<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://digitalarchives.sjc.edu/items/browse?output=omeka-xml&amp;page=19" accessDate="2026-09-16T20:38:36+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>19</pageNumber>
      <perPage>20</perPage>
      <totalResults>5655</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="7737" public="1" featured="0">
    <fileContainer>
      <file fileId="7890">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/2888e2840bda248a3f72fef4dcbde042.pdf</src>
        <authentication>12e89faca4924292509e31d10438ffc3</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117870">
                    <text>On a recent plane trip, I sat next to a young man who is currently a junior at a small college in
Pennsylvania. He was very friendly, eager to tell me about his troubles with a girl who offered
him a ride to a tattoo parlor, his coach’s tactics for defense, and how little he was learning in
college. When he found out I was a professor he decided to help me out by telling me how he
cheats on all his tests. I thanked him for the information, but told him that we don’t have tests at
St. John’s. He was very interested, paused for a moment, and then asked how the party scene
was. Excellent, every friday night there is a lecture.
Since he was so forthcoming, I decided to ask him what he knew about Galileo. He thought that
Galileo was the guy who dropped things off the leaning tower of Pisa (quite possibly true), and
that Galileo argued that the sun revolved around the earth (right topic, but he had his
heliocentrism and geocentrism mixed up).
These two facts about Galileo, that he showed that bodies do not fall with speeds proportional to
their weights and that he championed Copernicanism over Ptolemaic astronomy, are probably the
two most well known features of Galileo’s corpus. And yet I’m not sure that Juniors, after
studying Galileo for a week in Junior mathematics and a month in Junior Laboratory, would have
learned either of these things from their study. We don’t study why Galileo rejected Aristotle
and Ptolemy, we study a new science that Galileo built upon the apparent ruins of Aristotelian
natural philosophy and metaphysics: a science of the actualized infinite in the mathematics
tutorial, and the study of local motions described in the third and fourth days of Galileo’s last
published book, The Two New Sciences.
The Two New Sciences is a discourse between three friends, Simplicio, Sagredo, and Salviati that
lasts four days. On the first two days, the three friends discuss a new science concerning the
resistance of solid bodies to separation. While there are theorems sprinkled throughout these two
days, the banter between the friends leads us, for the most part, gently and slowly through the
mathematical and physical arguments. Along the way we are treated with numerous diagrams,
some of them purely geometric, but many more are intricately drawn sketches of ropes with
frayed edges, beams with knots and grain that look like olive not pine, and crumbling arches of
brick that support not only beams but plants with branching roots that are breaking through,
clumps of moss, and new sprigs with veined leaves.
On the third and fourth day, where we begin our study, readers begin with the unnamed
Academician’s Latin text rather than a friendly Italian conversation with our three interlocutors.
The Latin text describes the locomotion of disembodied moveables that are more like
mathematical points than the natural bodies in days one and two, the diagrams reminiscent of
book five of Euclid rather than the drawings of olive beams, braided ropes, and crumbling
arches. What we see is an academic mathematician, one who precisely defines equable motion,
naturally accelerated motion, and projectile motion, then applies Euclid’s theory of proportion

1

�and Apollonius’ study of conics. The third day, in particular, is remarkably spare. Only fifteen
of its more than seventy-five pages are Italian dialogue, the remainder, mathematical theorem
after mathematical theorem in Latin.
It is on the third and fourth day with this spare Latin text on the mathematics of motion that our
Junior Laboratory begins. If one ignores nuance, the use of proportion, geometrical corollaries,
and blurs one’s vision, then one could summarize our readings thus: in six theorems on equable
motion, Galileo shows that speed is distance divided by time; in the next six theorems on
naturally accelerated motion, he shows that the distance a body falls is one half its accumulated
speed times the time of its fall squared; in the final two theorems on projectile motion, Galileo
demonstrates that a body can simultaneously move with equable motion in one direction while
falling with naturally accelerated motion downward resulting in a parabolic path.
What we study in the third and fourth days is Galileo’s last published work, written at the sunset
of a life exhausted by a revolutionary study of motion, published as his body was bedridden by
disease, his eyesight failing, his person imprisoned, and his soul shattered from the death of his
beloved daughter; this monument risks seeming for us an unremarkable dawn, a new beginning
we could unconscionably sleep through, a dry academic Latin textbook in which two elementary
equations for moving bodies are derived.
But the new beginning that we study is the distillation of a lifelong argument between Aristotle
and Galileo. Galileo lets us hear echoes of this argument in his dialogues by including the
Aristotelian, Simplicio, among his characters. While Simplicio will argue for the Aristotelian
approach tenaciously and with spirit, his understanding is often second hand, rote, and
handicapped by a poor mathematical education consisting in nothing beyond book one of Euclid.
Salviati and Sagredo often team up and ridicule the Aristotelian account and tend to just ignore
Simplicio altogether whenever the discussion requires mathematical expertise. It often seems
that Galileo is not treating the Aristotelian worldview fairly, as Simplicio himself complains,
allowing Salviati to vaunt over an impoverished, dried up, rather rubbish version of
Aristotelianism. If Aristotelianism is so ridiculous, why include it at all? Why have Simplicio
partake in these dialogues?
Galileo’s new science of local motion is now old and familiar to us. Because of this we might
have a hard time seeing Galileo’s theory without first becoming strangers to it. One way to do
this is to immerse ourselves in another way of thinking about motion first. This is in fact what
we do in the program by studying Aristotle. By studying Aristotle we are able to not only see a
cohesive, beautiful, and philosophically rich way of understanding motion, we also are put in a
better position to see how our own understanding of nature is itself a theory that requires
attention and thought.

2

�I think that Galileo puts Simplicio into the dialogues so that we notice that Galileo’s steps were
not taken out of necessity, by habit, or from authority, but consciously taken to set himself upon a
new path to understand nature. Simplicio is there so that we notice that Galileo isn’t simply
doing mathematics, he is philosophizing. Simplicio is there to remind us that Aristotelian
philosophy, was more than any part that Galileo might contradict, it was a whole philosophy of
nature, and that this new “way of philosophizing tends to subvert all natural philosophy, and to
disorder and set in confusion heaven and earth and the whole universe.”1 Simplicio is in the
dialogues because Galileo is still trying to understand the significance of his disagreement with
Aristotle.
What is this Aristotelian natural philosophy that Galileo threatens to subvert, disorder, and set in
confusion? There are countless small derisive references to the peripatetic philosophy
throughout both the Two Chief World Systems and the Two New Sciences, Simplicio championing
it and defending it in turn, but tonight I thought it would be worthwhile to turn to an earlier text
in Galileo’s career, On Motion or in Latin De Motu.
Galileo wrote and rewrote De Motu while he had a chair in mathematics at the University of Pisa
at the outset of his career (1589-1592). Some hypothesize that De Motu was written as notes for
lectures on Aristotle, others that it was written for publication, perhaps it was both. As a young
professor, he is more conservative than when he is older; he works from a foundation established
by Aristotle’s natural philosophy. Galileo might remind us of Simplicio in these lectures,
adhering to an Aristotelian theory without fully recognizing its consequences. Here we
encounter Galileo wrestling with Aristotle rather than pumping his fist in triumph. Although he
eagerly points out inconsistencies with the same iconoclastic spirit we see in the later dialogues,
the apparent goal is not to refute but to improve upon Aristotle by supplementing his account
with mathematical reasoning inspired by Archimedes writings on the balance, making Aristotle’s
theory more consistent with our experiences of moving bodies. As Galileo develops the
consequences of these changes, we will see a description of nature emerge that is at odds with
the foundations: Aristotle’s definition of nature.
I.

Aristotle’s theory of natural motion

I’ll begin with a few basic ideas from Aristotle’s natural philosophy, before giving a more
detailed account of what we might call Aristotle’s science of the locomotion of bodies.
Aristotle defines nature in the beginning of the second book of the Physics: “nature is a principle
or cause of being moved and of being at rest in that to which it belongs primarily, in virtue of

1

Galileo, Two Chief World Systems (trans. Stillman Drake, University of California Press, 1953, second revised
edition 1967), Day I.

3

�itself and not accidentally”(192b21-22).2 Nature is not deer, trees, rivers, and soil, but the cause
of motion and rest in deer, trees, rivers, and soil; the cause that belongs to these things in virtue
of what they are and not accidentally. Nature is the reason something moves or something rests
when it moves or rests because of itself. Nature is an internal cause of motion or rest.
Nature is not the only cause of motion. Another cause that we are familiar with is force. If I lift
a stone, it does not move because of nature but because of a force which I apply to the stone. All
local motions will have a cause, either a natural cause which is internal and belongs to the body,
or a violent cause which is usually external and is the result of a force being imposed upon the
body. For Aristotle, natural motions are eminently more interesting than forced motions.
Now when we turn to study nature, the internal cause of motion and rest, we are faced with two
kinds of things. There are things that have life or soul and things without life or soul. In the
Physics, Aristotle says that having an internal source of motion and rest is “a characteristic of life
and peculiar to living things” (255a6-7)3. For Aristotle there is an intriguing puzzle about the
motion of non-living things, why and how do they move themselves without soul? His account
of nature needs to stretch to incorporate a kind of motion that originates in a thing without
originating in a thing’s soul. In this lecture, we will call the natural motion and rest of a
non-living thing, the natural motion and rest of a body.
Aristotle will say two things about a body’s motion, and there is some tension between these two
claims, which we will need to address. First, a body’s source of motion, a body’s nature, is ‘the
heavy’ and ‘the light’ in the body. In De Caelo, Aristotle will say that bodies have “in
themselves some spark (as it were) of movement”(308a2); this spark (τὁ ζωπὐρον) is ‘the heavy’
and ‘the light’.4 If we were to form an analogy we could say that soul is to an animal’s or a
plant’s natural motion as spark is to a body’s natural motion.
But the second claim that Aristotle makes is that the body does not move itself as an agent, the
motion is pure passivity. Here is Aristotle in the Physics, “in all these cases the thing does not
move itself, but it contains within itself the source of motion–not of moving something or of
causing motion, but of suffering it” (255b29-31)5. Here we have Aristotle pushing against the
idea that we should understand the heavy and the light as anything analogous to soul. The body’s
motion is pure passivity, the spark is not a soul, but a passive potential for a kind of activity,
being at rest in a particular place. The idea here is two-fold. First, while a stone resting on the
ground will never move itself, if I lift that stone up and release it the stone will move. The spark
2

Aristotle, Physics (The Complete Works of Aristotle, edited by Jonathan Barnes,
translated by R. P. Hardie, Princeton University Press, 1984), Book II, ch. 1.
3
Ibid., Book VIII, ch. 4.
4
Aristotle, De Caelo (also from The Complete Works of Aristotle, edited by Jonathan
Barnes, but translated by R. K. Gaye, Princeton University Press, 1984), Book IV, ch. 1.
5
Ibid., Book VIII, ch. 4.

4

�does not turn into a roaring fire by itself, but only when one uses bellows to fan the flame.
Second, the heavy and the light do not choose their place of rest and where they will move when
they do move; there is no internal account for why they move where they move. Aristotle says
that ultimately, “these things are moved by that which brought the thing into existence and made
it light and heavy”(256a1)6.
We can now turn from these few basic ideas underlying Aristotle’s natural philosophy, to some
more specific claims in his account of how ‘the heavy’ and ‘the light’ can be used to describe the
natural local motions of bodies.
First, and of primary interest tonight, is this: Aristotle believes that bodies fall with speeds in
proportion to their heaviness and lightness. In the De Caelo, Aristotle gives the following
example (which is illustrated in the handout, and labeled figure 1). If we have a body that falls
through line ce in a given time, and we divide both the body and the line in the same ratio, so
that ab is to the whole body as cd is to the whole line, then the part of the body will complete the
part of the line in the same time as the whole of the body would move through the whole line.7
This means that a stone half as big as another stone, that is with half its heaviness, will fall half
as far as the bigger stone in the same time. Aristotle will give similar examples for the light as
well as the heavy. A fire twice as large as another fire, will rise twice as far in the same time.
Paired with this claim is a claim about how bodies fall through different mediums. If one is
given a body, it will fall with a speed that is inversely proportional to the density of the medium.8
If water is twice the density of air, then a body will fall half as fast in water as it will in air.
Aristotle also gives an explanation for how and why bodies naturally accelerate. In De Caelo,
Aristotle says that when a body naturally falls downward or rises upward, it moves towards
fulfillment and “comes into that place, quantity, and quality” which belongs to its form
(310a20-35).9 The idea that something moving upwards would change not only in location but
in quantity and quality, might seem strange. But we can remind ourselves that for Aristotle
motion is not simply locomotion, motion is a general category, it is a becoming, an actualization
of a potentiality as such. ‘The heavy’ doesn’t just move downward, it has a place in the cosmos,
the center. When ‘the heavy’ is in its place it is fulfilling its purpose, it is at-work-being-itself, it
is actualized. Similarly with ‘the light’. When ‘the heavy’ moves downward it is not simply
changing its place, it is becoming more itself. It is, to return to the quote above, coming “into
that place, quantity, and quality” which belongs to its form. This means that as the heavy moves
downward it gets heavier, and because it is heavier, it moves faster. Galileo adds in the margins
Thomas Aquinas’ way of putting this, “Aristotle held that the speed of motion is increased
6

Physics, Book VIII, chapter 4.
On Motion, p. 263, ch. 8, and De Caelo 301a27-32.
8
Physics, Book IV, chapter 8, 215a24-215b11.
9
De Caelo, Book IV, chapter 3.
7

5

�because the weight of the body is more concentrated and strengthened as the body approaches its
proper place” (ch. 19, 316)10.
We now have the basic outlines of Aristotle’s account of nature and how he uses this to explain
the natural motions of bodies: where a body is at rest, where it moves when it is displaced, the
speed with which it moves, and why a body accelerates. But because the heavy and the light are
not soul, they are not active principles, but passive principles, we can still ask the question, why
does the light go up and the heavy down? To answer this question, Aristotle says that we have to
look outside the bodies to “that which brought the thing into existence and made it light and
heavy” (256a1).11
II. Galileo critique of Aristotle
Galileo thinks that Aristotle was wrong that speed is proportional to weight. Galileo prepares
many thought experiments which might not refute Aristotle, but work on the reader’s
imagination so that Aristotle’s claims become more problematic. Because Galileo writes these
thought experiments to persuade, I’ll focus on the one that I found most persuasive and try to
explain why I found it so.
Galileo instructs us to imagine two bodies of equal weight falling next to each other with equal
speeds. As these bodies fall, they are shoulder to shoulder and then, at some point, they become
attached. An Aristotlelian will be compelled to say that once they become attached, they will go
twice as fast. Galileo concludes that it is obvious that this is not the case for anyone who “looks
at the matter simply and naturally” (ch. 8, 266)12. As we reconsider the example, in an attempt to
look at the matter simply and naturally, we might notice that the sudden increase in speed is
coincidental with the cohesion of the two bodies. The cause of the increased speed doesn’t seem
to be more weight, but the fact that a given weight is in one body rather than two. But why
should this matter? How would this cohesion increase the speed? Surely the bodies will
continue going the speed that they had been going, whether the bodies are rubbing shoulders or
holding hands, as it were. Now, is a chunk of wood any different from two halves “holding
hands”? I don’t see why it would be, so it must be that the larger chunk of wood falls just as fast
as any of its parts would fall and it just so happens that all these parts are “holding hands”. Now,
perhaps this is not what Galileo meant by looking at the matter simply and naturally, but I am
sure that this is the sort of inner dialogue that he wanted his readers to have.
There is no indication in these lectures that Galileo rejected Aristotle claims based on a field trip
to the leaning bell tower in Pisa. If anything, the sorts of examples he gives indicate an approach
10

Galileo Galilei, On Motion and On Mechanics, The University of Wisconsin Press,
1960. On Motion was translated by I. E. Drabkin. Hereafter, “De Motu”.
11
Physics, Book VIII, chapter 4.
12
De Motu.

6

�that puts more weight on reason and imagination than any particular experience. The example we
have just given of two bodies being joined together mid-fall, is just such an instance. How could
bodies be made to do this? A few pages back, Galileo gives another counterexample to
Aristotle’s claim that speed is proportional to heaviness. Here he asks his students to imagine
two lead balls, one a hundred times as large as the other, both being dropped from the moon. In
both cases, the examples are not the sort of thing one can put to an actual test. Despite what one
will hear about Galileo being among the first experimentalists, it is clear in De Motu that his
theories were not based on results from experiments.13 Rather than torturing nature for answers,
he was more likely to interrogate his imagination and think through a problem theoretically.
Galileo says that he likes to “employ reasoning at all times rather than examples, for what we
seek are the causes of effects, and these causes are not given to us by experience”(263, ch. 8)14.
The ability to guide his own imagination and reason until he sees a clear relation of cause and
effect and then to convey this idea so clearly to others that they cannot possibly doubt the
relation, this is one of Galileo’s greatest points of pride. In both the Two New Sciences and the
Two Chief World Systems Sagredo will repeatedly complement Saviati on his ability to do just
this.15 This praise which Sagredo heaps on Salviati, is really Galileo heaping praise on himself
without shame. (Incidentally, Descartes in a letter finds fault with Galileo for putting
self-flattery into his books in this way.) As if the shameless self-praise weren’t enough, we
might recognize in it the praise that Plutarch gives to Archimedes, “god-like Archimedes” as
Galileo calls him.16 Plutarch points out that Archimedes is so clear in his explanations that once
you have learned something from him, you are sure you would have come to know it by
yourself. Both Galileo and Plutarch are building on the idea that mathematical knowledge, at
least, seems to be a kind of recollection. Galileo, putting himself in the position of Socrates or
Archimedes, brags that he is particularly adept at playing the part of the midwife to our
recollection of the true causes of physical phenomena.

III. Galileo’s theory of motion

13

In later works, Galileo appears to rely more heavily on experiment.
De Motu.
15
Here, for example, is Sagredo responding to Saviati in our readings from Junior Laboratory:
Sagredo: Too evident and too easy is this reasoning with which you make
hidden conclusions manifest. This great facility renders the conclusions less
prized than when they were under seeming contradiction. I think that people
generally will little esteem ideas gained with so little trouble, in comparison with
those over which long and unresolvable altercations are waged. Two New
Sciences, (Wall &amp; Thompson, Toronto, 1989), p. 161.
16
“It is not possible to find in all geometry more difficult and intricate questions, or more simple and lucid
explanations…. No amount of investigation of yours would succeed in attaining the proof, and yet, once seen, you
immediately believe you would have discovered it; by so smooth and so rapid a path he leads to the conclusion
required.” (Plutarch, Lives, Life of Marcellus, (trans. John Dryden, Modern Library) p. 378)
14

7

�One goal for Galileo is to improve upon Aristotle’s account of the speeds of falling bodies.
Galileo is willing to reject the claim that speed is proportionate to weight, but he is not willing to
reject the claim that there is some relation between speed and weight. His stubbornness might
be difficult for us to understand. Doesn’t he see that the speed of falling bodies has nothing at all
to do with the quantity of matter? Absolutely not. And this fact, this amazing fact, is what
makes me love Galileo in De Motu. At this moment he is Simplicio. At this moment, he is a
dyed in the wool Aristotelian. He believes that nature is a cause of rest and motion in a body.
He believes that for bodies without soul, the nature of the body is its weight. He believes that
weight must be the cause of rest and motion.
But, Galileo recognizes that there are some areas of weakness in Aristotle’s account. In
particular, Galileo will need to finesse the relationship between speed and weight. Galileo has a
way to do this. At the age of 22, in 1586, he wrote a small little essay. A lab report, if you will.
The topic of his essay, how Archimedes discovered the theft of Hiero’s crown. He thinks that the
method ascribed to Archimedes by others is a “crude thing, far from scientific precision” and not
befitting the divine Archimedes. In the remainder of the essay, he argues that Archimedes does
not find out the fraud by immersing equal weights of gold and silver in water and measuring the
different quantities of spilled water. Archimedes discovers the fraud by measuring the weight of
the crown when it is immersed in water. The key is that Archimedes recognized that “solid
bodies that sink in water weigh in water so much less than in air as is the weight in air of a
volume of water equal to that of the body”. The body will weigh less in water by exactly the
weight of the water that the body displaces. This difference in weight then serves as an accurate
measure of the volume of the body, allowing one to precisely measure the differences in the
quality or density of two submerged metals that are of equal weight in air.
What Galileo takes away from Archimedes and wishes to apply to Aristotle is this idea: it isn’t
weight but essential weight, or density, that distinguishes bodies from one another. Just as
Archimedes is able to distinguish gold and silver by their essential weights, Galileo is not able to
distinguish all kinds of natures from one another by considering their essential weights. And
this, a body’s essential weight, this must determine its speed of fall.
What a thrill for Galileo! He has figured out what nature is! He has found the key to
determining the speed of any given body! The peripatetics, if they aren’t too stubborn, too tied
to every last exact word of Aristotle, are going to love this! He might even get promoted! After
all, and this is a common saying of the time, “ignorance of motion is ignorance of nature”, and
he has found the key to motion, the real nature, essential weight.
But to get this theory off the ground, he has to revisit Aristotle’s natural philosophy. Can
Aristotle’s, ‘heavy’ and ‘light’ be replaced with essential weight? Can motion be explained by
the outcome of a balance?

8

�Galileo begins confidently, not only sure that he can replace Aristotle’s ‘heavy’ and ‘light’ with
essential weight in order to explain motion, but that doing so will improve Aristotle’s account of
nature in other ways.
As we saw above, Aristotle faced a puzzle in explaining the motion of non-living bodies. He
was committed to explaining their motion by finding an internal cause, but because these bodies
do not have soul or life, they couldn’t be agents of this motion. In one way, then, the heavy and
the light explained the rest and motion of bodies, but in another way, Aristotle ends up needing
to look for a principle outside the bodies to explain the principle of rest and motion. Galileo’s
way of describing the situation is that Aristotle finally didn’t have an explanation for why the
heavy goes down, or the light up, but instead was forced to make nature operate “according to
whim and chance”17.
Galileo says that he “anxiously sought from time to time to think of some cause, if not necessary,
at least reasonable and useful” to determine why the heavy goes down and the light up. Here too
the key was replacing the idea of heaviness and lightness with essential weight. In doing so, he
realizes that nature chose to put the densest at the center and the rarest at the perimeter with
“complete justice and with consummate wisdom”. In doing so, nature has distributed matter
equally around the center of the cosmos. The smallest sphere which is closest to the center has
equal matter but much less space than the larger spheres farther from the center. Therefore, the
smallest sphere must be the place of a substance whose form causes matter to be compressed in a
very narrow space, while those spheres farther from the center, must be the place for substances
whose form causes matter to expand in ample space (253, ch. 2)18. Galileo’s account has
supplied a formal cause for the cosmos that explains why the heavy, the dense, rests at the center,
and the light, the expansive, rests away from the center.
Once Galileo suggests that this principle of equality is at work in the organization or creation of
the cosmos, it is natural that he should think it is at work in the preservation and restoration of
the order in the cosmos. In other words, this same principle might be at work not only when
bodies are at rest in a perfectly ordered world, but after bodies are disturbed, and are working to
restore that order. For example, this principle is at work when, after I lift a rock and remove it
from its place, I release it and it rushes downwards.
For the restoration and preservation of order, nature needs more than a cosmos that was created
with matter equally distributed about the center. Nature will need a way to measure inequalities
and restore equality. Nature needs a balance. Here, Galileo, “it is therefore clear that the motion
of bodies moving naturally can be suitably reduced to the motion of weights in a balance”(259)19.
17

De Motu, p. 15.
De Motu
19
Ibid.
18

9

�Now in general, a balance measures the relative weights of two bodies. But when Archimedes’
submerged the scale in water, he was able to determine essential weights. So Galileo
hypothesizes that to get an accurate measure of the nature that determines speed, the balance will
need to determine essential weight. One arm of the balance might carry the body, but the other
needs to take into account the medium. Here Galileo: “the body moving naturally plays the role
of one weight in the balance, and a volume of the medium equal to the volume of the moving
body represents the other weight in the balance”(259)20. Just as the crown submerged in water
was lifted by the water to the extent that a weight equal to the weight of the water it displaced
would lift it, so too Galileo imagines that any medium will lift a body to the extent that a
weight–a weight equal to the weight of the volume of the medium it displaces–would lift it.
Bodies don’t fall with speeds proportional to their weights, but speeds proportional to this
adjusted weight, their own weight less the weight of an equal volume of the medium.
Now, as it turns out, Galileo’s theory is just as inaccurate as Aristotle’s. Galileo seems to
recognize this fairly quickly. Here he is working through an example:
…If there are two bodies equal in volume but unequal in weight, the weight of one of
them being 8, and of the other 6, and if the weight of a volume of the medium equal to
the volume of either body is 4, the speed of the first body will be 4 and of the second 2.
These speeds will have a ratio of 4 to 2, not the same as the ratio between their weights,
which is 8 to 6. (272-273)21
In this particular example, the medium has an essential weight that is fairly comparable to the
essential weight of the two bodies. The ratio of the speeds in the medium is thus larger than the
ratio of the original essential weights. In fact we see that the ratio in speed could get really large
if we find a medium that has an essential weight close to 6. In this case, one body would drop
with some speed, while the other body would not move at all, or very slowly. This result looks
pretty good. Here Galileo’s theory seems to explain why the ratios of the speeds of bodies
falling in water seems to be larger than the ratio that the bodies have when falling in air. On the
other hand, as the medium gets thinner, as its essential weight becomes negligible compared to
the essential weights of the bodies, the ratios of the essential weights should be approximately
proportional to the ratios of the speeds. In very light mediums Aristotle’s claim, speeds are
proportional to weights, is analogous to Galileo’s, speeds would become close to proportional to
essential weight. In other words, take equal sized balls of wood and iron, drop both from a large
tower and they should fall with speeds proportional to their weights. Here Galileo:
But note that a great difficulty arises at this point, because those ratios will not be
observable by one who makes the experiment. For if one takes two different bodies,
which have such properties that the first should fall twice as fast as the second, and if one
then lets them fall from a tower, the first will not reach the ground appreciably faster or
twice as fast (273).22
20

Ibid.
Ibid.
22
Ibid.
21

10

�While it might not have been Gailleo’s first inclination to head to the tower, it seems like he was
not opposed to making a test of his theory once it was in hand. In doing so, he must have been
quite disappointed. But he is not yet able to give up the theory, he concludes in the same way
that Aristotle would have: “This is not the place to consider how these contradictory and, so to
speak, unnatural accidents come about (for they are accidental)”(273)23.
Let’s take a step back from the details of Galileo’s theory for a moment. What Aristotle and
Galileo seek to explain is how the body’s weight can explain its place of rest and its motion; they
are looking for an internal cause of rest and motion. Aristotle explains this by turning to the
‘spark’ inside the body which determines its place and makes it passively suffer the motion
determined for it. Galileo explains place by looking at density, and supposing a formal cause in
the organization of the comsos, ‘the equal’. Galileo explains motion by having us imagine how a
balance tips when bodies of unequal essential weights are placed on its arms. Galileo has asked
us to supplement the internal principle of motion and rest, the bodies essential weight, with two
additional principles, a principle of equality, and the principle of the balance.
But what is the principle of the balance? What is it that makes it move? Does the balance have a
nature? Certainly not (says Aristotle). But the balance does have some sort of law governing it.
This is not just a law of equality, it is not an equation merely telling us that two quantities are
equal. The balance is dynamic, it is telling us something about forces. Galileo puts it this way:
“a heavy body tends to move downward with as much force as it is necessary to lift it up”. On
each side of the balance a body pushes down, but on each side a body is also being pushed
upwards. The principle of the balance is that every downward force is transformed into an equal
and upward force. Balances work because they pair opposing forces. Galileo seems to think that
this principle of the balance is not just present in a balance, but is present everywhere and
always.
In addition to the internal principle of rest and motion, the body’s essential weight, Galileo has
introduced two additional principles: a principle of equality and a principle of equal and opposite
forces. Neither of these principles belongs inside a body. Both are principles about how one
body relates to another body. In fact, the principle of the balance, is best understood as a
principle about opposition between bodies, about the forces that bodies exert on one another,
about violence. This is a problem for an Aristotelian, a natural motion is being given an
unnatural explanation.

23

Ibid.

11

�Galileo acknowledges the difficulty himself: “It is therefore clear that this kind of motion may be
called ‘forced’, although commonly…called ‘natural’”(259, ch. 6).24 Galileo does not flinch. In
what follows there is no apology, and no explanation for this radical consequence.
By introducing a formal cause, ‘the equal’, by explaining motion and speed with the balance,
Galileo has not improved the Aristotelian account, he has undermined it. Natural motion has
gone from being internal to the body to being caused by a relation between one body and another
body. Motions which were once the actualization of the potentiality of a single body are now
understood to be violent outcomes of contests of forces between bodies. Galileo has shown
himself to be a wolf in sheep’s clothes. The principle of equality and the principle of the balance
are not compatible with Aristotle’s definition of nature. Archimedes might move the science of
motion forward, but the science won’t be compatible with Aristotle’s natural philosophy. Nature
is no longer the principle of motion or rest within a body. Nature has been replaced by a balance,
a contest between quantities of matter.
IV. Inclined Planes
Despite his failure to explain the speeds of falling bodies, Galileo charges onward. He now
wants to use the principles of equality and of the balance to solve a problem: how fast do bodies
fall along inclined planes.
Below, I will quote a larger passage, which is not particularly remarkable, apart from his
palpable excitement and, not unrelatedly, how many times he uses the word “problem”. Here’s
Galileo:
The problem we are now going to discuss has not been taken up by any philosophers, so
far as I know. Yet, since it has to do with motion, it seems to be a necessary subject for
examination… And it is a problem no less necessary than neat and elegant. The problem
is why the same heavy body, moving downward in natural motion over various planes
inclined to the plane of the horizon, moves more readily and swiftly on those planes that
make angles nearer a right angle with the horizon; and, in addition, the problem calls for
the ratio of the speeds of the motions that take place at the various inclinations. The
solution of this problem, when first I had tried to investigate it, seemed to require
explanations that were by no means simple. But while I was examining it more carefully,
and was trying to analyze its solution into its basic principles, I finally discovered that the

24

Ibid. In fact, I’m not sure that Aristotle could consistently maintain that the principle
or cause of motion of bodies is simply in each body because of what we will see in the
next section: he thinks the speed of fall of a body is inversely proportional to the density
of the medium. It seems like both he and Galileo think that some aspects of motion will
need to depend on something besides the body itself.

12

�solution for this problem, as of others which at first glance seem very difficult, depended
on known and obvious principles of nature. (296, Ch, 14)25
In past junior laboratory classes, I have sometimes wondered whether we are studying nature,
machines, nature as a machine, or machines as if they were nature. This passage led me to have
a new way of thinking about this question. With Galileo, maybe in this very passage, the subject
matter is shifting. The balance stands midway between nature and machines, it is not unnatural,
for Galileo it reveals nature, in fact it has become the principle of motion and rest. But the
balance, with intelligent use, very quickly becomes a lever, a machine. The balance brings
together nature and machines allowing us to create problems, problems that are no longer simply
mechanical problems for artisans in the shipyard, but problems that are now demonstrations of
how nature works. The instruments of the shipyard, are no longer for the artisans alone, they are
now the instruments the philosophers and the mathematicians will need to use in the laboratory
to reveal how nature works.
Galileo moves from understanding nature as an individual principle inside a body, to thinking
about nature as a beautiful, intricate, tapestry of problems, infinite interconnected balances each
in delicate equilibrium, systems of equations joined by the weights, speeds and forces of
individual bodies. Here we only see the introduction of a single problem, but the excitement,
the repetition, makes me think that Galileo is no longer seeing individual natural bodies, he is
seeing a web of bodies connected and revealed by the balance, an infinite and infinitely intricate
machine, giving rise to the promise of problems everywhere.
Right now, we have only a single problem, how fast will a body go down planes of different
inclinations. The known and obvious principle of nature which will play an essential role in his
solution: the balance. Galileo will show how he can weigh the body on different tracks and thus
predict how fast the body will go.
It takes a bit of geometry, a few diagrams, and maybe some gestures towards our laboratory
equipment to see how Galileo imagines the balance at work in his study of inclined planes. In
the handout, you will see an enlargement of Galileo’s diagram (figure 2). The circle represents
two things. First, it represents a circular track on which a body could fall on its concave surface
from d to b. Second, it is a balance, like the “Newton’s wheels” that we study in Freshman
Laboratory. The axle of the wheel, the fulcrum of the balance, is at a.
We are to imagine two things happening in tandem, a body is falling down the track from d to b,
and at each moment we can pause it and ask what is the weight of the body at c, that will balance
the falling body at that moment.

25

Ibid.

13

�The problem Galileo is investigating concerns the planes that are tangent to the circular track, the
planes that are inclined to the horizon. We only have three such planes drawn, but obviously
there are an infinite number of these planes that we could have drawn.
Galileo, as we saw above, is interested in this problem: to find the ratio of the speeds of the
motion that take place at the various inclinations of planes inclined to the horizon. For example,
he is interested in finding the ratio of the speeds of the body falling down the vertical plane ef to
the sharply inclined plane gh.
Galileo reiterates the principle of the balance: “a heavy body tends to move downward with as
much force as it is necessary to lift it up.” Weight, as measured by a balance, will allow us to see
how much force is necessary to lift a body up, and thus measures the force of a body’s tendency
downward, and its speed. The circular balance is there to determine how the weight of the body
varies with the different inclinations of the
planes so that we can determine the speeds
along any inclined plane. The balance will
give us the solution to our problem.
At point d, furthest away from the center of
the circle towards the right, the tangent to the
circle is vertical, and the track does not lighten
the weight of the body. The weight needed at
c to balance the body at d, is equal to d’s
weight. As we travel down the circumference,
we come to point s. At point s, Galileo suggests that the body is not as heavy as it was at point d,
the body has been lightened by the ramp. What weight at c is necessary to balance a weight at s?
Galileo believes that we can set aside circular ramps and the inclined planes, and simply consider
the balance. The body has moved from d to s on the wheel. As we know from freshman lab, we
need to draw a perpendicular from s up to cd, to determine the horizontal distance of the body
from the fulcrum. This distance is ap, which is less than the previous distance ad. Because the
body at s is now closer to the fulcrum, we will need a smaller weight to balance it at c. The ratio
of the new smaller weight to the previous weight, is ap to ad. Galileo concludes that the ratio of
these weights is the ratio of the downward tendencies of the body and so the ratio of the speed
along these various planes.
The inference that Galileo makes, that the weight the body has on the balance at a point is the
same weight that the body would have on the track with an incline tangent to that point remains
unexamined and unexplained. While the circular balance is very much present in this diagram,
the balance is not present when we have a simple inclined plane.

14

�And yet, Galileo seems to think that it is. Every time a body falls, we could explain the speed of
its fall by recognizing that a balance is at work. The weight that would be necessary to balance
this body, is the force with which the body tends downward, and therefore proportional to the
speed with which the body will fall. While the balance isn’t visible, the principle of the balance
is everywhere at work. The balance is woven into the relations that exist between bodies.
And yet, for me, the pattern still floats above the fabric of nature. It is clearly meant to be woven
in, but how and why the balance is attaching itself to the ramp, to the body, to the medium
remains murky. What we would like to know is why it is that the balance should succeed in
measuring how these ramps lighten the weight?
Perhaps there is some clue in what follows. Galileo continues his exposition with what appears
to be a superfluous explanation that directs our attention outside the circle towards a triangle that
is geometrically similar to the ones that are inside the circle (triangle aps, for example), but is not
at all associated with the balance, the similar triangle spq. About this, Galileo notes that “as da is
to pa, so is qs to sp, i.e., the length of the oblique descent to the length of the vertical drop”.
That is, the ratio da to pa which stood in for the ratio of the weights necessary to balance our
body on the vertical and oblique incline gh have the same ratio as qs to sp. But when we take
two inclined planes of the same height, or a drop and an inclined plane of the same height, it
turns out that we will get this ratio.
With his analysis of the exterior triangle, Galileo directs our attention away from the balance,
and towards the ratio of the paths which two bodies will take when they are released from the
same height but along different inclines. He says that the speed of fall is inversely as the lengths
of the planes. Here the ratio of speeds is not derived from the heaviness of the body, but has
something to do with the height from which the body falls and the lengths of the planes having
those equal heights.
Galileo has given us not one, but two ways to see how this same ratio emerges from the diagram.
Because of this he also seems to be suggesting two explanations, one based on the bodies’
weights, the other on the bodies’ heights and paths. Which account of the ratio would give us a
better explanation for the difference in the speed? Or, do these two explanations have some
relation to one another? Galileo started the essay believing that weight caused speed, but his
analysis here seems to hint at a new openness to explaining speed in other ways, perhaps
something having to do with the height from which a body falls and the path that it takes.
Perhaps he thinks there is a way in which something associated with speed is causing weight.
Galileo does not help us, he leaves these two expositions, these two similar triangles, these two
equal ratios, side-by-side.

15

�This juxtaposition of two mathematically equivalent ratios might remind us of the third chapter
of the third book of Ptolemy’s Almagest, where Ptolemy gives the reader two hypotheses that
will result in identical phenomena. Just as Ptolemy gives us mathematically equivalent eccentric
and epicyclic diagrams of the motion of the heavenly bodies, Galileo gives us mathematically
similar triangles one made from the distances to a fulcrum, the other by the paths of the moving
bodies. Galileo’s first triangle, suggests that the speed down more sharply inclined planes can be
explained by greater weight. The second triangle suggests that the speed down inclined planes
can be explained by considering the height from which the body falls, since taking a common
height between two planes will give us the correct ratio of speeds. Ptolemy’s circles and
Galileo’s triangles could be carving at the joints of nature, but they could also be mathematical
tools, seductive geometric figures that invite us to imagine physical structures.
After giving his account, Galileo is eager to share all manners of “problems” that can be solved
with his method. The one he culminates his discussion with is this: given two bodies of
different essential weights which fall at different speeds, how to construct a ramp so that the
faster body falling down the ramp will fall in the same time as the slower body in free fall (301,
ch. 14)26. For example, presuming that the steel ball will fall faster than the wooden ball,
Galileo would like to construct a ramp for the steel ball, so that it will roll down the inclined
plane in the same time that it would take the wooden ball to fall freely. Here, he seems eager to
use the inclination of ramps to “balance speeds” in the same way that a balance uses the distance
from a fulcrum to balance weights.
Ptolemy was incredibly successful in “saving the appearances”; he used the circle to effectively
predict where heavenly bodies would be and when they would arrive. Galileo finds that he is
much less successful in “saving the appearances”. But, he doesn’t acknowledge any doubt in his
theory, instead he uses the same excuse we saw above, “accidental factors”(302, Ch. 14)27.
The problems that Galileo solves are constructions, but merely mental constructions. When
these constructions are realized in the world he does not despair when the consequences he has
derived are not seen to be true. Unlike Ptolemy, Galileo is not yet able to save the appearances.
IV. Conclusion, looking forward to what Galileo will do and will discover.
Galileo might have been wrong that essential weight is the cause of motion and rest in bodies,
but in developing this idea he introduced two principles inspired by his study of Archimedes: the
principle of equality, and the principle of the balance. Both are enormously influential in the
subsequent study of physics. Neither of these principles reside in bodies, they are instead
principles that govern the relations between bodies. They are principles equally at home in
26
27

Ibid.
Ibid.

16

�political philosophy as natural philosophy. We can see this in Galileo’s language. He appeals to
equality, prudence, justice, and harmony in his explanation for the natural place and position of
rest for bodies. Galileo then appeals to the balance, a symbol we use for the weighing of
injustices, in his explanation of motion. These principles from Archimedes that Galileo
introduces to his study of nature are not internal principles of motion, they are not compatible
with an Aristotelian account of nature.
When Galileo turns to study astronomy, he will not begin by trying to improve upon Aristotle’s
account. Instead he starts all over from the beginning. The source of motion is not where you
think it is: this radical departure from Aristotle is the beginning point.
It is as if Galileo once fell for an enormous cosmic prank and is willing to risk imprisonment to
prove to the cosmos that he won’t fall for it again: he once thought the principle of motion is in
the things that appear to move, but now when he sees the sun rise and set and the stars revolve
around his head, he knows better than to think the principle of motion is in those bodies.
In Jacob Klein’s essay on modern rationalism he says the following: “mathematical physics is the
most important part of our entire civilization and actual life. …the principles of mathematical
physics are basic to our whole way of thinking and behavior”(57)28. At the conclusion of the
same essay he points to the vast machinery of our society and the indirectness of our contact with
the world, direct contact replaced by a symbolic unreality. Klein claims that “Our work, our
pleasures, even our love and our hatred are dominated by these all-pervading forces which are
beyond our control (64)29.
These are radical claims. After rereading Klein’s essays this Fall, I had the opportunity to talk
with Eva Brann, a longtime friend of Klein’s. I got up the courage to ask her, “was Klein
exaggerating?” Did he really think that “mathematical physics is the most important part of our
entire civilization and actual life”? That our work, pleasure, love and hatred are dominated by
these all pervading forces? Her answer, “Oh yes.”
After studying De Motu and watching Galileo struggle to reconcile Aristotle’s philosophy of
nature with Archimedes’ mathematics, I’m less incredulous of Klein’s claim. The movement
that I see in Galileo’s early study of the natural motion, the move away from thinking about
nature as a principle of rest and motion in individual bodies, towards thinking about nature as a
contest between bodies and eventually thinking of all motion as the consequence of forces that
originate entirely outside oneself, is quite familiar. The way we love and hate, the way we think
about happiness, the way we make choices, personal, professional, and political, the way we
participate in athletics, the way we understand economic life, in all these ways we repeatedly
28

Jacob Klein, Lectures and Essays, “Modern Rationalism”, eds. Robert Williamson and Elliott Zuckerman, St.
John’s College Press, 1985.
29
Ibid.

17

�appeal to equality, to the balance. Equality is a democratic value we all hold dear in some way;
the balance is a symbol of justice and rectitude, of progress and scientific learning, of a life lived
well, a symbol emblazoned on our school seal. But in studying Galileo’s use of the balance, we
see how it transformed his thinking about nature. Where Aristotle’s nature is the principle of
motion and rest in individual substances which are at work becoming more fully themselves,
more like their own forms, Galileo’s nature is a system of balances, at first glance embodying
principles of equality, prudence, justice and harmony, but on closer inspection these principles
merely adjudicate an underlying opposition between bodies. The move from Aristotle to
Galileo, is a move from nature as a cause inside an individual substance that is at work becoming
more fully itself, to nature as a system of laws governing the underlying violent opposition
between bodies.
Ptolemy can say the following about his study of astronomy, “with regard to virtuous conduct in
practical actions and character, this science, above all things, could make men see clearly; for the
constancy, order, symmetry and calm which are associated with the divine, it makes its followers
lovers of this divine beauty, accustoming them and reforming their natures, as it were, to a
similar spiritual state”(Almagest 1.1)30. I don’t think a physics based on Galileo’s De Motu could
say the same. Galileo sees earthly bodies moving according to principles of tension and
opposition, any rest, order, symmetry, or calm, supervenes on a tenuous equilibrium that masks
underlying tension and opposition. The equal and opposite forces that are inspired by his study
of Archimedes, are forces that lead to moments of apparent peace but these mask a perpetual war
between bodies. Perhaps this explains why he turns away from the discussion of causes in Two
New Sciences, contenting himself with studying what is orderly, symmetrical, and calm, the
measurement of motions. Here he finds the peace he was not able to find when he sought after
the causes of the motions of bodies.

30

Ptolemy, Almagest, translated by G. J. Toomer, Princeton University Press, 1998.

