . ................ Little Neck, New York&#13;
Matson Glenn Ewell..&#13;
. ............... Rochester, New York&#13;
Herbert Selig Feinberg.&#13;
. ............... Edgewood, Pennsylvania&#13;
Edward Fershau&#13;
.. Brooklyn, New York&#13;
V\/. Bernard Fleischmann.&#13;
. .Baltimore&#13;
James Hartwell Frame.&#13;
. .. Wichita Falls, Texas&#13;
Thomas George Fromme.&#13;
. . Bellevue, Kentucky&#13;
John Robinson Garland..&#13;
. .. Maplewood, New Jersey&#13;
Charl-es Francis Gentile&#13;
.. . Barrington, Ne'v Jersey&#13;
Robert Lawrence Goldberg.&#13;
. ............... Chicago, Illinois&#13;
Robert Allen Goldwin. . .&#13;
. ....... Miami Beach, Florida&#13;
Theodore ·william Hendricks, Jr ............... Baltimore&#13;
Ralph Jefferson Herrod...&#13;
. ......... Chicago, Illinois&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
87&#13;
&#13;
Henry Booth Higman ........................ Millington&#13;
Robert Stanley Hodnefield .................... Hermosa Beach, California&#13;
George Hofrichter ........................... Suffern, New York&#13;
Irwin Thomas Hunt. ........................ New York, New York&#13;
Robert Norikiyo Ikari ........................ Honolulu, Territory of Hawaii&#13;
Michael Max Jackson ......................... Carmel, California&#13;
Harry Herman Kaste ......................... Newaygo, Michigan&#13;
Carroll Montgomery Keith .................... Baltimore&#13;
Francis William Kelso ........................ Linthicum&#13;
David Henry Kuh ............................ Winnetka, Illinois&#13;
Jerome Gabriel Lansner ...................... New York, New York&#13;
Donald Luis Leavin .......................... New York, New York&#13;
Charles David Lewis, Jr...................... -New York, New York&#13;
Charles Ranlet Lincoln ....................... Alexandria, Virginia&#13;
John J. Logue .............................. Philadelphia, Pennsylvania&#13;
Paul David Malchenson ....................... Hagerstown&#13;
Burnside Eastman Martin ..................... Northampton, Massachusetts&#13;
Thomas John Meyers ......................... Bridgeton, New Jersey&#13;
George Bertram Miller, Jr .................... Watertown, New York&#13;
Michel Mok, II.&#13;
. ........................ New York, New York&#13;
Chester Gilbert Moore, Jr. .................... Chicago, Illinois&#13;
Benjamin Moskowitz ........................ Bayonne, New Jersey&#13;
.Joseph Louis Nadler ......................... Brooklyn, New York&#13;
James Herbert Riggs, Jr ...................... Omaha, Nebraska&#13;
Edward Joseph Roethel. ..................... Brooklyn, New York&#13;
John William Sanborn ....................... Everett, Massachusetts&#13;
Frederick Ernest Schuchman, Jr ............... Pittsburgh, Pennsylvania&#13;
Earl Broadus Short, Jr. ....................... Petersburg, Virginia&#13;
Thomas King Simpson. . . . . . . . . . .&#13;
. ....... Glens Falls, New York&#13;
John Marquis Smith .......................... Cherryvale, Kansas&#13;
Philip Hartley Smith ........................ Woodstock, Ohio&#13;
Robert Norman Sperber ...................... New York, New York&#13;
John Sterrett&#13;
. . . . . . . . . . . . . . . . . . . . . . ... Topeka, Kansas&#13;
David Corbin Streett, H. . . . . . . . . . . . . .&#13;
. ... Baltimore&#13;
Tylden Westcott Streett ....................... Baltimore&#13;
Robert Drake Taylor ......................... Grosse Ile, Michigan&#13;
George Henry Thanhardt. . . . . . . .&#13;
. ......... LaPorte, Indiana&#13;
Robert Alfred Thomas.&#13;
. ........ Littleton, Colorado&#13;
George Edward Thornton. . . . .&#13;
. .... Holyoke, Massachusetts&#13;
Ralph Edward Tompkins.&#13;
..........&#13;
. Annapolis&#13;
Robert Theodore Townsend.&#13;
. Billings, Montana&#13;
George Usdansky&#13;
.. Springdale, Massachusetts&#13;
Larry Kalman Volin.&#13;
. ................ Washington, District of Columbia&#13;
Joseph Seeds Warhurst...... . . . . . . . . . . . . .&#13;
. Lyndhurst, New Jersey&#13;
Peter Anthony Whipple. . . . . . . . . . . . . . . . . . . . Catonsville&#13;
Irwin Herman Widder ....................... New York, New York&#13;
John Letcher Williams ....................... Sacramento, California&#13;
Graham DeVoue Williford .................... Fairfield, Texas&#13;
Myron Lee Wolbarsht ........................ Baltimore&#13;
William Orem Wollin ........................ Los Gatos, California&#13;
Edward John York...&#13;
. ............... Shaker Heights, Ohio&#13;
Marvin Zetterbaum&#13;
...................... New York, New York&#13;
&#13;
�88&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CLASS OF 1947&#13;
&#13;
SUMMARY OF ENROLLMENT&#13;
&#13;
...............&#13;
&#13;
Fourth Year . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .&#13;
Third Year ................ · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·&#13;
Second Year ............... · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·&#13;
.........................&#13;
First Year .................................&#13;
Total in College ................ ······ - · · · · · · · · · · · · · · · · · · ·&#13;
&#13;
36&#13;
56&#13;
76&#13;
85&#13;
&#13;
... 253&#13;
&#13;
DEGREES CONFERRED JUNE 9, 1947&#13;
&#13;
Rite&#13;
Stephen Gordon Benedict.&#13;
. Scarborough, New York&#13;
Tristram Joseph Campbell, Jr.. . .&#13;
. .Old Orchard Beach, Maine&#13;
William Paul Elliott. . . . . . . . . . . . . .......... Aurora, Illinois&#13;
Allen Abbey Goldstein. . . . . . . . . . . . . . . . . .&#13;
. . Baltimore&#13;
Richard Eagleston Jameson.&#13;
. ..............Fallston&#13;
Rowell Anton von Magi us Schleicher ......... Forest Hills, New York&#13;
Robert Russell Weiss. . .&#13;
. ............. Federalsburg&#13;
&#13;
BACHELOR OF ARTS&#13;
AS OF THE CLASS OF 1943&#13;
&#13;
William Edwin Harris.&#13;
John Van Doren ...&#13;
&#13;
Rite&#13;
Monte Ferris Bourjaily, Jr..&#13;
&#13;
. ..........Washington, District of Columbia&#13;
Richmond, Massachusetts&#13;
Douglas Buchanan. . . . . . . .... ·.·. ·. ·. ·. ·. ·.'.'_'_".·.'_"..Philadelphia, Pennsylvania&#13;
Herbert \Villard Stern ..... John Weber, Jr..&#13;
&#13;
John Scott Desjardins.&#13;
&#13;
AS OF THE CLASS OF 1944&#13;
Rite&#13;
Nicholas Daniel Bonadies................&#13;
. Winsted, Connecticut&#13;
Robert Frederic Garland Bunting ............. Baltimore&#13;
Edward Maurice Godschalk .................. Montclair, New Jersey&#13;
Carl Schlee Hammen. . . . .&#13;
. ..... - ..... Linkwood&#13;
&#13;
Cum Laude&#13;
Casimir Thaddeus Krol. . .&#13;
.Chicago, Illinois&#13;
Haven Ely Simmons.........&#13;
. ............. Cedar Rapids, Iowa&#13;
William Gideon Spohn, Jr.. . .&#13;
.Baltimore&#13;
Andrew Shreffler Witwer, Jr.. . . . . . . . . . . . . . . . Joliet, Illinois&#13;
.. Bayonne, New Jersey&#13;
Warren Seymour Zeik .&#13;
Magna Cum Laude&#13;
Joseph Francis Hollywood, Jr. ................ New York, New York&#13;
AS OF THE CLASS OF 1945&#13;
&#13;
Rite&#13;
Dover, Delaware&#13;
&#13;
Cum Laude&#13;
Stephen Windsor Bergen .......... - . - . · .. · · · · .St. Albans, New York&#13;
Charles Arthur Nelson ........... - .... - .. - . ··.Berwyn, Illinois&#13;
AS OF THE CLASS OF 1946&#13;
&#13;
Rite&#13;
..... _.. Philadelphia, Pennsylvania&#13;
_.. _......Freeland, Pennsylvania&#13;
&#13;
Harry Charles Rockey.&#13;
James Willard Sharp ..&#13;
&#13;
Cum Laude&#13;
.... New York, New York&#13;
&#13;
Charles Lincoln Van Doren.&#13;
&#13;
Magna Cum Laude&#13;
. .... Chevy Chase&#13;
&#13;
Henry Theodore Wensel, Jr..&#13;
&#13;
Cum Laude&#13;
. .. Saginaw, Michigan&#13;
. ... New York, New York&#13;
Magna Cum Laude&#13;
. ... Scarsdale, New York&#13;
&#13;
AS OF 1944&#13;
&#13;
Cum Laude&#13;
_.......................Cleveland, Ohio&#13;
&#13;
Henry Resolved Mack .....&#13;
&#13;
89&#13;
&#13;
Cum Laude&#13;
Joseph Charles Smith.&#13;
&#13;
. Washington, District of Columbia&#13;
&#13;
HONORS AND PRIZES AWARDED JUNE 9, 1947&#13;
To the senior who has the highest standing, a gold&#13;
medal. Offered by the Board of Visitors and&#13;
Governors.&#13;
..............&#13;
. ... John Scott Desjardins&#13;
To the member of the Senior Class who has written the&#13;
best final essay, a prize of $27.50. Offered under&#13;
the will of the late Judge \Valter L Dawkins .. Tristram Joseph Campbell, Jr.&#13;
Charles Arthur Nelson&#13;
Honorable Mention.&#13;
· · · \'I arren Seymour Zeik&#13;
&#13;
1&#13;
&#13;
To the member of the Freshman, Sophomore, or&#13;
Junior Class who has written the best annual&#13;
essay, the John Martin Green prize of $10.00".&#13;
Honorable Mention.&#13;
&#13;
. .. Clarence Jay Kramer&#13;
&#13;
__ .......... Rogers Garland Albritton&#13;
&#13;
To the student who has written the best original&#13;
sonnet, a prize of $10.00. . . . .&#13;
. ........ ·william Chester Buchanan,&#13;
&#13;
Jr.&#13;
&#13;
To the student who has prepared the most elegant&#13;
solution of a mathematical problem (the&#13;
problem for the year being to construct, by&#13;
Euclidean methods, a tangent to a cycloid) a&#13;
. ..... William Gideon Spohn, Jr.&#13;
prize of $10.00. . . . . . . . .&#13;
*For the year 1945-46 ....&#13;
&#13;
. ... William Chester Buchanan, Jr.&#13;
&#13;
�CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
INDEX&#13;
Absence, excuses for. . . . . . . . . . . . . 36&#13;
Academic standing ........... 36ff, 35f&#13;
Activities . . . . .&#13;
. .............. 49ff&#13;
Athletics . . . . .&#13;
. 50, 77ff&#13;
Clubs ......................... 5lf&#13;
Dramatics ...................... 51&#13;
Music ................... 24, 46£, 50&#13;
Publications .................... 51&#13;
Administration . . . . . . . . . . . . . . . . . . . 8&#13;
Admission . . . . . . . . . . . . . . . . . . . . . . 55ff&#13;
Application . . . . . . . . . . . . . . . . . . . . 56&#13;
Requirements ................ 55ff&#13;
Procedure . . . . . . . . . . . . . . . . . . . . 56f&#13;
Advanced standing ............. 57&#13;
Aid, student&#13;
. 63ff&#13;
Applications&#13;
...... 56&#13;
Admission&#13;
. . . . . . . 63ff&#13;
Student Aid&#13;
. 53&#13;
Rooms&#13;
......... .&#13;
.64ff&#13;
Scholarships&#13;
&#13;
St. John's 1835&#13;
. 70&#13;
St. John's 1868. . . . . .&#13;
71&#13;
St. John's 1886-1923, block elective 72&#13;
St. Joh n's 1923-37, open elective 72&#13;
Degree Requirements&#13;
. 36f, 73ff&#13;
Dining Hall&#13;
........ 54&#13;
Discipline&#13;
....... 36, 53&#13;
"Don Rags" .................. 3lf, 35&#13;
Dramatics.&#13;
51&#13;
Elective Program&#13;
. 16f, 72&#13;
Engineering Scholarships at Johns&#13;
Hopkins&#13;
.66&#13;
English, admission requirements. 55f&#13;
Enrollment . . . . .&#13;
. 83ff&#13;
.88&#13;
Summary&#13;
..... 56f&#13;
Entrance Examinations&#13;
........... 32&#13;
Essays&#13;
Examinations&#13;
Entrance .....&#13;
Oral&#13;
Written ...... .&#13;
Annual .......... .&#13;
State Scholarship&#13;
Excuses, for absence ...&#13;
&#13;
56f&#13;
3lf, 74£&#13;
.... 32. 73E&#13;
32&#13;
..... 64&#13;
.. 36&#13;
&#13;
Articles, magazine, on St. John's .. 80f&#13;
Athletics&#13;
. 50, 77ff&#13;
Attendance&#13;
Church . . . . . . . . . . . .&#13;
. ... 67&#13;
Classes . . . . ................... 36&#13;
.59ff&#13;
College exercises . . . . . . . . . . . . . . . 36&#13;
Expenses&#13;
Bible class . . . . .&#13;
51&#13;
Faculty&#13;
. . . . . . . . . 9ff&#13;
Board of Visitors and Governors .. 6, 7&#13;
List ....&#13;
Author teachers ............ 18, 33&#13;
Boat Club ...................... 50&#13;
........ 9ff&#13;
Tutors ..&#13;
Books, list of great ............... l8ff&#13;
.33ff&#13;
Research&#13;
Chronological . . . . . . . . . . .&#13;
. . . 40f&#13;
By years . . . . . . . . . . . . . . . . . .... 42&#13;
Fees&#13;
.59&#13;
College finances&#13;
. ... 43&#13;
By subject matters...&#13;
.. 59&#13;
Calendar, College .......... .4, 5, 30ff&#13;
Examination&#13;
.. 59f&#13;
Campus .&#13;
.52f&#13;
Annual&#13;
.59f&#13;
Caution Money . .&#13;
.54f, 60&#13;
Tuition&#13;
.. 59f&#13;
Charges, fixed&#13;
. 60&#13;
Residence&#13;
.. 60&#13;
Charter of College. . . . . . .&#13;
. .... 67&#13;
Payments&#13;
.61&#13;
Deferred payment .....&#13;
Of King William's School.&#13;
. .. 66&#13;
.. 54f, 60&#13;
Classics, new definition of. ... 18ff, 20ff&#13;
Caution money&#13;
.. 63&#13;
Clubs, College . . . . . . . . . . . . . . .&#13;
5lf&#13;
With financial aid.&#13;
College Calendar&#13;
......... 4, 5, 30ff&#13;
Foreign Language&#13;
Collegian . .&#13;
. . . 51&#13;
Admission requirements . . . . .2, 55f&#13;
See Greek, Latin, French, German&#13;
Credits&#13;
.. 36 French ................... 25£, 44, 55f&#13;
Semester hours&#13;
For entrance to graduate&#13;
Freshmen, list of. . . . . . . .&#13;
. 86&#13;
37f, 73&#13;
schools&#13;
German.&#13;
. .......... 25f, 44, 55f&#13;
. . . . . . . 57&#13;
Transfer of&#13;
G.I. Bill of Rights. . . .&#13;
. 57, 6H&#13;
Curriculum&#13;
Grades ........................ 3lf&#13;
16f&#13;
Elective system&#13;
&#13;
90&#13;
&#13;
Graduate Schools, preparation&#13;
for . . . . . . . . . . . . . . . . . ...&#13;
37ff&#13;
Greek ....&#13;
. 25f, 44, 55f&#13;
History&#13;
Of College&#13;
... 67ff&#13;
Chronological order of classics 22, 40f&#13;
In St. John's Program ....... 22, 43&#13;
Infirmary Service . . . . . . . . . . . . . . . . 54&#13;
Instruction Methods in St. John's&#13;
Program ............... 22ff, 49ff&#13;
Juniors, list of. . . . . . . . . . . . . ...... 83&#13;
King William's School. . . .&#13;
. 67f&#13;
Labpratory . . .&#13;
. . . . . 30&#13;
Exercises.&#13;
•16ff&#13;
Total Hours&#13;
45&#13;
Subject Matter&#13;
45f&#13;
Language, reasons for instruction in. 25f&#13;
Requirements . . . . .&#13;
. 35, 44, 73ff&#13;
Tutorials . . .&#13;
. .25f, 44&#13;
Clock-hours of classroom work in. 44&#13;
Classics in Language and Literature..............&#13;
. ..... 42£&#13;
Latin&#13;
...........&#13;
. 25f, 44, 55f&#13;
Latin Club . .&#13;
51&#13;
Law School Preparation.&#13;
. .... 38ff&#13;
Lectures, formal . . . . .&#13;
. .. 28f&#13;
Liberal Arts a.nd Sciences .. l4ff, l 7f, 21&#13;
List of Great Books, Classics.&#13;
40ff&#13;
List of Laboratory Exercises.&#13;
46ff&#13;
List of Lectures&#13;
.... 29&#13;
List of Students&#13;
......... 83ff&#13;
Literature, Language and.&#13;
42f&#13;
Location of College. . .&#13;
. . . 52&#13;
Marine Biology&#13;
..... 66&#13;
Marks .......................... 35f&#13;
Mathematics, reasons for instruction&#13;
in&#13;
................ 26f&#13;
Admission requirements ....... 55£&#13;
Requirements&#13;
..... 36, 73f&#13;
Tu to rials&#13;
..&#13;
26f&#13;
Clock-hours of classroom work in. 44£&#13;
List of Mathematical Classics. . . 42f&#13;
Club.....&#13;
. ................ 51&#13;
Medical Schools, preparation ...... 38f&#13;
Music ..................... 24, 46f, 50&#13;
Concerts . . . . . . . . . . . . . . . . . .&#13;
50&#13;
Natural Science ............... 43, 45£&#13;
Occupancy of Dormitory Rooms. . 52£&#13;
Officers of Administration.&#13;
8&#13;
Philosophy. . . . . . . . . . . . . . . .&#13;
43&#13;
Political Science . . . . . . . . .&#13;
43&#13;
Preparation&#13;
For admission&#13;
55£&#13;
&#13;
91&#13;
&#13;
For graduate schools. . ... 37f, 731'&#13;
For life&#13;
14ff&#13;
President&#13;
..... 13, 69ff&#13;
Former&#13;
8&#13;
Present&#13;
Emeritus ................. .&#13;
13&#13;
.. 35&#13;
Probation&#13;
56f&#13;
Procedure for Admission ..&#13;
. .. 36, 73ff&#13;
Promotion ...&#13;
Reading Parties&#13;
32&#13;
Registration&#13;
....... 4, 5, 56f&#13;
Regulations&#13;
Admission.&#13;
55f&#13;
Academic Standing&#13;
35ff&#13;
Attendance ..&#13;
36&#13;
Degree Requirements&#13;
.... 36f, 73ff&#13;
Residence ........... .&#13;
52ff&#13;
Religion&#13;
Non-denominational&#13;
.. 671:&#13;
Reports .............. .&#13;
3lf&#13;
Requirements&#13;
Admission . . . . . . . . . . . .&#13;
55ff&#13;
Attendance . . . . . . . . . . . . . . . . . . . . 36&#13;
Degree&#13;
. 36f, 73ff&#13;
Graduation .&#13;
. .... 36, 73ff&#13;
Languages, for degree ... 36f, 44, 73ff&#13;
Languages, for admission ....... 55f&#13;
Mathematics, for degree 36f, 4±£, 73f&#13;
Mathematics, for admission. . . . . . 55&#13;
Familiarity with Great Books .... 73£&#13;
Residence.&#13;
. . . . . . . . . . 52ff&#13;
Research&#13;
35&#13;
Residence.&#13;
52ff&#13;
Rooms...&#13;
52ff&#13;
For new students. . . . . .&#13;
53&#13;
For old students. .&#13;
. . . . . . . . . 53&#13;
Furnishing . . . . . .&#13;
52£&#13;
Occupancy. . .&#13;
. . 52f&#13;
Caution money&#13;
.. 54, 60&#13;
Schedules&#13;
Weekly&#13;
... 30f&#13;
Student, typical&#13;
...... 32&#13;
Term . . . . . . . . . . . . . . . . , .4, 5, 3H&#13;
Years&#13;
................. .4, 5, 3H&#13;
Payment of fees&#13;
.59f&#13;
Scholarships&#13;
..... 63ff&#13;
.. 63f&#13;
College&#13;
State&#13;
.............. 64&#13;
Patriotic Societies&#13;
............ 65f&#13;
77&#13;
Athletic ..&#13;
At other institutions.&#13;
.66&#13;
Science&#13;
In modern world...........&#13;
2lf&#13;
In St. John's Program ... 2H, 30, 45ff&#13;
&#13;
�92&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Laboratory&#13;
..... 2lf, 30, 45ff, 73ff&#13;
Liberal . . . . . . . . . . . . . . . . . . . . . . . 2lf&#13;
Classics in science .............. .42f&#13;
Semester-Hour Credits&#13;
Equivalent ..................... 36&#13;
Seminars&#13;
.... 24, 27f, 74&#13;
Seniors, list of .................... 83&#13;
Social Sciences ................. 22, 43&#13;
Sophomores, list of. .............. 84ff&#13;
Staff, administration . . . . . . . . . . . .&#13;
8&#13;
Faculty . . . . . . . . . . . . . . . . . . . . . . . . 9ff&#13;
Medical. ....................... 54&#13;
Standing, academic . . . . . . . . . . . . . . 35£&#13;
Student Activities . . . . . . . . . . . . . . 49ff&#13;
Athletics . . . . . . . . . . . . . . . . . . . . . . 50&#13;
Elective ...................... 49ff&#13;
&#13;
Music ......................... 50&#13;
Clubs ........................ !Hf&#13;
Publications. . . . . . . . . . . . . . . . . . . . 5 l&#13;
Dramatics ..................... 51&#13;
Student Aid ..................... 63ff&#13;
Students&#13;
List of . . . . . . . . . . . . . . . . .&#13;
.83ff&#13;
Theological Schools, preparation. . . 38&#13;
Transfer of credits ........... 38f, 57&#13;
Tuition Fee ..................... 59f&#13;
Tutorials . . . . . . . . . . . . . . . . . . . . . . 24ff&#13;
Mathematics . . . . . . . . . . . . . . . . . . 26f&#13;
Language . . . . . . . . . . . . . . . . . . . . . 25f&#13;
Vacations ................. .4, 5, 30ff&#13;
Veterans' Educational Benefits .. 57, 6lf&#13;
Year Book ....................... !il&#13;
&#13;
�</text>
                  </elementText>
                  <elementText elementTextId="3267">
                    <text>ST. JOHNjS COLLEGE&#13;
IN ANNAPOLIS&#13;
&#13;
�ST. JOHN'S COLLEGE&#13;
IN ANNAPOLIS&#13;
OFFICIAL STATEMENT OF&#13;
THE ST. JOHN'S PROGRAM&#13;
CATALOGUE&#13;
1946-1947&#13;
&#13;
CALENDAR&#13;
1947-1948&#13;
&#13;
ANNAPOLIS, MARYLAND&#13;
&#13;
JULY, 1947&#13;
Founded ;is King William's School, 1696&#13;
&#13;
Chartered as St. John's College, 1785&#13;
&#13;
�TABLE OF CONTENTS&#13;
PAGE&#13;
COLLEGE CALENDAR&#13;
.BOARD OF VISITORS A~; G~~~~~~&#13;
&#13;
................... .&#13;
&#13;
OFFICERS OF ADMINISTRATION&#13;
&#13;
................... .&#13;
&#13;
FACULTY . . . . . . . . . . . . . . . . . . : : : : : : : : : : : : : : : : : . . . . . . . .&#13;
THE ST. JOHN'S PROGRAM&#13;
....... .&#13;
&#13;
This catalogue contains the full official&#13;
statement of the curriculum of St. John's&#13;
College. In the following pages the curriculum is described as:&#13;
1.&#13;
&#13;
2.&#13;
&#13;
A four-year, all-required course containing no electives and leading to the degree of Bachelor of Arts;&#13;
Aimed at initiating in the student skills&#13;
of learning in language, mathematics,&#13;
and abstract thinking that are necessary in anything he may choose to do&#13;
the rest of his life;&#13;
&#13;
3. Available to applicants who are able and&#13;
willing to undertake the responsibility&#13;
of a substantial program in the Liberal&#13;
Arts. See section on Admissions.&#13;
&#13;
St. John's College has no graduate or professional schools.&#13;
&#13;
On College Catalogues .........................&#13;
Why a College Education Should be Liberal&#13;
The Crisis in Liberal Education. . .&#13;
.......&#13;
The Liberal Arts&#13;
. . ............&#13;
The Classics as. T~~~he·r~ ........................&#13;
Science and the Modern W~~id&#13;
The Curriculum&#13;
............ .&#13;
The Tutorial~ ....................... .&#13;
&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
.................. .&#13;
&#13;
...................&#13;
&#13;
The Language Tutorial ............ : : : : : : : : : :&#13;
The Mathematics Tutorial . .................. .&#13;
The Seminar .&#13;
&#13;
4&#13;
6&#13;
8&#13;
9&#13;
14&#13;
14&#13;
16&#13;
&#13;
17&#13;
18&#13;
&#13;
21&#13;
22&#13;
24&#13;
&#13;
25&#13;
26&#13;
&#13;
........................ .&#13;
&#13;
27&#13;
28&#13;
&#13;
The Laboratory ... : : : : : : : : : : : : : : : : : : : : : : : : :&#13;
The Schedule ................................. .&#13;
The Faculty .............................. .&#13;
Academic Standing .................. .&#13;
The Degree of Bachelor of Arts&#13;
' ........ .&#13;
A List of Great Books&#13;
.................. .&#13;
&#13;
30&#13;
30&#13;
&#13;
The Formal&#13;
&#13;
L~c~~~~&#13;
&#13;
: :: : : : : :: : : :: :: :..... .&#13;
&#13;
In Chronological. O~d~~&#13;
By Years . . . . . . . . . . ........................&#13;
. .... .&#13;
By Subject Matter ......................... .&#13;
Instructional Charts&#13;
Laboratory Exerci~~s. : : : : : : : : : : : : : : : : : : : .... .&#13;
RESIDENCE AND ACTIVITIES&#13;
.... .&#13;
How TO APPLY FOR ADM~S~~~~: . . . . . . . . . . . . . . . . . . . . . .&#13;
FEES . . . .&#13;
. .................... .&#13;
&#13;
..................................... .&#13;
APPENDIX A, HI~~~~~.~; ·;~~ ·C~~~~~~ ................ .&#13;
APPENDIX B, THE DEGREE OF BACHELO~· ~~·A~~~: : : : : : : :&#13;
&#13;
FINANCIAL. A~~&#13;
&#13;
32&#13;
35&#13;
36&#13;
40&#13;
40&#13;
42&#13;
43&#13;
44&#13;
46&#13;
49&#13;
&#13;
55&#13;
59&#13;
63&#13;
67&#13;
73&#13;
&#13;
p~~~~-~::::::&#13;
&#13;
77&#13;
80&#13;
&#13;
REGISTER OF STUDENTS&#13;
&#13;
83&#13;
&#13;
INDEX . . . . . . . . . . . . . . : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :&#13;
&#13;
90&#13;
&#13;
APPENDIX&#13;
&#13;
C,&#13;
&#13;
INTERCOLLEGIATE ATHLETICS.&#13;
&#13;
BIBLIOGRAPHY OF ARTICLES ON ST. JOHN'S&#13;
&#13;
3&#13;
\&#13;
&#13;
�COLLEGE CALENDAR&#13;
1946-4 7&#13;
Annual Examinations&#13;
&#13;
COLLEGE CALENDAR&#13;
&#13;
1947-48&#13;
&#13;
.. September 19-21&#13;
Annual Examinations ..................... September 16-20&#13;
&#13;
Registration&#13;
&#13;
. September 21&#13;
&#13;
Convocation&#13;
&#13;
. September 22&#13;
&#13;
Registration ............................. September 19-20&#13;
Convocation ............................... September 21&#13;
First Term begins.&#13;
&#13;
....................... September 23&#13;
First Term begins 9 A.M .................... : . September 22&#13;
&#13;
First Term ends 12 noon.&#13;
&#13;
.................. December 20&#13;
First Term ends 5 P.M ........................ December 19&#13;
&#13;
Second Term begins 9 A.M ...................... January 6&#13;
Second Term ends 12 noon .............. .&#13;
&#13;
...... March 21&#13;
&#13;
Third Term begins 9 A.M .............. .&#13;
&#13;
.... April 7&#13;
&#13;
Third Term ends 12 noon .......................... June 6&#13;
&#13;
Second Term begins 9 A.M ....................... January 5&#13;
Second Term ends 5 P.M ......................... March 19&#13;
Third Term begins 9 A.M .......................... April 5&#13;
Third Term ends 5 P.M ............................ June 4&#13;
&#13;
Baccalaureate Sermon .............................. June 8&#13;
&#13;
Baccalaureate Sermon ................... .&#13;
&#13;
Commencement&#13;
&#13;
Commencement .................................. June 7&#13;
&#13;
•&#13;
&#13;
.......................... June 9&#13;
&#13;
CALENDAR&#13;
&#13;
JANUARY&#13;
SMTWTF $&#13;
&#13;
•••••• 1 2 3 4&#13;
5 6 7 8 9 1011&#13;
12131415161718&#13;
19 20 212223 24 25&#13;
26 27 28 29 30 31 ••&#13;
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S M T W T F&#13;
&#13;
s&#13;
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•••• 1 2 3 4 5&#13;
6 7 8 9 10 1112&#13;
13 141516 17 1819&#13;
20 21 22 23 24 25 26&#13;
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&#13;
•••••••••••• 1&#13;
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MARCH&#13;
••.•.•.••••• 1&#13;
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JUNE&#13;
&#13;
.. .. .. .. .. .. .. .. .. .. .. .. .. ..&#13;
&#13;
1 2 3 4 5 6 7&#13;
2 3 4 6 6 7 8 8 9 1011121314&#13;
9 10 11 12 131415 15161718192021&#13;
1617 1819 20 21 22 22 23 24 25 26 27 28&#13;
23 24 25 26 27 28 29 2930 ••••••••••&#13;
3031 ..••••••••&#13;
&#13;
FOR&#13;
&#13;
1947&#13;
&#13;
JULY&#13;
S MT WT F&#13;
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s&#13;
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6 7 8 9 10 1112&#13;
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&#13;
•••••••••• 1 2&#13;
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10111213141516&#13;
17181920212223&#13;
2425 26 27 2829 30&#13;
31 ••••••••••••&#13;
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SEPTEMBER&#13;
&#13;
•• 1 2 3 4 5 6&#13;
7 8 9 10111213&#13;
14151617181920&#13;
21 22 23 24 26 26 27&#13;
282930 ••••••••&#13;
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OCTOBER&#13;
S MT WT F&#13;
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•••••• 1 2 3 4&#13;
5 6 7 8 9 10 11&#13;
12 13 14 151617 18&#13;
19 20 21 22 23 24 25&#13;
262728293031 ..&#13;
&#13;
NOVEMBER&#13;
&#13;
•••••••••••• 1&#13;
2 3 4 5 6 7 8&#13;
9101112131415&#13;
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23 24 25 26 27 28 29&#13;
30 ••••••••••••&#13;
&#13;
DECEMBER&#13;
&#13;
•• 1 2 3 4 5 6&#13;
7 8 9 10 11 12 13&#13;
14151617 1819 20&#13;
212223 24 25 26 27&#13;
28293031 ••••••&#13;
&#13;
.. .. ... .. .. .. .. .. .. .. .. .. .. .. ..............&#13;
4&#13;
&#13;
JANUARY&#13;
S MT WT F&#13;
&#13;
CALENDAR&#13;
&#13;
s s&#13;
&#13;
•.••.••• 1 2 3&#13;
4 5 6 7 8 9 10&#13;
11121314151617&#13;
18192021222324&#13;
25 26 27 28 29 30 31&#13;
&#13;
APRIL&#13;
M T W T F&#13;
&#13;
s s&#13;
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FEBRUARY&#13;
&#13;
..............&#13;
MARCH&#13;
&#13;
•• 1 2 3 4 5 6&#13;
7 8 9 10 11 1213&#13;
14161617181920&#13;
212223 24 25 26 27&#13;
28293031 ......&#13;
&#13;
194 8&#13;
&#13;
JULY&#13;
M T WT F&#13;
&#13;
s&#13;
&#13;
•&#13;
&#13;
OCTOBER&#13;
S MT WT F&#13;
&#13;
•••••••• 1 2 3 ••••••.• 1 2 3 .••••••••• 1 s&#13;
2&#13;
4 5 6 7 8 9 10 4 5 6 7 8 9 10 3 4 5&#13;
6 7 8 9&#13;
11121314151617 11121314151617 10111213141516&#13;
1819 20 212223 24 18192021222324 17181920212223&#13;
252627282930 .. 25 26 27 28 29 30 31 24 25 26 27 28 29 30&#13;
31 .....•.••...&#13;
&#13;
.............. ..............&#13;
&#13;
1 2 3 4 5 6 7&#13;
891011121314&#13;
15161718192021&#13;
22 23 24 25 26 27 28&#13;
29 ••.••• · ••••••&#13;
&#13;
FOR&#13;
&#13;
. ...... June 6&#13;
&#13;
MAY&#13;
&#13;
.. .. .. .. .. .. ..&#13;
AUGUST&#13;
&#13;
.•...•.•.••• 1&#13;
1 2 3 4 5 6 7&#13;
2 3 4 5 6 7 8&#13;
8 9 1011121314&#13;
9 101112131415 15 16 17 18 19 20 21&#13;
16171819202122 22 23 24 25 26 27 28&#13;
23 24 25 26 27 28 29 293031 ••••••••&#13;
30 31 .•....•..•&#13;
&#13;
NOVEMBER&#13;
&#13;
.• 1 2 3 4 5 6&#13;
7 8 9 10 111213&#13;
14151617181920&#13;
21 22 23 24 25 26 27&#13;
282930 ••••••••&#13;
&#13;
.............. .. .. .. .. .. .. ..&#13;
&#13;
JUNE&#13;
&#13;
SEPTEMBER&#13;
&#13;
•••• 1 2 3 4 5 •••.•• 1 2. 3 4&#13;
6 7 8 9 10 1112 5 6 7 8 9 1011&#13;
13141516171819 12 13141516 17 18&#13;
20 21 22 23 24 25 26 19 20 21 22 23 24 25&#13;
27 2_? 29 30 .•...• 2627282930 ••..&#13;
&#13;
5&#13;
&#13;
DECEMBER&#13;
&#13;
•••••• 1 2 3 4&#13;
5 6 7 8 9 10 11&#13;
12 13 141516 17 18&#13;
19 20 21 22 23 24 25&#13;
262728293031 ••&#13;
&#13;
�BOARD OF VISITORS AND GOVERNORS&#13;
&#13;
MEMBERS EX OFFICIO&#13;
&#13;
Chairman, RICHARD F. CLEVELAND, Lawyer, Baltimore Trust&#13;
Bldg., Baltimore, Maryland.&#13;
Vice Chairman, FRANCIS PICKENS MILLER, University Station,&#13;
Charlottesville, Virginia.&#13;
Secretary, WILLIAM LENTZ, Lawyer, Equitable Bldg., Baltimore,&#13;
Maryland.&#13;
DR. THOMAS PARRAN, JR., Surgeon General, U. S. Public Health&#13;
Service, Washington, D. C.&#13;
DR. AMos F. HUTCHINS, Surgeon, 1227 N. Calvert Street, Baltimore, Maryland.&#13;
EDWIN WARFIELD, JR., Editor, The Daily Record, 15 E. Saratoga&#13;
Street, Baltimore, Maryland.&#13;
PAULL. BANFIELD, Headmaster, The Landon School for Boys,&#13;
Edgemoor, Washington, D. C.&#13;
ROBERT M. HUTCHINS, Chancellor, University of Chicago,&#13;
Chicago, Illinois.&#13;
CLARENCE W. STRYKER, Professor Emeritus of History, Box 63,&#13;
Annapolis, Maryland.&#13;
HAROLD F. LINDER, 39 Broadway, New York City.&#13;
HERVEY ALLEN, Author, Rippleton Road, Cazenovia, New&#13;
York.&#13;
DR. WILLIAM J. FRENCH, Director, Anne Arundel County&#13;
Health Department, Annapolis, Maryland.&#13;
ALEXANDER MEIKLEJOHN, Lecturer, St. John's College, 1525 La&#13;
Loma Avenue, Berkeley, California.&#13;
MARK VAN DOREN, Professor, Columbia University, Lecturer,&#13;
St. John's College, 393 Bleecker Street, New York City.&#13;
RICHARD ScoFIELD, Tutor, St. John's College, Annapolis,&#13;
Maryland.&#13;
JOHN SPANGLER KIEFFER, President, St. John's College, Annapolis, Maryland.&#13;
BRIG. GENERAL WILLIAM C. PURNELL, Lawyer, Standard Oil&#13;
Building, Baltimore, Maryland.&#13;
JUDGE LEVIN CLAUDE BAILEY, Salisbury, Maryland.&#13;
LOGAN MORRILL, Vice President and Treasurer, St. John's Col-&#13;
&#13;
President Ex Officio, His Excellency, WM. PRESTON LANE, JR.,&#13;
Governor of Maryland, Annapolis, Maryland&#13;
JOSEPH R. BYRNES, President of the Senate, Baltimore, Maryland&#13;
C. FERDINAND SYBERT, Speaker of the House of Delegates,&#13;
Ellicott City, Maryland&#13;
JUDGES&#13;
&#13;
OF&#13;
&#13;
THE COURT&#13;
&#13;
APPEALS&#13;
&#13;
OGLE MARBURY, Chief Judge ................... Laurel,&#13;
EDWARDS. DELAPLAINE, Associate Judge ....... Frederick,&#13;
STEPHEN R. COLLINS, Associate Judg:e. . . . . . Chest er t own,&#13;
~&#13;
C. Gus GRAsoN, Associate Judge. . . .&#13;
. ....... Towson,&#13;
WILLIAM L. HENDERSON, Associate Judge.&#13;
. Baltimore,&#13;
CHARLES MARKELL, Associate Judge .......... Baltimore,&#13;
&#13;
lege, .l\anapolis, :rvraryland.&#13;
RAYMOND N. WILBURN, Dean, SL John's College, Annapolis,&#13;
MARYLAND.&#13;
6&#13;
&#13;
OF&#13;
&#13;
7&#13;
&#13;
Md.&#13;
Md.&#13;
Md .&#13;
Md.&#13;
Md.&#13;
Md.&#13;
&#13;
�OFFICERS OF ADMINISTRATION*&#13;
&#13;
FACULTY*&#13;
&#13;
PRESIDENT&#13;
&#13;
PRESIDENT&#13;
&#13;
JoHN SPANGLER KIEFFER, A. B., A. M ....... 12 McDowell Hall&#13;
ACTING DEAN&#13;
&#13;
JoHN OTTo NEUSTADT, B. A., M.A. (Until June 30, 1947)&#13;
. . . . . . . . . . . . . . . .................. . 11 McDowell Hall&#13;
'&#13;
&#13;
DEAN&#13;
&#13;
RAYMOND NEIKIRK WILBURN, B. S., M.A. (From July 1, 1947)&#13;
.................. . . . . . . . . . . . . . . . 11 McDowell Hall&#13;
&#13;
JoHN SPANGLER KIEFFER .................. 139 Market Street&#13;
B. A., Harvard College, 1927, as of 1926; M. A., 1929, Harvard University.&#13;
Master in French and English, Litchfield (Connecticut) School, 1927-28; Instructor in Classical Languages, St. John's College, 1929-34; Assistant Professor of&#13;
Classical Languages, St. John's College, 1934-39. Tutor, St. John's College, 1939-:&#13;
Board of Visitors and Governors, 1943-; Acting President, January 1, 1947- April&#13;
22, 1947; President, April 22, 1947-.&#13;
&#13;
ASSISTANT TO PRESIDENT&#13;
&#13;
ACTING DEAN&#13;
&#13;
CHARLES A. NELSON (Until June 30, 1947) .. 14 McDowell Hall&#13;
ASSISTANT DEAN&#13;
&#13;
JosEPH WINFREE SMITH, B. A., M. A., B. D. (Until June 30,&#13;
1947) ............................. 14 McDowell H21.ll&#13;
LUKE HARVEY PoE, JR., B. S., LL. B. (From August 1, 1947)&#13;
............................. . . . . . . 14 McDowell Hall&#13;
&#13;
(Until June 30, 1947)&#13;
&#13;
JoHN OTTo NEUSTADT ................... 61 College Avenue&#13;
B. A., 1939; M. A., 1942, St. John's College. Tutor, St. John's College, 1940-42.&#13;
Army of the United States, 1942-46. Tutor, St. John's College, 1946-47; Acting&#13;
Dean, 1946-47 .&#13;
&#13;
DEAN&#13;
&#13;
TREASURER&#13;
&#13;
(From July l, 1947)&#13;
&#13;
KENT CAMPBELL, B. A. (Until June 30, 1947)&#13;
&#13;
.................................. 13 McDowell Hall&#13;
VICE PRESIDENT AND TREASURER&#13;
&#13;
LOGAN MoRRILL, B. A., LL. B. (From July 1, 1947)&#13;
.................................. 13 McDowell Hall&#13;
REGISTRAR&#13;
&#13;
MIRIAM STRANGE, B. A. ................... 11 McDowell Hall&#13;
LIBRARIAN&#13;
&#13;
CHARLOTTE rLETCHER, A. B., B.&#13;
&#13;
s............ Woodward Hall&#13;
&#13;
DIRECTOR OF ADULT EDUCATION&#13;
&#13;
FoRD KEELER BROWN, B. A., D. Phil. ........ McDowell Annex&#13;
COLLEGE PHYSICIAN&#13;
&#13;
J. OLIVER PURVIS, M. A.,&#13;
&#13;
M. D ........ .&#13;
&#13;
....... Infirmary&#13;
&#13;
DIETITIAN&#13;
&#13;
MARIAN E. ALEXANDER, B.&#13;
&#13;
s....&#13;
&#13;
. Randall Hall&#13;
&#13;
DIRECTOR OF ATHLETICS&#13;
&#13;
EDWARD FLINT LATHROP, JR., B. A.. . . . . . . .&#13;
&#13;
B. S., 1935; M. A., 1938, University of Virginia. Lecturer in Philosophy,&#13;
Columbia University, 1937-38. Tutor and Assistant Dean, St. John's College,&#13;
1938-43. Active duty with the United States Navy, 1943-46. Tutor, St. John's&#13;
College, 1946-; Dean, 1947-; Board of Visitors and Governors, 1947-.&#13;
&#13;
TUTORS&#13;
GEORGE ALTHOFF BINGLEY .... - ....&#13;
&#13;
. ...... Brice House&#13;
&#13;
B. A., 1910, M. A., 1916, Princeton University. Instructor in Government&#13;
Schools, Osaka, Japan, 1910-13; University of Goettingen, 1913-14; Elizabeth&#13;
Gardner Scholar in Mathematics, Princeton University, 1915-16; Instructor in&#13;
Mathematics, Georgia Institute of Technology, 1918-19; Instructor in Mathematics, United States Naval Academy, 1919-23; Assistant Professor of Mathematics, St. John's College, 1923-24; Associate Professor of Mathematics and Physics,&#13;
St. John's College, 1924-27; Associate Professor of Mathematics, St. John's College,&#13;
1927-31; Professor of Mathematics, St. John's College, 1931-39. Tutor, St. John's&#13;
College, 1939-.&#13;
&#13;
. Iglehart Hall&#13;
&#13;
SUPERINTENDENT OF BUILDINGS AND GROUNDS&#13;
&#13;
ARCHIBALD McCouRT ..................... McDowell Annex&#13;
AUDITOR&#13;
&#13;
SEWARD AND MoNDE, C. P.A ........ New Haven, Connecticut&#13;
•Stringfellow Barr, President, resigned December 31, 1946 ..&#13;
Scott Buchanan, Dean, leave of absence July l, 1946; resigned Decem?er 31,&#13;
1946.&#13;
8&#13;
&#13;
RAYMOND NEIKIRK VVILBURN .................. 36 East Street&#13;
&#13;
FoRD KEELER BROWN ............... 243 King George Street&#13;
B. A., University of Washington, 1920: D. Phil., Oxford University, 1926.&#13;
Assistant in English, 1919-20, Assistant Professor of English, 1923-25, University&#13;
of Washington; Associate Professor of English, St. John's College, 1925-29:&#13;
Professor of English, St. John's College, 1929-39. Tutor, St. John's College,&#13;
1939-42; Active duty with the United States Navy, 1942-45: Tutor and Director&#13;
of Adult Education, St. John's College, 1945-.&#13;
&#13;
"CE. Pg. 32.&#13;
9&#13;
&#13;
'I&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
RICHARD SCOFIELD .&#13;
... 58 State Circle&#13;
B. A., 1919, M. A., 1920, University of California; B. A., Oxford University,&#13;
1924. Assistant in English, University of California, 1919-20; Commission for the&#13;
Relief of Belgium Exchange Fellow, Universite libre de Bruxelles, 1920-21;&#13;
Instructor in English, New York University, 1925-27; Associate Professor of Art&#13;
and English, St. John's College, 1927-39. Tutor, St. John's College, 1939-; Board&#13;
of Visitors and Governors, 1943-.&#13;
&#13;
LEONARD JAMES EsucK.&#13;
. Brice House&#13;
~· A.'. University. o_f Chicago, 1934; M. A., Tulane University, 1936; Ph. D.,&#13;
Umvers1ty&#13;
·&#13;
v· · · - of Virgm1a, 1939.. Du .Pont Fellow in Philosophy , u nn,ersi·ty o f&#13;
.&#13;
irg1ma', 1936-39, Instructor m Philosophy, Drake University, 1939-42; Tutor,&#13;
St. Johns College, 1943-.&#13;
&#13;
JO&#13;
&#13;
j ACOB&#13;
&#13;
KLEIN .&#13;
... 217 Hanover Street&#13;
Friedrichs Realgymnasium, Berlin, 1917; Ph.D. University of Marburg-Lahn,&#13;
1922; Research Work, University of Berlin and University of Marburg, 1924-33;&#13;
Visiting Lecturer, University of Prague, 1934-35; Fellow of the Mendelssohn&#13;
Stiftung zur Foerderung der Geisteswissenschaften, 1935-37; Tutor, St. John's&#13;
College 1938-.&#13;
EDWARD FLINT LATHROP, JR ..&#13;
.. 214 S. Cherry Grove Avenue&#13;
B. A., St. John's College, 1938. Assistant Coach in Football and Lacrosse, St.&#13;
John's College, 1937-39. Tutor, St. John's College, 1938-41. Director of Athletics,&#13;
St. John's College, 1939-41. Active duty with United States Navy, 1941-45. Tutor&#13;
and Director of Athletics, St. John's College, 1945-.&#13;
KENT CAMPBELL.&#13;
. . . Brice House&#13;
1919-20, U. S. Naval Academy; B. A., 1924, Harvard College; University of&#13;
Paris, 1923-24. Dillon, Read and Co., New York City, 1924-30; G. L. Ohrstrom&#13;
and Co., New York City, 1930-32; Fitch Investment Service, Boston, 1932-41.&#13;
Tutor and Treasurer, St. John's College, 1941-42. Active duty with the United&#13;
States Navy, 1942-46. Tutor and Treasurer, St. John's College, 1946-47.&#13;
BERNARD MANN PEEBLES.&#13;
. Pinkney House&#13;
B. A., 1926, University of Virginia; M. A., 1928, Ph. D., 1940, Harvard&#13;
University. Instructor in Greek, University of Virginia, 1928-29. Fellow, American&#13;
Academy, Rome, 1932-34. Instructor, Department of Classics, Graduate School,&#13;
Fordham University, 1934-35. Instructor in Classics and Tutor in the Division&#13;
of Ancient Languages, Harvard University, 1937-39. Assistant Professor, Department of Classics, Graduate School, Fordham University, 1939-41. Tutor, St.&#13;
John's College, 1941-42. Army of the United States, 1942-45. Tutor, St. John's&#13;
College, 1945-.&#13;
&#13;
H&#13;
&#13;
WILLIAM ~RVING HARPER.&#13;
. Brice House&#13;
B. A., _Ohio Sta~e University, 1931; M. A., Columbia University, 1934. Instr~ctor. m Chemistry, McGill University, 1932-33; Instructor in Chemistry,&#13;
Umvers1ty of Buffalo, 1935-37; Fellow, Clare College, Cambrido·e Universit;•&#13;
1938-39. Tutor, St. John's College, 1943-.&#13;
"&#13;
''&#13;
SIMON KAPLAN.&#13;
.&#13;
. ...&#13;
. 58 State Circle&#13;
Graduate, "Real-School" (College) in Libau, Russia, 1912; Institute of Technology, Darm~tadt, and U~iver~ity of Heidelberg, 1912-14; University of Leningrad, 19~1-23, ~h. D., Umvers1ty of Jena, 1924-27. Teaching Member of the&#13;
Free Philosophical Association, Leningrad, 1921-22; Fellow of the Hermann&#13;
Cohen Foundation, Berlin, 1928-31; Research Studies, University of Paris&#13;
1934-36; Tutor, St. John's College, 1943-.&#13;
'&#13;
NORMAN ATWOOD GARIS.&#13;
.176 Prince George Street&#13;
B. A., St. John's College, 1941; Student Assistant, St. John's College, 1941-44;&#13;
Tutor, St. John's College, 1944-.&#13;
]ACK LANDAU&#13;
.&#13;
. . . . . . . . . . . 58 State Circle&#13;
B. A., St. John's College, 1944. Tutor, St. John's College, 1944-.&#13;
&#13;
LUKE HARVEY PoE, JR.. .&#13;
.&#13;
. 49 Cornhill Street&#13;
·&#13;
't&#13;
.B. . S. in Mathematics, Universit)' of Virginia , 1938 . LL . B ., U n1vers1 y o f&#13;
~&#13;
.&#13;
.&#13;
Vngmia, 1941. Cravath, Swame &amp; Moore, New York, 1941-42. Active duty with&#13;
the United States Navy, 1942-46. Tutor, St. John's College 1946-· As · t· t&#13;
Dean, 1947-.&#13;
'&#13;
'&#13;
,sis an&#13;
CHARLES]. .ALBA..&#13;
. Wild Rose Shores&#13;
B. S., M. S. m Electncal Engineering, 1934, Massachusetts Institute of Technology. Massachusetts Geodetic Survey , Computer , 1934 -36 . Rad·io c orporatwn&#13;
·&#13;
.&#13;
. .&#13;
of Amenca ~nd U .. s. T_elevlSlon Manufacturing Company, Engineer, 1936-39.&#13;
Capito~ Ra~w Engi_neermg Institute, Instructor, 1939-40. Civil Aeronautics&#13;
Adnumstratwn, Engmeer, 1940-42. Air Track Manufacturing Company, Research Engmeer, 1942-46. Tutor, St. John's College, 1946-.&#13;
&#13;
Street&#13;
&#13;
ULRICH STEPHAN ALLERS . . . . . . . . . . . . . . . . . . . . 4 Revell Street&#13;
B. A., 1939; M. A., 1941, Catholic University. Tutor, St. John's College, 1946-.&#13;
&#13;
B. A., 1934, M. A., 1935, University of Virginia; B. D., 1938, Virginia Theological Seminary. Deacon-in-charge 1938-39, Rector, 1939-41, St. Paul's Church,&#13;
Ivy Depot, Virginia. Tutor, St. John's College, 1941-; Assistant Dean, 1947.&#13;
&#13;
RoBERT S. BART . . . . . . . . . . . . . . . . . . . . . . . 49 Colleo-e Avenue&#13;
. B. A., 1940, Harvard College, s.c.J. Sheldon Travelling Fellow, Ha~vard University, 1940-41. Tutor, St. John's College 1946-.&#13;
&#13;
ERNST ABRAHAMSON .&#13;
... Brice House&#13;
Ph. D., Prague, 1934; Teacher of Classics, Director of Music, Country School&#13;
Villa Pazzi, Florence, 1935-37; Assistant d'Allemand, Ecole Normale, Chfilons-surMarne, France, 1937-39; Instructor in Latin and Romance Languages, Howard&#13;
University, 1939-41; Tutor, St. John's College, 1942-.&#13;
&#13;
CARLOS FRAKER . . . . . . . . . . . . . . . . . . . . . . . . . . Hanover Street&#13;
A. B., Massachusetts State College. B. M:os., Yale University. Tutor, St. John's&#13;
College, 1946-.&#13;
&#13;
JOSEPH WINFREE SMITH, JR ..&#13;
&#13;
. 49&#13;
&#13;
Cornhill&#13;
&#13;
WILLIAM KYLE SMITH.&#13;
. Revcrdy Johnson House&#13;
B. S., University of Virginia, 1921; Th. B., Princeton Theological Seminary,&#13;
1924. Instructor in Bible Literature, University of Virginia, 1933-42. Tutor and&#13;
Assistant Dean, St. John's College, 1942-46. Tutor, St. John's College, 1946-.&#13;
&#13;
WILBUR&lt;?- ~ORHA~. .&#13;
. 201 Hanover Street&#13;
~- A ... Umversi~y ?£ Illm01s, 1922; M. A., Columbia University, 1925; Ph. D.,&#13;
Umversity of M1ch1gan, 1931. Instructor, Columbia University, 1922-26. Professor, .State Teachers College, Buffalo , New York ) 192o,--29 . Res~- 1_,1, " '.tl)'SiO.iO' '&#13;
1&#13;
•&#13;
.&#13;
1..-a ..,a .A.&#13;
g1st, Fifth Avenue Hospital, New York, 1931-32. Rinehart, Inc., New York,&#13;
1932-41. Lecturer, Colgate University, 1942-45. Lecturer, Union Colleae&#13;
Schenectady, New York, 1945-46. Tutor, St. John's College, 1946-.&#13;
" '&#13;
&#13;
�1%&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST .. JOHN'S COLLEGE&#13;
&#13;
. vVeems Creek&#13;
&#13;
WILLIAM HENRY HATFIELD.&#13;
&#13;
B. A., St. John's College. 1941. Tutor, St. John's. College, 1946-.&#13;
&#13;
Ill&#13;
&#13;
ALEXANDER MEIKLEJOHN, 1525 La Loma Avenue, Berkeley, Cal.&#13;
&#13;
B. A., Murray State Teachers College (Kentucky), 1936. M. A., Vanderbilt&#13;
University, 1937. Graduate work, University oE North Carolina, 1937-41. Teac~­&#13;
ing Assistant in English, University of North Carolina, 1937-39; Instructor m&#13;
English, University of North Carolina, 19,39-41. Active duty with the United&#13;
States Navy, 1941-46. Diplomas in Electronics, Naval Research Laboratory, 1942.&#13;
and Massachusetts Institute of Technology, 1945. Historian, Staff Joint Task&#13;
Force One, 1946. Tutor, St. John's College, 1946-.&#13;
&#13;
Ph. D., Cornell University, 1897; A. M., Amherst College, 1913; LL. D.,&#13;
Williams College, 1912, Mt. Holyoke College, 1912, Brown, 1913, Allegheny College, 1915, University of Vermont, 1916, University of California, 1933, University&#13;
of Hawaii, 1937: Instructor of Philosophy, 1897-99, Assistant Professor, 1899190.3, Associate Professor, 1903-06, Professor of Logic and Metaphysics, 1906-12,&#13;
Dean, 1901-12, Brown University; President, Amherst College, 1912-24; Professor&#13;
of Philosophy and Chairman, Experimental College, University of Wisconsin,&#13;
1926-38, Professor Emeritus since 1938; Chairman, School for Social Studies, San&#13;
Francisco, 1933-36; Lecturer, St. John's College, 1940-, Board of Visitors and&#13;
Governors, 1943-.&#13;
&#13;
CLAUDE SPENCER LEFFEL, JR ............... 138 Charles Street&#13;
&#13;
MARK&#13;
&#13;
JOSEPH J. HORRELL ..................... 53Yz Cornhill Street&#13;
&#13;
B. A., St. John's College, 1943. United States Army, 1943-46. Tutor, St. John's&#13;
College, 1946-.&#13;
&#13;
F RANCIS SCARLETT MASON , JR........... .&#13;
&#13;
. 58 State Circle&#13;
&#13;
B. A., St. John's College, 1943. Active duty with the United States Navy.&#13;
1943-46. Tutor, St. John's College, 1946-.&#13;
&#13;
vAN DOREN .&#13;
&#13;
.. 393 Bleecker Street, New York City&#13;
&#13;
A. B., 1914, A. M., 1915, University of Illinois; Ph. D., Columbia University.&#13;
1920; Litt. D., Bowdoin College, 1944. Instructor in English, 1920-24, Assistant&#13;
Professor, 1924-35, Associate Professor, 1935-42, Professor, 1942-, Columbia&#13;
Uni,1ersity. Literary Editor, The Nation, 1924-28; Motion Picture Critic, The&#13;
Nation, 19115-38. Lecturer, St. John's College, 1942-, Board of Visitors and&#13;
Governors, 1943-.&#13;
&#13;
FRANZ PLUNDER. . . . . . . . . . . . . . . . . . . . . . Cooper Apartments&#13;
Stadtisches Gymnasium, Bregenz, 1909-1913. Royal Academy of Fine Arts.&#13;
Vienna, 1911-1914, Master Degree. Technical University, Vienna, Yacht Design,&#13;
Master Degree, 1914. Tutor, St. John's College, 1946-.&#13;
&#13;
FREDERICK LAMOTTE SANTEE.&#13;
&#13;
....... Manhattan Beach&#13;
&#13;
B. A., Harvard, 1924; B. A., Oxford, 1926; M. A., Oxford, 1929; M. D., Johns&#13;
Hopkins, 1938. Fellow of American Academy, Rome, 1927. Instructor in Latin.&#13;
Lehigh University, 1927-29. Assistant Professor of Latin and Greek, Vanderbilt&#13;
University, 1929-34. Associate Professor of Classics, Kenyon College, 1938-42.&#13;
Lieutenant (M.C.), United States Navy, 1943-45. Tutor, St. John's College, 1946-.&#13;
&#13;
.. 42 East Street&#13;
&#13;
LAWRENCE TOWNSEND.&#13;
&#13;
B. A., 1932, Butler University. Tutor, St. John's College, 1946-.&#13;
&#13;
.... vVhitehall Road&#13;
&#13;
LOGAN MORRILL.&#13;
&#13;
B. A., Princeton University, 1929; LL. B., University of Cincinnati College of&#13;
Law, 1935. Investment Counsellor, Cincinnati, Ohio, 1929-1947. Lawyer, Cincinnati, Ohio, 1935-1947. Lecturer, University of Cincinnati College of Law,&#13;
1941, 1946. Army of the United States, 1942-1945. Vice President and Treasurer, Tutor, St. John's College, 1947-.&#13;
&#13;
LECTURERS&#13;
MORTIMER ADLER.&#13;
&#13;
. 227 East Delaware Place, Chicago, Ill.&#13;
&#13;
Ph. D., Columbia University, 1929. Instructor in Psychology, Columbia&#13;
University, 1923-29; Assistant Director of the People's Institute, New York City,&#13;
1928-29; Associate Professor of the Philosophy of Law, 1930-41, Professor, 1941-,&#13;
University of Chicago; Member of the Committee on the Liberal Arts, University of Chicago, 1936-37; Lecturer, St. John's College, 1937-.&#13;
&#13;
PRESIDENT EMERITUS&#13;
ENOCH BARTON GAREY. .&#13;
&#13;
. Los Angeles, Calif.&#13;
&#13;
B. A., St. John's College, 1903; Graduate, United States Military Academy,&#13;
1908; LL. D., Washington College, 1923; LL. D., St. John's College, 1933. Professor of Military Science and Tactics, Johns Hopkins University, 1920-23;&#13;
