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                    <text>ST^^OLIC 9{IS^0^
^rougH Sigdt and Sound
38.

NOW -

CHARLES G. BELL
ST. JOHN’S COLLEGE
SANTA FE, NEW MEXICO
or
1260 CANYON ROAD
SANTA FE, NEW MEXICO 87501

March 1994
Last revised June

1996

�C.G. Bell

Symbolic

History

SJM'BOLIC
nifirougfi Sight and Sound
39.

1)

NOW - Omega

$fwtommt^e: Tanfi among stars, tuitfi JgiWert's C.QdBeU;

+

^ detait

By a leap of impossibility, the^ Now Alpha and Now Omega have
to draw together. The task of the Alpha was to render what is mine
to earth and cosmos; the Omega must treat earth and cosmos as my
own. The mode of this convergence can only be the continual em­
brace and transcendence of antinomy. It is creative paradox which
besouls the worlds.

2J

^ree sfiots: ^indres SiigCa, at 11 montfis, (earns to zoal^

What is the paradox of walking? To fall and not to fall. To turn
incipient falling to a directed, on-going progress. Here Andres Aigla,
11 months old, explores that simple skill, which the tottering earth
has desperately to learn.

^a3) ^iezo rvest from Sangre de Cdristo (C(g%'78)
3) Tfioto-composite of T,artfi, Sofar Corona, and 9doon (or gCazed ^3)
'’3 a) MSTm^nSerg photo, eclipse of sun in muCtipCe e?(posure
*U3B) MandeCSrot, (Fractal: ’(Blanetrise,'etc.
Music:

Leonin, 1160-90, from Deum Tim§ (Yves Tinayre), Lumen 32017

We come to life adapted to wonders of earth and sky as beyond
known chance or causal prediction as the myths of East or West (say
Genesis) assume — all the inwrought balances Newton's science had
to ascribe "to the counsel and dominion of an intel&amp;gent and power­
ful being." Above us circle two spheres, so disposed as to seem of
equal (hence eclipsing) size — the coronal passion of the sun, lord of
day; the sterile death of the moon, goddess of night — an archetypal
antinomy.

June

1996

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�C.G. Bell

Symbolic

And in music, the two-voiced stretch of Gothic Leonin

History
(fade)

4 ) detail of3: Corona cfecGpsedsun Beside faCC moon
^4 a) f^pBaeC, 1517-19, Loggia, Isaac andf^Becca
4 B) Teter ^ys, c.1670, S^Xegory of OsQgBt, HOinstBistonscBes 9duseum, I4^n;
witfi V details
Music:

Minischalchi, c.1630, lo tento in van (Max Meili) A.S. 79

swells to the recitative and ground bass of baroque Minischalchi.
Though in the opposition of the sky, romance has leaned from the
busy action of male day, to the moony Beulah of embracing shade:
(Milton)
sweet the coming on
Of grateful Evening milde, then silent Night
With this her solemn Bird and this fair Moon,
And these the Gemms of Heav'n her starrie train...
(cut Minischalchi)

VaS) Sfiip 9(pd(, (h&amp;d, far-off (C(fB, 7ali 1968)
B 5)
*Eartfi vwwedfrom sateCUte, sfiowin£ ^Europe and Sifrica
c5)
TCiocene restoration, Ximerican West, Museum of MflturaC 5fistory,
(Cg^ '79)
5)
9kmi 9(pusseau, 1891, Surprised, 9^tionaC QdCery, London; + ^details
Music:

Mahler, 1909, Ninth Symphony, from 4th movement passage for
violin and double bass (Horenstein) Vox Box 116

How often, in later music, from Bach to this Mahler, the tangled
fabric cleaves^ to a dialogue of high and low. So on the round earth,
tensile limits reappear:
sea and land, mountains and plain, desert
and fertile ground, farm and forest. From the dawn of life, entropic
up-and-down reflects itself in leaf and flame, plant and animal, graz­
ers and hunters — this panorama of the American Pliocene.
"Douanier" Rousseau, charmed by tropical shows in the Paris
Exposition of 1889, caught nature's ambivalence in this painting
called "Surprised": lightning from rain, wind-tossed trees, the tiger
pushing through reeds.
(fade Mahler)
June

1996

NOW — Omega

2

�Symbolic

C.G. Bell

6)

History

^avid SlUan, 1781, ^Tfie ^KaCkptt y^amiCy, Cf\^HonaC QalCery of ScotCamC,
‘E([in6ur£fi} + deiaUs
Music:

Gretry, 1782, Gavotte de Colinette a la Cour, Col. (78)x-126

No doubt the Enlightened taming of the British landscape and
family scene (this David Allan of 1781) appeared to have put to rest
the old Behemoth-Leviathan raging and uprooting through time and
space — fate soothed, as it were, by Orphic airs and country dance
(Gretry’s pre-revolutionary fluff).
Even Wordsworth would dream
"that Nature never did betray/ The heart that loved her." (fade Gretry)

a7)
7)

W. (BCa^, 1773, enyravitt£, Josepfi of ^rimatfiea, iritisfi fhfuseum;
+ ^detaiC
1793-4, *Jhe Qood and‘Evil SlngeCs, Uduseum, ‘Bedford; + V details

Though the Bible and Shakespeare were still read, and Blake
had already summoned this Michelangelaic Joseph of Arimathea to
Albion's rocky coast. By 1793 (about when Beethoven went "to re­
ceive the spirit of Mozart from the hands of Haydn"),
Music:

Beethoven, 1799, Quartet #4,1st mvt. Coda, (Vegh) HSQ 44

Blake would be limning and voicing the radical ambivalence of these
Angels contending for the human child — as in The Marriage of Heav­
en and Hell, the passive obedience called "Good," the shackled desire
called "Evil" by the world, but by Blake, "Energy... the only life."
(end Beethoven)
t

a8) (Dul^ photographed6y yowny on Sipodo-IG MoonwaCSu 1972
8) 9l^ht-earth ;dith (yhts andfires, art-composite cf satelUte-viezvs, Scientific
^bnerican, Sept. 1989; + ‘U details
So, upon this threshing-floor, Odyssean earthlings push off
from island domesticities into storm-ocean and star-void. Appropri­
ately, with the globe already (as in this painted composite of satellite
night-views) fired so wastefully: the spread of cities, slash-and-burn
of tropic jungles, flaming grasslands of the sub-Sahara, burn-off of

June

1996

NOW — Omega

3

�C.G. Bell

Symbolic

History

natural gas around the Persian Gulf and in Siberia, flood-lighted
squid-fishing off Japan.

9)

!Hans kHbCSein tfU O^owiger, 1528,
Music:

and CluCdren, (BaseC; zvitfi V details

Hieronymus Vinders, 0 Mors..., Archiv Stereo 2533 360

What can the Now be but the rooted outreaching of the whole
tree of consciousness, as patiently enduring as Holbein's waiting
family — earth's sentient ingathering, wliere the coded past (in each
as in all) presses the probabilities of a present, to shape some future,
hung between leaf and flame?
(fade O Mors)

10)
10a)
^106)
VlOc)

Suffan (Brenner, 1558, T^aBCe-cCocd^untfi ^troCoBe, LuBecli,
5lrray cf cCoc^ in Chet Johnson's repair shop, Santa J^e
Iface of Chet's pendulum cloche (C(fB, '90)
CarihSean spiralsh^ from a cruise advertisement

That Now is a transformational one-many, far from the dimen­
sionless instant ticked between lost past and unformed future, which
the science of chronology seems to make of it. Examine a timepiece
closely (this one, say, of 1558). What are its elements? First, some
vibrating recurrence.
Without flywheel, pejidulum, pulsing crystal,
no clock could keep tiihe, any more than than earth, without rotation
and revolution, could measure days and years. But that oscillation
returns where it was, a dead beat» always the same. So every clock
requires another element, a numbered advance, by which the future
succeeds the past. Has the union of these two, wheel and arrow,
compassed ’ time?

11)

California sundial shell, Jlrchitectonica ^ranulata iCQ‘B '81) [video inserts
photograph cf snails mating, from (Mature 106, and returns to 11]

No. The spiral that knits these poles requires a body of percep­
tion. Like a recording clock, the mollusk of a Sundial shell graphs its
growth in this demarcated coil. The shell alone is a spiral resolution
of the arrow and the wheel; but it contained a Now, perceptive
wholeness of a living process. Without that threshold of organic ac-

June

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4

�C.G. Bell

Symbolic

History

tion, this Architectonica could not have shared in time, creeping,
feeding on his stomach-foot, a gastropod.

12)
12 a)
Vl2B)
12c)

Jost (BuT£i, 1S94, Star-^loBe cCoc^ Landesmuseum, Zuricfi
{Bine slopes £. of San CristoBaC, CfUapas (C^ jfeBruary 1975)
Compound eyes in Bead of a Bors^ly
% Odponan, photo, midge coming from xvater-phase to air

Are the heavens comprehended in Burgi’s 1594 clock of planets
and the starry sphere? What of the eternally rooted Now of inward­
ness, as cosmically free and bound as "I am that I am"? Had not
Heraclitus, for all his burning antinomies ("We are and we are not"),
made thisclear: "Not on my authority, but on that of truth (A,oyO(;),
accept the fact that all things are one."
And Leibniz: "The machines
of nature are still machines in their smallest parts ad infinitum."
Here a midge struggles from larva and water to wings and air —
Dante's sky-search that racks the globe: "Worms born to form the
angelic butterfly."

13) Shane-^Wirtanen composite photo-map of1,000,000gaCo}^
13 a) SpiralgaCofQ) 9d 83, Centaurus,
violin. Scientific S4merican, August '93
13 B) Lava and Lightning on Sahyra Sima, Japan's South Island
The cosmos — like a protoplasmic bubble, this photocomposite
of a million mapped galaxies (from an estimated one hundred billion,
each averaging ten billion suns), evolving at all levels, energy, parti­
cles, atoms, chemicals, through dust-clouds, galaxies, suns forming
and exploding, dark stars, planets, satellites — from the assumed
bang to tfie earth-now of man — this cosmos has kept all processes
going, in creative interplay, aeons before we brought our observations
to the scene.

al4) South (Polar Star troche, Shu &amp; Lelescope. JFeBruary 1986
14) Ivan SlWrght, 1967, Self-Portrait, (foutgstoum, Ohio
Surely, without cosmic consciousness — some print of mind on
the radiant void — there could be no cosmos; the problem is to put
ourselves in touch with it. For we are earthlings still, earth-ravishJune

1996

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�C.G. Bell

Symbolic

History

ers, and each pretends, like this Albright, to be himself alone — a
slime-mould eddy on the chute of entropy —

alS) Cascades at ^^gua SizuC in CfUapas, OdejQco (C(^ 1978)
15) iS^prtfiem zuatesfalC rvitfi salmon leaping up
that gravitational axiom (in a universe lively for fifteen billion
years), that whatever happens is sure to have had a gradient for
happening, where a gradient, by definition, goes downhill. But what
of the salmon's gradient to leap up waterfalls? Does quantum uncer­
tainty herald a nature where (as de Nerval wrote) "life breaks forth
in everything"?

al6) 9(psette 9(g6uCa (O^C 2244), tviift stars formed andforming
16) (Beta Tguuleus (Bictoris, 1984 — Solar systemforming?
In any case, in cosmic extension, the axiom of closed-system
decay rounds on itself, nature not admitting of one-way formula­
tions. "Proliferate" has as strong an imperative as "subside to rest."
Like the stars sowed by this Rosette Nebula — stars, any one of which
might in its origin be wrapped in such a halo of dust and gas as this
recently studied Beta Pictoris (first photographed evidence of a solar
system apparently in process of formation) — like those stars,

al7) (tropicalgrozotfi, Mayaguez, (Puerto (^o (S. (Mason, 1955)
17) (Bfiotograpfi of a squash bed, Santa (Fe, 9^ (CQ^B '90); + ^ detail
every weed seeds itself -as if to take over the earth. But as entropic
down swerves to up, so proliferation can turn exuberance to a throt­
tling: "Spirit, at war with itself."
I lay in the gourd-bed, flowered, fruitful.
Slipping curved fingers down the tendrils
To feel the clutch of subtle runners.
Twisting a noose for the throats of grasses.

18)
SLttic Cup, c. 500 (B.C., J4phrodisiac orgy, Louvre Q 13
*Ul8a) (More startling groups from the same cup

June

1996

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6

�C.G. Bell
Music:

Symbolic

History

Bessie Smith: "i'm wiid about that thing," Col.GP33, side 3

Once the thrast of human sexuality mounted the oldest fertility
urge, what was to limit orgiastic celebration? The Greeks could prac­
tice our "illegal obscenities" in sacred precincts with temple courte­
sans consecrated to Aphrodite and Dionysus, as in Pindar's skolion.

al9) Mndu, 1000
fHitud orgies, LaH^fimtim temple, iKfiajurafio
^619) ImCian (diniaiure, c. 1750, T5ie
mounted 6y dl creatures, detaU, witfi
horse and ape-man, 5(ptah State, fHgjastan
cl9) Same, detaiC, zoith hear and elephant
19)
Same, zvhoCe; + three V details
In India, such rituals appear in stone on the heaven-bands of
Hindu temples, here at Khajuraho, 1000 AD — while the West cow­
ered under die penitential climax of the Dark Ages. Small wonder
the procreative drive, here symbolized in an Indian miniature of the
18th century, where the Nayika is the coupling mate of all creatures
— those beasts, who in the upper section, work God's command: Be
fruitful and multiply — no wonder that rapture is so hard to damp
today, even where it over-populates the earth.
(fade Bessie Smith)

20)

5{indu, 10th cent, (Dahini zoith demons, drinking Blood, !Kfiandaroa
9dahadava temple, fKfipjurho, India
20a) !Hmdu, 9th cent., Shiva, doing penance, (Bhuvanesvara; + V detail
In truth that older world had harsh ways of stemming the
overflow. Those very temples of erotic abandon equally enshrine the
skeletal attendants of Kali, drinking blood on the battlefield.
The same Shiva who wreathes in bliss with Sakti and Parvati
withers to the death-lord of Yoga, doing penance. How soon is the
world to become as ruthless in paradox as the old sacrificial gods?
Must we steel our hard-won humanity against ideal and sentimental
pretences?

21)
21a)

June

Ifamine in Besieged (Biafra, Life, 5Utgust 23,1968 (video: details only)
^Ethiopia, 1985: zooman (f 28 Being preparedfor Burid

1996

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�C.G. Bell

Symbolic

History

^2la) ‘Etfiwpian£roup taitfl starving oCdmm
2lB) CfttCdrenfrom tfie Sudan, (wing on the streets of (I^rtoum, Life, Sum '88
A simple fact: there was never a more ideal or sentimental
folly than that by which modern hygiene and medicine were spread
abroad, without any thought or concern, much less program, how one
planet might house and feed the resulting population. Though war
and politics have used famine in Biafra and Ethiopia, drought and
crop-failure played a typically Third-World role.
So also with the 10,000 Sudanese children, refugees from civil
strife and want, who in 1988 slept and begged on the streets of the
capital city, Khartoum.

22)

(Frogs: fenuiCe, wildi two fertiCizing maCes; first, video^ detail

Music:

Bessie Smith: Close of "I'm wild about thatihingf

Yet still, like these mating frogs — female clutched by two
males to fertilize the extruded eggs — black tribesmen and white
Christians join in protesting birth control.
(fade Bessie Smith)

a23) Qiotto, 1306, detail of Injustiu, ^ena Cfiapd, (Padua; first, V detail
^623) *Fony (Priu, Sltomic ImB Jun^Crucifhc, detail (C&lt;fB '90); first, *1^ closer de­
tail
c23) (PBoto of a Swiss (ifticlear (H^tor (Scientific Slmerican, SepUmBer 1990)
23)
(Hgssian tanB§ move into (Pragtie, Life 1968 (V23: Wider),
The indulgence of freedom builds a counter-tension to the
common good — radically in Giotto's detail of Injustice. By the com­
promise of law, each must forgo Iiis savage claim to kill, rape, and
rob. Such the minimal contract Hobbes and Locke would think ade­
quate. But can we stop there?
Even Adam Smith gives society "the duty of protecting... every
member... from the injustice or oppression of every other".
What
then of economic oppression? What if industry work injury? What
if our Keynesian boom produced opulent dysecology?
Must not

June

1996

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�C.G. Bell

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History

Smith's "natural liberty" explore some maximal contract for the lifegood of the whole?
Despite w'hich, the First World War, the Nazi war, and even the
half century of Cold War — here Russian tanks on the streets of
Prague — have been lived and presented as the struggle of freedom
against tyranny.

Si24) Tersiaiij c. SOO
^diers cf (Darius I, Louvre, (Paris
(B24) Qreef^ c. 443 (B.C., 3(ydria-Bearers from (^Q ^frieze of tfie (Bartfienoti,
McropoGs Museum, J4.tfiens
24) (DouBCe: [21] (Persian ^Ircfiers, and{(Bj Partfierum frieze
Our model for that was Greek: in Herodotus' History, how the
invading Persian hordes, lashed to the pass of Thermopylae by cap­
tains of squadrons, rued the courage of Leonidas and his Spartans —
those men of whom Demaratus had warned Xerxes: "They are free,
yet not wholly free; for law is their master. What their law bids
them, that they do." A strength subtly expressed in Simonides' in­
scription: "Stranger, tell the Spartans we lie here, obedient to their
bidding," where "obedient" is the middle-passive participle of "per­
suade," implying: "We lie here, to their bidding self-persuaded." (For
an art-contrast, the 500-B.C. Archers of Darius I confront the 443-B.C.
freedom of the Parthenon freize.)

a2S) Qree^ c. 460 (B,C., (Rjdns of the 2kus ^empCe, OCytnpia
25) Same, another viexo (Both
'77)
Yet t’he Greeks, in their very prime of civic life and art, saw
such exercise of human daring as a field of mythic overweening and
tragic fall, to which their land attests — Holderlein:
But where are the thrones and temples, where the
vessels.
Brimmed once with nectar, delight of the gods, with
song?. (CGB)
Music:

June

1996

Greek, 2nd cent. B.C., First Delphic Hymn, sung by J.E. Butt

NOW — Omega

9

�Symbolic

C.G. Bell

History

— The great Zieus temple of Olympia, reduced by earthquake to these
shattered ruins.

a26) Qrufii c.. 460, Metope from the Zeus ^empCe, iHercuCes shows J4thena the
StymphaCian (Birds; Museum, Olympia; first, Va26, detail
26) Same, West (Pediment, Centaur hitiny a Lapith, Olympia
26 a) Same, "East (Pediment, the old diviner. Museum, Olympia; + ^detail
Of which the remnant carvings — most dramatic sequence of
Greek art
exhibit (though from different myths) the phases of Aes­
chylean tragedy.
lu this Metope from the labors of Hercules, the
hero brings the man-eating Stymphalian birds to his barefoot pa­
troness Athena. It is god-given power in superhuman act.
In the West Pediment, the battle of Lapiths and Centaurs be­
comes such a net of death as is spread in the Agamemnon and
Choephere: "Who shall tear the curse from their blood? ...The end
shall be destiny."
For the third phase we draw from the East Pediment the mys­
tery of the rapt diviner, seeing as through loss and turmoil some
healing transcendence.
Let that cathartic tfiad of power, overreach, and prophecy res­
onate as the noose tightens on the world.

a2 7) (Riace bronzes. Both warriors, (R^yyio-CalaBria Museum; +
detail
2 7) Same, younger warrior, from waist up (CQ*B ’84); video, detail only
Surely “it resonated for Graeco-Rome. The first chorus of the
Antigone is a praise of man: "Many a wonder..." But the Greek word
for wonder is deina, as in dinosaur — a greatness also to be feared.
So in the Riace Warriors, Greek energy risks the hybris of the Pelo­
ponnesian War. It is Plato's "fair and spangled state... ready to burst
with liberty."

June

1996

NOW — Omega

10

�C.G. Bell

Symbolic

History

In our pursuit of happiness, we forget how far the revolt of
agriculture seemed a profane plowing up and seeding of our mother,
Goddess Earth.
Delphic Hymn)

28) *Rgman (Bust, c. 66-68, O^o/ Musea CapitoG.no, (Rpim; + V detail
280.) (Rpman, 66-67RUD,, coin zoitG (S^o, American (Slptnisnuitic Society
By Nero's Rome the outrage is too blatant, too devastating. The
preface of Livy’s Histgry (c. 10 A.D.?) foreshadows not only the crisis
then festering at the heart of empire, but every such degradation (to
quote Thucydides) "as long as the nature of man remains the same."
This Livy translation is from a Phi Beta Kappa address by Gordon
Craig:
...Poverty with us went hand in hand with content­
ment. Of late years, wealth has made us greedy, and
self-indulgence has brought us — through every form
of sensual excess — to be, if I may so put it, in love
with death, both individual and collective...

a29) (Rpnuin Christian, earCy Jrd cent», *lHe Qood Sfiepderd, crypt of Cucina,
Cemetery of CaGy(tus, (Rptne
29) (Rpman Christian, c. 470, mosaic, St. J4.m6rose and St. ^RCatemus, San
J4m6rosio, (Milan; first, video cUtail
Already the followers of Christus were being burnt for noctur­
nal lights (so Tacitus) in Nero's gardens. Strange, the claimants of an
embodied Saviour should have withdrawn to catacomb entombments
of flesh and outwardness.
Music:

Pre-Gregorian Sanctus, Mass for the Dead, (Solesmes) DP7532

But it was flesh God had taken, and, as we have centrally pur­
sued, that Judgment ultimatum to declining Rome would incarnate in
the West a body of assertive temporality, reaching from the humbled
earth-denial of this 5th-century mosaic of St.Ambrose and St.
Matemus in Milan.
(close Sanctus)

Va30) Gemini, Singd, 1673-4, Sacrament SUtar, StlPeter's, (Rgme
June

1996

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�C.G. Bell

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History

VB30) (Bemim,
1668-70, toUfi. scroUandtfioms, S&gt; ^Indrea d. VcdU
30)
^Bernini, 1670-71,
wMi scroll, IBonte Sant'Sln£e(o, i^pme
30 a) (Detad of same
Music:

J.-B. Lully, c. 1670(?), Amen from the Dies Irae, ARC 3097

through a Christian antithesis of Baroque exuberance, assertive,
whether for joy or grief — here, about 1670, with Bernini and Lully —
(close Dies Irae)

31)

(DouBle: Bernini [Si] 1634-70, Constantine, Scala Bs£ia, Vatican, and
[B] 1663-7, drazoing, ^Equestrian Louis XlV, 9d.useo Civico, Bassano (zndeo
sfunus first Si and B separate^; see ziideofUe)

Music:

Lully, c. 1670, Te DSum, close of "Et in saeculum saeculi", London
DTL 93043, side 2

an assurance always primed for the heroic miscarriages of church
and state (Bernini's Constantine and his Louis XIV). Through that
(fade Te Deum)

32)

% BiuCe, 1833-6, La MarseUlaise, Sire de ^riompBe, Baris; witB V details

Music:

Berlioz, 1830, Symphonie Fantastique, close, London CM 9227

to the secular explosion of the French Revolution, this 1792 rallying
of volunteers, carved forty years later, when surely it smacked of
some Faustian compact — even in Rude’s Arc de Triomphe commem­
oration, where the face of War (above) follows Michelangelo's sketch
of a Fury: So why not pair it with the close of Berlioz' Fantastique
March and double fugue?
(end Berlioz)

33)

^Triple: [Si] SimBrose mosaic (detail of 29); [B] Bernini Singel (30); and [C]
fKitde, La Marseidaise, plaster model, Musie IRyde, Byon (variant of 32)

Taking this sequence as a springboard — from the disclaimer of
earth, with hope in God; through a godhead seated in the physical, its
space, time, and cause; shrunk then to a Deist ground of mere nature,
for the hue and cry of Liberty, Equality and Brotherhood — hurled, as

June

1996

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�C.G. Bell

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History

we are, on that springboard toward an alarming future, we know
that the tragic vaunt of freedom is not Greek or past, but with us, an
archetypal antinomy in the Now.

a34 &amp; 34)

^oya, 1810-20, Masters (rf the War, 11 and 33

Since- between the "Call to Arms" and Rude's reenactment, had
come the Rhine invasion upon which we have quoted elsewhere from
Goethe's Hermann...md Dorothea:
May I never again in such contemptuous madness
Look upon man! Better the beast in his rage!
Never let him speak of freedom, as if he could
Rule lii§ own passions! — (CGB)
and after twenty years of outrage, the Peninsular Campaign, with the
long agony of guerrilla warfare, to be recorded by Goya in searing
prints and canvases.