18

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109">
                  <text>Items in this collection are part of a series of lectures given every year at St. John's College. During the Fall and Spring semesters, lectures are given on Friday nights. Items include audio and video recordings and typescripts.&lt;br /&gt;&lt;br /&gt;For more information, and a schedule of upcoming lectures, please visit the &lt;strong&gt;&lt;a href="http://www.sjc.edu/programs-and-events/annapolis/formal-lecture-series/" target="_blank" rel="noreferrer noopener"&gt;St. John's College website&lt;/a&gt;&lt;/strong&gt;.  &lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Formal Lecture Series" href="https://digitalarchives.sjc.edu/items/browse?collection=5&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the St. John's College Formal Lecture Series—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.&lt;br /&gt;&lt;br /&gt;A growing number of lecture recordings are also available on the St. John's College (Annapolis) Lectures podcast. Visit &lt;a href="https://podcasts.apple.com/us/podcast/st-johns-college-annapolis-lectures/id1695157772"&gt;Apple Podcasts&lt;/a&gt; or &lt;a href="https://open.spotify.com/show/6GDsIRqC8SWZ28AY72BsYM?si=f2ecfa9e247a456f" title="Spotify"&gt;Spotify&lt;/a&gt; to listen and subscribe.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="111">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="137">
                  <text>St. John's College Formal Lecture Series—Annapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30710">
                  <text>formallectureseriesannapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117882">
              <text>paper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117883">
              <text>18 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117871">
                <text>On Motion</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117872">
                <text>Typescript of a lecture delivered on February 24, 2023, by Leah Lasell as part of the Formal Lecture Series. &lt;br /&gt;&lt;br /&gt;Ms. Lasell describes her lecture: "The new science of motion presented in the last two days of &lt;i&gt;The Two New Sciences&lt;/i&gt; is Galileo's last word in a lifelong argument with Aristotle.  Galileo lets us hear echoes of this argument by including the Aristotelian, Simplicio, among his characters.  While Simplicio will argue for the Aristotelian approach tenaciously and with spirit, his understanding is often second hand, rote, and handicapped by his poor mathematical education which consists of nothing beyond book one of Euclid.  Salviati and Sagredo often team up and ridicule the Aristotelian account and tend to just ignore Simplicio altogether whenever the discussion requires mathematical expertise.  It often seems that Galileo is not treating the Aristotelian worldview fairly, as Simplicio himself complains, allowing Salviati to vaunt over an impoverished, dried up, rather rubbish version of Aristotelianism.
&lt;p class="x_MsoNormal"&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="x_MsoNormal"&gt;&lt;span class="x_contentpasted0"&gt;&lt;span&gt;In order to better understand the argument between Galileo and Aristotle, we will look at one of Galileo's early unpublished works, &lt;i&gt;De Motu, &lt;/i&gt;or &lt;i&gt;On Motion.  &lt;/i&gt;Here, Galileo works within the Aristotelian framework, his own outlook a bit like Simplicio's. His goal is not to refute but to improve upon Aristotle by supplementing his account with mathematical reasoning inspired by Archimedes writings on the balance, making Aristotle’s theory more consistent with his experiences of moving bodies.  But as Galileo attempts to bring together Aristotle, Archimedes, and his own experiences of moving bodies, two different and conflicting understandings of nature emerge.&lt;br /&gt;&lt;br /&gt;The lecture should be of interest to the whole community: Galileo will lead us through a consideration of Aristotle's philosophy of nature, Archimedes' balance, and Galileo's inclined planes."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117873">
                <text>Lasell, Leah</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117874">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117875">
                <text>2023-02-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117876">
                <text>A signed permission form has been received stating: "I hereby grant St. John's College permission to:  make a recording of my lecture, and retain copies for circulation and archival preservation at the St. John’s College Greenfield Library; make a recording of my lecture available online; make typescript copies of my lecture available for circulation and archival preservation at the St. John’s College Greenfield Library; make a copy of my typescript available online."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117877">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117878">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117879">
                <text>Galilei, Galileo, 1564-1642. Di motu. English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117880">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117881">
                <text>LEC_Lasell_Leah_2023-03-27</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
      <tag tagId="3">
        <name>Tutors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7736" public="1" featured="0">
    <fileContainer>
      <file fileId="7889">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/f866cad58bd26ef3d044e01842687e86.mp4</src>
        <authentication>81a4fd2c7310cd0d064eadfff1291a64</authentication>
      </file>
    </fileContainer>
    <collection collectionId="66">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117674">
                  <text>Continuing the Conversation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117675">
                  <text>Continuing the Conversation is a web and podcast series produced by St. John's College. Episodes 1-20 were released in 2023. &lt;br /&gt;&lt;br /&gt;More information about the series is available on the Continuing the Conversation page of the St. John's College website: &lt;a href="https://www.sjc.edu/continuing-conversation"&gt;https://www.sjc.edu/continuing-conversation&lt;/a&gt;.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117676">
                  <text>St. John's College</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117677">
                  <text>2023</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117678">
                  <text>moving image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117679">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="117680">
                  <text>Annapolis, Md.&#13;
&#13;
</text>
                </elementText>
                <elementText elementTextId="117681">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117795">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="3">
      <name>Moving Image</name>
      <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117868">
              <text>mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117869">
              <text>00:40:13</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117852">
                <text>Zena Hitz + David Townsend: What Is Freedom &amp; How Do We Cultivate It?&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117853">
                <text>Zena Hitz + David Townsend: What Is Freedom &amp; How Do We Cultivate It? is episode 6 of the Continuing the Conversation series and podcast.  The episode was published on February 15, 2023.&#13;
&#13;
Liberal education is education for freedom. What kind of freedom does it or should it cultivate? Freedom without discipline is anarchy, and life without freedom is tyranny—or so says Annapolis tutor David Townsend, who joins host Zena Hitz in this probing conversation into the nature of freedom, the ways in which individuals and communities can cultivate it, and the need for self-discipline in tempering our freedoms. The two also discuss how a liberal education can free minds from the prejudices connatural to all human communities, and how the St. John’s education strives to do just that.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117854">
                <text>Hitz, Zena, 1973-</text>
              </elementText>
              <elementText elementTextId="117855">
                <text>Townsend, David L., 1947-</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117856">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117857">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117858">
                <text>Annapolis, Md.</text>
              </elementText>
              <elementText elementTextId="117859">
                <text>Santa Fe, N.M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117860">
                <text>2023-02-15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117861">
                <text>St. John's College owns the rights to this video.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117862">
                <text>moving image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117863">
                <text>mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117864">
                <text>Freedom</text>
              </elementText>
              <elementText elementTextId="117865">
                <text>Education, Humanistic</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117866">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117867">
                <text>CtC_ep6_Townsend_ac</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Tutors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7735" public="1" featured="0">
    <fileContainer>
      <file fileId="7886">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/295a7dfbfb0fa180b73c1ddea0e95edf.mp4</src>
        <authentication>7f1c10307f55a00c31bbdde170cfd438</authentication>
      </file>
    </fileContainer>
    <collection collectionId="66">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117674">
                  <text>Continuing the Conversation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117675">
                  <text>Continuing the Conversation is a web and podcast series produced by St. John's College. Episodes 1-20 were released in 2023. &lt;br /&gt;&lt;br /&gt;More information about the series is available on the Continuing the Conversation page of the St. John's College website: &lt;a href="https://www.sjc.edu/continuing-conversation"&gt;https://www.sjc.edu/continuing-conversation&lt;/a&gt;.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117676">
                  <text>St. John's College</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117677">
                  <text>2023</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117678">
                  <text>moving image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117679">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="117680">
                  <text>Annapolis, Md.&#13;
&#13;
</text>
                </elementText>
                <elementText elementTextId="117681">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117795">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="3">
      <name>Moving Image</name>
      <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117849">
              <text>mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117850">
              <text>00:55:00</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117831">
                <text>Louis Petrich + Michael Grenke: The Limitations &amp; Possibilities of Sight: Euclid’s Optics</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117832">
                <text>Louis Petrich + Michael Grenke: The Limitations &amp; Possibilities of Sight: Euclid’s Optics is episode 1 of the Continuing the Conversation series and podcast.  The episode was published on January 19, 2023.&#13;
&#13;
What are the limitations and possibilities of perception—and what do ancient mathematics and modern literature have to say about this question? Written in 300 BC, Euclid’s Optics is a foundational work of mathematics on the geometry of vision, while Swann’s Way, the first book in Proust’s multi-volume Remembrance of Things Past, published in 1913, states: “Even with respect to the most insignificant things in life, none of us constitutes a material whole. Even the very simple act that we call ‘seeing the person we know’ is, in part, an intellectual one; we fill in the physical appearance of the individual we see with all the notions we have about him, and of the total picture that we form for ourselves, these notions certainly occupy the greater part.” These works are the jumping off points for a conversation between Annapolis tutor Michael Grenke and host Louis Petrich, on the limitations and possibilities of perception.&#13;
&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117833">
                <text>Grenke, Michael W.</text>
              </elementText>
              <elementText elementTextId="117834">
                <text>Petrich, Louis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117835">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117836">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117837">
                <text>Annapolis, Md.</text>
              </elementText>
              <elementText elementTextId="117838">
                <text>Santa Fe, N.M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117839">
                <text>2023-01-19</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117840">
                <text>St. John's College owns the rights to this video.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117841">
                <text>moving image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117842">
                <text>mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117843">
                <text>Proust, Marcel, 1871-1922. Du côté de chez Swann</text>
              </elementText>
              <elementText elementTextId="117844">
                <text>Euclid. Optics</text>
              </elementText>
              <elementText elementTextId="117845">
                <text>Perception (Philosophy)</text>
              </elementText>
              <elementText elementTextId="117846">
                <text>Vision</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117847">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117848">
                <text>CtC_Ep1_Grenke4k_ac</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Tutors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7733" public="1" featured="0">
    <fileContainer>
      <file fileId="7883">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/8fb595d9b86cd6c5bc71e28ae91715e4.pdf</src>
        <authentication>d809f11a2bd35c833ebd091045e8f6c3</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117796">
                    <text>Colloquy

�A Note from the Editors

Contents
On Being a Stranger 12
On Play 20
Translations 30
Memoria 46
List of Works 59
Acknowledgements 60

The Graduate Institute is St. John’s Wild West. We’re not nearly as old as the rest
of the College, and we’re not as tightly bound as the undergraduates. We come
into the College from very different situations, and we have jobs and families to
attend to. We feel that one role Colloquy must take is to be a place where we can
grow closer together. We’re hoping Colloquy leads us all to reach out across the
program, not just the seminar table.
Colloquy is still so new a publication as to admit trial and experiment. Our first
issue was spring 2017. In this eleventh edition, we continue to preserve, as we
did in the first issue, the end of the semester toasts to the students and tutors.
We include the précis for Kelly Custer’s Master’s essay to recognize its successful
defense, and to offer a model for future candidates to have some sense of how to
go about writing them. We invited all the G.I. to submit brief pieces on the topics
“On Play” and “On Being a Stranger” to carry on St. John’s democratic tradition of
dialogue. We received submissions from alumni, including the founding editor of
the journal, Bonnie Naradzay. We are proud to include a Latin, Spanish, Russian,
and Arabic translation. We hope you appreciate the thought and labor that went
into this edition of Colloquy.
Most of all, we would like to express our sincere gratitude to Emily Langston,
Kashya Boretsky, and Diana Villegas for all their assistance, as well as the Graduate Student Council and the alumni for their continual support of the G.I. community. And of course, we would like to thank our contributors.
Abdullah Wadood and Jesse Clagett
Fall 2022

1

2

�Reflections of the Revolution in Britain
Benjamin Crocker
	
Like periscoped sheep, the palace hordes startled back and forth, lunging
the gates, devices bobbing - flopping above the fray into which they all tumbled.
They scuffled to meet, but mostly just to prove-their-meeting-of, the new King.
	
By chance, I had been working in Wiltshire the day before, Thursday
September 8 - the day of Queen Elizabeth II’s passing. Mid-conference at an old
Wiltshire estate when news of Her Majesty’s death broke, my first observation
was that no one quite knew what to do.

That would be good, I thought.
	
But down there at Buckingham it was a dog show indeed. Those journalists stampeding like marked cattle. The sheepy public surging forth to wherever
fear of missing out and royal opportunity might intersect.
	
And when the standard went up, and out he came, stooped and sartorial,
to meet his public, he might have had cause for bewilderment

	
At dinner that evening the staff stood to attention, some silence was enforced, a vigorous shout of ‘Long live the King’ rang out, and esteemed colleagues
made fine, concise addresses of tribute and remembrance. A wonderful young
couple seated opposite me had hurried to buy black. I was relieved.

	
For Charles III more often than not shook the hand of a mind tethered
not to royal affection, but to its own demented voyeurism. The King looked not
into the warm eyes of the old empire, but to the cold glass lens of the new one.

	

But the milieu was otherwise unshaken by the day’s earthquake.

	
This was mourning as spectator sport. Which of course isn’t mourning at
all. Only one in a hundred, nay, maybe a thousand, had the decency to wear black.

	
The liquor flowed as on any other night. The conversation was light, serious, silly, and profane by turns - as on any other night. ‘I feel a deep sadness’, a
wise colleague had the decency to say, in private, amidst the oblivious bonhomie.

	
And through it all, the BBC - and every other Tom, Dick and Harry with a
microphone - kept vigil. Vigil in the way a hamster keeps vigil at its wheel. Constant, monotonous, unchanging, dumb.

	
Our coach to London the next day took neither longer nor shorter than it
should have. No one was flocking to the capital to grieve in public. But it seemed
no one was staying home to grieve in private, either. I was dismayed.

	
There were some flickers of hope. Two American flight attendants had
hurried down after their shift, pinned their wings to a rose and moved diligently
toward the fence to pay their respects. “That’ll end up in landfill, love” - it didn’t
take long for the locals to burst their bubble…

	
On every billboard between Heathrow and Whitehall her face alternately
shone with youth or glowed with wisdom. Westfield presents Queen Elizabeth in
Black and White. Surreal.
	
Arriving at the hotel, I scoffed down whatever was in sight and hurried
across the road to the Palace. What were the odds that I would be here, on that one
day out of 35,000 others in the span of the second Elizabethan Age?
	
I could have the privilege of mourning - not just for the Queen, but for
the spectre of grace and diligence that emanated from her reign. For my Grandfather, who served in her Army, played the piano bequeathed by her family, and
migrated between two of her realms. For the people for whom she meant more
than I could ever know - the war wounded and widowed, the people who tied

3

ribbons, baked cakes and trained dogs for shows, who dressed smartly and hung
her portrait proudly in dusty halls on dusty plains, in dusty farming towns, in the
dusty country I grew up in.

	
Another beautiful young woman dressed in black strode stoically through
Green Park, fighting the tears that burst forth regardless. And though I caught but
glimpses of them, I can say that those women knew how to mourn.
But I’m not so sure about the rest of us.
	
I’m not sure we knew what clothes to wear, what posture to hold, what
pace to step, and what manner to speak in. I’m not sure we understood that solemn pageantry and sacred ritual are to be more experienced, less packaged into
clips and discussed over dinner.
	

4

�	
In the span of the Queen’s reign, and contra her steadfast grace and majesty, what remains of her Empire has indeed undergone a profound revolution.

The Romantics

	
Lest that revolution in Britain not be conspicuous for any speed or
bloodshed, it shall ever be for the sake of propriety slowly surrendered, for decorum gradually lost.

Ten-thousand daffodils along the margin of a bay
would in my time have all ceased to decay,
and Daisies become a worthier flower to adorn
an epitaph desiring that we mourn;
for if my Words have any worth at all
then perchance they would outlast us all.
But times being as they are, I think I’ll write
only for myself, and no distant reader’s delight.

Melissa Moore

No modern master Taylor could possibly hope to weave
prettier patterns of discarded themes,
nor any serious painter withstand not being privy
to such a place as Kubla Khan decreed.
It was a painted poem, upon a painted canvas
that first set in motion things outlandish
and though it was quite beautiful and refined,
in the end it took a lifetime to wash away the brine.
Though the crystal chill overcomes the burly winter birch
—coats with downy flake limbs where songbirds perch—
though all this world should be condemned to fire and to ice,
I doubt that either Burns or Frost suffice.
Beware, young friends: Tam O Shanter’s good mare’s
advice, a red red rose with thorns, ensnares,
for she is long gone, and yet here you stand
for all the world a much luckier man.
The past is filled with beauty – this truth no one will deny –
and the future appears stark before the nostalgic eye,
but words do not belong to those who say them best
and life spent lost in memory is life best laid to rest.
Though in this race the many may surpass me
and though their words through many ages may outlast me,
I’d rather turn my words to wind during the run
than become Swift only to be called Donne.

5

6

�	

He’s This, She’s That
Louis Petrich

	

Can he be rhymed off straight from facts—writ pat?

Can she be rhymed off straight from facts, stared stone?

In love with seas, curled brains, dared skin, pink wilds--

Her friend long-haired, longed tame, with dog she keeps.

“I have love for you, friend,” she pares, “that’s it.”

Yet love dared pick him and pertains, phone-laired.

As clouds paint skies her evanescent smiles

(Her dog would like him more, licked treat to treat.)

subscribe words lit from distant hands, stealth lips,

Legs chickening, fingers satiate, spell out

for don’t bit stars do infinite of black?

fools’ fated fallings in across hearts’ hacked

Her missives vibrate overtones and sips

divide. How quaint quilled perks do punt all doubt

of overtures that salve somewhat heart’s rack

of cursive character: see!

and spur his plenty done more jointed years.

unstop her soundings, scored not his who fears!

Not fooled enough, still wet, issues grotesque,
for schooled she goes in art of raising cheers
girl-curious t’anoint boys amouresque.
He might as well be spinning silk to straw.
Imagination cleaves to jewels that claw.

7

	

couplings blacked

Core falling yearnings turn parts mortal-tasked
and creasing bent to pleasing master mirrors,
equipage buffed to bluff dusk, youthful masked.
“Life’s flash I steal, my wares achieve!” she rings.
Imagination husbands armful things.

8

�9

10

�| On Being a Stranger

11

12

�on being a stranger
you can spend your whole life chasing authenticity and find out you don’t know
the meaning of the word
a stranger in your own skin; not at home in yourself
you can’t see yourself in
	
five years
	
	
(or in love)
	
	
(or as a parent)(or happy)(or not in pain) when
you can’t see yourself
	
in a mirror
there’s a fog over everything. it’s hard to realize you’re the only one who can’t see
right
	
things look different from that perspective
	
you don’t know what’s wrong but
	
	
you’ve always felt like an alien
	
	
	
	
(ever at arm’s length)(your ways are strange)
every movement: like in a nightmare, trying to run 	
	
your limbs feel Wrong
	
	
untethered
	
the world bends away underneath you
there, but not there
you get very good at losing yourself to survive
staring too long at the flames would mean acknowledging you’re on fire 	
	
no one else sees it 	
	
		
you can’t explain it
all you can do is look away
the easiest place to lose yourself is in other people 	
	
sometimes, they’ll let you
	
	
sometimes, they like it
	
	
	
(they like You)

13

14

�it’s as addictive as anything else you can lose yourself in completely 	
	
a total abnegation
	
	
disintegration
	
	
	
you’ll swear it’s transcendence
there’s a special brightness in the eyes when the fog clears
	
an appreciation for how much there is to see 	
	
		
and a thirst to see it anew
how do you share what you learned on the other side? merely having been there,
it’s alienating 	
	
how can you explain what it is to feel Wrong to those who have always felt
right?
	
	
	
	
	
	
	
(always belonged?)
but you’re trying You on for size
	
feeling your weight under yourself
	
	
and it feels good
like every grand journey, it’s about finding the way home
Siobhan Petersen

It must be said that every evil in some way has a cause. For evil is the absence of the
good, which is natural and due to a thing....
Thomas Aquinas, Summa Theologica, First Part, Question 49

	
I went to San Antonio to collect a writing award recently. TSA treated
me with contempt. As I saw the lights of D.C. (my only home) from up above, I
wept for a reason I do not know why. I asked an older gentleman if I could sit next
to him while I waited for the connecting flight. He agreed. As soon as my butt
touched the seat, he got up and left. When I arrived at San Antonio at noon, the
woman at the hotel counter told me check-in was at three. I wasn’t welcome, her
stern stare scolded. So I walked to a Whataburger without a sidewalk in sight. All
my belongings were on my back. I didn’t want to be mugged. I hoped that someone would pick a fight with me just so I would be noticed, but I didn’t even get
that. This city is made for metal and rubber, not flesh and bone. I hid behind a
pillar of an abandoned building to get out of the sun and out of sight. A homeless
man had the same idea. The soles of my shoes began to reek of hot tar. The crosswalks are spaced out in twenty-minute intervals. Ten-lane highways separate
the sidewalks the width of my thumb. Every building is an island surrounded by
asphalt seas. A haggardly man passes me by on a bicycle, the only other pedestrian. He told me a word of wisdom, but he went by too fast in an accent I couldn’t
understand. The sun began to seep into my clothes and turned into sweat. I need
some sleep. I need to rest. I returned to the hotel disheveled and waited for an
hour in the lobby. The woman at check-in eventually acknowledged me and
apologizes profusely. I pretend that it is no big deal. Earlier that week I learned all
my old friends have been excluding me. I couldn’t hold my grief much longer. So
I searched for someone to talk to. I called my younger brother and asked him if he
was free. He opened his lips to inhale. I wept. God is stretched very thin here.
Abdullah Wadood

15

16

�Ex Cathedra
By Mephibosheth

	
Today started like any other day for Jay: he got up early and sat around on
his bed playing on his phone or turning on the TV to watch some of his favorite
shows. By all accounts, he was just like any other young man, that is to say that
he was lost and yearning to find a purpose in his life, bouncing from interest to
interest, job to job, and major to major as he attempted to strike out on his own,
away from the ever-scrutinizing eye of his parents.
	
Unlike his younger counterparts, however, Jay had something which
set him apart from all others, he had a disability—not just any disability, but one
which required the use of a bulky power wheelchair. Being that his condition had
been with him since birth, he knew no other form of transport, and had easily
come to accept both the chair and side effects of his condition. Although he was
occasionally taken by bouts of loneliness and alienation due to the limits his chair
imposed on him, it would not be an exaggeration to say that he and the chair were
one in spite of all this.
	
As he waited for his nurse to arrive, Jay began to turn over a myriad of
thoughts about his life, his future, and the problems that he caused his family
as a result of his disability. Usually the television assisted in drowning out these
thoughts long enough so that he would not be consumed in sadness, it helped,
but not for very long—his mind always returned to the ever-present conclusion
that he was a burden; the conclusion that all of his studying, all of his attempts
at work, his phobia of the outside world, would lead to life passing him by as he
stood inept and cowardly staring it in the face.
	
You see, Jay cared very much for his fellow human beings, but because his
condition limited him so severely as to the enjoyment of various natural things
which do not particularly concern those who do not suffer from physical disability he had grown to hate nature. It reminded him of everything which separated
the cripples from the non-cripples, the invalids from the valid. He preferred the
cold, calculating world of electronics and technology. This world was, to him at
least, more relatable, especially since he depended on that world to live his daily
life.
	
So it was, then, that after turning over all of the questions of the universe
and existence inside his head that Jay’s nurse finally came. Her routine was simple: she would change Jay, help him put on his leg braces, help him put his clothes

17

on, pivot him into his chair, and finally strap him in so that he would not fall over
while sitting. After this their routine would continue as most others’ would: he
would have breakfast, brush his teeth, and decide what to do for the day.
	
Everything seemed to be going well until Jay suddenly felt a sharp pain in
his back, almost as if someone had stabbed him. It wasn’t unusual that he would
rub up against the back side of his seat or catch his shoulders on the metal backplate of his chair, so he had initially thought nothing of it. As the day went on,
however, his motion became more and more restricted, and he noticed that the
chair was slowly and painfully enveloping him within itself.
What is going on? There must be something wrong with the chair or me. It shouldn’t be
this way. This shouldn’t be happening.
	
But try as he might Jay could not escape the inevitable and he was eventually completely subsumed by his own chair. He could feel that he had been enveloped by total darkness, but as far as he could discern he was able to speak normally and without impediment. Around this time late in the evening was when
his nurse would come back in order to serve him dinner and put him to bed.
	
When his nurse finally came he wasn’t exactly sure what was going on,
so when she opened the door he greeted her as he normally would “Hi, Catie, it’s
nice to see you again today,” Jay said.
“It’s nice to see you as well, Jay. Are you ready for dinner?” replied Catie.
“Yes, I’m super hungry,” responded Jay.
	
Catie didn’t seem to notice what had happened to Jay. She acted as if
nothing was wrong. It was just as if it were any other day.
	
Jay noticed that although he was surrounded by darkness he could still
see outside of his chair and move his hands just enough to drive to his room to
await his food. As Jay ate, the material enveloping him within his chair would
recede as he raised the spoon up to his mouth, only to re-envelope him in its
darkness when he put the spoon down. The same thing happened as Catie gave
him his daily sponge bath. Jay was really beginning to question his reality. This
was made all the more worrisome for him as Catie proceeded to lift his entire
chair and place it in his bed.
	
Jay was very distressed, but he never actually said anything to anyone

18

�because he was afraid that he would inconvenience those around him and add
to his status as a burden. He lived out all the rest of his days invisible to himself,
but treated as if he were still there by others. It was this fact that really made him
wonder whether he was right all along to think that his feelings of alienation
were, in fact, correct. In the end, however, it didn’t really matter if Jay had actually become one with his machine, because society saw him simply as his machine
and nothing else.
He was doomed…

| On Play

19

20

�21

22

�23

24

�“On Play”
Ansley Green
Oh to play… All I want to do all day is play! The fresh outside air, the endless
possibilities, it is hard for mom to get me back inside. The imagination runs wild
with possibilities, nothing is off limits, the world is huge and for the exploring.
What would make me want to stop all this play?
Time does not stop for happiness. The play no longer is free. Consequences come
into play. Competition clouds kindness, but also spurs on greatness. Keep playing
and you can make it big. Keep playing and you can be famous. Keep playing and
you can be rich. Can’t you?
I see the young women play, who have dedicated all the years of their life to excel.
They gave up lighthearted playing for a fierce competition and love of sport. They
have made it to the level all other little girls dream of. They are on the big stage,
playing for an audience now. They play exactly the same amount as the men, the
yellow ball zinging back and forth at speeds no slower than the others. They play,
rackets flying when anger comes in. They play, tears streaming over stretched
smiles when the victory comes. They play, but for what?
They play so they can have a prize purse 1/3 of what the men’s is. They play so they
are rewarded at a fraction of what their friends are rewarded…for the exact same
play. There is no lack of money at the upper levels. The tournament organizers are
not broke. They have just broken the system. Playing is no longer fair. Playing is
no longer full of limitless opportunities. The air is less fresh here. The system is
broken. The play is over.
The little girls realize that this is not uncommon. This unequal reality is not
contained to one game. If tennis was called golf was called basketball was called
surfing was called skiing was called soccer was called hockey was called wrestling
was called boxing was called running….it is still the same. Keep fighting, they
say. Look, we have equal pay now, they say. What was the cost? Why was the battle
so steep? Who will stand up for the others?
Who will keep the girls in play?

25

26

�Anne Carson translated this fragment 286 from Ibykos, an ancient Greek lyric poet, and then proceeded to use the structure of the fragment (on the one
hand….. on the other hand….. nay, rather….. ) to experiment with other texts,
including pages from Kafka, the FBI file on Berthold Brecht, two pages from
the owner’s manual for her new microwave…. See: Nay Rather (Volume 21)
(Cahiers) Paperback – February 15, 2014. For one I experimented with Plato’s
Meno and for the other Schrödinger’s What is Life? - Bonnie Naradzay

	Aporia
Ibykos fragment 286, using only phrases from Plato’s Meno
 
The torpedo fish?
I am quite perplexed.
On the one hand,
anyone who touches it feels numb.
On the other hand, the human soul is immortal:
at times it comes to an end, which they call dying,
at times it is reborn, but it is never destroyed,
and one must live one’s life
piously.
Nay rather,
the statues of Daedalus run away if not tied down.
But now the time has come for me to go.

27

What is Life?		

		

Ibykos Fragment 286, using only phrases from the epilogue of Schrödinger’s What is Life?
 
To say “Hence I am God Almighty,” 
on the one hand, 
sounds both blasphemous and lunatic,
the closest a biologist can get
to proving God and immortality at one stroke.
On the other hand, in the Upanishads, 
Atman equals Brahman
in perfect harmony, mystics
somewhat like the particles 
in an ideal gas.
Nay rather,
in a gallery of mirrors,
like the way Gaurisankar and Mount Everest
are the same peak seen from different valleys,
I see my tree 
you see yours
obviously only one tree.
What the tree in itself is, 
we do not know.

28

�| Translations

29

30

�	

‫إن األعلى من األسفل واألسفل من األعلى‬

	

IPA: /innəl ʔala’ mən as su’ful was su’ful mənəl ʔala’/

“Lo and Behold! The highest is from the lowest, and the lowest is from the
highest.”

The phrase is found in Islamicate hermetic texts, most notably the “Emerald Tablet” and the “Secret of Secrets”. The first word, /innə/ , doesn’t translate
to anything in particular in English. Usually it’s translated as “Indeed”. In Arabic,
it is used as an intonation or particle attached to the subject to emphasize what’s
being said. “Lo and Behold!” does not usually translate well when using /innə/
since /innə/ can be a very everyday word, but this particular line is describing
something beatific so I thought it was fitting. I think also the simple affirmation
“Yes!” could work, but that is too literal. The next word, /al ʔala’/ means “The
Highest”. It is usually translated as “The Most High” but I think that is clunky.
The Islamic tradition attributes ninety-nine names for God. /al ʔala’/ is one of
them. Arabic doesn’t have copulas (“to be” words) in the present tense. They are
grammatically implied. /mən/ is a preposition meaning “from”. /wa/ is the conjunction “and”. And /as su’ful/ means “The Lowest”. I have used the apostrophes
in the IPAs to indicate a sound short of a full glottal plosive.
Abdullah Wadood

31

32

�In the last two lines of his Ode on a Grecian Urn, Keats writes:

“Beauty is truth, truth beauty,—that is all
		

Ye know on earth, and all ye need to know”.

I found these lines so formidable that I decided to try to translate them
into my mother tongue: Spanish.

Here is the result:

“Belleza es verdad, verdad belleza. En la tierra
Sólo esto llegáis a saber y no necesitáis saber nada más”.

Now, two comments. In Spanish, a definite article—la, el—always precedes the noun in order to link its meaning with a referent, unless it is a proper
noun1. In this case, I omitted the articles before the nouns belleza and verdad even
though, strictly speaking, the poet did not present them as proper nouns. This is
incorrect in academic or formal writing, and awkward in informal conversation,
but it is not unheard-of in poetic forms. I chose to omit the articles because they
would somehow steal the attention of the listener. I think Yeats would want us to
focus on the nouns.
On the other hand, you may notice that I used vosotros instead of ustedes to
translate “ye”—hence, llegáis and necesitáis instead of llegan and necesitan. Vosotros
and ustedes are both second-person, plural, personal pronouns. In Spain, the
former is used in informal contexts and everyday parlance, while the latter is
mostly used when speakers are total strangers to one another. In Latin America,
however, ustedes is the standard usage in both informal and formal contexts, and
no one uses vosotros either in everyday conversation, nor in academic or professional environments. But there is one place where vosotros still lives: Catholicism.
The Bible uses vosotros throughout and in Mass the priest addresses the congregation with vosotros. Vosotros conveys an ancient and awe-inspiring tone which is
how I believe Yeats’ Grecian Urn would speak.
And that is all ye need to know.
Luis Sánchez

1	 In “María no vino a la fiesta”, the proper noun is not preceded by an article while in “el
cartero llegó tarde” the definite article proceeds the noun.

33

34

�Молюсь оконному лучу—
Он бледен, тонок, прям.
Сегодня я с утра молчу,
А сердце—пополам.
На рукомойнике моем
Позеленела медь.
Но так играет луч на нем,
Что весело глядеть.
Такой невинный и простой
В вечерней тишине,
Но в етой храмине пустой
Он словно праздник золотой
И утешенье мне.

I am praying to the window light—
It is pale, thin, and straight.
Today I am quiet since morning,
And my heart—it is split in half.
The copper of my washbasin
turned green.
But light plays on it there,
So fun to touch.
So innocent and simple,
In the evening silence,
But in this empty temple
It is a golden holiday
And it is solace for me.

Анна Ахматова, 1909
“Из книги Вечер”

Anna Akhmatova , 1909
From the book “Evening”

I chose to translate this poem because its mood and feelings it evoked were
relatable to me. The praying to a morning light with a broken, or perhaps just a
confused, heart gives an idea of a new beginning taking time for adjustment. The
speaker finding joy in a golden evening ray reinforces that change takes time,
despite initial and underlying feelings of loneliness and despair. There is comfort
and beauty to find after time has made things change, depicted by the light which
dances still on the copper of the basin which has turned green. The days still pass,
time goes on, and peace can replace despair. I focused on meaning rather than
keeping true to meter for this translation.
							Ansley Green

35

36

�Seneca, Ad Lucilium Epistulae Morales

Seneca, Moral Epistles for Lucilius

CXII. SENECA LVCILIO SVO SALVTEM

Letter 112. Greetings! To my dear Lucilius, from Seneca,

Cupio mehercules amicum tuum formari ut desideras et institui, sed valde durus capitur; immo, quod est molestius, valde mollis capitur et consuetudine
mala ac diutina fractus.
Volo tibi ex nostro artificio exemplum referre. Non quaelibet insitionem
vitis patitur: si vetus et exesa est, si infirma gracilisque, aut non recipiet surculum aut non alet nec adplicabit sibi nec in qualitatem eius naturamque transibit.
Itaque solemus supra terram praecidere ut, si non respondit, temptari possit
secunda fortuna et iterum repetita infra terram inseratur.
Hic de quo scribis et mandas non habet vires: indulsit vitiis. Simul et
emarcuit et induruit; non potest recipere rationem, non potest nutrire. ‘At cupit
ipse.’ Noli credere. Non dico illum mentiri tibi: putat se cupere. Stomachum
illi fecit luxuria: cito cum illa redibit in gratiam. ‘Sed dicit se offendi vita sua.’
Non negaverim; quis enim non offenditur? Homines vitia sua et amant simul et
oderunt. Tunc itaque de illo feremus sententiam cum fidem nobis fecerit invisam
iam sibi esse luxuriam: nunc illis male convenit. Vale

I want1, by Hercules, that your friend be formed, as you desire, and educated2; but he, as someone very hard, is stuck3, really, what is more troublesome,
he is stuck as someone very soft and broken4 by a consistent and bad way of life.
I want to refer you to an example from our art. Not just any vine supports
a scion;5 if it is old and consumed, if it is weak and thin, either it will not receive
the shoot, or it will neither nourish it nor apply itself to it nor will it cross over
into the quality and nature of it. And so we are accustomed to cut it off above the
earth, so that if it doesn’t respond, a second chance could be tried,6 and, again,
the second attempt7 would be sown under the earth.8
This man, concerning whom you write and enquire, does not have the
strength9; he indulges his flaws10. He wilts and grows stiff at the same time. He
is not able to receive argument11, he is not able to nourish it. “But he wants to12.”
Don’t believe that. I’m not saying that he’s lying to you; he thinks he wants to13.
For him, excess makes appetite14; Quickly, he will return to favour with it. “But he
says he is put off15 by his life.” I wouldn’t deny that. For, who is not thus put off16?
Men at the same time both love and hate their flaws. And so, we will judge17 him at
that point when he shows18 us that excess is now hateful to him. But right now, for
them the matter is poorly agreed.19 Farewell.
Walker Rogalsky

37

38

�Endnotes
1	
It is not Seneca’s desire or Lucilius’ desire that makes Lucilius’ friend
unable to be bettered.
2	
Educated here is institui, in meaning ‘in’ and stitui being from statuo
meaning ‘to set something’ which is where English gets statue and status. This
means primarily ‘to set something in.’ It’s where English gets institute or institution from. But it takes on two very interesting secondary meanings for this letter.
It can mean ‘to plant’ and ‘to educate.’ That is, the same way knowledge or virtue
is ‘set in’ someone, a plant is ‘set in’ the ground. I‘ve kept the Latin word order
here because it is telling that Lucilius‘ desire is between the friend being formed
and educated. It seems like Lucilius’ desire is ‘set in’ the possible passive activities of his friend.
3	
This is the passive form of capio - ‘to take.’ The subject is the friend; the
friend is seized and the durus is in apposition to the implied subject being the
friend. This is an interesting use of capio. It implies two things, namely that the
friend has been seized, very much like our word seize which implies the no longer
functioning of a mechanism as in ‘seized up.’ It is also the word a Latin speaker
would use, as in English, to say a plant has ‘taken root.’ Thus foreshadowing for
our upcoming plant analogy. But both of these meanings together along with the
durus (hard) being in apposition to the implied subject make me feel as though
his friend has grown stuck, but by his own agency. Indeed we do not have any
agent in the ablative for the passive verb in these clauses that contain capitur. But
it would not be out of the question to say that the consuetudine mala ac diutina
could be used as the agents for not only fractus but also capitur. This only further
corroborates the fact that this friend has taken root or been seized as very hard or
very soft by his own agency.
4	
Broken here is fractus. This is a nominative thus is playing the same
grammatical role as durus (hard) and mollis (soft.) It is fascinating that he is
seized as something not only very soft but as something broken too. It is strange
to think of something very soft as being broken because typically very soft things
are malleable and thus not easily broken. This is not so in the case of the friend.
This strangeness implies that the state of softness and brokenness of the friend is
not physical. His character is soft i.e. it cannot endure pains, and thus broken by
his consistent choices which form his way of life i.e. his (mala) consuetudine. This
is also foreshadowing for the luxuria which is the friend’s exemplary fault or vice

39

which is a result of his being soft and thus not being able to endure pains.
At first Seneca thinks him very hard which means unchangeable or recalcitrant in
his error. But then says he’s very soft which has a common moral meaning of not
being able to endure pain. The alternation between very hard and very soft seems
to mean that he is unchangeable because he is very soft and thus unable to be
formed like water or clothing. This all seems to be an allusion to Aristotle’s Ethics
wherein hardness and softness concern moral character in relation to enduring
pains; it doesn’t seem that Lucilius’ friend has attained the mean between hardness and softness; Aristotle at 1150b calls luxury a certain kind of softness.
5	
Here the vine (or root plant) is Lucilius’ friend. I do wonder if the scion
(the cutting that is being grafted on to the base plant) is Lucilius. In order to
understand this analogy, we should first look at what grafting is: “Grafting is a
technique that joins the tissues of two plants together so they continue to grow as
one plant. In viticulture this technique allows grape vines to express the desirable varietal characteristics of the scion (upper part of the joined plant) in the
fruits, while developing or keeping the root system of the rootstock (lower part
of the joined plant).” So, the new plant seems to be an image of the friendship
between Lucilius and his friend. The scion is Lucilius and the root plant is Lucilius’ friend. This is probably the case because if the grafting is successful i.e., the
friendship is possible, then Lucilius’ friend, the root plant, will be able to take on
the desirable characteristics of Lucilius, the scion. This is very well corroborated
by Seneca‘s idea of the exemplum wherein virtue is achieved by being close to and
imitating someone virtuous. This is most clearly articulated in Letter 6. Also, any
grafting needs to be done between organisms of the same species, so it seems
likely that Seneca is talking about two people here, not one person and some
abstract qualities.
	
If Lucilius is the scion and his friend is the root vine, we might wonder
whether Seneca is the gardener. It may be “their art,” but it could be theirs in
different ways.
6	
The Latin here is temptari possit secunda fortuna. Temptari, the passive
form of temptare, is where English gets ‘to tempt.’ It has a fairly broad, though
consistent, semantic range. It means roughly ‘to test,’ ‘to prove,’ ‘to try’ but mainly by touching, that is, by direct experience. It can be used not only as in, ‘to try
one’s enemy in battle,’ but also ‘to feel the pulse of.’ This is an excellent word for
the sounding out of character through friendship that this analogy is depicting.
Secunda fortuna is the subject of the complementary infinitive temptari through
possit (is able.) Fortuna on its own means ‘chance,’ ‘fate’ or ‘fortune’ but with

40

�secunda it means ‘good fortune,’ but also ‘second chance.’ Secunda means literally
‘second’ but also means good, a carry-over from a second i.e., following wind
being always a good one for sailing, so secunda came to mean good especially
with things determined by chance like the wind. Here it means most prominently
‘second chance,’ but can also mean good fortune is able to be tried again. Another
interesting possibility for secunda fortuna is ‘a following state’ because secunda
can mean ‘following’ and fortune can mean ‘fate’ or ‘state’ or ‘condition.’ Thus
if at first the root plant doesn’t have a following condition, it’s possible to try a
following condition. It’s quite possible Seneca means all three possibilities for
secunda fortuna.
7	
Second attempt here is repetita which is where we get ‘repeat.’ It comes
from re, which means ‘to do again’, like English, and peto, which means ‘to seek,’
but especially to make an attack. This agrees very well with temptari in bringing home the harsh, if not violent nature of sounding out someone’s character
through friendship. This is not a pleasant experience for either the root plant or
the scion, although it does seem like it can be beautiful. This corroborates the fact
that the friend is soft, that is his character can’t endure pain.
8	
There is some ambiguity here concerning whether the cutting will be
grafted to the root plant below the earth or simply sown as its own plant in order
to root itself. ’Sown’ is inseratur which can mean either ‘to graft in’ or ‘to plant in.’
The purpose of growing grapevines is for the grapes. Grafting allows the variety
of the cutting (scion) to produce fruit more quickly than if simply planted in the
ground. But if the root is no good, one can just plant the cutting in the ground on
its own, and although slower, it will produce fruit. This is opposed to if the root
vine is old and weak, in which case no fruit will be produced. It seems likely that
Seneca is saying here that, after the first attempt, if the root is no good, just plant
the scion directly and throw out the root. That is, if the new plant is the friendship of Lucilius and his friend and we can assume the fruit is virtue, then if the
root is bad and won’t take the favourable qualities of the scion which means that
the friend is of a sufficiently bad character to not take to the friendship of Lucilius, then it is best to let the friend go if virtue is the goal. This letting go also seems
like it would be painful for both.
9	
‘Strength’ here is vires which can also mean ‘vigour’ or ‘virtue,’ it is
derived from vir which means man and it is where English gets ’virile’ from. It
is plural which seems to imply there are many qualities his friend is missing in
order to accept the graft. This can also mean, although grammatically unfeasible,

41

’you are green‘ or ’you flourish’ from the Latin verb vireo which is derived from
the word for green viridis.
10	
Flaws’ here is vitiis which is most directly translated as ‘vices,’ but ‘vices’
implies a kind of Christian meaning that I don’t want to invoke. A vitium is any
quality in a particular thing that gets in the way of a that thing naturally tending
toward its end.
11	
‘Argument’ is here ratio where English gets ‘reason’ and, you guessed it,
ratio from. I didn‘t want to use ‘reason’ because it brings to mind a kind of Enlightenment era notion of the activity of the intellect. Argument is a better notion
although it sounds worse. Because of his poor moral state, it seems like Lucilius’
friend is not able to accept any argument or reason, let alone to live according to
it and nourish it in his life.
12	
’Want’ here is cupio. It is the word that begins the letter, although Seneca
is speaking then, not Lucilius’ friend. Seneca says that he wants that the friend be
educated but that the goal of the desire is impossible. The friend says he wants to
be educated but the goal of the desire is impossible, and it is impossible for the
same reason as why Seneca‘s desire is impossible; namely because the friend‘s
moral state doesn‘t allow the desire to be chosen.
13	
Here we can see that Lucilius’ friend’s desire and reason are not in accord, that is, he is ignorant of his desires, but he doesn’t know that he is ignorant
of them.
14	
Stomachum illi fecit luxuria, translated literally is ‘luxury makes the
stomach for him.’ Luxuria is where we get luxury from but they are by no means
semantically identical. Luxuria means literally the rankness of trees or plants.
It is that strong smell that comes off vegetable matter. But figuratively it means
moral decadence. A very apt word! This phrase is difficult. It should be taken in
two ways. First, it is as when one eats too much and is disgusted with food because
of the discomfort. Yet as soon as the excess leaves the stomach, the disgust will
return to desire. Secondly, it implies that the excess, the expression of the flaw
in character, produces the whole unnatural process of excess enjoyment, disgust,
excess enjoyment, etc.... His character makes his actions, and his actions make
his character because he is unable to accept reason which is the only thing capable of presenting with him an alternative to his vicious cycle.