President of St. John's College, 1923-29; President, The Garey School, 1933-35.&#13;
&#13;
PROFESSOR EMERITUS OF HISTORY&#13;
CLARENCE WILSON STRYKER .....&#13;
&#13;
. ..... Annapolis, Maryland&#13;
&#13;
B. A., Union College, 1885; M. A., Columbia University, 1914. Acting Professor&#13;
of Economics, Kenyon College, 1912-13; Professor of History and Economics, St.&#13;
John's College, 1904-12, 1916-23; Professor of History, 1923-32; Board of Visitors&#13;
and Governors, 1938-.&#13;
&#13;
PROFESSOR EMERITUS OF FRENCH&#13;
JACOB. BERNARD SEGALL .....&#13;
&#13;
..... Baltimore, Maryland&#13;
&#13;
B. L., and B. Sc., Lycee of Jassy, Runiania, 1884; Ph. D., Columbia University,&#13;
1893. Fellow in Romance Languages, Columbia University, 1892-93; Instructor in&#13;
French, Cornell University, 1893-96; Sorbonne, Paris, 1896-97; Instructor in&#13;
French, Cornell University, 1897-1900; Lecturer, Modern Languages, McGill&#13;
University, 1900-01; Instructor in French, College of the City of New York,&#13;
1901-03; Professor of Romance Langnages, University of Maine, 1903-20; Professor of French, University of Maine, 1920-28; Visiting Professor of French,&#13;
Summer Session, Northwestern University, 1928; Professor of Romance Languages, St. John's College, 1928-29; Professor of French, St. John's College,&#13;
1929-39.&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
THE ST. JOHN'S PROGRAM&#13;
ON COLLEGE CATALOGUES&#13;
&#13;
It seems wise to begin with an observation on college cat~­&#13;
logues in general and a bit of advice to the reader of this&#13;
catalogue in particular.&#13;
When liberal colleges were started in this country everybody&#13;
knew that education at the college level should be liberal. It&#13;
was generally admitted that every free citizen shou~d be able&#13;
to read, write, and reckon, and that every profess10nal man&#13;
should have a mind free enough and disciplined enough to&#13;
recognize his professional e~ds and to underst~nd the ~eans&#13;
which must be used to achieve them. Acadexmes and liberal&#13;
colleges were establishe~ to assure ii:itellectu~ freedom and&#13;
discipline to the professions and theIT respective schools. It&#13;
was therefore necessary merely to use a few familiar phrases&#13;
to identify and describe an institution that was teaching the&#13;
"liberal arts and sciences."&#13;
The multiplication of such institutions, the increase in number of students, and the confusion of professional and t~ade&#13;
schools have robbed the familiar phrases of their meanmgs.&#13;
To a far greater degree than we realize, the liberal ai:s and&#13;
sciences have themselves disappeared and what remams of&#13;
them has been confused in the minds of administrators and&#13;
teachers as well as in the minds of the people, all of whom now&#13;
need the education that the liberal college should provide.&#13;
It would be convenient and truthful to describe the SL John's&#13;
Colleo-e Program as the re-establishment * of the original colleo-e ~ith its original function of intellectual freedom and&#13;
.&#13;
discipline, but unfortunately that needs explanat10n at so~e&#13;
length. Let this be an apology to the reader an~ a warnmg&#13;
that he is reading an unusual college catalogue, which attempts&#13;
to define and expound the ends and means of liber~l education&#13;
as well as to describe St. John's College in Annapolis.&#13;
~&#13;
&#13;
WHY A COLLEGE EDUCATION SHOULD BE LIBERAL&#13;
&#13;
The College Charter says in effect that the wisest and best&#13;
regulated States have promoted a~d encou:ag~d instit~tions&#13;
for the liberal education of youth m the pnnoples of virtue,&#13;
"' Cf. Appendix A.&#13;
&#13;
14&#13;
&#13;
knowledge, and useful literature because such institutions are&#13;
of the' highest benefit to society. In an aristocratic society this&#13;
statement might suggest an invidious distinction between the&#13;
rulers who alone would exercise the highest functions and the&#13;
ruled who alone would subserve the higher ends by exercising&#13;
the lower functions. In a democratic republic there is no such&#13;
division of labor. It is an integral part of the American dream&#13;
that each man in our society may and must perform the highest&#13;
functions. These functions consist in the intelligent free choice&#13;
of the ends and means of both our common and individual life.&#13;
This is a most glorious and most difficult proposition to which&#13;
we are dedicated. Among other things it means that each man&#13;
must have his measure of liberal education, since choices can&#13;
be neither free nor intelligent without relevant training and&#13;
understanding.&#13;
These trainings and understandings are parts of the liberal&#13;
arts and sciences. Each profession and vocation is partly liberal;&#13;
therefore professional and vocational schools study their respective minimal amounts of theoretical science. But in addition&#13;
there are basic trainings and understandings common to all&#13;
vocations and therefore common necessities of all free men.&#13;
Thomas Jefferson persuaded the early revolutionary colonies&#13;
of the need for the universal literacy of the citizenry. The major&#13;
success in that minimal democratic education has made abundantly dear the need in addition for the universal distribution&#13;
of critical intelligence, a minimal intellectuality which can distinguish between fact and fiction, between principle and case,&#13;
between opinion and insight, between propaganda and instruction, between truth and falsity. This degree of intellectual&#13;
training is absolutely necessary for the highest activities of men&#13;
in democratic society, namely for both individual and common&#13;
deliberation and decision in practical affairs. That which fulfills&#13;
this basic common necessity is of the "highest benefit" to&#13;
democratic soeiety.&#13;
A good economic, social, and political life will maintain these&#13;
instruments of liberty, but one of its chief concerns will be to&#13;
pass on to youth the germinal insights and habits the cultivation of which will make them free. These insights and habits&#13;
are available in the traditional liberal arts, and they can be&#13;
transmitted and communicated if teachers have them and an&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
16&#13;
&#13;
17&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
allowed to exercise students in their practice on th5 best&#13;
materials.&#13;
Institutions should be set up and maintained which shall&#13;
devote themselves to this end in a single-minded fashion, and&#13;
they should distinguish themselves from the schools of vocational training which minister directly to the special utilities.&#13;
The liberal colleges, together with the public schools, are the&#13;
spiritual strongb,olds of the liberal state which watches and&#13;
insures that men shall be able to do what they ought to do.&#13;
THE CRISIS IN LIBERAL EDUCATION&#13;
&#13;
By a series of historical accidents following the establishment of the elective system by Eliot of Harvard in the late&#13;
nineteenth century, such single-minded institutions are no&#13;
longer available for the training of youth. Eliot introduced&#13;
the device of free election of studies in order to absorb and&#13;
assimilate the natural sciences to the liberal arts tradition. It&#13;
was a minor tactic to meet a larger problem than the liberal&#13;
college had ever faced before. Far from accomplishing its major&#13;
end, it allowed the free and irresponsible invasion of all&#13;
branches of the liberal arts by the research specialist. The&#13;
research teacher became the competitive salesman of a subject&#13;
matter. Later by a system of majors and prerequisites each&#13;
successful salesman was able to eliminate competition with&#13;
other subject matters after the first choice by the student.&#13;
Thus the elective system became an unorganized array of special&#13;
required courses, and each of these in turn was sanctioned by&#13;
its connection with professional and vocational graduate work&#13;
as the pre-medical, pre-legal, pre-commercial, pre-educational,&#13;
or pre-earning-a-living course. Needless to say, the liberal college forgot its function, redoubled its efforts and its courses,&#13;
and became timidly and fanatically preparatory. In acceding&#13;
to the professional and vocational pressures it transmitted&#13;
their destructive energy to the whole public school system.&#13;
The result is that the student now must make a vocational&#13;
choice at some point in his secondary education and changes&#13;
it later only at great educational risk. One thing he cannot&#13;
choose because it does not exist in our educational system: that&#13;
is a balanced liberal education.&#13;
This situation, as soon as it is recognized, constitutes a crisis,&#13;
a point where judgment and decision can be made. We can&#13;
&#13;
choose to restore the liberal arts, not necessarily the old curricu1m~, but a mo~em equivalent. That is what St. John's College&#13;
decide~ to do.rn 1937: Since then the College has for ten years.&#13;
teste~ its curriculum m actual operation. The choice to restore&#13;
the liberal arts has ~et with favorable response and the College&#13;
has assumed a position of leadership in American education.&#13;
THE LIBERAL ARTS&#13;
&#13;
The front cover of this catalogue carries the official seal of&#13;
the College. The Latin proverb on it says, No Way is Impassable to Courage. .The College has courageously undertaken&#13;
the larger task which the. elective system failed to accomplish,&#13;
namely to see that the .liberal arts assimilate, transform, and&#13;
pass on the modern subject matter on which they should be at&#13;
work. ~~e seal on th~ back cover of the catalogue points to&#13;
the trad1t10n from which we derive our courage . Th e L a t.&#13;
.&#13;
. .&#13;
in&#13;
mscnpt10n says that we are making free men out of children&#13;
by means of bo~ks and balances. The figures on the seal repres.ent the seven liberal arts as they were traditionally conceived&#13;
f~r about two thousand years, up to the beginning of the&#13;
n~nete~nth ce?tury. In ancie~t .style they are grammar, rhetoric,&#13;
d1al~ctic, which form the t:ivmm; and arithmetic, geometry,&#13;
music, and astronomy, makmg the quadrivium. In the center&#13;
and fore~ound stands a pair of chemical balances which represents .the mstruments ~f the mo~ern scientific laboratory, where&#13;
the liberal arts are bemg practiced at their best and fullest in&#13;
the modem world.&#13;
A great deal ~s said these days about the teaching of methods,&#13;
but the profess10nal and specialist's bias has left its mark h&#13;
1 h&#13;
I · b .&#13;
ere&#13;
~s e sew ere.&#13;
t is o v10us to any teacher that there are different m~t~ods ~or different subject matters, but where experts&#13;
and specialists d1s~gree then free men must decide. Free minds&#13;
m~st be able ~o view concrete situations, deliberate by formu~atrng clear d1l~m~as, and arrive at a deciding choice. This&#13;
mv.olves a combmatlon and organizing of all methods, and edu~at~~n should. provide a training which would bring precision,&#13;
fac~hty, and mdependence in this most human of all human&#13;
a~t10ns. The formulation of alternatives for such choice is the&#13;
highest art of freedom toward which all the liberal arts should&#13;
be ordered. Considerations of various kinds of truth and falsity&#13;
&#13;
�l8&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
must be introduced, and even subtler distinctions ~nvolving&#13;
the use of symbols in imaginatio1:1 as well a~ reasonmg must&#13;
be made. Memory, manual dexterity, calculat10n and .measure·&#13;
ment must be cultivated as arts, if we are to make mmds free.&#13;
The child is potentially a free man, ~nd this mea~s t~at he&#13;
has the capacities which these arts reqmre. The reahzat10n of&#13;
these capacities comes about by thei~ exercise .under controlled&#13;
conditions in which ordinary learnmg by tnal and err~r be·&#13;
comes discipline under the guidance of teachers. ~y children&#13;
then we mean men who are capable of liberal learnmg.&#13;
THE CLASSICS AS TEACHERS&#13;
&#13;
Although we have no new fads in tea_ching :nethods, but&#13;
rather use all available methods and devices, still :'e have a&#13;
special interpretation of the teache_r'~ function. _This can best&#13;
be stated by saying that the real ongmal and ultimate teachers&#13;
at St. John's are the authors of some hundred of th: greatest&#13;
books of European and American thought. The l:st of the&#13;
great books and their authors who are now . t~~chmg ~t St.&#13;
John's, subject to continual revision and cnticism, will be&#13;
found on page 40. These are the real teachers, ~~t we_ also&#13;
have a secondary faculty of tutors who act as aux1hary mter·&#13;
mediaries between the books and the students.&#13;
These books were chosen over a period of nearly twen~y&#13;
years by auxiliary teachers in various. places, notably_ Col~mbia&#13;
University, the University of Chicago, the Umvers~ty. of&#13;
. · ·&#13;
V ugmia, an d St . John's College · The list was under cnt1osm&#13;
.&#13;
.&#13;
·&#13;
1&#13;
and testing by teaching and learnmg expenence _d_unng t 1at&#13;
period, and the process has ~ontinued ~nder cond1t10ns set by&#13;
the single all-required curnculum which all students at St.&#13;
John's take.&#13;
This experience of co-operative teaching with the_ authors of&#13;
the great books has led us_ to a new unders~and1:1g of the&#13;
classics and classical educat10n. The pre-elective ~1b~ral arts&#13;
colleges had come to understand and_ d:fine the classics i~ te:rm~&#13;
of the symbolic mediums of transmission_ and commumc~t10n,&#13;
they taught Greek, Latin, a:id mat~~matics as ai: exter:s10n of&#13;
·&#13;
-' . -~~ ··'o~ u ... ~a.u "o' ", ··· · · '""&#13;
primary. eulic&lt;t.Ll u 'n .,_.,,,.,,..:i 1ncr wnt1nP" and anthmet1c. We&#13;
.&#13;
are also emphasizing language and mathematics for reasons&#13;
that will appear on later pages. On the other ha~d&#13;
a~e&#13;
reading the classics in English. As we do that, certam cntena&#13;
&#13;
w:&#13;
&#13;
19&#13;
&#13;
emerge and provide a new understanding of the original&#13;
motives in classical liberal arts education. The criteria divide&#13;
themselves into two kinds, those that are exemplified in single&#13;
books and make them great, and those that appear in the effects&#13;
that one book has on another and on the reader and teacher.&#13;
The first criterion is that a classic must be a masterpiece in&#13;
the liberal arts. Its author must be a master of the liberal arts&#13;
of his time, and his work must exemplify the direction of those&#13;
arts of thought and imagination to their proper ends, the understanding and exposition of the truth as he sees it.&#13;
The second criterion follows from the first, namely that a&#13;
classical book must be a work of fine art. It must have that&#13;
clarity and beauty on its surface which provides an immediate&#13;
intelligibility and leads the mind of the reader to its interior&#13;
depths of illumination and understanding. This is of first importance in teaching, and its principle is almost universally&#13;
violated in the textbooks that have developed in the ordinary&#13;
elective system. The great books were written for the ordinary&#13;
intelligent public, and they therefore have the seductive charm&#13;
of works in the fine arts. They are intrinsically interesting and&#13;
impose their disciplines with pleasure.&#13;
The third criterion concerns the internal structure of a&#13;
classic. A great book has many possible interpretations. This&#13;
does not mean that it is simply ambiguous and thus leads to&#13;
confusion. On the contrary it is possible to discover in a great&#13;
work such as Dante's Divine Comedy or Newton's Principia&#13;
several distinct, complete, and independent meanings, each&#13;
allowing the others to stand by its side and each supporting&#13;
and complementing the others. It is the business of a liberal&#13;
artist to construct such works and also to analyze and under·&#13;
stand them.&#13;
The fourth criterion demands that a great book shall raise&#13;
the persistent and humanly unanswerable questions about the&#13;
great themes in human experience. On the one hand this means&#13;
that a great book shall be honest about the limits of its powers&#13;
of exposition, admitting the paradoxes and mysteries that surround the practice of the liberal arts. On the other hand it&#13;
means that a liberal artist should not allow a false modesty er&#13;
scepticism to excuse him from pushing reason and imagination&#13;
to ultimate questions. The entertainment and exploration of&#13;
ultimate questions concerning number and measurement, form&#13;
&#13;
�20&#13;
&#13;
CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
CATALOGUE OF ST JOHN'S COLLEGE&#13;
&#13;
and matter, substance, tragedy, and God extend, moderate,&#13;
and balance the use of our intellectual capacities.&#13;
All of these criteria apply as much to books on mathematics&#13;
as to books oE poetry, to books on practical individual and&#13;
social problems as much as to books on metaphysics and&#13;
theology.&#13;
The extrinsic criteria concern the relations of the books to&#13;
each other and their teaching powers in relation to students&#13;
and readers. It is generally true that these books have had&#13;
the greatest numbers of readers throughout European history.&#13;
Plato, Euclid, the Bible, and Shakespeare are all European bestsellers; there are a few exceptions but it would be almost safe&#13;
to take this criterion as a working rule for the selection of&#13;
books for any list of classics, particularly if the numbers were&#13;
estimated in proportion to the time the book has endured.&#13;
Although each book must tell its own independent story, it&#13;
is an important fact, which we regularly exploit, that one great&#13;
book talks about the others, both those that came before, and,&#13;
by anticipation of doctrine, those that come after. Each book&#13;
in a list of classics is introduced, supported, and criticized by&#13;
all the other books in the list. It thus gains pedagogical power&#13;
and critical correction from its context. Background and&#13;
preparation are thus efficiently supplied by the chronological&#13;
ordering of the classics, and difficult books surprise us by their&#13;
intelligibility and eloquence as they come in their providential&#13;
order. Thus Newton's Principia and Maxwell's Electricity anri&#13;
Magnetism as gracefully submit themselves to the learning&#13;
processes of the student of the liberal arts who has read Euclid,&#13;
Apollonius, and Ptolemy as Kant's Critique of Pure Reason&#13;
and Dante's Divine Comedy do for one who has read Plato&#13;
and Aristotle. It is this unguessed but abundantly confirmed&#13;
collaborative teaching by the masters of the liberal arts that&#13;
makes it possible and imperative to bring back to each modern&#13;
youth his lost heritage of classical education.&#13;
The fact is that such a collection of the great books has in&#13;
it the shining thread of the great liberal tradition in the&#13;
·western ·world. It is this thread that the elective system has&#13;
lost, and the lack of which we 2.re feeling in the uncertainties&#13;
and fears of contemporary daily life. Its loss has made it necessary to construct synthetic cultures, and it is its ghost that&#13;
frightens decadent liberals who would have us get along without&#13;
&#13;
~raditions. They would have us as persons detach ourselves&#13;
fr?m the tradition without knowing what it is or has been.&#13;
Like current textbooks which similarly detach themselves from&#13;
tradition we would be saluting the tradition in our spiritual&#13;
deaths.&#13;
&#13;
21&#13;
&#13;
SCIENCE AND THE MODERN WORLD&#13;
&#13;
The tradition moves on into the modern world and it is&#13;
transfo~mi~g itself in most lively and important wa~s. This is&#13;
~appenmg m two ways primarily, one in mathematics, another&#13;
m the l~boratory. St. John_'s College has more required&#13;
mathematics than ~ny other hberal college in the country; it&#13;
also has ~ore reqmred laboratory work than any other liberal&#13;
college m the country. Together mathematics and natural&#13;
science .constitute more than one-half of the required work.&#13;
Three ~undred _years ago ~lgebra and the arts of analytic&#13;
mathematics w.er~ mtroduced mto European thought by Rene&#13;
?escartes. This is perhaps the greatest intellectual revolution&#13;
~n re~o_rded history, paralleling the other great revolutions&#13;
m rehg10n, morals, politics, and industry. No liberal, and therefore no citizen of a democratic country, can afford to be ianorant of this change and its issues. It has redefined and tr~ns­&#13;
formed our whole n_atural and cultural world. Although it is&#13;
not the only focal pomt around which the St. John's curriculum&#13;
may be_ organized'. it is one which we take special care to&#13;
emphasize. There is scarcely an item in the course which does&#13;
not bear upon it. The last two years of the course exhibit&#13;
completely the changes in the liberal arts that flow from it&#13;
an~ these could n?t b~ appre~iated without the first two year~&#13;
which cover the h1stoncal penod from the Greeks to Descartes.&#13;
Descartes, by using and reinterpreting the knowledge of the&#13;
Greeks, made_ modern mathematics and the laboratory possible,&#13;
so that now if we would follow tbe classical thread into the&#13;
modern world we must know the constructions of the mathematicians and find our classical loci in the instruments of the&#13;
laboratory as well as in the great books.&#13;
For thi~ purpose we have set up a four-year laboratory in&#13;
mathematics and the natural sciences with four main themes&#13;
woven together to. catch the understandings and insights that&#13;
we need. There is the theme of mathematical constructions&#13;
taught and exemplified in a great variety of exercises with the&#13;
&#13;
�22&#13;
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CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
drawing board. There is the theme of measurement wh~ch&#13;
involves the analytical study of the instruments of observat10n&#13;
and measurement, the chemical balances, the meter stick, the&#13;
thermometer, the barometer, the miscroscope, telescope, spectrometer, and interferometer, the use of scales, gauges, and&#13;
graphic methods of recording observation. There is the s.t~dy&#13;
of concrete materials and situations in biology and medicme&#13;
which demand the combination of scientific findings, both in&#13;
theory and in fact; and this in turn demands practice in crucial&#13;
experiments in the history of science. All this is backed ~y a&#13;
solid training in the mathematical techniques and symbolisms&#13;
as far as differential equations.&#13;
This provides the material and intellectual ?ackgrou~d for&#13;
the modern study of humanistic and social science. Without&#13;
this it is empty and romantic. With it one may hope for a&#13;
creneration of conlpetent economists, political scientists, and&#13;
0&#13;
'd&#13;
even sociologists. Social studies at present do not provi e an&#13;
intelligible set of organizing principles; until they d~ we shall&#13;
aim the mathematical and scientific work at the pomt where&#13;
the medical and humanistic traditions cross; they agree that the&#13;
proper study of mankind is man.&#13;
&#13;
as teaching in methods of reading and writing. The second list&#13;
~hows th~ division of books into four groups according to the&#13;
four sess10ns of the college course. This list also divides the&#13;
books into three columns according to the classification of the&#13;
primary symbolic medium in which they are presented, languages and literature, mathematics and science, and those books&#13;
fewer in number which deal explicitly with the liberal arts and&#13;
sciences. The third list shows how these books distribute themselv~s o~er the conventional array of subject matters as they are&#13;
studied m the contemporary colleges which follow the elective&#13;
system. This third list is presented for those who wish to compare and contrast the St. John's program with the ordinary college; they should be warned to assure themselves of a real&#13;
compar~son by using only the selections from the subject matters which a normal student would make in the elective system.&#13;
It should also be noted that many books actually fall in several divisions according to subject matter, as on the other hand&#13;
many books in an elective system are read in almost complete&#13;
isolation, therefore without background and aid from other&#13;
books. There is also a general warning that such lists are only&#13;
diagrams for emphasizing this or that special aspect of the&#13;
curriculum; for instance there is nothing in any of these diagrams to show the weightings of time or emphasis on special&#13;
books, nothing to show the weightings that individual students&#13;
are encouraged to put upon them for their own individual benefit or interests. With these qualifications, which should suggest&#13;
still others, the lists give a fairly accurate general impression&#13;
of the curriculum.&#13;
&#13;
THE CURRICULUM&#13;
&#13;
The proper subject matter for the study of the liberal .arts&#13;
is man and the world, with all that these imply; the medmm&#13;
we have chosen to convey this knowledge and appreciation is&#13;
the classical books arranged in both a chronological and pedagogical order; the methods of learning and te~chin.g ~re. the&#13;
liberal arts; the end of the teaching and learnmg 1s msight,&#13;
understanding, and good intellectual and moral habits which&#13;
provide the basis for human freedom. The following paragraphs will be a description of the sc~eduled arrangements for&#13;
doing this in four thirty-three week sess10ns of the college course.&#13;
Such arrangements call for two kinds of distribution of the&#13;
materials and methods of instruction, one according to allotted&#13;
times and the other according to teaching functions. On pages&#13;
40 to 43 the reader will find three listings of the books.&#13;
The first shows the chronological order for books and authors,&#13;
becrinnincr with Homer. and endini?: with Russell, Freud, and&#13;
0&#13;
0&#13;
.&#13;
James. This represents the required readmgs for the four&#13;
years and implies further readings in secondary books as welJ&#13;
~&#13;
&#13;
23&#13;
&#13;
The division into four years has an interesting significance.&#13;
Something over two thousand years of intellectual history is&#13;
covered in the first two years; about three hundred years of&#13;
history is studied in an equal or slightly greater number of&#13;
books in the last two years. The first year is devoted mostly&#13;
to the Greeks and their special understanding of the liberal&#13;
arts; the second year contains books most of which were originally written in Latin, and covers the Roman and medieval&#13;
periods; the third year has books originally written in Romance&#13;
languages for the most part although English has a large share;&#13;
the fourth year introduces German works and concentrates on&#13;
the nineteenth and the twentieth centuries. This four-year&#13;
schedule was not made because of any underlying theory&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
24&#13;
&#13;
25&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
about recapitulations of history, but it happens to catch any&#13;
genuine values that such a theory may point out in practice.&#13;
There are certain critical questions raised by the use of a ·&#13;
selected book list. A great many of these questions turn out&#13;
to be questions of private taste and sentiment. A~o~g the&#13;
objective questions the most urgent concern the omission of&#13;
the Oriental classics and the classics of the pure fine arts.&#13;
Two reasons may be given for omitting the Oriental classics.&#13;
They are culturally and linguistically unavailable to us of the&#13;
Occidental world; they are therefore subject to almost inevitable corruption and misuse as educational mediums. We&#13;
moderns may be able to exploit them when our own intellectual disciplines have been recovered.&#13;
The fine arts contain the most imposing set of disciplines&#13;
that have established themselves and survived in the modern&#13;
world by claiming independence from the liberal arts. It is&#13;
one of our aims to recover and reintegrate them with the liberal arts. We are therefore providing for them outside the&#13;
curriculum and planning to reassimilate them by stages, first&#13;
by including music in the curriculum, reading musical scores&#13;
in the seminars, and studying harmony in the laboratory. We&#13;
hope that by this and other stages to follow, intellectual light&#13;
will be transmitted to the fine arts and that they may make&#13;
their reflected light available to all the classics.&#13;
The main emphasis in teaching is on the writing, reading,&#13;
and experimental disciplines, but the actual teaching falls into&#13;
five sharply distinguished kinds of teaching techniques. None&#13;
of these is newly discovered or invented, but some of them have&#13;
been in disrepute for fairly long periods. We call them severally&#13;
Seminar, Formal Lecture, Language Tutorial, Mathematics&#13;
Tutorial, and Laboratory. The seminar comes perhaps nearest to the immediate educational end which we are aiming at,&#13;
while the tutorials, laboratories, and lectures make secondary&#13;
contributions.&#13;
&#13;
The Tutorials&#13;
Every good student knows that his learning must be double.&#13;
He must be acquiring the skills that go with the subject matter,&#13;
but he must also get to know his teacher. The converse of this&#13;
&#13;
is even more important for good teaching: the good teacher&#13;
knows that he must be in the learning process himself and he&#13;
must also know his pupil. The tutorial class, which is composed&#13;
o~ from te~1 to twenty .students meeting five times a week, provide~ .the ideal. cond1t10ns for collaborative study and for the&#13;
mamfold teachmg and learning relations that hold in a company ?f good friends. The tutor makes daily diagnostic observau.on~ of ~ach. student as he works and gives the proper&#13;
prescnpt1ve directions as they are needed. There is also an&#13;
?pportu.nity for each student to contribute his measure of&#13;
mstruct10n to his fellows.&#13;
&#13;
The Language Tutorial&#13;
The aim here is to use some external device that will induce&#13;
the strengthening and discipli~ing of the imagination. Foreign&#13;
languages have often been praised for their mental discipline,&#13;
but the. vaguenes.s of the statement mirrors the decay of a&#13;
pedagogICal techmque. The imagination is the place where the&#13;
mtellect touches human experience, but it cannot do its work&#13;
if the imaginat~on is not pr~pared to receive intellectual light.&#13;
It must be polished and adjusted. Normally it is our mother&#13;
tongue that brings about such preparation as we have. Unfor~unately American habits with the mother tongue are for&#13;
vanous reasons abnormal and we have babbling minds as a&#13;
con~eq1:1ence. Speci~l attention must be given to our linguistic&#13;
habits if we are to improve matters. Liberal artists have always&#13;
k~own the pm~erful effects of foreign language in getting this&#13;
kmd of attent10n. We therefore require the study of four&#13;
foreign languages, one a year for the four years, Greek, Latin,&#13;
French and German.&#13;
It is ob~ious th~t we do not expect to have these languages&#13;
mastered m the time allotted, even though it is five hours a&#13;
week. For each year the schedule is as follows. During the first&#13;
term paradigms of declensions and conjugations, and passages&#13;
of good prose and poetry from the books are committed to&#13;
memory by rote. During the period of elective and orogressive&#13;
education, rote memory has been abhorred becaus~ it~has its&#13;
dangers. In our system these dangers are avoided by devices that&#13;
force memory to carry its proper load of imagination and&#13;
&#13;
�26&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
thought. The second term is concerned with various ~inds of&#13;
translation from important texts in which important thmgs are&#13;
being said and the grammar of the language is being used for&#13;
purposes of full expression. These translations . range £:0~&#13;
technical grammatical translation, through vanous . stylistic&#13;
variations to abstract and concise formulation of logical content. The last term in each year is devoted to the writing of&#13;
grammatical, rhetorical, and logical commentaries .on the texts&#13;
with a final emphasis on original writing on the topics suggested&#13;
by the text.&#13;
Language is man's most intimate external possession. The&#13;
trained language sense extends man's imaginative powers. We&#13;
therefore move on it with an organized strategy. The effects&#13;
are in sustained powers of imagination and therefore in increased attention and powers of analytic thought.&#13;
These tutorials meet in small classes so that individual&#13;
observation and instruction are the rule. Not a small part of&#13;
the advantage of such instruction comes from the opportunity&#13;
for tutors to diagnose individual difficulties.&#13;
&#13;
27&#13;
&#13;
of study the other books in mathematics and natural science,&#13;
now so formidable to both teacher and student, can be approached and conquered.&#13;
For this purpose the tutorial classes in mathematics meet five&#13;
times a week throughout the four years. The teaching is conventional and familiar for the most part, exposition, recitation,&#13;
drill in calculation and proof. On the other hand intelligibility&#13;
must be added to operational skills, and this is brought to light&#13;
by discussion of the incidence of mathematics, not only on the&#13;
sciences, but also on logic and metaphysics, and through this on&#13;
the entire subject matter of the program. Mathematics belongs&#13;
to the liberal arts and its development through symbolic procedures throws a great deal of light not only on speculation but&#13;
upon the literary and scientific imagination. As in the case of&#13;
the language tutorials, the small class of not over ten students&#13;
allows individual diagnosis and instruction, and the student&#13;
who has difficulties on the operational level may have special&#13;
remedial laboratory exercises prescribed for him. Thus handminded boys may discover the liberal dimensions of their skills&#13;
&#13;
The Mathematics Tutorial&#13;
&#13;
The Seminar&#13;
&#13;
Next to the mother tongue the language of numbers and&#13;
figures is the most important symbolic possession of ~ei:i-. In&#13;
fact it is a language within the mother tongue prov1dmg a&#13;
most powerful practical and theoretical ex~e~sion. I~ view&#13;
of our present scientific and industri.al c.ond1t10ns. of l~fe, the&#13;
decay and elimination of mathematics m educat10n is most&#13;
disturbing. This default has become so common now t~at&#13;
many persons believe that they .nat~vely lack. m~t~emat1cal&#13;
ability. Nothing could be more cnpplmg to th~ md1~1~ual .n~r&#13;
more discouraging for the future of democratic soc1eue~, if it&#13;
were true. The apparent disability is due to a decay m the&#13;
techniques for teaching mathematics and this in tu~n is ~ue&#13;
to misunderstandings of the fundamental nature and mtenuon&#13;
of mathematics. Wide variation in individual training and&#13;
performance is evidence of this state of affairs.&#13;
Therefore we begin with almost a complete year spent in&#13;
a thorough study of Euclid's Elements in . its ent~rety. Th~s&#13;
is the book that made European mathematics possible, and it&#13;
can still be used to remedy our deficiencies. Given this year&#13;
&#13;
A book is one-half of a conversation, and good conversation,&#13;
whether practical or theoretical in intention, is one of the&#13;
highest performances in the liberal arts. Seminars of from ten&#13;
to twenty students with at least two instructors or leaders,&#13;
answer back the other half of the conversations that great&#13;
books demand. Plato's Dialogues, most of which are read in the&#13;
first year, set the models for seminar discussion, and first lessons&#13;
in discussion are learned in reading Plato. Books of various&#13;
kinds are discussed in various ways. Some books such as&#13;
Aristotle's Organon are read in the seminar with the French&#13;
method of explication de texte to insure understanding. It i's&#13;
assumed that other books have presented a subject, and discussion starts where they leave off, following the argument where&#13;
it leads. Literary works demand literary criticism; scientific&#13;
books demand a philosophy of nature.&#13;
Versatility in question and answer allows the exploitation of&#13;
the work done in other parts of the program. Training in&#13;
language facilitates formulation of opinion; mathematical&#13;
imagination and insight open up new depths and subtleties&#13;
&#13;
�28&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
in both literature and science. Dialectic starts on the levels of&#13;
language and mathematics and with their aids reaches the&#13;
fundamentals and ultimates, and in the process the book under&#13;
discussion may be torn to pieces.&#13;
One immediate result is the improvement in actual reading.&#13;
To accompany the reading of the books, the seminars meet&#13;
twice a week for two hours. Recovery from confusion and misunderstanding may result from the first meeting; on the other&#13;
hand it may be only at the last meeting or later meetings that&#13;
the text delivers up its meaning. The seminars are the substantial core of the whole program and the intellectual process&#13;
prepared for by reading and writing is brought to realization&#13;
most often under seminar conditions.&#13;
&#13;
The Formal Lecture&#13;
Formal lectures are delivered to the entire student body at&#13;
least once a week. Lecturing by instructors is discouraged&#13;
elsewhere in the curriculum and concentrated in the formal&#13;
lecture. These lectures are given in the evening with audience&#13;
and platform set as for an outside lecturer. All the formal arts&#13;
of the platform are used for the purpose of a sustained and&#13;
artistic exposition of a subject matter that may have been&#13;
studied in fragments in other ways. About half of the lectures&#13;
are given by guest lecturers, notably Mortimer Adler of the&#13;
University of Chicago, Mark Van Doren of Columbia, and&#13;
Edward Kasner of Columbia. Members of the resident College&#13;
faculty give the rest, no sing-le member giving more than three&#13;
during the year.&#13;
Lecturing except on the popular platform is almost a lost&#13;
art in this country. It is a very high art demanding artistic&#13;
skill and sensitivity which are dulled and killed by the forced&#13;
practice of the ordinary university classroom. Long preparation is needed to free it from sophistry and empty personal&#13;
rhetoric. Our lectures are not always successful, but when&#13;
they are successful they might be given and understood on&#13;
any occasion. Students learn to listen to good talk, to talk&#13;
that is often aver their heads, but talk th&lt;it is remembered&#13;
and absorbed long after the immediate hearing. Each lecture&#13;
is followed by a period of informal query and discussion, in&#13;
which the students learn to talk back.&#13;
&#13;
CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
29&#13;
&#13;
FORMAL LECTURES&#13;
&#13;
1946-47&#13;
The Oar nf Ulysst's . .&#13;
&#13;
. ....... John 0. Neustadt&#13;
&#13;
Trivi1tm.&#13;
&#13;
. ... John S. Kieffer&#13;
&#13;
Quadrivium? .................................. .Jacob Klein&#13;
Vico&#13;
&#13;
..... StTingfellow Barr&#13;
&#13;
The Liar.&#13;
&#13;
Alexander Koyre&#13;
New School for Social Research&#13;
&#13;
Analogy.&#13;
&#13;
. . Scott Buchanan&#13;
&#13;
SjJheres ancl Cells.&#13;
&#13;
.Edward Kasner&#13;
Columbia University&#13;
&#13;
The Dark Night of the Soul&#13;
&#13;
Recital&#13;
&#13;
. . . . . . . . Leonard ]. Eslick&#13;
............ Alexander Schneider, Violinist&#13;
Ralph Kirkpatrick, Harpsichordist&#13;
&#13;
.Jewsalem rmcl Athens ......................... Leo Strauss&#13;
&#13;
New School for Social Research&#13;
- - - . - ......... - .......... Mark Van Doren&#13;
Dramatic Presentation: The D11c/1ess of ..1\·Inl"... . K.mg 'V·11·&#13;
,,&#13;
' i iam l'la)ers&#13;
1\iao; and Russia.&#13;
&#13;
On Reading St. Thomas.&#13;
,.-lmerican Literature I.&#13;
&#13;
. .......... Gregory Bienstock&#13;
. .. Scott Buchanan&#13;
. . - ..........:\fark \'an Doren&#13;
&#13;
SymlJolism and Poetry . ............. _ ... _.......\Villiam&#13;
&#13;
s...Weedon&#13;
Universit7 o[ \'irginia&#13;
&#13;
Anus and /he iVJan&#13;
Mytliology&#13;
&#13;
.... .Ernst Abrahamson&#13;
...... John S. Kieffer&#13;
&#13;
Reading, SlwkesjJeare and Cervantes ......... _ .. Ford K. Bro\\"n&#13;
The Rcd11clio11 of the Syllogism.&#13;
&#13;
......... Raymond N. Wilburn&#13;
&#13;
American Lilt:rature II .... _. __ ._ .............. . Mark \'an Doren&#13;
Toynliee's Themy of History.&#13;
&#13;
.. Stringfellow Barr&#13;
&#13;
Ro11s.1eall.&#13;
&#13;
Leo Strauss&#13;
New School for Social Rescarclt&#13;
&#13;
Divisibility.&#13;
&#13;
- ... - ......... .John 0. Neustadt&#13;
&#13;
Recital&#13;
&#13;
· · · - · · - .................... Andor Foldes, Pianist&#13;
Wonder, Doubt, and Belief.&#13;
.J. Winfree Smith&#13;
&#13;
How to Read A Play&#13;
&#13;
............. Jack Landau&#13;
&#13;
Tl1e Nineteenth Century.&#13;
&#13;
. ............ Jacob Klein&#13;
&#13;
Scfrnce and Civilization&#13;
&#13;
Freud.&#13;
&#13;
..... David Hawkins&#13;
George \Vashington Uniler,it;&#13;
. ... H. W. Loewald, M.D.&#13;
&#13;
Dram;uic Presentation: The Alc/1e1111·,.1 . . . . . . . . . K"mg ur11·iam P1a ye rs&#13;
.&#13;
"1&#13;
&#13;
�30&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
The Laboratory&#13;
The scientific laboratory is perhaps the most characteristic&#13;
institution of the modern world. It should be recalled that it&#13;
was for the purpose of introducing and assimilating the laboratory that Eliot of Harvard opened the liberal college to the elective system. The hope was that the college would provide the&#13;
conditions and the techniques for the liberalizing and humanizing of science. The present disorganization of our colleges is&#13;
evidence that th&lt;; problem is not yet solved. It is of utmost&#13;
importance that it be solved. St. John's College is making the&#13;
attempt.&#13;
The strategy is to recruit specialists in the sciences as teachers, to re-educate them in the liberal arts, and to reorganize the&#13;
laboratory as an instrument of liberal rather than pre-professional training. This is the research problem that is set for the&#13;
faculty, and it will continue to attack the problem step by step.&#13;
The laboratory staff contains an engineer and a medical man,&#13;
scientists whose interests can range beyond the special boundaries of each science. They co-operate with the mathematicians,&#13;
the physicists, the chemists, and the biologists in planning and&#13;
teaching the four-year course. Their field is the history of&#13;
science including the present, and the context is the rest of the&#13;
liberal arts and the classics in the program.&#13;
The present tactics are to take the best current pattern in&#13;
ordering the sciences as it is found in the pre-medical course,&#13;
to anchor it in the scientific classical books and experiments,&#13;
and to find the liberal arts in current practices and insights.&#13;
In general the main themes are mathematical constructions,&#13;
the instruments and techniques of measurement, repetition of&#13;
crucial experiments, and the combination of scientific findings&#13;
in concrete problems.&#13;
The laboratory classes meet once a week for three hours&#13;
during the first two years. Laboratory time is increased in the&#13;
last two years. This is more than is required by any other&#13;
liberal college at present.&#13;
THE SCHEDULE&#13;
&#13;
Perhaps the most obvious distinctive mark of St. John's&#13;
College· is the easily observable fact that all the students of&#13;
the same year are reading the same books at the same time with&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
31&#13;
&#13;
the same immediate preparation. This may be the week when&#13;
that "all Greek to me" look is on all freshman faces because&#13;
they are learning the Greek alphabet; or it may be the two&#13;
weeks that they are meeting Greek algebra in the fifth book&#13;
of Eucl~d's Elements; or i_t may be the first assignment in&#13;
Thucydid~s when t~e se~m.ar leaders are wondering if the&#13;
students will get the imphcat10ns of liberty in Pericles' funeral&#13;
oration. These are the educational realities that a common&#13;
schedule marks and emphasizes.&#13;
Each m?rning for five day~ of the week each student spends&#13;
one hour m a language tutorial and one hour in a mathematics&#13;
~utorial. One aftern~on a week each student spends three hours&#13;
m the laboratory durmg the first two years; in the last two years,&#13;
two afternoons a week. Two evenings from eight to ten each&#13;
student attends a seminar in organized conversation and discussion of the scheduled readings. On one or two evenings&#13;
there are ~ormal lectures. Nineteen or twenty hours per week&#13;
are si:ient m _regular classes. The rest of the time is spent in&#13;
studymg, eatmg, sleeping, talking, athletics, and other activitie~ such as music and dramatics. The week is the elementary&#13;
umt of the schedule and shows one complete rotation through&#13;
the varieties of work and play.&#13;
The three terms of the College year average ten weeks in&#13;
length an~ _mark pi~ces of work projected and accomplished.&#13;
In recogmt10n of this there are oral examinations at the end&#13;
of each term. These are conducted by seminar leaders with&#13;
the help of the tutors. Each student sits with his examiners for&#13;
a half hour during which he is questioned freely and informally&#13;
?n the texts he has read, on his critical or interpretative opin10ns, and encouraged to consider parts of his study in relation&#13;
to each other and in relation to fresh problems that may not&#13;
have been treated in his classes.&#13;
A few days after the examination before the end of the term&#13;
the student again sits with his instructors for fifteen minutes&#13;
during ~hich his tutors and laboratory instructor report to&#13;
the semmar leader on his work for the term. These so-called&#13;
"don rags" are brief and recurrent consultations between&#13;
tea:h~rs and student for the purpose of diagnosis and prescnpt10n rather than for report of marks. They are followed&#13;
~y va~ations in which a fresh start is possible and new directions m study may be explored. Grades are not reported in&#13;