33)

*B[ahp, 1793, Qood and iviC Angeds, coCor print, *Tate QaUery, London;
+ V detail (note Va33: possiSCe douBCe ^rfsRde 7, above, and of this 33)

So what was Blake's prophecy, when in 1795, a year after the
watercolor we saw earlier, he magnified (and reversed) its scene of
Good and Evil Angels struggling for a child — to produce this mono­
print, where the energy figure has hardened (as froin Lucifer to
Satan) — the French Revolution meanwhile exhibiting at home and
abroad the fipree scaling-over of what Blake would call the "Ore
Cycle", where:
Rebellion' struck the tyrant dead.
Became a tyrant in his stead...

a36)
536)
Vc36)
36)

June

American, 1826, Vernon Church, Vernon, Mass, (CQ(B '46); + V detail
9lgi£h6orCy 6am-6uildin£/1888, Museum, Massillon, 031; + V detail
Side rHexu cf36, Monticedo (CQ(B '62)
S^e-rson, 1769-1809, Mgnticello, Charlottesvide, Virpinia

1996

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Symbolic

History

America seemed to avoid such a reversal. Our revolution
hardly stirred the social fabric. It was the educated men of property
and substance who took over here; and what they made constitu­
tional Was the liberal heritage of British law and institutions, local
government, schools and churches. The have-nots could pioneer; the
haves reasonably accej)ted that the "unalienable rights" of the
Declaratioir would in time be spread around — as a century later, in
the prosperous Midwest, at this neighborly construction of a barn.
Though Pain^, our only radical, was exhorting, "We must think
as if we were the first men that thought," while the unflawed spirit
of Jefferson seemed to share that boldness (at Monticello, three prac­
tical stories contrived and disguised under the mask of one); yet in
architecture, as in politics, the genius of the new republic was the
caution of its originality, its power of invention within the traditions
of the past, here of Palladio.

37)
37a)
376)
9/3 7c)
3 7 d)

Scfiin^, 1826-7, CHarCoUenfurf, Sans Souci, (Potsdam
(Peittef, Qerman, c. 1939, War, from SlpocaCypse tapestry design
ScBin^C 1838, ScfiCoss OrCanda, Crimea, (HhdC and garden
Same, S^tcdifor tfie CCassicaC gaUery
liilXiam siirsU ttjc/ ZOtfi unt., CoCumnedpooC, San Simeon, CSL

Compare the house "Schinkel built in Sans SouCi park about
1826 for the Prussian Princess Charlotte, by marriage Queen of
Russia. Its academic neo-Greek wairts the freshness of Monticello;
but the clean modesty might almost have raised Jeffersonian hopes
for feLegel'i Germany. Though in fact» the whole country would veer
in a century to the frenzied excesses of a madman's tyranny.
Another Schinkel design may give a blue to the fatal entanglement of
that Europe. Here, a Jairy-tale vision he would sketch for the same
Charlotte (and her husband Nicholas I, that "Iron Tsar") — a mon­
strous, somehow Graeco-Moorish palace, never built, by the Black Sea
on the Crimea, it is the sort of exhibition Hearst would first spring
on America — at some cost to Jeffersonian democracy.

a38)

June

WoodviCCe, 1831, Waiting for t/ie Stage, Corcoran QaCCery, Wasfi., (D.C.

1996

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�C.G. Bell
638)
c38)
38)
38a)
386)

Symbolic

History

Wtieghd, 1568, iBaraSCe of the ^Cind, Capodimonti, 5dgpCes) + V detail
•Banquet ofO^w O^or^pCutocrats, p6oto£rapfi, c. 1900(F); first, video detail
V^xv O^or^Hdodem, •World•Trade Center, 9ddnluittan
Burning tropical vegetation, photograph, 1989
fKgininger TUBS photo of fKflrposi's sarcoma (9(git (Meei^)

Would R.C. Woodville's 1851 irony of the man shrouded behind
dark glasses searching the news in The Spy, while he waits with oth­
ers for a stagecoach, have let it out, that the Fathers' trust in a free
press to bring truth to a free people, might (as the blind lead the
blind in Brueghel) end in the ditch of slogan-sale and media de­
bauchery — as when the children turn on the telly, and soul cries out:
"Who let the enemy in the house?"
Surely a prophet could have seen, that when neglect of Rous­
"because the force of circumstance tends always to
seau's dictum
destroy equality, the force of legislation must tend to maintain k" —
had installed plutocracy, even our balanced freedoms would join the
death-dance of the planet, that great Kermess of arrogation, strung
from the May pole of the twin towers of World Trade, out through all
competing nations and bank-colonies, to the last burning of jungles
for the brief Agricultural failure the tropics allow.
As Prometheus
says in Aeschylus, "Besides this I gave them fire." So freedom chases
the old beast around the tree until the pursuer becomes the pursued
— hounded to death in the hunt for happiness. Thus our lot too may
harden to a planned order of the whole: our freedom death, our liferoad regimen.

a39) David, 1797-8, Unfinished9lgpoleon, Louvre, Baris; + •l7a39, detail
639) Canova, 1803-22, Bust ofO^oleon, detail, Bitti, (Tlorence
39) BouSle: [51] (David, (S^oleon, as in a39, and[B] Qothic, c. 1245, (Head of a
•Woman, from (S(^ Bortal, Odptre 0ame, Baris; found 6uried in 1977 (from
•Metropolitan (Museum Show); video uses glazed double, *1)39
39 a) CanoVa, 1787-93, Bros and the reclining Bsyche, Louvre
Around the 1800 switch from loose-rein to curb-rein, when a
liberation still functional in America veered in Revolutionary France

June

1996

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C.G. Bell

History

toward the control of Europe — in that explosion of hope, how deeply
David’s unfinished 1797 Napoleon is cloven. So in Rousseau's Social
Contract: does the General Will ask Jefferson's state of minimal in­
terference, or the maximal state Marx would infer from the same
text? Rousseau:
...the general will is always right and tends to the pub­
lic advantage; but it does not follow that the delibera­
tions of the people have always the same rectitude...
Some must have their wills made conformable to their
reason, and others must be taught what it is they will...
From thence is bom the necessity of a legislator...
In that lawgiver proclaiming like a shaman the General Will,
Sovereign over all, lurked the Revolutionary Republic of Virtue,
1793: when the Council of the Commune would require the destruc­
tion of all relics "of superstition and feudalism" — here, from Notre
Dame, a face ot Gothic humanity, buried almost two hundred years.
Under Hebert, Notre Dame became "The Temple of Reason,"
where the nude dancer Maillart impersonated Truth, until the scan­
dal of her rites gave Deist Robespierre cause for guillotining the radi­
cal faction: extremists in extremis.

^40) y^riedricfi, c. 1810, pen-draxmng Self, 'hlg.tional QaUery, ^edin; + detail
40) ^)ou6Ce: [Ji] SL40, ^rkdricfi, SeCfi-and[(B] 40B, Qericault, i^/jide (see V40)
40(B) Qericoitlt, 1804-12, (Male ^djJLde, ^eatui-Arts, (Hffuen (vuUo: dalf-Cesigtfi &lt;mly)
Musle:

Schubert, t827, Die Winterreis^, Irom "Fruhlingstraum," f=ischer.Dieskau, Angel 3640 @

Two phrases from Schubert’s Winterreise occasion two images.
From "A Dream of Spring" (Fruhlingstraum), where the frost on the
window suggests leaves and flowers, the incalculable yearning of the
tearful major has summoned Caspar David Friedrich's pen-magic of
the searching Transcendental self, (fade FrOhlingstraum) Against which,
Schubert's "Mut" breaks into proud defiance: "If there are no gods on
earth/ We will be gods Ourselves."
"

June

1996

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Symbolic

Music:

History

Also Winterreise, close of "Mut". Angel 3640 B

The urge to that was already in Friedrich's longing, as it had been in
Goethe; but Gericault's nude gives it the desperate muscle of Napo­
leonic France.
Prophetic rumblings from the tragic Continent.

a41)
641)
41)
4la)

^Bingham, 1847) fR^tsmen TCaying Carets, Museum, StXouis
C6iea£o, 1831 (SM. Teto, 1866, ^Kg^ourcfis and iBrospects)
Currier &amp; Ives, 1871, CZTte Qreat C^cago y^ire
CurrUr &amp; Ives, 1892, Cfikago from Latip Michigan} + V detail

While here the confrontation was delayed — not yCt the Promethean
vaunt, or fatal rupture.
Yet the very energy and expansive success of America —
Chicago from the fort and trading post of 1831, through the spur and
stimulus of the Great Fire of 1871, to the 1892 spread of shipping
and trade, industry and housing — that surge of powers would launch
us on some such tragic risk as Promethean Greece had signalized.

a4Z)
42)
42 a)
V42B)
42 c)

TatUus van I/ianen, c. 1603, Lmdscape tvith river and raftsmen, pen and
wash, Museum of fine ^rts, Budapest} + V detad
*E/D. Luhfis, 1872, Susquehanna at Conowaga Bridge, Bf.M, Bed}
+ V detail
Mississippi ildver,. 1988 Cow water. Barges strandaC
Crashed UCawaiian Beach, 1988, plastic, etc
(Deforestation, 1989, Cascades, State of Washington
\

Since our freedom of quest, Adam Smith's quick and happy
way to clear a land and build a booming nation, rested on what had
long sustained the prosperity of Europe — that taming of nature
which ties this van Vianen 1600 log-rafting down some German
river, to Lukas' Susquehanna of 1872 — America still counting on
what Smith and Marx both assume (their common and fatal error),
that nature is inexhaustible and works gratuitously.

June

1996

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Symbolic

History

But we know too well what price Nature exacts — we who face
the extremes of a changing climate, Gaia's great storms and droughts
(summer, 198S, these barges stranded on the old Father of Waters,
near my home-town of Greenville, Mississippi); we who feel the more
actinic rays of the sun, who experience polluted streams, trashed
beaches, garbage-fills, the old timber clear-cut from the ranges; and
we shall know and feel more, as the world-pinch for food and water,
raw materials and energy advances.

d43)
43)
43 a)
43B)

(Dinosaur s^^tons, (Sifitural(History (Museum, (SQCC (CQ*B'79)
(DouBCe: [PL] [FisB in tfie ocean, and[(B] Toune mammals and Birds
(DouBCe: Upper Cretaceous, reptiles of land, sea, air
Iraqi tan^ 1990, (Persian Qulf crisis, (Mexysweefc

Consider the rise and fall of dinosaurs; such adaptive radiation
and earth-seizure must throw life-balances, genetic or social, out of
whack. Organic causality is a complex interplay. The fall of comets
or of asteroids could only have posed a general challenge, which, in
fact, fishes in the sea (even sharks), first birds in the air, reptile
sprawlers (lizards, snakes and crocodiles), besides early mammals,
managed to live through; where all ruling reptiles ("dinosaurs"), large
or small, of diverse orders, in ocean, air and all continents, became
extinct.
External impingement hardly accounts for so selective a
catastrophe — from which man should learn, if learning is possible.
Since the human assault on the globe, through mechanized war
and peace — capitalist, communist, third world — exhibits some such
unorganized chain-reaction as must have marked the evolutionary
crisis of the higher reptiles — some irreversibility of cultural, as of
genetic process.

a44)
VB44)
c44)
d44)
44)
44 a)
^44B)

Coa£~Bumin£ plant, 1989, San Snan, Olgrv OdcKtco
Savonks Solar generator, 1990, (Hawaii
Conifers deadfrom acid rain, Scientific PLmerican, 1991
India, Qan^es (River, poCCufion and cocd’Bumit^ plant
(Rpmaman polluted town of Cepsa (Mica, 1990! first, ^ detail
(Pottutionfrom a (l^w Jersey oil refinery
(MeMco City slums, junlcfieap millions. Scientific Pimerican, 1989

June

1996

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Symbolic

History

Take the burning of coal for an always unchecked upward spi­
ral of population and energy-demand — here the Four Corners plant,
San Juan, New Mexico, belching dioxides of carbon and sulfur. "The
feedbacks are enormously complex," say company scientists, mean­
ing: "We can't act because we can't be sure." While the production of
solar panels is neglected or suppressed: "Hardly cost-effective" — de­
ceiving and deceived, by an economics df the fragmented particular,
which obscures the cost of greenhouse gases and acid rain.
Fourier at the beginning and Arrhenius at the end of the last
century had linked carbon-dioxide to climate (I heard of it in 1934
from Barr at Virginia); meanwhile, industry has plunged dead ahead.
No doubt one reads now of "sustainable development," and that such
polluting power plants as this on the Ganges fail to comply; but how
is book-knowledge to change the politics of need and greed?
Worst of all when the so-called "planned societies," who took
up the banner of world-hope, plan nothing but police enforcement of
their own dogmatic rule, blind to the tensile tie of means and ends —
materialist hicks who, as Simone Weil said, have fallen to the top in
the gravity of power — this Romanian town of Copsa Mica, become
under suppression of comment, "the most polluted place on earth".
And those other hicks on the Western side, who called them­
selves political scientists and economists, and who take pride in
having persuaded America that "plan" is a dirty word — all incapable
of polyvalent thinking — as if an essential ingredient (Adam Smith's
fess—-fiMStpnss. or Marx's laborl were the entire recipe and cause of
prosperity, or of value.

a4S)
45)
45a)
^45B)
45c)

June

tHuman Body, CopiUary circuCaHon, BCood to tissue
Odacropfiage, wfUte BCood uCC, Bunting *EncBeridia CoU
'WBite BCood ceU dratving in Bacteria By pseudopods
1851, CCipper SBip, \Cfie CFCying CCoucC
Cut-out montage, eartB against ^iCBy ^ay

1996

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Symbolic

History

They deplore organic analogies. But the goal-directed symbio­
sis of the body is not totalitarian. Evolution has endowed its cells
with genes of common loyalty and service. For each to pursue its
own gain, as our politicians, bankers, and realtors do, would be can­
cerous. That is where the media have let democracy down. They
should have built a gene-pool conscience of the race. Observe this
microphage white blood cell pouring itself out after bacteria: that is
the immune response. You see no policeman but the cell itself, no
central authority.
Nor with this hoplite, wrapping invaders in ar­
rowed pseudopods. He is on his own. But the whole action is moral
and for the whole. It is only by plan that we can salvage the earth.
But not a plan of the dumb and tyrannical. We have to constitute a
feedback commufiity of observing and governing intelligence — some
many-minded Odyssean navigator.
This program smapks of a new religion, a love and worship of
the mothering earth, floating at ease in the cosmos. But we cannot
simply trust to Tellus Gaia. If that orb is alive, it is vulnerable, like
every living being, to sickness and death — our death. We must in­
tensify science to keep it green, but a new science of the mysterious
whole, redeemed from short-sighted bondage to logic, profit and war.

a46)
646)
46)
4 6a)
463)

CDdacrovQ 1830, LiBerty Lmdwy... L(nwre (CQ(B '80)
Daumier, 1834, On tfie (Barricades, ^S(fltionaC Q(Ukry, (Prague
(Hbudan, c. 1778, (Terra Cotta 6ustcf3J&gt; (Rpusseau, OtCeans
(Higfigate Cemetery, London, Qiant memoriaC head of Mavc
(TripCe: (Photos: [SI] (JdussoCvni, [(B] Wilson, and [C] Lenin, c.1920

So we scheme; while revolutions of two centuries have height­
ened at once intemperate hope and violence. After the French Reign
of Terror and Napoleon, came the inconsequential Paris uprising of
1830 (which would only change one Bourbon for another); yet to
what crux of reckless zeal Delacroix has lashed it, in his "Liberty
Leading the People". Next the workers' insurrection and brief com­
mune of 1848 (just when Marx and Engels had released their Mani­
festo!. would prompt Daumier's partisan response, as in this Les
Miserable^ group "On the Barricades".
June

1996

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20

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Symbolic

History

In a calmer century Rousseau had doubted the emergence of
good laws from civil strife and hatred —
Many governments have been established in war,
famine or sedition; but they are the very governments
that destroy the state... The choice of the time for in­
stituting any law is one of the surest criteria whether
it be the work of a legislator or tyrant.
— prophetic condemnation of militant prophets, whether of left, right,
or middle. So the Manifesto —
The Communists' ends can be attained only by the
forcible overthrow of all existing conditions. Let the
ruling classes tremble at a Communist revolution.
— of which it could be asked: "What's all that hate doing in there?"
Though the curse of hate would fall on all parties, the child father to
the man: this beween-wars trio of Mussolini, Wilson, Lenin — all
fatefully snared.
The tide has swept us forward.

a4 7)
4 7)
4 7a)
4 76)

However —

iK^ssian poster of1905, Cftains (Brol^n ftRussia in iRevolutionh + V detaiC
Custodiev, 1905, iR^vofution striding the streets (same voCume)
Caricature of 47: fR^wCutum as striding sRfCeton (same volume)
Cartoon, c. 1917, QoCd-£reedy Capitalist 5{op (same volume)

Music:

Scriabin, 1907, from Poem of Ecstasy, London OES 6915

1905-6 is the date of the first Russian Revolution — such a
frenzy of defiant hope, joined with Nietzschean scorn ("We have to be
destroyers!") as, in this poster ("Chains Broken"), heightens the peti­
tion and massacre of the same year; while in music Scriabin's 1907
"Poem of Ecstasy" cradles its Orphic Egg of explosive yearnings — a
complicity of yea-shouts and poignant cries.
So Custodiev's absolute peasant-worker giant, trampling and
shattering the established city, stirs the privileged to alarm and hate

June

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History

— a wizard of terror that blasts the great rebel to a skeleton trailing
blood and fire —&gt; as it counter-blasts those of station to the beast and
enemy — this gold-greedy hog of Capital.
(fade Scriabin)

48)

S. TAsenstun, ^en (Daus tHat Sfiook the ^orCd. ih^f^ndrov, as Lmin, speads
at tfU ifinCatuCStation

What can it mean that Shostakovich in the climactic forte of his
withdrawn 4th Symphony (two-and-a-half minutes of inwrought,
percussive dissonance) cleaves the stark violence of two Great Wars
and of Revolution from its former ecstasy, crusting the volcanic brew
of Eisenstein's Ten. Days that Shook the World?

a49) S^irst World War: Cong-distance artiUery firing
649 Samcj aBout 1917, BattCe in t^ trendies
49) iRyssian Taster, C.191T-18, '51/2% War (Bonds'
Music:

Shostakovich, 1935-6, Symphony No.4, final brass chorale, MHS
824958Z

Drums, Gannon (Krupp and Allied) shell both fronts. West and
East, the carnage of trench warfare. Spent Russia still lashed to the
field
this poster for five-and-a-half percent war bonds.

50) Sussia in (Revolution, c. 1920(7), Lenin Harangues tBepeopCe
SOa) Same, 1917, Litovsky (Prison Burning, (Petrograd
From April 1917 on, Lenin was there, (with Trotsky below:
"The end justifies all means". Trotsky, to workers on strike and peti­
tioning revdlutionary sailors: 'Til shoot you like pheasants!" In that
kindled pyre of burning, looting, purging, starving, the population of
Petrograd fell from two-and-a-half million to five-hundred-thou­
sand.

51) Same, c. 1920(F), White CKecution qf(Bolshez^
5la) Same, 1921, Corpse-Butcher peasants zoith canniBaC meat
SlB) Same, (Poster, 1922, Caricature of the League cf actions

June

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History

All parties, White, Red, Socialist, espoused terrorism. Produc­
tion failed; money more or less disappeared. By 1921, when Trotsky
had broken the Civil War, famine and disease were rife; even canni­
balism surfaced — these butchers of the human dead. Lenin: "We
are beggars, hungry, ruined beggars." Yet hate laid the blame (why
not?) on the swollen capitalist powers: France, the U.S.A., England.

52)

tRussia in ^evoCution, 1929/ Stalin, xoitfi (Party (Ddeyates

What ecstasy could remain, once the plotting exterminator of
the old Soviet vanguard — Stalin — had tightened his rule?

53)

Spanish Civil

1936-9, (payees at ilie IFrench border

Meanwhile, the war of Left and Right spread over the world —
Spain: refugees by a gutted farm turn to France.

54) Sino-Japanese War, 1937, troops on the Qreat Wall
54 a) Same: May 3,1939, (BomBiny of Cfvunyhiny, Life
546) Same, (Bodies of zvomen and children after an air-raid
fronic chance, that the only appearance in these shows of the
Great Chinese Wall, is for the 1937 movement of troops in the SinoJapanese War — from which the most appalling pictures show the
bombing of Chunking —with the air-raid slaughter of women and
children.

55) (S^i (Reserves, 1939, addressed 6y Mtler at a (RyUy
56) St (Pauls, London, the niyht of (DecemSer29,1940
56 a) Moscozv BomBed, (KfemGn, niyht ofSuly 23,1941
Then it was the Nazi build-up... for the assault on Europe:
London... Moscow...

57)
58)

World War II, (Ryins of Wesel, Churchill (Life)
atomic (BomB, RuyustS, 1945, over Olgyasaici, Japan

June

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History

"I will repay," saith the Lord — Wesel, on the Rhine, north of
the Ruhr. Could the climax be other than the atomic cloud, of which
Oppenheimer averred: "I am Shiva, destroyer of worlds"?
(from brass forte to dark brooding)

59)
60)
61)
62)

(KCayaret ^our^-Ti^te, 194S, ^uchemvcUd, CiBerated Hervs
0(prea, 1950, iMmines retreat over their ozim dead
Vietnam, 3une 1966, {Phoipfwrous Som6 on ajungCe viUage
iR^mama, 1989, 5^ired(BaCau cf Communist Boss, Ciaucescu

Here, Shostakovich's clang of ordnance gives way to a muffled
span of brooding, dark as the trial of the Jews, or Russia's Gulag
Archipelago... Or the no-win aftermaths of cold war: Korea, 1950...
Vietnam, 1966 (phosphorous bombs on a jungle village)...
These
brasses smoldering, like Soviet misrule in East Europe, down to the
fired palace of Romanian Ceaucescu. What is the prophecy?
(cut dark brooding section)

Va63 Cathedral of die 5innunciatum, 1484-9, QQrendm, Cfdoscozv
63)
Zagorsli^Sdfry, 1741-69, near Moscotv, Russia
64)
Ryssia, c. 1917, 9day (Day, Communist (Poster Qreetiny
64 a) (Kpndinshy, 1926, Several Circles, Quyyenheim (Museum, (J^C
Music:

To the celeste passage closing the Shostakovich Fourth

What, most of all, when Shostokovich, after such intensities of
attack and repression, distills for the symphony's close a space of
mysterious intimation, sprinkled with rising arpeggios of the heaven­
ly celeste?, Whp can hear it as die pealing bells of an Orthodox past?
Or attach it to the frail posters of Soviet hope — the exploded delight
of this 1917 May Day? Exiled Kandinsky's spiritual abstractions (this
1926 rapture of "Several Circles") seem nearer. If such was the artaffinity, no wonder Shostokovich withdrew the Fourth.

65)
66)
67)
68)

(Decender 1989, (Protest at the (Berlin WalO + zHdeo variant, V65a
(N^emher 1989, 5lavels victory sign to the people of (Prague
1965, (Blach^protest and arson in Watts, Los Slngdes
1989, Oveiflozving larufm of consumer zvastes, IfJ.