42

�15	
’Put off’ here is offendi it means literally ‘to be hit.’ This is frequently
used to describe military action and goes well with the harsh and violent language Seneca gave us when describing the grafting process. This seems to imply
that pain will be part of life regardless of whether one is stuck in viciousness or
becoming virtuous and thus cannot be a good reason for choosing either.
16	
This seems to mean that anyone, should they think back on their life, will
recall some cause for pain and regret. Thus it is not sufficient reason to believe
that someone wants to become virtuous, for all people feel this way, both those
who do and those who don’t want to become virtuous.

hard and soft, soft and broken at the same time, he loves and hates his flaws. He
is feverish, and it’s his soul that is sick. Only by choosing to become virtuous, and
the pain that comes with that can he begin to come back to health. But he must
choose pain in this instance rather than just feel it, because there will be pain either way. By choosing he will begin to exercise his reason, and thereby be able to
accept arguments and nourish them in conversation with Lucilius. But right now,
he is stuck, so it seems the gardener recommends that this root plant not be used
for grafting.

17	
’We will judge’ here is feremus sententiam. This idiom means literally ‘we
will carry opinion’ but it has a very particular usual meaning. It is used for voting,
and especially voting in the comitia, where the people would vote on who should
be magistrate. They would vote twice with time in between, so that the magistrate
would be able to change his way of life or not based on the first vote; see Cicero’s
On The Agrarian Law 2.11. This is very similar to the way Seneca describes the
grafting process having two chances.
18	
’Show’ here is fac fidem which means literally ’make faith.’ Normally this
means to convince or persuade, but with an object clause it means to show or
evince. That is, with an object clause the proof is more obvious and less subject
to interpretation. This is similar to how temptari, used earlier, requires a kind of
experience for proof. So it seems like Seneca and Lucilius will need the friend to
start living as though excess (luxuria) is hateful to him rather than just saying it.
This seems to require a choice on his part.
19	
This is a difficult phrase to translate. The Latin is: nunc illis male convenit. Convenit is where English gets ’convenient.‘ It comes from con which means
‘together’ and venio which means ‘come.’ The ‘them’ is the friend and luxuria.
The issue in translating this phrase is that it is impersonal, so the subject is the
situation. The impersonal meaning of convenio means: ‘it is agreed upon,’ ‘there
is unanimity with respect to something,’ or ‘the matter is decided.’ Also, it is not
a simple negation; the adverb is male which means ‘badly.’ This phrase seems to
put the friend and the faults on the same level, as if they are to agree to something
together. This is strange because they are his faults, to put them on the same level
indicates that his faults have as much agency in his life as he does. This is absurd
because his faults are him how could they not agree? What this likely means is
he is not in agreement with himself. He wilts and stiffens at the same time, he is

43

44

�| Memoria

45

46

�Students at the Graduate Institute who elect to write a Master’s Essay undergo an oral examination upon completion of their essay. Each examination begins with the student reading a précis
of their work. This fall Kelly Custer successfuly defended his Master’s essay titled Following the
Logos of Plato’s Phaedo.

Following the Logos of Plato’s Phaedo
October 5, 2022
Kelly Custer
In my undergraduate years, I worked in a restaurant, during which time
the most frequent question asked of me was what my major was. Immediately
after my answer that I was a philosophy major followed the question, “What are
you going to do with that?” My response was always, “Prepare for death.” While
I cannot recall how many people pushed me to answer just what preparing for
death entailed, it was no doubt only a few. The lack of follow-up questions was
favorable for me as it is doubtless that whatever stumbling and blush accompanied response I might have given was as unmemorable to me as it must have been
for anyone else. 
Philosophy as the preparation for death and itself the practice of dying
and being dead is the dominant theme of Plato’s Phaedo. Who could not help but
share in Simmias and Cebes’ initial perplexity and outrage upon hearing such a
definition of philosophy? Socrates’ first task in the Phaedo involves his explicit
answering of how philosophy is akin to dying, which sets the stage for the ensuing
speeches and arguments of the Phaedo. One of the primary contentions of my
essay is that it is equally in Socrates’ treatment of his young friends, his attending
to their souls through philosophical speech, and his attempt to persuade them
to spend their lives taking care of their own that we see just what philosophy as a
preparation for death consists of – the care of our souls. And as all great endeavors that bear the balance of life and death, the care of our souls is not without
danger.
The primary question of my essay is what such dangers in the Phaedo are
and how Socrates and his young companions follow the logos of their conversation to a place of safety at the dialogue’s conclusion and the end of Socrates’ life.
But before discussing my essay with those at this table, who are the first recipients of my gratitude for the time you have taken to read my essay and are now
prepared to spend with me as we enter our own dialogue guided by the richness of
Plato’s Phaedo, I would like to offer a few words of thanks and dedication.
To Mr. Kalkavage for the guidance of my writing and thought as you
patiently encouraged me as I started and stopped, often fumbling with awkward
hands in the attempt to pick up and follow my logos throughout the completion of

47

48

�this essay. 
To my parents John and Julie who never once asked a young and confused, but albeit, earnest philosophy major, “What are you going to do with that?”
but always trusted and had faith that there is no greater task than the care of one’s
soul.
	
To my wife Martha who shares my soul and whose love and patience
never wavered as she often disproportionately shared me with the Phaedo among
many other books, the seminar table and those who sat around it, and the conversations that never end. 
And last and in no way least, to my son, Yohannes, to whom this work is
dedicated. In the brevity of your nine weeks of life, your every movement, facial
expression, and sound reminds me that you have a soul and that it is in my care
but more importantly, that the art of fatherhood is to persuade you to become
master of your own. 

49

A Toast to the Tutors
May 22, 2022
Andrew Graney
Should we do this at Galway?
	
It’s hard to believe my time here at St. John’s is coming to an end. What
is the “end” of St. John’s College? Is it our happiness? I think Aristotle would be
happy if it was, as long as that happiness was in accord with virtue and right reason, whatever that means. And while I chuckle to myself a little as I say, “whatever
that means,” I think it gets to the heart of something important about St. John’s. I
heard that phrase with some frequency during my two years here— from students
and tutors alike. After one person asked what a particular author was saying, or
trying to say, another might offer up a passage he thought would be helpful, read
it, and then, realizing he might not have actually understood it, would say that
three-word phrase. This, I find, has been a way of keeping the conversation both
light and serious. It’s funny, but it also shows an openness that is key to education
at St. John’s.
	
We all came here to ask questions and read books in conversation with
one another. When done right, it’s a remarkable thing. The books are in conversation with one another, and we, with one another, are in conversation with those
books. That funny phrase, “whatever that means,” reveals how we actually want
to have those conversations. We do not come to the texts, or each other, with premade answers, but instead have genuine interactions. We all go by our honorifics, including the tutors, because we are all trying out figure out what “it” means
together. We help one another, guide one another, wrestle with the texts together.
Instead of being told what something means, we have a conversation about what
it might mean. We listen and have our minds changed. It’s no small thing to have
one’s mind changed, and sitting at the St. John’s seminar table graciously grants
us that gift.
	
You can risk yourself here. You can say, “I don’t know.” You can ask questions that have been on your mind for years or questions you had never thought
of before, of concepts entirely new to you. Through conversation, we grow. Our
minds, like knives against a whetstone, become sharper, more penetrating. We
have a chance to come into hard to reconcile complexities and revel in them
without reducing them. As I said earlier, we say, “I don’t know,” but that “I don’t
know is not an “I don’t care,” nor is it a throwing up of arms and giving up, (even
if we might want to sometimes). It’s not a stagnant “I don’t know,” but a moving

50

�one—in every sense of the word.
We laugh, we agree, disagree, get confused together, and perhaps even enlightened.
	
Thank you, tutors of the GI, for cultivating this environment, for allowing all of this to happen. Thank you for guiding us in our confusion, for giving
us room to be confused. Thank you for letting us think for ourselves but not by
ourselves. As Aristotle said, “man is by nature a political, [i.e. social], animal.
Through hosting the big questions of life, you, the tutors, help us to come into our
very natures, become more ourselves. Keeping your minds (and hearts) open,
you open us.
So, friends, please join me in raising a glass.
And here’s to the tutors: thank you for all you do.

51

A Toast to the Master’s Degree Candidates
May 22, 2022
Louis Petrich, Tutor
A few weeks ago I took the pleasure of reading some poetry of Robert
Frost in the company of my seniors. Despite the middle portion of their college
careers having been muddied by Covid, they made a clear, joyous end of it in
American poetry. That got me wondering how character keeps buoyant, avoiding nausea, while crossing rough seas to rocky shores. What follows are some
thoughts of mine offered apropos of your new characterization as masters of the
liberal arts—the wonder of it, given the contrary winds that blow. “Thoughts
of mine” warrants this note: as always when I rise to speak I owe my would-be
height to the authors I have been reading of late with you—Emerson, Thoreau and
Whitman, Melville and Nietzsche—and with students like you—Baudelaire, Flannery O’Connor, and always Shakespeare. Much importing we have done. Their
voices stand out or blend to make my present solo a chorus. Let that suffice what
is owed, so as not to appear a smuggler.
	
You chose this college. You might have spent somewhere else your many
hours, and somehow else your means to live. You maintained a bright and forward disposition when even the offspring of Whitman were given to cranky sighs
at life’s unaccountable swings. I can’t chalk this up to youth, as I might with my
seniors, for not all of you are young, unless, as they say, “in spirit.” That’s a word
we have much encountered together—spirit: in the eagled flight of aphorisms,
while dancing the dialectic, or feeling massaged by expert rhetoric. Right now, as
fits our poignancy, let spirit appear as poetic stressing in those final feet of Frost’s
“The Road not Taken”: I took the one less traveled by,/ And that has made all the
difference.” With legs young or old you took that road, you seekers of knowledge,
and on it your spirits altered. You learned how to listen and speak to the ever-living questions, booked lonely and communal, invisibly active, resolutely cheerful,
unpretentious, patient; living dangerously, like an endangered species in this
angry culture that hastens to harpoon and drain, Ahab style, whatever offends its
fragile members. But as for your style, you players with lightning, let your future
comportment manifest all the difference this road (open to many) makes to its
few faithful takers. So may your faces impress the many, when they see how sympathy, generosity, and courage give you looks of readiness to expand your days,
your moments towards eternity.
Isn’t it remarkable (speaking of readiness) when the lines we were given
to read in high school (our salad days, green in judgment) come readily back
in adulthood so transparently good? For it’s often the reverse case: we return

52

�to youthful occupations or pleasures and ask: “how could I ever have liked this
stuff?” This prompts me to ask if a confession of this kind will ever be encountered over the books you have been reading on the Program? The sighing of such
words would have to issue from a depleted kind of character, not yet heard without gainsay among your predecessors. That being so, don’t be afraid to look back.
It won’t send your Eurydice to hell or turn you to a pillar of salt. It is part of our
convalescence and manifesting of health, that while bound to the perils of life we
go on conducting the air-born music and grounding the fires of the sky. As water
cuts into rock, let life’s learning cut into life’s hardness—silently, subtly—shaping
the very character of the times we inhabit. So does an open road, overgrown with
waiting, admit the impression of our cultivating passage.
In my fall preceptorial with you, I looked back at my first literary heroes
to see how well they would hold up to my autumnal needs. I was met by my Eurydice, face to face and accompanying me upward still, after forty years. Although
the American “enterprise” (Thoreau’s favored word for it) was approaching the
abyss in the 1850’s, he and his fellow transcendentalists sang—then as now—of
shining dawns and springs, of love for their fellows rooted in love for themselves,
and even as an assassinated president’s coffin toured the states, they conducted
stars earthward and flowers they sentenced rising—for all time. And that’s not
just me succumbing to fine words, for one who tried to put on the attire of Emersonian idealism but couldn’t make it fit man’s cannibal-fed fierceness—Herman
Melville—even he found a good use for a cannibal’s coffin, carved with the tantalizing possibility of heaven and earth’s mutual design: that use being to keep one
calling himself “Ishmael” alive to tell the incredible true story of Moby Dick. Why
should we in our preceptorials harken back to the tellings of Moby-Dick, Walden,
or Song of Myself, unless the tellings have like uses as that carved coffin?—to keep
us well-sounded, ready to be picked up on the dark seas by bereft sailors searching for characters manifestly buoyant, however much alone, possessed of speech
able to name things forever current, though not in purchase, yet much in need.
And as for that great white whale pursued by Ahab, who went lining the
oceans with questions untallied: is their finding each other on the open seas so
incredible, when today we find ourselves lingering on high scenic old roads, not
at all the current effacing efficiencies plotted for all on the plains?—when we hear
our latent words come from what depths of undiscovered country to breach the
surface between our facing infinities? The little things we’re made of can do what
we most long to do. Isn’t that remarkable? And so here we are, where we most
long to be. We have taken the most signal ways across the wanderings of our kind
to arrive here and measure up. Like that German philosopher, canvassed behind
a big mustache, who says, “Let us color our own example ever more brilliantly,”
you too have stepped aside from the ugly, the accusatory and reproachful, the
partial improvers and punishing equalizers, to paint your canvass as one whole,

53

and to make it beautiful. Remember well the practice, how to draw aside from
incessant clamoring to color your example by attention to the exemplary. Whether whaling or sitting by the fire, there’s a line tightening around the neck, but
remember how life’s breath, made aware of what’s out there, would fasten in its
finitude only on what’s tasteful and terrific. A familiar paradox obtains here, of
looking away in order to be looked at, of stepping aside from the world in order
to come back to the world—still having to live, still having to think—of saying “no”
to make room for a vast encompassing “yes.” Let that character obtained as yours
be bold to manifest its inherent case for treading today’s less traveled road of the
liberal arts.
Like that fellow treader, Parker by name, trying to know himself in one
of Flannery O’Connor’s late stories (boy did she ever know about that line!), his
entire body he covers with random tattoos; but God—because Parker asks for God
when all he has left unpainted is the blank skin of his back—God comes in answer
to color the whole of his back in a tattoo of brilliantly byzantine design. Well, you
asked for it when you took this road, and in brilliant color and design it’s got your
back now. Whatever grumblings or fears may front you piecemeal, we’ve got your
back now—wonderfully looking, masterfully reaching ahead.
Let us then raise our glasses, and in reach of these towering trees that
give us back breath enough to hold out against wind and rain, let us drink to
the brilliant masters of the Graduate Institute, class of 2022, manifestly goodly
different.

54

�A Toast to the Tutors
Summer 2022
Chase Waller
	
As I have reflected on the past four summers which I have spent at St.
John’s, the big question, which I and probably my classmates have been asking is:
What did I get out of this? What have I gained from my time with these amazing
tutors reading these texts? Plutarch credits Solon with the following words:
“The future that bears down on each of us is variable and determined
by unknowable factors, and so we consider a man only happy when the
gods have granted him success right up to the end of his life. However, to count anyone happy while he is still alive and faced with all the
uncertainties of life is as unsound and valid as proclaiming an athlete the
winner and crowning him while the contest is still in progress.”
	
So I guess, by Solon’s calculations, I can’t thank the tutors for making me
happy. Hopefully, the gods will grant me success up to the end of my life, but that
privilege seems reserved for a small percentage of people. And I will corroborate Solon’s claim further by saying that St. John’s, in one sense, has not brought
me happiness. I am more confused now than I ever have been in my whole life.
“About what?” you may wonder. About everything! About justice, and love, and
education, and history, and parallel lines, and God, and everything. It’s chronic!
It never stops. St. John’s has effectively ruined certain things for me. I feel like
I haven’t answered a question in four years! When I drive down an open road I
see a Lobachevskian parallel and have to pull over and take a nap. I have grown
to be tepid– I struggle to assert anything because I feel so lost in the vast world of
wisdom and knowledge and story. This state is not happy. Sometimes it’s angry.
I feel like Thrasymachus, barging into the dialogue and demanding that people
listen to what I am saying, even though what I am saying falls apart so quickly.
	
And yet, in another sense, St. John’s has brought me some of the greatest
happiness in my whole life. I have made friends every summer I have been at St.
John’s. I have cried every summer I have been at St. John’s. I have laughed every
summer I have been at St. John’s. The list goes on, but the full range of emotions
has been readily available, and I have embraced each of them openly with others.
What else can you do when presented with truth and beauty?
So, to answer the question, I would like to thank the tutors for what I feel is the
most important thing that I have received from St. John’s (and that which might

55

cause me to disagree with Solon): simply the ability to listen.
	
Every time I sit in class I look at the tutor and wonder to myself: “how can
they listen to this conversation, having themselves read and re-read the text so
much more than me, having themselves so much more background information
about the text, having themselves thought so many more years than I about these
things, having lived so much more life than me?” How did you, tutors, listen to
my confused attempts so patiently? Why do you reject time at the beach during
the summers to sit in a classroom and continue the dialogue? It is an act of love,
and I am so grateful. You taught me how to listen carefully, and to dignify every
person by that very act. It is tremendously profound.
	
I hope, like you, the tutors, to be able to willingly enter confusion and
difficulty over, and over, and over again with excitement, and generosity, with
an ear for everyone (including the authors) and with the extreme compassion to
listen.
	
Furthermore, by your example, I have learned how to listen to and thereby love myself. When I came here, I was in a crisis. I didn’t know what to do. I
used to berate myself for every little mistake I made. I still don’t know what to do,
and I am still in a crisis. But now, thanks to my tutors and my friends, I know that
I am not alone, and I know that I don’t have to beat myself up for not knowing.
Not knowing is part of the fun. And just as I want to be like the tutors in loving
others by listening to them and valuing what they say, I want to learn how to do
the same for myself. Just because I don’t necessarily come to any grand conclusions, doesn’t mean the ideas in that pursuit are worthless.
	
I will conclude with this: when I first read Notes on Dialogue, the strangest
precept to me was that we were not to take notes. I thought it strange because I
wanted to remember the ideas in the conversations we had. But in my time here,
I saw that it was actually extremely profound to fully listen to someone, without the distraction of trying to write anything down, making full eye contact. It
makes sense to me how full attention to someone’s words will give you a much
deeper appreciation for their ideas. And though I might not have a record of that
idea on paper, what I do have is an intimate experience with the person, having
given their words due thought, and having let them convince me. In that sense,
the ideas become more a part of me when I encounter them in this way than they
would have had I recorded each and every one of them on paper. Every conversation was a relationship; every conversation changed the way I think in some way.
I don’t need them all on paper because I think for me that would just be a temptation to return to the ideas and use them for something other than what they were
meant for. Perhaps, it is better to just listen, and in so doing, to love.
	
So, to the tutors, here’s to you for teaching us how to listen and to love.
May we follow your example and thereby learn how to embrace confusion, argument, paradox, and complexity for the sake of perhaps seeing something true.

56

�A Toast to the Master’s Degree Candidates
Summer 2022
John Tomarchio
	
As God cast Adam and Eve out of the garden of paradise, so we gather
here today as you cast off from this our island of misfit toys, to finish out your
intellectual life among infidels and barbarians, some your nearest and dearest.
And when you propose to them to spend 2 hours some Monday night after work
discussing a 17th century metaphysical poem on the vanity of erotic desire; or
a geocentric account of the solar system; or the arguments of an ancient Greek
drinking party for and against pedophilia, they will think you a misfit for even
asking, and they will be right. 
	
So, what will be left for you to do but retreat to the secret chamber of
your soul where your heavenly Father alone will see what becomes of the seeds
that Holy Mother College, like a good sower, has scattered there. True, some of
those seminars fell on the hard parts of your soul and were devoured forever by
the birds of pride and prejudice. Other seminars fell on the shallow parts of your
soul and sprung up quickly, even eagerly, only to wither before searing rays of
cross-examination. Still other seminars were choked by the thorns and thistles
of daily cares, for the G.I. Johnny does not live on Seminar alone! BUT, some of
those seminars have fallen on good soil, and taken root, and if cultivated, will in
time yield fruit 30-fold, or 60-fold, even 100-fold.
	
And if then you should remember us, your Tutors, send a check earmarked for Tutor compensation, for Tutors can’t live on Seminar alone either. 
So, please raise your glasses, my fellow Tutors, to those about to brave life after
Seminar: may it never befall us!

57

58

�List of Works
Cover
Midnight in the Studio
Jesse Clagett
Digital transfer of 16mm cyanotype

59

Acknowledgements

Pl. 24
A winter afternoon in Kentucky IV
Jesse Clagett
Black and white print
10” x 8”

Cover, Jesse Clagett
jesse.clagett@gmail.com
6 Melissa Moore

27 Bonnie Naradzay
bonnie.naradzay@gmail.com

Pl. 9
Capulin Volcano, NM, I
Aschely Vaugh Cone
Oil on panel with hard gesso surface
10” x 8” x 1”

Pl. 25
The Gyre
Jules Spiese
Color pencil on paper

7 Louis Petrich, Tutor

29 Jesse Clagett

9 Aschely Vaughan Cone
https://www.aschely.com/

31 Abdullah Wadood

Pl. 10
White Arch I
Aschely Vaugh Cone
Oil on panel with hard gesso surface
10” x 8” x 1”

Pl. 29
Thinking Pre-Socratic
Jesse Clagett
Digital transfer of 16mm photogram

Pl. 11
Cast Fossil and Carson Cover
Aschely Vaugh Cone
Oil on panel with hard gesso surface
10” x 8” x 1”

Pl. 45
Capulin Volcano, NM, VI
Aschely Vaugh Cone
Oil on panel with hard gesso surface
10” x 8” x 1”

Pl. 21
Found at 4000 ft. in the Appalachians
Jesse Clagett
Black and white print
11” x 14”

Pl. 47
White Arch II
Aschely Vaugh Cone
Oil on panel with hard gesso surface
10” x 8” x 1”

Pl. 23
And if it’s cold enough
Jules Spiese
Color pencil on paper

Pl. 58
A winter afternoon in Kentucky III
Jesse Clagett
Black and white print
10” x 8”

3 Benjamin Crocker

25 Jules Spiese
26 Ansley Green

10 Aschely Vaughan Cone

33 Luis Sanchez
sanchezmo.luis@gmail.com

11 Aschely Vaughan Cone

35 Ansley Green

14 Siobhan Petersen

37 Walker Rogalsky
rogalsky.walker@gmail.com

16 Abdullah Wadood
abdullahwadood.com
17 Jose Gabriel Coronado-Flores
gabecoronado66@gmail.com
21 Jesse Clagett
22 Jesse Clagett
23 Jules Spiese
https://www.jspiese.com/
24 Jesse Clagett

45 Aschely Vaughan Cone
47 Aschely Vaughan Cone
48 Kelly Custer
50 Andrew Graney
52 Louis Petrich, Tutor
55 Chase Waller
57 John Tomarchio, Tutor
58 Jesse Clagett

60

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="36">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49746">
                  <text>Colloquy</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49747">
                  <text>A student-run  journal for the Graduate Institute community of St. John's College in Annapolis, Maryland. The issues feature essays, art, poetry, interviews, and more. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="49748">
                  <text>Annapolis, MD</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49749">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117811">
              <text>pdf</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117812">
              <text>31 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117797">
                <text>Colloquy, Fall 2022</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117798">
                <text>Volume XI of Colloquy, published in Fall 2022.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117799">
                <text>Clagett, Jesse (Editor)</text>
              </elementText>
              <elementText elementTextId="117800">
                <text>Wadood, Abdullah (Editor)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117801">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117802">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117803">
                <text>2023-02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117804">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117805">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117806">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="117807">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117808">
                <text>St. John's College (Annapolis, Md.)--Periodicals</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117809">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117810">
                <text>Colloquy_Fall2022</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="7">
        <name>Graduate Institute</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7732" public="1" featured="0">
    <fileContainer>
      <file fileId="7881">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/2f4c6970da0823d39796f012856ad085.pdf</src>
        <authentication>6f4d08f7ce54c59217defad0bb95c00b</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117758">
                    <text>Remarks on the Inauguration of President Nora Demleitner
Citizenship, Undergraduate Education, and Great Books

It is a distinct honor to be speaking at St. John’s on the occasion of the
inauguration of President Demleitner, the 25th president of St. John’s
Annapolis campus, the ninth since the inception of the current program of
study in 1937, and its first female president. She carries forward an
extraordinary tradition of exceptional educational distinction that dates back
to 1696. Her selection to lead the Annapolis campus is an illustration of how
academic excellence can adapt to new circumstances and yet simultaneously
maintain fidelity to a worthy tradition.

The theme I have chosen for my talk is the relationship between the
unique educational mission of St. John’s and the preservation of democracy
here in the United States. I acknowledge at the outset that it is not
immediately obvious how a very special curriculum that focuses with
intense concentration on the great works of the past can speak to the
contemporary dilemmas of self-government in 21st century America.

But I choose this theme because it is so pressing. Many of us, myself
included, have been taken aback by how fragile and endangered our

�democracy has become. We are apprehensive about its precarious state, and
we believe that it is of the utmost importance to take steps to protect it.

So the question I am putting on the table is how the essentially
political project of preserving our democracy might be connected to the
distinguished educational curriculum of St. John’s, which focuses on
understanding masterpieces of the past. How can a conversation with bygone
figures help us with today’s pressing problems?

I ask this with some urgency. Outside the serene and peaceful world
of St. John’s, the world is burning. There are of course literal flames in the
Amazon rainforest. But there is also a brutal war in Eastern Europe, and a
serious threat of war in the Pacific. Wanton violence sweeps the globe, from
Teheran to Mali to Lima. Democracies from Hungary to India teeter on the
verge of totalitarian excess. We suffer constantly from the fierce storms,
droughts and displacements of an overheating planet.

Each year, our world seems to grow more dangerous and more
threatening. And the United States is not exempt from these challenges.
When I grew up in the 1950s, America felt, somehow, beyond the rough and
2

�rapid whitewaters of history that seemed forever to engulf other countries.
But no longer. In my lifetime, I do not think I have ever witnessed a political
atmosphere more angry, more poisonous, or more baleful. There are no
doubt many causes of our political distemper, including two years of covid,
growing inequality, the loss of blue color manufacturing work, gaping
cultural divides between rural and urban communities, and an explosive
resurgence of bigotry and prejudice.

But this afternoon I want to focus on one particular dimension of our
political crisis, which is the rise of extreme partisanship. American political
life is now divided into camps so mutually antagonistic that ordinary
political life has become all but impossible. We no longer seem to be able to
wheel and deal, to compromise and construct.

We tear down, we troll, we attack, we bluster, we become outraged.
But we do not reach across the aisle. The storming of the Capitol seems
merely the physical symbol of the underlying disorder. Our politics has
become a scene of war, reminiscent of Carl Schmitt’s corrosive definition of
politics as an existential confrontation between friends and enemies.

3

�A 2014 study by two political scientists found that “hostile feelings
for the opposing party are ingrained or automatic in voters’ minds, and that
affective polarization based on party is just as strong as polarization based
on race.” In a frightening conclusion, the study notes that elites now have a
greater incentive “to engage in confrontation . . . than [in] cooperation.”

Just to give you some sense of how profoundly divisive our political
life has become, consider that in 1960 only about 5 percent of Americans
expressed a negative reaction to the prospect of their child marrying
someone from the opposite party. By 2010 this figure had risen eightfold to
40 percent, including both Republicans and Democrats.

It is plain, I think, that our politics has become personal; it has
become a matter of identity. It is experienced as a matter of survival. During
the 2016 presidential election Michael Anton of the Claremont Institute,
wrote a famous essay entitled The Flight 93 Election. The first sentence of
that essay read: “2016 is the Flight 93 election: charge the cockpit or you
die.”

4

�What worries me is that such extreme identitarian division is
potentially fatal in a nation like ours. A heterogenous country like America
can be held together only by successful politics. But such politics is
impossible if we remain balkanized by narrow, tribal attitudes. The reason is
explained in a very old story told to us by Thucydides, the great Athenian
general and historian from the fifth century BC, whom you study here at St.
John’s.

Thucydides recounts the tale of the disastrous Peloponnesian War
between Athens and Sparta. All of Greece at the time was broken into two
political parties. One party advocated for an aristocratic oligarchy; the other
favored democracy. The struggle between these two parties was violent and
fanatic, and the result, Thucydides recounts, was that “society became
divided into two ideologically hostile camps, and each side viewed the other
with suspicion.”

This partisanship could not be ended, says Thucydides, because “no
guarantee could be given that would be trusted, no oath sworn that people
would fear to break; everyone had come to the conclusion that it was
hopeless to expect a permanent settlement and so, instead of being able to
5

�feel confident in others, they devoted their energies to providing against
being injured themselves.”

The upshot of this breakdown of trust among the Greeks was that
atrocity followed atrocity. Men became beasts. In words that should be
remembered forever, Thucydides lamented the loss of what he called “the
ordinary conventions of civilized life.” This was because Greeks had begun
“the process of repealing those general laws of humanity which are there to
give a hope of salvation to all who are in distress, instead of . . .
remembering that there may come a time when they, too, will be in danger
and will need their protection.”

Putting to one side the ever-present possibility of mass slaughter by a
deranged killer armed with an AR-47, we are not, I hope, in danger of actual
atrocities. But we are certainly in danger of losing trust in those general laws
of humanity that allow us to work together despite our disagreements,
however passionate those disagreements might become.

The loss of trust in our society is corrosive and every day it becomes
more and more widespread. Nearly fifty years ago, almost half of all
6

�Americans agreed that “most people can be trusted”; but today that number
has fallen to less than one in three. In 1964, 77 percent of Americans said
that they trusted the federal government to do what is right at least most of
the time; 1 but in 2019 that number had tumbled precipitously down to 17
percent. In 1974, 71 percent of Americans had a great deal or a fair amount
of trust in our Supreme Court. In 2022 that number has shrunk to 47 per
cent. When asked, Americans report a lower opinion of Congress than of
root canals, colonoscopies, Brussel sprouts or traffic jams. It is small
comfort that Congress did manage a higher approval rating than
telemarketers, North Korea, or the Ebola virus.2

This is tragic. Consider: we live in a representative democracy. Our
government represents us. The House of Representatives is the People’s
House. If we detest our own government, what does that say about us? Do
we loathe ourselves, or do we despise our neighbors? If we disavow our
own institutions of governance, we confess our own inadequacy and
vulnerability.

1

http://www.npr.org/2015/11/23/457063796/poll-only-1-in-5-americans-say-they-trustthe-government
2
http://www.gallup.com/poll/1597/confidence-institutions.aspx
http://www.publicpolicypolling.com/main/2013/01/congress-somewhere-belowcockroaches-traffic-jams-and-nickleback-in-americans-esteem.html
7

�Without institutions of governance, we become vulnerable because we
cannot act together. We cannot build a common future or ensure our
common security. Institutions of governance, and the laws that establish and
guide them, are necessary if we are to enjoy the immense goods of
cooperation. Excessive partisanship undercuts the social trust required for
the political processes that underwrite both governance and law. Whatever
kind of society you wish to build, whether it is conservative or liberal, it
must be accomplished through political processes that depend upon trust.

Thucydides described the hell created by the erosion of that trust.
Thucydides said: “Human nature, always ready to offend even where laws
exist, show[s] itself proudly in its true colours, as something incapable of
controlling passion, insubordinate to the idea of justice, [and as] the enemy
to anything superior to itself.” Without trust, observed Thucydides, there
can be no law, no justice, no security. There is only self-preservation.
There is only a dreadful war of all against all.

The question is not whether we should trust the particular decisions of
government, which can be right or can be wrong. The question is rather
8

�whether we have any option but to trust the political processes by which we
engage, each to the other, to determine how we shall act together and how
we shall make our laws. I know that these very political processes can often
be perversely slow and slanted and unresponsive. They may even at times
be corrupt. But these political processes are all we have, and therefore we
must, paradoxically, use them to make these very processes better and fairer.

Politics in a democracy are necessarily open to all. This means that
one cannot enter politics without encountering those who disagree with us,
and who perhaps disagree radically. It is therefore essential that we find a
way to structure such encounters in a manner that does not involve excessive
partisanship. Thucydides gave us a clue about how this delicate balance
might be maintained. He put his thoughts into the mouth of Pericles, the
great Athenian leader.

In his famous funeral oration for the Athenian war dead, Thucydides
has Pericles praise Athens as “a democracy because power is in the hands
not of a minority but of the whole people.” In Athens, says Pericles, “we are
free and tolerant in our private lives; but in public affairs we keep to the law.
This is because it commands our deep respect.”
9

�Athenians respected the law because they were all involved in
fashioning the law. So Pericles pointedly observes:

Here each individual is interested not only in his own affairs but
in the affairs of the state as well: even those who are mostly occupied
with their own business are extremely well informed on general
politics—this is a peculiarity of ours: we do not say that a man who
takes no interest in politics is a man who minds his own business; we
say that he has no business here at all.

Politics in fifth century Athens was a deadly serious business, far
more so than in the United States today. Failed politicians could be exiled or
ostracized or worse. But Pericles nevertheless summoned Athenians to full
participation in the political process, arguing “that happiness depends on
being free, and freedom depends on being courageous.”

Being free means being self-governing; it means having the capacity
to fashion our own future according to our own ideals. It is a miraculous and
wonderful thing to enter democratic politics in order to realize our
10

�convictions. But to the extent that we loathe our political adversaries and
seek to exclude them from the common political space that the Greeks called
the agora, we abandon the possibility of a shared future. It is not possible to
sustain a democracy that includes “the whole people” if we refuse to deal
with our adversaries. Democracy fails if we seek advantage only for
ourselves, or only for our own tribe or only for our own party.

Of course it is possible that our adversaries may be so awful that we
come to believe that we cannot share a future with them. This happened
during the American Civil War. But such times must necessarily be very
rare, which is why Carl Schmitt was wrong to analogize politics to war.
Politics is the art of living together despite differences. In war we seek to
exterminate the other. But in politics we abjure violence, which is to say we
seek to win while remaining bound to the rules, to the law, that define
appropriate political engagement.

In war, our opponents are our enemies, whom we seek to destroy. In
politics, our opponents are our agonists, over whom we seek to triumph but
with whom we are bound to live and with whom we are bound obey a
common set of rules. Enemies become agonists only when both sides of a
11

�controversy acknowledge mutual allegiance to a shared polity. That means
that both sides acknowledge that they are bound to a common destiny, a
shared fate that defines the identity of a country. That is what holds together
a polis or a nation. Civil war looms when we rupture that shared fate and
decide to go our separate ways.

Pericles emphasizes that democracy requires courage. Democracy
requires the courage to persist in pursuing our ideals while at the same time
resisting the temptation to an excessive partisanship that excludes our
agonists from the agora, which is to say from the possibility of a shared
democratic politics. This is a rare kind of courage. It requires patience and
endurance. It must be maintained even as democratic politics seems
repeatedly to fail, and even as it seems to fall under the control of those who
oppose our deepest ideals.

The poet in the 20th century who most tellingly articulated what it
might mean to lose faith in a common political future was the Nobel
Laureate Czeslaw [Tchesluff] Milosz [Meewosh]. Milosz was a Lithuanian
who wrote in Polish. He tried to understand the havoc caused by World War
II. He believed that Eastern Europeans had lost trust in one another and
12

�hence that they had abandoned the possibility of shared political
engagement.

In his monumental poem Child of Europe, Milosz [Meewosh]
describes the cynical world created by the War in Eastern Europe:

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge. . . .

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before. . .

Europeans, Milosz [Meewosh] writes, learned all the wrong lessons from
calamity of the war:
13

�Love no country: countries soon disappear
Love no city: cities are soon rubble. . . .

Do not love people: people soon perish.
Or they are wronged and call for your help. . . .

In these chilling lines, Milosz [Meewosh] evokes what it is like to
inhabit the bleak and cruel world long ago described by Thucydides. It is a
world in which persons are out for themselves alone. It is a world in which
cunning and calculation reign. It is a world without trust and therefore
without hope for a future. It is a world without politics, because no bargains
can be struck. It is a world in which all are at war with all. No one would
freely choose to live in such a world.

As he grew older, Milosz [Meewosh] began slowly to heal from the
mighty blows of the War. In his poem What I Learned from Jeanne Hersch,
he enumerated some of the lessons that he had painfully gleaned from his
formidable historical experience. The poem consists of 12 numbered
propositions, but I will read you only three:
14

�2.

That they have been wrong who undermined our confidence in

reason by enumerating the forces that want to usurp it: class struggle,
libido, will to power. . . .

5.

That the proper attitude toward being is respect . . . .

12.

That in our lives we should not succumb to despair . . . for the

past is never closed down and receives the meaning we give it by our
subsequent acts.

I pick these three propositions because they contain profound insights
that are worth pausing for a moment to consider. They are insights that offer
us a way out of the hell created by mistrust and polarization. And they are
insights that allow us to understand the importance of St. John’s College.

First, Milosz [Meewosh] tells us that that we must have confidence in
our reason. Think now, about St. John’s and your curriculum. Here at St.
John’s College you read great texts. Why do you do that? It is because these
texts reach out to us from the past. But how exactly do they do that?
15

�Without question an important connection between us and these texts
is our reason. You study texts from the finest thinkers that humanity has ever
produced. And, lo and behold, the ideas of these long-dead thinkers
challenge you. They speak to you in ways that inspire conversation and
dialogue. No one could be more distant from you in customs, traditions,
language, or life than Aristotle. And yet in your classrooms, through the
medium of your reason, you reach across the millennia and converse with an
ancient Greek. It is your reason that enables this miracle. The curriculum of
St. John’s is filled with texts that reward this kind of rational engagement.

Rational engagement is essential not merely for the truths that it
reveals, but also for the forms of connection that it requires. At St. John’s
you learn from texts not merely the lessons that they have to teach, but also,
more fundamentally, what it means to converse with a stranger, whose ideas
are radically different than yours. Reason is a remarkable thing, because it
can thrive only under conditions of respect. To reason with another is to take
in their ideas, and to counter in a way that evinces trust that reason will
matter to them as well as to you.

16

�This means that when we reason with one another, we model the trust
that is necessary for democracy. To reason with another is not to lose track
of your own commitments. It is instead to maintain these commitments
despite another’s disagreement, and yet, miraculously, to perform these
commitments within a relationship that acknowledges and trusts that reason
should matter to all involved, to both yourself and to the other.

Second, Milosz [Meewosh] reminds us that it is necessary to use our
reason to fashion ideals worth pursuing. Milosz [Meewosh] tells us that one
of the most important of these ideals is that we respect being, which means
that we respect the facticity of the world.

The world is as it is, regardless of what we might wish it to be. We
must have humility before the facts of the world. One of the most important
functions of our reason is to protect us from that most tempting of fantasies,
which is to believe that the world is merely what we wish it to be. A world at
the mercy of fantasies is a world at the mercy of power. Reason, respect for
the gritty, irreducible facticity of the world, is the antidote to our own
incessant will to power.

17

�Milosz [Meewosh] lived in Eastern Europe, which suffered
unspeakable horrors because, in the ideology of both the Nazis and the
Soviet Union, facts counted for nothing. The world could be reshaped at
will. In a poem called Faith, Milosz [Meewosh] rejects this perspective:

The word Faith means when someone sees
A dew-drop or a floating leaf, and knows
That they are, because they have to be.
And even if you dreamed, or closed your eyes
And wished, the world would still be what it was,
And the leaf would still be carried down the river.

Respect for being requires faith that there is a world outside of us and that
that world matters. The world is what it is and cannot be remade merely to
accord to our desires. No matter what your wishes, the leaf will still be
carried down the river.

This is a particularly important insight when it comes to other people.
Other people are also facts in the world, and they must be respected just as
all other facts are respected. One expression of this respect is to engage other
18

�people through politics, as distinct from simply obliterating them through
war, or simply excluding them from the agora in the hope that they will
vanish.

Other people will not disappear even if we close our eyes and wish
them away. This is true even when other people have opinions that we
regard as obnoxious or wrong-headed or violently incorrect. Respect for
being means accepting the fundamental alterity of others, which is the
foundation of all politics. Politics, says the political theorist Hannah Arendt
presupposes men, not Man. Politics requires plurality.

Without politics, none of us can be free. We are thrown willy-nilly
into a common lifeboat. We flourish together or we do not flourish at all.
That is why political ideology counts for much, but not for everything.
Excessive partisanship denies this basic truth. And, I remind you, this is also
why race, ethnicity, gender, sexual orientation, socio-economic status, and
all such categories, count for a great deal, but they do not count for
everything. If they did, our common lifeboat would break into fragments and
be swamped.

19

�You know this at St. John’s. Your curriculum is fabulously diverse.
You study figures as different as Lucretius and Dante; Kepler and
Maimonides; Machiavelli and Proust; Mozart and the Bhagavad Gita; Ralph
Ellison and Richard Feynman. If here at St. John’s, with a curriculum as
various and far-ranging as this, you cannot learn to honor the plurality of the
world, to respect its fabulous facticity, you cannot learn it anywhere.

The third and last proposition in What I Learned from Jeanne Hersch
to which I want to call your attention is that we should not despair of the
present. I know that the present may, at times—and especially in these
times—appear bleak. But we must nevertheless maintain hope for the future.
And hope, St. Augustine instructs us, “has two beautiful daughters. Their
names are anger and courage; anger at the way things are, and courage to
see that they do not remain the way they are.”

Where there is hope, the present is never fixed. Paradoxically, we can
refashion the present by changing the future. Consider this beautiful poem
by the German poet Rilke, which is called “A Walk”. Rilke writes:

20

�My eyes already touch the sunny hill,
going far ahead of the road I have begun.
So we are grasped by what we cannot grasp;
it has its inner light, even from a distance--

and changes us, even if we do not reach it,
into something else, which, hardly sensing it,
we already are; a gesture waves us on,
answering our own wave...
but what we feel is the wind in our faces.

To change our idea of the future--to hope, to aim, to aspire—is to
change the present. That is why respect for being is not a recipe for
passivity. It does not demand that injustices be endured. Milosz [Meewosh]
ends his own poem Faith with these remarkable lines:

Look, see the long shadow cast by the tree;
And flowers and people throw shadows on the earth:
What has no shadow has no strength to live.

21

�Our strength to live is a fact of our being. It must be respected. We
must cast our shadows upon the earth. We must love our country; love our
city; love one another. We must engage in politics to make our country and
our city, respectable and whole.

Whatever future we may hope to create, however, we have no choice
but to inhabit it together. We must live with those whom we might otherwise
oppose. And this means that we must stand firmly balanced in the tension
between our own ideals and our respect for the alterity of others. It is an
equilibrium as fragile, and as delicate, and yet as inevitable, as a shadow
falling on a leaf floating down a river.

How can we maintain this remarkable equilibrium? How can we stand
rooted in ourselves and yet retain a posture of respect for others whom we
believe to be quite wrong and fraught with danger for the country? What
model do we have for such a paradoxical form of connection?