&#13;
�CATALOGUE OF ST. JOHN'S CO~LEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
these don rags, and they are not the center of interest, as is&#13;
shown by the fact that the student is invited to report on himself and to judge his own work.&#13;
The end of each year is marked by a long essay written by&#13;
each student on some theme which he has chosen in the books.&#13;
These are due the first of May. The annual written and oral&#13;
examinations are given in the following September after the&#13;
Jong vacation period during which the salutary processes of&#13;
&#13;
bination of teaching and research in each member of the&#13;
faculty. The principle is that the teaching mind must be a&#13;
learning mind, and therefore good teaching demands continued&#13;
learning. This has come to mean in academic practice that the&#13;
good teacher must be making original contributions to knowledge and that he must publish if he wishes to be promoted.&#13;
The faculty at St. John's is again going back to first principles and making another application of them. Learning is a&#13;
co-operative enterprise and it is best carried out when persons&#13;
at different stages of comprehension work together. The typical&#13;
learning situation at St. John's involves ten or twelve learners.&#13;
First in the learning line come the author-teachers, the writers&#13;
of the great books, who are talking in most cases at the high&#13;
point of their own learning. Next comes the reading and talking teacher who is a member of the faculty: his stage of learning&#13;
is somewhere between the author and the best student. There&#13;
then follow the other students at distances proportional to their&#13;
degree of understanding. The old-fashioned ranking of classes&#13;
in the little red schoolhouse is the image that we have in mind.&#13;
At the head of the class is the author-teacher, at the foot of the&#13;
class the worst student in relation to the subject matter. All&#13;
the others are both teachers and pupils, each learning from&#13;
those above and teaching those below.&#13;
The aim in all the classes is to exploit the differences in&#13;
knowledge, character, and skill as they are distributed among&#13;
the students and the tutors. Since it is not our policy to select&#13;
only the best students for admission, but rather to aim at the&#13;
normal distribution of ability that is found in the average&#13;
American community, we count heavily on the normal social&#13;
processes of mutual understanding to catch and amplify the&#13;
teaching. Our classes exemplify in their various styles all the&#13;
types of collaborative study, allowing even the dull or slow&#13;
student on occasion to hold the class to the main learning purpose. Socrates and the slave-boy is not an unfamiliar spectacle&#13;
in the St. John's classroom; we count on it to keep our teaching&#13;
fresh and genuine.&#13;
The faculty member is then researching in the subject matter&#13;
of the book with the guide and help of the author and any&#13;
other special professional aids that he may be able to use. He&#13;
may have beside him a colleague whose special knowledge complefilents his own. This is the situation in a seminar, where&#13;
&#13;
32&#13;
&#13;
A&#13;
Hour&#13;
9&#13;
&#13;
STUDENT'S CLASS SCHEDULE FOR THE WEEK&#13;
&#13;
Mon.&#13;
Language&#13;
Tutorial&#13;
&#13;
Tues.&#13;
Language&#13;
Tutorial&#13;
&#13;
Wed.&#13;
&#13;
Language&#13;
Tutorial&#13;
&#13;
Language&#13;
Tutorial&#13;
&#13;
Fri.&#13;
&#13;
Sat.&#13;
&#13;
Language&#13;
Tutorial&#13;
&#13;
I&#13;
&#13;
IO&#13;
11&#13;
&#13;
Thurs.&#13;
&#13;
Mathematics Mathematics Mathematics Mathematics Mathematics&#13;
Tutorial&#13;
Tutorial&#13;
Tutorial&#13;
Tutorial&#13;
Tutorial&#13;
&#13;
12&#13;
2&#13;
to&#13;
5&#13;
8&#13;
to&#13;
10&#13;
&#13;
Laboratory&#13;
for&#13;
Juniors,&#13;
Seniors&#13;
&#13;
Seminar&#13;
&#13;
Laboratory&#13;
&#13;
Laboratory&#13;
&#13;
for&#13;
Juniors,&#13;
Seniors&#13;
&#13;
for&#13;
Freshmen,&#13;
Sophomores&#13;
&#13;
(Lecture)&#13;
&#13;
Seminar&#13;
&#13;
Formal&#13;
Lecture&#13;
&#13;
forgetting, assimilation, and the maturing of insights have taken&#13;
place. The close organization of subject matter and the intensive teaching which results make vacations and unscheduled&#13;
ruminations functionally important. As one learns to skate in&#13;
summer and swim in winter, so one acquires wisdom in vacation. The annual ex~minations are aimed at detecting and&#13;
encouraging this process. There are plans for reading parties&#13;
in the summer vacation in which students may arrange the&#13;
proper conditions for the maturing of knowledge gained during&#13;
the session.&#13;
THE FACULTY&#13;
&#13;
Part of the intention .of the elective system since the time&#13;
of its introduction at Harvard has been to encourage the com-&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
there are at least two auxiliary teachers, but it is best exemplified in the editorial work that is being carried on by many&#13;
members of the faculty. The majority of the great books are&#13;
already in cheap and easily available English translations, b11:t&#13;
there are a considerable number of them that need new editions, and a smaller number which have not been translated or&#13;
are badly translated. So far the following books have been&#13;
reprinted: '&#13;
&#13;
pretation of the book list which occurs as an immediate byproduct of teaching the books in tutorial, in seminar, and in&#13;
the laboratory. Criticism of the books takes place in two directions primarily, first their historical order and background&#13;
which continually change and enrich themselves by connections&#13;
with other books; secondly in the bearing these books have on&#13;
the immediate teaching problem and the progress of current&#13;
thought in general.&#13;
Making the actual reading schedule for the seminars for each&#13;
year is a result of much faculty and student deliberation, and&#13;
the reading schedule registers teaching and learning experiences&#13;
from year to year.&#13;
The products of this kind of research go first into teaching&#13;
directly. Production for publication and learned societies is&#13;
and should be a secondary resuJ!t. :..1fhe students thus have&#13;
direct and contributing parts in, r..e enq1, and research has a&#13;
direct and contributing r6le in Jted B~10n.&#13;
The faculty now represents a&#13;
~alanced distribution of&#13;
special knowledge. Eventually ·'l's Bac1duates from the fouryear course itself will be the beshe (i;chers, and some of them&#13;
have already been taken on as te?&#13;
_Jg assistants.&#13;
&#13;
34&#13;
&#13;
Plato: Phaedrus, in Greek and Latin&#13;
Gospel according to St. John, in Greek and Latin .&#13;
Descartes: Discourse on Method, in French and Latm&#13;
Hippocrates: Selected Works&#13;
Archimedes: Selected Works&#13;
Lucian: True History&#13;
Aristarchus: Distances of Sun and Moon&#13;
Nicomachus: Introduction to Arithmetic&#13;
Spinoza: Theological-Political Treatise&#13;
Gilbert: On the Magnet&#13;
Harvey: The Works of&#13;
Rousseau: Du Contrat Social&#13;
Lavoisier: Elements of Chemistry&#13;
Hegel: Philosophy of History&#13;
Dalton: Chemical Philosophy&#13;
Bernard: Experimental Medicine&#13;
Fourier: Theory of Heat&#13;
Virchow: Cellular Pathology&#13;
&#13;
The following books have been translated for the first time&#13;
into English by members of the faculty:&#13;
Apollonius: Conics&#13;
Ptolemy: Mathematical Composition (Almagest)&#13;
Augustine: On Music&#13;
Scotus Erigena: The Division of Nature&#13;
Grosseteste: On Light&#13;
Oresme: On the Breadths of Forms&#13;
Copernicus: On the Revolution of the Spheres&#13;
Kepler: Epitome of Astronomy&#13;
Pico: On the Dignity of Man&#13;
&#13;
The following books have been retranslated by members of the&#13;
faculty:&#13;
Plato: Meno&#13;
Plotinus: Fifth Ennead&#13;
Aristotle: Physics, Books I-IV&#13;
Bonaventure: Reduction of Arts to Theology&#13;
Cantor: Transfinite Numbers&#13;
&#13;
This represents the first line of research.&#13;
_&#13;
The second line of research consists in the constant remter-&#13;
&#13;
85&#13;
&#13;
,lY&#13;
ACADEMIC STANDING&#13;
&#13;
The system of instruction allows for a close and varied&#13;
acquaintance of instructors and students; therefore the student's academic standing is known in detail from day to day.&#13;
This knowledge is pooled at the end of each term on the&#13;
occasion of the don rag and the combined judgments of the&#13;
staff are based on more than recorded grades. Since this is&#13;
the case academic standing is not determined by numerical&#13;
or literal grades, and judgments are made and reported for the&#13;
purpose of advice and planning both for the teachers and the&#13;
student. As soon as the performance of the student or other&#13;
evidence of capacity persuades the staff that the learning process has stopped and cannot be revived, the student is warned&#13;
that he will be dropped after a stated period of confirmation&#13;
of the judgment.&#13;
Ideally there is no reason for dropping any normal student&#13;
from this course of study. It is varied and rich enough for&#13;
great diversities of interest, performance, and achievement,&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
and there is ample room within it for a wide range of ability&#13;
and for individual choice and guidance. This fact permits and&#13;
demands a longer period of adjustment and tentative judgment&#13;
than in the regular elective system. It is assumed that each&#13;
student has the required capacities until evidence to the contrary is overwhelming. All disciplinary action is governed by&#13;
the assumption that bad habits can be changed.&#13;
Attendance on all regular scheduled College exercises is required. A record of absences is kept and posted. This record&#13;
is taken into consideration whenever there is occasion to determine academic standing.&#13;
Written and signed excuses from the following sources may&#13;
be submitted for filing with the student's record:&#13;
l) Parent, guardian, or . other responsible person outside&#13;
the College; 0 ~e~he .&#13;
2) Practising phy;rhe Wo~Jfionsulted by the student;&#13;
3) Instructor in cha'.t Contra class in which absence occurs;&#13;
iements&#13;
Ph'bsophy Cl&#13;
11&#13;
4) T he C0 ege&#13;
7ical P&#13;
&#13;
THE DEGREE OF BACHELOR ·erime,RTS&#13;
'rv nf&#13;
&#13;
*&#13;
&#13;
The original title of Bachcl0r of Arts signified the first&#13;
officially recognized stage of competence in the seven liberal&#13;
a:rts and sciences: grammar, rhetoric, logic, arithmetic, geometry, music, and astronomy. The St. John's degree of Bachelor&#13;
of Arts signifies the modern equivalent of these arts and&#13;
sciences. Specifically this implies:&#13;
Knowledge of the contents of the required books in the list;&#13;
Competence in the laboratory arts;&#13;
Competence in mathematics through the elementary calculus;&#13;
A reading knowledge of at least two foreign languages.&#13;
&#13;
In semester hours as recorded in the regular elective system&#13;
this amounts to:&#13;
Semester Hours&#13;
&#13;
Four Years&#13;
One Year&#13;
40&#13;
10&#13;
Language and Literature .... , .&#13;
40&#13;
10&#13;
Mathematics and Science .. .&#13;
16&#13;
4&#13;
Lectures on the Liberal Arts ..&#13;
12&#13;
Laboratory ......... , ................... . 3 (J.1 actual time)&#13;
32&#13;
8&#13;
Seminars. . ....... .&#13;
&#13;
Total.&#13;
"'Cf. Appendix B, pg. 71.&#13;
&#13;
.... ' ... 35&#13;
&#13;
140&#13;
&#13;
A more ~etailed analy~is of the content of these degree requirements will be gladly given by the Registrar on request.&#13;
The "rights and privileges appertaining" to the Bachelor of&#13;
Arts degree have undergone serious scrutiny during the last&#13;
part of the period in which the colleges have been under the&#13;
domination of the elective system. There have been concerted&#13;
attemrts to ~a~ntain common standards under the rapidly&#13;
changmg cond1.tlons of expansion in student bodies, in subject&#13;
matters, and m methods of instruction. Throughout the&#13;
~ountry the_re are regional boards which inspect the colleges&#13;
m each reg10n and rate their degrees. The Middle States Association of Colleges and Secondary Schools operates in this&#13;
r:gion .. T.hese Boa~ds cannot put a college on the approved&#13;
hst until its educational product can be judged. Since there&#13;
were no graduates of the new administration and program&#13;
before June, 1941, and few until the end of the war, there will&#13;
be an interim in which a rated B. A. degree cannot be&#13;
guaranteed.&#13;
This means that the St. John's Bachelor of Arts degree is&#13;
certified only by the charter of the College and the Maryland&#13;
State Board of Education.&#13;
On the other hand there is no serious doubt that the curriculum which is now offered and the instruction that is now&#13;
being given more than fulfill the common standards and that&#13;
they will prepare students adequately for any !rraduate work&#13;
0&#13;
which they wish to pursue.&#13;
~he gradua~e. and professional schools increasingly make&#13;
their final declSlons on candidates on the basis of individual&#13;
records and merits and ignore the bare minimum certification&#13;
of t~e . ordinary degree. The rated B. A. is no guarantee of&#13;
adm1ss10n to a graduate or professional school. Where inquiry&#13;
has been made these schools have given assurance of full consideration to St. John's graduates. The great variety of teaching&#13;
methods, the common subject matter, and the intimate and&#13;
continuous acquaintance between student and teacher that this&#13;
program provides allow detailed and comprehensive recommendations of individual candidates both for graduate schools&#13;
and for business positions. Such individual recommt:&gt;ndations&#13;
will always be our most effective communication with the&#13;
academic and I?ractical worlds into which our students graduate; we deal with other institutions on the basis of a common&#13;
&#13;
�38&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
recogmt10n of the realities of the learning process and the&#13;
exigencies of the war and revolution through which the worlrl&#13;
is passmg.&#13;
There is no question about the fitness of this program of&#13;
studies to meet the explicit requirements of law schools,&#13;
theological schools, business schools, schools of politics, and&#13;
economics, and schools of education. There may be some&#13;
doubt in the minds of the small business man and the craftsman about the utility of a liberal education for earning a&#13;
living. One who shares these doubts should read the Federalist&#13;
Papers and follow their discussions of the fundamental conditions and principles of American society to get free of the&#13;
prejudices which we inherit from societies that base themselves&#13;
on invidious class distinctions. The worker and the tradesman&#13;
in this country belong to a liberal society that demands a&#13;
liberal education of all its members.&#13;
The professions that base themselves on specialization in the&#13;
natural sciences have set up graduate departments that actually&#13;
need more liberal education in their preparatory stages than is&#13;
at present available in the elective system. In failing to get&#13;
students who have that minimal general education, they have&#13;
been forced to turn to a second best, a more intensive specialized&#13;
preparatory training. In some cases th~y take the student into&#13;
the graduate school before he has graduated from college, and&#13;
give the extra specialization that is required. In other cases, as&#13;
in some engineering schools, graduate physics, chemistry,&#13;
biology, and medicine, they have imposed heavy pre-professional&#13;
requirements on the liberal college. In effect, they ask the&#13;
liberal college to anticipate professional work. We refuse to&#13;
accept this imposition wherever it would force us to sacrifice&#13;
understanding to professional rote and rule of thumb. In place&#13;
of these we emphasize basic concepts, basic techniques of&#13;
measurement and experimentation, and general skills of the&#13;
laboratory, in short those starting-points which make the rapid&#13;
acquisition and revision of scientific knowledge a matter of&#13;
habit and second nature. In terms of this fundamental training,&#13;
our work in natural science more than meets the genuine&#13;
requirements of pre-professional education.&#13;
The medical schools, the sources of the heaviest pre-professional requirements, have expressed willingness, in some cases&#13;
enthusiasm, to consider our graduates as candidates. Their&#13;
&#13;
faculties realize the importance of the liberal education of the&#13;
physician, see that we require more hours in the laboratory&#13;
than they ask f~r, and believe that this basic instruction will lay&#13;
a good foundation for professional training. On the other hand,&#13;
a war~ing should&#13;
g~ven tha.t the St. John's student is running&#13;
the nsk that radical mnovat10n entails. The medical schools&#13;
a:e subject to many ~ncreasing demands, which they are finding&#13;
difficult to meet: rapidly growing knowledge relevant to medical&#13;
uses, the public need for more medical services, and the larae&#13;
nm~ber of applican.ts for admission. These pressures may for~e&#13;
arbitrary cons1de:a~10n of candidates, and the literal application&#13;
of rules of adm1ss10n. In view of this problematic situation,&#13;
student~ :vho comet? St. John's with the intention of going on&#13;
to med1cme are advised to make special arrangements for fulfilling the literal requirements for admission to medical schools.&#13;
Arrangements for extra work for this purpose can be made at&#13;
St. John's or at other institutions. In view of ti~ e o-reat scientific&#13;
and social problems facing the medical profesdon may be wise&#13;
to plan a year ~£ graduate work in mathem?'ir::s and physics&#13;
between graduat10n and entrance into med~ca ...:hool. Medical&#13;
schools are not asking for such additional prei. '.ration, but the&#13;
&#13;
39&#13;
&#13;
?e&#13;
&#13;
it&#13;
&#13;
~;~tak1!1:~~~L~v.~~E!9~.~a:~,.1£~at&#13;
&#13;
bey?11sl&#13;
&#13;
~1~~ po~erpf . 1i};~;~r..&#13;
&#13;
�40&#13;
&#13;
CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
I. A LIST OF GREAT BOOKS&#13;
In Chronological Order&#13;
Homer: Iliad and Odyssey&#13;
A!:schylus: Oresteia&#13;
Herodotus: History&#13;
Sophocles: &lt;Edipus Rex&#13;
Hippocrates: Ancient Medicine and Airs, Waters, and Places&#13;
Euripides: Medea&#13;
Thucydides: History of the Peloponnesian War&#13;
Aristophanes: Frogs, Clouds, Birds&#13;
Aristarchus: On the Sizes and Distances of the Sun and Moon&#13;
Plato: Dialogues&#13;
Aristotle: Organon, Poetics, Physics, Politics&#13;
Archimedes: Selected Works&#13;
Euclid: Elements&#13;
Apollonius: Conics&#13;
Cicero: On Duties&#13;
Lucretius: On the Nature of Things&#13;
Virgil: Jineid&#13;
The Bible&#13;
Epictetus: Moral Discourses&#13;
Nicomachus: lntrod· gtion to Arithmetic&#13;
Plutarch: Lives&#13;
fl&#13;
Tacitus: The History, The Annals&#13;
Ptolemy: Mathe11i:::faal, Composition (Almagest)&#13;
Lucian: True Hi'i1a,&#13;
Galen: On the No iral Faculties&#13;
Plotinus: Enneads 7&#13;
Augustine: Confessions, On Music, Concerning the Teacher&#13;
Justinian: lnstiwtes&#13;
Song of Roland&#13;
Saga of Burnt Nfal&#13;
Grosseteste: On Light&#13;
Bonaventure: On the Reduction of the Arts to Theology&#13;
Aquinas: On Being and Essence, Treatise on God, Treatise on Man&#13;
Dante: Divine Comedy&#13;
Chaucer: Canterbury Tales&#13;
Oresme: On the Breadths of Forms&#13;
Pico della Mirandola: On the Dignity of Man&#13;
Leonardo: Note Books&#13;
Machiavelli: The Prince&#13;
Erasmus: ln Praise of Folly&#13;
Rabelais: Gargantua&#13;
Copernicus: On the Revolutions of the Spheres&#13;
Calvin: Institutes&#13;
Montaigne: Essays&#13;
Gilbert: On the Loadstone&#13;
Cervantes: Don Quixote&#13;
Shakespeare: Henry IV, Hamlet, King Lear, Macbeth, Tempest&#13;
Francis Bacon: Novum Organwn&#13;
Kepler: Epitome of Astronomy&#13;
Harvey: On the Motion of the Heart&#13;
Galileo: Two New Sciences&#13;
Descartes: Geometry, Discourse on Method, Meditations&#13;
Hobbes: Leviathan&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
Boyle: Sceptical Chymist&#13;
Moliere: Tartuffe&#13;
Pascal: Pensees&#13;
Milton: Paradise Lost&#13;
Racine: Phedre&#13;
Grotius: Law of War and Peace&#13;
Spinoza: Ethics, Theological-Political Treatise&#13;
Newton: Principia Mathematica&#13;
Locke: Second Treatise on Civil Government&#13;
Huygens: Treatise on Light&#13;
Berkeley: Dialogues between Hylas and Philonous&#13;
Leibniz: Discourse on Metaphysics, Monadology&#13;
Vico: Scienza Nuova&#13;
Swift: Gulliver's Travels&#13;
Hume: Treatise of Human Nature&#13;
Montesquieu: Spirit of Laws&#13;
Fielding: Tom ]ones&#13;
Voltaire: Candide, Micromegas&#13;
Rousseau: Social Contract&#13;
Gibbon: Decline and Fall of the Roman Empire&#13;
Smith: Wealth of Nations&#13;
·&#13;
Kant: Critique of Pure Reason&#13;
Constitution of the United States&#13;
Federalist Papers&#13;
Bentham: Principles of Morals and Legislation&#13;
Lavoisier: Treatise on Chemistry&#13;
Malthus: Principles of Population&#13;
Dalton: A New System of Chemical Philosophy&#13;
Hegel: Philosophy of History&#13;
Fourier: Analytical Theory of Heat&#13;
Goethe: Faust&#13;
Lobachevski: Theory of Parallels&#13;
Faraday: Experimental Researches in Electricity&#13;
Peacock: Treatise on Algebra&#13;
Boole: Laws of Thought&#13;
Virchow: Cellular Pathology&#13;
Mill: On Liberty&#13;
Darwin: Origin of Species&#13;
Bernard: Introduction to Experimental Medicine&#13;
Mendel: Experiments in Plant Hybridization&#13;
Riemann: Hypotheses of Geometry&#13;
Dostoevski: The Brothers Karamazov&#13;
Marx: Capital&#13;
Tolstoi: War and Peace&#13;
Dedekind: Essays on Numbers&#13;
Maxwell: Electricity and Magnetism&#13;
Flaubert: Bouvard and Pecuchet&#13;
Ibsen: Ghosts, Rosmersholm&#13;
Joule: Scientific Papers&#13;
James: Principles of Psychology&#13;
Freud: Studies in Hysteria, The Interpretation of Dreams&#13;
Cantor: Transfinite Numbers&#13;
Hilbert: Foundations of Geometry&#13;
Poincare: Science and Hypothesis&#13;
Russell: Principles of Mathematics&#13;
&#13;
41&#13;
&#13;
�42&#13;
&#13;
first Yea:r&#13;
&#13;
Second Yea1&#13;
&#13;
Third Year&#13;
&#13;
Fourth Year&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
II. SCHEDULE OF READINGS BY YEARS&#13;
Languages and&#13;
Liberal Arts&#13;
Literature&#13;
Plato&#13;
Homer&#13;
Aristotle&#13;
Herodotus&#13;
Lucretius&#13;
Thucydides&#13;
A:schylus&#13;
Sophocles&#13;
Euripides&#13;
Aristophanes&#13;
Plutarch&#13;
Lucian&#13;
Epictetus&#13;
Tacitus&#13;
Plotinus&#13;
Cicero&#13;
Augustine&#13;
Virgil&#13;
Bonaventure&#13;
The Bible&#13;
Thomas Aquinas&#13;
Justinian&#13;
Grosseteste&#13;
Dante&#13;
Calvin&#13;
Saga of Burnt Njal&#13;
Pico&#13;
Song of Roland&#13;
Chaucer&#13;
Shakespeare&#13;
Cen'antes&#13;
Spinoza&#13;
Milton&#13;
Francis Bacon&#13;
Rabelais&#13;
Hobbes&#13;
Racine&#13;
Locke&#13;
Grotius&#13;
Berkeley&#13;
Moliere&#13;
Leibniz&#13;
Erasmus&#13;
Hume&#13;
Montaigne&#13;
Kant&#13;
Machiavelli&#13;
Peacock&#13;
Pascal&#13;
Boole&#13;
Vico&#13;
Montesquieu&#13;
Fielding&#13;
Gibbon&#13;
Voltaire&#13;
Swift&#13;
Rousseau&#13;
Adam Smith&#13;
U. S. Constitution&#13;
Federalist Papers&#13;
Goethe&#13;
Hegel&#13;
Malthus&#13;
Bentham&#13;
!lfarx&#13;
Mill&#13;
Flaubert&#13;
James&#13;
Ibsen&#13;
Freud&#13;
Dostoevski&#13;
Poincare&#13;
Tolstoi&#13;
Hilbert&#13;
Russell&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
lifothematics and&#13;
Science&#13;
Euclid&#13;
Hippocrates&#13;
Nicomachus&#13;
Aristarchus&#13;
Archimedes&#13;
&#13;
"'&#13;
~&#13;
&#13;
Apollonius&#13;
Ptolemy&#13;
Galen&#13;
Leonardo&#13;
Oresme&#13;
Copernicus&#13;
Descartes&#13;
Gilbert&#13;
Kepler&#13;
&#13;
....&#13;
E-&lt;&#13;
r&lt;&#13;
&#13;
"&lt;&#13;
::?:&#13;
f-&lt;&#13;
&#13;
u&#13;
&#13;
l"1&#13;
_,&#13;
&#13;
c:i:i&#13;
&#13;
;::;&#13;
&#13;
"'&#13;
t;1&#13;
&#13;
....&#13;
E-&lt;&#13;
&#13;
Galileo&#13;
Harvey&#13;
Newton&#13;
Boyle&#13;
Huygens&#13;
Lavoisier&#13;
Dalton&#13;
&#13;
u&#13;
&#13;
l"-1&#13;
&#13;
...;&#13;
f,;!.l&#13;
&#13;
0&#13;
&#13;
f-'&#13;
&#13;
z&#13;
"&#13;
.....&#13;
'1&#13;
IZ&#13;
0&#13;
&#13;
u&#13;
u&#13;
&#13;
~&#13;
&#13;
z&#13;
&#13;
0&#13;
&#13;
[:::&#13;
&#13;
-&lt;&#13;
&#13;
::2&#13;
...&#13;
,_,&#13;
Cl)&#13;
&#13;
"'&#13;
-&lt;&#13;
...:i&#13;
u&#13;
&#13;
...;&#13;
&#13;
Fourier&#13;
Faraday&#13;
Maxwell&#13;
Joule&#13;
Darwin&#13;
Virchow&#13;
Bernard&#13;
Mendel&#13;
Cantor&#13;
Dedekind&#13;
Riemann&#13;
Lobacheveki&#13;
&#13;
43&#13;
&#13;
�44&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
The following schedules are taken from different years as&#13;
indicated, but they are subject to continual revisions, corrections, and improvements as teaching experience indicates them.&#13;
1942-43&#13;
Clock-hours of Class-room Work&#13;
Fourth Year&#13;
Second Year&#13;
Third Year&#13;
First Year&#13;
Assigned&#13;
German&#13;
Latin&#13;
French&#13;
Greek&#13;
Exercises&#13;
20 hours&#13;
10 hours&#13;
IO hours&#13;
40 hours&#13;
Memorizing&#13;
Grammar&#13;
Grammar&#13;
Grammar&#13;
Grammar&#13;
Paradigms&#13;
20 hours&#13;
20 hours&#13;
20 hours&#13;
10 hours&#13;
Selections&#13;
Goethe&#13;
Baudelaire&#13;
Virgil&#13;
Euclid&#13;
Hoelderlin&#13;
Catullus&#13;
Racine&#13;
St. John&#13;
Nietzsche&#13;
Horace&#13;
Plato&#13;
35 hours&#13;
20 hours&#13;
20 hours&#13;
5 hours&#13;
Reading&#13;
Bible&#13;
Descartes&#13;
Phaedrus&#13;
St. John&#13;
Double Texts&#13;
Faust&#13;
Latin-French&#13;
Greek-Latin&#13;
Greek-Latin&#13;
Hegel&#13;
25 hours&#13;
50 hours&#13;
50 hours&#13;
Translation and 50 hours&#13;
Lessing&#13;
Rousseau&#13;
Virgil&#13;
Plato&#13;
Close Reading&#13;
Schiller&#13;
Social&#13;
Aeneid IV&#13;
Republic&#13;
Contract&#13;
20 hours&#13;
20 hours&#13;
20 hours&#13;
20 hours&#13;
Formal Logic&#13;
Kant&#13;
Boole&#13;
Thomas&#13;
Aristotle&#13;
Treatises&#13;
Hegel&#13;
Laws of&#13;
De Ente et&#13;
Categories&#13;
Thought&#13;
Essentia&#13;
Prior&#13;
Analytics&#13;
30 hours&#13;
30 hours&#13;
30 hours&#13;
Formal Logic&#13;
25 hours&#13;
Kant&#13;
Pascal&#13;
Dante&#13;
Selections&#13;
Practice in&#13;
Hegel&#13;
Rousseau&#13;
Thomas&#13;
Anthology&#13;
Analytical&#13;
On Law&#13;
Sophocles&#13;
Commentary&#13;
Thucydides&#13;
Demostfienes&#13;
150 hours&#13;
150 hours&#13;
150 hours&#13;
150 hours&#13;
Total&#13;
600 hours (Four years)&#13;
LANGUAGE TUTORIALS DURING&#13;
&#13;
1943-44&#13;
Clock-hours of Class-room Work&#13;
Third&#13;
Second&#13;
First&#13;
Year&#13;
Year&#13;
Year&#13;
&#13;
45&#13;
&#13;
1943-44-Continued&#13;
Second&#13;
Third&#13;
Fourth&#13;
Year&#13;
Year&#13;
Year&#13;
63&#13;
50'&#13;
&#13;
MATHEMATICS TUTORIALS DURING&#13;
&#13;
First&#13;
Astronomy and Physics&#13;
Year&#13;
Astronomy ...&#13;
7&#13;
Mechanics and Hydrostatics.&#13;
9&#13;
Strength of Materials&#13;
Heat&#13;
Light. ' ' .. ' .......... .&#13;
&#13;
50&#13;
&#13;
20&#13;
25&#13;
&#13;
CLOCK-HOURS OF LABORATORY WORK DURING&#13;
&#13;
18&#13;
&#13;
15&#13;
&#13;
3&#13;
30&#13;
&#13;
24&#13;
&#13;
12&#13;
&#13;
9&#13;
&#13;
3&#13;
&#13;
21&#13;
&#13;
36&#13;
9&#13;
3&#13;
9&#13;
&#13;
3&#13;
&#13;
JS&#13;
&#13;
Chemistry&#13;
General Inorganic&#13;
Physical .&#13;
Quahtative .&#13;
Organic ..&#13;
&#13;
33&#13;
33&#13;
&#13;
6&#13;
&#13;
45&#13;
12&#13;
&#13;
227&#13;
&#13;
1942-43&#13;
&#13;
66&#13;
30&#13;
6&#13;
&#13;
9&#13;
&#13;
33&#13;
33&#13;
21&#13;
&#13;
Total for four years of Laboratory in Physics and Astronomy .....&#13;
&#13;
54&#13;
21&#13;
279&#13;
60&#13;
&#13;
15&#13;
15&#13;
&#13;
27&#13;
&#13;
3&#13;
&#13;
9&#13;
3&#13;
&#13;
!J&#13;
&#13;
Total for four years of Laboratory in Chemistry.&#13;
&#13;
Biology&#13;
Anatomy and Physiology.&#13;
Cellular Biology&#13;
Heredity&#13;
Embryolog}'.&#13;
........ '&#13;
Protozoo!ogy .&#13;
&#13;
59&#13;
20&#13;
25&#13;
3&#13;
&#13;
Total for four years of Physics in Mathematics Tutorials ....... .&#13;
&#13;
Physics and Astronomy&#13;
Mechanical Drawing ..&#13;
Astronomy. . ........ .&#13;
Mechanics and Hydrostatics.&#13;
Sound ...&#13;
Heat&#13;
Light. ...&#13;
Electricity and Magnetism.&#13;
Atomic Theory&#13;
&#13;
Total&#13;
120&#13;
&#13;
15&#13;
&#13;
Y!I&#13;
&#13;
33&#13;
&#13;
48&#13;
&#13;
36&#13;
9&#13;
&#13;
9&#13;
9&#13;
&#13;
36&#13;
9&#13;
9&#13;
9&#13;
&#13;
MATHEMATICS TUTORIALS DURING&#13;
&#13;
Mathematics&#13;
Plane Geometry&#13;
Solid Geometry&#13;
Theory of Numbers ..&#13;
Theory of Real Numbers.&#13;
Trigonometry ....&#13;
Analytic Geometry&#13;
Calculus.&#13;
Differential Equations&#13;
Fourier Series&#13;
Non-Euclidean Geometry&#13;
Transfinite Numbers&#13;
Projective Geometry&#13;
&#13;
56&#13;
10&#13;
&#13;
Fourth&#13;
Year&#13;
&#13;
Total&#13;
&#13;
68&#13;
&#13;
12&#13;
8&#13;
&#13;
4fl&#13;
30&#13;
&#13;
30&#13;
17&#13;
&#13;
g&#13;
&#13;
25&#13;
&#13;
19&#13;
&#13;
l9&#13;
&#13;
57&#13;
&#13;
57&#13;
87&#13;
&#13;
37&#13;
&#13;
50&#13;
10&#13;
5&#13;
20&#13;
10&#13;
&#13;
10&#13;
&#13;
10&#13;
&#13;
5&#13;
20&#13;
10&#13;
lO&#13;
&#13;
Total for four years of Mathematics in Mathematics Tutorials&#13;
&#13;
.. ;!l89&#13;
&#13;
Total for four years of Laboratory in Biology.&#13;
lH&#13;
NoTE: One-fifth to one-fourth of the laboratory time is spent in lectures on&#13;
assigned reading.&#13;
&#13;
The topics selected from the conventional subject-matters&#13;
follow. For further information concerning standards, see&#13;
Appendix B on Degree Requirements, page 71.&#13;
Astronomy: Aristarchus, Star charts, Ptolemy, Copernicus, Kepler.&#13;
Biology: Environment and health (Hippocrates); Form and locomotion of&#13;
animals; Digestive and urogenital systems and other parts of female rabbit;&#13;
Heart blood vessels in cat, living frog and turtle, sheep, and dogfish shark:&#13;
Urogenital system of male cat; Other parts of dogfish shark and aquatic&#13;
vertebrates; Fabrics of the animal body; Growth of animals and plants;&#13;
Hydra; Genesis of animals; The Protozoa-animal taxonomy; Heredity in&#13;
the pomage fly.&#13;
&#13;
�46&#13;
&#13;
CATALOGUE OF ST JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Drawing: Orthographic projection; Perspective projection.&#13;
Geometry: Euclid: 8; Apollonius: 5.&#13;
l\1 usic: Intervals; Scales; Keys (the rest not yet planned in detail).&#13;
Physics: Mechanics 15 (Archimedes, Galileo, Huygens, Newton); Surface tension,&#13;
viscosity; Heat 4 (Joule, Fourier, etc.); Strength of materials 4 (Galileo);&#13;
Light 14 (Newton, Huygens; telescope and microscope, diffraction and&#13;
interference; spectra); Electricity 11 (Gilbert, Faraday, etc.).&#13;
Chemistry: States of matter; W'ater-electrolysis, equivalent weight (Faraday);&#13;
Conservation of mass, combustion, oxygen (Lavoisier); Hydrogen, acids;&#13;
Combining proportions; Dalton's atomic theory; Gay-Lussac's law of volumes;&#13;
Molecular weight; Avogadro's number; Dalton's law of partial pressures;&#13;
Critical temperature; Diffusion; Osmosis; Sodium; Chlorine; Formulas;&#13;
HCl; Valence; Hydroxides, ionization; Mendeleyev's Table; Colloids, atomic&#13;
structure; Mass action; Equilibrium; Carbon compounds, paraffins, isomerism, bonds, hydrocarbons, alcohols, aldehydes, ketones, esters, ethers, sugars,&#13;
etc.; Fifth Group of Periodic Table; Ammonia, proteins.&#13;
&#13;
SECOND YEAR-Continued&#13;
11. Conics as four-line loci&#13;
21. Music&#13;
12. Stereographic projection and star 22. Copernicus&#13;
charts&#13;
23. Kepler&#13;
13. Stereographic projection and star 2·1. Prism colors and dispersion&#13;
charts&#13;
25. Chromatic aberration of a lens&#13;
14. Astronomical sights&#13;
26. Geometrical characteristics of Ice15. Celestial machines&#13;
land spar&#13;
16. Celestial machines&#13;
27. Double refraction&#13;
17. Sun and moon&#13;
28. Double refraction of polarized light&#13;
18. Gilbert's De Magnete&#13;
29. Speed of light&#13;
19. Music&#13;
30. Fluid pressure&#13;
20. Music&#13;
&#13;
The following is a list of laboratory exercises by years. It&#13;
is based on a schedule which was followed in 1941-42 but&#13;
is subject to continual revisions, corrections, and improvements&#13;
as teaching experience indicates them. In the spring of 1947,&#13;
the faculty adopted a revised laboratory schedule as the result&#13;
of several years' experience. Therefore, the following list is&#13;
printed for its historical interest only. For laboratory work&#13;
projected during 1947-48, the student should consult the Dean.&#13;
FIRST YEAR&#13;
l. OrthogTaphic projection&#13;
2. Orthographic projection&#13;
3. Trisection of an angle&#13;
4. Areas&#13;
.5. Plane, right angle, :ruler&#13;
6. Weight&#13;
7. Light&#13;
Zl. Circles and regular polygons&#13;
9. Ratios&#13;
IO. Lenses&#13;
11. Telescope and microscope&#13;
12. Compound ratio&#13;
13. Heat&#13;
14. Quadratic equations&#13;
15. Musical intervals and scales&#13;
&#13;
16.&#13;
17.&#13;
18.&#13;
19.&#13;
20.&#13;
&#13;
21.&#13;
22.&#13;
23.&#13;
24.&#13;
&#13;
25.&#13;
26.&#13;
&#13;
27.&#13;
28.&#13;
29.&#13;
30.&#13;
&#13;
The Greek diatonic scale&#13;
The just scale and its uses&#13;
The keys in music&#13;
Environment and health&#13;
Environment and health&#13;
Form and locomotion of animals&#13;
Photometry&#13;
Solid figures&#13;
Rectangular solids&#13;
Aristarchus&#13;
Archimedes' levers&#13;
Machines&#13;
Static equilibrium&#13;
Floating bodies&#13;
Metacenter&#13;
&#13;
SECOND YEAR&#13;
l. Digestive system of rabbit&#13;
2. Urogenital system of female rabbit&#13;
3. Thoracic cavity, mouth, central&#13;
nervous system&#13;
4. The parabola&#13;
5. Ellipse and hyperbola&#13;
&#13;
6. Perspective projection&#13;
&#13;
7. Perspective projection&#13;
8. Perspective projection&#13;
9. Focal points and light&#13;
(floating paraboloid)&#13;
IO. Parametric equations of ellipse&#13;
&#13;
47&#13;
&#13;
THIRD YEAR&#13;
33. Viscosity&#13;
34. Law of definite proportions, law&#13;
of multiple proportions, Dalton's&#13;
4. Strength of beams&#13;
atomic theory&#13;
5. l'alling bodies&#13;
35. Vibrations&#13;
6. Projectiles&#13;
36. Gay-Lussac's law of combining vol7. Sheep heart&#13;
umes, molecular weight, Avo8. Blood vessels of cat&#13;
gadro's number&#13;
9. Matter: crystalline state&#13;
37. Pressure-temperature relations&#13;
10. Blood vessels of cat&#13;
38. Dalton's law of partial pressures;&#13;
11. Boyle·s law&#13;
steam distillation, vapor tension,&#13;
12. Living heart in frog and turtle&#13;
critical temperature&#13;
13. Matter: liquid and gaseous states&#13;
39. Diffusion and osmosis&#13;
14. Smaller blood vessels in living frog&#13;
40. Magnetic fields&#13;
15. Urogenital systems of male cat&#13;
41. Sodium chloride: the active metal&#13;
16. Water and its properties, distillasodium&#13;
tion&#13;
42. Sodium chloride: the active non17. Dogfish shark and aquatic vertemetal chlorine&#13;
brates&#13;
43. Standard units in chemical reac18. Surface tension&#13;
tions. Chemical notation, equa19. Dogfish shark and aquatic verte·&#13;
tions, formulae&#13;
brates&#13;
44. Faraday's laws of electrolysis&#13;
20. Dogfish shark and aquatic verte·&#13;
45. Acids in aqueous solution: HCI&#13;
brates&#13;
46. Atomic and equivalent weights. Re·&#13;
21. Electrostatics&#13;
duction and oxidation, valence&#13;
22. Electrolysis of water, Faraday's laws&#13;
47. Potentiometer&#13;
23. Electrolysis of water, equivalent&#13;
48. Metallic hydroxides and salts in&#13;
weight&#13;
aqueous solution. Neutralization&#13;
24. Rigid body equilibrium&#13;
49. Electromagnetic induction&#13;
25. Conservation of mass; filtration,&#13;
50. Ionization&#13;
reduction with charcoal&#13;
51. Young's interference of light&#13;
26. Compound pendulum&#13;
52. Mendeleyev's Table&#13;
27. Lavoisier on calcination and com· 53. Spectrometer&#13;
bustion; oxygen&#13;
5-1. Colloidal state&#13;
28. Atwood's machine&#13;
55. Music&#13;
29. Chemical reactions&#13;
56. Music&#13;
30. Conservation of momentum&#13;
57. Music&#13;
31. Centripetal force&#13;
32. Hydrogen, acids, oxidation and reduction&#13;
l. Power of the vacuum&#13;
2. Strength of beams&#13;
3. Strength of beams&#13;
&#13;
�CATALOGUE OF ST. JOHN·s COLLEGE&#13;
&#13;
RESIDENCE AND ACTIVITIES&#13;
"FOUR TH YEAR&#13;
I.&#13;
2.&#13;
3.&#13;
4.&#13;
&#13;
Fabrics of the animal body&#13;
Magnetic measurements&#13;
Fabrics of the animal body&#13;
Law of magnetic forces&#13;
5. Fabrics of the animal body&#13;
6. Standard measures of electric current&#13;
7. Fabrics of the animal body&#13;
8. Fabrics of the animal body&#13;
9. Fabrics of the animal body&#13;
10. Fabrics of the animal body&#13;
11. Fabrics of the animal body&#13;
12. Fabrics of the animal body&#13;
13. The structure of the atom&#13;
14. Law of mass action&#13;
15. Diffraction, interference&#13;
16. Chemical equilibrium&#13;
I 7. Diffraction grating&#13;
18. Carbon and its compounds: I: the&#13;
paraffins&#13;
19. II: Isomerism of organic compounds, the carbon-carbon double and triple bonds. Unsaturated hydrocarbons&#13;
20. Alcohols, aldehydes, ketones&#13;
21. Fabrics of the animal body&#13;
22. Fabrics of the animal body&#13;
23. Fabrics of the animal body&#13;
24. Fabrics of the animal body&#13;
25. Growth of animals and plants&#13;
26. Growth of animals and plants&#13;
&#13;
27. Hydra&#13;
28. Hydra&#13;
29. Genesis of animals&#13;
30. Genesis of animals&#13;
31. Genesis of animals&#13;
&#13;
32. Protozoa-animal taxonomy&#13;
Protozoa-animal taxonomy&#13;
Heredity in the pomage fly&#13;
Heredity in the pomage fly&#13;
Heredity in the pornage fly&#13;
Spectral analysis&#13;
Esters, their hydrolysis, mono- and&#13;
di-basic acids, polyalcohol&#13;
39. Potentiometer, thermocouples&#13;
40. Ethers, acid anhydrides, hydroxyacids&#13;
41. Electromagnetic induction&#13;
42. Carbohydrates (sugars, starch,&#13;
cellulose)&#13;
43. Joule's electric heat&#13;
44. Isocyctic, aromatic hydrocarbons;&#13;
Cvclo-olefins, -paraffins&#13;
45. Fou;ier's heat analysis&#13;
46. The Fifth Group of the Periodic&#13;
Table&#13;
47. Ammonia, amines, amino-acids,&#13;
proteins&#13;
48. Music&#13;
49. Music&#13;
50. Music&#13;
&#13;
33.&#13;
34.&#13;
35.&#13;
36.&#13;
37.&#13;
38.&#13;
&#13;
A college should be a community in which the student can&#13;
discipline and develop his native powers, and at the same time&#13;
learn how to associate with other people in such a way as to&#13;
continue this development throughout life. Not only the&#13;
curriculum at St. John's, but the arrangements for residence&#13;
and extracurricular activities as well, are ordered to this&#13;
purpose.&#13;
It is the policy of the College to encourage any spontaneous&#13;
group activity that shows promise of a contribution to the life&#13;
of the community. The College co-operates in the financing of&#13;
those activities that require expenditures; and advice is given&#13;
where it can be helpful to the smooth functioning of the activity.&#13;
The kind of laissez-faire attitude which generally characterizes&#13;
the curricular aspect of American college life is in this College&#13;
transferred to the field of extracurricular activities.&#13;
Activities&#13;
It is no paradox, in view of the above, to say that the main&#13;
purpose of extracurricular activities is amusement and relaxation. Men can work in order to play, or they can regard play&#13;
as a natural component of a graceful, reasonable, and wellrounded human life. Since the things a person enjoys are&#13;
accurately correlated with that person's character and stage of&#13;
development, the recreational activities a student en joys are&#13;
the spontaneous fruit of his increasing knowledge and maturity.&#13;
Work and play are not set over against each other, so that the&#13;
work of the curriculum is looked upon as drudgery to be&#13;
endured until it is possible to get away to the movies. If this&#13;
should be the case, life would indeed become meaningless and&#13;
dull; and the hard work of the curriculum would be wasted.&#13;
Rather, the discovery and choice of certain activities as enjoyable, and the rejection of other forms of recreation as silly or&#13;
dull, follow as a free and natural consequence of the student's&#13;
expanding abilities, and must be proportionate to them.&#13;
Recreational activities have to derive their vitality from these&#13;
newly developed powers which support them, or else they cease&#13;
to be enjoyable. Thus recreation and play become an integral&#13;
part of the student's life in this community.&#13;
49&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Athletics and Music&#13;
The fruits of this maturing and developing process are found&#13;
primarily in the keen, joyful moments of new discovery of ideas&#13;
or unexpected insights and understandings. But this spontaneous play of the mind also extends to extracurricular activities&#13;
and infuses them with their full measure of human enjoyment.&#13;
This may take the form of a new light on the purposes and&#13;
meaning of athletic games and sports; or it may find expression&#13;
in a stimulated imagination which can produce creative writing&#13;
for one of the College publications, or for significant interpretation of works of music.&#13;
Since 19 39 athletics at St. John's have been organized on an&#13;
intramural basis with active participation by more than eightyfive per cent of the student body.* With the aid of student&#13;
athletic assistants who are experts in sports, the St. John's&#13;
Athletic Director carries on a series of individual and team&#13;
sports throughout the entire year. The athletic facilities include a well-equipped gymnasium, two large playing fields,&#13;
tennis courts surfaced for all-weather playing, and a College&#13;
boathouse with five sixteen foot sailboats. Excellence of performance in a wide variety of sports including sailing, tennis,&#13;
handball, squash, badminton, boxing, swimming, baseball,&#13;
basketball, fencing, lacrosse, and track is the instructional ideal&#13;
and is recognized through a number of individual and team&#13;
awards.&#13;
Extracurricular music complements the musical part of the&#13;
regular curriculum. Curricular music includes formal lectures&#13;
on music, group readings and seminar discussions of musical&#13;
scores, laboratory practice with stringed instruments, and&#13;
concerts which take up part of the time otherwise devoted to&#13;
formal lectures. The extracurricular music program makes&#13;
available to a maximum number of students the opportunity&#13;
of acquiring the necessary personal habits for the enjoyment&#13;
of music. Orchestral and choral groups composed of members&#13;
of the College and residents of Annapolis and surrounding&#13;
territory meet for practice and give occasional concerts. The&#13;
College provides a music center, containing a well-stocked&#13;
library of recordings, sheet music and scores, a recording&#13;
machine, an automatic phonograph, a grand piano, and a num-&#13;
&#13;
ber of orchestral instruments. Elsewhere on the campus are&#13;
other pianos and phonographs available for student use.&#13;
&#13;
.50&#13;
&#13;
* Reasons for the elimination of intercollegiate competition from the College&#13;
athletic system are set out in detail in Appendix C.&#13;
&#13;
51&#13;
&#13;
The Student Polity&#13;
The Student Polity, organized in 1945, of which all students&#13;
are members, was instituted by the students for the following&#13;
purposes, as outlined in its constitution:&#13;
1) to promote a conciousness in the student body of political&#13;
and communal responsibilities to both the College and the&#13;
civic communities,&#13;
2) to discover and submit to the College administration student opinion on all problems common to both the students&#13;
and the College administration,&#13;
3) to establish minimal dormitory regulations,&#13;
4) t? review annually the activities of all student organizations and to grant charters to those organizations ,vhose&#13;
activities are judged to be consistent with the aims of the&#13;
College community,&#13;
5) to determine further, jointly with the College administration, the proper delegation of authority in the community.&#13;
Other Extracurricular Activities&#13;
Some student activities are really an extension of the curriculum: for example, the Bible Class, and Latin and Mathemati.cs Clubs in w~ich students and faculty pursue in greater&#13;
detail problems raised by the seminar discussions of scientific&#13;
~hi~osophic~l, .and theological works. Other groups represen~&#13;
smular spec1ahzed pursuits in politics, law, medicine, language.&#13;
~he St. John's Collegian is a weekly student newspaper&#13;
which reports and comments on the events in the community.&#13;
~he St .. John's Yearbo.ok is a student-edited yearly publicat10n which departs radically from the conventional year-book&#13;
format. !n its present form it is a magazine whose purpose is&#13;
to recapitulate and summarize the past academic year. The&#13;
King William Players serve as a center for the readina of&#13;
drama and poetry in general, as well as for the activiti~ of&#13;
play production.&#13;
The Variety Club, specialists in libel and slander, presents&#13;
an annual comic revue satirizing the faculty and the College&#13;
program, or other matters of current interest. The Social Co-&#13;
&#13;
�-~-,&#13;
&#13;
I&#13;
&#13;
'&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
operative presents a series of formal and informal dances&#13;
throughout the year, including several informal movie-dances.&#13;
The Film Club presents annually a series of about twenty of&#13;
the outstanding foreign and domestic film productions in&#13;
cinema history-the "classics" of cinematic art.&#13;
The Student Employment Cooperative was organized in 1943&#13;
for the purpose of obtaining employment for its members, and&#13;
maintains an office to receive and stimulate employers' requests&#13;
for student workers.&#13;
As supports for an active social life, the College provides a&#13;
complete central social unit which consists of a Coffee Shop, a&#13;
Book Shop supplied with magazines and newspapers, and a&#13;
Junior Common Room for the use of the whole College. In&#13;
addition, there are smaller social quarters in each dormitory&#13;
unit, equipped with comfortable furniture. By providing these&#13;
facilities the College authorities expect to foster in the students&#13;
a recognition of the proper responsibility for their own human&#13;
welfare.&#13;
Residence&#13;
St. John's College is situated in the seventeenth century seaport town of Annapolis. The town has the air and reputation of&#13;
a romantic history. Actually it has a population of about fifteen&#13;
thousand people who are occupied with fishing and shipping in&#13;
the harbor, with the training of midshipmen in the Naval&#13;
Academy, with governing the State of Maryland from the state&#13;
government offices, and with the liberal education of young&#13;
men at St. John's College. A number of retired naval officers and&#13;
men of business live on estates in Anne Arundel County sur·&#13;
rounding the town.&#13;