June

1996

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Symbolic

History

But if prophecy, why not of the coming wave of liberation —
this joyful breaching of the Berlin Wall, Christmas, 1989? Or is that
promise as vain as the other claims?
(close Shostokovich, 4th — celeste passage)

Some open-throttle drive to supermarket expansion:
consumer
goods and energy? Could even Havel’s victory-sign, made over the
streets of Prague, erase the unsolved troubles of the West, which had
brought in rigors of Right and Left? Or can today's spendthrift opu­
lence obscure our own crisis of inequality and foreclosure, racial
slums, violence, the speculative wars Marx deceived himself to
avoid?... But our fate is intensified by what Marx was blind to — ev­
erywhere the power of an earth-rape, defiant of plan, whelming na­
ture in wastes of productivity and poisons of science.

69)

'Eye of tofiite-suCed do^ftin tfirouyfi nyCon of a drift-net

Music:

Ockeghem; from intemerata Dei mater (Munrow) Seraphim 6104

Through such buildup in the mechanized ravage of war, the
ecological havoc of peace, the globe with all its creatures, chiefly
man, is snared, like this dolphin, whose dying eye looks through ny­
lon strands of a thirty-five-miler, ocean-exhausting drift-net.

70) Cdortres CathedraC, IStfi cent., ^nyel over
Cftoir QaBCe
70 a) Iraqi War, 1991, fKivwaiti OiC T^erminaC 'Burning
So a centennial question mounts like an ancient prayer:
whether th6 reconstructive earth (here suggested, as through past
wars, by the guardian angel over Chartres) can so far assert itself, as
to avoid impending catastrophe. That question is being tested, mo­
ment by moment; it has even, of late, almost been answered in the
negative.
(close Ockeghem)

71)

(Dot^Ce: [PI] 'Egypt, (Dynasty III, c. 2660, !Kjng Zoser, detail, (Museum, Cairo,
and[B] Sumerian, c. 2700 B.C., (Headof orant from 'Esdjmnna, 'Bcgdad
7111) (Head of (King Zoser (from 71)
71(B) (Head of orant (from 71)
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History

Tic) ^atollaA !f(jfiotneini, c. 1978, MusCim (efldkr of Iran
Appalling, the intensity of faith and will it took to produce civi­
lization, to rear Egypt and Mesopotamia from the bogs of pre-agricultural man — both peoples Semitic, of kipdred, yet warring tribes:
here from Egypt, Saq^ara, Third Dynasty, of the Step Pyramid, about
2660 B.C., King Zoser's mutilated statue, its jewel eyes gouged out by
later vandals; and from 2700 B.C. Sumeria, a gypsum orant now in
the Baghdad Museum, menaced, perhaps, by bombs.
As if the tiaemonic force it took to found higher culture must
become, in the reactive chemrs^try of place and race, the bane of its
continuance.

a 72) Assyrian/ 883-59
Lion fmnt rdi^, HLirom room, TaCace of Assumasirpal
II, *BriHsfi ^Museum, London
72) Site of5eiiHsh defianu cf9(pme, A.(D. 70, ^di^cf 9dasada
Let two relics bridge the millennia since those origins:
9th
century BC and after, reliefs of hunting and war, to be transported
wholesale from palace rjuins of Assyrian conquerors to the British
Museum; and, shrine of the conquered, this Rock of Masada, where
the Jews, most God-inspired, jnSligned and persecuted of those peo­
ple, chose in 70 A.D. mass-suicide, men&gt; women and children, rather
than submit to Rome. A two-edged precedent.

a73)
573)
73)
73 a)
73 B)
73c)

Ifoyi tan^ enter S^yrvait, Anyust2,1990
DouBCef [A] 5{ussein and [(BJ (Bus5
QuCf *War, 1991: US. ntissiCe and BomSiny attach
OilspUCin the (Persian QuCf
Stans von (Briesen BoCdhy scales to the sfiy (CQ% '91); + ‘U detail
Lta Carina ndtUaand 1843 nova /Scientific American. ApriC.1973)

It is in these faith-cradles of civilization that the question of its
future looms. Now, when the will and drive of the whole United
Nations, free enterprise, communist, third world, should be creatively
focused on a rethinking and reordering of everything — population,
diversity, production, distribution, resources, energy — where every
June

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leader needs to plan and implement vision, this imbroglio of desert
and Crescent shows leadership impotent but for bungling to the
chaos of war; to have fostered and armed a gambler like Saddam
Hussein, as reckless as unprincipled, for manifest aggression until,
tempted by our own devil, we espouse the mischief — down to our
saturation plane-and-missile bombing, Ms. oil-sabotage of the Persian
Gulf.
In a world so dangerously poised, so bereft of formative con­
trol, so driven to catabolic stampede, the balance Zeus and Jove hung
in the sky must read: global catastrophe — advancing at its own
chain-reactive rate. That fact seems less in question than whether
the calamity will be total or corrective. Here the Janus counsel of
wisdom should be:
to work for corrective containment, although
aware that the cosmos we praise, may -- among countless worlds —
already have seeded (by our connivance) the miscarriage of earth.

Va 74)
674)
c74)
74)

finotfier of von (Briesen fioCdin£ tfie scales
9i{emG.ii£, 1466-75, from judgment, weighing souls, 5)anzig! + V detail
5(pger Van der Leyden, 1443-6, judgment, same, Beaune; first, detail
QisleSertus, 1130-40, ngmpanum judgment, same detail, ^tun

And yet those heavenly scales span a contradiction. Do they
herald a fate, or (from the name, Libra') a libration? In Daniel V: 27,
God, under that image, warns Belshazz^: "Thou art weighed in the
balance and found wanting." Milton follows in Paradise Lost: "The
Fiend lookt up and knew/ His mounted scale aloft." So in this Memling Judgment, the good soul, to the angel's right; settles, like gold;
the sinner risesi like dross.
Contrast the Iliad: "The Father balanced his golden scales... The
Achaians' death-day was heaviest." Here down is bad, as with van
der Weyden's sinking sinner on the angel's left. But the paradox is
not the ambiguity of up and down; it is of gravity and spirit — that
the weighing of souls (swhyed, in this Autun carving, by angel and
devil) must share, with life, some more than quantum uncertainty.

June

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�C.G. Bell
Va75j
6 7S)
H7c7S)
75)
75a)

Symbolic

History

^u^arians demand reform, *Decem6er 1989, after forty years
9dafiatma,0andfU, c. 1940, seated in Cotus posture, toritiny
Cactus fCotuer, Cfuapas, Me7(ico (C^ 1978)
flower pfiotoyrapfis: video (V75) Lady's slipper, pHotoyrapfl (CQ*B 60);
slide sfmW (75) ^iSiscus, pfiotqyrapfi (CQ*B '91)
Ihlalloween pump^n, carved andpfiotoyrapfied By C.Q. *BeU, 1985

So too with the fate of the world; it is not determined but prob­
able. Man% conscious feedbacks may cross the threshold of surprise,
almost of miracle.
We have again to assess the odds, more searchingly, beginning
with the wheel-and-arrow projections pf hisTtory; while the organiz­
ing power and fate of all our shows draws to this here and NOW, as
in the plants of Goethe's Metamorphosis:
When the plant vegetates, flowers, fructifies, it is still
the same organs which under protean shape, expand
as leaves, contract to the calyx, expand again in a
petalled crown, contract to the organs of reproduction,
then expand, for the last time, as fruit.

a76) (DouBle: [SI] SltBens, c. 540
Teplos 9(pre, Bead, SLcropolis; and
[B] iHead of Slntonia Minor, lira Bacis, 13-9 B.C., Byrne; first, V: SI and B
6 76) Striple: Tyypt: [SI] Old Bjnydom, iffiafre; [B] Middle, SpBinJc (fSUnenemBet
III; [C] MfW, Limestone Ilfmatdn; aU details,, Cairo
76) friple: [SI] CBartres, c. 1210, MelcBisukBi detail] [B] Bernini, c. 1615, Msyr.
Santoni, S. Brasede, Byrne; and [C] Bicas&amp;o, 1907, Self Brayue
What is New in Vico's Science of cycles, of 1725 and '44? That
his "nations'^ are less political states than cultures; that their causality
shifts from what is outward (as war) to what is inward (as religion
and poetry), anticipating our great pulses of consciousness, or soul —
such a mutation as from this Archaic Greek Peplos Kore, 6th century
B.C.; to a face from the Ara Pacis, under the doubts of Aii^ustan
Rome.
Yet Vico's pattern for this is a wheel of recurrent Ages: of
Gods, of Heroes, of Men (in Egypt: from the pyramid-building Old
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Kingdom, through a Middle Kingdom of weighty control, to the hu­
man quest and yearning of the New). Or we might extend Vico to our
own time, charting the Christian West, from the God-force of Chartres
(1210), through Bernini's embattled Monsignor Santoni (1615), to a
Picasso Self (of 1907), between the human and a Kafka mask.

a7T) (DouBCe: ^Jffieran, c. 1500 (B.Cj fresco of a Cady; and [(B] Qreef^ c. TOO
•warrior; Bothf i^CfitiotuiC 9duseum, Adiens.
77) (DouBCe:, !^pman, c. 400 5L(D:, Priestess at an Sdtar, (DiptycB of tfie (S^comadii
and SymmacBi, Victoria and MBert (Museum^ London; and [(B] QaCdc, c, 400
SUD., 9dan in a tunic, yoCdy (C)um6arton Oa^
7751) (Che priestess, from 77, oBove (zndeo, detaiC only)
In the Cycles show, the Greek show, and even in the personal
review of NQW-Alpha. we have dramatized the confrontation at each
turning of this wheel, where late-cycle luxury is ravished by barbar­
ian renewal — this Theran lady about 1500 B.C., with an Iron Age
warrior of the sequent Time of Troubles.
Yet there is something rather static about the imaged repeti­
tions; thus (after two millennia, say 4(X) A.D., in the twilight of pagan
Rome) this (ivory) high-born priestess at the altar of Jove, confronts
a gold statuette of some tunicate chieftain of Gaul.
Too static, when moderns jmake Vico predictive, as Spengler,
Toynbee, on the slopes of Western decadence, conjure force from
nostalgias. What hierophant, in the circle of Yeats, Pound, H.D., will
this priestess evoke?
Or where, in her ambiance, will Nietzsche’s
"barbarians of the 20th century" appear?
I

a78) (Boec^ffn, 1880, IsCe of the (Dead, (Kpnstmusemn, (baseC
78) (Dad, 1935, (PaCCadio's Corridor of (Dramatic Surprise, (Museum of (Modem
5Lrt, (NHXC
Ominous, when the post-romantic brooding and pseudomysti­
cism of Boecklin's (powerfully painted) Isle of the Dead — the sheeted
soul rowed to the hollow of grave and birth, between rock flanks,
under shade of cypress — when that yearning spawns the hysteria of
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Dali's 1935 Palladio's Corridor of Dramatic Surprise — Palladio,
Renaissance founder of our trusted Jeffersonian orders — his barrel
vault collapsiilg^ among surreal vulgarities. Surely a static determin­
ism of history,

a 79)
Q^mran, Before 68
part of Isaiafi stroll
79) $• l^Ldinza Mosaic, c. 410, Cftrist enthroned xvidi Stposdes
Against that classical wheel of time, the Hebrew arrow had
been launched (as from Isaiah, this Dead Sea Scroll): "Behold a virgin
shall conceive and bear a son... Emmanuel... The Prince of Peace";
through John the Baptist: "The kingdom of heaven is at hand"; to
John the Divine: "Christ hath made us kings and priests unto God and
his Father." But that City of God was more within than without, of
eternity more than of time. Church and state had not withered away.

aSO) MicBoUis of Verdun, 1181, enameCs: from ^ tripU rows (ri£fit side), four
columns of tiiru, (video: of these scenes, the four (ow^r right, with a detail of
one, V580, the ^htrrozihng of 9hU), Mtar, H^stemeuBurg
80) Same, two each from Cower and middle rows, especially [Below] Moses
^R^ives the Laws, and [aBove] Desert of the iKoly Spirit (video shows the
Cower two first, V80a, then the middle two, V80B)
By the 12th century, Joachim de Floris, extending Biblical his­
tory to present and future, foresaw an actual Coming, in time, of the
Holy Ghost — such freedom as Virgil assures Dantd at the top of
Purgatory: "I crown and mitre you oVer yourself." If Nicholas of
Verdun's Correspondences, as (left) from Moses! receiving God's Law,
to the Disciples' receiving his Spirit, were pushed to a mystic now,
what would it be but Joachim's Third Kingdom of Grace abounding?

a81) IHfLeims, West Windows, 12S4-90ff., from the !h(g.ve (CQIB,'S9)
81) IBaris, Mptre Dame, c, 1270, 9lprth Iransept IRpse, unter-spread
81a) Same, South Iransept IRpse, unter spread; + V details of Both
Joachim: "The first a^e (of the Old Testament) should be as­
signed to the Father, the second (of the New) to the Son, and the
third to the Holy Spirit... when that promise begun in a few will be

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consummated in many... Joel: 'I will pour out my spirit on all flesh;
your sons and your daughters will prophecy.'" Similarly in the "New
Light" of Gothic, rose windows spread radiance from God the Father,
or from the Mother and Child, out through patriarchs and saints, to
the life aftd occupations of the world. (So Rheims and Paris;

a82) ^or({^9^inster, c. 1338,3{eart detaiCfrom West ^ndoiu; + cCpser detail
682) Sainte CftapeUe, IStfi unt., iRpse Window, (Baris (C(^, '59)
82). §iotto, 1304-6, (f^gitvity, detail ^em Cdapel (Padua; first V cCoser detail
then the flower-wreathed heart of York.)
In the sun^-sphere of Dante's Paradise, it is Franciscan Bonaventura, opponent (with Dominic?^n St Thomas) of Joachim's promise,
who is made to introduce and praise him. Here Dante, uplifted by
the paired circling dance of such ordained lights of Intellect and
Love, is suddenly dazzled by a far brighter horizon of soul-sparks:
"new spirits making a ring beyond the other circles" (so these music­
making elders of the Sainte Chapelle) — "Oh vero sfavillar del Santo
Spiro" — "Oh very sparkling of the Holy Ghost" — at which Beatrice
smiles! So Dante hails the spiritual seeding of earth. Had not the
windows of three centuries told as much; or in painting, Giotto's radi­
ant humanizing of the birth of God?

083, *UB83, c83, Vc83, Vd83, 83, V83a &amp; 83a)
Qrunewald, 1512-16, eentralspread of Isenhem Mtar, unth details, especudCy
the spin qfSleavenltf QCory over the mountain rvorCd, (Mother and Child,
Music; ’ Josquin des Pres, 1515-20(7), 3rd Agnus, Missa Range Lingua,
The Taliis Scholars, Gimell 1585T-09i

How successive waves of Reformation take up the Earthly
Kingdom of Joachim's Franciscan followers: Luther — before the vio­
lence his preaching loosed threw him into fear and trembling —
writing in confident joy of "the inestimable power and liberty of
Christians"; Josquin's climactic masses, the Pange Lingua Agnus; and
(Incarnation summit in all art) Griinewald's spill of light and angels

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from the Father in glory into a mountain landscape, where the Child
is dandled by Mary, beside a rose without thorns.
(fade Josquin)

a84) ^Ks-mBrandt, c. 1669, Simeon mtk the ChUd,
9dus., Stochholm; + ^detail
84) iH^mBrandt, 1641, Landscape •with a Coach, Wadau, London
84 a) 5. Cooper, c. 16SS(F), OUver Cromwed, Odptional iPortrait Qtdlery, London;
+ V detaiC
Music:

Schutz, 1629, Sackbut overture, Fili mi Absalon, MHS 4504

By the time of Milton, Rembrandt, and Schutz, the same Godtrust rests always more on^ the weight and solemnity of the human
drama. In the radiant landscape it is the sun, down clouds, which
sanctifies the spatial recess. In
CromweU's England the Fifth
Monarchy Men expect the coming and present kingship of Christ,
(fad© SchQtz)
The stakes are always higher, the faith-wars more
charged with material detonation.

85)

Sacques-Louis 5)avid, 1793, SJdarat dead, detaU, (Beaune Arts, (BrusseCs;
+ VeCoser detaU

The next revolutionary move brings us back to France, 1793,
Marat's assassination, under the cleaving shears of fact and dream.
For Condorcef's History the blade* of hope (non-Christian) was for a
Tenth-Epoch perfection and fulfillment of man; the blade of fact was
the mounting Reign of Terror, which pursued him to a prison death.

a86)

l^ripCe: (Portraits, 1792-1820(7), [A] SCe^eC, [B] SBoCderCin, and
[C] Schedinff (here video adds V686, (^n£e, detaiC, then C of a86,
Sckeltip£ aCone)
86, 86a) (Kiin^e, 9domin£, Smad and Lar^e, (KpnstfudCe, SdimBur^; + V detaUs
In thought, it was Germany which brought to fruition, in three
astonishing schoolmates, Hegel, Holderlin, and Schelling, radical
transformations of Joachim's temporal Coming (blended sometimes
with Vico's cycles).
/

Music:

Beethoven, 1799-1800, First Symphony, opening, Toscanini
I

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— All (at that turn to the 1800s) as if launched on Beethoven's
early symphonies, toward Promethean daring,
Schelling, youngest of the three, by 1809 had completed O f
Human Freedom, tracing, from the primal dark ground of nature, and
self-willed battle of hisTtory, God’s physical emergence as light. His
moral emergence as Spirit.
At the same time Runge was composing versions, small and
large, of his transcendental Morning to image the life-forces of earth,
as in Bohme's Sacred Element.
(fade First)

a8 7) Hofin Martin, 1852, Tlie (jrerft (Day of (His Wratfi; first,, video detaiCs
87) Same, ^Tfie (PCains of (Heaven, Botfi Hate QaUery, London) + V detaiC
Music:

Beethoven, *1800-5, Fifth Symphony, from Trio, Toscanini

No one has formulated the death-drive of history more power­
fully than Hegel, where a God at war with himself is only to be ac­
tualized through successive alienations; so the fruit that every cul­
ture ripens and hungers for, becomes a poison draught to it, and yet
at the same time the rise of a higher principle. By this cunning of
reason, every decay, and fall from China to the West, advances the
self-realization of spirit, (as with Schelling) actually and" concretely,
in the World.
In such a theodicy, John Martin, Victorian fantast, leads from
his "Great Day of God's Wrath" to these earthly "Plains of Heaven,"
white witli souls.
(fade Fifth)

a88)
B88)
88)
V88a)
V88B)
88c)
^88 d)

(PasteC of (HoCderCin, 1792, ScfiUCer Museum, MarBacfi; first, video detail
MidieCanyelo, 1532-3, 5(gsurrection dratviny, (Bntisfi. Museum
Mfiens, c. 600 (B.C.,, (Kpuros, Metropolitan Museum, Mdf.C
'79)
^tBena Qyantomadiia, c. 525 (B.C., SlcropoCis Museum, SLtfiens (CQ^ '77)
SipolCo tempCe of Corintli, 6tfi unt, (B.C. (CQ‘B '77)
Landscape, nortB of Logo di Qarda (CQ^ '59)
Landscape, norpBem (Bavaria (CQ(B '59)

Music:

June

1996

Beethoven, 1804, Third Symphony, 1st movement, Toscanini

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The third schoolmate and transformer of history was Holderlin,
most enrapt elegiac poet of the West, undervalued through life and
mad for almost forty years, for whom (as Nietzsche would elaborate)
the expected German Coming would not be Christian, but Greek.
Aftef the long night of Olympian withdrawal (for which Christ, sec­
ond Dionysus, gave ritual comforts), Holderlin foreknows the dawnecstasy and mythic-return of the keen deities of earth and sky. (The
translations that follow are by C.G. Bell.)
So the gods of heaven come in, with such deep trem­
bling,
Down through the shadows their day-spring breaks
among men.
(Beethoven's Third, evincing most, how "the Zeus-eagle, from
Indus and Parnassus and the votive hills of Italy,"
Exultant, over the Alps, wings on at last.
And sees, wide spread, the many-patterned lands.
To wake that Germany, Holderlin, in "Bread and Wine," his
greatest poem, invokes the Hellas he would never see:

a89)
689)
89)
89 a)

Qreece,
coast of Taros, pfwto^rapfi (Tpy 9i{oore); or Va89
(De^fii, ^^mpCe of ^oWo and Mt. Tamassus, pfioto£Taph (CQT 77)
(De[p6i, Uieatre and n^empU from aSovc (C(fB 77)
Qrcece, Mtica, Toy at Sounion, photograph (Tpy Moore)
By. day and by night, godlike fire drives us on...
Wherefore,
To the Isthmus come, there, Where the open sea roars
under
Parnassus, and snow gleams on the rock cliffs above
Delphi;
There to Olympian lands and Bacchic heights of
Cithaeron;
Among pines and firs, over slopes mantled with
grapes.

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Where Thebe below and Ismenos sound in the land of
Cadmus;
Thence comes, ^nd points us thither, the past and
coming God.
Yet every invocation of that lost and expected glory:
Greece, feast-hall floored with ocean, tables mountain
Peaks, lifted time out, of mind for a destinate coming —

a90)
690)
90)
90 a)

ffriedricfi, c. 1830, ^empU erfJuno atS^grigento, (Dortmund
(DeCpfii, *Temp(e&gt;of S^oCCo mins, dar^r pfiotojjrapfi (C§(B't?)
(Hitn£e, 1799, Crayon Sdf, detail, d^nsthade, dlamSur^
d^riedridi, c. 1818,&gt; CCim6er over (Mists, dOinst^alh, diamBur^

Music:

Beethoven, Third Symphony, 2nd movement, Toscanini

recalls the desolation:

Where are the groves and temples?