Think of the educational miracle that is St. John’s. You study the great
texts of the past, and yet you prepare students to live in the present. How is it

22

�possible to stand in the shadows of the gigantic thinkers that you study, the
finest in the history of mankind, and yet to have your own thoughts?

Notice that across the ages, the thinkers that you study engage each
other. As they do so, they display both respect for the views of their
interlocutors and at the same time the determination to assert their own
ideas. Every day, in your study, you see exemplified exactly the miraculous
and difficult equilibrium that democracy demands of its citizens.

At St. John’s you model—you enact—at the very highest level, the
difficulties and contradictions of inhabiting a democratic polis. You study
great books of the past, but you know full well that the authors of these
books differ among themselves, and that, as you explain in your Statement
of the St. John’s College Program, these “great books” in the end serve as
prompts for students to struggle “together with fundamental questions,” so
that “students and their teachers” can “learn from their differences and
discover more deeply their shared humanity.” At St. John’s students learn to
assert their own ideas in the very teeth of the most challenging and
magnificent figures of the past. But they learn to do so using their reason,

23

�which means with respect and the acknowledgment of the possibility of
difference.

What are you trying to achieve here in this precious community of St.
John’s, if not that fragile, inexpressibly vulnerable but necessary
equilibrium, that balances using reason to achieve a self-respecting view of
one’s own, but that nevertheless maintains a genuine other-directed respect
for the views of interlocutors, however mistaken?

That is the paradoxical equilibrium of which Milosz [Meewosh]
writes. That is the equilibrium necessary for democracy. That is the
equilibrium that will restore our trust in our fellow citizens, so that together
we can walk forward in confidence, filled with an inner light that will
illuminate the possibility in the present of a common future that, in grasping
us, will transform our dismal present into a scene of hope for us and for our
nation.

In his recent wonderful book entitled College, Columbia literature
professor Andrew DelBanco asks “What is College for”? In answer, he
quotes from a manuscript diary composed in 1850 by a student at a small
24

�Methodist college, Emory and Henry, in southwest Virginia. The student
writes: “Oh that the Lord would show me how to think and how to choose.”

In learning how to think, you will put your trust in reason. In learning
how to choose, you will cast shadow on the world. And, most important of
all, at a college like St. John’s, you will learn these things together, in a
common conversation. That is to say, you will learn how to think and to
choose in the context of respect for those who think and choose differently.

You will learn, that is, how to be citizens of a great democracy. You
will become inoculated against the violent forms of polarization that threaten
now to tear us apart and to foreclose our future.

It is in this way that St. John’s, by maintaining faith in its past, also
maintains faith with our democratic destiny. As St. John’s adapts the great
ideas of the past to the terrible contingencies of the present, it creates hope
for the future. This is an occasion to celebrate the educational ideals of St.
John’s, and to express our own hope that they will extend long into the
future.

25

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109">
                  <text>Items in this collection are part of a series of lectures given every year at St. John's College. During the Fall and Spring semesters, lectures are given on Friday nights. Items include audio and video recordings and typescripts.&lt;br /&gt;&lt;br /&gt;For more information, and a schedule of upcoming lectures, please visit the &lt;strong&gt;&lt;a href="http://www.sjc.edu/programs-and-events/annapolis/formal-lecture-series/" target="_blank" rel="noreferrer noopener"&gt;St. John's College website&lt;/a&gt;&lt;/strong&gt;.  &lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Formal Lecture Series" href="https://digitalarchives.sjc.edu/items/browse?collection=5&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the St. John's College Formal Lecture Series—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.&lt;br /&gt;&lt;br /&gt;A growing number of lecture recordings are also available on the St. John's College (Annapolis) Lectures podcast. Visit &lt;a href="https://podcasts.apple.com/us/podcast/st-johns-college-annapolis-lectures/id1695157772"&gt;Apple Podcasts&lt;/a&gt; or &lt;a href="https://open.spotify.com/show/6GDsIRqC8SWZ28AY72BsYM?si=f2ecfa9e247a456f" title="Spotify"&gt;Spotify&lt;/a&gt; to listen and subscribe.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="111">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="137">
                  <text>St. John's College Formal Lecture Series—Annapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30710">
                  <text>formallectureseriesannapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117774">
              <text>paper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117775">
              <text>25 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117759">
                <text>Remarks on the Inauguration of President Nora Demleitner: Citizenship, Undergraduate Education, and Great Books</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117760">
                <text>Typescript of a lecture delivered on March 24, 2023, by Robert Post as part of the Formal Lecture Series. &lt;br /&gt;&lt;br /&gt;The lecture was the first President's Law and Society lecture and was part of the events celebrating the inauguration of Nora Demleitner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117761">
                <text>Post, Robert, 1947-</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117762">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117763">
                <text>2023-03-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117764">
                <text>A signed permission form has been received stating: "I hereby grant St. John's College permission to:  make a recording of my lecture, and retain copies for circulation and archival preservation at the St. John’s College Greenfield Library; make a recording of my lecture available online; make typescript copies of my lecture available for circulation and archival preservation at the St. John’s College Greenfield Library; make a copy of my typescript available online."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117765">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117766">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117767">
                <text>Education, Humanistic--United States</text>
              </elementText>
              <elementText elementTextId="117768">
                <text>Books and reading--United States</text>
              </elementText>
              <elementText elementTextId="117769">
                <text>Citizenship--United States</text>
              </elementText>
              <elementText elementTextId="117770">
                <text>Demleitner, Nora V., 1966-</text>
              </elementText>
              <elementText elementTextId="117771">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117772">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117773">
                <text>LEC_Post_Robert_2023-03-24</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
      <tag tagId="108">
        <name>Inauguration</name>
      </tag>
      <tag tagId="236">
        <name>President's Law and Society lecture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7731" public="1" featured="0">
    <fileContainer>
      <file fileId="7880">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/bcea0dd9f44a59a134c5ed06a9c4eb3e.pdf</src>
        <authentication>d191c28e6a6cc7ce0f3cdba3b0c55305</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117738">
                    <text>�A Profile of St. John's College
The College was founded in 1696 as King
William's School and chartered in 1784 as St.
John's College. It is the third oldest college in the
United States. The Santa Fe campus was opened in
1964. Since the establishment of the Graduate
Institute in 1967, the College has offered both a
bachelor's and master's degree in the liberal arts.
The faculty-student ratio is 1:8. Faculty members
all hold the same rank, and all teach throughout the
curriculum.
St. John's College is coeducational and nondenominational. Undergraduate enrollment is
approximately 400 students on each campus. Typical
freshman classes represent approximately 35 states
and 5 foreign countries. In addition, 100 more
students pursue the Master of Liberal Arts degree
on each campus.
Fifty percent of St. John's students receive
financial assistance, including grant aid from the
College. Most financial awards are based on
demonstrated need.
Seventy-five percent of St. John's undergraduate
alumni attend graduate or professional school. A
recent study ranked St. John's among the top 30
colleges and universities in the nation with respect
to the numbers of Ph.D .s earned by alumni in
relation to the size and number of undergraduate
degrees granted. Moreover, the study found that
the doctoral degrees earned were evenly divided
between the humanities and the sciences.
The Graduate Institute in Annapolis and Santa
Fe offers a year-round, five-segment course of
study modeled after the undergraduate program
which leads to a Master's degree in the liberal arts.
St. John'sendowmentismore than $32 million.
Its yearly budget is more than $20 million. Tuition
costs for 1991-92 are $14,262; room and board
costs are $4,696 .

�THE PRESIDENT S
At St. John's, we have conceived an
idea of a college . This idea, we proudly tell
the world, has less to do with classrooms,
buildings and grounds, and more to do
with a living community of willing learners
who need only the desire to come
together, the commitment to common
inquiry, and, of course, the Books. What
we mean, of course, is not that this
enterprise can succeed without a place to
meet and a staff to maintain it, but rather
that a college is meaningless without a
vision of learning for its own sake and a
curriculum which serves that end. It
sounds simple enough, and if all men and
women were made of spirit alone, this
would be relatively inexpensive to provide.
As it is, however, such an education (even
in the very modest confines of St. John's
College) is frightfully expensive.
We claim that a good education
requires a very small community and a
very large number of tutors relative to the
number of students . We sacrifice economies of scale to provide these conditions
because we know from experience that
they make a real difference. For the most
part, our students and their parents
cannot, by themselves, pay enough to
provide for these conditions. They depend
as well upon the support, commitment
and gifts of many others who believe in
what we do here at St. John's College. A
student paying full tuition still pays less
than two-thirds of the cost of his or her
education. Each of us in this community,
therefore, from students and parents to
faculty and staff, owes a debt of appreciation and gratitude to the College's many
friends and alumni who give each year to
help us continue to fulfill our mission to
provide the best education we can to each
of our students. This is our occasion for
expressing that. Thank you!
We do not have very many new
beginnings at St. John's except, of course,
those beginnings we celebrate each year at

2

Commencement . We characterize
ourselves, after all, as preservers of certain
great traditions . For me, however, this
represents a personal new beginning. I
have been in office since July 1st, just long
enough to recognize the opportunities
and challenges when they present themselves. I am honored to be able to provide
leadership to the College and welcome
both the challenges and the opportunities.
St. John's is ve1y much in my blood. My
desire to serve comes from the heart.
This year, we will be announcing
another new beginning as we prepare to
commence a major capital campaign. Our
purposes are to strengthen our endowment to support our very modest tutor
salaries and our burgeoning financial aid
budget and to help us complete a few
major building renovations and repairs.
Our community of friends and alumni
has shown its support for and commitment to a major development effort. We
are well positioned to begin the effort: the
program has retained its integrity; our
tutors have remained tireless and dedicated; our staff has instilled in us all an
excitement about the opportunities for the
future; our students have preserved the
tradition of learning for its own sake-for
the love of the enterprise.
I invite everyone to join us in this
effort. We welcome your participation in
the coming year, as we honor those
alumni, parents and friends who have
supported us during the 1990-91 academic year.
Christopher B. Nelson
President) Annapolis

�THE PRESIDENTS
Although the world knows that change
isn't always progress, there have been a
number of developments this past year.on
the Santa Fe campus that surely, from
here, look like progress itself.
We put into effect a major increase in
faculty salaries, bringing our tutors to a
level that almost everyone feels is rational
and equitable. We opened our superb new
library, with students, tutors and townspeople moving all the books themselves.
The director of the Shakespeare Folger
Library came out from Washington to be
our dedicatory speaker. We are sending
out a newsletter to thousands of new
friends so that today more people know
about St. John's College and what it does
than ever before. And, in an academic
universe, where colleges are desperately
scrambling for new applications, this year
St. John's College in Santa Fe had more
inquiries, more applications and more
entering freshmen than at any time in its
history. Our graduating class included
both a Watson Fellow and a Rhodes
Scholar. And this year, we will be graduating the largest senior class ever.
Life on campus is thriving. Santa Fe's
much beloved SHAKESPEARE IN THE
PARK moved from its downtown location
to our campus. Despite rain and threats of
rain almost every night, more than five
thousand people came over six weeks to
see TWELFTH NIGHT performed in the
courtyard of the Meem Library.
This campus also became home for the
world-renowned Breadloaf School of
English. Through them, we were able to
bring to this campus such notable writers
as Tony Hillerman and N. Scott Momaday
to teach and to lecture.
This summer also saw the inauguration
of a series of summer seminars for adults.
These seminars were featured by Arthur
Frommer, the noted travel writer, as the
perfect way to expand one's intellectual
horizons while vacationing in one of the
most beautiful places in America.
Our Graduate Institute has been going
full tilt. We had a special seminar for high
school teachers sponsored by The National Endowment for the Humanities and
taught by our Dean. We inaugurated a
new parents' program. If activity is a sign
of life, this past year we were one of the

liveliest places in America. If intellectual
activity is the sign of growth, we were one
of the most progressive places in the
world.
But none of this would be true
progress if it didn't contribute to the
program of studies that has made St.
John's everywhere renowned. I can say
with assurance that the program has never
been healthier and its importance to the
world never more necessary. In a world
where so many professors have become
more and more distant from their students, we have managed to retain our
eight-to-one student to teacher ratio. In a
world where academic research, no matter
how narrow, becomes the measure of
academic success, we still prize teaching
above all. In a world where research
specialities become labeled "the cutting
edge," and thus the fringe becomes the
core, St. John's still requires of all its
students that they confront the greatest
books, the greatest authors and the
greatest ideas of the Western tradition.
Despite the latest academic fashions, we
still believe that rigorous inquiry into the
best of our civilization and the greatest of
our books is the surest road to a liberal
education. In a world that worries about
the "politically correct," we insist on
preserving the hallowed tradition of
political incorrectness, namely, that even
the most radical thoughts can be rethought, discussed, and re-evaluated.
St. John's College in Santa Fe has tried
to do two important things simultaneously
and I think we have succeeded. We have
tried both to grow and to preserve. We
have grown in students, in activity, in our
relations with the community beyond the
college, and in our influence on other
schools and colleges. We have, at the same
time, preserved and strengthened the
program, underscored our commitment to
teaching, and graduated some of the
liveliest minds in higher education. That's
not so bad for a year's work.
(

John Agresto
President) Santa Fe

3

�THE DEANS
The past year seems to have been, all in
all, a happy one.
The academic discipline of students is a
good index of the spirit of the school. We
have only two college-wide tests, an algebra proficiency and a French reading
knowledge examination. All our students
took these on time and passed them satisfactorily .
Similarly the annual essays, the culminating requirements for our seniors, due
on a Saturday in February at midnight,
were all handed in on time, though the
president had to order the sun to stand
still for two hours. Some of the essays were
remarkable in content and elegant in presentation. Others showed that we have not
yet achieved our aim of helping students
to write as articulately in their papers as
they speak in their seminar discussions.
We continue to try for improveme nt.
An experienced tutor will this year give
special aid to students who write badly,
and will again supervise two student writing assistants to whom students can submit their paper drafts for critiques. Tutors
will continue to require a set number of
papers in their classes. We regard writing
as an integral part even of the laboratory
class.
The chief determinan t of good classes is
the extent to which students make themselves responsible for their conduct. But
the next most important element is the
preparation of the tutors. In August of
1990 we held a week-long session, led by
two experienced tutors, for all people
appointed to the teaching faculty in the
last two years. The program was set up as a
series of sample classes with characteristic
readings. Lunch times were used to raise
pedagogical problems specific to teaching
at this college. The program was, by the
participants' reports, an unqualified success and a splendid initiation to teaching
here.
All year long, and continuing unabated
through the summer, there were formal
and informal study groups. The Adolph
W. Schmidt and the NEH Fellowships
allowed a number of tutors to study the
writings of Nietzsche and of Faraday, both
authors important to the Program. In the
summer the College funded leaders for
two well-attended study groups. One was
the transition from ancient to modern
mathematics, a topic crucial to our mathematics tutorial. The other was a model

4

language tutorial, open to students and
tutors, devoted to reading a Greek play in
the original. This list does not exhaust the
curriculum-inspired special study that went
on between tutors and students . Evidently
our rigorously required Program raises an
appetite for more.
This sort of para-curricular study betokens a very healthy intellectual climate. I
can also report that we worked on improving the Program itself. The music tutorial
of the sophomore year, long a source of
difficulty for tutors to teach and students
to learn, is in the course of coming together. More singing sessions now support
the teaching of theory. Scores, texts, and
tapes are being collected so as to unify the
teaching of the classes and to attract new
tutors by making the sources more accessible. We have, consequently, had more
requests from tutors to be assigned to a
music tutorial than ever before. Our worry
was that our non-depart mental Program
might be developing a music department
is no longer a concern. I should add that
our "Small Chorus," a voluntary group
supplementary to the required freshman
chorus, has had a great year under its own
director.
At a joint meeting of the Instruction
Committee , in which the parts on both
campuses convene (this year at Annapolis),
we undertook a discussion of the language
program, deliberately addressing ourselves
only to the most fundamental questions,
for example: Should the language tutorials
display the coherent developme nt we have
built into our mathematics sequence? The
answer is generally no, and we articulated
some reasons, such as the essentially unsystematic nature of human speech. We also
began work on a possible rearrangement
of the mathematics tutorial and the laboratory. One aim is to relieve the junior
laboratory which is simply too full of
material.
Finally the high spirits of the students
were evidenced in "Reality," the traditional student festivity at the end of the
year, which included a candle-light presentation of Euripides' Hippolytuson the
quad and in which the hero raced toward
catastrophe not in a horse-draw n chariot
but on a motorcycle.
Eva T.H. Brann
Dean, Annapolis

�THE DEANS
I am pleased to report that the life of
St. John's College in Santa Fe was healthy
and vigorous during the 1990-91 academic year. Our enrollment was virtually
at capacity, having grown steadily each
year for the past several years. During that
period our faculty also has grown significantly. Five new tutors were appointed for
the fall term, two additional tutors were
appointed for the spring term, and two
more joined us in the summer of 1991.
The faculty in Santa Fe combines the
strength of tutors with a long record of
distinguished service at the College with
the invigorating influence of new tutors
from a variety of academic institutions and
experiences. The faculty in Santa Fe now
totals sixty tutors.
Roughly half the newer members of the
faculty come from the ranks of our alumni,
who have done graduate work and in
many cases taught at other institutions
before returning to us as tutors. The
following alumni have joined our faculty:
Sally Dunn '70 SF, James Forkin '85 SF,
Frank Hunt '68 SF, and Joshua Kates '85
AN. In addition, Charles Fasanaro has
come to us from the University of
Colorado, where he served as assistant
director of the writing program; James
Cohn from the University of Chicago and
the University of Paris, where he wrote a
dissertation on Proust. Dan Hawley was
the director of a program for gifted and
talented students in Virginia and taught at
the University of Virginia. Margaret Kirby
taught German at the University of
Toronto. Gerald Proietti was a classics
scholar at Boston College.
During the summer we were able to
offer a week of classes for new tutors and
for those who only had been with us for a
year or so. These classes were led by Mrs.
Buchenauer and myself. We read selections from many of the most important
books in the Program, including Plato's
Meno, Aristotle's Physics, Euclid's Elements
and Homer's Iliad. The week was useful
in preparing tutors for what they soon
would be facing in their classes and in
providing them a way into the life of the
College.
For the first time in the summer of
1991, an orientation program was planned
for incoming freshmen. This program is
part of a continuing effort to improve the
quality of student life. Health, fitness, and
the development of good personal and

social habits are the necessary conditions
for the success of our intensive intellectual
program. Students serving as resident
assistants in the dormitories are now
receiving more guidance and training than
ever before to help them notice students
with personal difficulties and direct them
to those who can help.
Since the inception of the New
Program in 1937, St. John's has thought
of itself as a talking college. Nevertheless,
we have always maintained a commitment
to written expression. The Senior Essay
often is referred to as the culmination of a
student's work at the College. Because
students come with increasingly weak
writing skills, we are planning a variety of
ways of improving student writing to
prepare them for the real work of the
College, discussing and writing intelligently about books and ideas. In 1991-92,
the student writing assistants will be
supervised by a tutor experienced in
teaching composition. During the year we
will plan systematic help for the freshmen
beginning in 1992-93. A writing handbook has been selected for campus-wide
use by all tutors and students .
For the past several years on the Santa
Fe campus, faculty study groups have been
organized to explore classic works of
Indian and Chinese cultures . The College
recently received a grant to continue
exploration in these areas with a view of
eventually offering some sort of program
of study that would go beyond the
boundaries of our undergraduate curriculum. While the College has made no
commitment to expand its curricular
offerings, we believe it is important that
we learn to address in an informed way the
intellectual accomplishments of the world
beyond western Europe.
Finally, an eight-week segment devoted
to the study of important paintings,
primarily of the Renaissance, has been
built into the senior-year curriculum on
the Santa Fe campus. While the early
accomplishments of this segment have
been many, questions persist of how best
to incorporate the visual arts as part of our
already crowded curriculum. This issue
continues to be a topic of lively discussion
in Santa Fe.
Stephen Van Luchene
Dean, Santa Fe

5

�THE ST. JOHN'S COMMUNITY

The Campuses
Each of St. John's campuses is located in
the capital of its respective state. The thirtysix acre Annapolis campus lies in the Historic
District, adjoining College Creek, one block
from the State House and across the street
from the Naval Academy Yard. The two
hundred and fifty acre Santa Fe campus is in
the southeast quadrant of the city, two miles
from the historic Santa Fe Plaza and the
Palace of the Governors.
Each is architecturally part ofits city. The
Santa Fe campus reflects the territorial style
introduced in the state during the last century.
TheAnnapoliscampus includesl8th-century
historic homes, 19th-century Victorian
structures, and 20th-century buildings to
complement the older ones. Both campuses
have undertaken significant building projects
in the recent past and both are taking
inventory of future needs, establishing
priorities, and devising plans to achieve them.
With a student body of more than 400
undergraduates and 55 graduate students,
the Santa Fe campus continues to grow and
adapt to the needs ofits students and faculty.
The campus was significantly enhanced, as
was the intellectual life of the entire
community, when theFaithandJohnMee m
Library opened in November of 1990.
Space liberated by the construction ofthe
new library has become available for much
needed faculty offices in the lower floor of
Weigle Hall and in the former music library
in the Fine Arts Building. A new bookstore
will be housed in the old Peterson Library.
To design this facility, the campus has retained
a consultant who, upon his arrival on campus,
raved at the beauty of the proposed space for
the bookstore and claimed that its aesthetic
charm would rival that ofthe best bookstores
in Europe.
The campus planning committee is
reviewing proposals for uses of the old
bookstore space, one of which is to turn it
into a student/faculty coffee house featuring
cappucino, Italian opera, and comfortable
areas for quiet conversation, reading, or
reflection. The Meem Library was
constructed with the need for a student
computer center in mind, and the planning
for such a center is well underway. The Dean
has formed a computer committee to analyze
the needs of the campus and to make
recommendations about how to realize them.
Such a computer center will address what
both students and faculty see as a tremendous
need.

6

During the past year, the Santa Fe
community spent many hours discussing its
two most pressing needs-a dormitory and
a student activities center. Not only does full
enrollment strain existing dormitory facilities,
but more students are looking to live on
campus due to a dramatic increase in local
rents. The proposed new dormitory will
provide modular housing emphasizing the

�THE ST. JOHN'S COMMUNITY

development of community, and providing
an atmosphere conducive to individual living
and study. The facility will house
approximately 40 students with up to 8
students per module. Also included in the
student housing plan are 10 two-bedroom
apartments for students who want the benefit
of apartment living.
The Santa Fe campus planning committee

spent a full year analyzing the need for a
student activities center. In 1987, the faculty
had developed a list of facilities priorities. In
order, those facilities included a library, a
student activities center (gym), and an
auditorium. These priorities were recently
reviewed by the long range planning
committee in preparation for an upcoming
capital campaign. The committee affirmed
that, after the completion of the library, a
student activities center was the next most
pressing need. Such a center would include
facilities for athletics and also for other campus
extracurricular activities offered by the
StudentActivities Organization. These would
include photography, pottery, and drawing/
painting. Studio space would be provided
for activities such as martial arts, yoga, dance,
fencing, and aerobics. The plan includes a
room for billiards, chess, and ping-pong as
well as for traditional athletic endeavors such
as weight training, fitness, basketball,
volleyball, badminton, handball/racquetball,
and indoor soccer.
After completing a new wing on Mellon
Hall ( 1989), constructing the Mitchell
Gallery (1989), restoring McDowell Hall
(1989), and refurbishing the BeneficialHodson Boathouse, the Annapolis campus
spent most of its energy and resources on
maintaining its aging buildings. In addition,
it has made improvements in the cupola
room atop McDowell, in the lighting and
furnishings of the coffee shop, and in the
weight room of the gym. Funds are now in
hand to change the lights lining the sidewallcs
on campus to an historically accurate design.
The original design for Mellon Hall
included an observatory facility, and the
structure to support a 22. 5' revolving
observatory dome was built into the roof of
the building when it was constructed in
1958. The observatory was not completed
due to other financial priorities, but there is
renewed interest in the facility since the
National Science Foundation has recently
awarded the campus the money to buy a 14 11
reflector telescope.
Facilities planning in Annapolis is always
complicated by the constraints of space,
proximity to protected wetlands, and building
codes of the Historic District. The long
range planning committee has determined
that the most pressing needs in Annapolis are
to enlarge the library, to renovate Pinlmey
Hall, which was constructed in 1857 and is
used as a dormitory, and to finish the
renovations to Mellon Hall which may

7

�THE ST. JOHN'S COMMUNIT Y
include new construction for more
laboratories.
The Annapolis campus is exploring the
possibility of acquiring a state-owned building contiguous to campus which is a perfect
size for a new library. Since it was used for
state archives before a new archives building
was constructed, the facility would require
very little modification for use as a library. If
it is able to acquire this building, the current
library could be used for much needed office
space and study rooms. Failing to acquire the
building, extensive renovations of the existing library will be required as will the renovation and new construction to Mellon to
accommodate the need for more classrooms .
Attention is focused on resolving the issue of
the state building which would provide an
economically feasible and aesthetically pleasing solution to most of the academic facility
needs of the Annapolis campus.
Accomplishing the kinds of renovations
which Pinkney Hall requires presents an
interesting set of problems. Not only is it an
historically important building and therefore
subject to specific regulations governing any
constuction, but the work which needs to be
done is extensive and cannot be completed
during a summer.

in the curriculum. Because ofthis dimension
of the faculty appointment at St. John's,
tutors frequently hold their own study groups
where colleagues can learn from each other
on matters hitherto outside their expertise,
and on matters relating to teaching the
various parts of the Program.
In the year covered by this report, the
faculty continued to engage in many notable
activities in addition to their primary
responsibilities as teachers.

The Faculty
At St. John's the teaching members ofthe
faculty are called tutors. The title professor is
avoided to signify that it is not the chief role
of the tutors to expound doctrines in their
fields of expertise. Instead, learning is a
cooperative enterprise, carried out in small
groups with persons at different stages of
learning working together.
In the classroom, St. John's tutors must
be good questioners, able to raise important
issues that will engage the intellectual and
imaginative powers of their students. The
tutors must be good listeners, able to
understand the difficulties of their students
in order to help them reformulate their
observations and examine their opinions.
The faculty not only teach the St. John's
Program, they exemplify it. St. John's is a
place where mathematics and science are
considered as humanities, and studied with
the other humanities in a fully unified
curriculum. At St. John's the faculty teach
throughout the curriculum, which means
that tutors who have advanced degrees in
political science, for example, will be teaching
literature sequences, mathematics and science
sequences, and perhaps language sequences

Basia Miller and Annapolis tutor John White
led 14 highly able high school students from
across the country in The Telluride
Association Summer Program held on the
Santa Fe campus in June and July 1991 . The
theme ofthe program was "Seeing, Speaking
and Thinking."

8

Faculty - Santa Fe
Stephen Van Luchene Santa Fe Dean
received NEH funding to conduct a summer
seminar for school teachers on Plato's
Republic and Euclid's Elements. Fifteen
teachers participated in the six-week seminar
held on the Santa Fe campus.
David Bolotin has received support from
the NEH for work he is doing on Aristotle's
Physics. The Bradley Foundation has provided
additional funding for Mr. Bolotin to
continue this work for the next two years.
Basia Miller was co-translator of Montesquieu's Spirit of the Laws, published by the
Cambridge University Press. She also served
as co-author of a high-school text book of
world literature.

Gerald Proietti has written Xenophon's
Sparta: An Introduction, which was published
by Leiden and New York. He also has two
articles ready for publication: "The Natural
World and the Political World in Thucydides'
History" and "The Spirited Soul and the
Genesis of Tyranny in Plato's Republic."
Roger Peterson is currently teaching twothirds time so that he can work with local and
national conservation groups.
Linda Weiner is working on studies on
pinon needle scale and Native American
traditional insect controls. She lectured at
the Mountain Plains Museum Association
aboutinsectproblemsinmuseumcollections.
Robert Sacks published Commentary on the
Book ofGenesis, ( Livingston, New York: E. J.
Melon). He is currently working on a
translation and commentary on the Book of
Job.

�THE ST. JOHN'S COMMUNITY

James Carey received a planning grant for
the possible development of an East-West
studies group.
Cary Stickney is conducting a faculty study
group on Hegel and Fichte, supported by
the Adolph Schmidt Tutorship.

Ralph Swentzel has received a Sears
Foundation award for excellence in teaching.
David Levine, along with former Director
ofAlumni,Joanlverson, organized a threepart series of public lectures, seminars and
films on changes in eastern Europe.
Lawrence Cave premiered three major
compositions in the 1990-91 academic year.
"Dido Laments", a twenty-minute setting

for mezzo soprano and piano ofmonologues
from Virgil's Aeneid in the Fitzgerald
translation was performed in March, 1990 at
St. John's College. Incidental music for
Heiner Muller's play, "Quartet", ran for six
performances at the Santa Fe Actor's Theater;
the ten sections scored for solo cello and
taped sounds ran throughout most of the
45-minute show. The Santa Fe Desert
Chorale commissioned and premiered "The
Seasons of Meng Hoa -Jan," a fourmovement choral "symphony" which set
texts by the Tang dynasty poet in Witter
Bryner's translation.
Peter Pesichosted 11 public concerts on the
St. John's campus in 1990-91, including

9

�THE ST. JOHN'S COMMUNITY
appearances by pianists Sergei Babayam and
Maya Hoffman, the Shanghai and Laurentian
Quartets, and the fourth annual concert of
the medieval music ensemble, Sequentia.
Mr. Pesic gave four solo recitals ofBeethoven
piano sonatas, completing the cycle of 32
sonatas he began at the College in 19 81. He
also performed Bach's "Goldberg Variations"
at Dartmouth College and St. Thomas
Aquinas College.

Faculty - Annapolis
The Association of American Colleges
appointed St. John's as one of seven mentor
research institutions in a nationwide project
to strengthen elementary and secondary
school teachers' understanding of the
humanities. The two-year project is funded
underagrantfrom the National Endowment
for the Humanities . Dean Eva Brann and
Geoffrey Comber will serve as projectleaders
for St. John's . Mr. Comber, along with his
colleagues Nicholas Maistrellis and
Howard Zeiderman, report that more and
more schools are adopting their Touchstones
methods for middle and high school classes.
Over 200,000 students and teachers in 25
states and foreign countries are now using
the Touchstones curriculum.
Eva Brann completed the work she began a
dozen years ago, The World of Imagination:
Sum and Substance. ( Rowman and Littlefield,
1991). The book was greeted with
enthusiasm by scholars as a "monumental
contribution". This is Miss Brann's third
book. She was appointed Dean of the
Annapolis faculty in 1990.
Beate Rhum Von Oppen saw the English
language publication by Alfred A. Knopf of
her prize-winning work originally published
in the German language, Letters to Freya,
1939-1945. Ms. Ruhm Von Oppen is the
editor and translator of the letters from a
martyred anti-Nazi resister, Helmuth Janus
Von Moltke. The work was funded in part by
the National Endowment for the Humanities.
Zetetic Skepticism, (Longwood Academic
Press, 1990) by Stewart Umphrey takes its
title from Umphrey's coined phrase for the
frame of mind that describes "Meno's
Problem" - "if you already know what you
are looking for, you wouldn't be looking for
it, and if you don't know what it is you're
looking for then you don't even lmowwhere
to look."

10

Tutor Emeritus DouglasAllanbrookserved
as one of six members of the distinguished
editorial board for the first revised edition in
almost 40 years of the Great Books of the
Western World, (Encyclopedia Brittanica,
1990, revised). Other board members were
Jacques Barzun, John Kenneth Galbraith,
Lord Quinton, Norman Cousins and Heinz

�THE ST. JOHN'S COMMUNITY
he lectured to top military officials at the
Institute of Strategic Studies on "The
Relevancy of Thucydides Today." A few
days later he addressed several hundred
undergraduates at Witwatersrand, the South
African English-speal&lt;ing university.

Cordell Yee spent the summer of 1991 on
the final editing of the Chinese section of
Volume II of the History of Cartography, a
six-volume series principally funded by the
National Endowment for the Humanities
and the National Science Foundation. The
work is scheduled for 1992 publication by
the University of Chicago Press.
Sam Kutler spent part of his sabbatical on a
12-day tour to California, the Pacific
Northwest, Canada and Kansas, lecturing
and conducting seminars on ancient and
modern mathematics.

R. Pagels . The original editorial board
included the first New Program president,
StringfellowBarr,anddean,ScottBuchanan,
as well as St. John's Board member Mark
Van Doren.

Howard Fisher and Joe Sachs were named
to the first two Tutorships in Modern
Thought and Ancient Thought, created by
the $500,000 challenge grant from The
National Endowment for the Humanities.
Mr. Fisher holds the chair in Modern
Thought, studying Michael Faraday's writing
on electricity and magnetism. Mr. Sachs is
using the opportunity for a new translation
of Aristotle's Physics, in the chair on ancient,
medieval and renaissance thought. Both are
leading faculty study groups on the Annapolis
campus as part of these appointments.
Henry Higuera was one of seven new
members appointed by President Bush to
the citizen advisory board for the National
Endowment for the Humanities . Mr.
Higuera is currently working on a book
about Don Quixote.
Leo Raditsa followed up the 1989
publication ofhis book, Prisoners ofa Dream:
The South African Mirage, with a visit to
South Africa at the invitation of Zulu leader
Mangosuthu Buthelezi. While he was there

William Pastille published two articles and
two translations last year, as well as coauthoring a paper on "Schenker's Deep
Motives," which he delivered before the
national meeting of the American Musicological Society and the Society for Music
Theory in Austin, Texas. In 1990 and 1991
Andre Barbera published three articles on
text criticism, ancient music and early music
theory in the Journal of Musicology) The
Journal ofthe American Musicological Society
and an international learned society journal.
The UniversityofNebraskaPressis publishing
Mr. Barbera's study of an ancient treatise on
music often attributed to Euclid, The
Euclidian Division of the Canon: Greek and
Latin Sources.

Wye Allanbrook, assistant dean and tutor,
was awarded two major grants to fund a year
of continuing study on the nature of
expression in the chamber music of Mozart
and Haydn. One is an NEH Fellowship and
the other is an American Council of Learned
Societies Fellowship. Ms. Allanbrook will
work on her book on these 18th century
composers .
John Verdi and Deborah Renaut led 14
highly able high school students from across
the country in the Telluride Association
Summer Program held on the Annapolis
campus in June and July, 1990. The theme
of the six-week program was "Science as
Literature, Literature as Science."
Dorothy Guyot followed the March 1990
publication of her book, Policing as Though
People Matter, with many guest lectures on

11

�THE ST. JOHN'S COMMUNITY

APPLICATION RATE

the current issues surrounding contemporary
police department management. The book
discusses community-based policing,
comparing and contrasting a "hospital
model" to a "military model" of department
operation.
Harvey Flaumenhaftwas appointed general
editor for Masterworks ofDiscovery, a multivolume series of guidebooks sponsored in
part by the National Endowment for the
Humanities and being published by the
Rutgers University Press. Mr. Flaumenhaft
is contributing two guidebooks to the series,
No Royal Road, which treats classical
geometry and its transformation, and Cosmic
Views and Classical Suppositions, on classical
astronomy and its transformation. Mr.
Flaumenhaft has also had two articles accepted
for publication in Humanities, January/
February 1992; "Breaking the Barriers
between Science and the Humanities," and
"Cosmic Views and Classic Suppositions."
Annapolis colleague Adam Schulman is
taking time to complete another work in the
Masterworks of Discovery series on two

12

founding documents of the wave theory of
light - Huygen's Treatise on Light, and
Fresnel's Crowned Theories on the Diffraction

of Light.
Jonathan Tuck, recently appointed assistant
dean, helped St. John's undergraduate
students form a support group for two inner
city Annapolis elementary schools. The St.
Johnnies work one-on-one with at-risk
children, as tutors and mentors.

Jim Beall continued his work on astrophysics
research as a consultant with the E. 0 .
Hulbert Center for Space Research, Naval
Research Laboratory, Washington, D. C. Mr.
Beall supervises several St. John's undergraduates who are assisting in research
projects at the Hulbert Center. Mr. Beall has
been awarded a challenge grant from the
National Science Foundation to enable St.
John's to complete a domed observatory on
top of Mellon Hall and install a permanently
mounted 14" telescope and related
equipment.

�THE ST. JOHN'S COMMUNITY

Undergraduate Students
Admissions
Applications at both campuses continued
to be strong, even though the population of
college-bound students is declining
nationwide, thanks to an aggressive
recruitment effort on the part of the
admissions offices. Admissions representatives
traveled to college fairs and schools
throughout the country in 1990-1991. They
supplemented these visits with evening
interviews, informal receptions, and brealcfasts
with school counselors. Computer systems
allowed the offices to efficiently track
applicants, and the Campus visits for
prospective students were very successful
due to an expanded training program for
student guides.
The admissions offices were ably assisted
by alumni representatives and a studentrepre-

Alumni Association ofSt. John's College, to
outstanding juniors who possess the qualities
of a genuine liberal artist. The St. John's
Book Award is given at several high schools
around the country. Students are selected
for the award by a committee at each school
which uses the following selection criteria:
1) the student loves to read, 2) the student
possesses an outstanding enthusiasm for
learning, and 3) the student wishes to pursue
understanding of his or her reading through
discussion, particularly with fellow students.
Minority recruitment continues to be a
challenge, but St. John's attempts to attract
qualified minority applicants with specific
activities such as programs for disadvantaged
students, inclusion in college directories
targeted toward minority students, and
alumni participation in college fairs for
minority students.

COSTS
Tuition, Room and Board

sentative program. Some 75 students visited
their high schools or called prospective
students in their hometown areas. The
students enjoyed the opportunity to explain
the St. John's program to their peers, and
prospective students seemed to appreciate
the extra attention.
Almost 200 alumni and some parents
aided in recruitment as well. Alumni and
parents hosted receptions, participated in
college fairs, and interviewed prospective
students. Several alumni also presented the
St. John's Book Award, sponsored by the

Recruitment of qualified students will
continue to be difficult while the pool of
college-age students remains small over the
next several years. Through vigorous
admissions and aid programs, however, St.
John's should continue to attract a high
caliber and diverse student population.
Financial Aid
The College believes that qualified
applicants should not be denied the
opportunity to attend St. John's because
their financial resources are limited. Most aid
13

�THE ST. JOHN'S COMMUN ITY

Commencement Honors
and Prizes
Annapolis and Santa Fe
• A silver medal to the Seniors who
have the highest academic standing: Heather Ruth Park (A) and
Jarrell Robinson (SF)
• The Senator Millard E. Tydings
Memorial Prize given to the members of the Senior Class honored
for excellence in speaking:
Christopher Michael Newman
(A), E. Suzanne Small (SF)
• The members of the Senior Class
who have written the best annual
essays: James Robert Loftis IV
(A), Angela Elena Mlinko (A),
Margaret Farley (SF), Yanni
Papadopoulos (SF), Jarrell
Robinson (SF)
• The members of the Junior Class
who have written the best annual
essays: Brian Cole (A) Julia
Winiarski (SF)
• The members of the Sophomore
Class who have written the best
annual essays: David Mitchell
Jennings (A), Amalia Bernice
Uribe (A), David McDonald
(SF). Honorable Mention:
Marsaura Shukla (A), Ronald
Schrogham (SF)
The members of the Freshman
Class who have written the best
annual essays: Zena Naomi Hitz
(A) and Thea Agnew (SF).
Honorable Mention: Curtis L.
Davis (A)

awards, therefore, are made on the basis of
demonstrated need.
As government resources to fund educational aid have declined, the College has
moved to establish a combination ofendowed
scholarship funds, current funds for student
support, and loan funds to supplement federal
funds. Fifty percent of entering freshmen at
Annapolis and fifty-three percent ofentering
freshmen at Santa Fe qualified for financial
aid in 1990-1991. The need for educational
assistance continues to grow. The challenge
for the College is to be a responsible steward
of the College's future and create external
sources of funding for educational assistance
so that scarce College resources will not have
to be reallocated.
Many generous people have assisted the
College in meeting its financial assistance
goals. Alumni RanletLincoln, Francis Mason,
and Eugene Thaw established the J. Winfree
Smith Memorial Scholarship Fund in honor
of their beloved friend and tutor who died
suddenly in 1991. More than 200 people
contributed $43,000 to this fund in its initial
year. Alumni, friends, and parents also
contributed to scholarship funds established
in previous years, such as the John. S. Keiffer
Endowed Scholarship fund, the Southwest
Scholars Fund, and Graduate Institute
scholarship funds on both campuses. The
commitment of these friends expands the
College's resources and enables it to maintain
a diverse and academically well-qualified
student body.
Undergraduate Life
St. John's students in Annapolis and Santa
Fe marked the 1990-1991 school year by
enthusiasm for community service, both on
campus and in the local communities. St.
John's students worked as tutors and mentors
to developmentally disabled and underprivileged youth, expanded recycling
programs, participated in blood drives, led
junior great books programs at local
elementary schools, and assisted the elderly
in a number of activities.
St. John's College Search and Rescue
Team in Santa Fe, now in its twentieth year,
remains a model of town and campus
coordination. In 1990 the team consisted of
77 members; 46 of these were students at St.
John's. Training for this team includes
survival, basic and advanced search and rescue
techniques, and advanced pre-hospital care.
Volunteers perform an average of 18 to 20
rescues a year.

14

Clubs and organizations continue to
flourish, reflecting the diverse interests ofthe
students. Under the guidance of Annapolis
athletic director Leo Pickens, the St. John's
rowing club increased training and acquired
additional equipment. The club took part in
several local regattas, winning several events.
In addition to the sailboats available at the
College, Annapolis sailing enthusiasts found
berths on local yachts and participated in
races on Chesapealce Bay; this activity was
assisted by Arnie Gay, a member of the
Board of the Friends. Brian Good, a
sophomore at Annapolis, won a bronze medal
in boxing at the National Collegiate Boxing
Association Championshi ps. Mr. Good
received training from the boxing coach at
the College's neighbor, the U.S. Naval
Academy.
Fencing clubs now exist on both
campuses, and students have the opportunity
to take part in a variety of intramural sports.
Each campus has a student newspaper and
other campus publications. Theatre, political
forums, the literary and discussion groups,
film clubs, and many other groups and events
compose the fabric of student life outside of
the classroom.
Career counseling continues to be a high
priority on each campus. Career planning
newletters were published, and students
benefited from an expanded data base and
resource library for internships, fellowships,
and job opportunities. Alumni, parents, and
friends of the College support the office with
career advising and internship placement.
Research into internships and fellowships
was remarkably successful for St. John's
students this year. Santa Fe student Jonathan
Skinner became the fifth Rhodes scholar
from St. John's College since Cecil Rhodes
established the program in 1902. Mr. Skinner
will study English language and literature at
the University of Oxford in England for two
years.
Aaron Rosenbaum (A'91) and Hans Elzinga (SF'91) won Thomas J. Watson
Foundation Awards for independent foreign
study and travel. Mr. Rosenbaum will spend
1991 in Poland assisting with the modernization of the editorial, production, and
design systems of the Gazeta Wyborcza,
former underground paper of the Solidarity
movement and now the largest newspaper in
circulation. Mr. Elzinga will study community medical services in West Africa.
Students won a number of other awards
and prizes and participated in internships as
diverse as business, scientific research, drama,

�THE ST. JOHN'S COMMUNITY

Commencement Honors
and Prizes
Annapolis and Santa Fe
• The students who submitted the
best original musical compositions: Richard Travis Hardaway (A), Benjamin Hargrave

(SF)

and music. St. John's College continues to
be a place where students can explore
individual potential as well as scholarly
pursuits.