The College has fifteen buildings on a tract of thirty-two&#13;
acres. Five of these buildings are for student dormitory residence, two of them built as dormitories, and three originally&#13;
used as residences for administrative officers of the College.&#13;
These five buildings are now furnished as residence halls for&#13;
students on a plan for small unit College communities.&#13;
An attempt is made to relate the grouping of students in the&#13;
houses to their seminar groups and their athletic teams. These&#13;
small integrated communities within the larger college community teach the incoming student to accept and enforce&#13;
restraints upon himself and also to make proper use of the help&#13;
&#13;
53&#13;
&#13;
and support that other students can give him in his college life.&#13;
TI:e College has four tem~orary ?uildings on the campus,&#13;
pr.ov1ded by. th~ Federal. Pubh: Housmg Authority, which con~am twelve family dwellmg unit.s. These units were provided in&#13;
an ~~ort to take care of marned veteran students and their&#13;
fanuhes. They are all occupied for the coming academic session.&#13;
Dormitories&#13;
All stud~nt~ not living at home are required to live in the&#13;
College bmldmgs and to take their meals in the Colleg n· ·&#13;
Hall.&#13;
e mmg&#13;
. Eac~ dormi.tory room is provided with the necessary furniture,&#13;
mcludmg a smgle bed with mattress, pillow, pillow cover and&#13;
b~dspread, a chest of drawers, book shelves, Venetian blinds or&#13;
wmdow shades, a study table, chairs, lamp, and a waste basket.&#13;
Towels, bed linen, and blankets are to be supplied by the student, as are also such decorations as window draperies, rugs,&#13;
and runners for chests of drawers and tables. The student should&#13;
:onsult ~is prospective roommate, if any, and his own good taste&#13;
m P.lannmg room decoration. Freshmen are frequently assigned&#13;
to smgle occupancy rooms.&#13;
Old students s~ould apply for rooms before they leave for&#13;
the summer vacat10n. Application blanks may be obtained from&#13;
t~e Manager of the Dining Hall and Dormitories. Students who&#13;
wish to room together should file joint applications.&#13;
New ~tudents ha~e rooms assigned to them tentatively from&#13;
the ~s.SIStant Dean s office as soon as their applications for&#13;
adm1ss10n have been accepted.&#13;
Rooms in dormitories may not be occupied durincr vacations&#13;
except by special permission. The dormitories will b0e open for&#13;
occupancy at the beginning of each term as follows:&#13;
For upperclassmen taking Annual Written Examinations&#13;
from noon of the day before the Examination days.&#13;
For freshi:ien from. noon of the day before registration day.&#13;
For defimte dates m. 1947-48 see the College Calendar.&#13;
The College maintains the care of the dormitories. There are&#13;
stu~ent dormitory managers whose duty it is to report com~&#13;
plamts, to see that the dormitories are kept in order and to&#13;
enforce the following regulations concerning break~ge and&#13;
damage to College property:&#13;
&#13;
�54&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Any damage to College property will be charged to th~&#13;
occupant or occupants of the room, or to the occupants of&#13;
the dormitory, in which the damage occurs.&#13;
.&#13;
Each student must make a deposit of ten dollars with the&#13;
Treasurer of the College on registration. Damage to College&#13;
property will be charged '!gainst this deposit according to ~e&#13;
student's share of responsibility for the damage. The d~pos1t&#13;
must be maintained at all times during the session. It will be&#13;
returned at the end of any session, or upon the withdraw~! ~r&#13;
graduation of the student from the College. This deposit is&#13;
called Caution Money.&#13;
The College reserves the right to repair completely, at the&#13;
expense of the occupant or occup_ants, any dormitory room&#13;
and furniture which have been seriously damaged.&#13;
Intentional damage to College property is a serious offense,&#13;
and it will be dealt with summarily.&#13;
&#13;
The Dining Hall&#13;
&#13;
. .&#13;
&#13;
The Dining Hall is maint~ined by ~he ~a~ager of the Dmmg&#13;
Hall and Dormitories. Special attention is given to a balanced&#13;
diet, an interesting variety of menus, and reas~:mabl~ cost. The&#13;
Dining Hall is closed when the College is not m sess10z:, except&#13;
for single holidays; it will open for supper oi:i the da! JUSt preceding the beginning of each term; and dmner will not be&#13;
served on the last day of each term.&#13;
Infirmary Service&#13;
A fully equipped Infirmary is ma~z:tained at ~e College.&#13;
It is in the charge of the College Physician, two tramed nurses,&#13;
and student assistants.&#13;
The College Physician holds office hours each day at the&#13;
Infirmary. During these hours his services are £I:ee to t~ose&#13;
who have paid their regular College fees. Medical services&#13;
rendered by others than members of the College Infirma:y&#13;
staff, whether for sickness or for athletic injuries, are not paid&#13;
for by the College.&#13;
Any illness must be reported prom~tly b~ the s~udent. Students suffering from contagious or mfect10us diseases must&#13;
reside in the Infimary until discharged by the College Physician.&#13;
The College Physician makes a daily report to the Dean.&#13;
&#13;
HOW TO APPLY FOR ADMISSION&#13;
General&#13;
The revolution which re-established the liberal arts curriculum in St. John's College in 1937 was a movement in the&#13;
Republic of Education which anticipated the current crisis in&#13;
world history. When the liberal arts were reinstated in the&#13;
College, it was known that many of the contemporary educational conventions do not promote the most successful pursuit&#13;
of the liberal arts, but the difficulty of the immediate task that&#13;
faced the College, that of putting a liberal curriculum into&#13;
operation, made advisable the postponement of the solutions&#13;
of some of the more extrinsic problems. So, for the first six&#13;
years, the conventional entrance requirement's were used.&#13;
Then, in December, 1942, when it was clear that students in&#13;
the Liberal Arts colleges were immediately needed for military&#13;
duty, St. John's College decided to make its contribution to the&#13;
w&lt;1.r effort by offering its program to younger students in a&#13;
schedule which would allow them to graduate before being&#13;
called to military service. Beginning in July, 1943, a summer&#13;
term was added to the regular schedule so that the four-year&#13;
course could be completed in three calendar years; students&#13;
were admitted at the beginning of any of the four terms during&#13;
the year; the minimum entrance requirements were two years&#13;
of high school work with a year of algebra, a year of plane&#13;
geometry, and an introductory course in one foreign language.&#13;
With the end of the war, St. John's now judges it possible and&#13;
wise to relieve the strain of its wartime schedule by returning&#13;
to its regular schedule, with no summer session and with admission of new students only at the beginning of the yearly session.&#13;
Requirements&#13;
A student is eligible for admission if he can provide evidence&#13;
of his ability and preparation to pursue the St. John's program&#13;
in terms of the following achievements:&#13;
Credits for&#13;
One and one-half years of algebra&#13;
One year of plane geometry&#13;
Two years of one foreign language&#13;
55&#13;
&#13;
�56&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Together with two of the three following requirements:&#13;
1. Graduation from a high or preparatory school&#13;
2. Passing either&#13;
i. The St. John's Entrance Examinations in arithmetic,&#13;
algebra, plane geometry, English, and one foreign&#13;
language, or&#13;
11. The Psychological Examination published by the&#13;
American Council on Education&#13;
3. A recommendation for work at St. John's College from&#13;
the principal or a teachet in the high or preparatory&#13;
school last attended&#13;
Note that these requirements make it possible for students&#13;
to enter St. John's before completing four years of high school&#13;
work, since these examinations may be taken by any student&#13;
who has not completed his formal preparatory work and wishes&#13;
to make an early start in Col'lege work; for instance, at the end&#13;
of his second year of high school.&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
57&#13;
&#13;
amination fee. We shall then arrange for the rest of&#13;
the examination.&#13;
5. As soon as the Registrar has collected your scholastic record,&#13;
recommendations, and the results of the Entrance Examinations, we shall promptly report the decision of the&#13;
Admissions Committee. No assurance of admission can&#13;
be made before the above data are provided.&#13;
6. If you are not able to pay the full College fees, ask us to send&#13;
you a blank of Application for Student Financial Aid.&#13;
Fill this out with special attention to your Tentative&#13;
Budget, send it to the Assistant Dean, and as soon as&#13;
your admission application has been acted on, we shall&#13;
let you know whether we can help and also how much.&#13;
See section on Financial Aid, p. 61.&#13;
Requests for further information may be directed to the&#13;
Registrar. You are urgently invited to visit the College and to&#13;
discuss further any problems that may need extra consideration.&#13;
No Admission with Advanced Standing from Other Colleges&#13;
&#13;
Procedure&#13;
I. Request a blank of Application for Admission from the&#13;
Assistant Dean.&#13;
2. Fill out the Admission blank as completely as possible, paying special attention to the third page where you are&#13;
asked to give full information concerning your formal&#13;
preparation for college, names and addresses of the high&#13;
or preparatory schools you have attended, with the dates&#13;
of your attendance. You should be careful to give the&#13;
name of your principal or other teacher who will be&#13;
able to give a substantial recommendation of your character and ability. If you think you need or .want to&#13;
enter by examination, pay special attention to the fourth&#13;
(back) page of the application blank.&#13;
3. Return the Application for Admission to the Registrar who&#13;
will then collect your scholastic records and recommendations, and arrange Entrance Examinations if they are&#13;
requested.&#13;
4. If you need or want to take the Entrance Examinations,&#13;
give us the name and address of a teacher or c~l~e.ge&#13;
graduate who will be willing to accept the respons1b1hty&#13;
for administering the examinations to you. We pay such&#13;
persons th,e sum of five dollars which you pay us as ex-&#13;
&#13;
Students who wish to transfer to the St. John's program must&#13;
register as freshmen for the four-year course; no advanced&#13;
standing in the program is granted for other college credits.&#13;
Admission before Graduation from High School&#13;
The College is still eager to admit students who have not&#13;
completed their formal four-year preparatory training, provided&#13;
the student and his parents are persuaded that he is able and&#13;
ready to undertake the responsibilities of a substantial program&#13;
in the liberal arts. The presence of a large number of veterans&#13;
will, for the next few years, make the d.ecision of a student&#13;
to apply for entrance before finishing his high school course&#13;
more hazardous. He should not make this decision without&#13;
consultation with the Dean.&#13;
Veterans' Educational Benefits&#13;
St. John's College is approved and accredited by the Maryland State Board of Education and the Veterans Administration&#13;
for the training of Veterans of World War II who are eligible&#13;
to receive educational benefits under Public Law 346 (the&#13;
Servicemen's Readjustment Act of 1944, or the "G.I. Bill") and&#13;
&#13;
�58&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Public Law 16 (the Vocational R~~abili~ation Act). Under&#13;
Public Law 346, the Veterans Admm1strat10n pays _t~ the College $500.00 for an academic session towards the tmtlon fee ?f&#13;
the veteran student and to the veteran during the academic&#13;
session $65.00 per month subsistence for single veterans an_d&#13;
$90.00 per month for those with dependent~. l!1:1de: Public&#13;
Law 16, veterans who qualify by reason of d1s_ab1h~y mcur~e~&#13;
in service are provided tuition fees and supph~s 1~ith_ a m1mmum subsistence of $105.00 per month, hosp1tahzatlon, and&#13;
additional allowances for dependents.&#13;
·. ·&#13;
h&#13;
Veterans who contemplate reg1stermg at St. Jo. n ' s Colleo-e&#13;
o&#13;
are urged to file their app~ications ~nder Public L_aw 346&#13;
accompanied by certified copies of service rec_ord and discharge&#13;
with their local Veterans Administration Reg10nal Office before&#13;
coming to College, so that their programs may be approved&#13;
and benefits begin as of the day they_ register at _tl~e . C:ollege.&#13;
The Regional Office will issue a Certificate of Ehg1b1hty and&#13;
Entitlement which the veteran will sign and turn over to the&#13;
Treasurer for certification of his admission and enrollmenL&#13;
If the veteran cannot make application to the Veterans&#13;
Administration Regional Office before arrival he may apply at&#13;
the College on a form supplied by the Treasurer:s Office whe~&#13;
he registers. This application m1:st be accompamed by a certified copy of service record and discharge.&#13;
Veterans desiring benefits under Public Law 16 must apply&#13;
directly to the Veterans Administration, and because of the&#13;
time required for consideration and approval, should do so as&#13;
early as possible.&#13;
&#13;
FEES&#13;
&#13;
College Finance&#13;
It is the aim of St. John's College to establish its fees for&#13;
tuition and residence at a figure which will approximate as&#13;
closely as possible the actual cost of furnishing tuition, board&#13;
and room, and meeting the administrative and other operating&#13;
expenses of the College.&#13;
Rising costs of operation for the College have prevented it&#13;
from realizing this aim or principle. In order to meet in part&#13;
these rising costs, St. John's College has established the fee for&#13;
tuition and residence at $1, 100 for all students enrolling in the&#13;
College in the fall of 194 7 or thereafter.&#13;
The College still relies upon other sources of income, principally support by private individuals, and by th\e public&#13;
through State Appropriations for four purposes: dosing the&#13;
gap between operating expense and operating income, financial&#13;
aid to students who are not able to pay the full costs, additions&#13;
to College buildings and equipment, and increasing of the&#13;
small College endowment.&#13;
The various other fixed charges for attendance at St. John's&#13;
are listed in the following paragraphs. In figuring the budget&#13;
for the academic year, each student should include additional&#13;
amounts for books, clothes, stationery, laundry, and other incidentals. The cost of books will in general average about $50&#13;
per year.&#13;
&#13;
Entrance Examination Fee&#13;
If a candidate for admission finds it necessary to take the&#13;
College entrance examinations in order to complete the requirements for admission, he will be charged a fee of $5.00, payable&#13;
to the College upon his request for examination. This fee is&#13;
charged to cover the expense of giving the examination; it will&#13;
not be refunded, nor will it be deducted from other fees.&#13;
&#13;
Annual Fees&#13;
Beginning with the fall term of 1947, the fixed annual fees&#13;
for all students for each year are as follows:&#13;
Tuition .&#13;
Residence&#13;
&#13;
............&#13;
..........&#13;
&#13;
Total ...&#13;
&#13;
.$650.00&#13;
450.00&#13;
&#13;
... $1,100.00&#13;
&#13;
59&#13;
&#13;
�60&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
These fees are payable in full on registration in S~pte~ber&#13;
or if preferred, in three installments: one-half on reg1strat~on,&#13;
o~e-fourth on January 5, and the remaining fourth on ~pnl 5.&#13;
On registering, the student must procure a T_reasurer s Ca_rd&#13;
showing that fees have been paid or that smtable ~nanoal&#13;
·&#13;
arrangements have b een ma d e, in ord er to be admitted to&#13;
.&#13;
classes, dormitories, the dining hall, the library, gymnasmm or&#13;
infirmary.&#13;
&#13;
Payment of Bills&#13;
Bills for College fees are presented directly ~o the student,&#13;
and the student assumes responsibility for their payment on&#13;
the dates due.&#13;
&#13;
61&#13;
&#13;
Deferred Payment of Fees&#13;
There is available to those students, veterans and nonveterans, and their parents who are unable to meet the College&#13;
fees in accordance 1vith the regular schedule a deferred tuition&#13;
plan, which provides for payment in equal in~tallments during&#13;
the College year, in most instances, nine installments. This&#13;
method of deferred tuition payment is handled through "Tuition Plan, Inc.," a corporation which offers this service to many&#13;
schools and colleges throughout the country. The plan is put&#13;
into effect by a contract signed by the parent or guardian of the&#13;
student and by the College and handled entirely by "Tuition&#13;
Plan, Inc." The additional cost is four per cent of the amount&#13;
financed.&#13;
&#13;
Payment of Fees by Veteran Students&#13;
&#13;
Refunds on Fees&#13;
If a student has paid any installment on his fees beyond _the&#13;
dates on which installments are due (September reg1strat10n,&#13;
January 5, April 5, and withdraws from College for any&#13;
cause whatever, such advance payment shall be refunded. But&#13;
no installment already due shall be refunded, :regardless of the&#13;
cause of withdrawal.&#13;
.&#13;
The College is not in business and does not regard itself as&#13;
sellino- instruction or food or lodging to students. Its fees can&#13;
best be understood by the student if he regards t~em as membership dues. These dues help the College to prov1d~, not only&#13;
instruction, food, and lodging, but also proper ~e?1cal_ supervision, athletic facilities, and whatever othe: cond1t10n~ it finds&#13;
best adapted to forward the common learmng enterpnse.&#13;
&#13;
Caution Money&#13;
Each student must make a deposit of $10.00 with the Treasurer on registration, subject to charges for laboratory ~reak­&#13;
age and damage to College proper~y. The ~mount of ~lus deposit must be maintained ~t a~l times durmg the session. A&#13;
refund check for this deposit will be sent to the s_tudent upon&#13;
.&#13;
nnd ~f '"'~" ._....._w.;;~......,&#13;
requeSl af•e-' ·he ...;_, , v o..Ai:. J ~&lt;&gt;~eion or after withdrawal or&#13;
l&#13;
Ll&#13;
graduation from College. Except for the caut10n money deposit, which is refundable after the close of the college year, the&#13;
College has no extra fees.&#13;
.i&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
-&#13;
&#13;
•&#13;
&#13;
For the veterans who have qualified to receive educational&#13;
benefits under Public Law 346, the Veterans Administration&#13;
pays to the College $500.00 for the academic session towards the&#13;
tuition fee of $650.00. The balance of this fee, amounting to&#13;
$150.00, and the residence fee of $450.00, or a total of $600.00,&#13;
is the direct responsibility of the veteran and must be paid by&#13;
him to the College. However, the College has arranged a&#13;
schedule of monthly payments of this balance, whereby the&#13;
veteran is enabled to use his monthly subsistence payment from&#13;
the Veterans Administration to meet in part his monthly payment to the College. In the case of a single veteran who receives&#13;
$65.00 per month subsistence, or approximately $585.00 for the&#13;
academic session of 9 months, the monthly payments to the&#13;
College will be slightly in excess of his subsistence payments&#13;
since his total balance due on fees to be paid to the College by&#13;
him is $600.00 for the academic session.&#13;
For the veteran qualified to receive educational benefits&#13;
under Public Law 16, the Veterans Administration will pay to&#13;
the College the tuition fee of the veteran student and charges&#13;
for books and supplies. The veteran will be directly responsible for payment to the College of the fee for residence, which&#13;
can also be paid in monthly installments timed to coincide with&#13;
his monthly subsistence checks.&#13;
The veteran qualified under Public Law 346 may elect to&#13;
have the Veterans Administration pay the excess of tuition&#13;
&#13;
�62&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
over $500.00 or $150.00, by surrendering entitlement at the&#13;
rate of one day for each $2.10 of such excess costs. Such an&#13;
election by the veteran would mean that his period of entitlement would be reduced by approximately 71 days for one&#13;
academic session. The veteran may also elect to have the&#13;
Veterans Administration pay for books and supplies for each&#13;
year up to a total charge of $50.00 under the same plan. A form&#13;
to take advantage of this plan is available at the Treasurer's&#13;
Office upon registration.&#13;
&#13;
FINANCIAL AID&#13;
&#13;
College Aid&#13;
Students unable to pay the full cost of their education may&#13;
get assistance from the College. If the total assistance which&#13;
a student needs for three terms amounts to not more than $200,&#13;
the College will undertake to advance him a loan of the amount&#13;
required and to find him employment at the College that will&#13;
yield him sufficient wages to repay his loan during the period&#13;
for which the money is needed. These loans do not bear&#13;
interest,&#13;
Since the available amounts of both work and money are&#13;
limited, only students who could not otherwise meet their&#13;
College expenses should apply for assistance.&#13;
The procedure for obtaining a loan from the •Student Aid&#13;
Fund of the College is to sign a loan agreement by which the&#13;
student engages himself to repay his loan as fast as his capacity&#13;
to earn money will permit. As fast as he makes payments on&#13;
this loan, new and smaller loan agreements will be substituted&#13;
for the one the Student Aid Fund holds. The privilege of borrowing from the Student Aid Fund is reserved to those who&#13;
perform satisfactorily for the College the work for which they&#13;
receive wages and for those who curta.il their loan promptly to&#13;
the limit which their wages will permit.&#13;
If the total assistance needed for the academic year amounts&#13;
to more than $200, the College will either make up the excess&#13;
by an outright grant from the Student Aid Fund or else reject&#13;
the application altogether. This practice is based on the experience that in most cases $200 is all the student can earn without&#13;
endangering his studies and on the College's belief that it is&#13;
undesirable that its members should graduate with a burden&#13;
of debt to the College. Outright grants are made only where&#13;
aid is so clearly needed and merited that the College can successfully appeal for donations to persons who are strangers to&#13;
the applicant.&#13;
The Committe on Aid will reject all applications, whether&#13;
for loans and employment or for outright grants, which do not&#13;
clearly demonstrate that all local sources have been thoroughly&#13;
canvassed. The Committee has the grave responsibility of&#13;
63&#13;
&#13;
�CATALOGUE 01' ST. JOHN'S COLLEGE&#13;
&#13;
administering justly a common financial resource of the community of scholars which the applicant seeks to join. It therefore subjects each case to a thorough investigation and it cannot initiate this investigation until the student aid blank has&#13;
been filled out fully, dearly, and accurately, and with sufficient detail to enable a judgment to be made.&#13;
All students hold aid, whether loan and employment or&#13;
money grant, only on condition that they maintain good&#13;
academic standing. Application for aid should be made at the&#13;
time the formal application for admission is forwarded to the&#13;
Registrar.&#13;
Maryland State Scholarships&#13;
Residents of the several counties of Maryland and the six&#13;
legislative districts of Baltimore are eligible to take the competitive examinations for scholarships at St. John's College.&#13;
Twenty-nine of these scholarships pay full fees, including tuition, board, and room; twenty-nine pay tuition fees only. They&#13;
are granted for four years, or in the case of a student ahe_ady&#13;
at the College, for the remainder of his course to graduat10n,&#13;
In all counties and legislative districts the competitive examinations are administered by the respective county or city&#13;
School Boards, and reports are rendered to the respective Senators who make the formal appointments. The College supplies&#13;
the examinations and grades the papers in all except two counties, Montgomery and Prince George's, where the School Boards&#13;
examine candidates and report directly to each Senator.&#13;
All appointments are conditional upon admission of the&#13;
candidate to the College.&#13;
The procedure for application, examination, and appointment to State scholarships is as follows:&#13;
l. Candidates, who must be residents of the county or district&#13;
that has an open scholarship, should watch the newspapers for the announcement of the time and place of&#13;
the examination and apply to the local School Board for&#13;
examination.&#13;
2, Candid3',tes ~hould mpply to thefr respective Senators evidence of their good character and financial need.&#13;
3. Appointees will be notified of their appointments by the&#13;
Senator and by the College.&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
65&#13;
&#13;
Schofar,ships Awarded by the College&#13;
THE PHILIP&#13;
&#13;
A.&#13;
&#13;
MYERS,&#13;
&#13;
H,&#13;
&#13;
SCHOLARSHIP&#13;
&#13;
To be awarded annually, the income from $10,000, the gift of&#13;
Philip A. Myers, II, Class of 1938.&#13;
THE CLIFTON&#13;
&#13;
c.&#13;
&#13;
ROEHLE SCHOLARSHIP&#13;
&#13;
To be awarded in tuition, the income from $6,000, the bequest of Mrs. Anna M. D. Roehle, in memory of her son,&#13;
Clifton C. Roehle.&#13;
THE JEREMIAH HUGHES SCHOLARSHIP&#13;
&#13;
To be awarded annually to some deserving student, preferably a resident of Annapolis, the sum of $30.00 to be applied&#13;
to the cost of tuition.&#13;
THE FRIEDRICH JONATHAN voN ScHWERDTNER SCHOLARSHIP&#13;
&#13;
To be awarded in tuition, to some deserving student, the&#13;
income fram the bequest offered annually under the will of&#13;
the late Friedrich Jonathan von Schwerdtner, in memory of his&#13;
son, Friedrich.&#13;
&#13;
Scholarships Awarded by Patriotic Societies&#13;
THE MATTHEW FONTAINE MAURY SCHOLARSHIP&#13;
&#13;
Awarded by the United Daughters of the Confederacy to a&#13;
student of exceptional character and scholarship and of established Confederate lineage. This scholarship is applied to tuition and residence fees, in accordance with the needs of the&#13;
student selected, and is awarded at present for four years unless&#13;
the appointee fails to maintain the required standard in his&#13;
academic record. Applications should be addressed directly to&#13;
Mrs. Sidney Cox, Smithfield, Virginia.&#13;
SCHOLARSHIP OF THE COLONIAL DAMES OF AMERICA&#13;
&#13;
Applicants for this scholarship are expected to submit evidence that they are of colonial descent and that they themselves revere the ideals and standards of their forbears. Appli-&#13;
&#13;
�66&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
canon should be made to the Chairman of the Scholarship&#13;
Committee of the Colonial Dames of America: Mrs. Henry 0.&#13;
Milliken, 421East6lst Street, New York City.&#13;
&#13;
Scholarships at Other Institutions for St. John's Students&#13;
&#13;
APPENDIX A&#13;
A SHORT EDUCATIONAL HISTORY OF ST. JOHN'S&#13;
COLLEGE&#13;
small&#13;
arts college for men,&#13;
ST.ItJOHN'S COLLEGE is aand hasliberal so since its founding.&#13;
is non-denominational,&#13;
been&#13;
It has never been coeducational. It maintains no graduate or pro-&#13;
&#13;
SCHOLARSHIPS IN ENGINEERING&#13;
&#13;
Three scholarships in engineering are offered at the Johns&#13;
Hopkins University to graduates of St. John's College.&#13;
.&#13;
These scholarships are awarded by the Faculty Committee&#13;
on Scholarships and Student Aid.&#13;
SCHOLARSHIPS IN MARINE BIOLOGY&#13;
&#13;
A tuition scholarship applicable to an approved course either&#13;
at the Biological Laboratory at Cold Spring Harbor, New&#13;
York, or at the Marine Biological Laboratory, Woods Hole,&#13;
Massachusetts, is offered annually to graduates of St. John's.&#13;
This scholarship is awarded by the Faculty Committee on&#13;
Scholarships and Student Aid.&#13;
&#13;
fessional schools. It is the third oldest college in the United States.&#13;
&#13;
1696&#13;
King William's School, first public free school on the American&#13;
Continent, founded in accordance with the following Petitionary&#13;
Act of the General Assembly of colonial Maryland:&#13;
A Petitionary act for free-schools. Lib. LL. No. 2, fol. 115.&#13;
Dread Sovereign . . . .&#13;
Being excited by his present Excellency, Francis Nicholson,&#13;
Esq.; your Majesty's Governor of this your Province, his&#13;
Zeal for your Majesty's Service, pious Endeavors and generous Offers for the Propagation of Christianity and good&#13;
Learning, herein we become humble Suitors to your most&#13;
sacred Majesty, to extend your Royal Grace and Favour to&#13;
us your Majesty's Subjects of this Province, represented&#13;
in this your Majesty's General Assembly thereof, THAT IT&#13;
MAY BE ENACTED.&#13;
II. AND MAY IT BE ENACTED, by the King's most excellent&#13;
majesty, by and with the advice, prayer and consent of this&#13;
present General Assembly, and the authority of the same,&#13;
That for the propagation of the gospel, and the education of&#13;
the youth of this province in good letters and manners, that a&#13;
certain place or places, for a free-school, or place of study of&#13;
Latin, Greek, writing, and the like, consisting of one master,&#13;
one usher, and one writing-master, or scribe, to a school, and&#13;
one hundred scholars, more or less, according to the ability of&#13;
the said free-school, may be made, erected, founded, propagated and established under your royal patronage. And that&#13;
the most reverend father in God, Thomas, by Divine Providence lord-archbishop of Canterbury, primate and metropolitan of all England, may be chancellor of the said school; and&#13;
that, to perpetuate the memory of your majesty, it may be&#13;
called King William's School, and managed by certain trustees, nominated, and appointed by your sacred majesty.&#13;
Laws of Maryland, Session of July 1-9, 1696.&#13;
67&#13;
&#13;
�CATALOGUE 01'' ST. JOHN'S COLLEGE&#13;
&#13;
68&#13;
&#13;
1776&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
The original Board of Visitors and Governors was as follows:&#13;
William West, D.D.&#13;
Thomas J. Claggett, D.D.&#13;
Nicholas Carroll&#13;
John H. Stone&#13;
William Beanes&#13;
Richard Ridgely&#13;
Samuel Chase •&#13;
John Thomas&#13;
Thomas Stone •&#13;
Alexander Hanson&#13;
Thomas Jennings&#13;
&#13;
According to tradition King William's School was used as a gunshop during the Revolutionary War.&#13;
&#13;
1785&#13;
&#13;
St. John's College chartered by the General Assembly of the&#13;
State of Maryland:&#13;
WHEREAS, Institutions for the liberal education of youth in&#13;
the principles of virtue, knowledge and useful literature are&#13;
of the highest benefit to society, in order to train up and&#13;
perpetuate a succession of able and honest men for discharging the various offices and duties of life, both civ_il ~nd&#13;
religious, with usefulness and reputation, and such mstltutions of learning have accordingly been promoted and encouraged by the wisest and best regulated States:&#13;
Be it enacted, by the General Assembly of Maryland, That&#13;
a college or general seminary of learning, by the name of&#13;
Saint John's, be established on the said Western Shore, upon&#13;
the following fundamental and inviolable principles, namely:&#13;
first, said college shall be founded and maintained forever,&#13;
upon a most liberal plan, for the benefit of y~uth of every&#13;
religious denomination, who shall be freely admitted to equal&#13;
privileges and advantages of education, and to all the literary&#13;
honors of the college, according to their merit, without requiring or enforcing any religious or civi_l _test, or wi~out&#13;
their attendance upon any particular religious worship or&#13;
service, other than what they have been educated in, or have&#13;
the consent and approbation of their parents or guardians to&#13;
attend; nor shall preference be given in the choice of a&#13;
principal, vice-principal, or other professor, master, or tutor,&#13;
in the said college, on account of his particular religious profession, having regard solely to his moral character and&#13;
literary abilities, and other necessary qualifications to fill the&#13;
place for which he shall be chosen. . . . .&#13;
The petition for this Charter was signed by William Paca• and&#13;
others.&#13;
&#13;
69&#13;
&#13;
James Brice&#13;
John Allen Thomas&#13;
Gustavus R. Brown&#13;
Edward Gantt&#13;
Clement Hill&#13;
Richard Sprigg&#13;
Charles Carroll of Carrollton •&#13;
Jeremiah T. Chase&#13;
Charles Wallace&#13;
John Carroll, D.D.&#13;
&#13;
First Principal of St. John's College, Dr. John McDowell.&#13;
&#13;
1786&#13;
The property, funds, masters, and students of King William's&#13;
School conveyed by an Act of the General Assembly to St. John's&#13;
College.&#13;
Reverend Ralph Higginbotham, Master of King William's School,&#13;
became Vice Principal of St. John's College.&#13;
Two members of the Board of Visitors and Governors of King&#13;
William's School became Visitors and Governors of St. John's&#13;
College&#13;
&#13;
1791&#13;
George Washington visits St. John's College.&#13;
To the Faculty of St. John's College:&#13;
Gentlemen:&#13;
The satisfaction which I have derived from my visit to your infant seminary&#13;
is expressed with much pleasure, and my wishes for its progress to perfection&#13;
are proffered with sincere regard.&#13;
The very promising appearance of its infancy must flatter all its friends (with&#13;
whom I entreat you to class me), with the hope of an early and at the same&#13;
time mature manhood.&#13;
You will do justice to the sentiments which your kind regard toward me&#13;
inspires, by believing that I reciprocate the good wishes contained in your&#13;
address, and I sincerely hope the excellence of your seminary will be manifested&#13;
in the morals and science of the youths who are favored with your care.&#13;
ANNAPOLIS, April 17, 1791.&#13;
&#13;
• Signer of the Declaration of Independence&#13;
• Signers of the Declaration of Independence.&#13;
&#13;
GEOltGE&#13;
&#13;
WASHINGTON&#13;
&#13;
�--------------70&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
1868&#13;
&#13;
1796&#13;
Graduation of Francis Scott Key, District Attorney of the United&#13;
States; author of The Star Spangled Banner.&#13;
&#13;
1799&#13;
Graduation of George Washington Parke Custis, step-grandson&#13;
of George Washington. Fairfax and Lawrence Washington, nephews&#13;
of George Washington, were also students at the College.&#13;
&#13;
1835&#13;
Curriculum during the Principalship of the Reverend Hector&#13;
Humphreys.&#13;
First Year&#13;
Greek&#13;
Xenophon&#13;
Herodotus&#13;
Thucydides&#13;
Lysias&#13;
Demosthenes&#13;
Isocrates&#13;
Plato&#13;
Latin&#13;
Livy&#13;
Horace&#13;
Virgil&#13;
Mathematics&#13;
Algebra&#13;
&#13;
Second l'ear&#13;
Greek&#13;
Homer&#13;
Hesiod&#13;
Tragedies&#13;
Latin&#13;
Juvenal&#13;
Cicero&#13;
Mathematics&#13;
Plane Geometry&#13;
Solid Geometry&#13;
Logarithms&#13;
Trigonometry&#13;
&#13;
Third Year&#13;
Greek&#13;
Minor Poets&#13;
Latin&#13;
Tacitus&#13;
Mathematics&#13;
Applications of&#13;
Trigonometry&#13;
Conic Sections&#13;
Chemistry&#13;
Natural Philosophy&#13;
Elements of Criticism&#13;
&#13;
Fourth Year&#13;
Latin&#13;
Horace&#13;
Natural Philosophy&#13;
Logic&#13;
Astronomy&#13;
Geology&#13;
Civil Engineering&#13;
American History&#13;
Political Economy&#13;
Natural Theology&#13;
&#13;
English Composition and Declamation in all four years.&#13;
Modern Languages by special arrangement in addition.&#13;
&#13;
Curriculum during Principalship of James C. Welling.&#13;
First Year&#13;
Greek&#13;
Homer&#13;
Herodotus&#13;
Latin&#13;
Virgil&#13;
Cicero&#13;
Livy&#13;
Horace&#13;
Mathematics&#13;
Algebra&#13;
Geometry&#13;
English&#13;
&#13;
Second Year&#13;
Greek&#13;
Xenophon&#13;
Plato&#13;
Euripides&#13;
Lucian&#13;
Latin&#13;
&#13;
19th Century Literature&#13;
&#13;
Horace&#13;
Cicero&#13;
Terence&#13;
Mathematics&#13;
Logarithms&#13;
Trigonometry&#13;
Solid Geometry&#13;
English&#13;
Shakespeare&#13;
18th Century Literature&#13;
&#13;
1 hird Year&#13;
Greek&#13;
Plato&#13;
iEschylus&#13;
Thucydides&#13;
Sophocles&#13;
Latin&#13;
Cicero&#13;
Juvenal&#13;
Plautus&#13;
English&#13;
Shakespeare&#13;
Spencer&#13;
Taylor&#13;
Hooker&#13;
Milton&#13;
Mathematics&#13;
Theory of Equations&#13;
Analytic Geometry&#13;
Descriptive Geometry&#13;
Use of Instruments&#13;
Natural Philosophy&#13;
Chemistry&#13;
Historical Methods&#13;
&#13;
Fourth Year&#13;
Greek&#13;
Lectures in Philosophy&#13;
Plato&#13;
and Social Science on:&#13;
Aristotle&#13;
Plato&#13;
Aristophanes&#13;
Aristotle&#13;
Demosthenes&#13;
Augustine&#13;
Latin&#13;
Thomas Aquinas&#13;
Tacitus&#13;
Vi co&#13;
Lucretius&#13;
Descartes&#13;
Persius&#13;
Bacon&#13;
Quintilian&#13;
Bossuet&#13;
English&#13;
Pascal&#13;
Authors of 13th, 14th, Paley&#13;
and 15th Centuries&#13;
Locke&#13;
Mathematics&#13;
Spinoza&#13;
Analytic Geometry&#13;
Montesquieu&#13;
Calculus&#13;
Kant&#13;
Mechanics&#13;
De Tocqueville&#13;
Natural Philosophy&#13;
Adam Smith&#13;
Astronomy&#13;
Fichte&#13;
Logic&#13;
Hegel&#13;
Evidence of Christianity&#13;
Buckle&#13;
Lecky&#13;
Malthus&#13;
Mill&#13;
Butler&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
72&#13;
&#13;
1886-1923&#13;
Presidency of Thomas Fell. A curriculum of Block Electives and&#13;
Military Training.&#13;
I.&#13;
2.&#13;
3.&#13;
4.&#13;
&#13;
Classical Course leading to the B. A. Degree.&#13;
Latin Scientific Course leading to the B. L. Degree&#13;
Scientific Course leading to the B. S. Degree&#13;
Mechanical Engineering Course leading to the M. E. Degree&#13;
&#13;
1923-1937&#13;
Period of Progressive Studies under the Open Elective System.&#13;
&#13;
1937&#13;
Restoration of the traditional program of Classics and Liberal&#13;
Arts unique in American colleges of today.&#13;
&#13;
APPENDIX B&#13;
THE DEGREE OF BACHELOR OF ARTS AT&#13;
ST. JOHN'S COLLEGE&#13;
Just as institutions are necessary for the carrying on of learning,&#13;
although these very institutions may become its greatest hindrance&#13;
through unwise direction and time's dullness, so any institution of&#13;
learning must require of its students certain marks and signs of their&#13;
attainments and progress even though misuse of such requirements has often prevented true progress. Their use must entail&#13;
care. Such requirements are inevitable if an institution is to pronounce public judgment upon its students, that is, to grant degrees.&#13;
The original title of Bachelor of Arts signified the first officially&#13;
recognized stage of competence in the seven liberal arts and sciences:&#13;
grammar, rhetoric, logic, arithmetic, geometry, music, and astronomy. The St. John's degree of Bachelor of Arts signifies competence&#13;
in the modern equivalent of these arts and sciences. This implies:&#13;
I. Knowledge of the contents of the required books in the list.&#13;
2. Competence in mathematics through the elementary calculus.&#13;
3. A reading knowledge of at least two foreign languages.&#13;
4. Four hundred and fifty hours of laboratory training.&#13;
Now, since students are of different capacities, and since colleges&#13;
of liberal arts, of all institutions of learning, are called upon to&#13;
judge not only of the attainments of their students but also of their&#13;
progress, it therefore seems wise that St. John's College offer three&#13;
degrees: namely, Bachelor of Arts magna cum laude, Bachelor of&#13;
Arts cum laude, Bachelor of Arts rite. The first to be awarded to&#13;
those students who, in the opinion of the faculty, are judged satisfactory both in attainments and progress, and capable of pursuing&#13;
their work in Law, Medicine and Theology or in the graduate&#13;
schools of language and literature, mathematics, the natural&#13;
sciences, and logic and metaphysics. The third to be awarded to&#13;
those students who, in the opinion of the faculty, have made sufficient progress in the intellectual virtues to warrant recognition by&#13;
the college, but on whose actual powers of operation in the several&#13;
arts and sciences and therefore on whose actual capacity for advancing further in professional or graduate schools, the faculty declines&#13;
to make a final judgment. The second degree represents a less&#13;
eminent case of the first.&#13;
In awarding degrees, the faculty must set up ways and means of&#13;
reaching decisions. To this end the following stipulations are made:&#13;
At the end of his third year, the student must stand four written&#13;
enabling examinations, one in language, one in mathematics, two in&#13;
73&#13;
&#13;
Preamble&#13;
&#13;
Degrees&#13;
&#13;
Ways &amp;&#13;
1'1eans&#13;
Enab~ing&#13;
&#13;
examinations&#13;
&#13;
�74&#13;
&#13;
Petition&#13;
&#13;
Disser·&#13;
tation&#13;
(general)&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
laboratory, theoretical and operational, and one oral examination&#13;
on seminar reading. These examinations are given normally in&#13;
September after the third year, although the student has the right&#13;
to demand them in June of the third year.&#13;
These examinations are largely technical in character. But the&#13;
technique required must be at all times related to the whole body&#13;
of the liberal arts and to appropriate subject matters. This relatedness is formally guaranteed by basing the enabling examinations on&#13;
a list of books named in Appendix I. The examination in language&#13;
covers general questions of grammar of all four languages, and logic.&#13;
The mathematics examination covers specifically simple operations&#13;
in geometry, conics, trigonometry, analytic geometry, and in the&#13;
differential calculus. The examination in laboratory covers specifically the analysis and operation of certain important instruments&#13;
to be named in Appendix I, p. 74.&#13;
After having taken his enabling examinations, the student may&#13;
petition the faculty to accept him as a candidate for the degree of&#13;
Bachelor of Arts, to be granted at the end of his fourth year. The&#13;
faculty through a committee then examines the, student's record up&#13;
to the time of the petition together with his performance on the&#13;
enabling examinations. It may make one of three judgments: either&#13;
(1) the student is accepted as a candidate for the degree, or (2) he&#13;
is not accepted but allowed to complete his fourth year of college&#13;
work, or (3) he is dismissed from the college.&#13;
In examining a student's record the committee of the faculty&#13;
especially named for this purpose is at liberty to question the tutors&#13;
and seminar leaders of the student both past and present, and the&#13;
student himself, as well as the formal judgment preserved in the&#13;
way of term marks or examination grades, or any examination&#13;
papers or yearly theses at hand. It would be a general principle that&#13;
the faculty not accept as a candidate for the degree any student who&#13;
had consistently neglected and ignored or had consistently failed in&#13;
any of the essential divisions of the first three years' program; that&#13;
is, either language and literature, or the liberal arts, or mathematics&#13;
and the natural sciences.&#13;
But the faculty committee, although refusing to accept a student&#13;
as a candidate for the degree, may judge the student capable of&#13;
benefiting from the fourth year's work without detriment to the&#13;
college community.&#13;
Any student accepted as a candidate for a degree or allowed to&#13;
remain the fourth year must then indicate a subject for a dissertation, to be agreed upon by the faculty, to be written during his&#13;
fourth year, and to be publicly expounded, amplified, and interpreted satisfactorily by him prior to the granting of the degree.&#13;
While the degree can not be granted before the end of the fourth&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
75&#13;
&#13;
year, the student may request more time to prepare and subm"t h"&#13;
disser.ta~ion for the apprthoval of the faculty. He may even re~ue~:&#13;
11&#13;
perm~ss10n to retur_n to&#13;
e co .ege for a fifth year, attending what&#13;
tutorials, laboratories, and semmars he pleases within the limits of&#13;
college discipline.&#13;
The student will choose, and the faculty will accept, a subject for&#13;
dissertation with an eye to all the first four years' work, and not as&#13;
a piece of specialized research or contribution to knowledge.&#13;
The Instruction Committee acts as an Examining Board. The&#13;
duties of the Examining Board are as follows:&#13;
1. To formulate and administer the Enabling Examinations&#13;
which are to be given in September.&#13;
2. To accept and approve projects for the final dissertation. Such&#13;
projects must be prepared and formulated by each candidate with&#13;
the help of a faculty adviser.&#13;
3. To read and accept the final dissertation, to administer the&#13;
final examination, and to recommend candidates for degrees.&#13;
&#13;
Disser-&#13;
&#13;
tation&#13;
(particu·&#13;
Iar)&#13;
Examining&#13;
&#13;
Board&#13;
&#13;
APPENDIX I&#13;
&#13;
The books of the first three years. on which the Enabling Examination are to be focussed are the following:&#13;
Texts studied in Tutorial&#13;
Republic&#13;
Organ on&#13;
Confessions&#13;
De Ente et Essentia&#13;
Social Contract&#13;
Les Pensees&#13;
&#13;
Euclid&#13;
Archimedes&#13;
Apollonius&#13;
Ptolemy&#13;
Galileo&#13;
Descartes&#13;
Newton&#13;
Boole&#13;
&#13;
Texts studied in Seminar&#13;
Iliad&#13;
Republic&#13;
Timaeus&#13;
&lt;Edi pus&#13;
Poetics&#13;
Physics&#13;
Galen&#13;
Divine Comedy&#13;
Don Quixote&#13;
&#13;
Hamlet&#13;
King Lear&#13;
The Tempest&#13;
Harvey&#13;
Lavoisier&#13;
Wealth of Nations&#13;
Federalist Papers&#13;
&#13;
As stated above, the examination in laboratory will cover specifically the operation and explanation of certain important instruments. The following list is arranged under three headings: Elements, Scopes, and Meters. There are two classes of scientific instruments: scopes and meters. The scopes are aids to observation and&#13;
the meters are aids to measurement. Witl;t the former, distinctions&#13;
&#13;
I&#13;
/I&#13;
&#13;
I&#13;
&#13;
I&#13;
&#13;