Delphi slumbers, and where now does the great fate
sound?
No more in Greece; nor yet in Germany. "We come too late" —
or too soon. So the will to anticipate that Coming:
-r-

Look, we are it, ourselves, we, fruit of Hesperia —
darkens the lonely task of unshared prophecy: "And wherefore poets
in a time of dearth? — "und wozu Dichter in durftiger Zeit?" Until, in
"The Blind Singer," stretched to madness, he prays release:
Take from my heart, that I may bear it.
Life, the gOd-like, take from me.

a91)
d7B91
91)
91a)
9lB)

June

d^riedrUfh 180^-10, (Mon^By the Sea, ChaHottenBurg, (BerCin
Same, 1817, (MemoriaC Landscape, CharCottenBurg, (BerCin
Cams, c, 1823, Wanderer jat the City Qate, detail (rf9lB, BeCozv Boideo tahgs
a detadfrom this, and a under detailfrom die zvhoCe)
(K^Ci^ of Susette Qotitard, (HuCderCin's (Diotima
Cams, c. 1823, zvhoCe f91 ((Kunst, 1932); first, video detail of the shy

1996

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Yet in what dusk-love paean he hymns that Night itself, of
which he wouW "foresee the dawn. The opening of "Bread and Wine"
brims the -conscious space of the distych with the soul-inebriated
gloaming of that solitude — a mood-suffusion not even Beethoven's
Funeral March approximates (fade Beethoven); only Schubert's graveward yearning in The Winter-Journey, with the soul-search of
Friedrich and Carus.
Music:

Schubert, 1827, Die Winterreise: Der Wegweiser, Angei S3640B

Ringsum ruhet die Stadt; still wird die erleuchtete
Gasse,
Und, mit Fakeln geschmiikt, rauschen die Wagen hinweg.
Quiet spreads over the town, hushed now are the
glimmering byways.
And, with torches agleam, rustling the wagons depart...
Ah, but the sweep of strings sounds far from gardens...
fountains
Ever-bubbling and fresh whisper on vaporous beds.
Still in dusk-laden aij, roll the echoing bells of
evening...
(fade Der Wegweiser)

— Fruitless, to transcribe mere objects, which that German
floats in a liquid of mood-sounds: "Still in dammriger Luft ertonen
gelautete Glocken"; only music pours back those volatile pools, or art,
in its Way: Cams' Wanderer at the City Gate, with the love-death pil­
grim of Schubert's Winterreise:

a92)
92)
‘l^92a
926)

9^riedrkh, 182S, ‘Evening, tHbuse By a
Qrove, 9^Cn
y^rieHricfi, 1830-35, Easter:
to tBe Cemetery; ErWate, London
fLriedricB, 1824, ‘Widows and ‘Moon, ‘Wadraf-Eichartz, 9(pCn
Sitfiens, Eartfienon from EftUopappou 9{id, yUotograyfi (Hipy Moore)

Music:

June

1996

Again Schubert's Wegweiser, final repeat of last stanza

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History

Momently wakens a wind and stirs in the peaks of the
forest;
See, and the shadow-image of earth, the moon, se­
cretly
Comes- also, and Night, swirled in stars, and little con­
cerned
With us, spectrally hovering there, a stranger to what
is mortal.
Far over rock-heights hung, glances, supernal and sad.
Glanzt die Erstaunende dort, die Fremdlingin unter den
Menschen,.
liber Gebirgeshohn traurig und prachtig herauf.
(end Wegwelser)

In that prophetic Night, in the death-joy of the god’s betrayal,
today's tragic earth-triumph finds its utterance.

a93) 0ou6Ce: [SijTompeii, Cst cent.
(Portrait of a gift, (h(ptionaC(J^useum,
(HflpCes) ancC [*B] Munch, 189S, Self(Portrait, (S^tionaC gallery, Oslo;
+ VsinyCe of(B
93) 0ouSCe: [A] Christian, c. 300, Orant, CatacomB of S. CaCCisto; and
[(B] (Henry LamB, 1914, Lytton Stracfey, detail, Southampton gallery;
+ V detail cfB
Music;

Dvorak, 1893, New World Symphony, from 2nd Movement,
AngOl $35615

Whereas any Vico-to-Toynbee Cycle would have led the ripe
nostalgias of Rome or the West (Arnold's "strange disease of modern
life" and j"take me, cowled forms") as Eliot would lead his Lost
Generations of“ Prufrock, Gerontion, Hollow Men, "beyond the orbit of
the shuddering Beaf —
(tade Dvorak)
Music;

Gregoridn Mass for the Dead, introit. Requiem, MHS 915

and with the luck of the poor in spirit — through alienation and scep­
tic denial, to await in. the desert the Plainsong descent of an "Ash
Wednesday" priest (surely hot Christ); while Eliot's "(Bless me father)
though I do not wish to wish these things," would lure his convert

June

1996

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�C.G. Bell

Symbolic

History

Quartets, into a rose-garden moment of late-cycle nostalgia; "human
kind/ Cannot bear very much reality."
(fade Gregorian)

94)

triple: "Epstein, [^] 1921, Senegdese H^oman, Bronze; [(B] 1919, (Day, stone;
and [C] 1939, SliBm, cdoBaster, from riyfit

When I began this study during the Nazi overthrow of Eliot's
Between Wars, it seemed the sculptor Epstein, from the romantic
realism of his portraits, through the hardening abstraction of Cubism,
to the world plight of his 1939, Adam, had pursued some such cycli­
cal course as Eliot's, though with more fierceness and humanity. Nor
could I avoid comparison with Stravinsky's 1930 Symphony of
Psalms.

95-99) Epstein: 1919, (Day; 1929, (f^Bt; 1931, (PrimevaC Qod; 1939, Sidam, from
front-C^t; and same, profUe detail aBove
Music:

Stravinsky, 1930, Symphony of Psalms, I, opening and close.
Philips A01193L, with the five slides (holding 99 over)

Yet as I review the sequence now, fifty years afterwards,
Epstein's Adam puts the Aquarian question:
was this the stylized
objectificatidn of man's post-romantic agony, or did it purpose, as
Symbolic History must, to rear a tragic containment for the crisis of
earth itself?

alOO)
BlOO)
100)
VlOOa)
100B)

PLuyustus JoBn, 1907, W.(B. yeats, Eate Qadery, London
1918, ErencB warfare in the 9deMse-5byonne
5dosaic of Chrysostom, lOth unt., St. Sophia/ Constantinople
Stme, 12th cent., St. John, detailfrom the (Deesis (Band
Mso St. Sophia, (Mosaic, 12th cent(F), Christ, S. Qcdery

Music:

From "Bhroque Harp,"' (Elena Polenska). 2nd Irish Air; TV4069

Meanwhile, our greatest poet, Yeats, in his early dreams of an
Irish "Golden Dawn," had hailed Joachim's "Holy Spirit" as a "multi­
tudinous influx," to bring back Celtic myth and the gods of Eri. (fade
Irish Air) That wind of change was tied (as Nietzsche's had been) to
the spiritual winnowing of "an impending European war". But after

June

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Symbolic

History

twenty years and the actuality of World War I ("We... are but
weasels fighting in a hole”), even Yeats toyed with the cycle of
Christ's return, as Eliot was doing. Thus the imagined Sailing from
sensuous Ireland, "To the holy city of Byzantium":
"Consume my
heart away; sick with desire/ And... gather me/ Into the artifice of
eternity." So in "Demon and Beast," we hear: "0 what a sweetness
strayed/ Through barren Thebaid," when Saint Anthony and his
monks "Starved upon the shore/ And withered to a bag of bones".

101)

Constance Qore-^Bootfi, pHotograpd, c. 1885(?), SCigo (CQ^ '80); first,
video detaUs
101a) ^R^m8randt, 1631, TfuCosopfier under a tvinding stair, Louvre; + *1^ detail
Music:

2nd Irish Air (as above): pick up 2nd phrase

But Yeats perceived that the Christ program would take him
through Plato and Pfotinus to the deserts of theology; while in fact he
was an Irish poet, and "what theme had Homer but original sin?"
(fade Irish Air) (Here, from their County Sligo youth, Constance GoreBooth, "The beauty of her country-side" — later, "A Political
Prisoner.")
So between Yeats' own search and his wife's spiritual dictations
(he brooding, like Rembrandt's "Philosopher under a Spiral Stair"),
they hit on a two-lobed cycle of intersecting cones, alternating in
time, somehow combining Vico vdth Holderlin (whom Yeats could
hardly have read, though he had browsed upon Nietzsche).

alOZ)
BlOZ)
VclOZ)
lOZ)

lOZe)

June

feats' QHoof (BadyCee, Qort, County Qtdway (C^, '80)
Upper fe/t settion cflOZ: Mttic ^Kpater, Beside cone-spirals detail
Oletail cf BlOZ, Attic l^aur (CgO '77)
Superimposed'cone-spirols)^ Lunar andSoCar; at tfie comers: A) Attic, 8tfi
unt., ffunerary Kjater; ^)!Herculaneum, 1st cent. A.L&gt;., (Dmn^^lercuCes,
blouse of tfie Sta^s; C) 9tfi cent, Qerolxeuz, (Dorn, fKpCn; D) TeneCope
Jenc^, 1980, 'l^alerie (tvith video^^spiraC,and picture detaiCs, as ^lOZfB-C,
douBCe of*B &amp; C — (dosin£ on VlOZD': Valerie)
DouBCe: Tros fKg.Cos, c. 300 D.C., [A] Louvre vase, Satyr-nympB dance;
and [CB] Derdn, CoupUng Satyrs and fSf^pBs

1996

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�C.G. Bell

Symbolic

History

The stair was in his restored Medieval tower near Gort. The
tower — most relevant to the early violent phase of Western culture,
or to the renewed violence of that time of civil war — could also con­
tain the great gyres of history.
Briefly, from a vertex above (that Zeus-kindling of Homeric
Greece, here sampled in a funerary urn — Yeats: "I imagined the an­
nunciation that founded Greece as made to Leda... and that from one
of her eggs came Love and from the other War"), a twelve-phased
lunar gyre of myth and sensuous gods descends, widening toward its
late-classical variety, instanced by a drunk Hercules. Yeats: "In pity
for man's darkening thought/ He walked that room )and issued
thence/ In Galilean turbulence..."
Here the absolute incursion of Christ born and crucified sum­
mons (below) to the vertex of a solar cone, a culture of ope God, the­
ology, rational science. So that spiral mounts to our age of "Turning
and turning in the widening gyre," where (to a Penelope Jenks' terra­
cotta called Valerie) the "beast... to be born" should recur in Dionysiac
rape. Thus in Yeats' "News for the Delphic Oracle": "Nymphs and
satyrs/ Copulate in the foam" — a "changing of the tinctures" for
which the poet, at 68, would undergo Steinach rejuvenation, to be­
come the incarnate voice of that passion. As an intimate has told of
his last euphoria: "He spoke of nothing but sex, mysticism, and his­
tory — all one in his mind."

103)

SdttmeC iPaCmer, 1879, H^fie LoneCy *Tower, etcMng, Victoria ancC ^6ert
Museum, London
103a) fRgmJ^randt, 1647,9^fit iRsst on die J^Ggfit, (DuBGn QaCCery
The central room of the tower was Yeats' , place of night study —
as he enacted "II Penseroso's Platonist" (with Palmer's engraving):
Or let my lamp at midnight hour.
Be seen in som high lonely Towr...

June

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Symbolic

History

So Milton; and Yeats — with Rembrandt’s Rest on the Flight, in the
Dublin National Gallery:
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.

104) fDouBCe: [Jl] (Print of a Samurai, and [*B] from friedricA: a netv moon;
+ video details, first of % tfieh ofSI
On the study table lay Sato's sword, curved and stainless as a
new moon, gift of a Japanese admirer, sign of the rending and creat­
ing absolute at the vertex of every historical cone — that past and
coming violence Yeats had to fear and affirm:
AH changed, changed utterly;
A terrible beauty is born.

105) CooCe (Parli garden, Qort, (Bust of (hdaecenas (Cg(B 1980)
^lOSa (Picasso, 1901, S^sintfie (DrinAgr, QersAzvin Codection, (SC&gt;%
10SB) CooCe (ParSu stone BencA under ancient yew (Cg*B '80)
Music:

2nd Irish Air (as above): pick up 3rd phrase

A few miles west. Lady Gregory's house, and especially her
garden with its bust of Virgil's patron Maecenas, upheld the Western
plateau of aristocratic life and art. So in Yeats' "A Prayer for my
Daughter," he, hierOphant of "The Second Coming": "The ceremony of
innocence Is drowned" — soon to turn his pen to Crazy Jane — prays
that his d^ghter may come into a house of custom and ceremony,
innocence and beauty;
(end Irish Air for harp)

106) *BattCements ofCfea^' *Xbwer (CgOB '80)
106a) (Ry-in near feats' tower (Cg(B,'80)
Music:

Bartok, 1928, Fourth Quartet, Last Movement, (Fine Arts), CS501

though lifi. has been on the wind^lashed battlements of the tower:
"Imagining in excited reverie/ That the future years had come,/
Dancing to a frenzied drum,/ Out of the murderous innocence of the
June

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�C.G. Bell

Symbolic

History

sea." (For Lady Gregory's innocence of custom, this Gita iilnocence of
Sato's sword.)
(fade Bartok)

10.7) (Bfwto£rapfi ofO^eats, 1937-38, 6ro(uCcasiin£ in a (BiBC stucCio
107a) TfiotograpH (fuCC-face) of Maud gonne, 1897
No doubt, when Vico's millwheel of return, Joachim's fire-arrow
and assault of spirit, had become for Yeats a paradox road of poetry
— to affirm both — that oscillating whorl between "dire antinomies"
required some resolving timeless embrace. In Yeats' early worship
of Maud Gonne, such need had found a Platonic voice: "Lives on this
lonely face," and "Who dreamed that beauty passes like a dream?"

al08) Anotfier p/iotqgrapfi (profile) of Maud Qonne in fier youtft
108) ‘DonateCCo, c. 1453, Mary Magdalen, profile of face (first, video adds
V6i08, same, from tfie waist up) (Duomo Museum, J-lorence
In the 1928 volume named The Tower, beside poems of polar­
ity, gyres and cycles, one of the greatest, "Among Schoolchildren,"
sets a memory of Maud's youth against her present state.
(Surely
the reference is to Donatello's penitent old Magdalen of the 1400s,
then in the Florentine Baptistery):
Did Quattrocento fingers fashion it
Hollow of cheek as if it drank the wind
And took a mess of shadows for its meat?

al09) (DouBle ejqposure: Jo.and Jofin Malins over MeligenBlutfi, xuitfi giovanni
CBellini, Madonna and sleeping cfiild (Cg%'59); + 9/ detail
109)

Morse chestnut, photograph (CgiB); video uses ^109

109 a) (DouBle: photographs (Cg(B) [J4.J Leaf-Bloom of horse chestnut, and pB] its
Bole
109B) Martha graham, c. 1938, 'Marlequinade' (Barbara Morgan)
How startlingly the heart-break of our condition, stretched between
flesh and eternal Presences (those "self-born mockers of man's en­
terprise"), is consumed in a vitally altered Platonism, where the im­
aged wholeness of a chestnut tree fuses into love, music, and dance,
the old antinomies of beauty and wisdom, body and soul:
June

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�C.G. Bell

Symbolic

History

0 chestnut-tree, great-rooted blossomer.
Are you the leaf, the blossom, or the bole?
0 body swayed to music, 0 brightening glance.
How can we know the dancer from the dance?

110) Soutfi Cfiina, Sung, c. 1200, Ma ^uan, semi-routuC of infiaiuC coCor on sUIq
‘Bare ‘WiUo'WS and Mountains; O^ine J4rts, (Boston
Think now, in the ad-libbed
in all symbolized philosophy, —
wheel, the flowing stream, and
round.
For which I interpolate
Chambered Heart: "Pool of Tao":

visuals of this homing sequence, as
we must mind at once arrow and
its expansion or convergence into
a poetic discourse from my Five

alll) (Durer, 1493-9, (Pond in the Woods, watercoCor, (British Museum
V6111) (Kp Son, c. 1830(F), On the Wing, (BihC. Mgt., (Baris
111) (ppSens, c. 1630(F) (forest at ‘Evening, CoUection SLugust (S^tierhurg
111a) ‘Bid ‘WhaCen, c. 1980, (P^Cecting ‘Tam, 'WatercoCor; C.Q. &amp; ‘D.M. ‘Bed
I waited the fulness of time.
As sunset deepened
The wind died.
In the hush the pool
Was an iris of trees
Fringing a sky —
Motionless, until
A flight of geese passed over;
Then I heard the sound
Of water, a stream
That falls to the pool.
Lingers, and falls away.
When the geese were gone
The sky gave over
The motion received;
But mine was full.
Holding flight and water.
The arrow aM ths. wheel.

allZ) (BCahp, 1800-03, Jacob's Ladder, (British Museum, London; first, video detaiC

June

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�C.G. Bell

Symbolic

History

112) *]/enice, 13tfi cent., iAfosaic of Creation, J^trium cfScin ^\(arco
112a) Cfiuan£ *Tsu, Japanese Screen 19tfi cent,, Cfiinese Immortals (video sfiozvs de­
tails only, aSove and BeCow, and adds a central detail cf 112)
So in the final form of A Vision. Yeats conceives a 13th cycle,
cone, or sphere (like Blake's convergent point of Jacob's Stair), mys­
teriously surrounding the historical pulses, altering thoir determin­
ism and bringing Will, human and divine, into the temporal and ma­
terial. (Did not Epicurus make his atoms swerve to spring the deter­
minism of Democritus, as quantum uncertainty has opened up our
physics?). Yeats:
The Thirteenth Cycle... or
the twelve cycles of time
less sphere... within which
set free, and every Daimon

Cone... may deliver us from
and space... it is the phase­
live all souls that have been
and Ghostly Self."

(These Chinese Immortals in a Japanese screen.)
intends we cannot precisely say, for there the
both in us and beyond. "The particulars are the
teenth... cycle, which is in every man and called
freedom."

What that sphere
unique intervenes,
work of the thir­
by every man his

Conrad V. Soest, 1403-4, ll^tivity detail, ‘BadI^Hddunyen Mtar
1^6113) Vermeer, c. 1663, QirC zoitfi veil, ‘Wriyfvtsman, Balm Beach
113) iMunch, 1893, ‘Death and the 9daiden, Udunch iMuseum, Oslo; video, central
detail only; see ‘1^113
alls)

It is "the uncontrollable mystery on the bestial floor." Crazy
Janes dark Christian word: "For nothing can be sole or whole/ That
has not been rent," climaxes in "The Circus Animals Desertion" (Last
Epemg). Yeats knows, that when his high visions have failed:
I must lie down where all the ladders start.
In the foul rag-and-bone shop of the heart.
114) JdicheCanyeCo, 1508-12, Sistine vault. Lunettes, Ancestors of Christ, OCd

Spinner, ‘Uatican
114 a) Burne-Jones, 1881-98, JLrthur in S4.vaCon, Oduseo, Bonce, Buerto BJeo
June

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�C.G. Bell

Symbolic

History

Yet the poet who accepts that resides in the Oneness of the
Thirteenth Sphere — simultaneous repository of all that has been or
is to be. "Cast a cold eye/ On life, on death./ Horseman, pass by!" His
is the other knowledge of "The Curse of Cromwell":
That the swordsmen and the ladies can still keep com­
pany ...
That I am still their servant though all are under­
ground.

allS) Cftinese, ^en 9{ui, 13tfi cent., I'iefi
taiC, Cfiiou-ji ^empCe, ^oto
115) Same, zoUoCe; + otfier video detaiCs
Music:

*Taoist InwwrtaC, coCor on siC!^ de-

Japanese Bamboo flute, Yamaguchi, Koku-Reibo, close, H72025

The problem goes to the very core of thought, the complemen­
tarity of knowledge. Neither mind nor soul can embrace a fabric
which does not unite the trial and search of becoming with the
source of all Greek wonder. Being. Here, to the Zen flute, a supreme
picture by Chinese Yen Hui, late 13th century, this silk painting of a
Taoist Immortal, who in his crippled beggar's body, sees himself, on a
cloud-track above, taking the sky-road.

116) a)ou6Ce: ^Ks-mBrandt [Si] c. 1660(F), iPaCCas Mena, QuCBenfiian; and
[(B] 1665-9, Lady witB a !PinlQ MetropoCitan,
(eacB aCso appears sitwCy,
Si Before tfie douBCe, (B after)
Music:

Purcell, .1680, Fantasy (In Nomine) for seven viols, ARC 3007
I

Even in the proud embodiments of the West, all souls of depth
so thread the one-and-many, weaving the actual and visionary to a
robe as seamless as the polyphony of Purcell's /« Nomine for seven
viols. So, from Rembrandt's last decade, we draw a complementary
pair, immortal, and mortal: the triumphant Pallas Athena; the whim­
sical sad Lady with a Pink, musing on our happiness, "that passeth
soone as floures faire."

all?) (BotticeUi, c. 1493-7, Dante Drazuing, (ParadiseXXX

June

1996

NOW — Omega

45

�C.G. Bell
6117)
117)
^117a
117B)
117c)

Symbolic

History

T&gt;ori, 1857-68, (Dante HXustrations: (Paradise XXXI
Stars over Arizona rocfi and tree;
(DuntBSed Odg-BuCa
(^venna mosaic, 6tfi cent.. Stars and Cross, S. Sipodinare in CCasse
Spiral ^aCa^q/ 5d0C 2997, CamBridpe AtCas of Slstronomu

In Dante's Empyrean, God's Spirit first appears flowing out
through time and space — as in Botticelli's drawing, a stream of
sparks between flowered shores; but when the poet has dipped his
eyes, those "shadowy presages" gather to the eternal round of the
rose of Paradise (here by Dore).
While the Inferno, Purgatory,
Paradise, all end with the word stelle, stars: "E quindi uscimmo a
riveder le stelle." — And we came thence to see again the stars.
— "Puro e disposto a salire a le stelle" Pure and disposed to ascend to
the stars... "L'amor che move il sole e Valtre stelle." — The love that
moves the sun and other stars.
Surely, it is in this cosmos that the Omega earth began, has
evolved, and ultimately will end.
(fade Purcell)

118) Sifrican weaver ants fioCding territories in the trees
118 a) China, !Ju{y 1989, danh^ in dien an Men Square, Beijing
While Marx, despising mystics and romantics, trusted a parti­
san upheaval to institute a classless brotherhood, where, as the
Joachites had phrased it, church and state would wither away.
How much glory and agony these never-withering states have
extracted Trom that promise.
Which brings us back to where
Shostakovich left us, at the end of a century of global wars and revo­
lutions.

all9) Christo, 1968, 5,000 cuBic meter pachg£e, erect, CasseC
119) Same, Cranes Ciftinpi the 'pacfiigge', CasseC, West germany
119 a) May 6, 1937, ZeppeCin von (HindenBury Burning,
Jersey
History, seen as from the outside, is a configuration in time and
space — like Christo's great sausage blown up over the park and city
June

1996

NOW — Omega

46

�C.G. Bell
of Cassel.

Symbolic

History

But from within and in its own right (as we who inhabit its

curvatures experience it) world history is the shape of space-time it­
self.
No doubt Christo s phallus is a comic array; whereas that his­
tory (everywhere webbed with waves and fields of electromagnetic
messengers, relativistically eternal; since at the speed of light time
ceases, and all causalities act in mythic simultaneity) rather suggests
the 1937 flame-cascade of the Zeppelin von Hindenburg —

alZO) LimBours 'Brot/iers, 1413-16, m of the fR^BeCSlttseCs, ^res &lt;RicA,s
f£4 V. Music Condi, CBantidy; + V details
120) (Burning ZQizoait oiC^ zvdCs, fired By Saddam Olussein, 1991
such a chain-reactive Now as we must steel ourselves to convey,
whether of achievement or catastrophe.
Music:

Purcell, 1680, In Nomine for seven viols, close, ARC 3007

There is no division between that Now and what has been
ripening since the fall of Lucifer — this earth-harvest, of which we
have to inquire: what appears on the plus side, what hopes of a liferoad? But here th^e "insfa-ucmrsU^$_claimed in A Vtj;ion tell me
to break off; since that must be the closing thrust of tfie t^uneJ^QW
Symbolic—History’s last and fortieth show — entitled "T^he Rooted
•

June

1996

(end of Purcell, In Nomine)

NOW — Omega

47

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              <text>&lt;strong&gt;Ode to St. John’s College&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Music by Elizabeth Ellen Starr&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;We sing to thee, our mother dear, (our mother dear,)&lt;br /&gt;Our hearts are warm, our voices clear, (our voices clear;)&lt;br /&gt;As to thy praise we sing,&lt;br /&gt;As to thy praise we sing,&lt;br /&gt;Down through the sounding aisles of time&lt;br /&gt;We send thy praise in tuneful rhyme,&lt;br /&gt;And make thy old halls ring,&lt;br /&gt;And make thy old balls ring.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Chorus:&lt;/strong&gt; To thee, St. John's, we gladly sing,&lt;br /&gt;To thee we sing, we sing, we sing;&lt;br /&gt;To thee our sounding praises bring,&lt;br /&gt;Our praises bring, our praises bring,&lt;br /&gt;We hail thee, love thee, bless the day&lt;br /&gt;That brought us 'neath thy guardian sway,&lt;br /&gt;Thy guardian sway.&lt;br /&gt; &lt;br /&gt;Farewell! old bell! go on and ring (go on and ring,)&lt;br /&gt;High in thy lofty turret swing (turret swing)&lt;br /&gt;But not for us thy peal -&lt;br /&gt;But not for us thy peal.&lt;br /&gt;Farewell, green sward and sheltering trees.&lt;br /&gt;'Tis not for us thy whispering breeze&lt;br /&gt;Shall through your branches steal&lt;br /&gt;Shall through your branches steal.&lt;br /&gt; &lt;br /&gt;Oft from the strife of coming years (of coming years;)&lt;br /&gt;Oft from the mingled hopes and fears, (hopes and fears,)&lt;br /&gt;Our hearts will turn to thee&lt;br /&gt;Our hearts will turn to thee.&lt;br /&gt;Thy restful paths, thy sunny slopes;&lt;br /&gt;Thy promises, youth's buoyant hopes&lt;br /&gt;We find in thoughts of thee&lt;br /&gt;We find in thoughts of thee.&lt;br /&gt; &lt;br /&gt;And strengthened by these mem’ries dear (mem'ries dear)&lt;br /&gt;We forward go with songs of cheer (with songs of cheer.)&lt;br /&gt;To thee our thanks we raise,&lt;br /&gt;To thee our thanks we raise;&lt;br /&gt;And to the guiding Hand above&lt;br /&gt;Which over all our lives doth move,&lt;br /&gt;A parting song of praise&lt;br /&gt;A parting song of praise.&lt;br /&gt;&lt;br /&gt;Lyrics source:  &lt;a href="http://digitalarchives.sjc.edu/items/show/3687" title="Commencement Program, 1910"&gt;Commencement Program, 1910&lt;/a&gt;&lt;br /&gt;.</text>
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              <text>&lt;strong&gt;St. John's Forever&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;St. John’s forever, her fame shall never die&lt;br /&gt;Fight for her colors, we’ll raise them to the sky&lt;br /&gt;Each loyal son pledges her his heart and hand&lt;br /&gt;For her united we as brothers stand&lt;br /&gt;.</text>
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                    <text>COJ:_,OJ\(]AJ:_,

ST. JOHN'S COLLEGE
ANNAPOLIS, MD.