The Graduate Institute
Initiated on the Santa Fe campus in 1967,
the Graduate Institute offers an interdisciplinary Master's degree program based
on the same principles as the undergraduate
program. Initially a summer program, it was
established to serve the needs of teachers. It
expanded to the Annapolis campus a decade
ago and has grown to a year-round program
on both campuses.
The Graduate Institute is divided into
four principal segments: Politics and Society,
Philosophy and Theology, Literature, and
Mathematics and Natural Science. A fifth

15

• The Henry M. Austin Poetry
Prize given to the students who
submitted the best original
English poems. Nadine Shea (SF)
• The senior men and women who
by their participation) leadership),
and sportsmanship have contributed most to the College's athletic
program: Braulio Carlos Agnese
(A), Joan Frances Ross (A),
Karen Andrews (SF), Erik
Selekman (SF)
• The Graduate Institute students
who submitted distinguished
preceptorial essays in 1990-1991:
Ellen M. Myers (A), Thomas
Harris (SF)
• The Thomas]. Watson Foundation Award given to a Senior for
travel abroad: Aaron David
Rosenbaum (A), Hans Elzinga
(SF)
• Chicago Business Fellowship:
Abdul Nakkik, M. Gillani (A),
Elizabeth Huebert (SF)

�THE ST. JOHN'S COMMUN ITY

Commencement Honors
Annapolis
• The student who submitted the
best English version of a Greek
text: Honorable mention:
Clarence Wesley Alwan
• The student who submitted the
best English version of a French
poem: Ramona Suzanne Denk
• The student who submitted the
best essay on a piece of music:
Richard Travis Hardaway
• The student who submitted the
most elegant solution of a
geometrical problem: Devin
Farrell Rushing
• The student who carried out the
best laboratory project: John
Michael Capps
• The Caritas Society of St. John's
College honors the member of the
Senior Class who has contributed
outstanding service to the Greater
Annapolis Community: Sapna
Babu Gandhi
• The Charles Vernon Moran Prize
to the member of the Senior Class
who submitted the best work of
visual art to the Community Art
Exhibition: Anne Elizabeth Loyer
• Elie Wiesel Prizer in Ethics essay
contest winner: Christopher
Michael Newman
• Barry M. Goldwater Scholarship,
to an outstanding sophomore who
intends to pursue a career in
mathematics or the natural
sciences: Owen Anthony Kelley

segment devoted to the consideration of
History is offered periodically as well.
Although for convenience, the curriculum is
divided into these five areas of study, it is
fundamentally interdisciplinary. The curricula
of the segments have a basic continuity and
constitute a single program of study.
During the summer, up to 100 students
from all parts ofthe country and from abroad
enroll on each campus. Classes are held two
evenings a week during the academic year
and the course of study which is covered in
eight weeks over the summer is spread over
sixteen weeks. This makes participation in
the program during the academic year
compatible with part-time, or, in some cases,
even full-time employment.
While teachers continue to be the single
largest professional group which attends the
Graduate.Inst itute, the year round program
also attracts individuals from other
professions, many of whom attend more for
personal reasons than professional ones. After
years spent in jobs or professions, they have
come to the conviction that they wish to be
more intellectually challenged than is usually
possible in their jobs.
Most students who attend the Graduate
Institute are in their mid-thirties, but an
increasingly larger number of students are
enrolling directly from undergradua te
programs. Many of them plan doctoral
studies, and the Graduate Institute 1s
investigating ways to serve these younger
students.
The College is able to offer need-based
scholarship aid to many of the students who
attend the Graduate Institute. A number of
teachers who attend the Institute receive
financial support from their schools or state
boards of education. In addition, the
Graduate Institute has attracted fellowship
support for teachers from foundations and
corporations. A long range goal is to attract
increased support for the Institute so that its
programs can continue to be available to
students from many diverse backgrounds.
The Graduate Institute is an important
College resource. It enables St. John's to
reach outside its campuses to influence the
education of young people around the
country through the teachers who study
here. It also helps the College reach a group
of people whom it otherwise could notadults who are established in their lives who
find a Master's degree in the liberal arts
rewarding.

16

Alumni Association
At a meeting of the Alumni, the Faculty,
and Visitors and Governors of St. John's
College held on February 22, 1827, a
committee was appointed to "prepare a
constitution for the organization ofa Society
of the Alumni of St. John's College." That
evening the committee reported a constitution which was unanimously adopted.
From this beginning, the Alumni Association
has grown and developed into today's
nationally based organization which serves
alumni throughout the country.
Distinct from the College and governed
by its own Board, the Alumni Association
plays the dual role of representing the interests of the alumni to the College while also
helping to continue the life of the College
and liberal arts beyond graduation for alumru.
In pursuance of the former, the Association
nominates alumni members to the Board of
Visitors and Governors which sets overall
College policy and budget. The President of
the Association is an ex-officio member of
the Board and attends meetings. To achieve
the latter, the Association has talcen an active
role in encouraging alumni to form seminar
groups and chapters in their own cities and
towns. By creating opportunities for alumm
to meet, socialize, and hold seminars, the
Association helps alumni renew their affiliation with St. John's in the context of their
present lives. The Association is supported in

�THE ST. JOHN'S COMMUNITY
Commencement Honors
Santa Fe

this work by alumni offices on both campuses.
Starting from a base of four chapters a
decade ago, alumni in Annapolis, Austin,
Boston, Buffalo/Rochester/Toronto,
Chicago, Dallas/Ft. Worth, Los Angeles/
Southern California, Minneapolis/St. Paul,
New York, Philadelphia, Sacramento, San
Francisco/Northern California, Santa Fe,
Seattle, and the Washington D. C. area now
meet together regularly. The Alumni
Association is primarily committed to the

continuing education ofits membership, so
most chapters sponsor seminar programs
and receive visits from tutors from time to
time. These activities also give alumni from
both campuses and from all generations the
opportunity to meet and to get to know one
another.
The Association helps to bring alumni
back to campus by providing financial
assistance for both campuses. In addition, it
sponsors a highly successful Alumni Summer
Program in Santa Fe which features a full

17

• The Robert Neidorf Memorial
Scholarship given to a member of
the Sophomore Class: Ron
Scrogham
• The Duane L. Peterson Scholarship given to a member of the
Junior Class for academic
achievement) constructive
membership in the college
community and commitment to
post-graduate study: Mary
Welliver
• The St. John 's College Community
Scholarship: Class of 1992:
Michelle Griest, William Hodge,
Christopher Labonte, Karen
(Taeko) Onishi. Mary Welliver,
Class of 1993: Ronald Scrogham
• The Thorne Endowment Scholarship for summer study in
preparation for medicine: Class of
1991: Helene Folkart, Kenneth
Geter, Class of 1993: Barbara
Arnold, Leo Kelley, Class of 1994:
Melinda Randall
• The Rhodes Scholarship for study
at the University of Oxford,
England: Jonathan Skinner
• The Henry M. Austen Scholarship
in recognition of academic
achievement and of talent in the
writing ofpoetry: David
McDonald
• The Walter S. Baird Prize given
to the senior who has demonstrated
achievement in the arts,
literature) or science: Benfamin
Hargrave
• Honored for Outstanding
Pe1formance in Athletics: Class of
1991: Carey Bodenheimer)
Michael Taylor, Class of 1992:
Maureen Hatch, Class of 1993:
Brendan O'Neill, Class of 1994:
Dominique Bangasser
• Honored for Outstanding
Contributions in All Student
Activities: Class of 1991: William
Mansfield, E. Suzanne Small,
Class of 1992: Karen (Taeko)
Onishi

�THE ST. JOHN'S COMMUNITY

St. John's College is grateful to
the following alumni,friends and
parents for their assistance to the
Admissions) offices:
M. Brownell Anderson
Mary Anderson A'87
Elisabeth Anderson A'86
Karen Anderson Bohrer A'79
Donald Booth A '68
Marcia Brown A'72
Margaret Burton
Roger Burton A'86
Dan Christian AGI'83
Mr. and Mrs. Saul Cohen
Peter V Davis A '73
Susan F. DeBacker A'76
David Dillard A'89
David Doremus SF'79
Michael Dubetz SF'77
Mr. Laird Durley A'79
Lovejoy Duryea A'67
Donald B. Edwards A'59
Valerie Edwards A'59
Glenda H. Eoyang SF'76
John B. Ertle A'84
Katherine Ertle A'84
Walter Featherly SF'77
Sallie Fine A'87
Anne H. Fitch A '73
Paul Frank A'82
Lynne Gately A'77
Geoff Garner A'86
Robert George A'85
Harvey Goldstein A'59
Mary Bittner Goldstein A'58
Keith Harrison SF'77
Paul Heylman A '744
Emlyn Higa SF'78
Allan Hoffman A'49
Chris Howell A'87
James Hyder A'84

schedule of activities for participants as well
as seminars and preceptorials during a two
week period flanking Homecoming weekend. In the summer of 1991, a week-long
symposium on the Computer and the Liberal
Arts ran contemporaneously with the first
alumni week. It brought together twentyfive alumni, tutors, and students to consider
the question, "What relationship, if any,
does the computer have to the liberal arts?"
Ongoing Association activities include
helping the College's recruitment efforts by
participating in receptions for prospective
students, by presenting book awards in high
schools, and by attending college fairs. Active
chapter members support fundraising
programs by recruiting volunteers for regional
Annual Fund phonathons. Seniors are
introduced to the Alumni Association
through dinners hosted by Association Board

Parents
Parents ofSt. John's students and alumni
are an important part of the St. John's
community. They provide opportunities for
career counseling and internships, host events
for the College in their hometowns, give
additional financial support, and are
enthusiastic ambassadors for the St. John's
program.
Recognizing that parents are an inclispensible segment of the College's friends
and supporters, St. John's College expanded
programs for parents in 1990-1991. Both
campuses published for the first time a
Parents' Handbook, a comprehensive guide
to the program and student life at the College.
Parents of current students received the
Handbook enthusiastically and responded
with suggestions for additional information
to be included in further editions.

Members at various restaurants in Annapolis
and Santa Fe. Alumni are kept abreast of
Association and chapter activities with a
newsletter published within The Reporter
four times a year, and the Association will
provide financial support for a new edition of
the Alumni Register which will be produced
in the near future.
All of these activities serve to keep the lifelong members of St. John's- its alumniinformed and involved in the current life of
the College as well as to enable them to
renew their association with the liberal arts in
formal ways.

Parents' weekends were held on both
campuses in the fall . One hundred eighty
parents came to the Annapolis campus and
112 parents visited the Santa Fe campus.
Parents were able to visit classes, participate
in seminars oftheir own, see the campus, and
meet tutors and administration representatives.
For those parents who were not able to
come to St. John's, the Santa Fe campus
started a Parents Seminar Series. In 1991,
Parents Seminars were held in Napa Valley,
California, and Dallas, Texas. The program
will be expanded, in combination with the
Annapolis campus, to five cities in 1992.
Parents ofAnnapolis students also received
Parent's Line, the newsletter for parents,

Continued on page 19

18

�THE ST. JOHN'S COMMUNITY

Continued from page 18

three times during the year. Parent's Line
contains profiles of tutors, information on
financial aid and career counseling, and
articles on campus life.

The Community
St. John's College is committed to serving
the Annapolis and Santa Fe communities.
Both campuses offer a variety ofprogramslectures, concerts, film series, community
seminars, gallery exhibitions, and plays- to
which members of the local community are
invited. Some of these events are part of the
on-going undergraduate Program while
others are designed especially for the
community. Annapolis sponsors the Great
Issues series, the fourth and fifth of which
were "Ethics and Business" and "Ethics and
Law". After a keynote address, the audience
breaks into small seminar groups co-led by
College tutors and professionals in the field
to discuss pre-assigned readings. About 200
people accepted an invitation to take part in
a program of Seminars on the Constitution
in Santa Fe during the observation of the
200th anniversary of the United States
Constitution and Bill of Rights. Santa Fe
hosts a Teen Leadership Camp designed to
develop leadership activities in Northern
New Mexico high school students. Santa Fe
also offers two seminar days each year during
which members ofthe community are invited
to attend a choice ofseminars at no cost. The
program draws approximately 500 people to
campus.
In addition to the events they sponsor,
each campus also hosts events sponsored by
others. Shalcespeare in the Park, a popular,

local, nonprofit theatre group, found a new
home on the Santa Fe campus when
scheduling difficulties threatened cancellation
of its 1990 season. Performances in the
courtyard ofthe Meem Library drew capacity
crowds throughout the summer months.
"The Annapolis I Remember" sponsored by
the Arundel Senior Assistance Programs was
hosted in the Francis Scott Key Auditorium
in Annapolis. Based on a massive oral history
of the city from 1910 to 1965, the series
included a photo exhibit and a play followed
by a question and answer period.
Members ofthe college community reach
out beyond the borders oftheir campuses. In
Annapolis, students and faculty members
tutor and mentor in local public and
independent schools. Students in the Santa
Fe Search and Rescue unit train regularly in
techniques of map reading, first aid,
wilderness survival, rock climbing, and cliff
evacuation. The team is called out in
emergencies many times a year. The Santa Fe
campus mails a quarterly newsletter from the
President's Office which includes articles
and information concerning topics in higher
education to 2500 people throughout the
nation. Annapolis conducts seminars for
executives with Goldman Sachs Fried Frank
and Mt. Sinai Medical Center in New York
City, as well as an Executive Seminar series in
Annapolis, a seminar series for the State of
Maryland Legislators and for the Department
of Natural Resources.
St. John's College welcomes the participation and involvement of its local and
national friends and is enriched by their ongoing interest and support.

19

Christopher Junker A'83
Ginger Kenney A '677
Miriam Landor SFGI'82
Ronald Landor SFGI'82
Bruce Laskey
Barbara Leonard H'55
Richard Lightburn SF'76
Eric Lutker
Darlene McCampbell
Wilfred McClay A'73
Mark Mandel A'69
Melissa Mead A'86
Sundance Mete/sky AGI'90
Mark Middlebrook A '83
Kitty Morel SF'70
Joseph Morris SF'80
Alexandra Mullen A'84
Ed Mullinix A'45
45
Ginny Mullinix
John Newell A'86
Juran Otto SF'77
Tia Pausic A'86
Stacey Philipps A'89
Philip Regier SF'77
Peter Rice A'59
John Ross A'69
William Warfield Ross A'47
Nancy Saint-Paul SF'77
Monika Schiavo A'84
Hazel Schlueter A'69
Lerry Schlueter A'67
Theophus Smith A '72
Christopher Stokes A'86
Jim Stone A'55
Elizabeth Twyford A '84
John Van Doren A'47
Bob Vincent A'84
Brian Walker SF'90
Jason Walsh A'85
Brooke Zykan A'85

�TREASURERS' REPORTS
TOTAL REVENUES

1990-91

Five Year Review - Revenues and Expenditures - Annapolis
1986-87

Revenues

D
D
D
D
D

Tuition &amp; Fees - 55.15%
Auxiliary- 16.86%
Grants &amp; Gifts - 12.53%
Endowment Income - 13 .36%
Other - 2.10%

Student Tuition
&amp; Fees
State Appropriations
Federal Grants
Gifts and
Private Grants
Endowment Income
Other Sources
Total Educational
and General

$

4,147
306
329

1988 -89

1987-88
$

4,398
340
359

$

4,905
363
442

1990-91

1989-90
$

5,267
460
463

$

5,672
481
375

486
1,086
163

780
1,157
120

654
1,419
174

694
1,530
223

632
1,971
270

6,517

7,154

7,957

8,637

9,401

Auxiliary Enterprises

1,110

1,156

1,467

1,675

1,847

Total Revenues

7,627

8,310

9,424

10,312

11,248

Expenditures

TOTAL EXPENDITURES

1990-91

Instruction
Academic Support
Student Services
Institutional Support
Maintenance and Operation
of Plant
Student Financial Aid
Mandatory Transfers

$

2,487
295
776
1,845

$

2,839
317
838
1,751

$

3,006
352
1,039
2,014

$

3,541
371
1,122
2,205

536
1,240
5

591
1,466
6

628
1,513
10

582
1,927
112

Total Educational
and General

6,676

7,184

7,808

8,562

9,860

Auxiliary Enterprises

1,103

1,171

1,590

1,698

1,707

0

0

(26)

(52)

0

Net Increase/(Decrease)
Inst~·uctional/Academic - 34.92%
Scholarships - 19.20%
Auxiliary - 13.95%
General Institutional - 17.46%
Student Services - 8.69%
Facilities - 4.92%
Transfers - .86%

$

461
1,079
1

Transfers from Reserves

D
D
D
D
D
D

2,495
273
724
1,643

$

152

$

45

$

0

$

0

$

(319)

Five Year Review - Revenue and Expenditures - Santa Fe
Revenues

1986-87

Student Tuition &amp; Fees
State Grants
Federal Grants
Gifts and Private Grants
Endowment Income
Other Sources

$

Total Revenues

1987-88

3,369
42
359
613
937
142

$

$

5,462

$

1988-89

3,937
48
455
547
766
317

$

$

6,070

$

1,825
330
615
1,223
320
1,240
43

$

1,993
374
653
1,232
451
1,366
110

$

5,596

$

$

1,109
967
142

$

4,688

1989-90

1990-91

$

4,998
103
458
474
768
342

$

5,821
104
451
568
813
170

6,627

$

7,143

$

7,927

$

2,216
383
725
1,333
467
1,609
135

$

2,306
416
734
1,631
464
1,826
74

$

3,146
479
754
1,564
479
2,216
74

6,179

$

6,868

$

7,451

$

8,712

1,407
1,244
163

$

1,708
1,352
356

$

1,566
1,237
329

$

1,666
1,303
363

77

499
431
768
184

Expenditures
Instruction
Academic Support
Student Services
Institutional Support
Maintenance and Operations
Student Financial Aid
Mandatory Transfers
Total Educational
and General Expenditures

Auxiliary Enterprises
Revenue
Expenditures
Net Auxiliary Enterprises
Transfers from Reserves
Net Increase/(Decrease)

0
$

20

8

(100)

0
$

54

$

15

0
$

21

430
$

8

�TREASURERS' REPORTS
Endowment Funds

Endowment Funds

St. John's College - Annapolis
June 30, 1991
Endowment Funds
Tutorship Endowments
Stringfellow Barr, H '49
Richard H . Elliott, 1917
Andrew W. Mellon Foundation
Addison E. Mullikin, 1895
NEH Challenge
Dr. Arthur de Talma Valk, 1906
Richard D. Weigle, H '49
Total Tutorship
Scholarship Endowments
Dr. Granville Q. Adams, 1929
Philip L. Alger, 1912
Annapolis Graduate Institute
Annapolis Self-Help
George M. Austin, 1908
Walter S. Baird, 1930
Betty Beck Bennett, 1960
Ford K. Brown, H '70
Chicago Regional
Class of 1897
Class ofl898
Mrs. Clyde Alvin Clapp
Richard F. Cleveland, H '54
Dr. Charles C. Cook
Corp. George F. Cuniff III
Clarence L. Dickinson, 1911
Richard A. Duhan, 1963
Faculty Scholarship
Harry Golding Graduate Institute
Edna G. and Roscoe E.
Grove, 1910
John T. and Gertrude L.
Harrison, 1907
John T. Harrison, Jr.
Charles W. Hass, 1927
Richard H . Hodgson, 1906
Hodson Trust
Alfred and Ruth Houston, 1906
Houston Regional
Jesse H. and Mary Gibbs Jones
Col. Robert E. and
Margaret Larsh Jones, 1909
Robert E. Kanode
Dr. Simon and Fanny Kaplan, H '84
Francis A. Katz, 1929
John Spangler Kieffer and
Roxanna Kieffer
Jacob Klein, H '76
Arthur E., Jr. and
Hilda Combs Landers, 1930

Principal

$

500,000
313,432
2,679,845
2,489,954
1,318,306
300,216
500,000

$ 8,101,753

$

1,100
5,001
3,823
30,000
50,000
27,625
2,595
24,226
6,140
8,672
87,933
90,593
15,050
13,705
270
1,000
9,582
110,849
4,170

Market Value

$

917,184
506,952
4,567,790
4,218,448
1,196,472
508,630
917,167

$ 12,832,643

$

1,864
8,903
6,540
50,826
84,710
49,453
4,100
38,038
10,402
14,689
148,970
129,334
27,260
20,296
457
1,677
11,803
161,802
6,157

16,556

27,954

191,066
13,854
40
400,500
317,849
45,287
1,000
72,000

344,158
17,956
68
674,050
539,193
76,730
1,694
121,982

91,735
5,000
101,650
1,152

138,924
7,251
137,683
2,118

16,205
11,275

22,964
17,730

388,525

388,650

Market Value

50,000
50,000
45,370
63,776
19,023
52,000
6,515
1,120
12,500
5,440
7,056
70,845

$

Scholarship Endowment
(continued)

Joseph Lap ides
Maryland National Foundation
Massachusetts Regional
Philip A. Myers II, 1938
Rev. Theo O'Brien
Oklahoma Regional
Dr. Thomas Parran, 1911
Pittsburgh Regional
Reader's Digest Foundation
Lenore B. Rinder
Clifton C. Roehle
Joan and Bela Ro nay
Murray Joel and Julius
Rosenberg, 19 38
Flora Duvall Sayles
G. D. Searle/John E. Robson
Hazel Norris and
J. Graham Shannahan, 1908
J. Winfree Smith, 1980
Clarence W. Stryker
Karl and Evelyn Van Tassel
Frederick J. von Schwerdtner
Richard D. Weigle, H '49
St. John's College

$

Total Scholarships

$ 2,755,341

$

4,201,538

455
500
50,000
151
1,070
31,683
1,000
7,600
200
200
1,000
27,186
2,400
10,000
3,000
5,070

$

779
762
84,710
288
1,965
53,672
1,609
7,531
339
339
1,609
47,946
4,219
18,077
5,083
5,020

Library Endowments
Alumni
Charles Edward Stuart Barton
Benwood Foundation
Faculty
John P. Gilbert, 1946
Mary Safford Hoogewerff
Jacob Klein, H '76
Robert J. Klingenburg, 1930
Dr. Jonathon D. Korshin, 1966
Dr. Oliver M. Korshin, 1963
Margaret Lauck
Library
Charles G. Mantz, 1875
Eugene and Agnes Meyer
Ellen C. Murphy
Andrew Pausley, 1990
Henry H. and Cora Dodson
Sasscer (newspaper)
Hilyer Gearing Shufeldt, 1955
Bert Thoms
Elma R. and Charles D. Todd
Luther A. and Clara B. Weigle
Jack Willen Foundation in Memory
of Murray Joel Rosenberg
Total Library

21

Principal

$

$

91,723
65,487
76,865
86,939
34,426
88,098
11,063
1,897
20,635
9,928
11,944
129,961

9,404
2,000
75,000

13,877
3,897
94,959

3,664
26,576
7,806
8,000
1,677
25,911
45,630

6,302
24,016
12,954
7,229
2,759
44,286
65,907

1,500
16,000
1,815
39,000
3,600

2,541
29,343
3,287
66,073
6,404

1,000

1,694

204,430

$

343,290

�TREASURERS' REPORTS

Principal

Endowment Funds
Alumni General Endowments
Alumni
Charles E. Athey, 1931
Judge Levin C. Bailey, 1911
Gen. William C. Baxter, 1923
Drew H. Beatty, 1903
Dr. Robert A. Bier, 1919
Warren C. Bomhardt, 1942
Dr. William Brewer, 1823
Ford K. Brown, H '70
Frederick W. Brune, Jr. 1874
Rev. B. Duvall Chambers, 1905
Henry M. Cooper, Jr., 1934
Helen Cropsey and
George Davidson, Jr., 1916
Robert F. Duer, 1921
Wm. W. Dunkum III, 1964
Douglas F. Duval, 1891
Col. Edmund P. Duval, 1905
Richard J. Duval, 1892
Philip H. Edwards, 1898
Joseph W. Fastner, Jr., 1960
Allen L. Fowler, 1915
John M .J. Hodges, 1904
Carl B. Howland, Jr., 1937
Dr. Amos F. Hutchins, 1906
Col. Clarence T. Johnson, 1909
Clifford L. Johnson, 1911
Helen B. Jones and
Robert 0. Jones, 1916
Robert J. Klingenburg, 1930
Charles S. Kluth, 1952
Dr. W. Oscar LaMotte, 1902
John H. E. Legg, 1921
William Lentz, 1912
Leola B. and
Col. Thomas W. Ligon, 1916
Capt. Henry B. MacMannis, 1924
Robert F. Maddox, 1876
William P. Maddox, 1921
William L. Mayo, 1899
Col. Harrison McAlpine, 1909
Vincent W. McKay, 1946
Ridgely P. Melvin, 1899
John Mullan, 1847
Walter C., Jr. and
Virginia B. Mylander, 1932
Dr. James W. Nelson, 1918
Dr. John 0 . Neustadt, 1939
M. Keith Neville, 1905
Dorsey W. Offutt, Jr., 1925
John S. Price, 1931
Blanchard Randall, 1874
Major LeRoy T. Rohrer, 1903
Elliott A. Rosenberg, 1963
Harrison Sasscer, 1944

$

415,686
18,059
2,800
25
1,239
10,665
20,000
250
1,669
1,362
2,638
2,000

$

Alumni General Endowments
(continued)

704,868
27,468
4,693
34
2,169
3,033
19,820
424
2,965
2,304
4,473
3,388

32,625
3,925
20,000
1,000
1,000
1,000
2,620
2,000
1,000
1,000
1,000
1,291
100
100

49,369
6,607
19,820
1,830
1,830
1,830
4,439
2,965
1,694
1,948
1,864
2,186
169
169

26,420
7,600
20,000
5,140
23,223
2,040

44,625
7,531
18,074
8,708
39,153
3,456

5,400
4,500
1,650
2,000
12,219
650
22,906
225
20,000

9,199
7,522
2,795
3,338
20,703
1,101
37,645
390
33,884

7,978
3,000
1,239
2,000
5,000
2,600
1,181
200
14,595
9,550

13,757
5,049
2,101
3,388
4,518
4,778
1,999
339
26,158
12,994

Principal Market Value

Endowment Funds

Market Value

1,000
10,000
20,000
28,633
950
6,000
700
2,500
250
1,250
3,000

$

870,653

$

1,362,829

Student Loan Endowments
$
George Friedland
John David Pyle, 1962
Richard and Iola Schofield Loan Fund

44,081
8,650
706,333

$

62,041
15,688
875,357

$

759,064

$

953,086

$

1,000
308
58,682

$

1,897
525
99,415

Total Alumni General

Total Student Loans
Prize Endowments
Henry Austin
Philo Sherman Bennett
Walter I. Dawkins, 1880
Herbert C. Fooks, 1906; George
H. Fooks, 1929; Burleigh C.
Fooks, 1920
Floyd Hayden
Bryce Jacobsen, 1942
John S. Kieffer, H '70
James R. McClintock, 1965
Charles V. Moran
Susan I. Roberts, 1966
Mrs. Blair T. Scott
Kathryn Mylroie Stevens
Millard Tydings
Total Prize
Special Purpose Endowments
Hertha S. and Jesse L.
Adams Concert Endowment
Beneficial Hodson Endowment
for Teaching Excellence
Beneficial Hodson Endowment
for Mellon Hall
Edward B. Cochran, 1944
Lectureship
Fund for Tommorrow Lectureship
Joseph H. Hazen Foundation
Art Gallery Endowment

22

1,694
9,037
18,074
48,505
1,177
10,165
1,355
4,235
424
2,118
5,083

$
Charles H . Schoff, 1889
Warren J. Spector, 1981
Stuart C. Stackhouse, 1924
Prof. Henry F. Sturdy, 1906
Luther S. and Caroline Tall, 1921
Enoch M. Thompson, 1895
Col. Guy D. Thompson, 1916
Judge John T. Tucker, 1914
Dr. Robert S. G. Welch, 1913
Dr. Willis H. White, 1922
Gen.AmosW. W. Woodcock, 1903
Charles R. and
Nancy Zimmerman, 1929

$

75,398

50,000

1,677
169
3,156
2,099
1,030
854
2,583
904
2,118
9,386

1,000
103
3,078
1,175
647
945
1,467
543
1,250
6,041
$

76,239

$

125,813

$

120,000

$

203,303

332,093

505,970

100,000

126,624

4,127
6,000

6,946
10,165

1,000

949

�TREASURERS'REPORTS
Endowment Funds

Principal

Market Value

St. John's College - Santa Fe
June 30, 1991

Special Purpose Endowments
(continued)

Hewlett-Mellon Foundations
Presidential Discretionary
Endowment, consisting of the
following named funds:
Arthur Vining Davis Foundation
Margaret Avery Downs
William W. Dunkum III, 1964
Stewart H. Greenfield, 1953
Hearst Foundation
William and Flora Hewlett
Foundation
Col. C. Cary Jarman, 1917
Mr. and Mrs. Stewart Knower
Andrew W. Mellon Foundation
Thomas J. and Marion Slaley
John L. Williams, 1950
Maid Compensation Endowment
William S. Morsell, 1923
Athletic Endowment
Kate Moore Myers Landscaping
Endowment
Eleanore Shindler Film Endowment
Ruth Sutphin Garden Endowment
Clare Eddy and Eugene V. Thaw,
194 7 Fine Arts Lectureship
Victor Zuckerkandl Endowment
Total Special Purpose
General Endowments
George A. Bingley
Scott Buchanan
Dunning Memorial
Robert Maynard Hutchins
William R. Kenan, Jr.
Mackey-Mobbs
Emily Boyce Mackubin
Olga Richmond
Adolph W. Schmidt, H '87
Richard Scofield
Daniel E. and Jessie N. Weigle
General

Endowment Funds

Endowment Funds

$

60,000
21,461
34,279
111,739
50,000

$

59,459
21,498
33,970
114,073
47,367

45,000
5,650
1,000
45,000
9,988
20,000
10,000

44,768
5,777
1,003
44,768
10,216
20,242
19,517

10,000

16,942

124,349
1,550
898

232,138
2,162
1,381

25,900
20,000

44,354
33,880

$ 1,160,034

$

1,607,472

20,250
5,820
10,000
500
300,000
6,300
75,192
2,000
25,000
2,716
2,500
576,583

$

33,596
9,826
16,196
1,542
547,376
9,305
127,386
3,846
44,201
4,719
3,693
974,160

Tutorship Endowments
Norma Fiske Day Chair
Margaret W. Driscoll Chair
John and Faith Meem Chair
John D. Murchison Chair
Total Tutorship
Scholarship Endowments
Emil Bistram
Samuel Bravy Memorial
J. Robert Cox Memorial
Norma Fiske Day
General Scholarship Fund
Graduate Institute Fund
William Hearst Foundation
Helen and Everett Jones
La Posada de Santa Fe
Jerome LaPides
Stanley Livingston
Evelyn Mitchell Memorial
Robert Niedorf Memorial
C. Michael Paul
G.D. Searle and Company
G.D . Searle and Company,
Graduate Institute
Martha Sexmith Memorial
Total Scholarships

$

Total General Endowments

$ 1,026,861

$

Total Endowment Funds

$14,954,375

$ 23,202,517

1,775,846

Library Endowments
Margaret Bridwell Bowdle
Norma Fiske Day
Library Building Maintenance
Memorials and Life Memberships
Total Library
Quasi Endowments
Alice Armstrong
Ruby Armstrong
Hewitt Cochran
Ruth E.S. Curtis
Debt Service
Ruth Duncan
Molly Ward
Other
Total Quasi Endowment

23

Principal

$

Market Value

500,000
347,929
500,000
505,000

$

753,992
363,839
604,137
513,579

$1,852,929

$

2,235,547

251,280
43,147
6,495
200,000
101,080
11,202
50,000
150,000
6,000
50,000
12,750
25,000
12,435
90,000
63,750

$

248,722
42,940
6,608
301,597
118,280
11,121
51,439
223,132
6,079
68,327
12,438
38,093
12,561
111,072
64,587

$

11,250
13,859

11,398
15,004

$1,098,248

$

1,343,398

$

50,975
217,149
3,350
82,080

$

75,854
327,327
3,347
110,979

$

353,554

$

517,507

$

20,505
17,861
26,625
184,714
835,000
54,000
100,000
1,186,900

$

21,108
18,364
27,376
194,240
932,086
53,747
99,532
1,344,789

$2,425,605

$

2,691,242

�TREASURERS' REPORTS

Endowment Funds

Principal

Market Value

St. John's College Endowment
Prize Endowments
Henry Austin: Poetry
Margo Dawn Gerber
Junior Prize Fund
Millard E. Tydings
Weigle Senior Essay

1,500
1,141
1,250
1,000
2,088

$

$

6,979

$

10,122

$

75,000
50,651
50,000
10,000
191,141
35,128
69,600
5,000
9,500
50,000
8,881
35,000
14,182
2,500
11,850
6,800
53,137
10,500
500,000
261,500
51,682
61,144
240,000
129,000
5,000
10,000
25,000
10,000
9,184
10,000

$

90,720
71,127
60,480
10,175
199,463
42,490
71,284
5,087
11,491
60,480
12,879
50,755
15,647
2,533
13,536
6,750
75,197
10,684
597,634
283,473
57,601
60,858
243,486
156,038
5,711
10,652
28,557
13,853
47,008
10,516

$

2,001,380

$

2,326,165

$

90,000
55,000
14,459

$

90,626
57,102
15,054

Total Unitrust

$

159,459

$

162,782

Total Endowment Funds

$

7,898,154

$

9,286,763

Total Prize
General Endowed Funds
Arthur Vining Davis Foundation
Barr and Buchanan
Brown Foundation
Thomas M. Carnes
Gertrude Clark
Thomas Evans
Faculty Salary Challenge
Feinberg Foundation
Forrest Fenn
Fondren Foundation
Elizabeth and Alvin Graves
Margaret Millikin Hatch
Dr. and Mrs. Irwin Hoffman
A. Scott Kelso
Messmore Kendall
Peter Lavelle Lead Trust
Los Alamos Ranch School
Sanford McCormick
John Dabney Murchison
NEH Challenge Grant
Gerald Peters
John S. Pratt
President's Discretionary Fund
M.C. and Hope Ritchie
Adolph W. Schmidt
J.I. Staley
Eugene Thaw
Claire B. Weigle Memorial
Other Funds
Warren Winiarski
Total General Endowments
U nitrust Endowments
Robert Bart
Thorne Foundation
Marion B. Wasson

$

2,463
1,655
1,708
1,450
2,846

24

The St. John's College Fund is an entity set up to account for assets
not specifically allocated to either the Annapolis or Santa Fe campuses.
The assets are comprised of the following:

Endowment Funds
Alumni Scholarship
Robert B. Davis Memorial Fund
Donna Delattre Memorial Scholarship
Jacob Klein Memorial
O'Grady Memorial Fund
A. W. Schmidt Tutorship
C.V. Starr Memorial
Life Income Funds
Richard and Mary Weigle Retirement and Annuity
Plant Funds
Two parcels ofland in Monterey, California, to be used for a
future college campus.

Endowment Funds
St. John's College - June 30, 1991
Endowment Funds
Tutorships
A.W. Schmidt

Principal

$ 500,000

Market Value

$

624,645

Scholarships
Donna Delattre Memorial
C. V. Starr Memorial
Alumni Scholarship

22,553
360,500
13,977

30,733
512,291
15,677

Special Purpose
Jacob Klein Memorial
O'Grady Memorial
Robert B. Davis Memorial

26,706
15,715
3,950

28,353
17,669
5,884

Total Endowed College Funds

$ 943,401

$

1,235,252

�INSTITUTIO NAL ADVANCEM ENT

On the many pages which follow, St.
John's College is honored to recognize the
alumni, parents, friends, corporations,
foundations, and associations who have
contributed to the College during fiscal
1990-91 (July 1, 1990-June 30 1991 ). The
length ofthe lists signify broad based financial
support for St. John's and its unique
educational program. In total, gifts and
pledges to the College through both
campuses exceeded 2.5 million dollars.
Three special efforts highlighted advancement activities during 1990-91 . On the
Santa Fe campus, plans for a library had been
on the drawing boards for many years. With
the concerted efforts of the College's board,
administration, and special friends in Santa
Fe, the $2.8 million needed to construct the
library was assembled, the architectural plans
finalized, and the groundbreaking held in
the fall of 1989. In November 1990, the
Faith and John Meem Library opened, one
of the most exciting days since the opening
of the campus. Central to the success of the
library fundraising efforts were the Mabee
Foundation and the Kresge Foundation
which offered inspiring challenge grants.
Those gifts, coupled with the generosity of
two longtimefriends of St. John's College,
Clementine Peterson and Faith Meem, who
passed away during the year, enabled St.
John's to begin and complete The Faith and
John Meem Library.
On both campuses, another type ofsuccess
story was being written by alumni, parents,
and friends of the College. Convinced that
the long-term future of the College depends

on a larger base of contributors of $1,000
and more, Warren Spector A'81,joined bya
handful of others, offered the College
$100,000. The $100,000 could be earned if
the College could attract at least 500 donors
of $1,000 or more by June 30, 1992. As of
June 30, 1991, the number ofannual donors
of$1,000 had grown from 88 inl988 to 327.
Reaching 500 donors by June 1992 is
challenging, but an extraordinary opportunity
for St. John's College to help secure its
future.
The third special activity was the
completion of the year long strategic and
financial planning process which yielded
concensus on the needs and opportunities of
the College over the next decade. The College
identified $80 million in needed improvements, primarily increasing its endowment
for financial aid, faculty recruitment and
retention, curriculum support, and outreach
activities. These needs, combined with
physical facility improvements on both
campuses, will form the focus of an exciting,
multi-year fundraising effort which, when
completed, will secure the College well into
the next century.
The year 1992 will bring new challenges
and opportunities. Nodoubttheywil lrequire
equal or greater investments of volunteer
time, energy, and resources if St. John's
College is to continue.
We express our appreciation to those
listed on the following pages and look forward
to earning your continuing respect and
support.

25

�INSTITUTIONAL ADVANCEMENT - ST JOHN'S COLLEGE
St. John's College
Giving Clubs
St. John's Giving
Clubs honor donors who
have expressed their
commitment to excellence in liberal education
by providing generous
financial support to the
College.
Recognized m the
following list are those
donors whose exceptional
generosity made a substantial difference in
helping St. John's m
Annapolis and Santa Fe
meet some of its most
essential needs in 199091.
Founders Gift Club
Gifts of $1 0, 000 and
higher
Abell Foundation
Alumni Association
Anne Arnndel County
Anonymous
Estate of Alice H.
Armstrong
Robert Bart
Beneficial Corporation &amp;
Hodson Trnst
Margaret C. Blaker
Eva T. H . Brann
Hedwig &amp; Nicola Caiola
Ray C . Cave
Gerald &amp; Sybil Cohen
Estate of Ruth E . S. Curtis
DHR Foundation
First National Bank of
Maryland
Gates Foundation
Thomas Powick Geyer
William Randolph Hearst
Foundation
Irwin &amp; Maya Hoffman
Independent College Fund
of Maryland
Estate of Col. C. Carey
Jarman
Jennifer U. Johnson &amp; Joe
Duke
Joyce &amp; Seward Johnson
James M. Johnston Trnst
Estate of Charles S. Kluth
Mrs. Arthur Landers, Jr.
Lounsbery Foundation, Inc.
Henry Luce
Foundation, Inc.
Donald J. Maclver, Jr.
Marriott Corporation
Maryland National
Foundation

Estate of Perrine D.
McCune
Estate of Faith B. Meem
Andrew W . Mellon
Foundation
Elizabeth M. Mitchell
Estate of Kate M. Myers
National Endowment for
the Humanities
New Mexico Independent
College Fund
Paul K. Richter Memorial
Fund
Donald &amp; Joyce Rumsfeld
Sears- Roebuck Foundation
Warren Spector
J. I. Staley
Still Water Foundation
U S F &amp; G Foundation
Karl R. &amp; Evelyn Van Tassel
Christopher K. Watson
Stephen &amp; Julia Wilkinson
Warren &amp; Barbara Winiarski

Sponsors Gift Club
Gifts Between $5000$9999
Ahmanson Foundation
Annapolis Banking &amp; Trnst
Company
Annapolis Fine Arts
Foundation
Anonymous
Arco Chemical Company
Caritas Society of St. John's
College
Tom &amp; Alice Carnes
Mr. &amp; Mrs. Alexander
Christ
Mr. &amp; Mrs. Robert N.
Downey
Stephen L. Feinberg
Stella &amp; Charles Guttman
Foundation
Estate of Roxanne W .
Kieffer
John J. Leidy Foundation
The Joseph Meyerhoff
Memorial Trnsts
Christopher B. Nelson &amp;
Joyce Olin
Estate of Dorsey W.
Offutt, Jr.
Daniel S. Parker
Evelyn Cook Richter
Memorial Fund
Charles &amp; Mara Robinson
Rohm and Haas Company
Dr. &amp; Mrs. George
Schoedinger
Marvin Slaves
Theodore &amp; Elizabeth
Smyth
Mr. &amp; Mrs. Andrew D.
Steiner
John &amp; Mira Van Doren
Cora &amp; Peter Weiss
John L. Williams

Barr &amp; Buchanan
Associates
Gifts between $2,500 and
$4,999
Anne Arundel County
Commission on Culture
and the Arts
Peter A. Benoliel
Booz-Allen &amp; Hamilton
C &amp; P Telephone Company
Deluxe Corporation
Foundation
First Interstate Bank of
Santa Fe
Stewart H. Greenfield
Houston Endowment, Inc.
Woody L. Hunt
Mr. &amp; Mrs. J. Parry Jones
Ensign C. Markland Kelly,
Jr. Memorial Foundation
Estate of Melvin E. Kennell
Barbara Brnnner Kiebler
Maryland State Arts Council
Timothy Miller
Charles &amp; Anne Nelson
Mr. &amp; Mrs . Frank Owens
William &amp; Anne Simmons
Thomas &amp; Marian Slakey
Kevin &amp; Paula Stacey
Dorine Real &amp; Lee Tepper
Charles &amp; Patricia Watts

President's Council
Gifts Between $1000 and
$2,499
Mortimer Adler
John D. Alexander*
William &amp; Susan Allen
Allen, Johnson, Alexander
&amp;Karp
American Honda Motor
Company, Inc.
Anonymous
ARINC
Bradley C. Arms
Katherine &amp; Thomas Ash
William B. Athey
Atlantic Records
Foundation
Baltimore Gas &amp; Electric
Company
The Baltimore Sun
Bankers Trnst Company
Foundation
Frank B. Bauer
Pamille Jones Berg
Robert Jay Bienenfeld
Robert &amp; Mary Kay Biern
Jeffrey &amp; Susan Bishop
Sharon Bishop
Warren Barnhardt*
George &amp; Martha Breed
Brnce Ford Brown
Charitable Trust
Carol V. Calhoun
John &amp; Nan Chandonnet
CIGNA Foundation
Howard K. Cohen
Joseph P. Cohen

26

Computer Sciences
Corporation
Crown Central Petroleum
Corporation
Ronald Davidoff
Arthur 0. Davis
Jessica &amp; William M. Davis
Nana May Dealy
Charles &amp; Valerie Diker
William M. Dunkum, III*
Robert E. DiSilverio, Jr.
Eleanor Ditzen
David Dobreer
Evan Dudik
Sally Dunn
Allen Durling
Lovejoy Reeves &amp; William
Duryea
Ahmet M. Ertegun
Exxon Education
Foundation
Farmers National Bank of
Maryland
Ronald Herbert Fielding
Diana J. Firestone
Lee Fischler
Paula Fishback
Barry L. Fisher
Jean FitzSimon
Charlotte Fletcher
Stephen J. Forman
Arthur Frommer
Harvey M . Goldstein
Mary Bittner Goldstein
Daisy Goldwin
Robert Goldwin
Edwin &amp; Anna E.
Greenberg
Catherine Gordon &amp; David
F. Gross
Charles W . Gunter, Jr.
Meyer &amp; Raena
Hammerman Foundation
Mr. &amp; Mrs. Alan H .
Hammerman
Jan &amp; Jerry Hardesty
Michael E . Harr
Mr. &amp; Mrs. Bruce Herr
Henry B. Higman
Christian A. Hovde
IBM Corporation
Mr. &amp; Mrs. Fred Israel
Bernard E. Jacob
C. Cary Jarman*
Philip Jemielita
Mr. &amp; Mrs. Thomas W.
Johnson
Fanny Kaplan
Margaret Kelley
Foundation, Inc .
Kiplinger Foundation
Charles Kluth*
KPMG Peat Marwick
Matthew &amp; Sally Krane
S. David Krimins
Louis &amp; Alice Kurs
Jerome &amp; Allene LaPides
Anne L. Lane
Barbara L. Lauer
Peter A. Lavelle
Barbara H . Leonard

Clinton &amp; Marta Lively
David E. Long
Sarah &amp; Robert L.J. Long
John P. MacDonald
Francis Marks
Maryland Casualty
Company
Francis S. Mason, Jr.
Douglas Kirk Mayer
McCormick &amp; Company,
Inc.
Katherine &amp; Ronald C.
McGuirk
Pamela McKee
E. Leslie Medford, Jr.
Patricia A. Meyer
Mr. &amp; Mrs. Stanley T.
Mitchell
MNC Financial
Montgomery &amp; Andrews,
P.A.
Mullen, Sandberg, Wimbish
&amp; Stone, P.A.
Edward W. Mullinix
Noxell Foundation
Claxton J . O'Connor
Dorsey W. Offutt, Jr.*
Nancy W . Osius
Vernon M. Padgett
Pearl West Company
Clementine Peterson
Peterson Charitable Fund
Pasquale Polillo
Mr. &amp; Mrs . Donald J.
Povejsil
T. Rowe Price Associates
John Rees
Mrs . William Richardson
John &amp; Margaret Robson
Rogers-Wilbur
Foundation, Inc.
William A. Rohrbach
Paul Rosenberg
Mrs . Elerk Rosenblum
The Rouse Company
Robert Sacks
Sacks Family Foundation
Henry Harrison Sadler
John Carl &amp; Monika
Schiavo
Howard P. Schiff
Adolph W. Schmidt
Geraldine Duft), &amp; Victor L.
Schwartz
Sedgwick James, Inc.
Lawrence Sherman
Sherman &amp; Howard
Julius B. Sherr
Dr. &amp; Mrs . Lawrence Silver
Anne Slakey
Thomas J. Slakey, Jr.
William B. Slakey
John Sandberg
C &amp; S/Sovran
Edward &amp; Lydia Sparrow
Richard Squires
Estate of Stewart C.
Stackhouse

* Designates an endowed
annual gift

�INSTITUTIONA L ADVANCEMEN T - ST JOHN'S COLLEGE
Stewart Stackhouse*
Stag's Leap Wine Cellars
Samuel V. Stiles
Michael Whitelaw Terry
Valerie &amp; W. T. Terry, Jr.
Eugene V. &amp; Clare Eddy
Thaw
Steven Dahl Thomas
Flora Thornton
Three Centuries Tours
Thomas B. Turner
The UPS Foundation
George M . VanSant
Susan A. Vowels
Harriet Higgins &amp; Edus
Warren
Mr. &amp; Mrs. M. Gist Welling
Peter A. Whipple
Mr. &amp; Mrs. LeRoy A.
Wilbur
Thomas J. Williams
Winchester Foundation of
Annapolis
Winchester Foundation,
Indiana
John &amp; Nancy Wirth
K. Martin &amp; Katherine
Worthy
Mr. &amp; Mrs. William M.
Wright
Jonathan &amp; Bernadette
Zavin
Haidi Zech
Charles R. Zimmerman*

Francis Scott Key
Associates
Gifts Between $500 - $999
A. Scott Abbott
Mr. &amp; Mrs. John Agresto
The Allen Group
Allied-Signal, Inc.
American Express
Foundation
American Trading &amp;
Production Corporation
Sigmund Amitin
M. Brownell Anderson
A T &amp; T Foundation
Baltimore Life Insurance
Company
Mr. &amp; Mrs. William F.
Banks
Mr. &amp; Mrs. Guillermo
Barnetche
George F. Bingham
Deborah R. Bowers
Frank D. Brown Jr.
Charitable Trust
William H. Brubeck
James &amp; Lisa Carey
John C. Carle
Carter-Wallace, Inc.
The Coca-Cola Company
Pablo Collins
Paul R. Comegys
Council, Baradel, Kosmerl
&amp; Nolan, P.A.
CSX Transportation, Inc.