I&#13;
ii&#13;
ti&#13;
&#13;
ii&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
76&#13;
&#13;
of a qualitative kind can be made such as between more and less,&#13;
up and down, straight and not straight. The latter permit us to&#13;
make quantitative judgments, that is, to associate through similar&#13;
ratios some one of a series of numbers with the thing observed.&#13;
Often the same piece of apparatus can be used either as a scope or&#13;
as a meter. The elements are certain devices, not scientific instruments themselves, which enter into the construction of different&#13;
instruments.&#13;
Elements&#13;
Solids&#13;
Crystals&#13;
Fluids&#13;
Gases&#13;
Lever&#13;
Inclined plane&#13;
Screw&#13;
Pulley&#13;
Floating body&#13;
Spring&#13;
Pendulum&#13;
Magnet&#13;
Mirror&#13;
Lens&#13;
Prism&#13;
Grating&#13;
&#13;
Scopes&#13;
Straight edge&#13;
Plumb line, gnomon&#13;
Compasses, divider&#13;
Tuning fork&#13;
Electroscope&#13;
Telescope&#13;
Microscope&#13;
Oscilloscope&#13;
Stroboscope&#13;
&#13;
Meters&#13;
Scale&#13;
Ruler&#13;
Balance with set of&#13;
weights&#13;
Spring balance&#13;
Strength-of-materials&#13;
testing machine&#13;
Water clock&#13;
Barometer&#13;
Sonorneter&#13;
Disk siren with clock&#13;
and counter&#13;
Thermometer&#13;
Magnetic compass&#13;
Coulombmeter&#13;
Tangent galvanometer&#13;
Dioptra&#13;
Astrolabe&#13;
Micrometer microscope&#13;
Spectrometer with minimum deviation prism&#13;
&#13;
The examination in laboratory will be in two parts. In one the&#13;
student will be asked to make certain observations and measurements with some of the above instruments, and in the other to&#13;
answer questions on the theory and application of some of the&#13;
elements and instruments. The :references for this examination are&#13;
the mimeographed laboratory notes and the student's written reports of the first three years, as well as the scientific books among&#13;
the texts named above.&#13;
&#13;
APPENDIX C&#13;
INTERCOLLEGIATE ATHLETICS&#13;
By STRINGFELLOW&#13;
&#13;
BARR,&#13;
&#13;
President&#13;
&#13;
ST. JOHN'S COLLEGE RADIO PROGRAMS. SERIES ll, NO. J&#13;
From Station WFBR in Baltimore, Nov. 20, 19J8&#13;
&#13;
I propose to discuss an important step which St. John's College&#13;
has taken within the past ten days. Many of those who are listening&#13;
to me, including alumni members of the College, will by now almost&#13;
certainly have been told by somebody that the College administration has abolished athletics. Those who believed this statement&#13;
should, it seems to me, be gravely disturbed. I think I ought&#13;
promptly to disabuse them. To keep the record straight, I shall&#13;
therefore first state the facts. Athletics have not been abolished,&#13;
but the College has decided that after the dose of the present&#13;
academic session athletic facilities will be increased and at the same&#13;
time will be placed on a strictly intramural basis.&#13;
I am explaining tonight why significant changes have been announced in the athletic system at St. John's, to take effect next&#13;
September; but in explaining these changes I am discussing liberal&#13;
education in a democracy.&#13;
The system of intercollegiate athletics which has developed during the past twenty years will no longer support the prime purpose&#13;
of a liberal college. I suppose I ought to have forseen this. But I&#13;
didn't. Certainly, there have been enough Carnegie reports, enough&#13;
magazine articles by candid writers like John Tunis to convince&#13;
men of my generation that we are sheer sentimentalists and ignoramuses if we suppose that intercollegiate athletics are the same thing&#13;
we remember from twenty years back. They do things better now,&#13;
with rose bowls, cotton bowls, and sugar bowls; with costly equipment, transcontinental journeys, and big money; with costly coaches&#13;
and costly quarterbacks. I knew all this. The first thing I learned&#13;
about athletics on arrival at St. John's was that we were booked to&#13;
play our unnatural rivals, Army and N. Y. U.-in an effort to keep&#13;
down the high cost of modern athletics by earning a good "gate."&#13;
But still I thought it might be possible to adapt intercollegiate&#13;
athletics to educational ends, to pare down schedules, to decline&#13;
with thanks such games as Army and N. Y. U., and to protect the&#13;
:::oaches from criticism if they lost games by refusing to hire athletes.&#13;
l was mistaken.&#13;
The thing that taught me I was mistaken was what happened&#13;
when intercollegiate athletics collided with a curriculum that really&#13;
required work. Yet I should have known this by analogy. I had&#13;
77&#13;
&#13;
�78&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
known countless students who withdrew from intercollegiate&#13;
athletics when they entered medical or other professional work.&#13;
They withdrew because they knew, along with everybody else, that&#13;
you have to study to earn an M. D. while ordinarily you don't have&#13;
to study to earn a B. A. The undergraduate fills in his idle time&#13;
with athletics, which at its most professionalized is a lot better thing&#13;
to fill idle time with than some other things I know. But suppose&#13;
there isn't any idle time? Suppose there is just enough leisure time&#13;
for healthful outdoor games? Then every athletic trip becomes a&#13;
crisis and not what is known as an "athletic excuse." For students&#13;
who are really doing serious work know without being told that you&#13;
can't "make up" for something you should have learned but didn't,&#13;
by using the magic word "excuse." An excuse may square you with&#13;
the Dean. It won't convert ignorance into knowledge. There is no&#13;
reason on this round earth why securing a liberal education in an&#13;
undergraduate college should be a less serious business than acquiring a medical education in a medical school. But if it is a serious&#13;
business, then it had better steer dear of another very serious business, indeed a highly organized "big" business, intercollegiate&#13;
athletics. For this big business has its own exigencies: those who&#13;
won't meet them had better keep out.&#13;
That big business substitutes spectator psychosis for actual participation, cheering sections for playing teams, an orgy of sportsgoods equipment for costumes fit to have fun in, large business&#13;
staffs with long-term schedules for the old-time impromptu challenge&#13;
of natural antagonists, monotonous physical drill for learning to&#13;
play by playing, pressure from fellow-students for zest to play, the&#13;
exhibitionism of star performers for the satisfaction of playing well&#13;
because it is more fun to play a game well than badly. The sum&#13;
total of these things is hysteria, lost motion, the death of the&#13;
amateur spirit, and an athletic system that competes with study&#13;
instead of supplementing and strengthening it.&#13;
We have all known these things for years, unless we have been&#13;
ostriches or Rip Van Winkles. But I repeat, they don't prove fatal&#13;
so long as undergraduate education is run in low gear. In fact, I&#13;
should insist again that, so long as education is run in low gear,&#13;
these things are better than idleness. But there is something better&#13;
still, and that something is amateur athletics, amateur athletics of a&#13;
quality no college can achieve so long as it is meshed in with the&#13;
new kind of athletics, the big-business kind. The educational program now going on at St. John's must have the support of amateur&#13;
athletics. It must have it, because amateur athletics is rich in terms&#13;
of health, recreation, skill, and co-ordination. To get that support,&#13;
it will expand its intramural athletics. More varieties of sport will&#13;
&#13;
be offered and more facilities. Our colleges are often abusively&#13;
called country clubs. I want to see St. John's offer the sort of&#13;
athletic facilities ~ good country club offers. Every game we now&#13;
play we shall contmue to play, except that the six-man football we&#13;
started this year will replace the standard game. In addition we&#13;
want to exRand water sport~, with particular emphasis on sailing.&#13;
The alumm have already given us one sailboat; we shall acquire&#13;
five more.&#13;
Finally, it is essential, not only that games be played at the College b~t that they b: well played. A tutor with wide athletic experience will be placed m charge, but he will need a number of student&#13;
assistants. To secure good assistants, we propose to offer athletic&#13;
scholarships. In my own limited experience, this will be the first&#13;
Iegiti1?ate use to whic? athletic scholarships have been put by an&#13;
American college. I thmk you may rest assured there will be plenty&#13;
of excellent candidates. I hope you will help me find the best&#13;
candidates.&#13;
. Soo?er ~r later, I ~ope soon~r, t~e present system of semi-profess10nahzed mtercolleg1ate athletics will hang itself. When it does, the&#13;
proble~s that caused us to take our present stand will disappear.&#13;
When it does, we shall doubtless play games with other colleges as&#13;
naturally as such games were once played. Meanwhile athletics at&#13;
St. John's will be for the student, not the student for athletics.&#13;
&#13;
79&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
BIBLIOGRAPHY OF ARTICLES ON THE&#13;
ST. JOHN'S PROGRAM&#13;
ADLER, MORTIMER J.: The Crisis in Contemporary Education, The Social Frontier,&#13;
February 1939.&#13;
IIARR, STRINGFELLow: The A.rt of Liberation, Free America, September and&#13;
October 1939. Reprints available.&#13;
&#13;
-----: A College in Secession, Atlantic Monthly, July 1941. Reprints&#13;
available.&#13;
- - - - - The College of the Future, New York Times, May 9, 1943; Magazine&#13;
Digest, November 1943.&#13;
-----: A College Rebels, The Key Reporter, Phi Beta Kappa News&#13;
Magazine, Autumn 1938.&#13;
-----: Back to Fundamentals in Education, Talks, October 1937. Reported&#13;
from an address given over the Columbia Broadcasting System.&#13;
-----&#13;
&#13;
The Education of Freemen, The New Republic, August 31, 1942.&#13;
&#13;
- - - - - The Ends and Means of General Education, Address, Proceedings of&#13;
the Fifty-third Annual Convention of the Middle States Asso. of Colleges and&#13;
Secondary Schools, November 24-25, 1939. Reprints available.&#13;
- - - - - The Future of the American College, London Economist, July 3,&#13;
1943, also American Survey, July 3, !944.&#13;
-----: John Doe Goes to St. John's, Progressive Education, January 1939.&#13;
Reprints available.&#13;
- - - - - The St. John's Program, Encyclopaedia of Modern Education, The&#13;
Philosophical Library, Inc., 1943.&#13;
-----&#13;
&#13;
The: St. John's Program, The Virginia Spectator, December 1938.&#13;
&#13;
-----: Suspending Education, Address,&#13;
February 4, 1943.&#13;
&#13;
Columbia Broadcasting System,&#13;
&#13;
- - - - - Towards a Disciplined Mind, Address, Proceedings of the Head&#13;
Mistresses Asso. of the East, November 10-U, 1939.&#13;
- - - - - The War and the Colleges, Two Radio Addresses, May 1942. Reprints available.&#13;
BucHANAN, ScoTT: Back to First Principles, Survey Graphic, October 1939. Also&#13;
in How Can We Be Taught to Think, Farrar &amp; Rhinehart, 1940.&#13;
&#13;
- - - - - A Crisis in Liberal Education, The Amherst Graduates' Quarterly,&#13;
February 1938. Reprints available.&#13;
BULL, GEORGE, S. J.: St. John's Experiment to Reclaim a Lost Heritage, America,&#13;
April 23, 1938.&#13;
CAMP, LEO LEONARD: St. John's, Annapolis-After Five Years of Operation, The&#13;
Commonweal, October 22, 1943.&#13;
&#13;
-----:&#13;
&#13;
81&#13;
&#13;
DEWEY, JOHN: Challenge to Liberal Thought, Fortune, August 1944.&#13;
HooK, SIDNEY: Ballyhoo at St. John's Part I "Educati"on · R&#13;
'&#13;
•&#13;
in&#13;
etreat " and&#13;
Part II, "The 'Great Books' and Progressive Teaching" The N&#13;
May 27 and June 3, 1944.&#13;
'&#13;
ew eader,&#13;
&#13;
L&#13;
&#13;
KIEFFER, JOHN S.: The Classical Revival at St. John's, The Classical Journal,&#13;
December 1939.&#13;
&#13;
Journal of Educational Sociology, The: St. John's College: A Critical A&#13;
· 1&#13;
November, 1944. Edited by Alonzo Myers.&#13;
ppraisa'&#13;
LIFE MAGAZINE: The Classics-At St. John's They Come into Their Own Once&#13;
More, February 5, 1940.&#13;
LIPPMA.NN, WALTER: Crisis and Reform in Education, The New York Herald&#13;
Tnbune, February 15, 1943.&#13;
&#13;
-----: The St. John's Program, The New York Herald Tribune December&#13;
27, 1938. Reprints available.&#13;
'&#13;
LYND, HELEN MERRELL: Conflict in Education, New Republic, May 22, 1944.&#13;
MARTIN, W. A. P.:&#13;
31, 1937.&#13;
&#13;
The Revival of Learning, The Commonweal, December&#13;
&#13;
MAYER, MILTON S.: Socrates Crosses the Delaware-St. John's College and the&#13;
Great Books, Harpers Magazine, June 1939.&#13;
MEIKLEJOHN, ALEXANDER: A Reply to Mr. Dewey, Fortune Magazine, January 1945.&#13;
PRICE, JAMES HARRY: Click and Pick vs. the Atlantic, The Churchman, Christmas 1942.&#13;
PRINGLE, HENRY F.: College With an Idea, The Saturday Evening Post, October&#13;
14, 1944.&#13;
TALIAFERRO, R. CATESBY: Concerning the New Program at St. John's, The Maryland Club Woman, February 1938.&#13;
VAN DOREN, MARK: Education by Books, The Nation, December 6, 1933.&#13;
WARREN, CONSTANCE: Liberal Education in the Post-War World, Journal of the&#13;
American Association of University Women, Spring, 1944.&#13;
&#13;
ST. JOHN'S COLLEGE BULLETINS&#13;
REPORT&#13;
REPORT&#13;
REPORT&#13;
REPORT&#13;
REPORT&#13;
&#13;
OF&#13;
OF&#13;
OF&#13;
OF&#13;
OF&#13;
&#13;
THE&#13;
THE&#13;
THE&#13;
THE&#13;
THE&#13;
&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
PRESIDENT,&#13;
&#13;
April 1939. Reprints available.&#13;
April 1940. Reprints available.&#13;
May 1941. Reprints available.&#13;
June 1942. Reprints available_&#13;
June 1943. Reprints available.&#13;
&#13;
Liberal Arts for Catholics, The Commonweal, April 14, 1944.&#13;
&#13;
CLEVELAND, RICHARD F.: The St. John's College Program, The Daily Reco:rd,&#13;
Baltimore, Md., March 23, 1938.&#13;
&#13;
80&#13;
&#13;
BOOKS ABOUT LIBERAL EDUCATION&#13;
ADLER, MORTIMER J.: How to Read a Book-or the Art of Getting a Liberal&#13;
Edi:cation, Simon &amp; Schust_e~, 1940. A book expounding the techniques by&#13;
which adult groups or md1v1duals can come to terms with the great books.&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
82&#13;
&#13;
AMERICAN LIBRARY ASSOCIATION: Classics of the Western World, with. forewords&#13;
by John Erskine and Everett Dean Martin. One of the book. lists out of&#13;
which the St. John's program grew, this pamphl~t co~tams valuable&#13;
secondary bibliographical material. It was first published m 1927 by the&#13;
American Library Association for the use of adult classes. 1944.&#13;
HUTCHINS, ROBERT M.: Education for Freedom, Louisiana State University Press,&#13;
1943.&#13;
MARITAIN, JACQUES: Education at the Crossroads, Yale University Press, 194!1.&#13;
MEIKLEJOHN, ALEXANDER: Education betU/een Two Worlds, Harper &amp; Brothers,&#13;
1942.&#13;
RICHARDS, I. A.; How to Read a Page, W. W. Norton, 1942. Still more detailed&#13;
techniques of reading.&#13;
VAN DOREN, MARK: Liberal Education, Henry Holt 8c Co., 1943.&#13;
&#13;
STUDENTS ENROLLED IN ST. JOHN'S COLLEGE&#13;
1946-47&#13;
FOURTH YEAR-CLASS OF 1947&#13;
Irving Victor Abb ............................ Frederick&#13;
Stephen Gordon Benedict. .................... Scarborough, New y ork&#13;
Stephen Windsor Bergen ...................... St. Albans, New York&#13;
Nicholas Daniel Bonadies ..................... Winsted, Connecticut&#13;
Robert F. G. Bunting ................. , ....... Baltimore&#13;
Tristram Joseph Campbell, Jr.................. Old Orchard Beach, Maine&#13;
John Scott Desjardins ........................ Scarsdale, New York&#13;
Julian Abbott Dorf. .......................... Chestertown&#13;
William Paul Elliott ......................... Aurora, Illinois&#13;
Theodor~ David Ernst. ....................... Cordova&#13;
Edward Maurice Godschalk ................... Montclair, New Jersey&#13;
Allen Abbey Goldstein ....................... Baltimore&#13;
John Gormly ................................. Sewickley, Pennsylvania&#13;
Carl Schlee Hammen ......................... Linkwood&#13;
William Edwin Harris ........................ Saginaw, Michigan&#13;
Joseph Francis Hollywood, Jr. ................. New York, New York&#13;
Richard Eagleston Jameson ................... Fallston&#13;
Joseph Ignatius Killorin, Jr................... Savannah, Georgi.a&#13;
Casimir T. Krol. ............................. Chicago, Illinois&#13;
Henry Resolved Mack ........................ Dover, Delaware&#13;
John Mathew Morgan ........................ Toledo, Ohio&#13;
Robert Wilson Mueller ....................... Milwaukee, Wisconsin&#13;
Charles Arthur Nelson ........................ Berwyn, Illinois&#13;
John Newton Lindsay Opie ................... Alexandria, Virginia&#13;
Rowell Anton von Magi us Schleicher .......... Forest Hills, New York&#13;
.James Willard Sharp ......................... Freeland, Pennsylvania&#13;
Haven Ely Simmons .......................... Cedar Rapids, Iowa&#13;
William Gideon Spohn, Jr..................... Baltimore&#13;
Herbert Willard Stern ........................ Philadelphia, Pennsylvania&#13;
Eugene Victor Thau .......................... New York, New York&#13;
Charles Lincoln Van Doren .................... New York, New York&#13;
John Van Doren ............................. New York, New York&#13;
Robert Russell Weiss ......................... Federalsburg&#13;
Henry Theodore Wensel, Jr. ................. Chevy Chase&#13;
Andrew Shreffler Witwer, Jr. .................. Joliet, Illinois&#13;
Warren Seymour Zeik ......................... Bayonne, New Jersey&#13;
THIRD YEAR-CLASS OF 1948&#13;
Rogers Garland Albritton ..................... Chevy Chase&#13;
Gerald Atterbury ............................. Annapolis&#13;
Earl Secord Bauder, Jr........................ Lancaster, Pennsylvania&#13;
Samuel Bancroft Bird, Jr. .................... Wilmington, Delaware&#13;
Donald Grant Bounds ........................ Salisbury&#13;
William Hurst Brubeck ....................... Annapolis&#13;
William Chester Buchanan, Jr................ East Lansing, Michigan&#13;
Ray Charles Cave ............................ Aberdeen Proving Ground&#13;
Theodore Willes Clark ....................... White Plains, New York&#13;
&#13;
83&#13;
&#13;
�CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Peter Clogher ................................ Englewood, New J er_sey&#13;
Robert Mitchell Courtright. ................... Sumter, South Caroh~a&#13;
Robert Orval Davis .......................... Scottdale, Pennsylvama&#13;
Vernon E. Derr. ............................. Baltimore&#13;
David Dobreer ............................... Los Angeles, California&#13;
Alan Eckhart. ............................... Winnetka, Illinois&#13;
Donald Semadeni Elliott. ..................... Lutherville&#13;
Henry Raymond Freeman, III. ................ Sewickley, Pennsylvania&#13;
Alvin Fross .................................. Bayonne, New Jersey&#13;
Clarence Westcott Gallup, Jr. ................. Englewood, New Jersey&#13;
John Parker Gilbert .......................... Vineyard. Haven, Massachusetts&#13;
William Michael Goldsmith ................... Forest }Iills, New York&#13;
Bernet George Hammel. ...................... Orange, New Jersey&#13;
Earl Judson Hendrickson ...................... Baltimore&#13;
Chester Peter Hewitt .......................... Woodmere, New York&#13;
David Abbey Hooker ......................... Tucson, Arizona&#13;
Christian Arneson Hovde ..................... New York, New York&#13;
H. B. Gerald Hoxby .......................... Mariemont, Ohio&#13;
Donald Stanley Kaplan ........................ Groton, Conecticut&#13;
Michael Christopher Keane ................... Brooklyn, New York&#13;
Arthur David Kelso, Jr. ...................... Linthicum Heights&#13;
.&#13;
Lawrence Leslie Levin ....................... West Hartford, Connecticut&#13;
David Barrington Lowdenslager ............... Baltimore&#13;
John Duncan Mack .......................... New Yor~, New York&#13;
Charles Ferris Maikoffske ..................... Pleasantville, New York&#13;
Alan Schutz Maremont. ...................... Chicago, Illinois&#13;
Jack Lancaster Mason ........................ Harve de Grace&#13;
Richard Lewis Matteson ...................... Frostburg&#13;
Clarence Robert Morris, Jr................... Austin, Texas&#13;
Oswald Nagler .............................. Perry Point&#13;
Jules Olympio Pagano ........................ New York, N~w :ork&#13;
Morris Albert Parslow ........................ Muskegon, Michigan&#13;
Milton Perlman ............................. Memphis, Tennessee&#13;
William Warfield Ross ........................ Bethesda&#13;
Robert Julian Scolnik ....................... New York,_New York&#13;
"\Villiam Westerman Simmons ................ Cedar Rapids, Iowa&#13;
John Calvin Smedley ........................ Annapolis&#13;
.&#13;
.&#13;
Langford Wheaton Smith, Jr. ................. Berkeley'. Cahforma&#13;
William Kyle Smith, Jr...................... Annapolis&#13;
Robert Lee Sterling .......................... Crisfield&#13;
Stephen Wayne Terry, Jr. ..................... Indianapolis, Indiana&#13;
Robert Treat Thompson ..................... Oakland, California&#13;
.&#13;
Gene Perkins Thornton ...................... Greensboro, North Carolma&#13;
George Robert Trimble, Jr.................... North East&#13;
George Montgomery Vansant. ................ Hyattsville&#13;
James Rodney Whetstone ..................... Denver, Colorado&#13;
Robert Charles Wilson ...................... New York, New York&#13;
&#13;
Charles Crittendon Baldwin, Jr ................ Flushing, New York&#13;
Teddy Franklyn Betts ........................ Newport News, Virginia&#13;
Aaron M. Bisberg ............................ Annapolis&#13;
Eugene Bokras .............................. Peekskill, New York&#13;
Daniel Brockhuizen .......................... Saddle River, New Jersey&#13;
Jonathan Erskine Brooks ..................... Rocky River, Ohio&#13;
Peter F. Buri ................................ Eau Claire, Wisconsin&#13;
Robert Whitehouse Burnet. ................. New Rochelle, New York&#13;
Philip Albert Camponeschi ................... Baltimore&#13;
Jerome Herbert Cantor ....................... Boston, Massachusetts&#13;
George Warton Carden ....................... Upper Marlboro&#13;
James Watson Conrad ............ ." ........... Wilkinsburg, Pennsylvania&#13;
Clark Ralph Cridland, Jr..................... Michigan City, Indiana&#13;
George Howell Daffer ........................ Arlington, Virginia&#13;
Edward Francis Daley, Jr...................... Bridgeport, Connecticut&#13;
Peter John Davies ........................... New York, New York&#13;
Frederick Parsons Davis ...................... Hopkins, Minnesota&#13;
Andrew Dewing ............................ Wellesley, Massachusetts&#13;
Rudolph C. Ellsworth, II ..................... Chicago, Illinois&#13;
Charles Thomas Eunick, Jr.................... Westminster&#13;
Paul Carlyle Evans ........................... Syracuse, New York&#13;
Robert Dixon Fox ............................ Bowling Green, Kentucky&#13;
John Anthony Franken ....................... New York, New York&#13;
Paul Albert Frasca ........................... Flushing, New York&#13;
Alan Lawrence Gargle ........................ Brooklyn, New York&#13;
Donald Claude Gooch ........................ Abbeville, Louisiana&#13;
Richard Scott Harris ......................... Saginaw, Michigan&#13;
John P. Hayden .............................. Chevy Chase&#13;
E. Bennette Henson, Jr. ...................... Charleston, West Virginia&#13;
William Crawford Hill ....................... Pueblo, Colorado&#13;
Allan Paul Hoffman ......................... Lawrence, New York&#13;
Harold J. Hyden ............................ Tulsa, Oklahoma&#13;
Chester Arthur Johnson ...................... Wellesley, Massachusetts&#13;
Rowland Alfred Jones ........................ Irwin, Pennsylvania&#13;
Ralph Hall Keeney ........................... Providence, Rhode Island&#13;
Percival Cleveland Keith, Jr ................... Peapack, New Jersey&#13;
Wayne Sefton Kerwood ........ ·'· ............. Fairfax, Virginia&#13;
Jack Konigsberg ............................. Brooklyn, New York&#13;
Clarence J. Kramer ........................... Muskegon, Michigan&#13;
Ian Campbell Lea ........................... Lake Bluff, Illinois&#13;
William Reynolds Lieb .................. , .... Rancho Santa Fe, California&#13;
John James Lobell ........................... Baltimore&#13;
Thomas Delmar Lyne ....................... New York, New York&#13;
Vincen.t Wood McKay ........................ Montgomery, West Virginia&#13;
Gordon E. McNamee ......................... Kensington&#13;
Peter Kirkham MacNaughton ................. El Paso, Texas&#13;
John Richard Maguire ....................... New Rochelle, New York&#13;
Ellis Wooster Manning, Jr.................... Brinklow&#13;
Robert Irwin Marshall ....................... Chicago, Illinois&#13;
Edward Hector Mongeau ..................... Fall River, Massachusetts&#13;
Joseph Parker Morray ........................ Chicago, Illinois&#13;
Alexander Beauregard Morse .................. Washington, District of Columbia&#13;
Reinardo Patrick Louis Moure ................ LaPlata&#13;
David Burke Rea ............................. Three Rivers, Michigan&#13;
&#13;
84&#13;
&#13;
SECOND YEAR-CLASS OF 1949&#13;
Clarence Alfred Anderson, II ................. Randolph, New York&#13;
Robert Lord Arner. .......................... Washington, District of Columbia&#13;
Robert John Austin .......................... Antwerp, New York&#13;
Herbert Joseph Baer, Jr. ..................... Hamburg, New York&#13;
&#13;
85&#13;
&#13;
�86&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Lynn Homer Robinson ....................... Morrisville, New York&#13;
Michael Lee Rourke ......................... Los Angeles, California&#13;
James Pedro Salinas. . . . . . . ................ Baltimore&#13;
Bradley Johnson Saunders, Jr. ................ Kansas City, Missouri&#13;
Allen Polk Schoolfield, Jr..&#13;
. ............ Pocomoke City&#13;
Lawrence Holt Sherman.&#13;
. .............. Garden City, New York&#13;
Bruce Harris Sinkey... .&#13;
. ............. Maplewood, New Jersey&#13;
Lionel Spencer Starer.....&#13;
. ............... Utica, New York&#13;
Eric Albert Teel.&#13;
. ................ Lansing, Michigan&#13;
John Henry Thomas .......................... Racine, Wisconsin&#13;
Richard Van der Voort ...................... Pittsburgh, Pennsylvania&#13;
.John Campbell Wakefield ..................... Washington, District of Columbia&#13;
John Calvin ·wallace ......................... Chevy Chase&#13;
Guy Oliver Walser, Jr ........................ Sayville, New York&#13;
David Baer Weinstein............&#13;
. ...... Brooklyn, New York&#13;
Terry Hutchison Wells. . . . . . . . . . .&#13;
. . Evanston, Illinois&#13;
John Scott Woodward. . . . . . . . . . . . .&#13;
. ... Coldwater, Michigan&#13;
Richard Weston Young ....................... Winter Hill, Massachusetts&#13;
FIRST YEAR-CLASS OF 1950&#13;
Joseph Mayer Ablow.&#13;
. .... Salem, Massachusetts&#13;
James William Archer ....................... Frametown, West Virginia&#13;
Ernest Lynn Bartle ........................... Hagerstown&#13;
Frederick James Beardsley .................... Baltimore&#13;
Leod Daw Becker, Jr. ........................ Milford, New Jersey&#13;
Donald Lewis Breen. . . . . . .&#13;
. . Baltimore&#13;
Alan Burruss Brinkley.&#13;
. .. Lynchburg, Virginia&#13;
Philip Sheridan Burns.&#13;
. Lo~ Angele~, California .&#13;
Jack Carr&#13;
.. Philadelphia, Pennsylvania&#13;
George Barton Case. .&#13;
. .. Cumberland&#13;
John Lewis Caswell, Jr..&#13;
. ................. Kensington&#13;
.John Summerfield Clark. . . .................. Baconton, Georgia&#13;
Milton Stearns Clifton ........................ Bellingham, Washington&#13;
Bernard Smith Clorety.&#13;
. ... Los Angeles, California&#13;
George Harris Collingwood, Jr..&#13;
. . V\Tashington, District of Columbia&#13;
Richard Tower Congdon.&#13;
.Auburn, New York&#13;
Joseph ·william Cooper..&#13;
. ...... New York, New York&#13;
Patrick Darrell Davi£.&#13;
. ...... Washington, District of Columbia&#13;
Richard Holmes Davis ....................... Chicago, Illinois&#13;
·wmiarn Curwen Davis. .&#13;
. ................. Scranton, Pennsylvania&#13;
Edmond Everett DiTullio. . ................ Little Neck, New York&#13;
Matson Glenn Ewell..&#13;
. ............... Rochester, New York&#13;
Herbert Selig Feinberg.&#13;
. ............... Edgewood, Pennsylvania&#13;
Edward Fershau&#13;
.. Brooklyn, New York&#13;
V\/. Bernard Fleischmann.&#13;
. .Baltimore&#13;
James Hartwell Frame.&#13;
. .. Wichita Falls, Texas&#13;
Thomas George Fromme.&#13;
. . Bellevue, Kentucky&#13;
John Robinson Garland..&#13;
. .. Maplewood, New Jersey&#13;
Charl-es Francis Gentile&#13;
.. . Barrington, Ne'v Jersey&#13;
Robert Lawrence Goldberg.&#13;
. ............... Chicago, Illinois&#13;
Robert Allen Goldwin. . .&#13;
. ....... Miami Beach, Florida&#13;
Theodore ·william Hendricks, Jr ............... Baltimore&#13;
Ralph Jefferson Herrod...&#13;
. ......... Chicago, Illinois&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
87&#13;
&#13;
Henry Booth Higman ........................ Millington&#13;
Robert Stanley Hodnefield .................... Hermosa Beach, California&#13;
George Hofrichter ........................... Suffern, New York&#13;
Irwin Thomas Hunt. ........................ New York, New York&#13;
Robert Norikiyo Ikari ........................ Honolulu, Territory of Hawaii&#13;
Michael Max Jackson ......................... Carmel, California&#13;
Harry Herman Kaste ......................... Newaygo, Michigan&#13;
Carroll Montgomery Keith .................... Baltimore&#13;
Francis William Kelso ........................ Linthicum&#13;
David Henry Kuh ............................ Winnetka, Illinois&#13;
Jerome Gabriel Lansner ...................... New York, New York&#13;
Donald Luis Leavin .......................... New York, New York&#13;
Charles David Lewis, Jr...................... -New York, New York&#13;
Charles Ranlet Lincoln ....................... Alexandria, Virginia&#13;
John J. Logue .............................. Philadelphia, Pennsylvania&#13;
Paul David Malchenson ....................... Hagerstown&#13;
Burnside Eastman Martin ..................... Northampton, Massachusetts&#13;
Thomas John Meyers ......................... Bridgeton, New Jersey&#13;
George Bertram Miller, Jr .................... Watertown, New York&#13;
Michel Mok, II.&#13;
. ........................ New York, New York&#13;
Chester Gilbert Moore, Jr. .................... Chicago, Illinois&#13;
Benjamin Moskowitz ........................ Bayonne, New Jersey&#13;
.Joseph Louis Nadler ......................... Brooklyn, New York&#13;
James Herbert Riggs, Jr ...................... Omaha, Nebraska&#13;
Edward Joseph Roethel. ..................... Brooklyn, New York&#13;
John William Sanborn ....................... Everett, Massachusetts&#13;
Frederick Ernest Schuchman, Jr ............... Pittsburgh, Pennsylvania&#13;
Earl Broadus Short, Jr. ....................... Petersburg, Virginia&#13;
Thomas King Simpson. . . . . . . . . . .&#13;
. ....... Glens Falls, New York&#13;
John Marquis Smith .......................... Cherryvale, Kansas&#13;
Philip Hartley Smith ........................ Woodstock, Ohio&#13;
Robert Norman Sperber ...................... New York, New York&#13;
John Sterrett&#13;
. . . . . . . . . . . . . . . . . . . . . . ... Topeka, Kansas&#13;
David Corbin Streett, H. . . . . . . . . . . . . .&#13;
. ... Baltimore&#13;
Tylden Westcott Streett ....................... Baltimore&#13;
Robert Drake Taylor ......................... Grosse Ile, Michigan&#13;
George Henry Thanhardt. . . . . . . .&#13;
. ......... LaPorte, Indiana&#13;
Robert Alfred Thomas.&#13;
. ........ Littleton, Colorado&#13;
George Edward Thornton. . . . .&#13;
. .... Holyoke, Massachusetts&#13;
Ralph Edward Tompkins.&#13;
..........&#13;
. Annapolis&#13;
Robert Theodore Townsend.&#13;
. Billings, Montana&#13;
George Usdansky&#13;
.. Springdale, Massachusetts&#13;
Larry Kalman Volin.&#13;
. ................ Washington, District of Columbia&#13;
Joseph Seeds Warhurst...... . . . . . . . . . . . . .&#13;
. Lyndhurst, New Jersey&#13;
Peter Anthony Whipple. . . . . . . . . . . . . . . . . . . . Catonsville&#13;
Irwin Herman Widder ....................... New York, New York&#13;
John Letcher Williams ....................... Sacramento, California&#13;
Graham DeVoue Williford .................... Fairfield, Texas&#13;
Myron Lee Wolbarsht ........................ Baltimore&#13;
William Orem Wollin ........................ Los Gatos, California&#13;
Edward John York...&#13;
. ............... Shaker Heights, Ohio&#13;
Marvin Zetterbaum&#13;
...................... New York, New York&#13;
&#13;
�88&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
CLASS OF 1947&#13;
&#13;
SUMMARY OF ENROLLMENT&#13;
&#13;
...............&#13;
&#13;
Fourth Year . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .&#13;
Third Year ................ · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·&#13;
Second Year ............... · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·&#13;
.........................&#13;
First Year .................................&#13;
Total in College ................ ······ - · · · · · · · · · · · · · · · · · · ·&#13;
&#13;
36&#13;
56&#13;
76&#13;
85&#13;
&#13;
... 253&#13;
&#13;
DEGREES CONFERRED JUNE 9, 1947&#13;
&#13;
Rite&#13;
Stephen Gordon Benedict.&#13;
. Scarborough, New York&#13;
Tristram Joseph Campbell, Jr.. . .&#13;
. .Old Orchard Beach, Maine&#13;
William Paul Elliott. . . . . . . . . . . . . .......... Aurora, Illinois&#13;
Allen Abbey Goldstein. . . . . . . . . . . . . . . . . .&#13;
. . Baltimore&#13;
Richard Eagleston Jameson.&#13;
. ..............Fallston&#13;
Rowell Anton von Magi us Schleicher ......... Forest Hills, New York&#13;
Robert Russell Weiss. . .&#13;
. ............. Federalsburg&#13;
&#13;
BACHELOR OF ARTS&#13;
AS OF THE CLASS OF 1943&#13;
&#13;
William Edwin Harris.&#13;
John Van Doren ...&#13;
&#13;
Rite&#13;
Monte Ferris Bourjaily, Jr..&#13;
&#13;
. ..........Washington, District of Columbia&#13;
Richmond, Massachusetts&#13;
Douglas Buchanan. . . . . . . .... ·.·. ·. ·. ·. ·. ·.'.'_'_".·.'_"..Philadelphia, Pennsylvania&#13;
Herbert \Villard Stern ..... John Weber, Jr..&#13;
&#13;
John Scott Desjardins.&#13;
&#13;
AS OF THE CLASS OF 1944&#13;
Rite&#13;
Nicholas Daniel Bonadies................&#13;
. Winsted, Connecticut&#13;
Robert Frederic Garland Bunting ............. Baltimore&#13;
Edward Maurice Godschalk .................. Montclair, New Jersey&#13;
Carl Schlee Hammen. . . . .&#13;
. ..... - ..... Linkwood&#13;
&#13;
Cum Laude&#13;
Casimir Thaddeus Krol. . .&#13;
.Chicago, Illinois&#13;
Haven Ely Simmons.........&#13;
. ............. Cedar Rapids, Iowa&#13;
William Gideon Spohn, Jr.. . .&#13;
.Baltimore&#13;
Andrew Shreffler Witwer, Jr.. . . . . . . . . . . . . . . . Joliet, Illinois&#13;
.. Bayonne, New Jersey&#13;
Warren Seymour Zeik .&#13;
Magna Cum Laude&#13;
Joseph Francis Hollywood, Jr. ................ New York, New York&#13;
AS OF THE CLASS OF 1945&#13;
&#13;
Rite&#13;
Dover, Delaware&#13;
&#13;
Cum Laude&#13;
Stephen Windsor Bergen .......... - . - . · .. · · · · .St. Albans, New York&#13;
Charles Arthur Nelson ........... - .... - .. - . ··.Berwyn, Illinois&#13;
AS OF THE CLASS OF 1946&#13;
&#13;
Rite&#13;
..... _.. Philadelphia, Pennsylvania&#13;
_.. _......Freeland, Pennsylvania&#13;
&#13;
Harry Charles Rockey.&#13;
James Willard Sharp ..&#13;
&#13;
Cum Laude&#13;
.... New York, New York&#13;
&#13;
Charles Lincoln Van Doren.&#13;
&#13;
Magna Cum Laude&#13;
. .... Chevy Chase&#13;
&#13;
Henry Theodore Wensel, Jr..&#13;
&#13;
Cum Laude&#13;
. .. Saginaw, Michigan&#13;
. ... New York, New York&#13;
Magna Cum Laude&#13;
. ... Scarsdale, New York&#13;
&#13;
AS OF 1944&#13;
&#13;
Cum Laude&#13;
_.......................Cleveland, Ohio&#13;
&#13;
Henry Resolved Mack .....&#13;
&#13;
89&#13;
&#13;
Cum Laude&#13;
Joseph Charles Smith.&#13;
&#13;
. Washington, District of Columbia&#13;
&#13;
HONORS AND PRIZES AWARDED JUNE 9, 1947&#13;
To the senior who has the highest standing, a gold&#13;
medal. Offered by the Board of Visitors and&#13;
Governors.&#13;
..............&#13;
. ... John Scott Desjardins&#13;
To the member of the Senior Class who has written the&#13;
best final essay, a prize of $27.50. Offered under&#13;
the will of the late Judge \Valter L Dawkins .. Tristram Joseph Campbell, Jr.&#13;
Charles Arthur Nelson&#13;
Honorable Mention.&#13;
· · · \'I arren Seymour Zeik&#13;
&#13;
1&#13;
&#13;
To the member of the Freshman, Sophomore, or&#13;
Junior Class who has written the best annual&#13;
essay, the John Martin Green prize of $10.00".&#13;
Honorable Mention.&#13;
&#13;
. .. Clarence Jay Kramer&#13;
&#13;
__ .......... Rogers Garland Albritton&#13;
&#13;
To the student who has written the best original&#13;
sonnet, a prize of $10.00. . . . .&#13;
. ........ ·william Chester Buchanan,&#13;
&#13;
Jr.&#13;
&#13;
To the student who has prepared the most elegant&#13;
solution of a mathematical problem (the&#13;
problem for the year being to construct, by&#13;
Euclidean methods, a tangent to a cycloid) a&#13;
. ..... William Gideon Spohn, Jr.&#13;
prize of $10.00. . . . . . . . .&#13;
*For the year 1945-46 ....&#13;
&#13;
. ... William Chester Buchanan, Jr.&#13;
&#13;
�CATALOGUE OF ST. JOHN"S COLLEGE&#13;
&#13;
INDEX&#13;
Absence, excuses for. . . . . . . . . . . . . 36&#13;
Academic standing ........... 36ff, 35f&#13;
Activities . . . . .&#13;
. .............. 49ff&#13;
Athletics . . . . .&#13;
. 50, 77ff&#13;
Clubs ......................... 5lf&#13;
Dramatics ...................... 51&#13;
Music ................... 24, 46£, 50&#13;
Publications .................... 51&#13;
Administration . . . . . . . . . . . . . . . . . . . 8&#13;
Admission . . . . . . . . . . . . . . . . . . . . . . 55ff&#13;
Application . . . . . . . . . . . . . . . . . . . . 56&#13;
Requirements ................ 55ff&#13;
Procedure . . . . . . . . . . . . . . . . . . . . 56f&#13;
Advanced standing ............. 57&#13;
Aid, student&#13;
. 63ff&#13;
Applications&#13;
...... 56&#13;
Admission&#13;
. . . . . . . 63ff&#13;
Student Aid&#13;
. 53&#13;
Rooms&#13;
......... .&#13;
.64ff&#13;
Scholarships&#13;
&#13;
St. John's 1835&#13;
. 70&#13;
St. John's 1868. . . . . .&#13;
71&#13;
St. John's 1886-1923, block elective 72&#13;
St. Joh n's 1923-37, open elective 72&#13;
Degree Requirements&#13;
. 36f, 73ff&#13;
Dining Hall&#13;
........ 54&#13;
Discipline&#13;
....... 36, 53&#13;
"Don Rags" .................. 3lf, 35&#13;
Dramatics.&#13;
51&#13;
Elective Program&#13;
. 16f, 72&#13;
Engineering Scholarships at Johns&#13;
Hopkins&#13;
.66&#13;
English, admission requirements. 55f&#13;
Enrollment . . . . .&#13;
. 83ff&#13;
.88&#13;
Summary&#13;
..... 56f&#13;
Entrance Examinations&#13;
........... 32&#13;
Essays&#13;
Examinations&#13;
Entrance .....&#13;
Oral&#13;
Written ...... .&#13;
Annual .......... .&#13;
State Scholarship&#13;
Excuses, for absence ...&#13;
&#13;
56f&#13;
3lf, 74£&#13;
.... 32. 73E&#13;
32&#13;
..... 64&#13;
.. 36&#13;
&#13;
Articles, magazine, on St. John's .. 80f&#13;
Athletics&#13;
. 50, 77ff&#13;
Attendance&#13;
Church . . . . . . . . . . . .&#13;
. ... 67&#13;
Classes . . . . ................... 36&#13;
.59ff&#13;
College exercises . . . . . . . . . . . . . . . 36&#13;
Expenses&#13;
Bible class . . . . .&#13;
51&#13;
Faculty&#13;
. . . . . . . . . 9ff&#13;
Board of Visitors and Governors .. 6, 7&#13;
List ....&#13;
Author teachers ............ 18, 33&#13;
Boat Club ...................... 50&#13;
........ 9ff&#13;
Tutors ..&#13;
Books, list of great ............... l8ff&#13;
.33ff&#13;
Research&#13;
Chronological . . . . . . . . . . .&#13;
. . . 40f&#13;
By years . . . . . . . . . . . . . . . . . .... 42&#13;
Fees&#13;
.59&#13;
College finances&#13;
. ... 43&#13;
By subject matters...&#13;
.. 59&#13;
Calendar, College .......... .4, 5, 30ff&#13;
Examination&#13;
.. 59f&#13;
Campus .&#13;
.52f&#13;
Annual&#13;
.59f&#13;
Caution Money . .&#13;
.54f, 60&#13;
Tuition&#13;
.. 59f&#13;
Charges, fixed&#13;
. 60&#13;
Residence&#13;
.. 60&#13;
Charter of College. . . . . . .&#13;
. .... 67&#13;
Payments&#13;
.61&#13;
Deferred payment .....&#13;
Of King William's School.&#13;
. .. 66&#13;
.. 54f, 60&#13;
Classics, new definition of. ... 18ff, 20ff&#13;
Caution money&#13;
.. 63&#13;
Clubs, College . . . . . . . . . . . . . . .&#13;
5lf&#13;
With financial aid.&#13;
College Calendar&#13;
......... 4, 5, 30ff&#13;
Foreign Language&#13;
Collegian . .&#13;
. . . 51&#13;
Admission requirements . . . . .2, 55f&#13;
See Greek, Latin, French, German&#13;
Credits&#13;
.. 36 French ................... 25£, 44, 55f&#13;
Semester hours&#13;
For entrance to graduate&#13;
Freshmen, list of. . . . . . . .&#13;
. 86&#13;
37f, 73&#13;
schools&#13;
German.&#13;
. .......... 25f, 44, 55f&#13;
. . . . . . . 57&#13;
Transfer of&#13;
G.I. Bill of Rights. . . .&#13;
. 57, 6H&#13;
Curriculum&#13;
Grades ........................ 3lf&#13;
16f&#13;
Elective system&#13;
&#13;
90&#13;
&#13;
Graduate Schools, preparation&#13;
for . . . . . . . . . . . . . . . . . ...&#13;
37ff&#13;
Greek ....&#13;
. 25f, 44, 55f&#13;
History&#13;
Of College&#13;
... 67ff&#13;
Chronological order of classics 22, 40f&#13;
In St. John's Program ....... 22, 43&#13;
Infirmary Service . . . . . . . . . . . . . . . . 54&#13;
Instruction Methods in St. John's&#13;
Program ............... 22ff, 49ff&#13;
Juniors, list of. . . . . . . . . . . . . ...... 83&#13;
King William's School. . . .&#13;
. 67f&#13;
Labpratory . . .&#13;
. . . . . 30&#13;
Exercises.&#13;
•16ff&#13;
Total Hours&#13;
45&#13;
Subject Matter&#13;
45f&#13;
Language, reasons for instruction in. 25f&#13;
Requirements . . . . .&#13;
. 35, 44, 73ff&#13;
Tutorials . . .&#13;
. .25f, 44&#13;
Clock-hours of classroom work in. 44&#13;
Classics in Language and Literature..............&#13;
. ..... 42£&#13;
Latin&#13;
...........&#13;
. 25f, 44, 55f&#13;
Latin Club . .&#13;
51&#13;
Law School Preparation.&#13;
. .... 38ff&#13;
Lectures, formal . . . . .&#13;
. .. 28f&#13;
Liberal Arts a.nd Sciences .. l4ff, l 7f, 21&#13;
List of Great Books, Classics.&#13;
40ff&#13;
List of Laboratory Exercises.&#13;
46ff&#13;
List of Lectures&#13;
.... 29&#13;
List of Students&#13;
......... 83ff&#13;
Literature, Language and.&#13;
42f&#13;
Location of College. . .&#13;
. . . 52&#13;
Marine Biology&#13;
..... 66&#13;
Marks .......................... 35f&#13;
Mathematics, reasons for instruction&#13;
in&#13;
................ 26f&#13;
Admission requirements ....... 55£&#13;
Requirements&#13;
..... 36, 73f&#13;
Tu to rials&#13;
..&#13;
26f&#13;
Clock-hours of classroom work in. 44£&#13;
List of Mathematical Classics. . . 42f&#13;
Club.....&#13;
. ................ 51&#13;
Medical Schools, preparation ...... 38f&#13;
Music ..................... 24, 46f, 50&#13;
Concerts . . . . . . . . . . . . . . . . . .&#13;
50&#13;
Natural Science ............... 43, 45£&#13;
Occupancy of Dormitory Rooms. . 52£&#13;
Officers of Administration.&#13;
8&#13;
Philosophy. . . . . . . . . . . . . . . .&#13;
43&#13;
Political Science . . . . . . . . .&#13;
43&#13;
Preparation&#13;
For admission&#13;
55£&#13;
&#13;
91&#13;
&#13;
For graduate schools. . ... 37f, 731'&#13;
For life&#13;
14ff&#13;
President&#13;
..... 13, 69ff&#13;
Former&#13;
8&#13;
Present&#13;
Emeritus ................. .&#13;
13&#13;
.. 35&#13;
Probation&#13;
56f&#13;
Procedure for Admission ..&#13;
. .. 36, 73ff&#13;
Promotion ...&#13;
Reading Parties&#13;
32&#13;
Registration&#13;
....... 4, 5, 56f&#13;
Regulations&#13;
Admission.&#13;
55f&#13;
Academic Standing&#13;
35ff&#13;
Attendance ..&#13;
36&#13;
Degree Requirements&#13;
.... 36f, 73ff&#13;
Residence ........... .&#13;
52ff&#13;
Religion&#13;
Non-denominational&#13;
.. 671:&#13;
Reports .............. .&#13;
3lf&#13;
Requirements&#13;
Admission . . . . . . . . . . . .&#13;
55ff&#13;
Attendance . . . . . . . . . . . . . . . . . . . . 36&#13;
Degree&#13;
. 36f, 73ff&#13;
Graduation .&#13;
. .... 36, 73ff&#13;
Languages, for degree ... 36f, 44, 73ff&#13;
Languages, for admission ....... 55f&#13;
Mathematics, for degree 36f, 4±£, 73f&#13;
Mathematics, for admission. . . . . . 55&#13;
Familiarity with Great Books .... 73£&#13;
Residence.&#13;
. . . . . . . . . . 52ff&#13;
Research&#13;
35&#13;
Residence.&#13;
52ff&#13;
Rooms...&#13;
52ff&#13;
For new students. . . . . .&#13;
53&#13;
For old students. .&#13;
. . . . . . . . . 53&#13;
Furnishing . . . . . .&#13;
52£&#13;
Occupancy. . .&#13;
. . 52f&#13;
Caution money&#13;
.. 54, 60&#13;
Schedules&#13;
Weekly&#13;
... 30f&#13;
Student, typical&#13;
...... 32&#13;
Term . . . . . . . . . . . . . . . . , .4, 5, 3H&#13;
Years&#13;
................. .4, 5, 3H&#13;
Payment of fees&#13;
.59f&#13;
Scholarships&#13;
..... 63ff&#13;
.. 63f&#13;
College&#13;
State&#13;
.............. 64&#13;
Patriotic Societies&#13;
............ 65f&#13;
77&#13;
Athletic ..&#13;
At other institutions.&#13;
.66&#13;
Science&#13;
In modern world...........&#13;
2lf&#13;
In St. John's Program ... 2H, 30, 45ff&#13;
&#13;
�92&#13;
&#13;
CATALOGUE OF ST. JOHN'S COLLEGE&#13;
&#13;
Laboratory&#13;
..... 2lf, 30, 45ff, 73ff&#13;
Liberal . . . . . . . . . . . . . . . . . . . . . . . 2lf&#13;
Classics in science .............. .42f&#13;
Semester-Hour Credits&#13;
Equivalent ..................... 36&#13;
Seminars&#13;
.... 24, 27f, 74&#13;
Seniors, list of .................... 83&#13;
Social Sciences ................. 22, 43&#13;
Sophomores, list of. .............. 84ff&#13;
Staff, administration . . . . . . . . . . . .&#13;
8&#13;
Faculty . . . . . . . . . . . . . . . . . . . . . . . . 9ff&#13;
Medical. ....................... 54&#13;
Standing, academic . . . . . . . . . . . . . . 35£&#13;
Student Activities . . . . . . . . . . . . . . 49ff&#13;
Athletics . . . . . . . . . . . . . . . . . . . . . . 50&#13;
Elective ...................... 49ff&#13;
&#13;
Music ......................... 50&#13;
Clubs ........................ !Hf&#13;
Publications. . . . . . . . . . . . . . . . . . . . 5 l&#13;
Dramatics ..................... 51&#13;
Student Aid ..................... 63ff&#13;
Students&#13;
List of . . . . . . . . . . . . . . . . .&#13;
.83ff&#13;
Theological Schools, preparation. . . 38&#13;
Transfer of credits ........... 38f, 57&#13;
Tuition Fee ..................... 59f&#13;
Tutorials . . . . . . . . . . . . . . . . . . . . . . 24ff&#13;
Mathematics . . . . . . . . . . . . . . . . . . 26f&#13;
Language . . . . . . . . . . . . . . . . . . . . . 25f&#13;
Vacations ................. .4, 5, 30ff&#13;
Veterans' Educational Benefits .. 57, 6lf&#13;
Year Book ....................... !il&#13;
&#13;
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                    <text>St. John's Collegian
voL LX -