}

t

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"

�cozoJV:JAZ

FOUNDERS OF ST. JOHN'S
ALLEN
BALLARD

BROOKE.

BRISCOE
BUCHANAN

CHILTON
CLAUD

COURTNEY

EDEN

GOLDIE

HARRISON

HARWOOD

HANSON
HEARD

HEBB

HIGENBOTHAM

HEIGHE

JENIFER

. HAMMOND

HAWKINS
-

HEPBURN

HILLEARY

HILL

HOLLINGSWORTH HOLLYDAY
HYDE

HALKERSTONE

HAMILTON

HAMERSLY

HALL

GREENFIELD

HAGAN

GWINN

GREENWELL

GRAHAME

GREEN

GRAY

GRANT

GOLDER

GOVER

GOODWIN

GASSAWAY

GANT,

GILMORE

GIBSON

GATES

FORREST

FORBES

FRAIZIER

FRAIZER

FAIRBOURNE

EVERSFIELD

FITZGERALD

FERGUSON

EASTMAN

DUVALL

ENNALLS

DEBUTTS

DORSEY

DORSET

DUCKETT

Cu Rs IN

DEAKINS

DAVIDSON

DIGGES

COWMAN

CRAUFU)ID

CRADDOCK

~ DARNALL

DOWSON

Coo KE

COVINGTON

COURTS

Cox

DENT

CLAR~

CONTEE'

COALE

CHEW

·CHASE

CLAGGETT

CLAGETT

CAWOOD

CAUSIN

CHAPMAN

CHAMBERS

CARCAUD

CARBURY

CARROLL

CARR

CALLAHAN

BURGESS

CAMPBELL

CALVERT

BROWN

BROOKES

BULLEN .

BRICE

BREWER

BRENT

BOWLEY

1696-1928

BOWIE

BOTELAR

BOARMAN

BLAIR

BIRCH

BERRY

BECKETT

ANNAPOLIS, MD.

BEALL

BAYNES

BARNES

BEANES

BAKER

ASQUITH

ANDREWS

ST. JOHN'S COLLEGE

HowARD
JENINGS

HODGKIN
HUGHES

The (ommz"ssz"on for the 1\lstoratz°on and enlargement of
(olonz°al St. John's College, ~nnapoHs, Jrrd.

JOHNS

I

9

2

8

�FRANCIS SCOTT KEY

A graduate of St. John's in the Class of 1796.

T

HE American small college is again coming into its own. For the past
half-century it has been obscured by the spectacular rise of the universities, but higher education in America is entering a new phase-a phase
in which it is recognized that college and university have separate and
distinct tasks and that one is as importan:t as the other.

St. John's has always been a small college. It will remain a small
college, carrying on the sound tradition of cultural training and comradeship in learning which institutions of its kind have established as a vital
part of American.life. It brings to its task, however, an age and tradition
rare in America.
Of American institutions for higher learning St. John's has, next to
Harvard and William and Mary, the longest continuous history. Its story
begins in 1696, with the establishment at Annapolis of King William's
School. Into that story are knit names and associations which will be for-

PHOTO BY PICKERING

Charles Carroll of Carrollton (1737-1832), Signer of the Decla ration of Independence,
member of the first Board of Visitors and Governors of St. John's. Two other Signers,
Samuel Chase and Thomas Stone, served in like capacity, and a fourth, William Paca, was
among the promoters of the College.

�Notable
Names

ever memorable. Washington visited St. John's in 1791, and sent to it
his adopted grandson, George Washington Parke Custis. The names of
three other members of the Washington family, Fairfax, Whiting and
Needham Washington, stand on the early rolls of the College. Francis
Scott Key was a graduate in the Class of 1796. St. John's counts among
its promoters four Signers of the Declaration of Independence: Charles
Carroll of Carrollton, Samuel Chase, Thomas Stone .a nd William Paca.
The first three served as trustees.
The setting of St. John's is in accord with its history. It is situated
at Annapolis, a city which retains more of the atmosphere of Colonial
times than any other center in America. The homes of three Signers are
within a short walk of the campus, as is the old Maryland State House,
under the graceful dome of which has been written many a colorful page
in the annals of the country. Congress met there in 1783 to receive Washington's resignation as commander-in-chief of the Revolutionary armies,
and again in 1784 to ratify the treaty of peace with Great Britain. A
meeting at the State House in 1786
led to the convention which framed
the Constitution of the United States.
Annapolis is known to architects the
country over for its splendid preRevolutionary mansions, three of the
finest of which, the Hammond-Harwood, Brice and Pinkney Houses,
have been taken over by St. John's
. and are to be integral parts of its life .
At one corner of the campus
stands the Liberty Poplar, a tree
which has figured so prominently in
Maryland history as to become almost
a personage. The colonists gathered
about its massive trunk in 1652 to

conclude a treaty with the Susquehannock Indians, and during the troubled
days before the Revolution they met there many times to hear Samuel Chase
and other patriot orators. In 1824 the people of Anne Arundel gathered at
their ancient forum to welcome Lafayette, who was later entertained at a
banquet and ball in the Assembly Hall of St.John's. A memorial standing on
the campus marks the graves of French soldiers and sailors who died at
Annapolis during tp.e Revolution. McDowell Hall, the central building of
the College, was begun in 17 44, and is one of the oldest college buildings in
America.

An Historic
Campus

St. John's .is rich in age; it is rich, also, in youth. Under a vigorous
and progressive leadership it is meeting a most modern, national needthe need for institutions which provide intimate student fellowship, close
contact between student and teacher, and an education based upon the
traditional cultural studies which are the best preparation both for life and
for advanced technical and professional training. To meet the obligation~
laid upon it, however, and to grow into the future of brilliant development open to it, the College needs a
.
wider circle of friends. To that end it
presents its story and its case-not
only to the people of Maryland, but
also to the country as a whole. I ts
appeal is varied and national; it is
made to those who cherish the past
and delight in its beauty as well as to
that rapidly increasing group that believes in an education which is neither
special or utilitarian, but which lays
a foundation for intelligent, appreciative living. Americans are rediscovering that such a foundation is, moreover, a pre para ti on for successfu 1
professional and business life.

[ 5]
Memorial on the St. John's campus marking the graves of
French soldiers and sailors who died at Annapolis during
the Revolution. Erected in 19II by the Sons of the
Revolution.

Three of the 400 volumes which St. John's inherited from
King William's School. Sent to Maryland in 1696, they
were a part of one of the earliest free public libraries
in America.
"

�I

''TRAINING IN GOOD LETTERS
AND MANNERS"

J\ S early as 1664 the Maryland colonists testified their wish to "make
fl. learning an handmaiden to devotion" by founding free schools which

A Free
Public School

would train youth "for the service of Church and State in this uncultivated
part of the world.'" Private schools appear very early in the history of the
Colony, but it was not until 1696 that the project for free schools took
definite shape.
The first completed legislation, of the Assembly of that year was "An
Act for the Advancement of Learning," which provided for a free school
for the education of Maryland youth in "good letters and manners." The
Royal Governor, Sir Francis Nicholson, promised £so toward a building
and £25 a ye_a r tow~rd the master's stipend, and theAssemblyvoted45,ooo
pounds of tobacco toward a school structure. The members of the Council
gave from 1 ,ooo to 2,000 pounds each of the same staple, "each and every
gentleman," according to a chronicle of the time, "vying with his neighbors .... in making generous donations of hundreds of pounds of tobacco.'·'
The Archbishop of Canterbury was named Chancellor, and the first trustees
were as follows: Governor Nicholson; his secretary, Sir Thomas Lawrence; The Foremost
Colonels Hutchins, Robotham and Addison of the Council; the Rev. Pere- Gentlemen of
Maryland
grine Cony and the Rev. John Hewett; John Bigger, Edward Boothby,
Kenelm Cheseldyne, Henry Coursey, William Dent, Edward Dorsey,
Thomas Ennals, Francis Jenkins, Robert and Thomas Smith, Thomas
Tasker and John Thompson.
+
+
+
King William's flourished until the Revolution. It drew the cream of
Maryland youth, among them William Pinkney, U.S. Attorney-General,
Minister to England and Minister Plenipotentiary to Russia. Pinkney

[ 7]

�drew the declaration of war against England in 1812. At the opening of the
War for Independence, however, the school closed and its building became,
according to tradition, a gun shop. At the close of the great struggle there
were many natural reasons why it should resume not as a school but as a
college. There were plenty of lower schools in Maryland, but as yet no
college. It had been customary for the sons of the large planters to go to
Oxford or Cambridge, but with the breaking of ties between the Colony
and the mother country agencies for higher education must be established
at home . There can be no doubt also that the men who had created a new
nation foresaw its amazing possibilities of development and believed that
sound growth depended upon a most generous provision for higher education. Some of them wrote as much into the charter of St. John's, which
reads in part: "'Institutions for the liberal education of youth ... . are of
the highest benefit, in order to train up and perpetuate a succession of able
and honest men for discharging the various offices and duties of life ....
Such institutions have accordingly been promoted and encouraged by the
wisest and best-regulated States .... "
+
+
+
In 1784 a group petitioned the Legislature for a college charter. The
charter was granted, and by legislative action the funds, property, masters
and students of King William's School passed to the new institution. By ·
legislative action, also, it received a grant of land near the State House, on
which stood a mansion begun in 1744 by Thomas Bladen, Royal Governor
from 1742 to 1747· Royal names were out of favor, and it was natural that
King William's should lose its ancient appellation, but it is not exactly known
how the College received its present name. It is probable that among the
remarkable men who guided the transition from school to college' were
some who had been students at St. John's, Oxford. By giving the name
of this college to the new institution they testified to an affection which
had survived the bitterness and hardships of the Revolution.

Doorway of the Hammond-Harwood House, built between 1770-1774 by Matthias Hammond , St. John's,is appealing for funds with which to make this and three other pre-Revolutionary dwellings a permanent part of its holdings . The Hammond-Harwood House is
to be a Colonial museum; the Brice, Pinkney and Peggy Stewart Houses faculty and student
residences.

They wrote into the charter, also, those principles"of religious freedom
which earned for early Maryland the name of "The Land of Sanctuary."
To quote again from the charter: " .... the said college shall be founded
and maintained forever upon a most liberal plan, for the benefit of youth

The
Revolution

King William's
Becomes
St. John's

Tolerance

�..

of every religious denomination .... nor shall any preference be given -in
the choice of a principal, vice-principal, or other professor, master, or tutor
in said college, on account of his particular religious profession.''
It is certain that no college or university in the country has had more
distinguished patrons and friends than those who promoted St. John's.
The foremost gentlemen of Maryland responded to an appeal for funds,
just as their ancestors had responded to the appeal for King William's
School. The subscribers' book, still preserved in the College Library, is a
roster of the most noted families of the State. All four of the Maryland
Signers gave to St. John's, as did Alexander Hamilton, who came to
Annapolis in 1786 as delegate to the meeting which was the real beginning
of . the American Constitution. Thomas Stone and Samuel Chase were
elected to the Board in 1784, and Charles Carroll of .Carrollton in 1789.
Other noted subscribers and trustees were William Pinkney, Jeremiah
· Townley Chase, · John Eager Howard,
Philip Barton Key, Dr. Thomas
l't
· J oho Clagett, first Protestant Episcopal Bishop to be ordained in the
United States, Dr. John Carroll, first American Roman Catholic Archbishop, and John Hanson, first President of the Continental Congress.
King William's School became St. John's College through the same
general forces which created a free America. In the College records stand
. an impressive number of those names which are honored for their connection with the founding of the Republic.

vVoodward Library. St. John's has recently received a grant from the Carnegie Foundation
for book purchases and from the same source an excellent art collection. ·

The College opened its doors in 1789, with a procession from the
State House and impressive exercises in the chapel. I ts story from that
year is best told by an account of its alumni. It was founded to create
able citizenship, and its real history lies in the great degree in which it has
accomplished that purpose, often in the face of great difficulties. The
charter promised an annual grant from the State; in 1806 the Legislature,
by a majority of six votes, withdrew the grant. St. John's was saved only
by the heroic efforts of Rev. Bethel Judd, rector of old Queen Anne's, and
by the eloquent appeals of Francis Scott Key. The College suffered
heavily, also, during the Civil War, when its buildings were in use as a
Federal hospital.
'-

[It ]

Distinguished
Patrons

1789 to the
Present

Hardships of
the Civil War

�In the "succession of able and honest men" turned out by St. John's
the greater number have won distinction in the field of public service,
although physicians and teachers have always formed important groups
in the alumni body. Army and Navy, Law and Politics have, however,
long been traditional careers in the South,. and it is in these fields that
St. John's men have been most numerous and - have won the greatest
distinction. Upwards of 500 have been commissioned officers in the armed
forces of the country. The military tradition of the College was honorably
upheld during the World War .. Four hundred and fifty-two alumni saw
service; 90 per cent. were commissioned officers, of whom half held the
rank of captain or above. St. John's men won thirty-five decorations and
citations, American and foreign; twenty-four laid down their lives.
og,

&lt;§&gt;

Army and Navy,
Law and
Politics

&lt;§&gt;

Of individuals who have won a conspicuous position in the life of the St. John's
country it is possible to speak of OJJly a few: Francis Scott Key, who wrote Men
his name in the heart of the nation; Reverdy Johnson, U. S. AttorneyGeneral and Minister to England; John Tayloe Lomax, Chief Justice of
the Supreme Court of Virginia; T. U. P. Charlton, Chancellor of South
Carolina; Alexander Contee Magruder, Chief Judge of the Ist Judicial
District of Maryland; John Hanson Thomas, famous as an orator; Judge
William H. Tuck, of the Maryland Court of Appeals; Somerville Pinkney
Tuck, Alabama Claims Commissioner and Judge in the Court of International Claims at Alexandria, Egypt; William Peaco and Richard Randall, governors of Liberia before that commonwealth became self-governing; Ninian _P inkney, Medical Director of the United States Navy; Thomas
Holme Hagner, chairman of the Judicial Committee in the first Florida
Legislature; Frederick Stone, codifier of the laws of Maryland; Thomas
Stockett Alexander, author of a work on Maryland Chancery Practice;
C.S. Winder, a brilliant Confederate leader, whose death at Cedar Mountain was mourned by Jackson; William Pinkney a11:_d Cleland K. Nelson, National
bishops in the Protestant Episcopal Church; Leighton Parks, for over Service
twenty years the beloved rector of St. Bartholomew's Church, New York
City; James Booth Lockwood, who gave his life to science, dying at Cape
Sabine on the Greely Polar Expedition; Keith Neville, Governor of
[ 13]

�Nebraska, and one of the youngest men ever to be elected to a governorship. Seven alumni have held important posts in the foreign service of the
government; five have been United States Senators, and eleven have been
members of Congress.
The service of the College has been genuinely national, but St. John's
has most pride in its Maryland tradition. No institution has roots which
reach deeper into the history and life of the State. Every important post
in the government of Maryland has been filled at least once by an alumnus
and most have been filled several times. Since 1789, when the College
opened, one out of every six governors has been an"alumnus of St. John's,
as have been thirty-five judges in the higher courts of the State, and over
seventy members of the Legislature.
Generation after generation there have stood on the College rolls
those family names which have run like strong threads through the whole
story of the Free State.
,,- -/"" --:R. 'M. ·-,. -~
~agaztne

r girh", '

--

tw"ft

be_ornam. n •ed Wiih
llo ufe
c:leganc copper-plate print•)._ w1ll be publifued on tne , 1
to 11- firll day ot January next. ,· -"
· ~- , ~
a "
.
•
( 0 1-· 04._

"."CO

I

!ii{~~~~ 1
ld colts,
hr-, t oo
\ i-U be ,

-

A'

-

-NY gen;ltman, _who is qwalifie&lt;l ro

'te~c~ the

_

. _ clafilcks, b~ applying- to the vifitors of K:ng
W11J1ams _fcho9l, m the city of Annapc li , will 6e
tr_cated with on the followiiig term~ His aunaal
:cui-ity,
ft1pcnd to be /.· 55 ltaling certain, anJ £.) cur-.,
'eleven
rency to be paid by each foholar in t:he latin Cchoor: _'
to a perfon, wh,o ill.all be cap.able of dilcharging the
'Tt'. office of u'?er, w~I be -given ' (.3&amp;· HerliJ•g per
"' __ ann11m&lt;;ertaln, and4". -:r 1 10 :c,iuris ,cy _paid by e_ach ·' 77 3. fchol~r u abovcmenttoned: toa ~ribe wr,&lt;i'. cim t~achP
J be ' Enghfh, _writing,. an~·~a~ithnietl~, '
g~ven-~
£. 6 fi~rlrng cerrau~ per_ annup:t.- with eve_ry ad1•an-·•
tage ar1fing f!om the fcholars ~&lt;: - inllrut"h, and Ji. '
1 ai&gt;d
,_
·
berty to make his own barg,;i1\' with the.i r : p-a rentsJ
There aze very good apartmen~~ in tb~houfe, be~ "

;,-;;;-;. ' fi~ei thofe appropriated for the _111:· o~he fch.olars :
&gt;wn, , - w1th a good kitchen .and c_
e llan thefc" befog:' entire:. ~
,:;de, or ly for the L&lt;fe of the mailer, _ ":'fll rend~r•iJ~a- ve!Y '
comf".rtablF place of telidence. -Any engag.. mehts. the v1titors ~nter into; i:annot take place tiJ ; the ';sd-'
day of Apnl _next, and to prevent frouble, 'jt i~'
15th_ to be hoped that no perfons will Jl)ake 'application '
whn are not properly q11alilied. .to Jill thc ab.o vemen- '
}; a bout tioned frations.
·' "
l gSigned by order,
~ in the
tf
,eelburg,
JOfjN DUCKETT," regiller.

' R VEY.

?e

0

~( capr.

lting or

,he paid_
~ths,

on

t~-1,,:.-. ·

THE ST. JOHN'S OF TODAY

O

N this solid foundation of past achievement stands the St. John's of
today. In fundamentals it has not changed-its purposes and practices
are essentially what they were when Washington made the College the
medium for educating his ward. It is striving to create able citizenship for
the twentieth century just as it strove to create able citizenship for the
eighteenth, and it is accomplishing its purpose by nearly the same means.

+
+
+
St. John's has always been a small college, and in an age of enormous
educational expansion, it has chosen to remain a small college. It has set
the limit of the student body at 400, a number approximately equal to the
enrollment in the larger colleges of Oxford, but considerably below the
average enrollment in the colleges of the United States. This figure has
been chosen because it best serves the purposes of the kind of education
which St. John's aims to give.
An experience in intimate fellowship is obviously a mighty factor in
creating character. It can only be obtained when the student can feel, as
he does at St. John's, all the boundaries of the world in which he lives.
Large size means, in the average -institution, that numbers of students
must live off the campus, that they fall into groups and cliques with
special outside interests. Rooming in dormitories as St. John's men do,
dining together at the Commons Hall, modelled on the hall of St. John's,
Oxford, exercising together in the gymnasium or on the playing fields,
every St. John's man comes to know every other St.~ John's man. In such
an atmosphere individual powers are developed; harmful eccentricities are
weeded out, and the example of a justly admired leader has full play.
There is no substitute for the vivid student life such as St. John's provides

wm:i&gt;t

.; fenr.

II

-

King William's advertises in the Maryland Gazette
for teachers.

[ 14]

Unchanged
in Essentials

Fellowship

Student Lije

�..-

.,..-, ~

APM_polis, McJ.

4horurns Iwprovcme~1$.
and

~1'1ddH1o~f

A Scheme of Architectural Development, prepa11 f 1 for the Committee on Buildings and Grounds.

A modern, well-equipped, physical plant is a necessity if
St.John's is to continue its development into an outstanding small
college. A growth of 60 per cent. within the last four years has
taxed present facilities to the utmost. Immediate necessities are:

a new dining hall and residence unit, a new student residence, a
science building and a heating plant. In addition Pinkney and
Humphreys Halls (the present dormitories) must be renovated and
the Library remodelled to give more reading-room and stack space.

�and the widespread movement among larger institutions toward breaking
up their undergraduate bodies into smaller units is testimony to its value.
Young men discover in the small college, also, quieter surroundings,
greater tolerance and kindlier opportunities. They are free from the overintense student activities against which scholastic work must compete.
They have time for study and time for association with teachers-both,
according to educators, crying needs in the educational world of today.

+

+

+

St. John's is keeping its student body small; it is keeping its faculty Comradeship
· large. Faculties generally grow much more slowly than do student bodies, in Learning
and the consequence is that student and teacher become but names to
one another. St. John's now maintains a ratio of one teacher to every ten
students and hopes to improve even that excellent proportion. The lecture
system is subordinated to individual and group conference-the natural
method of teaching the humanities, and one which the larger institutions
of the country are making strenuous efforts to provide. It means, however,
that the faculty becomes a key factor; if it is made up of able, inspiring
men the work of the College succeeds; if it is made up of men who lack
such qualities, the work of the College fails. Thus far St. John's has had .
its share of fortune in securing and holding such men. Three of the present
group are Rhodes scholars; the Sorbonne, Gottingen, Leipzig and many
other Continental institutions of note, as well as most leading American
universities, are represented in the advanced work done by St. John's
teachers. The scholarly ripeness which they bring to their work is shown
by the fact that the faculty group as a whole has had teaching experience
at some thirty institutions other than St. John's.
As a factor in creating intelligent participation m modern life St.
John's is concentrating on the liberal arts curriculum. To a large extent
men serve their generation through an appreciation of the generations
which have gone before, and they gain this appreciation through an acquaintance with the traditional cultural subjects.
By concentrating on these studies St. John's is·, moreover, in accord
with one of the most powerful trends in modern education. The recent

[ 19]

The Liberal
Arts Curriculum

�vast growth of American institutions for higher learning is too well known
to need elaboration here; it is not so well known that the greater proportion of this growth is in the liberal arts schools. The era of great technical
and professional school development seems to have come to a pause, and
I
undergraduates are again seeking the general cultural training characteristic of an earlier period. According to figures compiled by the Federal
Bureau of Education the proportion of students enrolled in liberal arts
courses is double what it was in l9IO.
The growing insistence of the best professional schools of the country A Foundation
on the arts degree as a preliminary to advanced study is one factor in this for Professional
Training
movement. Another is a demand among the great business organizations
for men who are "educated" as well as technically trained. A third and
probably more important cause is a growing demand among students
themselves for ''training in good letters and manners.'' America is rediscovering that such training is a necessary preliminary not only to professional study, but also to well-balanced participation in 'the general affairs
of life.
By moving to meet this national demand St. John's assures itself a
constant-supply of the best student material. Since 1923, when the College
rearranged its curriculum on the liberal arts basis, enrollment has increased over 60 per cent.

St. John's is rated as a "standard" college. This is the highest rating
given. I ts graduates enter without examination the leading professional
and technical schools of the country.
•

The "Liberty Poplar," scene of a treaty between the Colonists and the Susquehannock
Indians in 1652, of many patriotic meetings during the Revolution, and of a welcome to
Lafayette in 1824.