Constance &amp; William A.
Darkey
DDB Needham Worldwide
Digital Equipment
Gaylord Donnelley
Mr. &amp; Mrs. William B.
Dunham
E.I.L. Instruments, Inc.
Michael H. Elias
L. Diane Evans
Fidelity Deposit Company
of Maryland
James H. &amp; Heloise Frame
Mr. &amp; Mrs. Edmond W.
Freeman, III
General Motors
Corporation
Mr. &amp; Mrs. Richard N.
Golding
William A. Gross, Jr.
GTE Corporation
Gudelsky Family
Foundation
J. J. Haines &amp;
Company, Inc.
Janis &amp; Malcolm R. Handte
Hartman &amp; Crain
Donald Heider
Hewlett- Packard Company
Paul M. Heylman
Allan P. &amp; Margie Hoffman
Mr. &amp; Mrs. George
Hoffman
James E. &amp; Lydia Hood
Mr. &amp; Mrs. Graeme Hunter
Jonathan &amp; Marion Hustis
The Israel Foundation
Peggy &amp; William K. Jones
Else S. Klein
Georgia S. Knight
Oliver Marc Korshin
Abraham &amp; Ruth Krieger
Family Foundation
Duane Kullberg
Stanley N. Kurtz
The Lalley Charitable Fund
Jerome G. Lansner
Alfred J. Law
The Rev. &amp; Mrs. Allen
Lewis
Richard O. Light burn
Michael Littleton
Owen M . &amp; Vicki Lopez
Thomas Lusk
John D. Mack
Manpower Temporary
Services
Frank B. Marshall, Jr.
Martin Marietta
Corporation
Stephen R. Matz
Molly McDaniel
Peter S. McGhee
Mr. &amp; Mrs. James C. Meem
Mercantile Safe Deposit &amp;
Trust Company
Mrs. John B. Metzenberg
Michaelson, Krause &amp;
Ferris, P.A.
Barbara T. Miller
Peter S. Morosoff

Lucille G. Murchison
Marilyn B. Mylander
Northwestern Mutual Life
Insurance Company
Julia Perkins
Leo Paul Pickens
PNM Foundation, Inc.
Daniel J. &amp; Teresa Engler
Raizen
Edmund F. &amp; Sallie Ann
Raspa
Catherine F. Reyna!
Mr. &amp; Mrs. Robert
Rosenberg
Lane G. Russell
Frederic Sammons
Santa Fe Chamber of
Commerce
The Santa Fean Magazine
Frederick Schuchman, Jr.
Mr. &amp; Mrs. S. Spencer Scott
Joseph E. Seagram &amp; Sons,
Inc.
Second National Savings
Bank
Melissa &amp; Steven Sedlis
Austin Speigel
Bertram E. Spriggs
Mr. &amp; Mrs. Fredrick Stires
St. John's Alumni
Association
Allan L. Swartzberg
Ruth Swartzberg
Craig &amp; Marylou Symonds
Jeremy P. Tarcher
Texas Instruments
Foundation
Ting Chuen Tsien
UNC Incorporated
Edward D. Weinberger
Westinghouse Electric
Corporation
Julie Nietz &amp; Mark A.
Wielga
Mr. &amp; Mrs. Ted C.
Williams
Gary Michael Wolff
Malcolm Wyatt
Denis Yaro
Mr. &amp; Mrs. Melvin T.
Yost, Sr.

King William
Associates
Gifts between $100 and
$499
Ann Aceves
Carlos Acosta
Actex Publications
Jonathan Adams &amp; Bonnie
Hoffman Adams
Mr. &amp; Mrs. Raymond J.
Adams
Ernie Adamson
Mark A. &amp; Nancy Adler
Capt. &amp; Mrs. Robert Adrian
AEGON USA, Inc.
Aladdin Travel Agency, Inc.
Anne Albrink
Alcoa Foundation

27

Robert Alexander, III
Walter Alexander
Alexander &amp; Alexander
Lisa Marie Allard
Annice M. Alt
Mr. &amp; Mrs. James F.
Altherr
Amoco Foundation, Inc.
George Anastaplo
Mr. &amp; Mrs . Charles
Anderson
Elisabeth &amp; Paul Victor
Anderson
Stephen S. Anderton
Karen Ann Andrews
Mari Anixter
Annapolis Bus Company
Anonymous
Meridith Artis Anthony
John M. Armstrong
Peter J. Aronson
The Arundel Corporation
ASARCO Foundation
Gilbert Asher
David &amp; Susan Ashmore
Gerald Atterbury
Franklin R. Atwell
Sam Austell
Marilyn Joyce Avery
Mr. &amp; Mrs. Carlos L.
Azcarate
Bruce Joseph Babij
Mr. &amp; Mrs. Stephen E.
Bachand
Roland J. Bailey
Mr. &amp; Mrs. William C.
Baker
Eugene Baldwin
N. Hansen Ball
Elizabeth Christian Banta
John Barber
Maureen Barden
Constance Baring-Gould
Courtlandt D. Barnes
Rene Barnes
Mr. &amp; Mrs. David Barton
Richard W. Barton
Victor E. Barton
Grace Logerfo Bateman
Mary L. Batteen
Harold Gene Bauer
Ann Baumann
Ethan Bauman
Jonathan &amp; Marion
Baumgarten
The Rev. &amp; Mrs. Edmund
Baumgarten
Gregory D. Bayer
Beach Products, Inc.
Joseph L. Bean
Allan R. Becanstein
Becton Dickenson
Microbiology
Mr. &amp; Mrs. Glenn K. Bell
John Stark Bellamy
Mr. &amp; Mrs. Melvin Bender
Stephen Benedict
George L. Bennett
Raphael Ben-Yosef
Dennis Berg
Elizabeth Molnar Bergan

Stephen W. Bergen
Mr. &amp; Mrs. Maurice Berlin
Linda &amp; Mark Bernstein
Carl Bertolino
Mr. &amp; Mrs. Joseph Besher
W. James Bienemann
Black &amp; Decker
Luther G. Blakiston
Michael Blaustein
Jan &amp; Kathleen Blits
Ray Boedecker
Mark Bolsterli
Roberta Petty Bond
Mr. &amp; Mrs . Lewis T.
Booker
Donald A. Booth
Mr. &amp; Mrs. R. Barry
Bordon
John Pierce &amp; Margaret
Borders
Chester Carl Bostek
Anita Tarrant Bourke
Mr. &amp; Mrs. Robert J.
Bowen
S. Douglas Bowers
James E. Boyle
BP America, Inc.
Carolyn Brenner
William Brill
Alan P. Brockway
Edward David Bronfin
Dr. &amp; Mrs. B. J. Brooks
Joe B. Brooks
Dr. &amp; Mrs. Harold Brown
Richard G. Brown
Alex Brown &amp; Sons, Inc.
Judge George Brunn
The Brunswick Foundation
Honor Heyward Bulkley
Mr. &amp; Mrs. John H.
Burgess
Robin &amp; Roger C. Burk
Christian Burks
James Martin Burress
Jaclyn Button
Clifford R. Buys
Janice C. Buys
Ann Browning Byers
Mr. &amp; Mrs. Edward
Callahan
Mr. &amp; Mrs. Jeffrey Callahan
Campbell Foundation, Inc.
The Hon . James F.
Campbell
William Watt Campbell
Anthony J. Carey
Mr. &amp; Mrs. Bengt Carlson
Jack Ladd Carr
Mr. &amp; Mrs. King Carr
Mr. &amp; Mrs. Courtney H.
Carswell
William A. Carter
Mr. &amp; Mrs. Jacques Cartier
Mr. &amp; Mrs. Richard V.
Caruso
Mary C. Cason
Caterair International
Charles S. Catherman

* Designates an endowed
annual gift

�INSTITUTIONAL ADVANCEMENT - ST JOHN'S COLLEGE
King William Associates
(continued)
Mr. &amp; Mrs. John Paul
Causey
Chase Bank of Maryland
Chesapeake Corporation
Foundation
Chevron Corporation
Nathanial John Chew
Samuel P. Chew, Jr.
Kirk D . Cheyfitz
Larry B. Childress
W . Boswell Childs
Patrick Cho
Mr. &amp; Mrs. Richard Chollet
Bryson G. Christhilf
Mr. &amp; Mrs. Philip S.
Church
Citicorp
Virginia Ochs Clagett
Garnett Y. Clark
James H. Clark
Ralph E. Clark
Lindsay E. Clendaniel
Bernard S. Clorety
Albert P. Close
Mr. &amp; Mrs . William C.
Clouspy
James A. Cockey
Mr. &amp; Mrs. John R.
Cogdell
Mr. &amp; Mrs . Robert L.
Cohen
Carol Colatrella
Christopher Colby
Mary Louise Cole
Colgate Investments
Colonial Pipeline Company
Geoffrey Comber
Ralph H . Condit
Conte! Corporation
Don Cook
Mariana Cook
Coopers &amp; Lybrand
Foundation
Pamela Corey-Archer
Corning Glass Works
Foundation
Corporate Software, Inc.
Mr. &amp; Mrs. John J. Costa
Mary Coughlin
Thomas C. Cover, Jr.
George A. Cowan
Gregory R. Cowell
Mrs. Wilbur F. Coyle
Joe T . Coxwell
Paul G . Cree, Jr.
Steven Crockett
William J. Cromartie
Arthur W . Crooke
Dr. &amp; Mrs. Cecil C. J.
Cullander
William F. Cullom
Anne G. O'Malley Culotta
Dale B. Cummings
Christopher Martin Currin
Henry A. Czelusniak
Anthony Daddino
Celia Yerger David

Bernard F. &amp; Paula T .
Davidoff
Peter J. Davies
Carmel F. Davis
Ken E. Davis
Larry S. Davis
Patrick D. Davis
Henri De Compiegne, Jr.
Dellheim Foundation
Stephen DeLuca
Mr. &amp; Mrs. Donald
Dement
Anita J. Gerber Denison
Helen M. Derbyshire
Vernon E. Derr
Samuel H . Desch
Dr. &amp; Mrs . B. W. DeShazo
Philo Dibble
Marian Ordway Dines
Dixon Valve &amp; Coupling
Company
Phyllis Sachs Dixon
Elizabeth A. Dobbs
Martin J. Dobyns
Capt. &amp; Mrs. Charles R.
Dodds
William T. Doherty, III
Thomas J. Dolan
Donaldson, Lufkin and
Jenrette
Mr. &amp; Mrs. Bob Donlan
R. R. Donnelley &amp; Sons
Company
Joseph Donner
Mr. &amp; Mrs . Hillard Donner
Janet Dougherty
Dr. &amp; Mrs . Thomas
Dourmashkin
Dow Chemical Company
Dow Jones &amp; Company
Nathan Adams Downey
John B. Draper
Mr. &amp; Mrs. Peter W . Drake
Susan Martin Dressel
Murray Dry
Mr. &amp; Mrs. George F.
Dudik
Miriam Golub Duhan
Samuel F. Dunbar
Mr. &amp; Mrs . Max C. Duncan
Kevin Dungey
Edward J. Dwyer
Bobbe Dyer
Mr. &amp; Mrs . Richard
Edgerton
Editorial Services
Mr. &amp; Mrs . Robert K.
Edson
Donald B. &amp; Valerie
Edwards
Jethro M. Eisenstein
Robert Charles Elliott
William P. Elliott
George &amp; Sara Ellis
Peter &amp; Priscilla Ellison
Caroline B. Emeny
Empire Builders Supply
Company, Inc.
Col. &amp; Mrs. Allan J. English
Mrs. William K. Enright

Ensign- Bickford
Foundation
Glenda H. Eoyang
Alice Gibbs Ericsson
Theodore Ernst
Sharon E. Ettinger
Sandy Eubank
John S. Eustice
Matthew S. Evans
Matson G. Ewell
Mark Bernard Fabi
Richard M. Fairbanks, III
Kim Preston Fairchild
Joseph J. Faraone
Lawrence Feinberg
Mary Mary Feldman
Mr. &amp; Mrs. Maurice R.
Feldman
Jon T . Ferrier
Mary Wilson Filardo
Paul Finney
Fireman's Fund Insurance
Company Foundation
Howard Fisher
Joanna Fitzick
Harvey &amp; Mera
Flaumenhaft
Inger Aarnas Flynn
Bernard G. Fold
Charles A. Forbes, Jr.
Virginia Ford
Mr. &amp; Mrs. Robert T.
Forrest
Arthur Fort, Sr.
Mr. &amp; Mrs. Nicholas Fotos
Dr. &amp; Mrs . Gary P. Francke
Debra &amp; Michael Lee
Franklin
Grant Franks &amp; Martha
Dabney
Mr. &amp; Mrs. Gary Freeman
Mr. &amp; Mrs. Leo E.
Friedenwald Memorial
Fund
Daniel Hilary &amp; Susan L.
Friedman
Friends of the Rowing Club
Mr. &amp; Mrs. Robert Frierson
Alvin Fross
Paula J. Fulks
Mr. &amp; Mrs. Forrest F.
Fulton
Thomas I. Fulton, Jr.
Mr. &amp; Mrs . Jesse Fussell
Bonnie L. Gage
Nora Gallagher
Mr. &amp; Mrs . Crombie
Garrett
Stephen Robert Gates
Mr. &amp; Mrs . Francis Gazzolo
Emi Sarah Geiger
General Dynamics
Genstar Stone Products
Company
Lynda George
Bernard F. Gessner
Milo H. Gibbons
John Francis Gibson
Mr. &amp; Mrs. William Gibson
Gibson's Lodgings

28

Mr. &amp; Mrs. William W.
Gilbert
Stephen Gerard Gilles
Paul John Giordano
Mr. &amp; Mrs . Charles
Gleeson
Michael W. Gold
Jane Goldberg
Mr. &amp; Mrs. Clarence
Goldberg
Mr. &amp; Mrs. Larry Goldberg
Robert Goldberg
Samuel T. Goldberg
Allen A. Goldstein
Elizabeth L. Goldwin
Ted R. &amp; Elizabeth L.
Gonzales
Mr. &amp; Mrs. John Goodwin
Gregory A. Gordon
Winson G. Gott, Jr.
Graduate Institute
Class of 1990
Mr. &amp; Mrs. Eugene D.
Graham
Joseph N. Granados
Mary Palevsky Granados
Comfort &amp; Edward F.
Grandi
John Gray
Joseph B. Gray
Michael Kevin Green
Bruce M . Greenfield
Caren Leigh Greisman
Cynthia Grenfell
Mr. &amp; Mrs. Donald S.
Grubbs, Jr.
Carol Gruenburg
GTE Foundation
Paul Hagedorn
Richard M. Hager
Pattie Turner Hall
Robert J. &amp; Andrea Ham
Dr. &amp; Mrs. Peter V. V.
Hamill
Emily Hamilton
Charles R. Hamm, Jr.
Stephen N. Hammell
Hammond Editions
Nancy Hammond
Nash Hancock
Ernest W. Hankamer
Elizabeth Hansen
Wendy Barnwell
Thomas D. Harvey
Marc Leland Haynes
Robert Hazo
Hechinger Foundation
The Hecht- Levi Foundation
Gen. &amp; Mrs . W . Russell
Hedrick
Ernest J. Heinmuller
Mr. &amp; Mrs. Julius D .
Heldman
Anna Braswell Heldreth
John B. Heller
Rabbi Leonard A. Helman
Henderson-Webb, Inc.
Virginia Hendley
Theodore Hendricks, Jr.
Cmdr. &amp; Mrs. James D.
Hendry

Howard V . Herman
Mr. &amp; Mrs. Michael J.
Hermanoff
G. Edward Herzer
John P. Hetland
Gary A. Hetrick
Mr. &amp; Mrs . James L.
Highsaw, Jr.
Henry Higuera
Robert S. Hill
WilliamC . Hill
William King Hill
Carol L. Hinds
Faith Hawley Howarth
Hoechst Celanese
Corporation
Snowdon Hoff, Jr.
Charles E. N . Hoffacker
Joseph C. Hofman, Jr.
John F. Holland, III
Steven M. Holland
Richard W . Holle
Ted Holmberg
Cecilia M . Holtman
Jae Holzman
Kenneth Hom
Nancy Redman &amp;
Steven T. Hoort
Arthur C. Horvath
James A. Houck
Elizabeth B. &amp; Wade Hover
Howell Charitable
Foundation
Christopher A. &amp;
Sabrina Howell
H . Gerald Hoxby
F. Kay Huebner
Robert F. Hunt
Charles B. Hunter
Francis G. Hurlock
Charles Norman Hurt
Marjorie Hutter
Rosalind A. Hutton
Charles D . Hyson
Robert N. Ikari
Ingram Industries, Inc.
Virginia M. Ingram-Wells
Maria Christina Ironside
Robert H. Irrman
Richard E. Israel
ITT Corporation
Mr. &amp; Mrs. Robert A.
Jablon
Allen C . Jackson
Elmer M. Jackson, Jr.
Robbyn Lea Jackson
P. Janee Jacobs
Paula Jacobus
Mr. &amp; Mrs. J. V. Jamison
G. Arthur Janssen
Peter W. Janssen
James Nels on Jarvis
Josephine J. Jaster
Dr. &amp; Mrs . Emery C.
Jennings
Kari Jenson
John Joanou
Amy &amp; James W. Jobes
Mrs. Remson Johnson, Jr.
Reverdy Johnson

�INSTITUTIO NAL ADVANCEM ENT - ST JOHN'S COLLEGE
Robert S. Johnson
Johnson &amp; Higgins of
Pennsylvania, Inc.
Arthur Jones
Mr. &amp; Mrs. David Jones
George Jones, III
Dr. &amp; Mrs. Joseph J. Jones
Mark Durham Jordan
Martha Jordan
Michael C. Jordan
Lisa Juday
Mary Pat Justice
Arthur Kahn
Lawrence Kantor
David L. Kaplan
Tina Kaplan
Diana Katz
Diana Katz Marketing
Services
Francis Katz
Michael C . Keane
Martha C. Kearsley
Ralph H. Keeney
Mr. &amp; Mrs. Daniel T.
Kelly, Jr.
Kelly-Springfield Tire
Company
Arthur D. Kelso, Jr.
Norval F. Kemp
Gay Singer Kenney
Steven Key
David J. Keyes
Jeremy Kilborn
Joseph Killorin
Edward A. Kimpel, Jr.
Christopher A. King
Judy Kistler
Ralph L. Klein
Mary &amp; Peter L. Kniaz
Mr. &amp; Mrs. Stoddard
Knowles
Bruce Kolman
Mr. &amp; Mrs . Nathan Korshin
Mr. &amp; Mrs . Arthur
Korunsky
Daniel J. Kowalski
William Kowalski, Jr.
Mr. &amp; Mrs. Steven Krawiec
Mr. &amp; Mrs . Kazimierz Kreft
Lewis J. Kreger
Paul G. Krol
Marielle Hammett &amp;
Kenneth Kronberg
Mr. &amp; Mrs . Roland
Kuniholm
Henry Kyle
Mr. &amp; Mrs. Brian J. Lalone
Peter Lamar
Mr. &amp; Mrs. Charles Lamb
Ronald &amp; Miriam Landor
John J. Lane
William F. A. Lang
Mr. &amp; Mrs. John
Lansdale, Jr.
John M . Larson
Edward F. Lathrop
Mr. &amp; Mrs . Robert H. Laws
Dr. &amp; Mrs. John C.
Leadbeater
Dr. &amp; Mrs. Mario L.
Lecuona

Claude S. Leffel, Jr.
Legg Mason Wood Walker
Allison Karslake &amp; Don S.
Lemons
John Lenkowski
Anker Anthony Lerret
James S. LeVan
Jere my C. Leven
Lawrence L. Levin
Mr. &amp; Mrs. Ralph L. Levy
Robley Timmins Levy
E. Brien Lewis
Nancy R. Lewis
Dexiang Li
C. Ranlet Lincoln
Sweetser Linthicum
Thomas J. Lipton
Foundation, Inc.
Pamela Maxon Lobdell
John J. Lobell
John J. Logue
Julia G. Long
Mr. &amp; Mrs. Donlin M .
Long
Oscar L. Lord, Jr.
James A. Lorenz
Lucky Productions
Nelson Lund
William P. Lundy
Dr. &amp; Mrs. Frank J.
Luparello
Thomas D. Lyne
G. Taylor Lyon, Jr.
David R. Mac Donald
Macht Philanthropic Fund
Mr. &amp; Mrs . James Mackey
Steven Hunter Mackey
Thomas L. MacNemar
Barbara &amp; Merle Maffei
Stephen Mainella
Nicholas Maistrellis
James Maldonado
Matthew T. Mallory
Elizabeth &amp; Richard
Malmgren
Management Consultants
James F. Mann
Ellis Manning
Harvey C. Mansfield, Jr.
Manufacturers National
Corporation
Joseph Manusov
Hugh Mappin
Mr. &amp; Mrs . John Mappin
Arnold L. Markowitz
J. Willard Marriott
Foundation
Mr. &amp; Mrs. Walton H .
Marshall
Glenn L. Martin
Foundation
John D. Martin
Keith R. Martindale
Maria Kayanan Masinter
Carolyn &amp; Richard Massei!
Edward L. Mattison
Dr. &amp; Mrs. R. John
Maxwell
Sarah Maxwell
Mr. &amp; Mrs. Michael May

Bruce Carroll McAlister
McCarthy Family
Foundation
McCormick Paint Works
Company
J. G. Mc Curry
Mr. &amp; Mrs. Milo L.
McGonagle
McHugh-Lloyd-Tryk
Architects
Dorik Mechau
Christian J. Mech els
Carla Ruth Meeske
Mr. &amp; Mrs. Harold Melton
Merck Company
Foundation
Dawn Ellinwood Meredith
M . Virginia Meredith
Orsell M . Meredith, Jr.
Theodore 0. Meredith
Meridian Healthcare
Merry-Go- Round
Enterprises, Inc.
Patricia Metzger
Thomas J. Meyers
Mark Andrew Middlebrook
Mrs. Anthony Mileto
Anthony D. Miller
Mr. &amp; Mrs. Barry Miller
Miller &amp; Chevalier
Foundation
Mr. &amp; Mrs . Haydock H.
Miller
Benjamin Milner
Harold A. Milstead
Mine Safety Appliance
Company
Mr. &amp; Mrs . Kenneth R.
Mitchell
Mrs . Charles C. Molter
David A. C. Moore
Mr. &amp; Mrs. John B.
Moore, Jr.
Harold Maurice Morgan, Jr.
Jeffrey Morgan
Joseph P. Morray
Alexander B. Morse
Mr. &amp; Mrs. Charles A.
Morse
Ben Moskowitz
Mullan Foundation, Inc .
Sarah Robinson Munson
Victoria T . Murphy
Fiona &amp; Frank B. Murray
Dr. &amp; Mrs. Lawrence G.
Myers
Philip Myers
Thomas J. Myers
Jack Nadol
National Westminster Bank
USA
Nationwide Foundation
Nationwide Mutual
Insurance
Martha Wendt Nesbitt
Dr. &amp; Mrs. Frederick Ness
W. Robert Nethken
Virginia S. Newlin
James Thomas Newman
New York Life Insurance
Company

29

Ann Nicholl
Jody Lynn Nicodemus
Robert E. Nichols
Peter Allen Norton
Robert L. November
Anthony J. Nyberg
Mr. &amp; Mrs. Daniel W.
O'Brien
Rosanne Gleason O'Connor
John A. Odom, Jr.
Donnel &amp; Janet O 'Flynn
John F. Ogonowski
Mr. &amp; Mrs. James 0 .
Olfson
Eric Olsson
Prof. &amp; Mrs. Hironori
Onishi
Arny L. Oosterhout
Frank V. Ortiz, Jr.
Susan M . Otto
John Owens
William C. Owens
Frank Pagano
Thomas G. Palmer
Andrea Pariser
Kevin William Parker
Mr. &amp; Mrs. Jerome Parks
Morris A. Parslow
George W. Partlow
William Pastille
Dr. &amp; Mrs . W. Scott Payne
PDI
Daniel Steven Pearl
Peat Marwick Main
Foundation
Gerald E. Pemberton
Peoples Security Insurance
Company
Perdue Farms, Inc.
Milton Perlman
Robert J. Perry
Peter Pesic
Edoaurd &amp; Sally Petrequin
David Pex
PHH Foundation
Mr. &amp; Mrs. Kenneth Phifer
Dr. &amp; Mrs. Errol Phillip
Philip Morris, Inc.
Dr. &amp; Mrs. S. F. Phillips
Deborah Photiadis-Berger
Anthony C. Piazza
David A. Pierce
Mr. &amp; Mrs. Joseph Pietrus
Piper &amp; Marbury
Mr. &amp; Mrs . A. Lincoln
Pittinger
Constance &amp; James A.
Pittman
Alan R. Plutzik
L. Harvey Poe, Jr.
Suzanne Pogell
Sanjay Poovadan
Mr. &amp; Mrs. Richard E.
Poppele
Sydney W. Porter, Jr.
Temple G. Porter
Charles Curtis Post
Alex Sten Poulsen
Thomas H. Powell, Jr.
Deborah S. Powers

PPG Industries Foundation
Mrs . Theodore Pratt
Preston Trucking
Company, Inc.
Susan Louise Price
Price Waterhouse
Foundation
Mr. &amp; Mrs. Richard
Pritzlaff
The Procter &amp; Gamble
Fund
Professional Courier Service
Dr. &amp; Mrs. Gerald F.
Prohaska
Thaddeus E. Prout
Provident Bank of Maryland
Mr. &amp; Mrs. Rudy Pruden
Thomas Prufer
Dr. &amp; Mrs . Douglas
Puryear
Quaker Chemical
Foundation
Michael J. Quinette
Ramsey, Scarlett &amp;
Company, Inc.
Catherine Randall
C . Philip Randolph
Joseph E. Rankin
John Peter Rask
Stephen Rawls
Gail Webber Redd
Philip R. Regier
N . Jurgen Reinzuch
Deborah &amp; Gilbert Renaut
William D. Rendall
Paige Rense
Robert H. Reynolds
Tina Rhea
Beate Rhum Von Oppen
Peter Milton Rice
Mrs . Woodward B. Rich
Keith A. Richards
Bill Richardson
Mr. &amp; Mrs . David J. Riley
Henry M . Robert, III
A. Haeworth Robertson
George L. Robson
James R. Roseberry, Jr.
Maurine Hellner Rosenberg
Paul L. Rosenberg
Deborah Jane Ross
John M. Ross
William Warfield Ross
Juliet Rothman
Peter Ruel
June Harrison Russ
Mike Ryan
Deborah R. Sack
Mr. &amp; Mrs . Robert Saja
William G. Salter
Linda J. Sampey
Deborah A. Sarkas
Robert B. Sasscer
Helen Scharbach
Paul Schatzberg
Walter Schatzberg
Daniel C. &amp; Janet Schiff
John Ward Schillo
Rudy Schmick
Schneuit Foundation, Inc.
Phyllis Marie Schoenberg

�INSTITUTIONA L ADVANCEMEN T - ST JOHN'S COLLEGE
King William Associates
(continued)
Abraham Schoener
Allen P. Schoolfield, Jr.
Janet G. Schroeder
Kurt Schuler
Dr. &amp; Mrs. Bradford
Schwartz
Dr. &amp; Mrs . William
Schwartz
Mr. &amp; Mrs. Ernest Schwartz
Margaret W . Schwartz
Norton B. Schwartz
James B. Scott
Iona Sebastian
Judith Seeger
Richard B. Sellman
Mrs. Guy Shaffer
Jeremy Shamas
James W . Sharp
Bennett &amp; Joy Shaver
Mr. &amp; Mrs. Carl D.
Sheppard
Judith Sherman
John W. Shoemaker
Carla Snuggs Showacre
Hilyer Gearing Shufeldt
Carol D . Shuh
Henry S. Shyrock, Jr.
J. Burt Siemens
Kathleen E. Siepel
Lester S. Silver
Haven E. Simmons
Ronald L. Simmons
David L. &amp; Karen Simon
Barbara Sherman Simpson
Carole Cunningham
Simpson
Bruce H. Sinkey
Jonathan H . Sinnreich
Esther Slaff
Andrew J. Sloniewsky
Michael Charles Slota
Deirdre Lenihan Sloyan
Anne &amp; Benjamin C. K.
Smith
Frances J. Smith
Frederick L. Smith
J. Winfree Smith
Jeanne Harrison Smith
Jessie Parton Smith
L. Wheaton Smith
Mary Grant Smith
W . Kyle Smith, Jr.
William Ward Smith, Jr.
Susan Smolin
Robert P. Snower
Louis L. Snyder
Edward C. Sommer
Maxine Sonnenburg
Roland More Sonnenburg
Helen R. Sparrow
Carl J. Spector
William L. Sprankle
Eric Osmon Springsted
Graham Spruiell
Joan Vinson &amp; Richard
Stallings
Vincent Cotton Stanley
State Farm Companies
Foundation

Mr. &amp; Mrs. William Angus
Steadman, II
Marlene F. Steinberg
Thomas W . Stepnowski
John Sterrett
Martha Kaufman Stone
Mr. &amp; Mrs. John Harvey
Strange
Lelia Adams Straw
David C. Streett
Elizabeth Strohl
Marlene Strong
Mr. &amp; Mrs. Kendon L.
Stubbs
Sun Microsystems
Foundation, Inc.
William D. Sutherlin
C. Robert Sutton
Mr. &amp; Mrs. Bergen R.
Suydam
Maynard &amp; Paula Swayne
Mr. &amp; Mrs. Leonard W .
Swett
Syntex Laboratories, Inc.
Tandy Corporation
Tate Industries Foundation
Lloyd F. Taylor
Richard B. Taylor
Mr. &amp; Mrs. Charles E.
Taylor
Carl &amp; Ann TenHoopen
Elaine Fulton Thompson
Robert T . Thompson
Mr. &amp; Mrs. Thomas 0 .
Tilghman, Jr.
Carol &amp; William R. Tilles
Edith Timken
James M. Tindall, Jr.
Todo Mundo
James M . &amp; Jane Tolbert
Mr. &amp; Mrs. Michael
Toomey
David Lee Townsend
Francis J. Townsend, Jr.
Harry Michael Townsend
Mr. &amp; Mrs . William
Townsend
Helen T. Trik
Mr. &amp; Mrs. James W . Truitt
Jonathan S. Tuck
Jean Tully
Turnabout Farm
Robert P. Turner, Jr.
Twentieth Century
Insurance Company
Lee Reichelderfer Tyner
Mr. &amp; Mrs. Ronald U merlik
George Usdansky
Bryan Valentine
Mr. &amp; Mrs . Edwin
Van Denbark
Mrs. Frances Vasquez
Mr. &amp; Mrs. Stephen
Vineberg
Mr. &amp; Mrs. Philip F.
Voegelin
Wadle Galleries, Ltd.
Sallie Wagner
Charlotte Waite
Mr. &amp; Mrs. Don Walker
David Wallace

John C. Wallace
William Wallace
Mr. &amp; Mrs. Bernard Walley
Thomas John Walrod
Mr. &amp; Mrs . James C.
Walworth
Jack Ward
The Ward Machinery
Company
Dr. &amp; Mrs. Arthur Warwick
Adam Wasserman
Karen J. Watkins
Mr. &amp; Mrs. Lee Watkins
Mal Watkins
Dr. &amp; Mrs . Stanley Watkins
Charles B. Watson
Wendy Watson
Denise C . Waxman
Stephen C . Weber
Henry R. Weeks
Mary Martha Weigle
Mary &amp; Richard D. Weigle
Joel Weingarten
David B. Weinstein
Eric W . Weinstein
Cornelia M. Weirbach
Peter H . Weis
Ira Weiss
Jessica Rose Weissman
David S. Weitzel
Mr. &amp; Mrs. Alan Weitzman
R. John Wekselblatt
Dinah Wells
George Wend
Westinghouse Education
Center
Westminster Foundation of
Annapolis
The Rev. &amp; Mrs . John
Wheeler
Whiting-Turner
Contracting
Carlton E. Wich
Rick Wicks
Dr. &amp; Mrs. Mark A.
Wightman
Mr. &amp; Mrs. Robert H.
Wilbur
Stanley A. Wilkinson
Lois J. Willard
Agnes Williams
Frank E. Williams
Robert H. Williams, Jr.
Alvin Chesley Wilson, Jr.
David O . Wilson
Everett H. Wilson
Frank K. Wilson
Curtis A. &amp; Rebecca Wilson
Steven Wilson
Mr. &amp; Mrs. Sam Winograd
Grace He Wireman
Ruth G . Wittler
Myron L. Wolbarsht
Peter C. Wolff
Theodore G. Wolff
Mr. &amp; Mrs . Edward R.
Wood
L. Phillips Wood, Jr.
Sterrett Day Woods
Michael J. Woolsey
Bradley P. Wronski

30

John C . Wylie
Mr. &amp; Mrs. Frederick B.
Wynn, Sr.
Harvey &amp; Rosabelle Wynn
Alicia &amp; Oscar Yerbergh
Arthur William Young, III
William I. Young
Gordon Younger
Mrs. Ragni Zachariasen
Mr. &amp; Mrs. Richard Zelina
Daniel Songyi Zhang

Business and
Foundation Support

Many members of the
business community, from
the smallest sole proprietorships to the largest
multi-national corporations, are included in our
honor roll of business
support. Foundations,
some whose interests are
locally focused either in
Annapolis or Santa Fe, as
well as those which embrace the whole nation in
their philanthropy, have
also honored St. John's
with their support. Following is a combined list of
those who have given to
either campus, for both
general and special purposes.
Abell Foundation
Actex Publications
Addison-Wesley Publishing
Company
AEGON USA, Inc.
Ahmanson Foundation
Aladdin Travel Agency, Inc.
Alar1 Lawrence Co. - Talco
Productions
Alcoa Foundation
Alexander &amp; Alexander
The Allen Group
Allen, Johnson, Alexander
&amp;Karp
Allied-Signal, Inc .
Allstate Foundation
Alphagraphics
American Express
Foundation
American Honda Motor
Company, Inc.
American Trading &amp;
Production Corporation
Amoco Foundation, Inc .
Annapolis Banking &amp; Trust
Company
Annapolis Bus Company
Annapolis Fine Arts
Foundation
Annapolis Specialty
Houses, Inc .