No. 12

ANNAPOLIS, OCTOBER 17, 1947

Education: For Nationals or
For Human Beings
A wise man published a book a few years
ago entitled Education Between Two Worldsnot the two in space which are now engaged in
adopting the Marshall Plan and the Molotov
Plan respectively, but the two in time which
Matthew Arnold distinguished, one dead, the
other struggling to be born. In the world which
Arnold believed dead, the Church had accepted
the responsibility -for te~ching all men. In Education Between Two Worlds, Alexander
Meiklejohn holds that in our modern world the
Church has effectually lost this authority, and
that nobody short of the State can pick it up.
But he finds the contemporary state woefully
disqualified for the task by one glaring fact:
it is not universal.
Liberal education, of the sort Meiklejohn
is interested in, as distinguished from vocation al or professional training, is Socratic in charac ter and teaches men primarily to be reasonable
rather than violent. But the contemporary state
cannot do that effectively, because the effective
teacher must practice what he preaches. And
the contemporary " sovereign" state is doomed
by circumstances to be violent. It reserves the
right to shoot it out with neighboring states in
a world which technology has made one n eighborhood.
Recent discussions of UNESCO demonstrate that men less wise than f..tleiklejohn can
also recognize the impasse, even if dimly. They
are shocked that children's history books should
inculcate tribalism, But, unfortunately. our
periodic tribal wars make tribal fervor (misnamed -patriotism) a necessary means for surAdd Education for Nationals or Human B .
viva!. On a higher intellectual level. our
scientists agonize between their duty as
scientists (why not as men?) to seek and. share
truth, and their duty as nationals to aid national defense by inventing new forms of mass
murder and keeping those forms "top secret."
Reasonable men must respect law. But what
if there is no higher source of human law than
one of Arnold Toynbee's "parochial states"?

Price: I Oc

Then men are doomed to a schizophrenic effort
to be reasonable while secretly preparing to be
violent. Meiklejohn points out that this
schizophrenia is fatal to liberal education.
To flourish, liberal education must be
universal. It is either education for all men, or
it is hypocrisy. It is designed to develop the
common humanity in human beings. If it stops
viewing men as human beings and views them
as nationals, it withers, and breeds · corruption
i ~ the mind. We have been educating nationals.
not human beings. We are doomed to keep on
doing so until we find a common source of law.
applicable to nationals and "aliens" alike, and
under this law there can be no lesser breeds.
Until we find that source, until we make universal law work, the seed of violence is in all
our thinking. We shall oscillate between Oxford
oaths not to serve king and couhtry, and Hitler
Jugends to enforce peace, between sentimental
"idealism" and brutal "realism."
This is not the first time liberal educatio~
has collapsed t.hrough not daring to be unisessing and exploiting class. or as the property
of a religious sect, or as the property of a posof a master race. Whenever it excludes, it collapses. These threats to its health are constant
threats. But though they cause it to sicken,
they can never kill it- so long as human beings
with minds exist. Meiklejohn knows that. He
is merely pointing out that national sovereignty
will keep it sick , even if other causes of sickness
are removed.
Here is our dilemma. If we tried to provide
genuine liberal education, it would undermine
the tribal fervor upon which our tribal governments must depend if they are to continue
sovereign. But our sovereign governments are
the only sources of positive law we possess.
Hence genuine liberal education would tend
under present conditions to destroy law . If, on
the other hand, we make it support our laws,
we poison reason with violence, and our educational system is doomed to substitute opinion
for knowledge, indoctrination for enquiry.
Armed governments, lying in wait for their
neighbors, cannot tolerate dzmgerous thoughts,
and it is sentimental nonsense to expect them

�2

ST .

JOHN'S

to do so. Only a reign of law between nations
will permit any government to concern itself
seriously with the liberal education of its citizens. Without such law, government cannot
afford to educate human beings; it must educate
nationals. Without such law, our dismal choice
is between the police state and the propaganda
state. For with neither force nor sophistry at
its disposal no "sovereign" state today can face
its dangerous sovereign neighbors. We Americans are determined to eschew force. Then shall
it be sophistry? Or shall we abolish the dilemma
by abolishing its cause- the violence implicit in
national sovereignty today?
- Stringfellow Barr
(With Permission: Reprinted from the
September, 1947 issue of COMMON CAUSE,
A Monthly Report of the Committee to
Frame a World Constitution.)

COLLEGE

An Address
(Delivered at the 15 5th Commencement of
St. John'_s College on June 9th 1947, by Mr.
Jacob Klein, a member of the faculty of St.
John's College.)

Looking at you, the biggest graduating class
since 19 3 7, I cannot suppress a dreadful
thought. On the threshold of a new kind of
existence, a post-graduate existence, every one
of you seems to me like a creature about to be
cut in half, - although in a somewhat uneven
and unsymmetrical fashion. One part of you
is obviously turned toward the future and tries
to fasten itself to some protruding branch of
that big tree of life which has been transplant?d ,
so I understand, from the Garden of Eden into
the sinful complexities of our civilization. The
other part of you, you may or may not
know it - , remains attached to this shrub of
ours, this little tree of genera and species, full
Sonnet For Pascal
of knots and lumps, each one representing a
Joyless journeyer through infinity
weighty problem and a cluster of terms. How
Not geometric, no more points to plot,
to resist that cut, how to remain whole, that
And the dancing chime of wineglass long forgot : seems to be the question, - although some of
How your split . accents cry Divinity
you might feel that I am exaggerating the
And cleave the echoless abyss! You see
danger.
• The light, the dark. all, nothing, is, is not,
Am I? You might answer that the college
A desp'rate convert, gambling polyglot,
was set up precisely to equip you with all that
is necessary to start and to maintain a post Chimeric chaos, proud worm, prodigy:
graduate existence; that any college is ultimatePoor comet soul, blistered and shivering,
ly serving a purpose far exceeding its ow;:i limitCould you not bear apocalyptic pain?
ed ends; that the four years spent on this
Turn then cold your gaze, dazed and quivering, campus or, for that matter, on any campus,
Back to deserted discourse. Count That gain. are like a single freshman term w ithin the sp211
Although you fail finally to perfect
of a human life; that, therefore, to speak of a
The frightening white stare of intellect.
cut or break abont to occur. is to for~ 't the
-WILLIAM BUCHANAN. JR.
basic meaning of a college education. Let me
(This is the sonnet which took the 1947 poetry discuss this proposition. Not that I have to tell
prize for St. John's students)
you anything startlingly nP.\V. I'd like r"'tber
to remind you and myself of some of the aspects
For You Liberal Artists
of a very grave problem.
It is certainly true that the education you
Seek the subtle didactic,
receive at St. John's, that is to say the opporA cerebreal discipline
tunity you had to discover and to develop your
Exact, abstract, eclectic.
own intellectual and imaginative capacities, is
Abjure the strange majestic.
not an end in itself. But can it be really stated
Dare greatly to win
~imply that college prepares for life? Aren't
some serious difficulties involved in this stateNo turbulent, vast vision
ment? If it be meaningful, the principles which
Rich with red rhetoric.
govern our society in its diversified and coordiSpeak with archaic precision
nated functions must be considered as identical
Immaculately wrought
with, or , at least, akin to, those that guide us
One final thought.
in our college activities. But that is hardly the
William Buchanan, Jr.

ST.

JOHN'S

case. If it be understood that life is a sort of
jungle in which no pardon is given and no pity
felt, a college preparing for this kind of merciless struggle would be either a mockery or, at
best, a place where you learn how to howl with
all the wolves that inhabit this earth. But, you
might say, in developing our mind, in freeing ;t
to its proper function, which is to recognize
the truth and to guide us in our pursuit toward
the good and the just, we are indeed preparing
ourselves to live a life in conformity with reason, to become good citizens, and to face all
practical problems and obstacles with firm
resolution and dispassionate judgement. Th ~s
is, indeed, a goal worthwhile striving for, and
I submit, moreover, that an understanding of
this kind does actually underlie all the activit ies
on this campus. It is here, I think, that a problem of some magnitude arises. There are c ~ r­
tainly of some magnitude arises. There are cereducational system follows that pattern, periods
in which texture of daily life as well as th ·~
political and economic realities are pliable to
a large extent and subject to argument and
deliberate planning. Whatever tensions might
exist, in periods like these, between the insight
of man and the practical order of thing:&gt;, there is always the recognition that man can
influence, direct and shape the course of events.
There are other periods, however, (and it seems
that we are living through one of this kind) in
which the pratical order acquires an uncanny
automatism mocking all efforts of reas~m to
impose upon it its ru les and standards. Is it
still possible, if this be the case, to sub ordinate
the ends of a college to what is called "E:e"?.
Would not that mean to make reason servl' un reason to make out of the pratical order an
idol worshipped blind:y and basely? Can a
college, then, whose allegiance is to truth, r.till
"prepare" for life?
A great historical example gives us, I
think, an answer to these questions. The
platonic Academy, the model of all educational
institutio;:is up to this very day, was fo unded,
in times which resemble ours, not to serve but
to be served, was founded not with reg"lrd to
the wishes or needs of the practical order but
against it. It did prepare its stadents, it seems,
to a life never outside its own scope. It impos r: d
upon them rules whose origin was not submission but rather opposition to the practical order.
It did not try to descend to a lower level br;t
rather to elevate the practical order to its own.

COLLEGE
It is perhaps unique in this respect. Its heritage
is the very idea of education. For to educate a
person, is to lead him out of those regions in
which he cannot see the light.
I realize that to evoke before you the
image of the Academy does neither help you
nor help us to solve the practical problem of
an adequate undergraduate curriculum and an
adequate postgraduate life. That only goes to
show how infinitely more complex the educational problem has become. But on an occasion
like this let me not compromise with the complexities of this world. Let me consider what
the consequences of such a stand, the platonic
stand, might be, regardless of whether you and
I can make it really ours. And it is here that I
come back to that image of a cut with which
I began.
The danger, as I see it, is the possible
automatism, the selfmoving routine of your
postgraduate life. I think, I know that you arc
quite aware of this, that these four or more
years have given you a sense of how false and
how blind existing and accepted conditions under which we live can actually be. I need not
call your attention to the state of affairs in the
world at large. And yet with all that sensing
of the deficiencies around us, do we nut more
than often succumb to the prevailing practical
order, precisely because its automatism is so
crushing:y overwhelming? To remain whole,
then, would mean, first of all, to take the p!a tonic stand, to resist and not to succumb. It
would imply a sort of aloofness , a distance always kept, an invisible gown about your
shoulders. You are perhaps prepared for a stand
like this , your allegiance to the invisible world
of ideas might be firmly root.:ed in your he:uts.
But that cannot possibly be all.
Nothing can take away from our shoulders and yours the responsibility for what goes
on in this world of ours. Not to succumb does
not mean to forget, cannot mean to retire to
some phantastic island of perpetual contemplation. Even if that automatism of our civi!ization should prove invulnerable, we should not
be justified in ignoring its dreadful implications.
None of us might escape the turning wheel.
To remain whole, then, means, in the second place, to remain aware that none of us is
an island, that we are bound together b~cause
we are men. I have been rereading in these last
days Aristotle's Nicomachean Ethics, especially
books VIII and IX. I have been struck more

�4

ST.

JOHN'S

than ever by the way in which he introduces
political questions into his ethical considera tions. The various forms of government are
treated by him in the context of an analysis of
friendship. Or, in other words, justice itself and
all its forms are ultimately dependent on those
ties which bind men together insofar as they
are men. There is a wide range of phenomena
which fall under the general appellation of
friendship. There is friendship in the strictest
and highest sense, rarely found among men,a sensible image of the selfknowing activity of
the intellect. There is also the wid_spread phee
nomenon of mutual sympathy, the basis of all
political organization. Let me apply this
aristotelian insight to the question I am discussing. To remain whole is not merely to resist what I have been calling the threatening
automatism in all .our occupations and in all
the transactions of our daily life; is not merely
to shield oneself with invisible armor against
the dull onslaught of routine and matter-of-·
fact attitude; it is also, I think, never to lose
sight of men as friendly mirrors of our own
intellectual life. We cannot wilfully break them,
without endangering our own imac~ within
ourselves. We could not preserve what we ever
learned if we did not recognize what we learned in others, our friends. I cannot help thinking
that something of this sort actually happ~ned
to you while you were studying and learning at
St. John's.
Let me, then re-state the questions I asked
and the possible answer to them. Is there continuity between your lives as undergraduates
and your postgraduate work ? Does College
prepare for Life? It seems that it is difficult to
answer in the affirmative, because not much of
the rule of reason is left in the conduct of human affairs. It seems that what you acquired
on this campus cannot and ought n8t , by its
very nature, become subservient to the appalling practical automatism of our way of life.
But, on the other hand, how could you relinquish the claim to direct and to determine your
personal lives as well as the destiny of th e
greater community or communities you belong
to? It seems that nothing can prevent you from
accomplishing that, provided that you own
the invisible gown of which the one you wear
now is the visible symbol, and provided that
you discover in friends those sources of strength
that aloofness alone cannot possibly off er.

COLLEGE

KILLER SEARCH
A Story
The outcome of a patrol flight I made in
August of 1942 got me in trouble. Although
most of the people who knew about it gave
me as much sympathy as scorn, I was angry
with the general state of things that came after
that flight. Just the same, I understood, too
well, it was not the things that were to blame,
but myself. I was the radar operator on a plane
on search for a submarine. Near Havana th e
submarine had torpedoed a sugar boat and a
tanker. It had escaped , with three blimps and
a subchaser trailing it, and a storm behind
them. One blimp had detected it, and depthcharged it. It was damaged; it surfaced and
shot the blimp down . The radio operator on
the blimp sent the sub's position, and it was
the last message he ever sent. The storm overtook the rest of the patrol and they had to
turn back.
My plane took off from Lang~ey Fie ~ d.
where we were based on the Virginia coast, to
get that sub, which was cruising on the surface-because it had been damaged-about four hundred miles out frorn Langley. Becanse it was
surfaced, it made a first class target for radar.
The signal came in strong and dear on my
radar screen, but when we :flew to the indicated
spot , no sub was there . The time was night.
We turned on our landing lights and circled .
Rad:ir and the open sea at night have many
mysteries; in spite of the signal on the radar
screen, there was nothing on the water under
our lights.
We hunted for hours until we ran short
of gas. We had to turn back and carry our load
of depth charges and bombs back to L ang:cy.
Field.
Some officers and the ground crew met us
as we got out of the plane. The radar mechanic
who was teamed with me was there, and with
him was Randolph Rutledge.
This fellow Rutledge was an op erator
like me, but he did not like to fly, whereas I
flew whenever it was possible. My happy time
was flying. He enjoyed working with the
mechanics, who were the radar ground menthe operators were the radar fliers- and he
often announced that he would be a mechanic
instead of an operator except for the extra
money flying brought him. He was an efficient
repairman; on the other hand he was the ace

ST.