The College has a varied enrollment; eighteen states and four foreign
countries are represented in its present student body. Fifty-three per cent.
of its students come from Maryland-the rest maiH,ly from the North
and Middle States. More and more St. John's draws boys from sections
which have high standards and traditions in .education.
They are drawn by the modern excellence of the College and by the
advantages of its location. Annapolis provides more than a background of
[ 21 ]

New and
Old Values

�great natural and architectural beauty; it affords the quiet which is
essential to a college, accessibility, also, to the great libraries, museums and
other educational facilities of Washington and Baltimore. Modern ease
of transportation has removed any bar of isolation which may have
existed in the past.
Students are drawn by the rare historic charm of St. John's as well as
by its modern educational program. It is a unique blending of old and new
values which gives the College a place by itself among American institutions of learning, and opens to it a future of brilliant promise.

•

The Pinkney House built about 1750 and owned for many
years by one of the most famous of Maryland families. It is
one of the four pre-Revolutionary dwellings which St. John's
is seeking to own . It faces the St. John's campus and is
particularly suited for use as a College residence.

.J'

[ 22]

�III

ST. JOHN'S OF THE FUTURE

T

HE leaders in Colonial life who founded King William's School Forwardworked with a definite vision of what that sch0&lt;?l was to be and looking
Leaders
what it was to accomplish. A similarly clear ideal animated those who in
1784 raised King William's to the level of a college. St. John's now stands
at Cl critical point in its career, moving to meet needs and opportunities as
significant as any that have existed in the past. The growing demand for
a liberal education has already been discussed; there is another and a
special opportunity for St. John's which deserves emphasis. It is found in
the announced intention of the Johns Hopkins University to curtail its
undergraduate work and eventually to concentrate upon research and
advanced training. St. John's is the logical successor in Maryland to the
undergraduate work of that institution which has had so much to do
with the development of the university idea in the United States.
What picture of the future St. John's is in the minds of those who
are carrying on the work of earlier leaders? That picture can be drawnits elements . are determined by the tradition of the College and by its
present opportunity. It shows no innovations, but a perfection of what
already exists. The best of the old is to be preserved and combined with
the best of the new. It shows the Hammond-Harwood, Brice, and Pinkney
Houses a permanent part of the College holdings, also the Peggy Stewart
House, famous as the residence of Anthony Stewart, who was forced by
patriots in 1774 to burn his brig and its cargo of taxable tea. Plans call for
the restoration of these dwellings, and for the conversion of the HammondHarwood House into a Col_o nial museum and the others into faculty and
student residences. The Brice House will serve also as a social center for

. [ 25]

Tradition and
Opportunity

Colonial Homes

�the College. The historic interest of these old houses and their exquisite
good taste are to be actual educational forces in the life of the future
St. John's.
Plans call for the restoration of the Colonial campus of the College,
with unsightly modern structures removed and Pinkney and Humphreys
Halls, the present dormitories, modernized. The Library is to be remodelled, and a modern structure built which will house the laboratories
now scattered among the basements and garrets of several buildings. New
dormitory and dining hall space must be provided so that all students
will enjoy the advantages of an intimate campus life. With these additions
to its physical plant, but with its historic charm untouched St. John's can
enter another period in its history with physical facilities adequate to a
task which is now national in its scope.
The St. John's student of the _future will pursue almost the same
studies and courses as does the St. John's student of today. Changes will
come only with an enlargement of knowledge in the essential subjects
which are the mainstay of a liberal education: literature, languages, philosophy and art; the physical science which plays so mighty a part in the
civilization of the present, and the social science which explains the complexity of modern life and lays the foundation for a successful participation.
St. John's will not devote its energies to a multitude of special subjects
aqd special courses but will leave that task to institutions with different
plans and different ideals.

+

+

To this College will come students from every section of the country,
and representing the soundest strains in our national life. They will come
as-boys. they will graduate as men, men who have been made aware, as
far as Jmman effort can accomplish, of the obligations and beauties of
life, men trained to be alert and fearless, and to live honorably, courteously
and understandingly .with their fellows in the modern world.

Excer t from the Act which established King William's School at An~ap?lis in. I696.
p
·
K.
w·11·
's and because of the connect10n is considered
St. John's is the successor to mg i 1am ,
as America's third oldest college.

Curriculum

This is the vision which is before the successors of Nicholson and
Cheseldyne, Carroll and Chase. Under
their leadership St. John's is
.
embarking upon the greatest effort in its long career-an effort to secure
-'

Making Men

�the added resources with which this vision can become reality. Liberally
supported it can do more than accommodate the young men of Maryland
and of the country who seek its services-it can become, because of the
unique manner in which it brings the best of a great past to the service
of the present, one of the outstanding educational institutions of America.

I

I

~

I

The Peggy Stewart House, famous as the residence of Anthony
Stewart , who was forced by patriots in 1774 to burn his brig, the
Peggy Stewart, and its cargo of taxable tea. Sought by St. John's
for use as a College residence.

�"'@'he Co1:1mission for the f?.etoration and enlargement

MEMORIALS AND SPECIAL GIFTS

of

Colonial St. John's College, ufnnapolis, ~d.

HE present effort of St. John's to increase .its resources is an invitation
for the establishment of memorials. They can perpetuate the name
of a donor or of a person, living or dead, whom a donor wishes to honor.
A giver may specify, also, that his contribution, however small, is to be
applied to a special need of the College. The objectives of the present
fund-raising effort are as follows :

T

W. Hall Harris, Chairman for Maryland
Hon. Phillips Lee Goldsborough, Treasurer
Walter H. Buck, Chairman of Executive Council
Dr. James Bordley, Jr., Chairman of Committee on Colonial Development

Hammond-Harwood House .. .. . ... .. . . ... . ... .. . $
Brice House .. . . ... . .. ... . ..... . .. .... . . .. . .. .
Pinkney House . . . . . . . . . . . . . . . . .. . ... . .. ...... .
Peggy Stewart House . . . . . .. .. . .. . ..... . ... .. .. .
Restoration Fund .. . .. . .. . .. .. ... . .. . .. . .. . ... .

56,000
50,000
21,500
22,500
40,000

Raymond S. Tompkins, Chairman of Publicity Committee
Dr. Amos F. Hutchins, Chairman of National Alumni
Dr. Thomas Fell, Honorary Alumni Chairman
T . West Claggett, Chairman of Lists Committee
Robert S. Belknap, Chairman of Dinners and Conjer enc es for Baltimore

Total for the purchase and restoration of Colonial homes . . . . .
New Science Building and Equipment ... . ... . ... . $300,000
New Dining Hall and Student Residence Unit
200,000
New Student Residence ..... . . ... .. . .. . .. ..... . l I0,000
New Heating Plant ... . . . ... . ...... . ....... .. . . 65,000
Grading of Grounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50,000
Renovation of Pinkney and Humphreys Halls
20,000
Remodelling Library . . . . . . . . . . . . . . . . . . . . . . . . . . I5,000 Total for additions and improvements to the College buildings

A General Fund for financing the building program and for
various College purposes

Douglas Claude Handy, Chairman of Dinners and Conferences for Annapolis

$I90,ooo

Committee on 'R..[furnishing Hammond-Harwood House

760,000

50,000

Mrs. Miles .W hite, Jr., Chairman

Mrs. John S . Gibbs, Baltimore

Mrs. Stephen Bonsal, Washington

R. T . H. Halsey, New York

Mrs. James Bordley, Jr., Baltimore

Allen Bowie Howard, Annapolis

Mrs. Elihu Chauncey, New York
Mrs. J . H. Covington, Washington

Mr. and Mrs. Luke Vincent Lockwood,
New York

Mr.and Mrs. FrancisP. Garvan, New York

Mrs. Breckenridge Long, Washington

Mrs. L. D. Gassaway, Annapolis

Mrs. Henry Robert, Annapolis

Mrs. John Gibbons, Washington

Mrs. John K. Shaw, Baltimore

Grand Total .. .......... .. . .. . . ..... . ... .... . . $1 ,000,000

Commission Headquarters
950 EQUITABLE BUILDING
BALTIMORE, MD.

[3I]

�GJ3oard

of Visitors

of St. John's

and qo"vernors

College

FOUNDERS ·OF ST. JOHN'S

President ex Officio
His Excellency, Albert C. Ritchie, Annapolis
Governor of Maryland

JOHNSON

}ONES

KEY

Chairman
Herbert Nob le, New York

KILGORE
LAWSON

Member, Noble, Morgan and Scammell, Attorneys-at-Law

MAGRUDER

McCoNCHOE

O'DONNAL

President, Annapolis Banking &amp; Trust Co.

William Woodward, New York

Dr. Charles C. Marbury, Washington

President, Hanover National Bank

Physician

Judge Walter I. Dawkins, Baltimore

John Hays Hammond, Washington

Associate Judge, Supreme Bench of
Baltimore City

Mining Engineer

Manager, Philadelphia and Reading Coal and
Iron Company

Dr. John H. Latane, Baltimore
Professor of American History, Johns Hopkins
University

Labrot &amp; Company, Bankers

Walter H. Buck, Baltimore

SMOOT

Lemmon &amp; Buck, Lawyers

Elmer G. Parsly, Philadelphia

Vice-President, A. S. Abell Publishing Company;
member of staff, the Baltimore Sun

President, McLean Contracting Company

J. Vincent Jamison, Jr., Hagerstown
President and General Manager, Jamison Cold
Storage Door Co.

SPRIGG

STEWARD

STONE

STEYER

.SWAN

TANEY

SYDEBOTHAM

THOMAS

TOOTELL

SMITH

THOMPSON

TRUEMAN

TUBMAN

Physician
TURNER

Oscar B. Coblentz, Baltimore

SIBBALD

SMALLWOOD

SOUTHERN

TILLARD

Dr. James Bordley, Jr., Baltimore

ROE

SHAW

SIMMES

TABBS

Frank R. Kent, Baltimore

RIDGELY

ROBERTSON

STEUART

STODDART

Parsly Bros. &amp; Company, Bankers

RmGATE

RUSSELL

SOMERVILLE

STERETT

QUYNN

REID

ROBB

SIM

PRICE

PYE

REEDER

RICHMOND

PLOWDEN

POTTINGER

PRINGLE

ROGERS

Sylvester W. Labrot, Annapolis

PENDERGAST

PLATER

POSEY

RINGGOLD

NICHOLSON

PACA

PEERS

REECH

MUSCHETT

NETH

PILES

REYNOLDS

United States Public Health Service

T. West Claggett, Baltimore

PARRAN

PRIESTLY

President, Missouri Pacific Railroad

MURRAY

NEALE

POE

Lewis W. Baldwin, St. Lo.uis

MUIR

O'NEALE

PENN

RANDALL

MERRYMAN

MOALE

MURPHY

OGLE

PARNHAM

MACKALL

MARSHALL

MITCHELL

NAILOR

McKuBrn

MACCUBBIN

MAYBURY

MULLIKEN

Treasurer
James A. Walton, Annapolis

McGOWAN

MANN

MARTIN

MIDDLETON

LEIGH

McPHERSON

MANKIN

MASON

Secretary
Dr. Amos F. Hutchins, Baltimore

LANE

LE EKE

McMECHEN

Attorney-at-Law

KENT

KING

LEE

Lux

Vice-Chairman
Ridgely P. Melvin, Annapolis

Dr. James A. Nydegger, Baltimore

]ORDON

TYLER

WARE

Dr. J. Oliver Purvis, Annapolis
Physician

WALKER

WARRING

WEST

WHARTON

WILKINS

Charles B. Alexander, Baltimore

WOOTTON

Alexander and Alexander

J

WALLACE

WATTS

WILKINSON
YATES

WEEMS

WHEELER
WILLIAMS
YOUNG

WHETCROFT

'_l:

WILLIAMSON

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CO{,O:A(]A{,

ST. JOHN'S COLLEGE
ANNAPOLIS, MD.

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"