ARINC
Arco Chemical Company
ARCO Foundation of
California
A.R.G., Inc. - Northwoods
Art Things, Inc.
The Arundel Corporation
ASARCO Foundation
AT&amp;T Foundation
Ashland Oil Foundation
Atlantic Records
Foundation, Inc.
Baltimore Gas &amp; Electric
Company
Baltimore Life Insurance
Company
The Baltimore Sun
Bankers Trust Company
Foundation
Beach Products, Inc.
Becton Dickenson
Microbiology
Beneficial Corporation &amp;
Hodson Trust
Benson Motor Cars, Ltd .
Berliner Construction
Company
Black &amp; Decker
Booth Ferris Foundation
Boaz-Allen &amp; Hamilton
BP America, Inc.
Brooks Sales Company
Alex Brown &amp; Sons, Inc.
Bruce Ford Brown
Charitable Trust
Frank D . Brown Jr.
Charitable Trust
The Brunswick Foundation
The Buffalo News
Burlington Resources
Foundation
Campbell Foundation, Inc.
Capitol Cities/ ABC, Inc.
Carter-Wallace, Inc.
Caterair International
Charles' Art Studio
Chase Bank of Maryland
Chesapeake Corporation
Foundation
Chesapeake &amp; Potomac
Telephone Company
Chesebrough-Pond's, Inc.
Chevron Corporation
Chevy Chase Federal
Savings Bank
Chrysler Corporation
CIGNA Foundation
Citicorp-Citibank
The Coca-Cola Company
Coastal Properties
Management, Inc.
Colgate Investments
College House
Suites B &amp; B
Colonial Pipeline Company
Computer Bio Center
Computer Sciences
Corporation
Condore Construction
Company

�INSTITUTIO NAL ADVANCEM ENT - ST JOHN'S COLLEGE
Contel Corporation
Coopers &amp; Lybrand
Foundation
Corning Glass Works
Foundation
Corporate Software, Inc.
The Country Cat Clinic
Crime Control Research
Corporation
Crown Central Petroleum
Corporation
Council, Baradel, Kosmerl
&amp; Nolan, P.A.
CSX Transportation, Inc.
DDB Needham Worldwide
Dellheim Foundation
Deluxe Corporation
Foundation
DHR Foundation
Digital Equipment
Corporation
Dixon Valve &amp; Coupling
Company
DLJ Foundation
Donaldson, Lufkin &amp;
Jenrette
R. R. Donnelley &amp; Sons
Company
Dow Chemical Company
Dow Jones &amp; Company
Robert &amp; Nancy Downey
Foundation
Joseph Drown Foundation
Editorial Services
Edgewater Liquors, Inc.
E.I.L. Instruments, Inc.
Emerson Electric Company
Empire Builders Supply
Company, Inc.
Ensign-Bickford
Foundation, Inc.
Essex Credit Corporation
Exxon Education
Foundation
Farmers National Bank of
Maryland
Fellow Travelers Gestation
Period
Fidelity Deposit Company
of Maryland
Fireman's Fund Insurance
Company Foundation
Diana J. Firestone
Charitable Trust
First Interstate Bank of
Santa Fe
First Maryland Bankcorp
First National Bank of
Maryland
Mr. &amp; Mrs. Leo W.
Friedenwald Memorial
Fund
Furman Selz Mager Dietz
&amp; Birney
Gates Foundation
G.E.M. II, Inc.
General Dynamics
General Electric Foundation
General Motors
Corporation

GenstarStone Products
Company
Gibson's Lodgings
GTE Corporation
GTE Foundation
Gudelsky Family
Foundation
Stella &amp; Charles Guttman
Foundation
J. J. Haines &amp;
Company, Inc.
Meyer &amp; Raena
Hammerman Foundation
Hammond Editions
Hartman &amp; Crain
Harvey &amp; Harvey
Photographers
William Randolph Hearst
Foundation
Hechinger Foundation
The Hecht-Levi Foundation
Henderson-Webb, Inc.
Hewitt Associates
Hewlett-Packard Company
Hirst Company
Hoechst Celanese
Corporation
Houston Endowment, Inc.
Howell Charitable
Foundation
IBM Corporation
Ice Mountain Jewelry
Ingram Industries, Inc.
The Israel Family
Foundation
ITT Corporation
James River Corporation
J. Seward Johnson
Charitable Trust
Johnson &amp; Higgins of
Pennsylvania, Inc.
James M . Johnston Trust
for Charitable &amp;
Educational Purposes
Diana Katz Marketing
Services
The Kelly Agency, Inc.
Ensign C. Markland Kelly,
Jr. Memorial Foundation
Margaret Kelley
Foundation, Inc.
Kelley-Springfield Tire
Company
Kidder Peabody Foundation
KiplingerFoundatio n
KPMG Peat Marwick
Abraham &amp; Ruth Krieger
Family Foundation, Inc.
The Lalley Charitable Fund
LaPides Foundation
Laurence Clothing
Legg Mason Wood Walker
John J. Leidy
Foundation, Inc.
Liberty Fund, Inc.
Thomas J. Lipton
Foundation, Inc.
Lounsbery Foundation, Inc.
Henry Luce
Foundation, Inc.
Lucky Productions

Macht Philanthropic Fund
Management Consultants
Manpower Temporary
Services
Manis, Snider, Buck &amp;
Migdal
Manufacturer's National
Corporation
Marriott Corporation
J. Willard Marriott
Foundation
Marsh &amp; McLennan
Companies, Inc.
Glenn L. Martin
Foundation
Martin Marietta
Corporation
Martin Marietta
Corporation Foundation
Maryland Casualty
Company
Maryland National
Foundation, Inc .
May Stores Foundation
McCarthy Family
Foundation
McCormick Paint Works
Company
McCormick &amp;
Company, Inc.
McDonnell Douglas
Foundation
McHugh-Lloyd-Tr yk
Architects
Medusa Cement Company
Andrew W. Mellon
Foundation
Mercantile Safe Deposit &amp;
Trust Company
Meridian Healthcare
Merck Company
Foundation
Merry-Go-Round
Enterprises, Inc.
The Joseph Meyerhoff
Memorial Fund, Inc.
Michaelson, Krause &amp;
Ferris, P.A.
Microsoft Corporation
Miller &amp; Chevalier
Foundation
Mine Safety Appliance
Company
The MITRE Corporation
MNC Financial
Montgomery &amp;
Andrews, P.A.
Mullan Foundation, Inc.
Mullen, Sandberg, Wimbish
&amp; Stone, P.A.
National Medical
Enterprises, Inc.
National Westminster Bank
USA
Nationwide Foundation
Nationwide Mutual
Insurance
New York Life Insurance
Company
Northwestern Mutual Life
Insurance Company

31

Noxell Foundation
Oppenheimer Memorial
Fund, Inc.
J.B. &amp; M. M. Owens
Family Charitable
Foundation
Parker Foundation
PDI
Pearl West Company
Peat Marwick Main
Foundation
Pennsylvania Power &amp;
Light Company
Peoples Security Insurance
Company
Perdue Farms, Inc.
Peterson Charitable Fund
PHH Foundation
Philip Morris, Inc.
Picture Craft, Inc.
Piper &amp; Marbury
Platt Associates
PNM Foundation, Inc.
PPG Industries Foundation
Preston Trucking
Company, Inc.
T. Rowe Price Associates
Price Waterhouse
Foundation
The Procter &amp; Gamble
Fund
The Professional Courier
Service
Provident Bank of Maryland
Quaker Chemical
Foundation
Ramsey, Scarlett &amp;
Company, Inc.
Evalyn Cook Richter
Memorial Fund
Paul K. Richter Memorial
Fund
John &amp; Margaret Robson
Foundation
Rogers-Wilbur
Foundation, Inc.
Rohm &amp; Haas Company
The Rouse Company
Sacks Family Foundation
Sandstone
Landscaping, Inc.
Santa Fe Chamber of
Commerce
The Santa Pean Magazine
Schneuit Foundation, Inc.
William B. Schreitz
Cabinetmaker, Inc.
Scott Paper Company
Joseph E. Seagram
&amp; Sons, Inc.
B. J. Seaman &amp; Company
Sears-Roebuck Foundation
Second National Federal
Savings Bank
Security Pacific Foundation
Sedgewick James, Inc.
Sherman &amp; Howard
Paul Reed Smith Guitars
SmithKline Beckman
Foundation

Southwestern Bell
Foundation
C &amp;S/Sovran
Stag's Leap Wine Cellars
State Farm Companies
Foundation
Still Water Foundation, Inc.
Joseph P. &amp; Jeanne M.
Sullivan Foundation
Sun Microsystems
Foundation, Inc.
Swartzberg Philanthropic
Fund
Syntex Laboratories, Inc.
Tandy Corporation
Tate Industries Foundation
Texas Instruments
Foundation
The Eugene V. and Clare
Eddy Thaw Charitable
Trust
Three Centuries Tours
3M
Times Mirror
TodoMundo
TRW Foundation
Turnabout Farm
20th Century Insurance
Company
Tydings Import
Service, Ltd.
United Telecommunications Foundation
United Way of Santa Fe
County
UNC Incorporated
The UPS Foundation
USP &amp; G Foundation, Inc.
Vanderveer Group, Inc.
Varian
Wadle Galleries, Inc.
The Ward Machinery
Company
The Washington Post
Waste Management, Inc.
Weller, Fishback &amp; Bohl
Westinghouse Education
Center
Westinghouse Electric
Corporation
Westminster Foundation of
Annapolis
Whiting-Turner
Contracting
Winchester Foundation of
Annapolis
Winchester Foundation,
Indiana
James B. Wooddell, D.D .S.

Other Institutional
Support
City of Annapolis
Anne Arundel County
Anne Arundel County
Commission on Culture
&amp; the Arts
Caritas Society of St. John's
College
Friends of the Rowing Club

�INSTITUTIONA L ADVANCEMEN T - ANNAPOLIS
Other Institutional Support
(continued)
Graduate Institute
Class of90
Independent College Fund
of Maryland
Maryland State Arts Council
National Endowment for
the Arts
National Endowment for
the Humanities
New Mexico Independent
College Fund
St. John's Alumni
Association
State of Maryland
United Way of Santa Fe
County

Donors to the College
All those whose names
are recorded on the following pages have brought
strength to St. John's
through their financial
support and the interest it
represents . The College
recognizes them for their
generosity and thoughtfulness.

Donors to Annapolis
Annapolis Alumni
Donors 1990-91
By Class
1917
C. Carey Jarman*

1920
John D . Alexander *

1921
Stanley E. Hartman
Thomas B. Turner

1923
Carlton E. Wich

1924
Charles Dell
F. Noble Howard
Stewart C. Stackhouse *

1925
Dorsey W. Offutt, Jr. *

1927
George L. Bennett
Bernard F. Gessner
Elmer M . Jackson, Jr.
Frederick L. Smith

1928
James T. Clark
David F. Crowley, Jr.
Jesse Lee Hall
Richard Verner Hauver
James R. Roseberry, Jr.
Louis L. Snyder
Frank T. Willing

1929
William A. Gross, Jr.
Charles R. Zimmerman *

1930
Edward J. Dwyer
John R. Fountain
George E . Moss
Claxton J. O'Connor
Lester H . Palmer

1931
Samuel P. Chew, Jr.
Henry A. Czelusniak
Matthew S. Evans
Winson G. Gott, Jr.
Snowden Hoff, Jr.
Edward A. Kimpel, Jr.
Rudy Schmick
John Zouck

1932

1938

Anonymous
William B. Athey
Joseph L. Bean
Richard F. Blaul
James F. Campbell
Vladimir Ctibor
William F. Cullom
Willis K. Lynch
J. G. McCurry
Richard H . Pembroke, Jr.
Henry S. Shryock, Jr.
Sterrett Day Woods

Albert P. Close
Thomas C. Cover, Jr.
Charles H. B. Edel
Israel Greengold
R. Warren Hammann
G. Edward Herzer
Edward F. Lathrop
Alvin E. Levy
J. S. Baker Middelton
Arthur K. Myers
William C. Owens
James Iglehart Randall
E. Peyton Ritchings
William T. Ross
Henry Harrison Sadler
Francis J. Townsend, Jr.
John C. Wagner
Stanley A. Wilkinson

1933
Nathaniel John Chew
J. H . Fielding Jukes
Ben McLean Whiting
John L. Winslow, Jr.

1934
Herbert J. Florestano
Edward E. Gray
Henry Kyle
James F. Leslie
Richard S. Olmsted
Horace W. Witman

1935
Roland J. Bailey
Charles S. Catherman
Morton N . Fine
Francis G. Hurlock
Lawrence Kantor
John D . Martin
E. Roy Shawn, Jr.
Henry R. Weeks
Robert H. Williams, Jr.
Frank K. Wilson
Richard S. Woodman

1936
James P. Bradley
Thomas L. Carter
Garnett Y. Clark
Samuel H. Desch
Frank R. Gessner, Jr.
Joseph B. Gray
Edward T. Heise
Cyril R. Murphy, Jr.
W. Robert Nethken
Ralph M. Schley
Richard B. Sellman
William Ward Smith, Jr.
Richard B. Taylor

1937
Fred Alexander
Leon Boro
John H. Brown
Bernard G. Fold
William P. Harrison, Jr.
Charles D . Hyson
Alexander N . Jarrell
Norval F. Kemp
Franklin E. Leslie
Harold A. Milstead
Merrill M . Mitchell
Louis Lee Moore, Jr.
John Owens
Robert B. Sasscer
Edward C. Sommer
Bertram E. Spriggs

32

1939
Rudolph Albera
Frank B. Bauer
George F. Bonifant, Jr.
James E. Boyle
Arthur Larry Budacz
Miles R. Carroll, Jr.
Arthur W. Dowell, Jr.
John B. Heller
William J. Hopps
Clarence Kibler
William J. King, Jr.
Thomas L. MacNemar
E . Leslie Medford, Jr.
Samuel Schenker
Norton B. Schwartz
Nelson E. Shawn
Malcolm Silver
Lloyd F. Taylor
James M. Tindall, Jr.
William B. Welling, Jr.

1940
Richard W. Barton
William A. Carter
Bryson G. Christhilf
H. Gordon FauntLeRoy
Charles A. Forbes, Jr.
Cecil C. Knighton
Oscar L. Lord, Jr.
G . Taylor Lyon, Jr.
Wilbur Matz
Emanuel Pushkin
Robert H. Reynolds
Thomas E. Strange

1941
James Barrett, Jr.
James H . Clark
Paul R. Comegys
William M. Darden
Irving S. Lewis
Vernon M. Padgett
Henry M. Robert, III
Francis P. Williams

1942
John E. Ainsworth, Jr.
Robert Alexander, III
Warren Bomhardt *
W . Boswell Childs
William A. Darkey
Edward F. Duggan

Ernest J. Heinmuller
Joseph C. Hofmann, Jr.
Journet Kahn
William D. Rendall
Julius B. Sherr
C. Robert Sutton
Alvin Chesley Wilson, Jr.

1943
A. Scott Abbott
Burton Armstrong
Alan D. Eckhart
William T. Hart
Peter Kellogg-Smith
Claude S. Leffel, Jr.
Francis S. Mason, Jr.
Milton Perlman
H . Willard Stern
Ollie H . Thompson, Jr.
James I. Waranch

1944
William H . Brubeck *
Lindsay E. Clendaniel
Vernon E . Derr
David Dobreer
Ahmet M . Ertegun
John S. Eustice
Richard E. Holle
Richard E. Huyck
Alexander Koukly
C. Russell Levering
George Levine
Thaddeus E. Prout
Donald P . Ruhl
Haven E. Simmons
John C. Smedley
Robert P. Snower
Howard L. Sorenson
Martin Z. Vogelhut
J. Rodney Whetstone
Peter C. Wolff
Warren M. Zeik

1945
Stephen W. Bergen
Joseph Blocher
George Brunn
George A . Cayley
William Goldsmith
Christian A. Hovde
Donald S. Kaplan
Michael C . Keane
Ralph H. Keeney
Arthur D . Kelso, Jr.
Lawrence L. Levin
William M . Lundberg
John D . Mack
Michael J. Manley
Frank B. Marshall, Jr.
Orsell M. Meredith, Jr.
Edward W. Mullinix
Charles A. Nelson
Erich Nussbaum
Morris A. Parslow
Benton A. Perry
Allen P. Schoolfield, Jr.
Robert T . Thompson

* Through income from
named unrestricted alumni
endowments.

�INSTITUTIONA L ADVANCEMEN T -ANNAPOLIS
1946
Gerald Atterbury
Alvin Fross
Thomas I. Fulton, Jr.
William C. Hill
Clarence J. Kramer
John J. Lobell
Thomas D. Lyne
Ellis Manning
James H. Ogden
Daniel S. Parker
James W. Sharp
Bruce H. Sinkey
Peter Weiss

1947
Victor E. Barton
Stephen Benedict
John Brunn
Arthur 0. Davis
John Scott DesJardins
William P. Elliott
Theodore Ernst
Allen A. Goldstein
H. Gerald Hoxby
Archer Jones
Joseph Killorin
Ralph L. Klein
William Warfield Ross
W. Kyle Smith, Jr.
Eugene V. Thaw
Richard Van der Voort
John Van Doren
George M. VanSant
Robert Weiss

1948
Raphael Ben-Yosef
Donald G. Bounds
Ray C. Cave
Peter J. Davies
Donald S. Elliott
Charles W. Grover
Henry B. Higman
Richard L. Matteson
Robert E. Nichols
Lawrence Sherman
William W . Simmons
L. Wheaton Smith

1949
Anonymous
Aaron M. Bisberg
Jonathan E. Brooks
James W. Conrad
Frederick P. Davis
S. Hugh Fitch
Richard M. Frank
Peter V. V. Hamill
Anton G. Hardy
Allan P. Hoffman
Chester A. Johnson
Joseph P. Morray
David B. Rea
John C. Wallace
Richard D. Weigle
David B. Weinstein

1950
Jack L. Carr
Bernard S. Clorety
Patrick D. Davis
Matson G. Ewell

Herbert S. Feinberg
James H. Frame
Charles F. Gentile
Robert Goldberg
Robert A. Goldwin
Theodore Hendricks, Jr.
Robert N. Ikari
Jerome G. Lansner
C. Ranier Lincoln
John J. Logue
Thomas J. Meyers
Ben Moskowitz
Frederick Schuchman, Jr.
John Sterrett
David C. Streett
Tylden W. Streett
Robert A. Thomas
George Usdansky
Peter A. Whipple
John L. Williams
Myron L. Wolbarsht

1951
Carl Bertolino
William A. Brown
Larry B. Childress
Alfred P. Franklin
Ernest W. Hankamer
Howard V. Herman
Robert S. Hill
John F. Horne, Jr.
Ross E. Lilly
Charles E. Lynch, Jr.
Lawrence G. Myers
Victor W. Purdy
Robert N. Richman
William T. Roberts, II
Ronald L. Simmons
Herman Small
William L. Sprankle
Gerald J. W ellish
George Wend
Thomas J. Williams

1952
Alice Carnes
Thomas M. Carnes
Paul G. Cree, Jr.
Jae Holzman
Charles Kluth *
Joseph Manusov
Thomas A. Montgomery
Philip R. Ortt
Walter Schatzberg
Robert S. Seelig
George Ude!
Warren Winiarski

1953
J. Jaquelin Ambler
Franklin R. Atwell
Edward F. Bauer
Stewart H. Greenfield
R. M. R. Hall
Robert Hazo
Paul Heineman
Michael Heller
Allen C. Jackson
James W. Linsner
Jeremy P. Tarcher

1954

J. Burt Siemens
Harvey Wynn
Rosabelle Gould Wynn

C. Eric Crooke
Bernard E. Jacob
David L. Kaplan
Robert F. Lohr, Jr.
Stephen Mainella
Arnold L. Markowitz
Sydney W. Porter, Jr.
Robert Sacks
Samuel V. Stiles

1958

1955
Lydia S. Aston
Harold Gene Bauer
Elisabeth M. Chiera
Sarah Covington Crooke
Alexandra Culbertson
Anita J. Gerber Denison
John M. Gordon
Rolf E. Hansen
John Joanou
Barbara Brunner Kiebler
Carolyn Leeuwenburgh
Barbara H. Leonard
Paul A. Lowdenslager
Joan Gilbert Martin
Peter S. McGhee
Hilyer Gearing Shufeldt
James W. Stone
Joyce Wilson
Barbara Dvorak Winiarski

1956
Diana Barry Cartier
Joseph P. Cohen
Dale B. Cummings
Jenefer Ellingston
John M. Hollingsworth
James W. Jobes, Jr.
Robley Timmins Levy
Dorik Mechau
Faye Councell Polillo
Pasquale L. Polillo
Maynard J. Robinson
Anne Duvall Romano
Louis J. Sault
Paul A. Whittenburg
Everett H. Wilson

1957
Robert S. Bart
S. Douglas Bowers
Joan E. Cole
Betty Anne Hood
Josephine J. Jaster
Arianne Laidlaw
Judith Strand Major
Jack Nadol
John J. Rodowsky

Ernie Adamson
Alan P. Brockway
Jacques Cartier
Mary Bittner Goldstein
Raymond T. Haas
Roberta Markley Kingsley
William M. Kingsley
Nancy Eagle Lindley
Blakely Littleton Mechau
Gerald K. Milhollan
Thomas H. Powell, Jr.
Maynard Swayne

1959
Hugh M . Curtler
Lowell P. Dyar
Donald B. Edwards
Valerie Shuart Edwards
Harvey M. Goldstein
Gay P. Hall
Amy Carle Jobes
Charlotte F. King
Michael K. Mechau
Mark Stanley Plakatoris
Peter Milton Rice
Patience Schenck
Carol Phillips Tilles
William R. Tilles
Barbara Stowe Tower
Sara Petty Woodruff
Diana Hartwick Young

1960
Mark A. Adler
Hildreth Smith Becker
Rosalie Levine Boosin
Patricia Carter
David Chang
Don W. Cummings
Ellen N. Davis
John E. Gorecki
Katherine Hsu Haas
George Jones, III
Lewis S. Kreger
John J. Lane
Katherine Sauer McGuirk
Ronald C. McGuirk
Sarah Robinson Munson
Fiona Paul Murray
Frank B. Murray
Robert G. Neal
Joan Polillo Rodowsky
Peter Ruel
William G. Seboure

Kendon L. Stubbs
Patricia Townsend Stubbs
Holly Hulburt Wilkes
Charles L. Walberg
Ann B. Worthington

1961
Nancy Clark Adler
Joseph J. Faraone
S. Richard Preis
Michael W. Gold
Darrell L. Henry
John C. Kohl, Jr.
Judith Morganstern Licht
Anthony D. Miller
Eyvind C. Ronquist
Paul L. Rosenberg
Victor L. Schwartz
Holt V. Surbert

1962
Nancy Clark Albert
David W. Benfield
Johan Benson
Ann Davidson Blimmel
Maria Flaschberger Brooks
John Chatfield
Jonathan Cohen
Daniel H. Cosgrove
E. Ray Davis
Michael H. Elias
Barry L. Fisher
Sara Rackmales Friedman
Tina Kaplan
Winifred Webb Kreger
E. Brien Lewis
Robert A. Licht
Edward L. Mattison
Fowler Noel Meriam
John F. Miller
Judith Phillips
Temple G. Porter
Allen H. Reid
Howard P. Schiff
Raymond Carlton Seitz
Mary Grant Smith
Stephen Sohmer

1963
Beverly Wood Bell
Eugene J. Brady
Ann Wisotzki Chang
Robert Graves Cozzolino
William M. Davis
Miriam Golub Duhan

* Through income from
named unrestricted alumni
endowments.

Five Year Giving Summary- St. John's College
YEAR
Total Gifts (All Funds)
Alumni
Corporations
Foundations
Friends
Parents
Other

33

1986-87
$1,695,421
452 ,493
120,333
654,214
341,136
57,835
69,410

1987-88
$3,286,343
845,409
273,537
1,127,890
916,932
56,466
66,109

1988-89
$3,300,829
421,009
170,930
1,179,197
1,292,889
71,219
165,585

1989-90
$3,683,172
697,384
199,674
2,153,800
456,734
122,689
52,891

1990-91
$2,608,863
656,159
130,848
753,115
808,435
185,984
74,322

�INSTITUTIONAL ADVANCEMENT - ANNAPOLIS
1963 (continued)
Gary A. Hetrick
James A. Houck
Oliver Marc Korshin
Madeline Rui Koster
S. David Krimins
Peter Silitch
Andrew D. Steiner
Robert K. Thomas
Ying Chuen Tsien
Jack Ward
Douglas R. Wilson

1964
William Banks
Peter Hall Crippen
Christine Kubacki Davis
Samuel F. Dunbar
William W. Dunkum, III *
Lawrence Feinberg
Sanford N. Fernan
Ann Sheila Flanagan
Alice Golian
Emily Hamilton
Virginia Seegers Harrison
John P. Hetland
F. Kay Huebner
Samuel N . Kramer
Jere my C. Leven
Lorraine Anderson Martin
Robert Martin
Judith C. Meyer
James Nach
Martha Wendt Nesbitt
Robert L. November
Robert James Ungar

1965
Grace Logerfo Bateman
Sharon Bishop
Jan Blits
Richard D . Bond, Jr.
Judith Abrams Bromberg
Jessica Hoffmann Davis
Pierre du Prey
Jethro M . Eisenstein
Milo H. Gibbons
Thomas D. Harvey
Sandra Gillmeister Karl
Diana P. Katz
Scheherazade Friestedt
Lewis
Carolyn Hilder Massell
Richard Massei!
Bruce M. Preston
Martin C . Rosenberg
Daniel C. Schiff
Susan Smolin
Mary Martha Weigle
Edward D. Weinberger
Michael J. Woolsey
Gerald F. Zollars

1966
Constance Baring-Gould
W. James Bienemann
Mark B. Bromberg
Jaclyn Button
Richard R. Dewees
Julia Busser du Prey
Pattie Turner Hall

John F. Holland, III
Carole Picardo Kelley
David Z. Londow
David E. Long
Peter S. Morosoff
Pheme Perkins
Janet Huber Schiff
Frances Borst Wright

G. Dennis Rains
Judith Rose
Barbara Mordes Ross
John M. Ross
Karen Stagg Simon
Dorine Real Tepper
Byron E. Wall
Robert Levis Wyckoff, II

1967

1970

Judith Shultz Cannon
Anthony J. Carey
Christina Lauth Connell
Lovejoy Reeves Duryea
Helen Hobart
Loren Kelley
Gay Singer Kenney
Mark A. Lindley
David A. C. Moore
William F. Ranseen
Hope Zoss Schladen
William B. Schreitz
F. Scott Seegers
Deirdre Lenihan Sloyan
L. Phillips Wood, Jr.

Maureen Barden
Charles Berliner
Roberta Petty Bond
Henry Constantine, II
Melanie Sollog Dunleavy
Ronald Herbert Fielding
Stephen J. Forman
Linda Ann Forsyth
Steven Hanft
Juan Blaise Ianni
Kenneth Joseph
Deborah Warren Kalmar
Susan Smith Kyle
John P. MacDonald
James Francis Villere, Jr.
Patricia von Schwerdtner
Masha Zager

1968
Stephen S. Anderton
Stephen Eduard Bach
Luther G. Blackiston
Donald A. Booth
Keith C. Covington
Carol Neitzey Dale
Elizabeth A. Dobbs
Thomas Powick Geyer
Joshua Thomas Gillelan, II
Daniel V. Manfredi
Susanne Martin
George W. Partlow
Deborah Schwartz Renaut
Gilbert T. Renaut
Dorothea Wend Rose
Maurine Hellner Rosenberg
Joe Sachs
Linda J. Sampey
Eva Fass Sherman
David L. Simon
Jonathan H. Sinnreich
Lee Reichelderfer Tyner
Charles B. Watson
Maria Whitaker
Jonathan Zavin

1969
G. Michael Anthony
Meredith Artis Anthony
Joseph Preston Baratta
Linda Torcaso Bernstein
Mark Bernstein
Nancy Williams Brown
Diana G. Browning
B. Jeffries Cothran, Jr.
Bernard M. Davidoff
Thomas Dourmashkin
Kim Preston Fairchild
Charlotte Fletcher
Andrew Garrison
Martin Kalmar
William F. A. Lang
Mark A. Mandel
Charles E. Maurer
John A. Myers

1971
Jane Goldwin Bandier
John Stark Bellamy
Dennis Berg
Pamille Jones Berg
Perry J. Braunstein
James A. Cockey
Richard W. Elwood
Joanna Fitzick
P. Janee Jacobs
Judy Kepner Maistrellis
Dwight S. Platt
Alan R. Plutzik
Vennette Roberts Resnick
Helen Scharbach
Barry N . Sher
Barbara Sherman Simpson
Martha Kaufman Stone
Lelia Adams Straw
Michael Conrad Whitehill

1972
Joanne Aitlcen
Roger W. Al burn
Bradley C. Arms
Elizabeth Molnar Bergan
Ray Boedecker
Robin Kowalchuk Burk
James Martin Burress
David H . Carey
Christine Ferrarini
Constantine
Cynthia Stratton
Doumashkin
Evan Dudik
Robert Dunleavy
Priscilla Lindsay Ellison
Nancy Willis Forrester
Michael Kevin Green
Matthew T. Mallory
Richard A. O'Neill
Deborah R. Papier
Carol D. Shuh
Susan Elaine Small

34

Leslie E. Starr

1973
Deborah Achtenberg
Edward W. Allen
Peter J. Aronson
Ileana C. Basil
Mary L. Batteen
Deborah R. Bowers
Jerrold Raymond Caplan
Mary Coughlin
Bryant Cruse
Ronald Davidoff
Peter V. Davis
Janet Weiner Doerflinger
Peter Ellison
Jon T. Ferrier
Jean FitzSimon
Barbara Banks Goyette
J. William Keyser
Jonathan Bruce Mark
Jan Munroe
Donnel O'Flynn
Daniel Steven Pearl
Elspeth Revere
Paul Rosenberg
Lane G. Russell
Charles Brian Scott
Melissa Matthews Sedlis
Steven Sedlis
Jeanne Harrison Smith
Jane Elizabeth Spear
Jessica Rose Weissman

1974
Michael .Blaustein
Roger C. Burk
Carol V. Calhoun
Edward Michael Dieter
Thomas J. Dolan
Richard Ferguson
Samuel T. Goldberg
Lyn Herrick Gregory
Paul M . Heylman
Michael C. Jordan
Steven Key
Claire Zoe Kurs
John M. Larson
James S. LeVan
Nelson Lund
Maria Kayanan Masinter
Jack Terrence McArdle
Charles Newman
Janet Christhilf O 'Flynn
Gerald E. Pemberton
Susan E. Pigman
Charles Curtis Post
Edmund F. Raspa, III
John Rees
Deborah Jane Ross
Lester S. Silver
Harry Sinoff
Jeffrey Ivan Victoroff
Susan A. Vowels
Mary Weigle
Theodore G. Wolff

1975
George Anastaplo
Thomas M . Ash, III
David Ashmore
Elizabeth Brown Blume

Jon L. Church
Nancy Lee Coiner
Philo Dibble
Gershon Ekman
George Ellis
Sara Coulson Ellis
Donald S. Feldman
Peter T. Fox
Stephen Gerard Gilles
Caren Leigh Greisman
Carol Gruenburg
January Hamill
Malcolm R. Handte
Charles E. N . Hoffacker
Arthur C. Horvath
Marion Condon Hustis
James Nelson Jarvis
Christopher A. King
Mary Rogers Kniaz
Peter L. Kniaz
Sue Larrison
Susan E. Mattis
Dale Mortimer
Sallie Ann Dobreer Raspa
Graham Spruiell
Kevin Stacey
Annette Tullier Staubs
Elizabeth Fort Tomlinson
Robert G . Tzudiker
Michael Van Beuren
Stephen C. Weber
Steve Weinstein

1976
Susan Tischler Ashmore
Susan Patricia Barnhart
John Pierce Borders
Margaret McGuinness
Borders
Sally Page Byers
William Watt Campbell
Ann Glenn Cruse
Richard Bennett Davenport
Paula Truitt Davidoff
William T . Doherty, III
James T. Dunn, Jr.
Mark Bernard Fabi
Stephen Robert Gates
David V. Glass
James P. Hill
Jonathan K. Hustis
Paul G. Krol
Douglas Kirk Mayer
Rosanne Gleason O'Connor
Gail Webber Redd
Susan Semple
Harry Michael Townsend
Adam Wasserman
Dinah Wells
Arthur William Young, III

1977
Charles W . Borden
David S. Brody
Ann Browning Byers
Robert Charles Elliott
Helen Cornelius Fahey
Erica Lerner Glass

* Through income from
named unrestricted alumni
endowments.

�INSTITUTIONA L ADVANCEMEN T - ANNAPOLIS
Eugene Glass
Edward F. Grandi
Janis Popowicz Handte
Douglas L. Hughes
Daniel L. Jerrems
Chela Weiler Kleiber
Maureen Meidt Kneisl
Paul Kneisl
Andrea Miano Light
Pamela Maxon Lobdell
Andrea Pariser
Julia Perkins
Stephanie Eiger Robertson
Eric M. Salem
Marlene Strong
Frances Vazquez
Cornelia M. Weierbach

1978
Lucy H. Adams
Katherine Cooney Ash
Ethan Bauman
Gregory D. Bayer
Susan Storing Benfield
Michael B. Berger
Michael Blume
Frederick Bohrer
Steven M. Cason
Michael Ciba
John S. Fleming
Emily Fox
Amy McConnell Franklin
Winfield A. Ihlow
Paula Jacobus
Peter W. Janssen
Philip Jemielita
Kari Jenson
Jeremy Kilborn
Rita Y. Sato Kusiak
Clinton Dale Lively
Marta Stellwagen Lively
Robert J. Perry
Leo Paul Pickens
Keith A. Richards
Ann T. Schwartz
Mark L. Sugg
LucyTamlyn
Elizabeth M. Tarr
Jane Kaufman Winn

1979
Bruce Joseph Babij
Karen Anderson Bohrer
Katherine Buck
Margery Miller Caverly
Carol Colatrella
Mary Caulfield Cumming
Nathan Ames Ellis
Randal Ross Hester
Steven M. Holland
Charles B. Hunter
Charles Norman Hurt
Marjorie Hutter
Bruce Kolman
Kathryn D. Kominars
William Hardee Mahoney
Miyoko Porter Nishimoto
Eliza P. Oberholtzer
Kevin William Parker
Robert B. Pegram, III
Tina Rhea
Anita L. Ross

William G. Salter
Lisa Palma Simeone
Catherine Eldridge Suter
David J. Tonjes
Ira Weiss

1980
Anonymous
Elizabeth Christian Banta
Dante G. Beretta, Jr.
William B. Boon
Honor Heyward Bulkley
Diane Lamoureux Ciba
Amy Louise Coughlan
Steven Robert Edwards
Anne Schanche Ferro
Michael Lee Franklin
Paul John Giordano.
Peter Herman Grubb
Michael E. Harr
Danielle Hatfield
Bonnie Hoffman-Adams
Kenneth Hom
Guy Patrick Jennings
Anita Norton Kronsberg
Anne Dutton Lazrove
Thomas G. Palmer
J. Winfree Smith

1981
Elizabeth Affsprung
Steven Jay Berkowitz
Ralph Anthony Brasacchio
Thomas David Brintle
Anne G. O'Malley Culotta
Mary Wilson Filardo
Elizabeth Forrest
Emi Sarah Geiger
Peter Lawrence Gilbert
Matthew H. Hartzell
Robbyn Lea Jackson
Bruce Carroll Mc.Alister
James Michael Melcher
Martin Miller
Stephanie Moore- Fuller
David Rudolf Neumann
Peter Allen Norton
Nancy Ellen Schauber
John Carl Schiavo
Kurt Schuler
Pamela Beth Sklar
Anne Kates Smith
Benjamin C . K. Smith
Warren Spector
Laura Trent Stein
Elizabeth Robertson Stuck
David P.M. Wolf

1982
Jonathan P. Adams
Jonathan Baumgarten
Marion Betor Baumgarten
Adrian M. Carsiotis
Matthew K. Davis
Janet E. Durholz
Rae H. Ely
Comfort Dorn Grandi
Lynn Gurnett
Martha Kearsley
Kevin L. Kraus
Robert J. McDonough
Mark Moore- Fuller

William Ney
Amy L. Oosterhout
Catherine Randall
Joshua Lee Rappaport
Leslie Smith Rosen
Nathan H. Rosen
Patricia Sowa Rubin
Abraham Schoener
Laura I. Shach
David R. Stein
Joel Weingarten

1983
Merrill M. Ahrens
James Earl Bailey
Joel Block
Steven D . Brower
Timothy Charles Costello
Evelyn Louise Cronin
Marc Edmond Gordon
Mark Gowdy-Jaehnig
Anne Braswell Heldreth
William King Hill
Robert Hoff
Miriam Huaco Komaromy
Leland George LeCuyer
Hugh Mappin
Cynthia Walton McCawley
Molly McDaniel
Mark Andrew Middlebrook
Deborah R. Sack
Sara Yamall Sanders
Susan Maguire Shock
Lisa Ann Tomasi-Carr
Eric William Weinstein
David S. Weitzel
Curtis A. Wilson
Rebecca Wilson

1984
Joseph H . Ainley
Mary Chalayne Elias Ainley
Catherine Amparano
David McElduff Bucknell
Robert Bruce Christian
John Christopher Costa
Sally DeKorne
Nancy Mease Gagnier
Pierre Gagnier
Christine A. Gowdy-Jaehnig
Barry Harvey Hellman, Jr.
Cynthia Hellman
Randi Adele Himelgrin
Leslie Alexandra Jump
Fanny Kaplan
Mrs. John S. Kieffer *
Else S. Klein
Jon Bruce Leizman
Lydia Sandek Leizman
Anne B. McDonough
George McDowell
Geraldine Edgell McDowell
Jody Lynn Nicodemus
Thomas Mark Niedermier
Susan Louise Price
Lisa Grace Ross
Monika Viola Schiavo
James B. Scott
Barbara Marie Smalley
Karen Astrid T ourian
Robert Francis Vincent

35

1985
Elizabeth Anderson
Jed Mitchell Arkin
John Charles Baldy
Wenda Bauchspies
John P. Droege, Jr.
Irwin Hoffman
David H. Kidd
Daniel J. Kowalski
Daniel Zolte Lieberman
Charles L. Roberts
William Alan Rohrbach
Dale J. Sheldon
Maria Kowalczyk Sheldon
David Grey Stahl
Jeffrey L. Wilson

1986
Anonymous
Lisa Marie Allard
Clayton DeKorne
Rebecca Ann Einsig
Linda L. Hamm
Roger Winston Lowe
David C. Lowther, Jr.
Deirdre Mary McGlynn
Amy Margaret McManus
Rebecca Shug Morgan
Heather E. Peterson
Stephanie A. Rico
J'laine Robnolt
Bernadette T. Rudolph
Daniel John Schoos
James M. Tolbert
Jane P. Tolbert

1987
Mortimer J. Adler
Paul Victor Anderson
Daniel Nathan Bernstein
Joan Katherine Bogucki
David Stone Cohen
Eleanor Hamburger
Jack Edward Handy
Christopher A. Howell
Alexandra C. Kambouris
Marjorie Claire Kaplan
Skott Christopher Klebe
Christopher T . Lynch
Joseph C . Macfarland
Talke Breuer Macfarland
Michael M. McShane
Erin Michelle Milnes
Raymond S. Morgenstern
Peggy Ann O'Shea
Todd Bailey Peterson
Adolph W. Schmidt
Andrew J. Sloniewsky

1988
Devlin Eun-Jin Back
Laurie Hook Cooper
Rodrick P. Craven
Jana Maria Giles
Janet Elizabeth Hayes
Catherine Lowry Holmes
Sabrina K. W. Howell
Gretchen Ellen Jacobs
David Marvin Johnson
Irene Elisabeth Laporte
Bernard H. Masters
Tobias Maxwell

Christina Freeman Meyer
Elizabeth M. Mitchell
Shannon May O'Connor
Claudia A. B. Probst
Carole Cunningham
Simpson
Jeffrey Charles Smith
Thomas T. Suh

1989
Daniel Chris Aukerman
Timothy John Benjamin
Jeanne C . Duvoisin
Erika Gaffney
Martin David Gelfand
Linda L. Hamm
Anthony J. Nyberg
Janet Ruth Orlin
Alison Lynn Packwood
Valerie A. Pawlewicz
Thomas H. Quigley

1990
Stacey David Brown
Graham Harman
Melanie Dawn Mason
John Charles Obenauer
David S. Ruy
Kenneth Yeatts Turnbull
Scott Matthew Walters
Johanna Wilson

1991
Mercedes Inez Azcarate
Patrick Cho
Ann Grabhorn
Megan Smith

Annapolis Graduate
Institute
Alumni Donors
By Class

1976
Joan E. Silver

1977
Miriam Hock

1978
Richard A. Kaplan
Bernard Locker
John F. Ogonowski

1979
Philip Aaronson
Jeanne Blakeslee
Marilyn B. Mylander

1980
Bruce Eberwein
Charles Richardson

1981
Nicholas Ayo
Rosamond H . Rice
Glenn H. Springer
Joan Vinson Stallings

* Through income from
named unrestricted alumni
endowments.

�INSTITUTIONAL ADVANCEMENT - ANNAPOLIS
1982

1989

1989

G. Leonard Cochran
Andrew A. Favret
Paul Finney
Trudy Koch
Raj Rajan
Jeremy C. Rosenberg
Phoebe Schock

Gary Alderman
Billie Jane Angle
Allan R. Beckanstin
Virginia Lee Behrends
Carolyn Brenner
Michael Cassady
Porter Eagan
Ann E. Fallon
Richard Malmgren
Robert Pelrine
Michael Quinn
Deborah Quirion
Richard Rogers
Michele Weatherly
Steven Wilson

Eva T. H. Brann
Eric Hunter Poppele
J. I. Staley
Harriet Higgins Warren

1983
David Belz
Carla Buckwalter
Joyce Howell
Jerome Reddy
Richard Squires
Paula L. Johnson Swayne
Howard Ware
Rebecca Wilson

1984
Kevin Bennett
Barbara Maffei
Joyce R. Phillip

1985
Kathryn Wright Blackburn
Rita Cohen
Robert Feldmann
Kevin Fitzgerald
Margit Sawdey
Paul Schatzberg
Diane Vanner

1986
Joseph T. Barry
Sharon Bowman
Margaret Couvillon
Nancy Galetsky
Donald Heider
Alan Hornstein
Dexiang Li
Merle F. Maffei
Thomas Mooney
Carla Snuggs Showacre
Andrew Stahmer
Dean- Daniel W . Truog

1990
Kemmer Anderson
Eugene Baldwin
Powhatan Bradbie
Wilbert Kiessling, Jr.
Peter Lamar

Rozanne Kramer

1969
Helen J. Starling

1971
Mary Pat Justice
Alice F. Kurs
Mary Navratil

1991

1972
Susan Ely Ryan

Santa Fe Alumni
Donors 1990-91
By Class
1968
Lee L. Fischler
Allison Karslake Lemons

1969
William J. Cromartie, Jr.
Lee Tepper

1970
Christopher B. Nelson

1973
Joan Paine

1975
Richard M. Skaug

Debbie Bell
Kevin Buckley
Anna Cohen
Debra Gray Franklin
W. Robert Howell
John McKim
Deborah Photiadis- Berger
Randolph St. John
Arthur Warwick
Grace He Wireman

1976

Roseanna M. Bigham
Daniei Hugh Black
Mark Bowman
Charles Flanagan
Marianna Heaney
Jacquelin Hildebrand
Virginia M . Ingram-Wells
Elizabeth Malmgren
Patricia Metzger
Juliet Rothman
Michael Thompson
Agnes Williams

Santa Fe Graduate
Institute Donors
1990-91
By Class
1968

John Barber
Richard G. Holmes
A. Haeworth Robertson

1987

1988

1990
Gerald D. Cohen
Anne Nelson

Thomas V. Blumenthal
Barbara L. Lauer

1978
David C. Bruney

1979
Alan J. Cook

1981
Steven Jon Bohlin
Thomas J. Slakey, Jr.

1982
Rachel O'Keefe Bohlin

1986
Christopher K. Watson

1987
Anne Slakey

1988
Maria Khin Khin Guyot
Jason S. Meyer
Clementine Peterson
William R. Slakey

1973
Norma Cotton

1974
Virginia S. Newlin

1975
Philip Valley

1976
Joan Buckmaster

1977
Donna M. Gordon
Frances Hotelling
Robert Hotelling

1978
Daisy Goldwin

1979
Muriel McCown

1980
Mark Dulworth
Maryrose Patrone

1983
Mara Robinson

1985
Constance Darkey

1988
Geraldine D . Schwartz

1991
John D. Wirth
Nancy Wirth

Friends of St. John's
Sherrill S. Adams
Capt. &amp; Mrs. Robert Adrian
Nancy Allen
Mr. and Mrs. William
Barclay Allen
Mr. &amp; Mrs. James F.
Altherr
Sigmund Amitin

36

M. Brownell Anderson
Nancy Anselm
John M . Armstrong
Mr. &amp; Mrs. Frank J.
Arsenault
Peggy Sue Atterbury
Sam Austell
Mr. &amp; Mrs. Allen Austill
Mr. &amp; Mrs. Stephen E.
Bachand
Mr. &amp; Mrs. Franklin D. Bail
Doris Baker
Mr. &amp; Mrs. William C.
Baker
Mr. &amp; Mrs. Joseph J. Ball
N. Hansen Ball
Mr. &amp; Mrs. William F.
Banks
Mrs. Robert B. Barnhouse
Mr. &amp; Mrs. James B.
Barrett
William J. Battin
Mr. &amp; Mrs. G. Jackson
Bauer
Mr. &amp; Mrs . Rodney V.
Beach
William M. Beard
Mrs. Martin Beer
Mr. &amp; Mrs. Edwin S.
Belknap
Mr. &amp; Mrs. Glenn K. Bell
Mary Evelyn Bell
Mr. &amp; Mrs. Melvin Bender
Peter A. Benoliel
Mr. &amp; Mrs. George R.
Benson
Dorothy Bergamaschi
Mr. &amp; Mrs. Raymond A.
Bergstrom
Naomi S. Berlin
Mr. &amp; Mrs. Merlin S. Berry
William H. Berry
Mr. &amp; Mrs. Diwan S.
Bhathal
Dr. &amp; Mrs. Robert 0. Biern
Mr. &amp; Mrs. Emery J. Biro
Jeffrey A. &amp; Susan Bishop
Dr. &amp; Mrs. James M .
Blake, Jr.
Margaret C. Blaker
Mrs . Eugene R . Blandin
David Bliden
Hope Bliss
Kathleen Blits
Mr. &amp; Mrs. Harold W.
Bloom
Mr. &amp; Mrs. Merson Booth
Mrs. Richard Borden
Dr. &amp; Mrs. Alex L. Boro
Marion S. Borsodi
Anita Tarrant Bourke
Mrs. Alva M . Bowen
Mrs. Robert Bowen
Mr. &amp; Mrs. Robert J.
Bowen
Charles P. Boyle
Virginia Bradley
Gerald Braley
Mr. &amp; Mrs. Joel Brandon
Mr. &amp; Mrs. George Breed