JOHN'S

operator of the Field. He had credit for sinking
a submarine, and none of the rest of us did.
Rutledge was expressionless, and he always
talked in a cold quiet voice.
There at the plane, my pilot Lindsay and
I told the Group Commander and the others
what had happened. When we finished, Rutledge and my mechanic climbed up into the
plane. They came back with a pad of forms
provided for the mechanic to write a ground
check report and for the .operator to write a
flight report. Rutledge opened the pad and
showed me the entry he had made there. It revealed that the radar scanning system worked
backwards, so that when a signal seemed from
the left of the plane, the target actually lay to
the right.
"You should have read the report, Stack,"
Rutledge said. " YOU shouldn't be dead weight
e n these flights. ' '
My pilot Jack Lindsay, the mechanic ;:nd
I. had an interview with the Group C'.)mman der Colonel Virbiansky. The Colonel was a
blonde energetic sawed-off man, about fifty
years old I judged. My father was Polish, like
the Colonel; I was startled by how much the
Colonel .resembled him.
All I could say was that the mechan :c
should have told me personally about the trouble in my set , and that a plane in that" condition
should not have b2en allowed to fly in the first
place. The Colonel shot back that rcad ~ ng t:·.e
mechanic 's notes was standard procedure. He
said plenty more and in the end stopped, and
surveyed the three of us. "You are a disgrace
to the squadron," he said presently. "And to
yourselves as crew members and maintenance
men, and the whole Goddam Air Corps.
Lieutenant. You're going off the promotion list
for a year. You two people were staff sergeants,
I see. Okay, you're privates now."
That afternoon t-he orders came out that
busted me. " Peter Stack, Staff s ~ rgeant, redpced
as of this date to Private." Randolph Rutledge
touched me with a cold finger and said tough
luck kid.
The real trouble missing that sub had got
me into was that it put a question on my
ability as an operator. And there was nothing
else in the army I wanted. I was afraid the
Colonel would ground me, like he had threatened. Flying was the only situation that put me
at ease and gave me surety , and the Colonel
was about to ground me. He could have pass~d

COLLEGE

5

for my Father. I was a doubted man.
I was thinking of all this three days later
as we came in from a short practice flight. I
thought I was lucky to get even a practice flight
and that this one might be my last. Langley
Field looked broad and fair in the long afternoon light. Jack Lindsay the pilot let the plane
down so easy I could not tell when it happened
except by seeing the plane overtake its shadow
that was sliding ahead of it ov.::r the runway.
After I checked my parachute in. I stood
outside the hangar awhile to• watch the planes.
A cloud-blue Navy fighter landed and taxied in.
Our bombers were old and cumbersome, con verted Douglas transports, B- l 8's painted gray
or brownish green. That little fighter looked
sharp and clean among tl:em.
If I should .get grounded, I thought, the
hell with it. I had got fun out of my time in
the air. If I had not omitted to read that report,
I probably would have fouled up some other
way. It was as if mistakes were waiting for me
to make them. I remembered that the first job
I held, working for my father driving one of
his trucks on a contracting job, had come to a
sudden end when I wrecked the truck. I tried
to explain how it had happened, on a steep
curve with an overloaded truck, but he would
hear none of it and said that his other drivers
had made that curve hundreds of times with no
accident. The hell with it.
In the mail line I heard a rumor that
another submarine was off shore and we would
send planes after it tonight. I didn't have any
mail that evening. I had expected a letter from
my wife. It had been two days since I got a
letter from her. In a w ay, I h op ed for a letter
from my father. I had got no answer from a
letter I wrote to him two months earlier. I
would be damned if I wrote again before I got
a letter from him. My wife was living at my
home with my father and stepmother. He had
known her before I did. I met her in my father's
office, where she was a secretary. He had a contracting business. She stopped working when
she married me. I wanted her to come down to
Langley so we could get a place in one of the
nearby towns, but there was no decent apartment, and my father and stepmother had offered
rooms in their house for her. He pointed out
that apartments around army camps always
had jacked-up rents anyhow, maybe more than
we could afford. My · wife liked Philadelphia
and indicated that she agreed with him. He in-

�6

ST.

JOHN'S

sisted it was an error of judgment for me to
marry anyhow with only army pay for income.
He never said that where she could hear.
On my last furlough back in the spring,
she did not come to bed one night w·hen I did.
She stayed in the living room playing chess
with him for over two hours. When she finally
came up I made out like I was asleep but she
could tell.
" Wake up Pete, you can' t fool me. "
I grinned at her, but I was sore, so I
. bitched at her a little and she only smiled.
And when my furlough was over , I had to leave
I wrote her from Langley that I supposed she
was having chess games galore now.
After supper I went to a movie, but I was
restless and left before the feature started. I
crossed the street to the PX.
Randolph Rutledge came in while I was
sitting in a booth with a bottle of beer. He
brought a coke over and sat down with me.
"They're looking for you," he said. " We're
flying tonight. Big patrol on. Killer search."
'Yeah. I heard the rumor this afternoon."
"I don't think the sub needs to worry,"
he said. "The way our searches go lately."
"You think it doesn't, huh."
He stammered and said then , '' Briefing's at
nme o'clock. You have fifteen minutes to get
over there."
"When is your briefing? "
"Same time."
At the briefing, a captain gave us the information. A tanker had been torpedoed at
three fifty three, 15 5 3 hours, that afterno')n,
and had radioed its position before it sank. Th e
captain pointed out the predicted course of the
submarine, the area each plane was to take . He
told us about the weather. A storm was plotted
to come along Cape Hatteras and bear out to sea
again before reaching Langley. If it came too
close to Langley, our takeoffs would be post poned .
A bombardier wanted to know about our
load. The captain said they were putting two
five hundred pound bombs in th e bombbay ,
and six three hundred pound depth charges
under the wings .
.
My takeoff was scheduled at midnight.
Rutledge was to follow and relieve our area at
four a. m .
I talked with my mechanic about the
equipment. He assured me it was okay,
but he said I already knew that

COLLEGE

ST.

•

a ground check never guaranteed performance
in the air. Besides the radar set , the
planes carried another detection instrument.
to locate subs under water where radar
was no good. The second instrument was cal 1ed
Thelma, standing for Thermal Underwater Location Method Airborne. It detected heat generated by the sub's engines. I know this sounds
fantastic, but so does radar. Its range was short,
only two hundred feet, but that was a kind of
advantage, because when it registered a signal it
meant you were right on top of the target .
The storm did not follow its forecast. It
swept on up the coast and closed in Langley
Field for two hours. I was in the messhall
when it struck. A telephone call came for me
there. It was from Jack Lindsay, my pilot. He
told me our flight was cancelled and that Randolph's was going at two a. m. instead of at
four, because of the storm. We were not go:ng
at all. Lind_
say wanted me to wake Randolph.
" You get that , Stack?"
" Yeah. Yeah, I'll tell Randolph."
"Okay. Thanks a l~t. Say-Stack
"Yeah?"
"Oh-nothing. Never mind."
"Go ahead."
"No, it's all right . Never mind."
The sleeping quarters were in anoth ~r
wing of the same brick building as the messhall.
I climbed up to the third fl')or bay whsre the
radar men lived. All of them lay asleep; I sat
down on my footlocker and wondered what
Lindsay had been about to say over the telephone. Lindsay and I and the rest of our crew
could just as well have gone ahead and flow n
at two. In operations, I suppose they had S'.\;d
. . . . better not take Lindsay and th1t radar
man of his. Wake up the other crew . .. Maybe. They w ere right, I guessed. I wasn ' t mllch
good at this job of operating. I was afraid I
could not be . .. what was the word? Capabk
At anything. Anything I did, the uncertainty
would come out afterwhile and show me up .
Rutl edge lay asleep . They w anted him.
He was rated a good man . He would get up and
go complaining to his plane that he hated to
fly, while I went uselessly to bed and slept.
That is when I had an idea. I went over
to his bed. "Rutledge. Hey Rutledge. Wake
up."
"Huh? Huh? What time is it? Oh it's
time for ... the mission already."

JOHN'S

''No, a storm came and the pla'ns were
changed. You don't have to go."
"Don't have . . . to go? Uh. TellumIs that all you woke me up for, to tell me that?"
"That's right, Rutiedge, old boy, Goodnight Rutledge."
While I was having my name substituted
for his on the loading list, Jack Lindsay came
Ill.

"Stack! Well I'll be damned. You flying
tonight instead of that other guy?"
'Sure thing."
"Well, so am I. We're the probation boys,
kid. You know, I started to tell you over the
telephone to come on and change over. Here
you are anyhow."
We took off at two. Here was the bomber
transporting me loudly and the complex radar
set to increase my personal power so much that
I could observe happenings miles off on the hidden sea in the night, and the thermal instrument to tell me what things moved secretly below the sea. Dawn formed over the ocean and
around us. Everything seemed to be only sad
grey light. As the morning came on, we saw
cloud banks to the east, ahead. Some rain w2s
falling out of the high end of a long s~anted
cloud.
The first thing that happened, the radar
set went out. Completely out, dead, blank. I
tried to fix it, but my efforts were no good, and
I got a bad electric -shock. We had no choice
but to radio the information back to the base.
They answered at once: Fly to a certain rendezvous-they named the latitude and longitude-and meet a relief plane. Return to the
base.
And that, I could see ended me with an
aircrew. If only I had not taken it in my hands
to substitute myself for Rutledge. I had no
;rnthority for being on this flight at all. I felt
sick and jumpy from the electric shock. I
reached in my coveralls to get some chewing
gum. I found my pocketbook, and there was a
picture of my old man there. As I looked at it,
I was amazed again by the way he resembled
Colonel Virbiansky, the Group CO. My old
man's name had been Stakolajczyk before he
shortened it to Stack. Rutledge's name had been
Rutledge for five or six hundred years, I guess.
Virbiansky was going to have plenty to say
to me this time for sure when we got back. I
wished we would meet the relief plane now and
get back and get the b,usiness over with. When

COLLEGE

7

it was over, I could get a quart of liquor.
A fellow's inadequacies are a positive force
that inevitably show him up, that lead him to
omit to read the note prepared for his guidance,
to get himself on the plane with the defective
radar set, to do what he should not do and fail
to take the right action. I wished it were possible to make a kind of killer search of a man's
doubts and unsureties, for they can destroy him
. . . as surely as any torpedo.- A submarine
was a physical solid contrivance, but a man's
shortcomings are something else .
I straightened in my chair and loosened
the belt of my coveralls. My old man had used
bis belt to punish me with now and then when
I was a kid. My mother had got a divorce
when I was four . I recollected as I fixed my
buckle what a jumbo of a lashing he had given
me once for calling the postman a bastard. I
was six years old. I had been afraid of him for
days after. Then one day he picked me up and
called me "Petya, Petya, my little Petya fellow,
don't be now hiding from your Tata," and
something else in Polish I could not understand.
An emotional person.
A message came from base that changed
the picture for us. The relief plane had got
engine trouble and turned back. We were to
continue the search in spite of being without
radar. The message also said the relief plane
had detected an unidentified target in the submarine's probable area.
When the navigator deciphered this messZ\ge, Lindsay raised his arm up and down twice
i.n the infantry signal- doubletime. It took us
two hours exactly to reach the location of the
unidentified signal. The ocean was clean and
bright in every direction.
"Well, no sub here," the bombardier said.
"What do you think?" Lindsay asked
him.
Noise rustled in the interphone a moment,
then the bombardier's voice came through again.
''Goddamn thing's around here somewhere, I'm
sure of it."
"You think they're heading out to sea?"
"I would say east by southeast. "
We started a pattern of expanding squares,
order to give the thermal
flying very low
locator as much underwater range as possible.
We were so low the propellers blew a wake be hind us.
As the time grew towards noon, the navigator warned Lindsay several times that our

in

�8

ST.

JOHN'S

COLLEGE

gas was getting low. Finally he announced sight. I watched to see if he had buck fever too,
that if we did not turn back now we would but his fingers were steady on the bombsight
have to paddle back. Lindsay told him to get knobs.
out his oars. Old Jack Lindsay was a stubborn
The sailors must have seen the first bomb
fellow this :flight. In a moment he said we coming. They dived everyway off their ship.
would have to lighten our load. The navigator But it was a near miss, ahead and left. If they
was exasperated. He offered to jump overboard. had stayed on board, they would have been
Lindsay had me drop two of our depth charges okay a few minutes longer. The explosion
instead.
threw the prow of the submarine up in the air.
It was at twelve-twenty three that we The bodies of the sailors who had jumped bob contacted the submarine. On the Thelma con- bed to and fro in the heavy waves.
trol panel, a red warning light went on, and
On the second run, the bomb hit square
off. We had passed over the target and out of on the conni"ng tower.
range again.
* * * * *
I grabbed the microphone and reported the
That night back at Langley, after the incontact to Lindsay.
terrogation and handshaking was over, I mailed
Lindsay heeled the big bomber around. a letter to my father. It was just a casual note,
My hand was on the switch, to release the with remarks about patrolling and that I was
depth charges, but I had an attack of buck fever fine and hoped he was too. I did not mention
and my hands, sweating, shook so I almost the aften~oon' s work ; that was a military secthrew the switch too soon. My mouth was dry ret. I walked over to the West em Union office.
like excelsior.
There I sent seventy five dollars to my wife, to
The red signal blinked on. I let go two meet her travelling expenses. As I took the bills
of the depth charges. The plane bounded up out, I saw the picture of my old man again. He
as it was liberated from their weight. We did not look like the Colonel at all.
turned, and I saw the ocean where they had
I telephoned my wife. We talked a few
gone in stretch and slicken, swell like a pustule minutes, and th ... n I asked her to come down so
under the green surface, heave up a thick white we could get a place near Langley. Everytime
column that collapsed and boiled and foamed . before, she had protested. She began to protest
We came around again and dropped the other again this time. " Della ," I said, "you take that
two charges.
early morning train tomorrow. I'll meet you
The boiling subsided. We circled and in Newport News."
circled, hoping to see oil and debris come up .
There was silence in the receiver. Silence,
I saw something move under the water. Then , with an overtone of humming in the wires.
"in the similitude of a dream, " the seas parted Then she spoke again, warmly, and still with
and a submarine shouldered up into sight.
a sort of edge of amusement in her voice, and
"Get rc;:idy for a b ombin g ru n ," Lin dsay she promised to get on the train in the mornsaid. "One thousand feet."
ing.
The B-l 8's had no guns. The deal was
-JAMES BALLARD
with Lindsay and the bombardier now . I went
down into the bombardier 's comp;:irtment so I
The Fine Arts
could see all that happened. The conning tower
ALCHEMY
opened and men in grey dungarees came out.
The sub's front end rode high. She was dam''I''
aged, but the men were not abandoning her.
The search for aesthetic understandinv
Two sections of the deck folded back and an through the experience of artistic crea Lion wa s
ack-ack gun came up. The sailors jumped down casually relegated to a remote burial at the reto the gun.
cent Activities meeting. Perhaps there was , the
The tracers from the sub's gun hosed up in faint echo of a relieved sigh as the body of the
a long stream at us; I felt exposed down with mystery was carted off. Otherwise the "fine"
the bombardier but the plexiglas around him arts proposed were to· be simple and popular,
was thicker and probably gave more protection whether haunted or depressed by their liberal
than the sheet metal hull of the plane. He by dimension. Patently distinct from the necroon his belly with his face at the eyepiece of the mancy campus s_uperstition fears it to be, the

•

S

1

.

J 0 II N'S

proper pratice of the fine arts extends and
criticizes the concept of the written symbol
commonly derived from this curriculum. Here
at St. John's one is pursued by the fear that
we may totally neglect this organized and intelligible discipline while making the efforts of
Sisyphus to push uphill the -:!xpanding subj ect
matter of the liberal arts . Hence the prompter of
the King William Players takes this occa :ion
to step apologetically from behind the narrow
partition that divided him from the audience
during the performances of the Alchemist last
June. Perhaps questioning the coheren::e of this
otherwise excellent interpretation will indicate
how seminal playmaking can be to the liberal
arts.

* * * *
The Alchemist did not obvioesly implement Nlr. Landau's ez,rlier notes on the contrast between reading plays and participating
in them as an audience. Jonson's play imposes
a rigid economy of i;pectacle. In this production
simple costumes were 'used, principally to emphasize the requisite distance between :rndience
and stage. The frequent sound effects served
chiefly to duplicate or intensify th2 speec'hes
they interrupted or accompanied. The light and
subtle face of the single set enclosed an area
that invited and refl~cted the counterpo~nt of
word and act in which the real discovzries of
this er any play are made.
To take this work out of its discursive
symbols, dec eptively familiar marks on a page,
and endow it with a rhythm and sound of its
own , a particular colour and dimension in the
sensible world, is an arduous and tech nica l
labor. But only by this labor can it be recreated
in a form intelligible to the aesthetic und .: rstanding. Comedy with the Elizabethans is
highly formal. Thne is in its nature a selfconscious relation to music and dance, the other
arts that are intended to move in time, though
they too can be diagrammed in a timeless sy mbol set.
The fundamental pattern of this pfay
originates in a reiterated procession across the
scene of characters who do not change or develop. Its entire concern is with their impingement on one another, only gradually discovered.
Their lack of change permits each cycle of th eir
appearances to be more concentrated: each
arrives on the stage with a residue and antici pation of laughter. The events of the drama
only serve to bring the characters in view mor~

C 0 L L E G E

9

and more swirly and compactly. This process
necessarily begins with scenes of reasonably
familiar and broad humor, only gradually passing to mass effects so intense that their effect 1s
almost unintelligible out of context:
MAMMON: Where is this Collier?
SURLY: And my Captain Face?
MAMMON: These day owls.
SURLY: That are birding tn men's
purses.
MAMMON: Madam Suppository.
KASTRIL: Doxy , my sister.
ANANIAS: Locusts.
Of the foul pit.
TRIBULATION: Profane as Bel and the
Dragon.
ANANIAS: Worse than the grasshoppers
or the lice of Egypt ..
MAMMON: The chymical cozen er.
SURLY: And the captain pander.
KASTRIL: The nun, my sister.
MAMMON: Madam Rabbi.
ANANIAS: Scorpions
And Caterpillars etc. etc.
Though to anyone unfamiliar with the
play it must seem at best ingenious, this climax
to the parade of characters is in performance irresistabl y funny. Each of the phases is a more essential version of an earlier spe~ch or scene.
Their juxtaposition complet2s a microcosm of
the play like the coda of a sonata form.
Fortunate1y for the St. John's curriculum,
read ing is usually a mechancial process whose
rate is only slightly affected by the nature of
the exp e r ~ ence received from the words, or even
by their intelligibility. But in the performance
of a play, the variable experience of time is at
once of central importance: it forces itself on
the performer as the problem of pace. Through
grDss clock-time, time as sensed, must be imaged
the ideal temporal relations indicated by the
author in the stru ctural lengths of his scenes,
speeches and even single p'.)etic beats. This must
be discovered implicit within the words, since,
as written, they bear only a potential relation
to time . The simple measurement of the length
of speeches shows how carefully Jonson designed the typical effect quoted above. What took at
the beginning a scene, in the middle a speech,
calls fer a fragment of a line at the end. Surly
and Mammon each depart with an important
final comment so brief that it is all but lost.
(Thus Jonson evades the pathetic.) But so
skilfully have these speeches been constructed

�10

ST.

JOHN'S

that a hierarchy of symbols, each standing for
many others previously organized, permits a
fow words, a few seconds to contain the whole
they reflect. The superficial impenetrability of
a passage like this, which footnotes illuminate
only stroboscopically, by stopping its motion,
suggests at once that only performance can accomplish the intended exploration of time
recreating almost instantaneously the complex
of a previously fragmented whole.
The respect of the Elizabethans for the
structural connection of words in denotation
or connotation, together with their practice, of
investigating ideas by the use of metaphor,
seems to demand a slow playing in our day. A
modern audience cannot easily follow an extensive witty or figurative passage. Yet if, anticipating an action or a word, the spectators once
digest it before it occurs, the unfolding of the
play through time stops abruptly. The audience
yawns. Music and especially the dance offer a
parallel experience. Having won the hearer's
consent, the music must be constantly aware
of the reaction which it seeks to shape by the
stress and relaxation of rhythmic pulse, the
suspension and resolution of harmony. Should
the listener, implicated in the sequence of notes
exactly as they occur, find that the suspense is
worn out before it is resolved and privately
resolves it first, or should the slight retardation
of the beat stretch out too· long , he finds himself no longer in the midst of the musical discourse, but alone in his own flat world.
Were we to contrast the language of the
Alchemist with any farce of Moliere, we would
see at once why timing is so difficult in reproducing Elizabethan plays. Mr. Landau's success might be measured by the constant laughter which attended the play from first to last.
Yet in the first scene, the broad farce of the
vulgar quarrel was emphasized often at great
expense to what the words were saying. This
may seem to claim a false and impossible distinction between laughing at the words and
laughing at the farce , an unreal dichotomy
in any sophisticated situation. On the contrary,
the commentary of words on action and of
action on words is the essence of the dramatic
medium and a simple choice, where they are
both richly developed, is never possible.
Bracketed stage directions are of little use
to the reader in these situations. If an editor
inserted in this quarrel the note that Face should
prick Subtle surreptitiously, would anyone

COLLEGE

t;T.

imagine the effect of Mr. Killorin's poised
sword? Once we had conceived its intention,
we waited for the moment 1,Vhen act and word,
seemingly divided, would exactly meet:
FACE (in scorn):
When you went pinned up in the
several rags
Yo' had raked and picked from
dunghills before day,
Your feet in moldy slippers for your
kibes,
A felt of rug and a thin-threaden
cloak
That would scarce cover your nobuttocks.
The comic effect was brought a bout far more
by the reunion of the split forces of words and
act than by the mere vulgarity of the thrust.
This kind of action is not mere slapstick. In
it was defined a relationship between Subtle
and Face that the very words were telling us,
but not quite yet persuading us of. It is essential to the first act that Subtle be beaten up,
first by Face and then in ultimate humiliaticn
by Doll. Face and Subtle must be distinguished
at once as the names insist.
This kind of fusion, realized by deliberately setting the words in action, was not
always possible. The usually excellent pace, set
to produce an abundance of laughter, was somewhat rough with details. Yet this very neglect
may well have given us a better sense of the
whole. as we are assured the new eighteen
week Euclid will. In any case, I doubt if a
change in the pace, except in Act I would have
helped. Instead we must examine ourselves, the
nature of our laughter and our concept of the
function of the fine arts.
(To be concluded.)
Robert Bart

THE

NINETEENTH

CENTURY

It was the prophetic intelligence of the Nineteenth Century which Mr. Klein treated in his
lecture. He admitted at the very beginning that
the title was too broad, that there are more approaches to that era than could receive mention
in so fragmentary a thing as formal lecture. But
for us the prophetic content of the past century's
lingering voices is of first moment. We must return . to the men who, by plotting the future
course of history according to necessity, which
they were the first to grasp, are the authors of
our present upheavals. T :1at we writhe and suf-

JOHN'S

fer in the wake of historical convulsions like the
past war does not, however, condemn the nineteenth century, our historical progenitor. But
the key to the understanding and elimination of
these convulsions lies with thinkers who long
enough ago knew their inevitability and their
outcome. Since we ourselves are engaged in
seeking_ the outcome of the great2st convulsion
to date, we can take no wiser turn than back
the shot:t path, bramble-covered though it may
be, to Hegel, (the last man, at whose death the
World Spirit ceased) , Marx, (one version of
the prophet of a new beginning) and Nietzsche,
(another version).
I shall not attempt to summarize the content
of the lecture, for it was Mr. Klein's intentional
method to avoid a systematic exposition. The
century, bis subject, was, in itself strangely
chaotic beneath a placid exterior and he wisely
cl1ose the method of reflecting in the lecture itself much of tbe confusion and madness of its
main currents of thought. I realize this sounds
like a heavy-handed attempt to ironically depreciate the lecture, but that is not what J mean.
I mean merely that in dealing with a period as
diverse as the Nineteenth Century, a period,
however, which does possess a subtle unity, the
only way to communicate the important thing
about it, namely that unity, is poetically (if
you will permit a sharp extension of mea ning)
to embody the spirit of the period, to convey
by reproducing it, the essential life of its
thought. I will not say, however, that Mr.
Klein succeeded. On the contrary, I was sorry
to find that he failed; for too much residue of
the systematic form was present, yet not enot:gh
to translate the poetic terms into a consistent
whole. To bring us at the roots of our current
world confusion, Mr. Klein took us to the roots
of a confusion at the roots of a confusion. In
refusing to summarize, then. we may possibly
avoid one confusion and thereby lighten the
difficulty of understanding our important predecessors.
A recent book by Martin Buber called "What
is Man" contains some sharp insights into the
problem of locating the confusions back of the
present upheavals. He understands the attempt
of thinkers to find man's nature. to explain man
satisfactorily to himself. as an authropologicalphilosophical activity whose aim is to place man
with permanence and security in a world, an
image of the cosmos, which must consequently
be grasped with some sureness. This is the pro-

COLLEGE

11

cess of establishing a W odd-House within
which man may live in a measure of tranquility.
Aristotle's intelligible cosmos was one such
structure, and the Christian cosmos of faith in
St. Thomas and Dante was another. But the
Copernican revolution and the decline of active
faith crumbled both those finite and secure
'homes.' The lonely man, (or as he becomes
in the Nineteenth Century, the 'subterranean'
man) is born, the man caught between infinites ,
as Pascal conceives him. The rationalism of the
Eighteenth Century culminating in democratic
political structures is the first tradition that tried
seriously to rebuild a World-House. Yet this
attempt was doomed from the start, for an exterior political structure cannot substitute for a
feeling of rapport between the inner man and
the universe. The state is not placed and secure,
thus a man cannot be either. The neo-classic
aestheticism of the antiquarians and artists is
no such attempt because it clearly did not admit
the obvious fact that the old World-House had
fall en. However, in Kant we find the first cr~t­
ical an swer to the frightened moan of the lonely
man. The universe is made whole again and circular, the \Vorld-House stands again, but unfortunately only within us, in our mental parts.
We still are not placed in the cosmos and are
hardly better off than as the mere reflections of
God we were for Bishop Berkeley. or the embodiments of God's love which Spinoza considered the sole reason for our existence.
Here we are arrived then, at the threshold of
the Nineteenth Century.
Hegel dominates tbe thought of this century
completely and only because he succeeds in building a World-House. Mr. Klein quoted two sen tences from Hegel which reveal the beginnings
of the Hegelian construction: '\Ve must go beyond Kant,' and, concerning th£ treatment of an
idea, 'To unfold it as self-moving and developing itself from the most abstract to the most
concrete.' More than anything else it was
the dichotomy between good and evil as seen
by such thinkers as Manicheans that crumbled
the unified Aristotelian world, whereas Hegel
avoids it by this analysis (again one of the Mr.
Klein's quotations) : 'An untrue object is not
in agreement with its concept. Such is evil.'
But what is this conceptual understanding if
the World-House is to be lived in actually? It
makes possible that union of divine and earthly
elements which alone can sustain man, himself
both divine and earthly, a man-god or · god-

�12

ST.

JOHN'S

man. The new World-House is temporal, for
infinite space is no longer capable of serving as
'home.' Spirit indwelling in history, the unfolding of time, is our new host; Spirit which
can be grasped by us as the moving principle of
time and through which we are consequently
able to grasp time as a whole, to close off for
ourselves a complete cosmos.
But only a few demented people moved into
Hegel's 'house.' Today they are simply referred
to as Hegelians, a name which quite justifiably
has come to mean 'stark mad.' Marx, Kierkegaard and Nietzsche, the other great men of the
century, became 'subterranean,' they refused to
be complete Hegelians, and from their private
retreats issued new plans for a secure cosmos.
Why did Hegel's World-House find no tenants?
Answering this question would mean the end
of our search for the roots of the present confusion in our 'uninhabitable' world . I will only
tentatively suggest two epxlanations, and Professor Buber, coming to the same question,
offers still a third, but I think a false one.
One may first of all state that Spirit in history is a gross fiction and therefore no one
would think to find security in a temporal cosmos so founded. However, so was Aristotle's
finite sphere of crystal as much a fiction. The
first possible explanation then, may be that we
no longer will accept fictitious solutions, that
no matter how much myth abounds, we shall
never again surrender to it as a whole race of
unified beings, but rather that we are now ready
for a real cosmos, a non-fabricated home which
only our adjustment without fear to an infinite
universe will enable us to grasp. A second possibility is the disruption caused in Hegel's time
and ours by lingering fragments of earlier periods such as Christianity. The residue of old
Christian faith and also the Enlightenment
might have caused sufficient dissension to ruin
the practical possibilities of Hegel's WorldHouse. However , if that is the case, then we can
clearly discern the vital role of nihilism in destroying those over-staying influences. It may
very well be that the nihilism continues to flourish at present behind our recent conflicts, that
the destroying 1s still going on, preparing the
way for a new structure. But with the death
of Hegel's conception, what form will the new
house take?
This brings us directly to Marx and Nietzsche, the great prophetic thinkers of the last
century.

COLLEGE
Marx, as Mr. Klein told us, conceives his task
to be the 'restitution of the reality Hegel evaporated.' Radicalism, which, as the lecture emphasized, proceeds from the search for the 'light of a
particular lamp,' is a new understanding of the
attempt to find man's place. Realizing the existence of fatal residue from previous attempts,
it combines the nihilism with its positive proposals for a new structure, destroying before it
builds. Marx's analysis of the bourgeois society
is a great nihilist achievement which is necessary
before the building of a classless society can be
started. For Marx the World-House is twofold. It is half Hegelian history, and half a•
worldly social idea. 'Man as an individual,' as
Mr. Klein quoted, 'is frustrated by his own
subjectivity.' Consequently man as an individual must be placed within man as a social un it,
the image of perfect society rather than of · the
cosmos must now be his home. This differs
sharply from Eighteenth Century rationalist
politics by the fact that necessity in history is
preserved. The development of society must
happen; the classless society is a house which is
placed in the larger house of history. Thus
Marx brings Hegel's conception to a further
concrete stage where men are better able to
participate in it. Of course they did, and still
do. One may well wonder though about the
conscious nihilism which seems still underlying
present Russian policy.
In Nietzsche, the temporal understanding of
a World-House is maintained and, like Marx, it
is not past history alone which matters, but a
completed expanse of time; the future is cruc 'al
for us to realize our place. But whereas for
Marx it is social achievement that constitutes
our goal, the focus of our activities, for Nietz~
sche it is a new race of which present man is
the embryo. Agaii. the nihilism must first cut a
path for future development. The dying remnants of Christianity which Kierkegaard, another of the century 's great 'subterranean'
thinkers, thought to rebuild again into an inhabitable edifice of . faith, Nietzsche sought to
destroy. 'The new must stand on nothing.'
But what is then the material for the new
world structure? Indeed, man cannot even
think his next movements, for his thought is
only a weak device incommensurable with his
goal, the 'beyond --man.' As in the Eighteenth
Century Reason became the principle upon
which man's attempts to place himself were
founded, so for Nietzsche at the end of the

ST.

JOHN'S

Nineteenth Century another faculty of the soul,
Will, is made the means for the race to surpass
itself. We must destroy all , except the will to
power, then take the leap toward the new man,
a progress which depends upon us for its success.
Now that we see where history may take us, we
must will that it take such direction . But first
qod and his intimidating 'house of faith ' GlUSt
be destroyed.
I shall not presume to draw any conclusions
about our current problems of a secure universe.
Grave complications have set in. The parallel
course of history and science which Mr. Klein
discerned from Descartes and Vico through the
Nineteenth Century no longer obtains. Science
runs far ahead of our grasp on history at the
present, and men like Toynbee or Northrop
seem inadequate to present us the kind of certainty that Hegel found.
Su mmarizing in a single sentence - the understanding of history and the philosophy of
radicalism implying action, achievement, in
short will rather than speculative thought, form
the essential character of the Nineteenth Century's legacy to us. It is to be especially noted
and regretted that Mr. Klein so underrates Artur Schopenhauer that he did not even mention
his name, and that he forgot the sing ~ e compos
m r:ntis historian of the period, Jacob Burckha rrl r.
One last irrestible note. The cyclical historians like Spengler and the analysts of cultures
like Toynbee t ell us that to all appearances our
civilization is dying: slowly or quickly nobody
can say, but nevertheless dying. Therefore, the
wisest course for us all to follow might well be
an active nihilism, since no matter what we
hope for , it is silly to prolong our association
with a dis 2ased corpse. So let us destroy with
a will!. As Mr .. Klein quoted the Marxists of
his student days as saying, 'Join. Why do you
waste yourself resisting what inevitably must
come?'
·
·
-Eugene V. Thau

13

COLLEGE

sible. This writer is of the opinion that several
men in the short history of the art, among
them two Englishmen, Bernard Shaw and Donald Tovey, have in some measure succeeded, but
he has no idea still of the possible character of a
poetics of music criticism. Hence this 'review'
will contain· only a few disconnected observations on the piano recital that Andor Foldes
gave during the time the college allots to the
formal lecture.
The familiar Tocatta, Aria , and Fugue in C
Major of Bach was played in the Busoni transcription. The piece was conceived for the organ,
and it was Busoni's intention to translate the
piece in such a way that the special sonorities of
the organ would find some sort of counterpart
on the modern piano. Since the piano is a percussion instrument and the organ is not, it was
understandably a difficult analogy for Busoni to
discover. There is some question as to whether
it is a possible one. Bach was certain} y not a1ways in the forefront, where he should have
been. There was often too much Busoni. And
they were sometimes arm in arm, Bach often
objecting politely to some of the rather surly
treatment he was given by his escort. The
quieter parts, especially in the Aria and Fugue,
came off better than th e more tumultous attempts at analogizing the organ. Mr. Foidcs
played the piece for all it was worth, and everybody enjoyed it.
The early F Major Beethoven Sonata surdy
has one of the wittiest last movements ever wr;tten. it is a more mature and sophisticated wit
than Haydn, for instance, and not as turbulently funny as the last movement of Beethoven's
o w n Second Symphony. It rushes around in
circles chasing its tail, stops for breath, and resumes its mad motion. Mr. Van Doren is fond
of saying that comedy has no end -needs no endand 'stops' only when ev2ryone else is exhausted. It could go on forever. So with this movement. Good comedy is the hardest thing in the
world to pull off, and what has just been said
about this piece would not have been su gg sted
unless Mr. Foldes had given it to us just about
as nearly perfect as it can be done.
Then came the Bela Bartok Sonata. It was
written, significantly enough for Hegelians, in
1926, during the Age of Prosperous Despair.
The piece sounds as though two large charges of
dynamite had been detonated at an interval of
about five minutes, and each charge had itself
lasted about that length of time. This is only
0

MUSIC BY FOLDES
A music review can be about one of two
things, either the music or the-performance. The
second is not very important, and to do the first
satisfactorily is one of the most difficult th'ngs
in the world, and there are some who believe
that successful examples of such writing can be
counted on the fingers of one hand, and some
who believe that the job is, by nature, impos-

�14

.ST.

J 0 H N'S

to say that Bartek knew very· well that the
piano is a percussion instrument and he proceeded to give it just about the best material it
ever had to percuss with. Good percussion is
primarily a problem in rhythms and their variations. Bartok certainly knew that too, and
this piece, among many that resulted, is a highly interesting and entertaining . example of its
kind. Mr. Foldes made the dynamite go off
with a bang.
The second half of the program, like the second half of most programs, it might be best to
leave well enough alone. There were pieces by
Albeniz, Debussy, Paul Bowles, Richard
Franko Goldman, Virgil Thomson, and Kodaly.
Some of them were entertaining and clever, but
not much more, except the suite of dances by
Kodaly, which was interesting as well. We
could well have stood two or three more 'big'
pieces, if the artist could have, but custom seems
to be against us, and perhaps the people who left
at intermission were wise after all. They should
remember, with only pleasure and interest, the
best that Mr. Foldes had to offer, which was
very.very good indeed.
- Aristoxenus

Convocation
Convocation here is a good occasion, a
real ritual. I don't know what it is like when
the weather is bad, but the weather was g~od.
When we, the three upper classes, finally got
the presence of mind to join the procession,
the college proceeded in civil formality to its
formal opening. We went into the gymnasium,
sat down, and saw one by one the 88 new
freshmen. We heard most of tpeir names and,
watching them commit their names to the college register, we felt committed to them, and
we silently thanked them for coming. At a
convocation everybody hopes to appear worthy,
and appearing, hopes to be so. I think it is
pretty certain that the freshmen got a vote of
confidence from us. They bring the strength
which the subtraction of the last class in June
gives need of. When the remark after commencement, that we are losing so many of our best
people, is no longer heard, we · know another
convocation has made its point. Mr. Keiffer
spoke quietly of what is meant by answering,
in the way the freshmen have answered, the
call to a liberal arts college.·
There is something I should like to say about
the president's address. At one point he was
talking about what convocation means, and

St. John's Collegian

COLLEGE
about the danger of having a ceremony lose its
meaning. I should like a convocation address
to be more ritualistic and less discursive
A ritual is weakened by dwelling upon its
own form; I would expect no mention of the
convocation as a ritual, but only as a fact. The
president convokes the college and perhaps talks
about what we are here for. We are not being
convoked to convocation, but to the college.
The necessity for Mr. Keiffer' s remarks does
not justify their being made at convocation.
Lte us hope that this does not become a convention.
The president made it plain that the new
class is a real part of the college, and that was
the matter at hand.
- John Sanborn

Vol. LX -

ANNAPOLIS, NOVEMBER 6, 194 7

D

I

Price: 1 O~

"Pieces of eight," Dyler told hi~ He saw
the driver didn't see the joke, and he felt foolYLER and Kimball and Matt took a taxi ish, but he went ahead. 'Tm Captain Kidd."
from their ship uptown. They went to the
"Something must be awful heavy, CapSeaman's House first where Matt got out; he tin. Nice looking bag, though."
was single and he intended to sign in there.
"Got that in=Calcutta."
They told him So long, and the taxidriver on
"Want me to tarry one of them for you?"
Kimball's direction drove crosstown to Eighth
"No." He gave the driver a five dollar
Avenue where Kimball got out to take the sub- bill and said No change, although the meter
way out to where he lived in Forest Hills. Dyler only read one fifty. And the familiar guilt
way to where he lived in Forest Hills. Dyler came back that always twinged him at these
was aware of Matt's absence. He felt that he times; he knew he never would learn not to
knew Matt all the way, but something about throw away his money.
Kimball as a man, who like himself was mar"Jeez, thank you Captain. So long."
ried, plfzzled him. Kimball's third child was on
He waited there a few seconds. Late afterthe way. Three. Did children make a home, noon slanted into the street. The violet hour,
or did the good home naturally prove that it . Dyler thought. The evening hour that strives,
was one by children? God bless our happy heap. strives homeward and brings the sailor home
When Kimball said, See you Sparks, Dy- from sea. But go ahead, go on in. No point in
ler realized with sudden caving-in that he had putting it off.
already parted from all the people he was used
He hoisted the dirty white seabag that had
to being with, that the familiar ship with the his last name and initials, Dyler, G. V., and
people he knew was no longer around him.- lt US Maritime Service, stencilled in black on it,
has deserted him. Or was it himself deserting to his right shoulder. He took the huge leather
the ship? His ship. He felt an impulse in panic suitcase in his left hand and strode to the apartto hurry back, quick, back to the ship, where he ment house entrance. There he had to put the
would know himself and what was going to leather bag down again to open the door. Too
happen. He almost called to Kimball to ger much clumsy weight to lug around. And who
back in the taxi and go up to his apartment with would fardels bear.
him to meet his wife and have a drink, or even
He went on through the second door. In
to go in a bar and have a drink.
the lobby he stopped again. It was only beBut Kimball was going down the steps to cause he wanted to see how the place looked.
Little change had touched it while he was
the subway, and anyhow the taxidriver was
pulling out from the curb and asking him on this last trip. The square ceiling-to-floor
Where to, Mate. Dyler has controlled himself portrait of Charles II in a red jacket and plumed
well enough. He hadn't made any motion to hat which gave this Stuart . Gardens place its
call Kimball back to him, not even by leaning name, needed dusting. He thought ·there must
forward in the seat, and he knew his face had be about a hundred pounds of paint on the
stayed expressionless. The driver was waiting; damed picture. The fellow would have liked
he gave the man the address of his apartment. to see that kind of pitcure of himself. Nine
JT was a few blocks away, in Chelsea. When hundred square feet. Wouldn't like to ship
they got there, he stood his seabag on the with him, he thought. He'd be one bucko mate.
curb, and the taxidriver got out to open the Dyler tipped his visored hat to the second
trunk and get his big suitcase out for him. The Charles.
Down the middle of the stone paved lobdriver grunted at the weight of the suitcase and
by, a very faint path stretched from the glass
had to use both hands and hold it in front of
him, to get it to the sidewalk. "You got scrap- doors to the elevator. How many foot steps
had gone here since he left two hundred days
iron or something in there?" he said.

Sailors Ashore With Leave I

Editorial
We want contributions from · our readers,
and we don't want to outline the contributions
in our request. I don't know whether people
have felt The Collegian has ignored arithmetic,
geometry, music and astronomy: perhaps even
grammar, rhetoric and dialectic, but we want
all the liberal arts explored in our pages. We
are not averse to being beguiled.
People ought to be having political thoughts
here if any place, and we want a stiff dose of
political writing. That is no field for intimidated diplomacy. Amateurs have nothing to gain
by appearances, and nothing to lose. Boldness
is sometimes lost in Washington, and indiff erence gained. Life is expensive. A real opinion
out in the light would be a thing of value.
Of the fine arts we stand as protectors. We
wish to submit some poems and stories to
scrutiny. We want comment on all the arts, and
on specific works.
One thing I think is important is extension.
I don't see much in a lot of purely local wordplay. If you want to kid the people ·around
here The Collegian won't be outraged. But
whatever the piece we will look for content.
Now I'm talking too high. Content in the
arrangement of symbols is hard to attain. It
is high art. We want things people will want
to read . . This standard can be applied without
shame, because we think you don't want to read
shameful stuff anyway.
We don't want only formal articles; we are
interested too in brief remarks, or suggestions,
or advice. People have said things even under
a ten-word limit. One thing I'd like is an Editorial You column.
John Sanborn

No. 13

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                    <text>ST. JOHN'S COLLEGE
Annapolis, Maryland

1696- 1947

Inauguration of John Spangler Kieffer
As President of St. John's College

SATURDAY, THE TWENTY- FIFTH OF OCTOBER
NINETEEN HUNDRED AND FORTY- SEVEN
At Twelve O'Clock Noon

�Inaugural Exercises

PROGRAMME
PROCESSION
The
The
The
The
The
The
The
The
The
The
The
Th e
The
The
The

Marshal
Students
Alumni
Faculty
Former Presidents of St. J ohn's College
Representatives of Learned Societies and Institutions of Research
Representatives of Colleges and Universities
Members of the Board of Visitors and Governors
Ex Officio M embers of the Board of Visitors and Governors
Reverend William Kyle Smith
Reverend Charles Edward Berger
President of the College
R everend Henry Pitney Van Dusen
Chairman of the Board of Visitors and Governors
Governor of Maryland

INVOCATION

The Reverend William Kyle Smith

INTRODUCTION OF THE CHAIRMAN OF THE BOARD OF
VISITORS AND GOVERNORS
The Governor of Maryland
ADMINISTRATION OF THE OATH OF OFFICE
The Chairman of the Board of Visitors and Governors
INAUGURAL ADDRESS

President John Spangler Kieffer

INTRODUCTION OF THE
REVEREND HENRY PITNEY VAN DUSEN
The Chairman of the Board of Visitors and Governors
ADDRESS
BENEDICTION

The Reverend Henry Pitney Van Dusen
The Reverend Charles Edward Berger

RECESSIONAL
Weather permitting, President Kieffer will receive the delegates on the
portico of McDowell Hall immediately fallowing the inaugural ceremonies. In case of unfavorable weather, the President will receive the
delegates in his office in McDowell Hall.
At one-thirty o'clock there will be a luncheon in Randall Hall for delegates. c ut- of- to wn quests and alumni.