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                <text>Program of the Inaugural Proceedings and Lectures of 1980 including: The Duties of Higher Education to America, an Address by Edwin Jules DeLattre, President of St. John's College and An American Scholar: The Young James Madison, Lectures by William J. Bennett, President of the National Humanities Center. </text>
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Santa Fe, NM</text>
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                  <text>&lt;strong&gt;Abstract&lt;/strong&gt;&lt;br /&gt;The scope of the materials in this collection is focused on St. John’s College, Annapolis, particularly related to its functions, activities, and perceptions of St. John’s College in the news media. Records include items such as correspondence with public figures, planning notes for public activities, newspaper clippings about the College, essays and published materials, along with some assorted ephemera. While the bulk of the materials are from the 20th century, some items date back into the 18th and 19th century. Because of the breadth of time covered by the collection, many important cultural and educational milestones are represented in the materials. It is also worth noting that the St. John’s College Santa Fe campus is occasionally mentioned in these records, though it is not the focus of the collection.&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Arrangement&lt;br /&gt;&lt;/strong&gt;Items are arranged in series by type of record (such as Correspondence) or subject matter (such as 275&lt;sup&gt;th&lt;/sup&gt; Anniversary).&lt;/p&gt;
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&lt;strong&gt;&lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/files/original/FindingAidforHistoryCollection.docx"&gt;Original Finding Aid&lt;/a&gt;&lt;/strong&gt; (created by Megan Craynon)&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/items/browse?collection=27"&gt;Items in the St. John's College History Collection&lt;/a&gt; to view and sort all items in the collection.</text>
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              <text>&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;&lt;em&gt;Box/Folder &lt;/em&gt;&lt;/p&gt;
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&lt;p&gt;&lt;em&gt;Author (last, first)&lt;/em&gt;&lt;/p&gt;
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&lt;p&gt;Callahan, Tom; Siemens, J.E.; Taylor, James Jr.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The Fifth Year, A Musical Comedy in Two Acts&lt;/p&gt;
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&lt;td&gt;
&lt;p&gt;1955&lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;
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&lt;td&gt;
&lt;p&gt;Life Magazine&lt;/p&gt;
&lt;/td&gt;
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&lt;p&gt; &lt;/p&gt;
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&lt;td&gt;
&lt;p&gt;2/5/1940&lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;
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&lt;p&gt;Matriculation book&lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;
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&lt;p&gt;Proclamation of St. John’s College Day&lt;/p&gt;
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&lt;p&gt;10/16/1971&lt;/p&gt;
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&lt;p&gt;Original&lt;/p&gt;
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&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
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&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
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&lt;td&gt;
&lt;p&gt;Harvard College, 275&lt;sup&gt;th&lt;/sup&gt; Anniversary Acknowledgement&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;10/17/1971&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;26-6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St. John’s College March&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;26-7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Maryland General Assembly&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Laws of Maryland&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Act founding College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1786&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy from microfilm; for original see S973-18 at the Maryland State Archives&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;26-8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Matriculation list from 1709&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1709&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy from microfilm&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;26-9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bray, Thomas&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Society for the Propagation of the Gospel in Foreign Parts&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;An Account of the Libraries sent into America and their respective value&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy from microfilm&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;26-10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bibliotheca Americana&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy from microfilm; Lenox Library, New York, Moore Collection&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;26-11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Da Bethun&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A Catalogue of the Books sent to Rhode Island…&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy from microfilm&lt;/p&gt;
&lt;/td&gt;
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              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="23">
                  <text>Image Collection—Annapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24">
                  <text>&lt;p&gt;The Greenfield Library Image Collection houses over 5,000 photographs, postcards, drawings, and other graphic materials.  The images in the collection document the history, academic, and community life of St. John’s College. &lt;/p&gt;
To learn more about the Greenfield Library's archives use policy or to obtain high-resolution images, please see the &lt;strong&gt;&lt;a title="Image Collection Use Policy" href="http://www.sjc.edu/academic-programs/libraries/greenfield-library/policies/#photographicarchivepolicy" target="_blank" rel="noreferrer noopener"&gt;Library’s Image Collection Use Policy&lt;/a&gt;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Photographic Archives" href="http://digitalarchives.sjc.edu/items/browse?collection=7"&gt;Items in the Image Collection—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="25">
                  <text>St. John's College</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="112">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="121">
                  <text>Annapolis, MD</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30709">
                  <text>imagecollectionannapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="87670">
              <text>25.5 x 20.5 cm.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="87671">
              <text>Photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="87666">
                <text>SJC-P-2104</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87667">
                <text>Etching of the Front View of the State-House at Annapolis, Maryland from The Columbian Magazine of February, 1789</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87668">
                <text>1 photographic copy of an etching</text>
              </elementText>
              <elementText elementTextId="87669">
                <text> b&amp;w</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87672">
                <text>1789-02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87673">
                <text>Warren, M. E.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="87674">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87675">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87676">
                <text>jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87677">
                <text>St. John's College owns the rights to this photograph.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="2151" public="1" featured="0">
    <collection collectionId="27">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31946">
                  <text>St. John's College History Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31947">
                  <text>&lt;strong&gt;Abstract&lt;/strong&gt;&lt;br /&gt;The scope of the materials in this collection is focused on St. John’s College, Annapolis, particularly related to its functions, activities, and perceptions of St. John’s College in the news media. Records include items such as correspondence with public figures, planning notes for public activities, newspaper clippings about the College, essays and published materials, along with some assorted ephemera. While the bulk of the materials are from the 20th century, some items date back into the 18th and 19th century. Because of the breadth of time covered by the collection, many important cultural and educational milestones are represented in the materials. It is also worth noting that the St. John’s College Santa Fe campus is occasionally mentioned in these records, though it is not the focus of the collection.&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Arrangement&lt;br /&gt;&lt;/strong&gt;Items are arranged in series by type of record (such as Correspondence) or subject matter (such as 275&lt;sup&gt;th&lt;/sup&gt; Anniversary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Related Material&lt;br /&gt;&lt;/strong&gt;Almost all of the materials pertaining to the history of St. John’s College prior to 1900 are housed at the Maryland State Archives. For permission to access to these collections see the Director of the St. John’s College Greenfield Library. The St. John’s College archives collections also include materials related to: commencement; admissions; Dr. Richard Weigle; Hector Humphrey; other college officials, etc. These materials are housed in separate collections but may also be useful to consult. &lt;/p&gt;
&lt;strong&gt;&lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/files/original/FindingAidforHistoryCollection.docx"&gt;Original Finding Aid&lt;/a&gt;&lt;/strong&gt; (created by Megan Craynon)&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/items/browse?collection=27"&gt;Items in the St. John's College History Collection&lt;/a&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32540">
                  <text>Craynon, Megan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="32541">
                  <text>Annapolis, MD</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32542">
                  <text>1795-2008</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32543">
                  <text>St. John's College owns the rights to this publication.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32544">
                  <text>text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32545">
                  <text>paper</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32546">
                  <text>English</text>
                </elementText>
                <elementText elementTextId="32547">
                  <text>French</text>
                </elementText>
                <elementText elementTextId="32548">
                  <text>Russian</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32809">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Finding Aid</name>
      <description>Descriptive document containing detailed information about a specific collection of papers or records within an archive. </description>
      <elementContainer>
        <element elementId="56">
          <name>Inventory</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="32132">
              <text>&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;&lt;em&gt;Folder #&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Author&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Title/Description&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Date(s)&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Medium&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Notes&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-1&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Conclusion of Deed from King Williams School to Andrew Skinner Ennalls&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;5/6/1792&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Appears to be transcription from a later date&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-2&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Proceedings of the Convention of the Protestant Episcopal Church&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1785&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;William Smith, first chairman of Board of Governors&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-3&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Articles of Agreement between Board of Visitors and Governors and Mayor David Rof&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;4/1793&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-4&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Outline of Land Agreement&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1794&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-5&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;State of Maryland Senate Proceedings regarding state funding of the college&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/1794&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Patent Issued to St. John’s College for 34-1/2 acres&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;2/1796&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Notes of the Meeting of the Board of the Visitors and Governors&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;6/1796&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Memorial from the Trustees of St. John’s College to the Legislature of  Maryland&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/1832&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Register of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1853&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St. John’s College vs. State of Maryland, Thomas H. Hicks&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1859&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St. John’s College vs. State of Maryland, Thomas H. Hicks&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1860&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-12&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St. John’s College vs. William H. Purnell&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;11/1865&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-13&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Re-opening of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;8/1866&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-14&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Statement of Receipts and Disbursements on account of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1866&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-15&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Notice of a Board of Visitors and Governors Meeting&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1872&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-16&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mortgage from St. John’s Colelge to Stockett, J. Schaefe and Stockett, Frank H.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1887&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-17&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Minutes of the Faculty Advisory Council&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1927&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-18&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Minutes of the Faculty Advisory Council&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1927&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-19&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Minutes of a Board Meeting&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1929&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-20&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Board Minutes re: Various Financial Campaigns&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1940&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-21&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Documents pertaining to the acquisition of St. John’s College by the Navy Department&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1943&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-22&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Documents pertaining to the acquisition of St. John’s College by the Navy Department&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1943&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-23&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Statement of Policy with Reference to Acquisition of the Property of St. John’s College by the Navy Department&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-24&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Documents bearing on the Proposed acquisition of the property of St. John’s College by the Navy Department&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-25&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Class of 1920, Addresses&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-26&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Men in the Service to be Presented and Casualty List&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-27&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;John [Alexander’s?] Old Notes on St. John’s College Charter&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-28&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Statement of Policy of the Board of Visitors and Governors of St. John’s College with Reference to the Navy Department’s Proposal to Acquire the College Campus&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-29&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Announcement by the Board of Visitors and Governors of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1946&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-30&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Weekly calendars&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1949&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-31&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“There Is No Other College Like It”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1971&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Admissions brochure&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-32&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The College: Statement of Editor’s Policy and Duties&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;5/2/1971&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-33&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Annual Giving (St. John’s College Alumni Association)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1958&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;15-34&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The St. John’s Enterprise---Annual Giving Campaign&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1954&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</text>
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                <text>Kerr, David</text>
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                <text>Kerr, John Leeds</text>
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                <text>McDowell, John</text>
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                <text>Maynadeir, Henry</text>
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                <text>Meiklejohn, Alexander</text>
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                <text>Roosevelt, Franklin D. (Franklin Delano), 1882-1945</text>
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                <text>Weigle, Richard Daniel, 1912-</text>
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                <text>Alexander, John D.</text>
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                <text>Brann, Eva T. H.</text>
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                <text>St. John's College</text>
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                  <text>St. John's College History Collection</text>
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                  <text>&lt;strong&gt;Abstract&lt;/strong&gt;&lt;br /&gt;The scope of the materials in this collection is focused on St. John’s College, Annapolis, particularly related to its functions, activities, and perceptions of St. John’s College in the news media. Records include items such as correspondence with public figures, planning notes for public activities, newspaper clippings about the College, essays and published materials, along with some assorted ephemera. While the bulk of the materials are from the 20th century, some items date back into the 18th and 19th century. Because of the breadth of time covered by the collection, many important cultural and educational milestones are represented in the materials. It is also worth noting that the St. John’s College Santa Fe campus is occasionally mentioned in these records, though it is not the focus of the collection.&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Arrangement&lt;br /&gt;&lt;/strong&gt;Items are arranged in series by type of record (such as Correspondence) or subject matter (such as 275&lt;sup&gt;th&lt;/sup&gt; Anniversary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Related Material&lt;br /&gt;&lt;/strong&gt;Almost all of the materials pertaining to the history of St. John’s College prior to 1900 are housed at the Maryland State Archives. For permission to access to these collections see the Director of the St. John’s College Greenfield Library. The St. John’s College archives collections also include materials related to: commencement; admissions; Dr. Richard Weigle; Hector Humphrey; other college officials, etc. These materials are housed in separate collections but may also be useful to consult. &lt;/p&gt;
&lt;strong&gt;&lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/files/original/FindingAidforHistoryCollection.docx"&gt;Original Finding Aid&lt;/a&gt;&lt;/strong&gt; (created by Megan Craynon)&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/items/browse?collection=27"&gt;Items in the St. John's College History Collection&lt;/a&gt; to view and sort all items in the collection.</text>
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                  <text>Craynon, Megan</text>
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                  <text>Annapolis, MD</text>
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                  <text>1795-2008</text>
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                  <text>St. John's College owns the rights to this publication.</text>
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                  <text>Russian</text>
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                  <text>St. John's College Greenfield Library</text>
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              <text>&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;&lt;em&gt;Folder #&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Author&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Title/Description&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Date(s)&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Medium&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Notes&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-1&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carroll, Nicholas&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Address of the Visitors and Governors of St. John’s College to the Senate of Maryland&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/1794&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-2&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Edwards, Peter&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Candid Reasons for Renouncing the Principles of Antipaedobaptism&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1804&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-3&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Key, Francis Scott&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;A Discourse on Education&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;02/1827&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original (2)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-4&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Johnson, John&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dedication of Humphreys Hall&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/1835&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-5&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Hagner, Thomas Holme&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Address Delivered in the Senate Chamber of Maryland before the Association of the Theta Delta Phi&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1837&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Brent, Robert J&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The Sprit of the American Constitution: An Address Delivered Before the Philodemic Society of Georgetown College, D.C.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/1954&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Swann, Thomas&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Appeal to the People of Maryland by the Visitors and Governors of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;08/01/1868&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Proud, John G.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Memoirs of Deceased Alumni of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1868&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bowie, Oden&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Address to the People of Maryland by the Visitors and Governors of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;11/1870&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Pinkney, Ninian&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Address Delivered before the Philomathian and Philokalian Societies of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/29/1873&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bartol, James L., et al&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Memorials of the Visitors and Governors and of the Alumni of St. John’s to the General Assembly of Maryland&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;01/1874&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-12&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bartol, James L.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Memorials of the Visitors and Governors and of the Alumni of St. John’s to the General Assembly of Maryland&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;01/1876&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-13&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bartley, T.M.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Philosophy of Civil Government&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;01/29/1884&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-14&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Address to the Student Body&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1929&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-15&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Halsey, R.T.H. (Dr.)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Address of Mr. Herbert Noble at the Formal Opening of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;09/17/1930&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-16&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Gordon, Douglas H&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Inaugural Address of President Douglas H. Gordon of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;04/30/1932&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-17&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Price, James Harry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Our Educational Crisis: A Radio Address given by the Revered James Harry Price&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;01/27/1943&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Published copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-18&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Barr, Stringfellow&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Remarks at the Presentation of Professor Stryker’s Portrait&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;c. 1946&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-19&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Alexander, John D.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Remarks on the Presentation of Professor Stryker’s Portrait&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;c. 1946&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-20&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Kieffer, John Spangler&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Inaugural Address&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1947&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Published copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-21&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Meiklejohn, Alexander&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The American College and American Freedom&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;5/10/1957&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Published copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;2-22&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Wilson, Curtis; Brown, Ford&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Remarks on President Weigle’s 25&lt;sup&gt;th&lt;/sup&gt; Anniversary&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;4/20/1974&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Typed copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</text>
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                  <text>Kerr, John Leeds, 1780-1844</text>
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              <text>[Left page, perpendicular]&#13;
Master John Leeds Kerr,&#13;
Annapolis&#13;
[A favor?]&#13;
Mr Maynadier&#13;
&#13;
[Right page]&#13;
Easton 22d Decr. 1795&#13;
My Dear Leeds&#13;
Yours of 16th came to hand this day&#13;
by John Turner, and I am glad to hear you&#13;
have again got well and hearty. I am also glad&#13;
to see that you improve in your writing&#13;
very much. by taking a little pains and keeping&#13;
good pens + paper you will arrive at perfection&#13;
&#13;
I am surprised Goldsmith has not recd. any&#13;
money. tell him to assure them that a suit will&#13;
be brought if they dont pay. I will send&#13;
him the Bond before March Court. I think&#13;
they will pay without a suit which will&#13;
be better for me -- I am glad to find you&#13;
are a favorite at the Governors. and that he&#13;
is so kind to you -- Cultivate such acquantance&#13;
as him -- and others which you now visit.&#13;
&#13;
[Left page]&#13;
and it will make you respected by others;&#13;
I went over to Cambridge with Sophia last Friday&#13;
to Ball, and left her there -- your mother goes&#13;
over on thursday to bring her Home next Monday&#13;
She is in the midst of Gaiety, there Nothing&#13;
but parties every day. I suppose you&#13;
will hardly leave Annapolis this [Xmass] --&#13;
but if you wish to go to Baltimore a few days&#13;
with Robert. G. I have no Objection. David&#13;
is now at home and will be grown very much&#13;
I have not heard from [Branch] since I left&#13;
Annapolis -- pray did you receive a letter by&#13;
John Needles from Sophia she wrote you&#13;
by him -- and you ought to Answer it by some&#13;
safe [Opp.y]. which you will have by the&#13;
Assembly men -- nothing new here -- Our [Comp.s]&#13;
to any who enquires for us. -- and I am your&#13;
we talk of Balls here } Affectionate Father&#13;
a subscription is made } David Kerr</text>
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                <text>David Kerr to John Leeds Kerr, 22 December 1795</text>
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                <text>A letter from David Kerr to his son, John Leeds Kerr, regarding personal and financial matters.</text>
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                <text>Kerr, David, 1749-1814</text>
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              <elementText elementTextId="125216">
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              </elementText>
            </elementTextContainer>
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                <text>St. John's College (Annapolis, Md.)</text>
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                <text>Kerr, John Leeds, 1780-1844</text>
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                <text>KER_001_002</text>
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                  <text>David Kerr Letters to John Leeds Kerr </text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="125185">
                  <text>The David Kerr letters to John Leeds Kerr collection consists of four letters written by David Kerr, Sr., to his eldest son, John Leeds Kerr, while John was attending St. John's College in Annapolis, Maryland, from October 1795 to January 1796. The contents of the letters span across topics such as academics, health, money, and family affairs.&lt;br /&gt;&lt;br /&gt;For more information on this collection, see &lt;a href="https://sjc.libraryhost.com/repositories/2/resources/24" target="_blank" rel="noreferrer noopener"&gt;finding aid&lt;/a&gt;.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="125186">
                  <text>Kerr, David, 1749-1814</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>St. John's College Greenfield Library</text>
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              <description>The topic of the resource</description>
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                  <text>Kerr, John Leeds, 1780-1844</text>
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        <element elementId="7">
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        <element elementId="52">
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              <text>2 pages</text>
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            <elementText elementTextId="125257">
              <text>[Left page, perpendicular]&#13;
Master John Leeds Kerr&#13;
St. Johns College&#13;
Annapolis&#13;
&#13;
[Right page]&#13;
Oct. 10th 1795&#13;
My Dear Son&#13;
I recd. your Letter by Mr Roberts&#13;
and we are sorry to hear of your [Indisposition]&#13;
but hope by this you have quite recovered&#13;
I have failed in my Election owing to the&#13;
sickly season, and an [underhanded]. dirty&#13;
Opposition. but I have the Comfort to know&#13;
that all the respectable [Voters]. were for&#13;
me -- upon the whole I am glad I&#13;
am not Elected if there had been no&#13;
unfair means used - and so private were&#13;
they in it that. none of my friends even&#13;
heard of it untill late on Thursday&#13;
the principicals were Erskine. Tom Coward&#13;
[Nic.] Kellum + Tom Martin. [Jack]&#13;
Thomas -- I have now done with Elections&#13;
and I wish I had not Offered. for some&#13;
[years--]&#13;
&#13;
[Left page]&#13;
[passed] -- I shall perhaps call at Annaps.&#13;
on my way to Baltimore next week&#13;
at any [rate] we shall be over at the&#13;
[races] if we should be all well James&#13;
is very sick today and has been so&#13;
this [two] day, I hope Mr Goldsmith will&#13;
get the money from [these?] people -- Mr. [Magurth?]&#13;
goes again for the Vacancy -- he left my&#13;
letter the last time, I suppose he told&#13;
you -- we hear [Risdon] Harwood has&#13;
drowned himself -- Old Robrt Lamden&#13;
is dead some time ago -- no news of&#13;
any Consequence here -- I am yout Afft&#13;
Father David Kerr&#13;
&#13;
John Roberts}&#13;
Henry Johnson}&#13;
Nick Martin} Elected&#13;
Phil Sherwood}&#13;
&#13;
[Right page]&#13;
For Caroline: Driver&#13;
Phil. Downes&#13;
Mitchell&#13;
Joshua Clark&#13;
&#13;
Dorsett -- Solo. Frazier&#13;
Mr. Craig&#13;
Mr. Steel&#13;
Mr. Robinson</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125223">
                <text>David Kerr to John Leeds Kerr, 10 October 1795</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125224">
                <text>A letter from David Kerr to his son, John Leeds Kerr, regarding personal and political matters.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125225">
                <text>Kerr, David, 1749-1814</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125226">
                <text>1795-12-22</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125227">
                <text>No copyright - United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125228">
                <text>PDF</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
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                <text>Kerr, John Leeds, 1780-1844</text>
              </elementText>
            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="125230">
                <text>KER_001_001</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="2136" public="1" featured="0">
    <collection collectionId="27">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31946">
                  <text>St. John's College History Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31947">
                  <text>&lt;strong&gt;Abstract&lt;/strong&gt;&lt;br /&gt;The scope of the materials in this collection is focused on St. John’s College, Annapolis, particularly related to its functions, activities, and perceptions of St. John’s College in the news media. Records include items such as correspondence with public figures, planning notes for public activities, newspaper clippings about the College, essays and published materials, along with some assorted ephemera. While the bulk of the materials are from the 20th century, some items date back into the 18th and 19th century. Because of the breadth of time covered by the collection, many important cultural and educational milestones are represented in the materials. It is also worth noting that the St. John’s College Santa Fe campus is occasionally mentioned in these records, though it is not the focus of the collection.&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Arrangement&lt;br /&gt;&lt;/strong&gt;Items are arranged in series by type of record (such as Correspondence) or subject matter (such as 275&lt;sup&gt;th&lt;/sup&gt; Anniversary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Related Material&lt;br /&gt;&lt;/strong&gt;Almost all of the materials pertaining to the history of St. John’s College prior to 1900 are housed at the Maryland State Archives. For permission to access to these collections see the Director of the St. John’s College Greenfield Library. The St. John’s College archives collections also include materials related to: commencement; admissions; Dr. Richard Weigle; Hector Humphrey; other college officials, etc. These materials are housed in separate collections but may also be useful to consult. &lt;/p&gt;
&lt;strong&gt;&lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/files/original/FindingAidforHistoryCollection.docx"&gt;Original Finding Aid&lt;/a&gt;&lt;/strong&gt; (created by Megan Craynon)&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/items/browse?collection=27"&gt;Items in the St. John's College History Collection&lt;/a&gt; to view and sort all items in the collection.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32540">
                  <text>Craynon, Megan</text>
                </elementText>
              </elementTextContainer>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="32541">
                  <text>Annapolis, MD</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32542">
                  <text>1795-2008</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32543">
                  <text>St. John's College owns the rights to this publication.</text>
                </elementText>
              </elementTextContainer>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>text</text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32545">
                  <text>paper</text>
                </elementText>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32546">
                  <text>English</text>
                </elementText>
                <elementText elementTextId="32547">
                  <text>French</text>
                </elementText>
                <elementText elementTextId="32548">
                  <text>Russian</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32809">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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      <name>Finding Aid</name>
      <description>Descriptive document containing detailed information about a specific collection of papers or records within an archive. </description>
      <elementContainer>
        <element elementId="56">
          <name>Inventory</name>
          <description/>
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              <text>&lt;table&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Folder #&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
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&lt;p&gt;&lt;em&gt;Date(s)&lt;/em&gt;&lt;/p&gt;
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&lt;td&gt;
&lt;p&gt;&lt;em&gt;Medium&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Notes&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
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&lt;/thead&gt;
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&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
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&lt;td&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
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&lt;td&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
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&lt;td&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
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&lt;td&gt;&lt;/td&gt;
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&lt;td&gt;&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/10/??&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;02/27/1805&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;03/15/1808&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;10/10/1808&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/10/1809&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/04/1809&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-12&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;03/28/1810&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-13&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;03/23/1813&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-14&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McDowell, John to Maynadier, Henry&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;10/17/1816&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-15&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Vattemare, Alexander to President of St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1850&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photostat&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-16&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Unknown of New York to Unknown&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1881&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, and portrait&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-17&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Fell, Thomas to Dean of  Maryland University&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;09/21/1899&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-18&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Postcard, signed by Charles Walcott&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/1917&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-19&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Roosevelt, Franklin D to Fell, Thomas&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/26/1920&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-20&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Yellott, Osborne I.  to alumni&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/03/1920&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-21&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Fell, Tomas to high school principals&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1922&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-22&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Blecker, J.L. to President Garey&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;02/01/1924&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-23&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Walton, James A. to alumni&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1925&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-24&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Steele, George A. to Bacon, Robert E.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;09/19/1930&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-25&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bacon, Robert E. to Steele, George A.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;09/20/1930&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-26&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Erskine, John to Bucanan, Scott&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/27/1938&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-27&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Strange, Miriam to Williams, Abraham&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/24/1943&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-28&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Alexander, John D. to alumni&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/01/1944&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-29&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Kolmer, Leonard E. to Matthews, William B.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;08/01/1944&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-30&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Alexander, John D. to Smith, Armine W.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;08/09/1944&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-31&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Winkie [Stringfellow Barr] to Alexander, John D.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;02/19/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-32&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Stryker, C.W. to Alexander [?]&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/29/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-33&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Winkie [Stringfellow Barr] to Alexander, John D.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/05/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-34&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Unsigned to Forrestal, James V.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/06/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-35&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Winkie [Stringfellow Barr] to Alexander, John D.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/09/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-36&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Cadwalader, Thomas F. to Baltimore Evening Sun&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/23/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-37&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Lentz, William to alumni&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/30/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-38&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Alexander, John D. to Radcliffe, George L.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/07/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-39&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Radcliffe, George L. to Alexander, John D.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;07/18/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-40&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Correspondence relating to boat house fire&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/1961&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copies&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-41&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Memorandum from Richard Weigle to members of the Executive Committee&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;11/08/1961&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-42&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Leonard, Barbara to Weigle, Richard&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;01/10/1962&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-43&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Powers, Edgar Cordell Powers to Weigle, Richard&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;03/26/1962&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-44&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Weigle, Richard to Sir Eric Ashby, F.R.S.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;10/08/1971&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-45&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Newland, Paul D. to Semon, Michon&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/23/1973&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-46&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Newland, Paul D. to James R. Morgan&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;05/23/1973&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-46&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Newland, Paul D. to Dunham, William&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;08/02/1973&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Carbon copy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-47&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Barr, F. Morgan to St. John’s College Dean&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;08/25/1983&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-48&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Memorandum re: students dress in seminar&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/9/1970&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-49&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Senior Prank Letter&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;5/4/1975&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-50&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Darth Verdi Memo&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1990&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-51&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Open Letter from Frank Appleton to St. John’s naked flutist&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;7/20/1970&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-52&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Letter Edward Sparrow, Dean, to college community re: resignation of Lee Rinder, Registrar&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;8/29/1979&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original; photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-53&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Letters re: Voltaire statue in library&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1/14/1978&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-54&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Letter from Anita Krosnberg, Assistant Dean, re: Heifetz International Institute&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;6/15/1998&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-55&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Letter from Assistant Dean’s Office regarding crime in area&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;10/17/1996&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-56&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Letter from Greer Garson Fogelson to Mr. and Mrs. Richard F. Blaul&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;6/12/1970&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-57&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Thank you letter from Bryce Jacobsen for gift on occasion of birthday and 25 years with the college&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;5/1983&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-58&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Senior Prank letter&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1989&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1-59&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Jeffrey Bishop “To Our canine and Feline Friends”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;3/21/1992&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
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              <text>[Left page, perpendicular]&#13;
Mr. John Leeds Kerr&#13;
at St Johns College&#13;
Annapolis,&#13;
&#13;
[Right page]&#13;
Janry 1st 1796&#13;
My Dear Leeds&#13;
I am sorry to find that you returned&#13;
the orders. on the [Treasurer], as there is a Risk of [them]&#13;
getting lost, and had you shown them to Mr. Harwood&#13;
he would have seen them all regularly [assigned]&#13;
and Indorsed in Blank by [Saml Swann] which was&#13;
sufficient. however they are now made payable&#13;
to you. and a separate order of my own for my allowance&#13;
I am sorry you were dissappointed in going to Balto.&#13;
for want of the money however it makes no odds&#13;
now its over -- I recd. [both] the letter by John Needles&#13;
recd. by Mr Earle -- and the one by Mr [Guder] with the&#13;
orders -- [since I saw] you -- that to Sophia by Mr Martin&#13;
is not recd. yet -- she was at Cambridge -- your mother&#13;
+ self went over there at [Xmass]. and spent a&#13;
week very Agreeably we only returned yesterday&#13;
[Inclosed] you have a letter from Campbell -- he is&#13;
stopt -- in his [pursuit][by S - a]-- but do you Keep a Correspondence&#13;
with him -- he is a Clever young man -- and [Sensible]&#13;
&#13;
will you inform Mitchell that he must have his&#13;
Rent ready I shall want it [Imediatly]. I am [anxious?]&#13;
to hear of your settling with Clements + [Neth]. I shall&#13;
send the [Board] of [Mullikins] time enough if he does&#13;
not pay. [lest?] I am [assured] to send it [out] by a safe&#13;
hand. your Uncle wishes you to write him very&#13;
much and you ought to do it [imediatly] and&#13;
Often -- it may be of great advantage to you --&#13;
[in every point of view] -- no news here worth&#13;
notice -- let me hear from you by post if the&#13;
Bay should Freeze over [tho] there is no [signs]&#13;
of that [at present]. and let us [have] all the [little]&#13;
news of the place -- with Compl. to all friends&#13;
I am your affectionate Father&#13;
David Kerr</text>
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                  <text>David Kerr Letters to John Leeds Kerr </text>
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                  <text>The David Kerr letters to John Leeds Kerr collection consists of four letters written by David Kerr, Sr., to his eldest son, John Leeds Kerr, while John was attending St. John's College in Annapolis, Maryland, from October 1795 to January 1796. The contents of the letters span across topics such as academics, health, money, and family affairs.&lt;br /&gt;&lt;br /&gt;For more information on this collection, see &lt;a href="https://sjc.libraryhost.com/repositories/2/resources/24" target="_blank" rel="noreferrer noopener"&gt;finding aid&lt;/a&gt;.</text>
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                  <text>St. John's College Greenfield Library</text>
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                  <text>Kerr, John Leeds, 1780-1844</text>
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              <text>[Perpendicular]&#13;
Master John Leeds Kerr&#13;
St. Johns College&#13;
Annapolis&#13;
&#13;
Easton 27th January 1796&#13;
My Dear Leeds&#13;
I have wrote you twice since I have had&#13;
any of yours. the first was sent by the packet to Balto.&#13;
and delivered to Capt. Barber by Thomas. it contained&#13;
the orders on the Treasury which I hope you recd.&#13;
safe if not you ought to go to the [Treasurer] &amp;&#13;
stop the payment of them. they are agreeable to&#13;
the [?] [?] of [?] [?] to stop the person&#13;
Offering them. they are all made payable to you&#13;
and without a forgery they will not be paid.&#13;
&#13;
The last was by Capt. Bond inclosing&#13;
a letter for Mr Woodward who was [security] for&#13;
Watkins. desiring he would pay you £100 --&#13;
I saw his son on the [road] the other day. and desired&#13;
he would tell you we were all well, you&#13;
will [send] the letter, + write to him yourself&#13;
to bring [you] the money. you will also call&#13;
on Mitchell and tell him to get the Rent ready&#13;
by the first of March at [farthest]. as I cannot&#13;
do without it In short I know not what&#13;
to do for money. If [these sums] are not received&#13;
[with Mullikens + Allicks hire] -- I hope you have&#13;
recd. and settled with Mr Clements + [Neth]. when I&#13;
hear from you that you have recd. any&#13;
&#13;
money. I will give an order on you for it.&#13;
&#13;
I wish if possible to avoid going over the [1st Mar]&#13;
but if Mitchell does not pay I shall be obliged to&#13;
[distrain] again -- I long to hear from you --&#13;
Capt Bond has not yet returned I suppose you&#13;
wrote by him -- but you must let us hear from&#13;
you by [post] if no other [Oppo.] we cannot&#13;
be without hearing from you so long. and let&#13;
us hear a detail of every thing [passing] -- there is&#13;
no news here -- except for the death of poor Mr [Sharp]&#13;
last Friday -- Capt [Tripp?] is not expected to live&#13;
many [days]. -- let us know if you ever heard [what]&#13;
became of the letter you gave Mr Martin for Sophia&#13;
pray was it directed to her? -- you ought always&#13;
to inclose her letters to me to prevent Curiousity&#13;
If you receive any letters which you think I wish&#13;
to see inclose them by some safe [Oppo.y]&#13;
&#13;
Tell Robt. G. his Parents are well I was&#13;
there last week -- give our Compliments to all who&#13;
asks for us -- all [Join] [in] Love to you [+ I am]&#13;
Your Affect. Father&#13;
David Kerr</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>David Kerr to John Leeds Kerr, 27 January 1796</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125192">
                <text>A letter from David Kerr to his son, John Leeds Kerr, regarding financial matters.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125193">
                <text>Kerr, David, 1749-1814</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="125194">
                <text>1796-01-27</text>
              </elementText>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125195">
                <text>No copyright - United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="125196">
                <text>PDF</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="125197">
                <text>KER_001_004</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>St. John's College (Annapolis, Md.)</text>
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  <item itemId="3618" public="1" featured="0">
    <fileContainer>
      <file fileId="3607">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/1b86ddc1b8c16dfc93970b8a279ceb69.pdf</src>
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                <elementTextContainer>
                  <elementText elementTextId="52699">
                    <text>SI. JOMS COLl...
ANN.~ POLIS. iv·

or

Your cour

acad mical studi s 1

with t stimonia

nd

no• finieh

of m rit , of wht ch I hop

no subs

part

y

u

t conduct

...

prov you unworthy.

u1re th t I

s to r

pr s nt occ sion; and as

on th

&lt;:£ a partin;?, fri

the advic

r

hould

lat I shall no · e

'18¥ be considered

,

d, I hop it will b

ards to you

rec iv d with kind

reg d
it ie inde d dicta.t • by

att ntion, a
ltar •

Cours

now finish d -

ro

Ditf r nt vi ws '
nd. yo1..-r

d

or

knowl dge of

dif1' r nt pur

particular

n2.!.:. to be laid;

o

rcus

r

industry,
; . ·.;

for

or

s5ion cho

or

a us .f\: 1 lit

n. t.o

to di ch r"'

cquir
ciuti

t.

, o: ht, · nd I trust,

ard to your future pur

11 b

b

hich

its, I hoD
bust

ea.ch

o

ht

a thoro
or it

h

th

your 1-.ud

ill b

it ting

p rhaps than to any ditf n::nc

r atur

pric

or

g nious, m

are indebted

at

haa wi~ ly o dain d th t not.h · n.,

cquir d without labour .

v ry thin ; and t

so f ortUT'-

uit d to th

h.i.s :ir:.d.

ental sup riorit.y .

is to be
for

turn

plan o

•

to apply to th· t,
peculi

lv

bl

~o..

conduct.

our ii.r1

its must no

tt ttion.

to b

a::i

billt1 and hono lT to ywr

ith

_onials not un torthy -

01te busi.r..ess or pro
ich,

abl

t st

for your i\ltur•

sir

h

has appoint d . price to b

of i . rove :-.ant and su

p id

riour knowl ... d

is

�..: 2 -

evere study and serious att ntio •

is not to b

Eminenc

ci nc

1

st r solv

th

or prof

sion

would wi h to

purchas d on low r t r
nt s,

must cheri

in any

~

nd sur ly ev ry

to· xcrt all th

n rous mind

m

powers of his

rd.our a.rxl st dy ers ver nee. Fr t i fi
r solution,
opiat1.: ct
e
n ith r the blandi.Bhments of sloth nor tho S&lt;;ductive blandiehm nts ot

with unaba.ti

pl asur

should

v r draw him as.id •

to their enerv :ti
h

quic kl.y lo

r

idly

s

us ful and orn

I ho

str

r lax

th r fore that your

ental knowled'"'e will b

constant

· b red that studious dill

it

h

wi 1h much toil, and is

at

th th

one

and yi lda

ID rows a bo t against th cur r nt ,

n

r, like th

p

r

For i

nc

t 1 ngth carri d

ertions to acquire

n1 unr n:itt.in •

und r th

dir ction

r

ulti s'

uppli

its d

r

cts

.d exalts it

c

atl.y to

contribut

w s !or
petition

t t

ot

spirit

the principal wi h

It will never r
uld b

of his f vour1t

or

very

t eat.1sfi

t ~ con

your

a tuppy

x rtion

ch of

ntal fr

lich

e.