�List of Representatives
COLLEGES AND UNIVERSITIES
1636
1693
1701
1742

Harvard University .. : . .......... .. Glenn C. Bramble,
College of William and Mary ............ . .. .. ... John
Yale University ...... .. ... . .. .... Cal'roll Storrs Alden,
Moravian College for Women .. Edwin J . Heath, M.A.,

A.B ., LL.B.
Tyler, A.M.
M.A., Ph.D.
D .D. LL.D .,
President
1746 Princeton University .. . . The Rev . Henry Pitney Van Dusen, A.B.,
B .D., Ph.D., S .T .D ., D.D ., Charter Trustee
1749 Washington and Lee University ... .... Edward S. Delaplaine, B.A.
1754 Columbia University .............. Mark Van Doren, Ph.D ., Litt.D.
1769 Dartmouth College .. . . . ..... . . Alden R. Hefter, A.B., M.A., Ph.D.
1775 Hampden Sydney College .. . ...... .. . .. George A. Lyle, B .S ., M .S.
1782 Washington College ........ Gilbert W. Mead, M .A., Litt.D., LL.D .,
President
1783 Dickinson College .... William W . Edel, A.M., D.D., L.H.D ., President
1787 Franklin and Marshall College ... Paul Kieffer, B .A. , B.C.L. (Oxon. l,
LL.D ., President of the Board of Trustees
1787 University of Pittsburgh .. ... . .. Stanton c. Crawford, Ph.D., LL.D.,
Dean of the College
1789 Georgetown University . ..... ..... ...... . Francis M. Furlong, M.D.
1789 University of North Carolina .. . J . B . Scarborough, A.B., A.M., Ph.D .
1793 Williams College . ............... Irving M. Day, B.A., B.S., in E.E.
1794 Bowdoin College ... . . ... . .. . Winford H. Smith, A.B. , Sc.D., M .D .
1795 Union College . .. ... . . .... .. .. .. .. Clarence W . Stryker, B .A. , M.A .
1802 United States Military Academy ....... . .. John W. Dobson, B.S .,
Lieutenant Colonel, U .S.A.
1807 University of Maryland .. . . .... H . F . Cotterman, B.S ., M.A., Ph.D .,
Dean of the Faculty
J . Freeman Pyle, Ph. B. , A.M. , Ph.D., Acting Dean of the
College of Arts and Sciences, D ean of the College
.
of Business and Public Administration
1808 Mount St. Mary's College .... The Rt. Rev. John L . Sheridan, M .A.,
LL.D., President
1812 Hamilton College . ... .. The Rev. John H. Gardner, Jr., A.B., D.D.,
Trustee
1815 Allegheny College .... . ..... .. .. .. ... .. Paul A. Siple, Ph.D., D.Sc .
1817 University of Michigan ....... . ..... . .. Roger Thomas, A.B. , A.M.
1819 Centre College of Kentucky ...... ·. . .. ..... Willia m J ennings Price,
A.B., A.M:, LL.D.
1819 Norwich University ... . . . .. ... John S. Gerety, A.B ., Lt . Col., U.S.A.
1819 University of Virginia .... The Rev.-William .Kyle Smith, B .S ., Th.B.
1820 Colby College .............. ... . ·... ... Victor Ray Jones, A.B., A.M.
1820 Indiana University ........... . . . ... George H. McFarlin, A.B., A.M.
1821 Amherst College .. .. .. .... .......... . Albert William Atwood, M.A.
1821 George Washington University .... . ....... Myron L. Koenig; Ph.D.
· .· ·
Dean of the Junior College
1821 McGill University .... .... .... ...... ... Warde B. Allen, B .A., M .D .
1824 Kenyon College . .. .... . . .. .. . . .. . Charles c W. Judd, A.B., M.D.
1826 Lafayette College . . .. ... . ............. .. Eli Swavely, E.E., Litt.M.
1829 Illinois College .. . ...... . ...... .. . ... Douglas R. Lacey, A.B., M.A .
1830 ·: R~n,dolllb.-Macon College ..... . . . .. . .... J . N. Galloway, A.B .,. M.A.
1831 .Ji/en}J&gt;QI).· Urtiversity .. . Herbert Grove Dorsey, B .S ., M.S., Ph.D ., Sc.D.
1831 ,,:•NeW;c"¥;orlt University ... .. . . : .. Francis J. Brown, A.B., M .A., Ph.D.
1831 Wesleyan University . ... .. .. ... ... John William Spaeth, Jr., Ph.D.
..
. .. .
Secretary of the Faculty and Professor
1832 ''Geftysbtirg Coliege .. .. Henry w. A. Hanson, D.D., LL.D., President
1832 University of Richmond .... . ...... .. . Eugene K . Ritter, B .A., M .A.

�List of Representatives
(Continued )

1833
1833
1836
1837
183 7
1837
1837
1837
1839
1841
1842
1842
1845
1845 .
1845 .
1846
1846
1847
1847
1848
l!i48 .
1848'
1849
1850
1850
1850
18so
1851
1851
1851
185 1
1852
1852
1853
1854
185 7
1859
1860
1861
1861
1863
1865

Haverford College . ..... .. ...... Felix Morley, Ph.D ., LL.D. , D.Litt.,
Former President
Oberlin College .. William Treat Upton, Mus.D ., Professor Emeritus
Union Theological Seminary .... The Rev. H enry Pitney VanDusen,
B .D ., Ph.D ., S .T .D., D .D ., President
D ePauw University ......... . . ..... Lofton S. Wesley, B .A. , M.B .A.
Knox College ....... .. ... ... .. .. .. J a mes A. Campbell , A.B .. M.D .
University of Louisville .......... F . L . Wilkinson, Jr., M .S ., D .Eng.
Marshall College ...... ..... ..... L. H . Chambers, A.B ., A.M ., Ph.D .
Mount Holyoke College ...... . .. . ... ... Mrs. Henry Sandlass, B.A.
Boston University .. . . .. The Rev. J . Luther Neff, A.B., S .T .B., D.D.
For dham University .. The R ev. John E. Wise, S .J ., A.B ., M .A., Ph.D .
Roa noke College .......... . ...... .. ... . ... Miles Wolff, A.B., A.M.
Williamette University ... . .. Ross T . Mcintire, M.D., Sc.D., LL.D .,
Vice Admiral, (M .C. ), U .S.N., &lt;
Retired )
Adrian College .. ...... . . . . The R ev. Montgomery J . Shroyer , Ph.B. ,
S.T.B ., M.A., Ph.D.
United States Naval Academy . ...... . . . C. S . Seabring, B .S ., M .S .,
Captain, U .S .N .
Wittenberg College .. . .. . ....... . . . . Paul J. Kiefer, A.B. , B .S ., M.S.
Beloit College .. . . ....... . . . .... Carroll Storrs Alden, M .A., Ph.D .
Bucknell University .... The Rev. D . Hobart Evans, A.B., M .A., Th.B.
The City College of New York ........ Louis L . Snyder, A.B., Ph.D.,
Assistant Professor
Otterbein Colle- ge ...... Jacob S . Gruver , A.B ., M .A. , LL.D., Trustee
University of Mississippi. .... . Mrs. Mary Hartsfield McClain, B .S.
Muhlenberg College . .. .. . . . John D . M . Brown, A.B ., A.M. , Litt.D .,
Professor
University of Wisconsin .. ........ The Rev. Adolph John Stiemke
William J ewell College . .. ...... .. .... . . . .. Vernon E. Moore, B.A.
Capital University . . . . .. . . E . P . Wuebbens, A.B., D.D., Commander,
&lt;Ch.C.), U .S.N.
Hiram College .............. Guy Roger Clements, A.B ., A.M., Ph.D .
Illinois Wesleyan University ........ W. F . Eckley, M .S ., Lieutenant
·
Commander, U.S.N.
University of Rochester .. . ..... . . William Roy Vallance, A.B ., LL.B.
College of the Pacific . ....... Lloyd M . B ertholf, A.B., A.M ., Ph.D.,
·
D ean elect
Milwaukee-Downer College . ...... . ... Mrs. David ·A. Johnston, B .S .
University of Minnesota . ....... . ........ Richard J . Purcell, A.B .,
. M .A., Ph.D., LL.B.
Northwestern University ... .. .. . Otto C . Brantigan, B .S ., B .M ., M .D.
Loyola College, Baltimore .... The Rev. Francis X. Talbot, S .J ., A.B .,
M .A., Ph.D. , D .Litt., D .H .L., President .
Tufts College ................ Donald McClench, Captain, U .S.N.R ..
Antioch College . ....... . .................. W . Lee. Willia m s, B .S ..
Polytechnic Institute of Brooklyn ...... E . L . Midgette, B.S. in M.E .,.
M .S . in M .E ., Professor
The University o{ the South .. . ..... . ... H . H . Lumpkin, B .A., M.A ..
Valparaiso University . ..... RudolPh S . Ressm eyer , Boa rd Member
Bard College .... . ..... William Frauenfelder, A.B., M .A. , Professor
Luther College . ..... . ............. . . . .. . ... M . H . Trytten, Ph.D.
Massachusetts Institute of Technology,
George Whittier Spaulding, S.B ., Honorary Secretary
Kansas State College of Agriculture and Applied Science,
·
B. H . Buikstra, B.S ., M .S'..
Cornell Univer sity . .. . .. ........ Edward M. Hanrahan, A.B. , M.D ..

�List of Representatives
(Continued)

1865
1865
1866
1866
1866
1866
1867
1867
1867
1867
1868
1868
1869
1869
1869
1870
1870
1870
1870
1870
1870
1870
1871
1871
1874
1875
1875
1876
1876
1876
1879
1881
1881
1881
1883
1883
1885
1885
1885
1885
1885
1885
1885
1885
1886
1886
1887

Lehigh University ... . .. Earl L . Crum, A.B ., A.M., Ph .D ., Professor
University of Kentucky . .. ... . ...... . John D . Goodloe, A .B., LL.B.
Carleton College . .. .. .. .... ... .. . John P . c . McCarthy, A.B ., A.M.
The College of Wooster .... ..... . . . William G . Workman, B .S., M .D .
Hope College .... .. .... The Rev. Henry K . Pasma, A.B., A.M., Ph.D.
State Teachers College at Towson .. .. . ..... Earle T . Hawkins, A .B .
A.M ., Ph.D ., President
Drew University . . . The Rev. Westfield W . D elaplain, A.B., B .D ., D .D .
Howard University . . .. . ....... Mordecai W . J ohnson, A.B., S .T.H.,
D.D., LL.D ., President
University of Illinois ....... , . . . . .. ... . J . J . Rutledge, B .S ., Ph.D.
Western Maryland College . ...... . Lowell S. Ensor , A.B., B.D., D.D.,
President
· University of New H a mpshire .. .. . ... . . G eorge W. Blanchard, B .A.
W ells College ..... . Richard L . Greene, A.B ., A.M., Ph.D ., President
P ennsylvania College for Women ... ... .. Louise L . Fontaine, A.B.
Wilson College .. .. . .. . . . .... Mrs. Paul B . Thomas, A.B ., Trustee
Woodstock College . . .. .. . .. . The Rev. Joseph C. Glose, S.J., Ph.D.
Director of Studies
University of Cincinnati . ... . . . ... . . . ... Logan Morrill, A.B ., LL.B.
The Ohio State University .. . ... William W . Hammerschmidt, Ph.D .
St. John's University, Brooklyn .. .. .. . .. . .. The Rev. John A. Flynn,
S .T .D ., President
Stevens Inst itute of Technology . ..... .. . . . ... .. B. F . Childs, M.E.
Syracuse University .. . .. .... . .. .......... Louis H . Bolander, A.B .
Wellesley College ... . .. . .. . .. . . . . . .. .. . .. .. Myrna Sedgwick, A.B.
Wilmington College . . . ..... . .... . ... . Eliza beth E. Haviland, Ph.D.
Elmhurst College . . .. . ... The Rev. W . H. Kochheim, M.A., M.T.H.
Smith College . ... . .... . ... . .. .... .... Mrs. Butrett E. McBee, ·B.A.
Colorado College . . . ... .... . .. . .... . Frank H . J . Figge, A.B., Ph.D .
Park College . . ..... . ...... .. .. . : ... . Philip L . Warden, A.B., B .J .
Parsons College ... . . . .. . .. .. . .. Wayne C. Neely, B .A., M.A., Ph.D.
Agricultural and M echanical College of Texas ... John B. Jones, B .S.
University of Colorado .. . . Stanley K . Hornbeck, A.B., B .A., Ph.R .,
LL.D., L .H.D., Lit::t.D.
(University of Utrecht), L .H .D ., Litt.D.
Johns Hopkins University .. .. Sidney Painter, A.B., Ph.D., Professor
University of Southern California .. . .. ... Willia m W. Evans, M .A.
Drake University . . .. .. . . .. . . Kenneth F . McLaughlin, B .A., M .A.
M a rquette University .. . .... .. . .. . . William P . McCahill, B.S ., M .A.
Newark College of Engineering .. .. .. . .. . George c. Vedova, M.A.
Ph.D ., Professor
Seton Hill College . . .. .. . .. . Edda Tille Hankamer, Ph.D ., Professor
W a gner College ... ...... ..... .... . .. . Willard M . Grimes, Jr., B .S .
Univer sity of Arizona . . .. .. . ... A. Boyd Mewborn, B .S ., M .S ., Ph.D .
Bryn Mawr College .. .. . ... .. .... . .. . . . Eleanor A. Bliss, A.B., Sc.D.,
Alumnae Director
Georgia School of Technology .. . ..... . . D . Cooper Inglett, B.C.S.
Goucher College .... . . . ... C. I . Winslow, A.B., A.M., Ph.D., Professor
and Administrative Assistant
Macalester College . .. .. . . .. . .. . . .. ..... . Wallace F. Janssen, B .A.
Southwestern College .. . .. . . ... Lloyd M . Bertholf, A.B ., A.M. , Ph.D.
Springfield College ... .. ..... . ... The Rev. George A. Taylor, B .S .
Stanford University . ... . . ...... Charles D . Snyder, A.B., M.S., Ph.D.
University of Chattanooga ... . . . ... . Gilbert W . Mead, Litt.D ., LL.D.
Win.t hrop College .. ... . ... . . ... .. . . . Mrs. Carl Purvis Russell, A.B.
Cla rk University ............ .. .. . . Earl W . Thompson, A.B ., A.M;.

�List of Representatives
(Co n tinued)

Occidental College . .. .................. . C. W. Seekins, A.B., PhD.
Pomona College . ... ... . ....... . .... . .. Carl I. Wheat, A.B., LL.B.
University of Oklahoma .... . . ...... William H. Bayliff, A.B., M.S.
University of Chicago . .. .. . Aaron J. Brumbaugh, A.B., A.M., Ph.D.
Drexel Institute of Technology . .. . .... Leon D. Stratton, B .S., M.S.
Ph.D., Dean of Men
1893 The American University .... .. Pitman B . Potter, A.B., A.M., Ph.D.,
Dean of the Graduate Division
1893 Hood College ...... The Rev. Henri L. G. Kieffer, A.B ., D.D., Trustee
1893 Randolph-Macon Woman's College ... Mrs. Blanche Busey Thomson
1893 Upsala College .. . . . ..... .. . . .. .. The Rev . Loyd A. Holt, A.B., B.T.
1894 Morningside College .. . . . ... Ralph E. Root, B.S., M.S., Ph.D., Sc.D.
1895 College of Notre Dame of Maryland .. . ..... Margaret Mary Toole,
M.A., Professor
1899 Simmons College .. . . . . June Nichols, B.S., Regional Representative
1900 Carnegie Institute of Technology ..... .. .... . Elmer E. Hobbs, B .S .
1901 Sweet Briar College .. .. ..... . ... ..... . .. . Mrs. Herbert Peck Fales
1904 College of New Rochelle ...... . .. ...... .. . .. . .. . Mary Clary, A.B.
1908 Oklahoma College for Women . . .... Mrs. Richard S . West, Jr., A.B.
1909 U. S . Naval Postgraduate School. ......... F . L. Wilkinson, Jr., M .S .,
D.Eng., Academic Dean
1909 University of Redlands . . .. .... .. ... .... . Robert 0 . Bonnell, A.B.
1911 Connecticut College .. . ... .. .. ........ Mrs. Anna D. Gillmer, A.B.
1916 Russell Sage College .. .. Mabelle L. Moses, M.A., Professor Emeritus
1916 St. Joseph's College for Women ... Cecilia A. Trunz, B.A., M.A., Ph.D.
1920 Immaculata College .. ... .... .. . The Rev. Vincent L. Burns, Ph.D.,
Sc.D., President
1921 Keuka College ... ...... .. .. ... . : Mrs. Alice Y. Skalnik, A.B., M.A.
1926 Sarah Lawrence College . . ................ Betty Fleischmann, B.A.
1945 Roosevelt College ..... .. . . .. .. .. .... . S. McKee Rosen, A.B ., Ph.D.
1887
1887
1890
1891
1891

LEARNED SOCIETIES AND INSTITUTIONS OF RESEARCH
1780
1844
1863
1882
1884
1899
1900
1902
1914
1918
1918
1935

American Academy of Arts and Sciences .. Philip Bard, Ph.D ., Sc.D.
Maryland Historical Society . .. .. . .. George L. Radcliffe, A.B., Ph.D .,
LL.B., LL.D., President.
National Aca d emy of Sciences .. . Raymund Lull Zwemer, A.B., Ph.D.,
Executive Secretary
Enoch Pratt Free Library ....... . ...... . . ... Emerson Greenaway
American Histc;&gt;rical Association . . .... .. Sidney Painter, A.B., Ph.D ..
American Astronomica l Society .. . ...... . .. G . M. Clemence, Ph.B ..
Association of America n Universities . .. . Sidney Painter, A.B., Ph.D ..
Carnegie Institute of Washington . . . .. . F. G . Fassett, Jr., A.B., A.M.
Association of American Colleges .... Gilbert W. Mead, Litt.D ., LL.D ..
American Council on Education . . .... Francis J . Brown, A.B., M.A.,.
Ph.D., Staff Associate
National Research Council .... . . Raymund Lull Zwemer, A.B ., Ph.D.,.
Executive Secretary·
Maryland Hall of Records ...... Morris L. Radoff, A.B., A.M., Ph.D.,
Archivist.

�List of Representatives
(Co n tinued )

SPECIAL GRE.E TINGS HAVE BEEN SENT BY THE FOLLOWING
COLLEGES WHO WERE UNABLE TO SEND REPRESENTATIVES :
1740
1834
1836
1846
1852
1853
1856
1886
1891
1898
1917

University of P ennsylvania
Tulane University
Emory University
Carroll College
La va l University
Cornell College
Lake Erie College
Kansas W esleyan University
The Rice Institute
S eattle College
Providence College

~~~

�'

INAUGUR~l

ADDRESS

PRESIDENT JOHN SPANGLER KIEFFER
Governor Lane, Mr. Chairman, Dr. VanDusen, distinguished
delegates from our sister institutions, honored guests, ladies and
gentlemen:
A sense of privilege fills me today as I assume formally the
office to which the Board of Visitors and Governors of St.
John's College elected me last April. It is the privilege of heading the administration of the St. John's program, in the beginning of which I shared ten years ago, and in the development of
which I have had a part ; and the privilege of being president
of St. John's College, where I have spent eighteen years of my
teaching life.
Eighteen years is a brief time in comparison with the two
hundred and fifty years of St. John 's College, but it is nearly
half of the years of active teaching a teacher may expect. It is
long enough to have seen four and half college generations pass
through these halls. In eighteen years I have come to know as
students and friends alumni of the college who are now established
in their careers, as useful and distinguished citizens. I have come
to feel myself an Annapolitan, and to have a sense of pride that
my life has been lived in the capital of my native state. My pride
is multiplied many times by my association with this institution
which has since the early days of the colony been engaged in teaching th e liberal arts and training young men to become useful to
the society in which they live, and ornaments to their community.
Times have changed since those days of post war confusion when King William's School, the old colonial institution
of the liberal arts , was being rechartered as St, John's College.
The first classes o f what George Washington lauded as an infant
seminary were soon to meet in Annapolis at the time that the
delega tes from the sovereign states were coming together at the
Annapolis convention-the convention which , abortive in itself,
was glorious as the forerunner of the Philadelphia convention.
Then St. John 's was conceived as serving not even all Maryland
but the W estern Shore as our sister Washington College served
the Eastern Shore . Those days of slow communication have given
place to this day of almost instantaneous transport from place
to place. The little college for the local MaryLmd community
has become an institution to which students from far-away California come more quickly than did boys from St. Mary's county
a century and a half ago.
Communication is, however , not merely a matter of oxcart
and aeroplane. Though the students of a century and a half ago
traveled longer to Annapolis than do those today who travel
farther, they came to study under a curriculum that brought them

�into immediate communication with their fellows at Harvard
and William and Mary, at Dickinson and Franklin and Marshall,
as well as with their fellows a0ross the water and across the ages
back to the legendary beginnings of the European universities.
Under the classical curriculum of that time the liberally educated
man had a sure basis of communication with all educated men.
H e had an insight into the best that had been thought and said
by previous generations and he would be understood by his peers no
matter what their college.
How different is ed ucation today! Our colleges not only
pursue diverse aims and separate into schools that stress one subject or another, but within any one college departmental lines
and the special Languages of special subjects h ave all too often made
it impossible for men who hold the same degree from the same
institution to talk to one another.
To· meet this situation St. John's College instituted the
so-called Great Books curriculum ten yea rs ago. It is this program
which we are carrying on despite the change in administration
which today's exercises mark. As I assume the presidency of St.
John's College I make no proclamation of new p olicy. The program that Stringfellow Barr and Scott Buchanan began ten years
ago has so .taken hold of Board , of faculty and students that to
every one of them it is unthinkable that we should be doing anything other than we are. It has awakenend a response so widespread
among other teachers, among parents and amo ng people generally
that we could not if we would, depart from it. To a nation
desperately in need that communication be reestablished among
its citizens, St. John's has offered a way to recover our common
tongue.
By recovering our common tongue I do not mean reverting
to the idiom of the past. The noble words of the D eclaration of
Independance and the Preamble to the Constitution still have
the power to move our souls ; but the revolution that began then
and is rising now to the intensity of a hurricane has swept away
most of the intellectual foundation of their language. We have
set ourselyes -the high purpose of translating that language into
an idiom appropriate to today.
The St. John's curriculum presupposes that there is a unity
of knowledge· which informs men's efforts to understand their
world, and ·that in the Great Books of Western Civilization
men 's successes and fruitful failures from .Homer to the present
day haye been recon;led . Until classical equcatjon shriveled into
i "clo.sed and sterile classicism its tradition, pl.ade oJ many strands,
allowed ~he m~nds of successive gen~rations" by reflection . and by
ex per~ment tq -~ake for tp~mselve~ forms ·for understanqing_their
expenence.

�The natural sciences, like Napoleon ·shattering the Holy
Roman Empire, shattered with the full vigor of their crude new
power, the empire of the classics. The classics continued in the
curriculum on sufferance, a Vienna venerated for its architecture
and ancient culture. Meanwhile the imperium of the mind was
Balkanized. A balance of power among sovereign states came
into b eing as the elective system. The later attempts to alleviate
the faults of free election by schemes of concentration and distribution are leagues of nations keeping the fallacy of the League,
the dogma of separate sovereignty. Under this dispensation the
separate departments encroach on each other's sovereignty, flout
the league when it pleases them, and sometimes set themselves
up as pretenders to sole power over the mind.
At St. John 's we reassert the right of the common intellect
to sovereignty over its separate parts whether practical or speculative. We deny that there are mathematical minds, linguistic
minds or minds at home only with things. Whatever special
interests a student ultimately pursues he first must grasp the principles that are the basis of the mind 's sovereignty and learn the
common language that they speak.
The Great Books are the dictionary and grammar of this
common language. Dictionary, because they contain the myths
that are as it were the words of the language. Like words these
myths mean concrete things and again like words they have a
general reference. Helen is the daughter of Zeus and stolen bride
of Paris : but she is also the gift of Aphrodite, or the cause of war.
And so of Hamlet, of Apollonius' Cones, of Darwin's changing
species, the elements and atoms. Grammar, because the ordering
relations by which men rationalize experience are contained in
them : tragedy and comedy, Socratic dialectic, Thomistic commentary, analysis and synthesis, experiment and hypothesis , the
periodic table of the chemists. The Great Books teach this grammar by example and by explicit exposition.
The marks of a great book are first , excellen&lt;:e. It is a work
of fine art and its surface, the immediate impression it makes ,
shows the reader that much is contained in it. Second, range, the
fact that the authors of the books do not treat a subject matter
in isolation, but imply other subjects, furnish analogies with many
parts of experience. O edipus' t ragedy may be seen in terms of
character and ethics , or of fate and reason. As a tragedy it is
a pattern for complication, crisis and denouement which may be
seen in Hippocrates' medical works, in Thucydides' History, or
in an Euclidean construction. The range of a dialogue of Plato is
almost unlimited. The third mark of a great book is implicit
in the illustrations I have given for the second. It is contact with
other great books . Aquinas comments on Aristotle. Ptolemy,
Virgil and Aquinas meet in Dante. Shakespeare may be contrasted
with Aeschylus in terms of Aristotle's Poetics. Darwin, Marx

�and Freud, who dominate our present world, are read with better
understanding by those who have read Sophocles, Plato, Cervantes and ~ Calvin ; The fourth mark is infinitud e. The questions
raised by the great books are continually being answered only to
refute their answers, and to lead further towards answers that
may n ever be attained , though manifestly they are there. If n ot
there would be no questions.
Two points are clear: first that we do not make the Great
Books an authoritative source of any dogmatic Truth. They tell
truth but the student must have the wit to find it; the truth they
tell is not truth because of their authority. One learns from them
how to assent to truth, as one learns frotm his mother tongue to
construct a meaningful sentence. Secondly, it is clear that the St.
John 's curriculum is not wasted in sterile verbalism. The langu age
of the Great Books is the language of ideas . Under the sovereignty
of ideas words and opinions do the bidding of the mind, and do
not dare set up p etty tyrannies of their own .
•
At St. John 's we do not " teach" the Grea t Books, we learn
from them. Learning is not committing to memory other people's
opinions. The heart of our teaching is the seminar. Here in biweekly discussion of assigned po rtions of the books, the play of
questio n and answ er enlightens the student by showing the ignorance surrounding his opinions. Reduction to absurdity makes
him know that h e doesn't know , and starts him o n the way to
knowledge. The list of books contains within itself on a grand
scale the same struggle with the ignorance of the race. As the
student reads for seminar during his four years in college, poetry
and history record and generalize experience of human action;
the works of natural scie nce and of mathematics construct the
stage on which the drama of human destiny is played and reveal
its conventions. In metaphysics and theology the principles of
man arid nature are analyzed and th eir analogical bonds m ade
clear. The seminar read ing of the list is strengthened and ind eed
made possibl e by scientific and artistic. practice in daily classes in
language and mathematics and in the laboratory. Here are used the
sy mbols men have devised to organize and communicate what
they have learned and to find ways for further learning. In this
.age of science the four years of laboratory we require gives a
comprehension of the scientific revolution and a speculative and
practical grasp of the instruments, m easurements and hypothesyzing that is the intellectual grounding of the sciences.
As I have implied, we are determined to give science its proper
place in the traditional education of our culture. We do not agree
with those who would use the experimental method in all learning. Those who attempt this find themselves holding unexplained
or unacknowledged dogmas wherever they try to be scientific in
fields whose content is not physical nature. W e do not agree,
either, with those who would humanize science by saying that

t

�scientists should read poetry, study ethics, or become Christians.
Of course they should! But not compartmentally. Science is a
way of knowing, and because of the unity of knowledge has an
identity with other ways of knowing. It differs in a secondary
way from other ways of knowing in its direct dealing with natural
phenomena; uses devices such as the calculus or the balance, appropriate to its objects. Though the mass of accumulated data
frightens all who would find a place for science in the liberal
curriculum, a teaching that deals with the rational basis of its
symbols and instruments, and the rational basis of its recognition of truth , while anchoring itself firml y in the manual arts
of the laboratory , can offer a clue through the maze. The ultimate
solution to the teaching of science is far off. We are seriously
attempting to reach this solution, standing on the principles of
liberal education. We neither surrender to science, nor try to soothe
the beast with Orpheus' lute.
·
Such, in outline, is the St. John 's program. Since culture
and education are creations of the mind , the first business of a
college is intellectual activity . The intellectual activity of the
college rests on good habits and emotional maturity , which are
the responsibility of the family. It is spurred on by love of the
good , which is the responsibility of religion. In college the formative power of the family over physical development must continue ; the college must fulfill its intellectual responsibility to the
signs of faith. A college however, is neither a parent nor a church.
Habits are preparatory to understanding , and understanding is
clarifying for faith , but the college's main business is understanding.
It is always an individual who understands. Therefore the
individual is, for the college as for society , an end in himself.
There would however be no colleges had not the human race of
rational and political animals formed itself into communities
rather than congregating into herds. Education perpetuates the
community , just as birth, which is the original meaning of the
Latin educatio , perpetuates the herd. Culture and education are
a
the same thing and college is but a segment in - continuing
process. Through culture and education the individual finds his
place in the community by finding himself and the common good.
The educated man 's responsibility is to be a workman, a citizen
and a man. Life, liberty and the pursuit of happiness are the terms
in which the Declaration of Independence states this responsibility
as man's God-given right. The St . John's program of study under
the great teachers of Western Culture gives a man the wholeness
of culture by which to realize the inter-relation of the individual's
being with the community'~ as he learns the inter-relation or his
learning with transcendent truth. From them he learns to choose
wisely his vocation in the community and to grasp the principles
of science and art that underlie the special skills of every profession
or trade ; he learns to choose wisely in deliberations about the

�common welfare and in choosing wisely to help preserve our
common liberties : he learns finally to face his destiny as a man,
on which depends his happiness.
The college, then, in contrast to a factory or farm , whose
products are external goods , produces the fabric of which society
itself is made. It is at once a miniature society, a small community
within society and also a member of a community larger than
the state. A free nation is a community of men who live in a
greater community which is temporarally actualized in the whole
of history , idealized by the myth of the Garden of Eden or the
Golden Age, and finally realized in the Kingdom of Heaven.
Its rulers are ideas. Membership in this greater community guarantees a free political society. It enables us to know ourselves, to
learn our difference from mere members of a herd . It enables us
to question and justify the principles enunciated in the Declaration
of Independence and frees us from having to accept them merely
as hypotheses. The totalitarian state enslaves its subjects by the
very fact of recognizing no greater community.
A college is the guardian of freedom for its nation if it
naturalizes its citizens in this greater community through reading
beyond words to ideas. The republic of letters is democratic . Ideas
keep no Blue Book of acceptable friends , exercise no tyranny,
join no cartels. The Great Books keep open house. A democratic
society is incomplete if it denies liberal education to anyone prepared to receive it. It will be ineffectual if the majority of its
citizens have not entered the republic of letters. Education plays
democracy false if in the name of democracy it offers the majority
a partial education and lets our schools turn out graduates who
lack acquaintance with excellence. It strangles democracy if in
the name of democracy it denies that there is any standard of
truth except opinion.
The crisis of the modern world has long been evident in
the crisis and confusion of its education. It has become appallingly
evid ent to every citizen that we are threatened with the breakdown
of civilization. Since civilization and civil institutions exist in
the minds of men, we are failing as citizens and as m en. We
cannot look to somebody else to save us or hope that emotion
will carry us through . Nothing but hard thinking about fundamental matters, eternal verities if you will, can avail. The Great
Books are the guides to such thinking, not, let me repeat , because
the answers are in the back of the book, but because they illuminate
the questions and help us find our own answers. We are being
challenged from the outside because we are weak within ourselves.
When we discover the principles on which our civilization is
built and recover our common language, we will withstand all
assaults of our enemies. It is the privilege and determined duty
of St. John's to join with all our sister institutions in this
discovery.

�EDUC~TION

IN CRISIS

THE REVEREND HENRY PITNEY VAN DUSEN
My first word must be one of brief but cordial congratulation to St. John's College on its new president, and of felicitation
and good wishes to President Kieffer as he takes up his new
office. And in this, I am sure I speak for all, and especially for
the academic representatives, who are gathered here this morning.
To suggest that American education stands today in crisis
is a statement which evokes neither surprise nor interest. It
strikes our ears less as the proclamation of news than as the
reiteration of an old and hackneyed refrain. The very word
" crisis" is a verbal coin whose faces have been worn flat by
excessive handling. And nowhere more than in discussions of
education. A penchant for self-scrutiny is a familiar feature of
the academic mind, a sign of health as well as of disease.
But there is reason to believe that today's self-criticism is
more than the latest expression of a perennial mood. It is usually
assumed that the current crisis in education is one expression
of the world 's crisis. It might be argued that the causal relation is the reverse . Rather , we are witnessing th e sudden precipitation-in both society and the schools-of a solution which
has been slowly forming over many decades.

II
Let me refresh your memories of the historical background.
As is well known, higher education in the United States
was initially almost exclusively under religious auspices. Colleges were mainly of two types . Earliest were those along the
Atlantic seaboard which have since developed into the privately
endowed institutions, most of them founded as training-schools
for leadership in church and state-like Harvard College, "lest
New England be cursed with an illiterate ministry !" Among
these, St. John's holds an ancient and honored place .
Somewhat later in appearance were the so-called "Church
Colleges,'' scattered in every state of the Union, founded by
particular religious Communions, in order that their youth
might have the privileges of the higher learning, to be furnished
them in an avowedly and vigorously Christian setting.
Only at a much later period did secular higher education
attain significant proportions. Until less than a half century
ago, the relation of relig'i on to ·collegiate training in America
was two-fold. The Ch~rch was prevailingly the parent and
sponsor of educatio n. And religion was the keystone of the educational arch-the controlling factor in both theory and practice.

�This was precisely as most Americans wished. The role of
religion in the instruction of their children exactly mirrored the
importance they professed to give it in their own l_ives.
Courses were few and fundamental. Students' programs
of study were, for the most part, uniform and required. The
aim of education was conceived as the preparation of the total
person for all of life ; therefore, training of intellect and character claimed equal priority.

III
A new epoch dates roughly from the turn of the last
century. Its twin features were multiplication and secuiarization .
As recently as 19 0 7, college students in this country
totalled only 300,000. Thirty years later, their number had
multiplied four-fold; today almost ten-fold. Such rapid increase in clientele could be cared for only by a mushroom
growth and multiplication of institutions, of diverse sizes and
types , under a variety of sponsorships, in every corner of the
land .
However, multiplication was not only in students and
institutions, but also in subject matters. These were the decades
of the most rapid extension and diversification of knowledge
in human history. A ccommoda tion in the structure of education was inevitable. The larger universities multiplied schools
and divisions ; the smaller colleges multiplied departments ; all
multiplied subjects and courses within almost every department .
This development bas flourished all along the line, but with
most jubilant unrestraint in the so-called " practical" and vocational fields , rather than in the traditional and humanistic disciplines. Not only have the dimensions of the typical curriculum
swollen almost beyond recognition ; the traditional balance has
altered even more drastically.
Diversification in knowledge and subjects has had its
parallel within faculties in the familiar advance of specilization
in scholarship and a corresponding narrowing of the area of
competence of each instructor, a development which led Professor Whitehead to the considered declaration: "The increasing
departmentalization of universities during the past hundred
years , however necessary for administrative purposes, tends to
trivialize the mentality of the teaching profession. "
It has found expression among students in the invitation to
"free election," what has been not inaptly described as " the
bargain-counter theory of education." Indeed , the present-day
university curriculum reminds one of nothing so -much as a
cafeteria , where unnumbered tasty intellectual delicacies are

�strung along a moving belt for individual choice without benefit
of dietary advice or caloric balance. And the result in the mind
of the student? All too often, obesity or mental indigestion ; or,
it may be, malnutrition and even pernicious intellectual anemia!
Finally, multiplication has been parelleled, as both effect
and cause, by progressive sewlarization. No longer is religion
a dominant factor in education , either its theory or its practice.
No longer is religion the keystone in the arch of truth , but
rath er one brick among many , and a brick for which no very
logical or satisfactory place within the main structure has been
discovered. Thus, American education has sloughed off its
traditional principle of organization , of coherence and cohesion.

IV
In the past few years, something which may not unfairly
be characterized as a revolution in the underlying philosophy
of higher education in America has quietly been taking place.
It was foreshadowed short! y before the recent War in
a number of institutions, most notably in this College which
today we delight to honor, less boldly and consistently at
Chicago, Harvard, Princeton and elsewhere. Those first revolts
against the long-dominant drift , then often derid ed and dismissed as quixotic or reactionary , are now seen to have· been
early anticipations of a tidal movement which , under the solemnizing impetus of wartime self-examination, has brought most
of higher education in America under its power.
A recent survey revealed that , of some thirty leading
colleges and universities of every type and in every part of
the country which were projecting radical curricular revision,
over three-fourths were instituting changes at these points:
Increased emphasis on general education with decreased opportunity for specialization;
Increased requirement of specific courses or subjects with
decreased privilege of free election;
Increased insistence upon distribution of the student's program of study among all the major areas of human knowledge.
Thus is revealed a trend which is nation-wide, which
embraces institutions of every size and type, which is nearly
universal. This deliberately determined trend is a direct reversal of the drift which had ruled higher education in America
for half a century. We have called it a "revolution." It might
equally appropriately be defined as a "conversion"-an aboutface in the orientation of educational philosophy.

�v
How are we to explain this extraordinary revolution?
What are its motives and its principles, whether avowed or
covert?
The most generally acknowledged motive is expediential.
The Harvard Report on General Education in a Free Society
voices the widespread concern over the prevailing chaos in
American culture. It points to the "supreme need of American
education for a unifying purpose and idea." It proposes to overtake the present lack by introducing each undergraduate to
"a common body of information and ideas which would be
in some measure the. possession of all students." (We seem to
detect here the direct influence of St. John's, which the Harvard
Committee freely confesses.)
But one must point out that this motivation, however
legitimate, is merely pragmatic. To turn forth a generation
of national leaders possessed of a " common universe of discourse" through acquaintance with the same subject-matter,
and thus to prepare a seedplot for the reintegration of American
culture, is a counsel of expediency, and possibly of despair.
The allegiance of learning, when true to itself, is not given to
national need, however urgent, but to TRUTH as its regnant
liege-lord.
Beneath almost all the current proposals for reform , with
all their variety in detail, lie two assumptions , covert when
not avowed, regarding the two basic factors in the high art
of schooling-the nature of truth and the nature of man. It
is these two usually unconfessed assumptions which require
to be brought forth and placed under the white light of critical
examinati(Jn and appraisal. It is to them that I invite your
special ·attention.

VI
The first assumption is the organic unity of truth . This
is openly. avowed by Yale which affirms that " knowledge for all
its convenient compartmentalization is essentially one piece, as
is the life which supports knowledge ;" and by Princeton which
grounds i" n ew course of study firmly on the " twofold belief
ts
in the unity of knowfedge and the diversity of human beings."·
Th e organic unity of truth--each several part being what
it is by virtue of its place within the Whole. This carries the
corollary of the co herence of knowledge, which is man 's apprehension of truth. To b e sure, no human mind, or all together,
ever succeeds in encompassing .the Whole of Truth . But, by
the same token, no human mind rightly grasps any fragment
of truth without at least some dim awareness of the Whole

�which gives each fragment its existence and its meaning. Moreover, if truth be an organism, then every reflection of truth in
man's knowledge-every subject of the curriculum and all
its subdivisions-ought to be so presented as to suggest that
ultimate unity. Knowledge which i§ portrayed without conscious recognition of its interrelatedness to all other knowledge
is inadequately, falsely presented. In the most literal sense, it
is not TRUTH which is being set forth. And that is unsound
learning. A first task of education is to bring home to the student, through its underlying philosophy and through every
aspect of its teaching, a steadily deepening and controlling
awareness of the organic unity of all truth.
Parenthetically, I may be permitted to point out that this
is an assumption with immense significance for religion. It
forces the question: If truth is an organic whole, how does
it come to be so? Whence springs the interrelatedness and coherence of knowledge? What do these imply regarding the nature
of reality? We are driven hard up against the ultimate issue,
for learning and for life-the question of God. The fact that
few educators thus far have had the perspicuity, or more probably the courage, thus to define and face the issue four-square
does not alter its essential character.

VII
The other assumption concerns the other basic factor in
the educational process-the student. Stated quite simply, it
is that the youth of seventeen to twenty years of age is not
competent to decide the essentials of his own education. The
college must accept responsibility. to determine, in considerable
measure, his choices. And, in an age lacking coherence and in
a culture crying for cohesion but under the domination of
specialized interests and fragmentary loyalties, it must introduce
him to the great disciplines of learning which together constitute the foundations of an educated mind.
Through all the current analyses of civilization's sickness , which shadows most men's minds with apprehension
and some with desperation, there runs a single thread, like a
persistent and wearisome motif: The knowledge and skills
of modern civilization have outrun the moral and spiritual
resources for their direction and control. The imperative need
today, overshadowing all the other unnumbered and urgent
needs , is-firmer character, higher integrity, larger spiritual
vision, unimpeachable and unshakable fidelity, fuller devotion,
and what one of our foremost American statesmen keeps pleading for-a righteous and dynamic faith.
Here , again, the motivation is largely expediential-the
desire to produce more useful public citizens. But the assump-

�tion whic;h underlies the motive is here, likewise, more thar:..
pragmatic. It concerns the nature of man and his needs.
In this sphere also, we are being led ba.ck behind a conception which has largely dominated- education in the recent
epoch, that man is primarily an intellect to be instructed and
trained , · to the conception which guided our forebears who
first planted schools on this continent, including the founders
of this College, and which led them so prevailingly to place
higher education firmly under religious auspices-that human
nature is bipolar-mind and soul , and that the concern of
learning is with the whole man as with the Whole Truth, to
lead forth his mind into an apprehension of that Truth and
his soul into a disciplined and obedient loyalty to its imperious
commands. The task of education is both to fill the mind
and to form . the soul.

VIII
The desired ends can be achieved, but only on true pre.suppositions and by necessary means . What is required is noth ing less than an about-face, "conversion," in both the assumptions and goals of our living ; and also of the training of our
youth. Not the curriculum only, but every aspect of philosophy
and structure and spirit in education, cries for radical remaking .
The great new secular institutions, themselves so largely uncritical products of that which must be recast, appear almost
beyond the possibility of reclamation. But the more ancient
and smaller colleges, planted initially on sound foundations,
still bearing in their being something of their original heritage
-here there is hope! Perhaps this is the challenge to St. John's
-on the threshold of a new advance.

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              <name>Title</name>
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                  <text>Image Collection—Annapolis</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;The Greenfield Library Image Collection houses over 5,000 photographs, postcards, drawings, and other graphic materials.  The images in the collection document the history, academic, and community life of St. John’s College. &lt;/p&gt;
To learn more about the Greenfield Library's archives use policy or to obtain high-resolution images, please see the &lt;strong&gt;&lt;a title="Image Collection Use Policy" href="http://www.sjc.edu/academic-programs/libraries/greenfield-library/policies/#photographicarchivepolicy" target="_blank" rel="noreferrer noopener"&gt;Library’s Image Collection Use Policy&lt;/a&gt;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Photographic Archives" href="http://digitalarchives.sjc.edu/items/browse?collection=7"&gt;Items in the Image Collection—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
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              <name>Publisher</name>
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                  <text>St. John's College</text>
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              <name>Contributor</name>
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                  <text>St. John's College Greenfield Library</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>25.5 x 20.5 cm.</text>
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          <name>Original Format</name>
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              <text>photograph</text>
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            <name>Identifier</name>
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                <text>SJC-P-1066</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Inauguration of John Spangler Kieffer - Procession with Faculty in Academic Robes on Front Campus, Annapolis, Maryland</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>1 photographic print : b&amp;w</text>
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            <name>Date</name>
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                <text>1947-10-25</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hayman Studio</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>St. John's College owns the rights to this photograph.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpeg</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Annapolis, MD</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;a title="Inauguration Program" href="http://digitalarchives.sjc.edu/items/show/1324"&gt;Inauguration Program&lt;/a&gt;</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Kieffer, John Spangler.</text>
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        <name>Inauguration</name>
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        <name>Tutors</name>
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