It

Tully of rer · up his f rv nt

patron

a; and this ou

n rous mind; that pants aft r

siduity.

t to b
c llenc •

To

t of

hat a h

1n

c , this

e t natural abilities, carried Cicero, you al.1

; and such a model const

fail to hav

8.

wi tb

uence of

spirit joined ind ed to
will kn

bodily and

p rpetual industry th

shrin

xc llenci

and moderate xercise;

trength n both th

·and

n to that of th

or is it 1 as friendly to th h alth of the rl.ni

body, Mi n att nd

ot

It t

.mind.
nlarges its

Let

cannot

tly propo

rt ct on yoo.r oo nduct

d for i

tati on could not

nd studies.

a.rd quick n yrur p rs v ranc · rou

It will

yo..1r minds tro

te
th

�.;.. J -

or o:f sloth

1

th a nobl aadour to

!ill th
him.el!

in his pro

Lf'ul
th

ar

or

b st use

trust

rutur

;

con

d

It i

ti

h

uenc

an&lt;1 h

of p"'rvert &lt;1 ctivi

pin

s.

re

s and trilling,

to b

c r fully

of

incapabl

By their b

or it.

ence cru Uy cii

- poirt.ed;

ilst t

a an obj ct or cont
ng

that h ev r pl
sorr&lt;&gt;

ncl

iel

d

prop .. s

th

s dwtiv

art.

bitt m ss of

s

ref r

in

!¥!

ut. altho th

on
s

ho

!utur
sinks into

or be as ur

r fore you ill al ay

,

net 1
b

o
tion to

v

v n your

rat

epur of

will, I am pe rauaa

e

nning th ir latter

ch

to this end.

. invi

the

Tl y

faire t pro

or d t st ti n.

1

kina

vict

mi::s r bl

in th b

our

i:ich ie

ided.

th

proau.ce so

tock or knowk

ha.v

n"Jpt

I hop t

it with care; so
your

nc

ful inf'l

d the fl.atterin

ious is oft n bla-t d

arly

·th which

to stuey-

ri · dly to
b co

ndeavor to

ot of it in yruth, d pen

Idl n

, o ht th retar

ust

t tr a

t

gr

lo

o th pro r

and.

sio ,

its po; rr;

n rous

&lt;1 • alify it for useful

1 as

ulation as

inci1.o you t o

by

co

cquir

let

dictat.

kno l dg

rtio •
o

dut

your

'I

to di sch rg

pro!' ssion; ao
7et still the

v ls
tion

or

at int

l 1sure.

t ti

s

the duti s - or it 111. th

appllc t1on to - favourit

o will st.i ll h v

1t in yrur p

to other parte of ll t. r ture, and

o

°"

bilit.7

honour,

pursuit admits int rr to "&amp;um your attenvari ty in your studi a

�,;_ 4 -

wil 1. b

tound tavotr ble to

cti. on ot the •

vigorous pro

stua. nt will nde vor to enrich his una. r t.arXling b
on all

bjects,

th

s

rro

the narrow tract

del.ieht!ul r gions o! Wliv rs 1

1 isur , I hope you

ith

It would be unnoc

ther by

kno
A

cl

an ac

find
ce

ai nt

to point out th us !'uln ss of e ch

your ttention to it.

that they all tend to ex rcise ma
st&gt;ore it

i l l therefor

d di01ity and lustre to yaur character.

ery, I pre

sci nee in a-der to incit

prore sional .. tudy into
s yru

ci c •

ide

re but adVant.ag

ant inclin ti on to pr serv

11 not

neral science

or

lib ral

coll ctin

d will t.her tore !ind, not only pls

in deviating so eti

Th

the p

tren

th a rich vari ty of id

w

,

You u t b

convinced

ers of t

improve taste or

mind, to
bellish

dge.

sical literatur , thee

light and womer

celabr tell

they are
of th

ot yoor att tion.

shar

d capacity or anci. nt n

to the r aciing

yoor t

or

th

d ad l

gua.

ot true

ple

od ls of just thinldng,

rd.ado

th

it r , which ha.ve b

e writt n in

valuable,

tudy or

de-

, ·111 still, I natt r myself, con-

ot succ ssiv
considerabl

tinue to

loyed in the

been

a con iderahle port.ion of ywr ti.

t st

are highly

,

t bee

and

cievoting

ions.

anly tt

with critical

many oth r ad.vant ges, you will

Th

e

nt

on

pcrtion

or

tion, bEl ides

cquire that !ine classical truJt which
'I

giv ~ grace and luster to diction, b auty
eloqu

ce its

enuin

and cha.st

lrt.
import.

c

d

eat r valu ;

to b

bellls

ref ore

to r

onin

and to

ts.

lectual po ere hi

desire&lt;l; y t

which has t

d t&lt;r c

ly

rov d are

till th re is so

just clai.

to

thing

or

ereat

ls• of

ore a ri~us r gard.

�- 5 -

1

'f'er shining

ay b

only th virtu

r.tt

biliti

h

d

•

latt r

cy; but th

t ru1y

· ty and r
wq

art

h

to pr

ve
1

rr

rY

igion.
study to

; t

t

utation, "

one ho

t.er

to which h

an

n

c ,

ich is th

or r ligious li .t, th

of a.oncut ,

n

olv

r

id , wh

ut.

Lr.

Clara or

so

:rely to inter st

d

r-1 it

comtanc.r .

they ar

h•ir lives

d in a

co ndoo t

or

o hav no

th

ccusto · C1 to obey, can n

th

,

or passion or in t

lv a.

Saili

th ir cour

, t

to

ct

alJf

aan:rerous
ays in d

1

th

on

ai

11 ror

a,

r h

n ae, !ol.l.7

checquered with

according to t

c tric• o! h
th who

thout any !

t

rd

oo.r, th

they have co

g r of being ehipwr eked.
d.

ral

ot ctio

of !ix

For the dJn&lt;1uct

ust

vie , changing and fluctu ti
ula

is for

ccordin

m

gr at advant

l.d

ccount. to

on

I

d

ct of

, that you h

convine

dditi nal im ;ortanc •
internal

o

i , it is n ces

oon b

d.e hi

ners.

rely llit h exter-

ctiv lit to lay do

:s to

und

ct o

you should propo

w.il

h•:r

late ywr conduct by th

tt

r

•

only

el gant &amp; polite

nt

ev r rest s ti tied

n just irinciple

t

r ct r; and tt:

nd.eavour to r

In ord r to dJ

down c rt

r a

tt

whil , 'Y h ir

fo

t ...,...!! good c

rv that oral

r tion.

, it 1

led

ever r

art. tt t

th

lbelll

your con tant

r . or

his k

1 lust

rtr

t will properly adcit the

L t. it th n b

or

iv

hin

a o! t.h
t

, or exte

qu lit i•a

and .

t e obj ct of
rilli

hi.ti

tar to

d

Re olve

, to coIXiuct yoirs lv a by

�- 6-

j

a, yoo. will

prina1.pl·s of b haviour.

t

nuine re

ct.

innumera le

d

like

ln.r , you d 11

ro

u

cur

Let.

influ r.c

l

conduct of l1f •

on th

In t.
o

sc

in

or

h1n1.ng,

hi

d

r sphe

tr •

ot. r n:.att ,

tion to

ri

ot onl

hich

s u

It

rld

o th ir

on th

c

trance into lU' , to

r c.'loie ; 1t i

otiv •

Vi~

cit

'

Od

.

n tu.re

or out ;

ar th qua.lit s,
it.1 s ind

om

nt

ble in the

d not only
•

. t;

ch th

d

lv ,

t 11

8

1-

1

us

But. let it b

t insi&lt;lio s

,
by th ti a of rri dsh1p.
abl qu.al.1ti

lS att

they are ti
d

If th

, th y

Let

it b

lso ad int

ll

SC

coimsct.

that to th

rtain

lectu

worth; t

d

to tr

to pri.ncip

t

ho our.

rit, be

titut

ured that o.ir characters will

ti.on.
ch

rld,

or th
ct r of you

your

G

n ....ru

the c pany ou fre

nst conn ct:ln

arel

principl s,

ch

despis

ll

nt.

1 other , b

.
th tho e

d ridicul

r

~•d

er

s ar pa.Uiat d to co c1wic

cl 1

o pro"' ess ec

:r str · nts,

l1

r

it

ol

or

r17
tical

�-7-

b

quickly ov rturn d; nn

those,

iO f

tt r t

ith r tor usef'uln e

,

anarally

I persu, d

ys l!, that you

not
co

nd

or

t opinion

j

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                  <text>Commencement Programs and Addresses</text>
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                  <text>Annapolis, MD</text>
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              <name>Contributor</name>
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                  <text>St. John's College Greenfield Library</text>
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              <name>Description</name>
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                  <text>Addresses given at commencement and programs of events related to, and including, the annual commencement ceremonies at St. John's College. Includes both the undergraduate and Graduate Institute commencements. &lt;br /&gt;&lt;br /&gt;The College Archives holds programs and/or addresses for the following years:&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;1796&lt;/li&gt;
&lt;li&gt;1835-1836&lt;/li&gt;
&lt;li&gt;1842&lt;/li&gt;
&lt;li&gt;1852&lt;/li&gt;
&lt;li&gt;1856-1857&lt;/li&gt;
&lt;li&gt;1870&lt;/li&gt;
&lt;li&gt;1878&lt;/li&gt;
&lt;li&gt;1880&lt;/li&gt;
&lt;li&gt;1890&lt;/li&gt;
&lt;li&gt;1893&lt;/li&gt;
&lt;li&gt;1895&lt;/li&gt;
&lt;li&gt;1897&lt;/li&gt;
&lt;li&gt;1907&lt;/li&gt;
&lt;li&gt;1910-1918&lt;/li&gt;
&lt;li&gt;1920-1924&lt;/li&gt;
&lt;li&gt;1928-1929&lt;/li&gt;
&lt;li&gt;1932&lt;/li&gt;
&lt;li&gt;1936-1937&lt;/li&gt;
&lt;li&gt;1939-1945&lt;/li&gt;
&lt;li&gt;1947-present  &lt;/li&gt;
&lt;/ul&gt;
Click on &lt;strong&gt;&lt;a title="Commencement Programs and Addresses" href="http://digitalarchives.sjc.edu/items/browse?collection=18&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the Commencement Programs and Addresses Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <description>Number of pages in the original item.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Commencement Address, 1796</text>
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                <text>Statement conferring degrees and commencement address.  Delivered by President McDowell on October 21, 1796 to the Class of which Francis Scott Key was a member.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McDowell, John</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>St. John's College</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Annapolis, MD</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="52705">
                <text>1796-10-21</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="52706">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>text</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>English</text>
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            <name>Identifier</name>
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                <text>Statement Conferring Degrees and Commencement Address by President McDowell (to the graduating class of Francis Scott Key) 1796-10-21</text>
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                <text>Key, Francis Scott, 1779-1843</text>
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    <collection collectionId="7">
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            <element elementId="50">
              <name>Title</name>
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                  <text>Image Collection—Annapolis</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24">
                  <text>&lt;p&gt;The Greenfield Library Image Collection houses over 5,000 photographs, postcards, drawings, and other graphic materials.  The images in the collection document the history, academic, and community life of St. John’s College. &lt;/p&gt;
To learn more about the Greenfield Library's archives use policy or to obtain high-resolution images, please see the &lt;strong&gt;&lt;a title="Image Collection Use Policy" href="http://www.sjc.edu/academic-programs/libraries/greenfield-library/policies/#photographicarchivepolicy" target="_blank" rel="noreferrer noopener"&gt;Library’s Image Collection Use Policy&lt;/a&gt;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Photographic Archives" href="http://digitalarchives.sjc.edu/items/browse?collection=7"&gt;Items in the Image Collection—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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                  <text>St. John's College</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>St. John's College Greenfield Library</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="121">
                  <text>Annapolis, MD</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>imagecollectionannapolis</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>25.5 x 20.5 cm.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
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                <text>SJC-P-2105</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Drawing of Annapolis Maryland, 1797</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87680">
                <text>1 photographic copy of a drawing : b&amp;w</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              </elementText>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87688">
                <text>St. John's College owns the rights to this photograph.</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="2142" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>St. John's College History Collection</text>
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                  <text>&lt;strong&gt;Abstract&lt;/strong&gt;&lt;br /&gt;The scope of the materials in this collection is focused on St. John’s College, Annapolis, particularly related to its functions, activities, and perceptions of St. John’s College in the news media. Records include items such as correspondence with public figures, planning notes for public activities, newspaper clippings about the College, essays and published materials, along with some assorted ephemera. While the bulk of the materials are from the 20th century, some items date back into the 18th and 19th century. Because of the breadth of time covered by the collection, many important cultural and educational milestones are represented in the materials. It is also worth noting that the St. John’s College Santa Fe campus is occasionally mentioned in these records, though it is not the focus of the collection.&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Arrangement&lt;br /&gt;&lt;/strong&gt;Items are arranged in series by type of record (such as Correspondence) or subject matter (such as 275&lt;sup&gt;th&lt;/sup&gt; Anniversary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Related Material&lt;br /&gt;&lt;/strong&gt;Almost all of the materials pertaining to the history of St. John’s College prior to 1900 are housed at the Maryland State Archives. For permission to access to these collections see the Director of the St. John’s College Greenfield Library. The St. John’s College archives collections also include materials related to: commencement; admissions; Dr. Richard Weigle; Hector Humphrey; other college officials, etc. These materials are housed in separate collections but may also be useful to consult. &lt;/p&gt;
&lt;strong&gt;&lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/files/original/FindingAidforHistoryCollection.docx"&gt;Original Finding Aid&lt;/a&gt;&lt;/strong&gt; (created by Megan Craynon)&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/items/browse?collection=27"&gt;Items in the St. John's College History Collection&lt;/a&gt; to view and sort all items in the collection.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="32543">
                  <text>St. John's College owns the rights to this publication.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>paper</text>
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                  <text>Russian</text>
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      <name>Finding Aid</name>
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              <text>&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;&lt;em&gt;Folder #&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Author&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Title/Description&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Date(s)&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Medium&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Notes&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt; 7-1&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;An Enquiry into the Validity of Methodist Episcopacy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1807&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-2&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;McParhie, William&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Contentment&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;11/1845&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-3&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Waller, Sydney&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;History of the Class of ‘73&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1873&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-4&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Yellott, Osborne&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“Social, Literacy and Athletic Features of Student Life at St. John’s”; published in &lt;em&gt;The University Magazine&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1893&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-5&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Southern Magazine&lt;/em&gt;, Vol. 1 No. 3&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;6/1934&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Contains article on St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Maryland Historical Magazine,&lt;/em&gt; Vol. XXIX No. 4&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;12/1934&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Contains article on St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Campbell, Robert&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“The War”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;c. 1944&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“The Liberal Arts and Education”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1951&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;4 copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“St. John’s College, Annapolis , Maryland: The Pilot College in Liberal Arts Education”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1952&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Levin, Martin&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Platonic Solids—An Exhibit of Geometric Models&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1972&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Pamphlet “Presented by the Department of Mathematics”&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Women: In Focus Through the 70s&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1972&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Brochure&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-12&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Women: In Focus Through the 70s&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;4/22/1972&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Schedule&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-13&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Haase, Leif wellington&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;High Culture Democrat: Scott Buchanan and the Great Books Experiment 1920-1950&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;2/21/1994&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dissertation proposal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-14&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Roberts, Emily Griffith&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ancestral Study of Four Families&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1948&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-15&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Miscellaneous clippings of Annapolis History articles&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-16&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ewing, Galen W.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Early Teaching of Science at the College of William and Mary in Virginia&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1938&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-17&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Wiser, Vivian&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Maryland in the Early Land-Grant College Movement&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1962&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Article published in &lt;em&gt;Agricultural History&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-18&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Readings in Educational Theory&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;9/1965&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Contains letter with notes&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-19&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;American Magazine of Art&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1928&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Article on “Colonial Annapolis” (p. 306)&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-20&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Journal of the American Institute of Architects&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1928&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Article on “Old St. Johns” (p. 85)&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-21&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Kieffer, John S.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;On the St. John’s Program&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1977&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Two copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-22&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Liberty and Liberal Education&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1985&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Papers presented in commemoration of the St. John’s College Charter Bicentennial, 1984-1985&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-23&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The Liberty Tree&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original, photocopy&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Pamphlet published by St. John’s College&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;7-24&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The Maryland Scroll MSPAA and MSPA&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;4/3/1954&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</text>
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            <name>Title</name>
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                <text>St. John's College History Collection Published Materials (Box 1 of 2)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="32034">
                <text>Published materials by persons affiliated with St. John’s College, or about the College. Materials include individual essays, as well as occasionally entire publications. Some materials relate to the history of the city of Annapolis. Similar materials and topics may also be found in the Newspaper Clippings series.</text>
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                <text>1807-1985</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="32037">
                <text>St. John's College owns the rights to this publication.</text>
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                <text>Kerr, David</text>
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                <text>Kerr, John Leeds</text>
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                <text>McDowell, John</text>
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                <text>Maynadeir, Henry</text>
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                <text>Meiklejohn, Alexander</text>
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                <text>Roosevelt, Franklin D. (Franklin Delano), 1882-1945</text>
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                <text>Fell, Thomas</text>
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                <text>Barr, Stringfellow, 1897-1982</text>
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                <text>Weigle, Richard Daniel, 1912-</text>
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                <text>Alexander, John D.</text>
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                <text>Brann, Eva T. H.</text>
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                <text>St. John's College</text>
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                <text>Annapolis, MD</text>
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        <name>Liberty tree</name>
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              <name>Title</name>
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                  <text>St. John's College History Collection</text>
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                  <text>&lt;strong&gt;Abstract&lt;/strong&gt;&lt;br /&gt;The scope of the materials in this collection is focused on St. John’s College, Annapolis, particularly related to its functions, activities, and perceptions of St. John’s College in the news media. Records include items such as correspondence with public figures, planning notes for public activities, newspaper clippings about the College, essays and published materials, along with some assorted ephemera. While the bulk of the materials are from the 20th century, some items date back into the 18th and 19th century. Because of the breadth of time covered by the collection, many important cultural and educational milestones are represented in the materials. It is also worth noting that the St. John’s College Santa Fe campus is occasionally mentioned in these records, though it is not the focus of the collection.&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Arrangement&lt;br /&gt;&lt;/strong&gt;Items are arranged in series by type of record (such as Correspondence) or subject matter (such as 275&lt;sup&gt;th&lt;/sup&gt; Anniversary).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Related Material&lt;br /&gt;&lt;/strong&gt;Almost all of the materials pertaining to the history of St. John’s College prior to 1900 are housed at the Maryland State Archives. For permission to access to these collections see the Director of the St. John’s College Greenfield Library. The St. John’s College archives collections also include materials related to: commencement; admissions; Dr. Richard Weigle; Hector Humphrey; other college officials, etc. These materials are housed in separate collections but may also be useful to consult. &lt;/p&gt;
&lt;strong&gt;&lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/files/original/FindingAidforHistoryCollection.docx"&gt;Original Finding Aid&lt;/a&gt;&lt;/strong&gt; (created by Megan Craynon)&lt;br /&gt;&lt;br /&gt;Click on &lt;a title="History Collection Finding Aid" href="http://digitalarchives.sjc.edu/items/browse?collection=27"&gt;Items in the St. John's College History Collection&lt;/a&gt; to view and sort all items in the collection.</text>
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                  <text>Craynon, Megan</text>
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                  <text>Annapolis, MD</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="32542">
                  <text>1795-2008</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32543">
                  <text>St. John's College owns the rights to this publication.</text>
                </elementText>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>text</text>
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              <name>Format</name>
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                <elementText elementTextId="32545">
                  <text>paper</text>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32546">
                  <text>English</text>
                </elementText>
                <elementText elementTextId="32547">
                  <text>French</text>
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                <elementText elementTextId="32548">
                  <text>Russian</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>St. John's College Greenfield Library</text>
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    <itemType itemTypeId="19">
      <name>Finding Aid</name>
      <description>Descriptive document containing detailed information about a specific collection of papers or records within an archive. </description>
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          <name>Inventory</name>
          <description/>
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              <text>&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;&lt;em&gt;Folder #&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Author&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Title/Description&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Date(s)&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Medium&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&lt;em&gt;Notes&lt;/em&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-1&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“Old St. John’s College in Annapolis since 1696”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1932 (?)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-2&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Desmond, Effingham&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“A Pre-Revolutionary Annapolis House”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1929&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The Monograph Series: Recording the Architecture of the American Colonies and the Early Republic&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-3&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“Colonial St. John’s College, Annapolis, MD 1696-1928”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1928&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Published by The Committee for the Restoration and Enlargement of Colonial St. John’s College, Annapolis, MD&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-4&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“St. John’s College, Annapolis-Maryland: View of St. John’s College and Campus”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1924 (?)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Two copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-5&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“Saint John’s Forever…1696-1949”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1949&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Four copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Liberal Arts: Disciplines and Traditions&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1958&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“Historic Houses for St. John’s”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1929&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Four copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“St. John’s College in Annapolis, 1696-1930”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1930&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Two copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“St. John’s College, Annapolis, Maryland: An Open Letter to School Seniors”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1924 (?)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“The Great Teachers Return”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1948&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Three copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St. John’s College Book Store, Book List 1949&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1949&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-12&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;“The St. John’s Story”&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;1949&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Three copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-13&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Garis, Norman&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;To Members Of The College in absentia&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/1945&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Four copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;
&lt;p&gt;8-14&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St. John’s College: Santa Fe Newsletter&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;06/1982&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Original&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Two copies&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="32043">
                <text>St. John's College History Collection Published Materials (Box 2 of 2)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="32044">
                <text>Published materials by persons affiliated with St. John’s College, or about the College. Materials include individual essays, as well as occasionally entire publications. Some materials relate to the history of the city of Annapolis. Similar materials and topics may also be found in the Newspaper Clippings series.</text>
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              <elementText elementTextId="32046">
                <text>1807-1985</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32047">
                <text>St. John's College owns the rights to this publication.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>text</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="32050">
                <text>English</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Box 8</text>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="32272">
                <text>Kerr, David</text>
              </elementText>
              <elementText elementTextId="32298">
                <text>Kerr, John Leeds</text>
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              <elementText elementTextId="32324">
                <text>McDowell, John</text>
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              <elementText elementTextId="32350">
                <text>Maynadeir, Henry</text>
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              <elementText elementTextId="32376">
                <text>Meiklejohn, Alexander</text>
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              <elementText elementTextId="32402">
                <text>Roosevelt, Franklin D. (Franklin Delano), 1882-1945</text>
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              <elementText elementTextId="32428">
                <text>Fell, Thomas</text>
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              <elementText elementTextId="32454">
                <text>Barr, Stringfellow, 1897-1982</text>
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              <elementText elementTextId="32480">
                <text>Weigle, Richard Daniel, 1912-</text>
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              <elementText elementTextId="32506">
                <text>Alexander, John D.</text>
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              <elementText elementTextId="32532">
                <text>Brann, Eva T. H.</text>
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          <element elementId="39">
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                <text>St. John's College</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="32599">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
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      <tag tagId="70">
        <name>Finding aid</name>
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