Mr. &amp; Mrs. Nelson
Brick.ham
William Brill
Dr. &amp; Mrs . Philip Briscoe
Mr. &amp; Mrs. Fred W.
Bristol, Jr.
Bruce Ford Brown
Mr. &amp; Mrs. George Brown
Mrs. George B. Brown
Robert C. Brown
Beatrice Buchheister
Mr. &amp; Mrs. H. Weston
Burnett
Robert Burns
Capt. &amp; Mrs. Ernest Burt
Marian Butler
Robert Butman
Harvey Butt, Sr.
Charles Butterworth
Clifford R. Buys
Janice C. Buys
Mr. &amp; Mrs. Joseph L.
Byrnes
Benjamin R. Cadwalader
Mr. &amp; Mrs. Nicholas
Cannistraro, Jr.
Mr. &amp; Mrs. Gunnar C.
Carlson
Esther Carpenter
Mr. &amp; Mrs. Donald B.
Carren
Mr. &amp; Mrs. William G.
Carter, Jr.
Aline M. Cartier
Mr. &amp; Mrs. Joseph Carton
Mr. &amp; Mrs. Richard V.
Caruso
Katherine M. Cave
Mary E . Cavis
Mr. &amp; Mrs. John
Chandonnet
Dr. &amp; Mrs. Paul J. Chang
Mr. &amp; Mrs. R. Murray
Chastain
James Cheevers
Richard D . Chessick
William H. Choate
James P. Church
Virginia Ochs Clagett
Carole Clark
Mr. &amp; Mrs. Trevor Clark
Mr. &amp; Mrs. William B.
Clatanoff
Mr. &amp; Mrs. Lawrence E.
Clemens
William M. Clevenger
Sue D . M. Clifford
Mr. &amp; Mrs. William C.
Clouspy
Edith Cockey
Howard K. Cohen
Mr. &amp; Mrs. Robert L.
Cohen
Robert L. Cohen
Sybil Cohen
Christopher Colby
Mary Louise Cole
Geoffrey Comber
Melody D. Connor
Susan E. Cook
John E. Cooper

�INSTI TUTIO NAL ADVA NCEM ENT - ANNA POLIS
Dr. &amp; Mrs. William S.
Corak
Helen C. Corner
Aurora L. Cosgrove
Elizabeth M . Cosgrove
Mrs. Wilbur F. Coyle
Gary Craig
Sally K. Craig
Noreen Craven
Steven Crockett
Mr. &amp; Mrs. W. Kennedy
Cromwell
Mr. &amp; Mrs. William B.
Cronin
Arthur W. Crooke
Mrs. James R. Cutting
Mr. &amp; Mrs. Gordon L.
Danoff
Stanley Dapkunas
Dr. &amp; Mrs. Robert
Davenpor t
Mr. &amp; Mrs. Alex Davis
Mr. &amp; Mrs. James W. Davis
Dr. &amp; Mrs. Gustavo
Delgado
Mr. &amp; Mrs . Donald
Dement
Mr. &amp; Mrs. R. A. Dierdorff
Mr. &amp; Mrs. Charles M.
Diker
Eleanor Ditzen
Patricia E. Dixon
Phyllis Sachs Dixon
Capt. &amp; Mrs. Charles R.
Dodds
Mr. &amp; Mrs. Alex Donner
Mr. &amp; Mrs. Hillard Donner
Joseph Donner
Mr. &amp; Mrs. Paul M.
Dowling
Ruth S. Drought
Murray Dry
Joe Duke
Anna K. Dulin
Mr. &amp; Mrs. Max C. Duncan
Kevin Dungey
Mr. &amp; Mrs. William B.
Dunham
Maria Durham
Allen Durling
Mr. &amp; Mrs. Harold Earle
Theodore Earle
Virginia W . Earnshaw
Mr. &amp; Mrs. Richard
Edgerton
Mrs. Peter Edmondo
Mr. &amp; Mrs. Robert K.
Edson
Mrs. Donald Eicher
R/Adm. &amp; Mrs. Ernest M.
Eller
Mr. &amp; Mrs. Vincent Engels
Col. &amp; Mrs. Allan J. English
Mrs. William K. Enright
Shirley T. Eustis
Dr. &amp; Mrs. R. J. Falk
Stephen L. Feinberg
Mr. &amp; Mrs. Jerome
Feldman
Mrs. Morris Feldman
Richard Fellows

Mr. &amp; Mrs. Luke W.
Sharon L. Hensley
Finlay, Jr.
Kathryn Herblin
Brig. Gen. Luke W.
Dr. &amp; Mrs. Raymond
Finlay, Sr.
Herzinger
Howard Fisher
The Rev. &amp; Mrs. Leland
Lillian Fisher
Higginbo tham
Harvey Flaumenh aft
Henry Higuera
Mera Flaumenh aft
Marilyn Higuera
Mr. &amp; Mrs. Nicholas Fotos
Margie Hoffman
Virginia Frederick
Maya Hoffman
Joseph N. Friend
Mr. &amp; Mrs . Robert
Friends of Robert B. Davis
Hoffman
Dr. &amp; Mrs. John H.
Mr. &amp; Mrs. George
Frierson, Jr.
Hoffmann
Mr. &amp; Mrs . Robert Frierson
Mark Holdrege
Arthur Frommer
Mr. &amp; Mrs. French
Mr. &amp; Mrs. Ken Frost
Hollidayo ke
Mr. &amp; Mrs. John Fry
Mr. &amp; Mrs. Jackson
Mr. &amp; Mrs. Jesse Fussell
Hollis, Jr.
Sidney Gaarder
Douglas K. Holmes
The Rev. &amp; Mrs. George
Mr. &amp; Mrs . William R.
Gallos
Hopkins
Mr. &amp; Mrs. Crombie
Mrs. John B. Hough
Garrett
Virginia Houghton
R/Adm. &amp; Mrs . Robert K.
Faith H. Howarth
Geiger
Mr. &amp; Mrs . Charles Hughes
Carol Gerson
Mr. &amp; Mrs. George Hughes
Mr. &amp; Mrs. William Gibson
Eleanor K. Hunn
Mr. &amp; Mrs. Charles Gildea
Leslie Gwin Hunt
Mr. &amp; Mrs. Thomas C.
Robert F. Hunt
Gillmer
Dr. &amp; Mrs. W . Jackson Iliff
Mr. &amp; Mrs. Charles
Robert H . Irrmann
Gleeson
Robert Irvine
Ella Glennie
Richard E. Israel
Mr. &amp; Mrs . Clarence
Ilene Jack
Goldberg
Dodo Jacobs
Mr. &amp; Mrs. Larry A.
Thomas Jacobson
Goldberg
Mr. &amp; Mrs. J. V. Jamison
Dr. &amp; Mrs. Nelson
Mr. &amp; Mrs. Marc Jartman
Goodman
Capt. &amp; Mrs. Paul R. Jasper
John Gray
Ruth Javrotsky
Mr. &amp; Mrs. Basil Green
H. Eugene John
Capt. &amp; Mrs. Edwin
David S. Johnson
Greenberg
Jennifer U . Johnson
Mr. &amp; Mrs. George
Kathy Johnson
Greenleaf
Mrs. Remsen Johnson, Jr.
Eugene R. Grether
Reverdy Johnson
John H. Griffin
Capt. &amp; Mrs. Van Dyke
Mr. &amp; Mrs. Donald S.
Johnson
Grubbs, Jr.
Emily D . Joyce
Catherine Haigney
Arthur Kahn
Dr. &amp; Mrs. Henry Hall
Mrs . Mitchell A. Kapland
Margot Hamill
Francis Katz
Joan Hamilton
Mr. &amp; Mrs . John Kennaday
Nancy Hammon d
Mrs. Ora S. Kenny
Mr. &amp; Mrs. Jerry Hardesty
Mrs. Roy F. Kinard
Brian Harmon
Col. &amp; Mrs . Frederick M.
Dr. &amp; Mrs. Alan G.
King
Harquail, Jr.
Mr. &amp; Mrs . Herbert
Mrs. Herbert J. Harris
Kinsolving
Stephen L. Harris
David Kleeman
Mr. &amp; Mrs. Robert Hartge
Mr. &amp; Mrs. Stoddard
Col. &amp; Mrs. Harry
Knowles
Hasslinger
Mr. &amp; Mrs. Arthur
Mr. &amp; Mrs. George
Korsunsky
Hayman
Mr. &amp; Mrs. Stanley Krohn
Dr. &amp; Mrs . Felix F. Heald
Mr. &amp; Mrs. Roland
Mr. &amp; Mrs. Norman
Kuniholm
Heaney
Louis N . Kurs
Elizabeth B. Hearne
August Lageman
Jen nine Hedler
Mr. &amp; Mrs. Charles Lamb

37

Mrs. Arthur Landers, Jr.
Richard V. Landis
Mr. &amp; Mrs . John
Lansdale, Jr.
Mr. &amp; Mrs. Jerome LaPides
Mark Laster
Josephine B. Thoms Lauck
Ted Lauer
Alfred J. Law
Mrs. John F. Layng, Jr.
Berta Lee
Mr. &amp; Mrs. Cecil Lemon
Jon Lenkowski
Mr. &amp; Mrs. Mark Leone
Mr. &amp; Mrs. Roger Lepage
The Hon. &amp; Mrs. Eugene
Lerner
Mr. &amp; Mrs. Irving Levy
Mr. &amp; Mrs. Fred Lewis
Mr. &amp; Mrs. Gordon Ley
Margaret Libson
Mr. &amp; Mrs. Robert Libson
Bernice Lilly
Col. &amp; Mrs. Harry Lindauer
Carl Linden
Sweetser Linthicum
Mr. &amp; Mrs . Richard
Littlefield
Michael Littleton
Nancy Lodor
Pat Loftus
Adm . &amp; Mrs. Robert L. J.
Long
Owen M . Lopez
Agnes Lorentzen
Mr. &amp; Mrs. Arnold S. Lott
Ron Lovejoy
Donald J. Maclver, Jr.
Cmdr. &amp; Mrs. Alfred B.
MacKown
Carolyn de C. MacLeish
Mr. &amp; Mrs . Eugene J.
Maier
Nicholas Maistrellis
James F. Mann
Harvey C. Mansfield, Jr.
Fendall Marbury
Mary Ellen Marshall
Mr. &amp; Mrs. Frank J.
Martin, Jr.
Margaret Martin
Wanda M. Martin
Chaninah Maschler
Mr. &amp; Mrs. Archibald 0.
Mason, Jr.
Stephen R. Matz
Carolyn May
Thomas May
John P. C. McCarthy
Mr. &amp; Mrs. Ewing
McDonald
Capt. &amp; Mrs. Harold
McDonald
Dr. &amp; Mrs. David McHold
Pamela McKee
Mrs. John A. McKinley
Patricia Bilderback
McKinney
Mr.&amp; Mrs . G. Willis
McNew
Bernardin e McPherso n

William McWilliams, Jr.
M . Virginia Meredith
Mr. &amp; Mrs. Abel Merrill
Mr. &amp; Mrs. Harry
Messinger
Mr. &amp; Mrs. Charles
Meuche
Canon &amp; Mrs. A. Pierce
Middleton
Mrs. E. Norris Middleton
Mrs . Anthony Mileto
Louise L. Millican
Benjamin Milner
Mr. &amp; Mrs. Stanley T.
Mitchell
Mrs. Charles C. Molter
Mr. &amp; Mrs. Philip
Montalba no
Christel K. Moore
Mr. &amp; Mrs. John B.
Moore, Jr.
Mr. &amp; Mrs. Vernon C.
Moran
Mr. &amp; Mrs. Bruce H .
Morgan
Ruth N. Morgan
Mr. &amp; Mrs . Charles A.
Morse
Joseph D. Moss
Mr. &amp; Mrs. James Mulhern
Mr. &amp; Mrs. Edward F.
Mullen
Gladys Mullen
Dr. &amp; Mrs . Michael
Mumma
Lucille G. Murchiso n
Mr. &amp; Mrs . John Murphy
Mr. &amp; Mrs. John Beasley
Myers
Philip Myers
Mr. &amp; Mrs . Ronald M.
Naditch
Mr. &amp; Mrs. Mitchell
Nathanson
Eloise Needlema n
Mr. &amp; Mrs. Stanley Nesbitt
Dr. &amp; Mrs. Frederick Ness
Ann Nicholl
Dorothy L. Noble
Lydia Nolan
John-Clar ence North
Janice V. Nowak
Mr. &amp; Mrs . Harold V. Nutt
Esther Lee S. O'Brien
Mr. &amp; Mrs. James 0. Olfson
Frank V. Ortiz, Jr.
Nancy W. Osius
Rosamond Pappafotis
Mr. &amp; Mrs. Jerome Parks
Mrs. Thomas Parran, Jr.
William Pastille
Dr. &amp; Mrs . W . Scott Payne
Elizabeth Pearson
Arthur E. Peltosalo
Peter Pesic
Beth Peters
Mr. &amp; Mrs. Joseph P. Peters
William M. Petersen
Robert Petty
Mr. &amp; Mrs . Charles Phelps
Dr. &amp; Mrs. Errol Phillip

�INSTITUTIONA L ADVANCEMEN T -ANNAPOLIS
Board of Directors
Friends of St. John's
College, Annapolis
Among the many
volunteers whose support
enriches the College are
members of the local
community who give their
time and talent to
facilitate communciations
between "town" and
"gown" In Annapolis the
activities of the "Friends"
of St. John's are directed
by members of the Board of
the Friends: (Current
Members as of December
21, 1991): Caroline
Benson, Robert Biern,
Mary Kay Biern, William
Brill, Jerry Buckley,
Nancy L. Chandonnet,
John Christensen, Geoffrey
Comber, Tom Dawson,
Ruth Dukkony, Max
Duncan, Diane Evans,
Arnold C. Gay, Anna E.
Greenberg,Joan
Hamilton, Nancy
Hammond, Mark Herbst
Vince Iatesta, John B.
Moore, Lynn Norfolk,
William Pastille, Bruce
Petersen, Suzanne Pogell,
William Schreitz, Joy
Shaver, Esther Slaff, Joan
Vinson Stallings, Nancy
Jo Steetle, and Marilyn
Williamson; Emeritus
Members: Robert Hunt,
A . Pierce Middleton, and
James Tolbert.

Friends of St. John's
(continued)
Joan Phillips
Anthony C. Piazza
Ruth M . Pickall
Jeffrey A. Pinkham
Mrs. A. Stuart Pitt
Joseph M. Poag
L. Harvey Poe, Jr.
Suzanne Pogell
Donald K. Pollock
Dr. &amp; Mrs. David Pope
M. Michael Portilla
B/ Gen. &amp; Mrs. Edwin L.
Powell, Jr.
Daniel Prall
Mrs. Theodore Pratt
Edward Pritts
Mr. &amp; Mrs. Richard
Pritzlaff
Thomas Prufer
Thomas G . Puglisi
Anne Purvis
Mr. &amp; Mrs. Robert C. Rand
Joseph E . Rankin
Mr. &amp; Mrs. Peter
Rasmussen
Jacqueline Rea
Elaine Reed
Mr. &amp; Mrs. James A. Reid
C . Frank Reifsnyder
Mr. &amp; Mrs. Charles E.
Reutter, III
Mr. &amp; Mrs. Harry M. Rever
Rose Marie Rice
Mrs . Woodward B. Rich
Mrs. William W . Richards
Mr &amp; Mrs. William
Richardson
Capt. &amp; Mrs . William C.
Richardson
Frances E. Riche
Mr. &amp; Mrs. Philip
Richebourg
Nancy N. Rischard
Donald C . Roane
John F. Robbert
Charles Robinson
Mr. &amp; Mrs. John Robson
Pendleton Rogers
Mr. &amp; Mrs. G.G. Rohwer
Mrs. Elerk Rosenbloom
Howard Rosenbloom
John Ross
Peggy Grace Rubb
Beate Ruhm Von Oppen
Mr. &amp; Mrs . Donald
Rumsfeld
Mr. &amp; Mrs. John E . Ryan
George Sachse
Prof. &amp; Mrs . Edward J.
Satterthwaite
Ingrid Savignac
George Schaun
Mr. &amp; Mrs. Manuel J.
Schenker
David P. Schirra
Phoebe K. Scholl
Margaret W . Schwartz
John J. Schwarz

Mr. &amp; Mrs. William
Schwarz
Marie Scott
Judith Seeger
Mrs. Guy Shaffer
Mr. &amp; Mrs. Bennett Shaver
Winslow D. Shaw
Mr. &amp; Mrs. John
Sherwood, III
Abram N . Shulsky
Mr. &amp; Mrs. Harold
Sigafoose
Anne Simmons
Andrew Simpson
Isabelle Simpson
Herman Sinaiko
Mr. &amp; Mrs. J.W. Slack
Mr. &amp; Mrs . W. Cameron
Slack
Esther Slaff
Mr. &amp; Mrs . Arnold Smith
Brooks M . Smith
Carolyn Smith
Helen S. Smith
Marguerite M. Smith
William A. Smith
Mr. &amp; Mrs. Theodore H .
Smyth
Mr. John Sandberg
Mrs. James J. Soul
Mrs. Robert Spaeth
Mr. &amp; Mrs. Frederick
Spalding
Edward G . Sparrow
Carl J. Spector
Paula Stacey
Richard L. Stallings
Mr. &amp; Mrs. John E.
Starr, Sr.
Dale W. Stayton
Mrs. Andrew Steiner
Shirlee Stern
Elizabeth Strohl
Trudy Stukes
William D . Sutherlin
Mr. &amp; Mrs. John B. Sutton
Mr. &amp; Mrs. Earl G .
Swafford
Mr. &amp; Mrs. Craig Symonds
Lt. Gen. &amp; Mrs . Orwin
Talbott
Dr. &amp; Mrs. Joseph Taler
Mr. &amp; Mrs. Nathan Tarcov
William J. Taylor, III
Carl TenHoopen
Mr. &amp; Mrs. W .T . Terry, Jr.
Clare Eddy Thaw
Mr. &amp; Mrs . Milton
Thompson
Ellan Thorson
Mr. &amp; Mrs. Thomas 0.
Tilghman, Jr.
David Lee Townsend
Mr. &amp; Mrs. William
Townsend
Mrs. Gene D. Trettin
Jonathan S. Tuck
Mr. &amp; Mrs. Edward Tucker
Mr. &amp; Mrs. Richard F.
Tyler
Dr. &amp; Mrs. Herman Urbach

38

Capt. &amp; Mrs. Vadym V.
Utgoff
Mira Van Doren
Dr. &amp; Mrs. Jack Van Geffen
Sandra V anLandingham
Mr. &amp; Mrs. Karl R.
Van Tassel
Mr. &amp; Mrs. Paul Velgos
Marcella Vitzthum
Mr. &amp; Mrs. Oliver E .
Vroom
Mal Wakins
Capt. &amp; Mrs. A. L. Waldron
Dr. &amp; Mrs. Stuart H.
Walker
David Wallace
Mr. &amp; Mrs. Hugh B. Wallis
Harvey Walters
Mame Warren
Anne Warwick
Mr. &amp; Mrs. Lee Watkins
Dr. &amp; Mrs. Stanley Watkins
Mr. &amp; Mrs. Charles H .
Watts, II
Joan Weese
Dr. &amp; Mrs. William
Weintraub
Anne Weir
Cora Weiss
Mr. &amp; Mrs. Alan Weitzman
Mr. &amp; Mrs. Francis X.
Welch
Mrs. Charles M . West, Jr.
Mr. &amp; Mrs. Richard C.
Whaley
The Rev. &amp; Mrs. John
Wheeler
Elsie Whitman
Mr. &amp; Mrs. Paul Whitmore
Mr. &amp; Mrs. LeRoy A.
Wilbur
Betty Jones Wilkinson
Mr. &amp; Mrs. Stephen
Wilkinson
Dennis Williams
Mr. &amp; Mrs. John P.
Williams, Jr.
Scott L. Williams
Mr. &amp; Mrs . Bert Winchester
Debbie Winchester
Ruth G. Wittler
Ken Witzgall
Mr. &amp; Mrs. Thomas J.
Wohlgemuth
Mr. &amp; Mrs. Don Wolfrey
Mr. and Mrs. K. Martin
Worthy
Harry R. Wrage
Karen Wright
Mr. &amp; Mrs . DeMarquis D.
Wyatt
Malcolm Wyatt
Ronald James Wylde
John C . Wylie
Laura Young
William I. Young
Eva N. Zartman
Bernadette Zavin
Haidi Zech
Mr. &amp; Mrs. Jack Zimmer
Herbert L. Zorn, Jr.

Parents of Current
Students and Alumni
Carlos Acosta
Mr. &amp; Mrs . Raymond J.
Adams
Mr. &amp; Mrs. Carlos E.
Agnese
Adele Alper
Annice M. Alt
Soledad B. Ames
Mr. &amp; Mrs. Charles
Anderson
George W . Archer
Mr. &amp; Mrs. Dale Aukerman
Mr. &amp; Mrs. Carlos L.
Azcarate
The Rev. &amp; Mrs. Edmund
Baumgarten
Margot Bell
Mr. &amp; Mrs. Frederick Berg
Dr. &amp; Mrs. Richard
Berkowitz
Mr. &amp; Mrs. Maurice Berlin
Mr. &amp; Mrs . Joseph Besher
Mr. &amp; Mrs . Saul J.
Blaustein
Mr. &amp; Mrs . Lewis T.
Booker
Mr. &amp; Mrs. R. Barry
Borden
Mr. &amp; Mrs. Barry Bosworth
Mr. &amp; Mrs. Wayland Wilson
Bowser
Eugenia Brasacchio
Mr. &amp; Mrs. Theodore T.
Breuer
Emerson Milton Brown
Mr. &amp; Mrs. Edward Burgess
Mr. &amp; Mrs. Chapman Burk
Mr. &amp; Mrs. Nicola Caiola
Mr. &amp; Mrs. Jeffrey Callahan
Mr. &amp; Mrs. King Carr
Dr. &amp; Mrs. J. Wade
Caruthers
Mr. &amp; Mrs. John Paul
Causey
Mr. &amp; Mrs. Richard Chollet
Mr. &amp; Mrs. Alexander
Christ
Mr. &amp; Mrs. Philip S.
Church
Barbara L. Claster
Mr. &amp; Mrs. Morris Cobern
Mr. &amp; Mrs. Gerald D .
Cohen
Mr. &amp; Mrs. Saul B. Cohen
Mrs. Frances Conrad
Pamela Corey-Archer
Mr. &amp; Mrs. John J. Costa
Margaret Cowin
Virginia Cruse
Dr. &amp; Mrs . Cecil C. H.
Cullander
Mr. &amp; Mrs. Roberto
Cuniberti
Mr. &amp; Mrs . Richard L.
Davis
Mr. &amp; Mrs. Wilbur H. Day
Mr. &amp; Mrs . Arnold Dennis
Dr. &amp; Mrs. B.W. DeShazo

�INSTITUTIO NAL ADVANCEM ENT - ANNAPOLIS
Dennis Donald Donahue
Mr. &amp; Mrs. Robert N .
Downey
Mr. &amp; Mrs. George F.
Dudik
Stephen Edelglass
Mr. &amp; Mrs. Clark Edwards
Mr. &amp; Mrs. Maurice R.
Feldman
Diana J. Firestone
Mr. &amp; Mrs. Robert T.
Forrest
Mr. &amp; Mrs. James H.
Frame
Dr. &amp; Mrs. Gary P. Francke
Mr. &amp; Mrs . Joseph J.
Gaffney
Mr. &amp; Mrs. Francis Gazzola
Mr. &amp; Mrs. Anthony
Girone
Mr. &amp; Mrs. Richard N .
Golding
Mr. &amp; Mrs. John K.
Goodwin
Murray Greene
Mr. &amp; Mrs. George C.
Grubb, Jr.
Mr. &amp; Mrs. A.P. Haggerty
Mr. &amp; Mrs. Alan H.
Hammerman
Elizabeth Hansen
Barbara Lynne Harpel!
Mr. &amp; Mrs. Thomas P.
Hayes
Mr. &amp; Mrs. Vincent N .
Heckel
Cdr. &amp; Mrs. James D .
Hendry
Mr. &amp; Mrs. John Henry
Mr. &amp; Mrs. Michael J.
Hermanoff
Dr. &amp; Mrs. Robert M.
Heyssel
Ted Holmberg
The Rev. &amp; Mrs. Mercy
Igbeare
Mr. &amp; Mrs. Fred Israel
Mr. &amp; Mrs. Robert A.
Jablon
Jennifer U. Johnson
Mr. &amp; Mrs. J. Seward
Johnson, Jr.
Mr. &amp; Mrs. Thomas W.
Johnson
Denise Klein
Mr. &amp; Mrs. W.E.
Klippert, II
Mr. &amp; Mrs. William Klunk
Mr. &amp; Mrs. James J. Kocsis
Mr. &amp; Mrs. Nathan Korshin
Mr. &amp; Mrs. Steven Krawiec
Karen P. Krone
Mr. &amp; Mrs. Brian J. Lalone
Valerie Lamont
Lowell W. Lapham
Miriam S. Lapham
Mr. &amp; Mrs. Thomas A.
Larsen, Sr.
Mr. &amp; Mrs. Kenneth L.
Lauer

Dr. &amp; Mrs. Mario L.
Lecuona
Ida Lenihan
The Rev. &amp; Mrs. Allen
Lewis
Dr. &amp; Mrs. Donlin M.
Long
Julia G. Long
Thomas Lusk
Mr. &amp; Mrs. James Mackey
Mr. &amp; Mrs. John Mappin
Francis Marks
The Rev. &amp; Mrs. James W.
Martin, Jr.
Dr. &amp; Mrs. Frank McKemie
Mr. &amp; Mrs. Harold Melton
Barbara T. Miller
Mr. &amp; Mrs. Kenneth R.
Mitchell
Mr. &amp; Mrs. James E.
Monsma, Sr.
Dr. &amp; Mrs. James A.
Mullen
Nini Munro-Chmura
Elizabeth Myers
Dr. &amp; Mrs. Lawrence G.
Myers
Judith L. Oakes
Mr. &amp; Mrs. Robin S.
Oggins
Mr. &amp; Mrs. George W.
Olinger
Mr. &amp; Mrs. Thomas J.
Olivier
Mr. &amp; Mrs. Frank Owens
Mr. &amp; Mrs. Michael Pappas
Mr. &amp; Mrs. William
Pfefferkorn
Mr. &amp; Mrs . Kenneth Phifer
Mr. &amp; Mrs. Joseph Pietrus
Erich K. Plaut
Mr. &amp; Mrs. Donald J.
Povejsil
Mr. &amp; Mrs. Henry R.
Povolny
Deborah E. Powers
Mr. &amp; Mrs. J. Richard Reid
Mr. &amp; Mrs. David J. Riley
Mr. &amp; Mrs. Paul Rischard
Mr. &amp; Mrs. Herbert
Rosenberg
Mr. &amp; Mrs. Robert
Rosenberg
Mr. &amp; Mrs. Robert P. Ross
June Harrison Russ
Mr. &amp; Mrs. Archie T.
Satterfield
Dr. &amp; Mrs. George
Schoedinger
Mr.&amp; Mrs. William G.
Schurr
Dr. &amp; Mrs. Bradford
Schwartz
Dr. &amp; Mrs. William
Schwartz
Mr. &amp; Mrs. S. Spencer Scott
Ruth Seaman
Virginia M. Sills
Dr. &amp; Mrs. Lawrence Silver
Mr. &amp; Mrs. Thomas J.
Slakey

Jessie Patton Smith
Mr. &amp; Mrs. Edward G.
Sparrow, Jr.
Mr. &amp; Mrs. Frederick Stires
Mr. &amp; Mrs. Robert E. Stout
Mr. &amp; Mrs. George
Summers
Mr. &amp; Mrs. Leonard W.
Swett
Mr. &amp; Mrs. Michael
Toomey
Mr. &amp; Mrs. James W. Truitt
John Tyson
Mr. &amp; Mrs. Joseph Uemura
Mr. &amp; Mrs. Ronald Umerlik
Prof. &amp; Mrs. Ray M.
Wakefield
Mr. &amp; Mrs. Bernard Walley
Mr. &amp; Mrs. James C.
Walworth
Mr. &amp; Mrs . M. Gist Welling
Mr. &amp; Mrs. William H.
Wendt
Mr. &amp; Mrs. Jack C .
Williams
Mr. &amp; Mrs. Warren
Winiarski
Eleanor Wilson -Berg
Mr. &amp; Mrs. William M .
Wright
Mr. &amp; Mrs . Frederick B.
Wynn, Sr.
Cloie B. Yager
Mr. &amp; Mrs. Richard Zelina

In Honor of:
Braulio Carlos Agnese '91
Mr. &amp; Mrs . Carlos E.
Agnese
Class of 1942
Alvin Chesley Wilson, Jr.
Tristan Miles Forgus
Valerie Lamont
Matthew Francis
Gaffney '91
Mr. &amp; Mrs. Joseph J.
Gaffney
Anna E. Greenberg
Dr. &amp; Mrs. Robert 0 . Biern
Jeffrey A. Bishop
Eva T. H. Brann
Mr. &amp; Mrs. Donald
Dement
David Dobreer
Nancy Hammond
Faith H . Howarth
Alfred J. Law
Barbara H. Leonard
Donald J. Maclver, Jr.
Frank B. Marshall, Jr.
Pamela McKee
Mrs. Elerk Rosenbloom
Mr. &amp; Mrs. Bennett Shaver
William W. Simmons
Thoedore H. Smyth
Stag's Leap Wine Cellars
Thomas B. Turner
Peter Weiss

39

Col. &amp; Mrs. Harry
Lindauer
Anna Greenberg

Jeanette Rosen
Caritas Society of St. John's
College

Donald J. Maclver,Jr.
Caritas Society of St. John's
College

Wolfgang F. Rosenberg
Else S. Klein

Wilbur Matz
Stephen R. Matz

Verne Schwab '45
Mr. &amp; Mrs. Robert C. Rand
Katherine S. Watkins
Ann B. Worthington

Maxwell Ochs
Anna Greenberg
Mr. &amp; Mrs. Bennett Shaver
Anna Greenberg
Sheila Monen Virgil
The Buffalo News
Mr. &amp; Mrs. M. E. Warren
Mame Warren

In Honor of the
Birthday of:
Thomas M. Carnes '52
Mr. and Mrs. Ken Frost
Dr.A.Love
Else S. Klein

Mordecai Gist Welling,
Jr. '72
Mr. &amp; Mrs. M. Gist Welling
Alvin Chesley Wilson and
the Class of 1856
Alvin Chesley Wilson, Jr.

Anna May Wilson
Caritas Society of St. John's
College
Margery Collier Wyatt
Robert C. Brown
Mr. &amp; Mrs . Charles
Gleeson
TodoMundo

In Memory of:

Hedwig Wylie
John C. Wylie

John D. Alexander, Sr. '20
Allen, Johnson, Alexander
&amp;Karp

Scholarship
Endowments

Betty Beck Bennett '60
Patricia Carter

Ford K. Brown H '70
Scholarship Endowment
Barbara H. Leonard

Winifred Brown '82
Emerson Milton Brown
Richard Cassell
Mr. &amp; Mrs. George
Hoffman
Thomas Cosgrove '46
Aurora L. Cosgrove
Wilbur R . Dulin
Anna K. Dulin

'31

Donald R. Esselborn '80
Steven Robert Edwards
Nancy V. Gaston
Pasquale L. Polillo
Eileen Hunt
Caritas Society of St. John's
College

John F. Layng, Jr. '23
Mrs. John F. Layng, Jr.
Thomas L. MacNemar '39
Mr. and Mrs. John Beasley
Myers
Mrs. N. Monsour
Robert Hazo
Andrew Alexander

Pausley '90
Elizabeth B. Hearne
Kristen M. Regner
Mr. &amp; Mrs. Cecil Lemon

Faculty Scholarship
Endowment
Mr. &amp; Mrs . Charles
Anderson
Eva T. H. Brann
Anthony J. Carey
Geoffrey Comber
Mr. &amp; Mrs. William A.
Darkey
Kevin Dungey
Howard Fisher
Mr. &amp; Mrs . Harvey
Flaumenhaft
Mr. &amp; Mrs. Henry Higuera
Anita Norton Kronsberg
Mr. &amp; Mrs. Louis N. Kurs
Jon Lenkowski
Mr. &amp; Mrs . Fred Lewis
Nicholas Maistrellis
Chaninah Maschler
Peter Pesic
Deborah Schwartz Renaut
Abraham Schoener
Mr. &amp; Mrs. Thomas J.
Slakey
David Lee Townsend
Mal Wakins
Malcolm Wyatt
Dr. Simon &amp; Fanny
Kaplan Scholarship
Endowment
Ronald Davidoff
Barbara H. Leonard

�INSTITUTIONA L ADVANCEMEN T -ANNAPOLIS
InMemorium
The community
mourned the death and
celebrated the life ofJ.
Winfree Smith, who died
in early 1991. Mr. Smith,
the author of essays and
translations on historical)
mathematical) and
scientific matters, also
wrote the book, A Search
for the Liberal College,
published by the St. John's
College Press in 1984. The
architects of the New
Program, Stringfellow
Barr and Scott Buchanan, had been Mr. Smith's
teachers at the University
of Virginia. They invited
him to join the St. John's
faculty in 1941Jrom
which time he continued
to protect and shape the
curriculum for many
terms on the Instruction
Committee. Prior to his
death, Mr. Smith had been
chosen unanimously by the
Annapolis faculty to
receive the 1990-91 SearsRoebuck Foundation
Teaching Excellence and
Campus Leadership
Award, which was
accepted by representatives
of his family. His memory
was honored by the
dedication of the 1991
Annapolis Homecoming
Weekend to him on the
fiftieth anniversary of his
teaching tenure at St.
John's. In April a
memorial service attended
by many community
members was held. A
committee including
Douglas Allanbrook and
Brother Robert Smith is
compiling a body of
Winfree Smith lore,
including Mr. Smith's
unpublished writings and
his friends' recollections.
The material will be
compiled for wider
distribution.

Friends of St. John's
(continued)
John Spangler Kieffer &amp;
Roxana Kieffer Scholarship
Endowment
Arthur W. Crooke
Mr. &amp; Mrs. Edward W .
Dunham
Mr. &amp; Mrs. James F.
Dunham
Mr. &amp; Mrs. Warren B.
Dunham
Mr. &amp; Mrs. William B.
Dunham
Estate of Roxana W . Kieffer
Mr. &amp; Mrs. H . A. Grauff
Mr. &amp; Mrs. Donald S.
Grubbs, Jr.
Mr. &amp; Mrs. J. V. Jamison
Else S. Klein
Barbara H . Leonard
M . Virginia Meredith
Mrs. Woodward B. Rich
Mr. &amp; Mrs . Harold
Sigafoose
Mr. &amp; Mrs. James M.
Tolbert
Mr. &amp; Mrs. Paul V elgos
Alvin Chesley Wilson, Jr.
Mr. &amp; Mrs. Curtis A.
Wilson

Jacob Klein H '76
Scholarship Endowment
Barbara H . Leonard
Arthur E. &amp; Hilda
Landers Scholarship
Endowment
Mrs. Arthur Landers, Jr.
Maryland National
Foundation Scholarship
Endowment
Maryland National
Foundation, Inc .

Phillip A. Myers, II, 1938
Scholarship Endowment
Estate of Kate M. Myers
Murray J. &amp; Julius
Rosenberg 1938 Memorial
Endowment
Mrs . Elerk Rosenbloom
J. Winfree Smith H '80
Scholarship Endowment
Mr. &amp; Mrs. Mark A. Adler
George Anastaplo
Kemmer Anderson
Lydia S. Aston
The Atlantic Records
Foundation, Inc.
Bruce Joseph Babij
James Earl Bailey
Elizabeth Christian Banta
Joseph T. Barry
Robert S. Bart
Victor E. Barton
Dante G. Beretta, Jr.
Elizabeth Molnar Bergan

Sharon Bishop
Mr. &amp; Mrs. Jan Blits
Joan Katherine Bogucki
Karen Anderson Bohrer
Richard D. Bond, Jr.
Roberta Petty Bond
Rosalie Levine Boosin
Charles W. Borden
S. Douglas Bowers
Powhatan Bradbie
Eva T. H. Brann
Stacey David Brown
David C . Bruney
Joan Buckmaster
Honor Heyward Bulkley
Maj . &amp; Mrs. Roger C. Burk
William Watt Campbell
Ray C. Cave
George A. Cayley
Robert Bruce Christian
Lindsay E. Clendaniel
Nancy Lee Coiner
James W . Conrad
Alan J. Cook
Norma Cotton
Mary Coughlin
Rodrick P. Craven
William J. Cromartie, Jr.
Alexandra Culbertson
Mr. &amp; Mrs. Roberto
Cuniberti
Hugh M. Curtler
Mr. &amp; Mrs. William A.
Darkey
Ronald Davidoff
Christine Kubacki Davis
Frederick P. Davis
Mr. &amp; Mrs. William M.
Davis
Matthew K. Davis
Patrick D . Davis
Vernon E. Derr
Dr. &amp; Mrs. Thomas
Dourmashkin
Editorial Services
Michael H. Elias
Bruce Lee Elliott
Donald S. Elliott
John Gary Elliott
Ahmet M . Ertegun
Lawrence Feinberg
Barry L. Fisher
Ann Sheila Flanagan
Charlotte Fletcher
Stephen J. Forman
Friends ofJ. Winfree Smith
Dr. &amp; Mrs. John H.
Frierson, Jr.
Mr. &amp; Mrs. Robert Frierson
Thomas I. Fulton, Jr.
Erika Gaffney
Mr. &amp; Mrs . Crombie
Garrett
Bernard F. Gessner
Eugene Glass
Michael W. Gold
Donna M. Gordon
Mr. &amp; Mrs. Mark GowdyJaehnig
Peter Herman Grubb

40

Mr. &amp; Mrs. Raymond T.
Haas
Emily Hamilton
Graham Harman
Marianna Heaney
Anne Braswell Heldreth
Henry B. Higman
Charles E. N . Hoffacker
Allan P. Hoffman
Steven M . Holland
Jae Holzman
W. Robert Howell
F. Kay Huebner
Marjorie Hutter
Josephine J. Jaster
John Joanou
Mr. &amp; Mrs . James W.
Jobes, Jr.
Archer Jones
Mary Pat Justice
Michael C. Keane
David H. Kidd
Barbara Brunner Kiebler
Mrs. John S. Kieffer
Else S. Klein
KPMG Peat Marwick
Rozanne Kramer
S. David Krimins
Allison Karslake Lemons
Robley Timmins Levy
C. Ranlet Lincoln
Paul A. Lowdenslager
Donald J. Maclver, Jr.
Mr. &amp; Mrs. Nicholas
Mais trellis
Francis S. Mason, Jr.
Edward L. Mattison
Douglas Kirk Mayer
Muriel McCown
Deirdre Mary McGlynn
Mr. &amp; Mrs. Ronald C.
McGuirk
Thomas J. Meyers
Erin Michelle Milnes
Raymond S. Morgenstern
Mary Navratil
Charles A. Nelson
Christopher B. Nelson
Virginia S. Newlin
Robert E. Nichols
Janice V. Nowak
John Charles Obenauer
Rosanne Gleason O'Connor
The Rev. &amp; Mrs. Donnel
O'Flynn
Alison Lynn Packwood
Joan Paine
Maryrose Patrone
Gerald E. Pemberton
Milton Perlman
Robert J. Perry
L. Harvey Poe, Jr.
Eric Hunter Poppele
Susan Louise Price
David B. Rea
Gail Webber Redd
William T . Roberts, II
Richard Rogers
William Alan Rohrbach
Barbara Mordes Ross
Peter Ruel

Beate Ruhm Von Oppen
Susan Ely Ryan
Joe Sachs
Deborah R. Sack
Robert Sacks
Margit Sawdey
Walter Schatzberg
Hope Zoss Schladen
Daniel John Schoos
Mr. &amp; Mrs. William G.
Schurr
Raymond Carlton Seitz
Lawrence Sherman
Hilyer Gearing Shufeldt
Bruce H . Sinkey
Jonathan H. Sinnreich
Richard M. Skaug
Herman Small
L. Wheaton Smith
Mary Grant Smith
Susan Smolin
Stag's Leap Wine Cellars
Helen J. Starling
Annette Tullier Staubs
John Sterrett
Mark L. Sugg
Eugene V. Thaw
Mr. &amp; Mrs. James M.
Tolbert
Karen Astrid Tourian
Robert G. Tzudiker
Philip Valley
Richard Van der Voort
Robert Francis Vincent
Martin Z . Vogelhut
Charles B. Watson
Mr. &amp; Mrs. Richard D.
Weigle
Edward D. Weinberger
Ira Weiss
Peter Weiss
Dinah Wells
The Rev. &amp; Mrs. John
Wheeler
John L. Williams
Thomas J. Williams
Mr. &amp; Mrs. Curtis A.
Wilson
Mr. &amp; Mrs . Warren
Winiarski
Robert Lewis Wyckoff, II
Mr. &amp; Mrs. Harvey Wynn

Clarence W. Stryker
Scholarship Endowment
William C. Owens
Karl and Evelyn
Van Tassel Scholarship
Endowment
Karl R. Van Tassel

General and Memorial
Endowments
Charles Edward Athey 1931
Memorial Endowment
William B. Athey
Richard Duhan 1963
Memorial Fund
Mrs. Frances Conrad

�INSTITUTIONA L ADVANCEMEN T - ANNAPOLIS
Bryce Jacobsen Prize Fund
Daniel John Schoos
Mackey-Mobbs Memorial
Dow Chemical Company
Mr. &amp; Mrs. James Mackey
James McClintock 1965
Prize Fund
Gerald F. Zollars
Charles V. Moran Prize in
the Visual Arts
Mr. &amp; Mrs. William C.
Clouspy
Francis Katz
Mr. &amp; Mrs. Vernon C.
Moran
Anthony C. Piazza
Joseph M. Poag
William D . Sutherlin
Mr. &amp; Mrs. Lee Watkins
Joan Weese
Dorsey W. Offutt,Jr. 1925
Memorial Endowment
Estate of Dorsey W.
Offutt, Jr.
Andrew Pausley 1990
Library Endowment
Elizabeth B. Hearne
Richard Scofield
Endowment
Daniel V. Manfredi
Ruth Sutphin Memorial
Garden Fund
Carole Clark

General and Memorial
Endowments
(Corporate EndowmentSanta Fe)
The Robert Bowne Davis
1969 Memorial Fund
Catherine Amparano
Kristen Baumgardner
Michael David
George. H. Elias, Jr.
Wendy L. Feintech
Mr. &amp; Mrs. Peter Fisk
Friends of Robert Bowne
Davis Memorial Fund
Robbyn Lea Jackson
Thomas Jacobson
Susan D. Kaufman
E. Leslie Medford, Jr.
Mark Andrew Middlebrook
Barbara T. Miller
Mr. &amp; Mrs. Mark
Moore-Fuller
Alex Sten Poulsen
Susan Louise Price
Harrison J. Sheppard
Thomas L. Sigman
Marlene Strong
Mr. &amp; Mrs. Lee Tepper
Robert T. Thompson
R. John Wekselblatt
Toni Wilkinson

The William O'Grady
Scholarship Fund
Laurie Alexander
Barbara Altman
Joe Sachs
Mr. &amp; Mrs. Edward G.
Sparrow
Westinghouse Education
Center
Mr. &amp; Mrs. Mark A. Wielga

Special Funds
Athletic Fund
Mr. &amp; Mrs. Rodney V.
Beach
Dorothy Bergamaschi
Melody D. Connor
Peter B. Connor
Kevin Dungey
Friends of the Rowing Club
Catherine Haigney
Leslie Gwin Hunt
Karen P. Krone
Karen Dianne McCartan
Christel K. Moore
Anthony J. Nyberg
Deborah Schwartz Renaut
Nancy N. Rischard
Virginia M. Sills
St. John's College Annapolis
Erin Rachel Taylor
The Professional Courier
Service
John Tyson
Kersti V. Tyson
Ronald James Wylde
Art Gallery
Annapolis Fine Arts
Foundation
Anne Arundel County
Anne Arundel County
Commission on Culture
and the Arts
City of Annapolis
Maryland State Arts Council
USF&amp;G Foundation, Inc.
College Employee Loan
Fund
Anonymous

Friends of the Mitchell
Gallery
Mr. &amp; Mrs. Stephen E.
Bachand
Mrs. Robert B. Barnhouse
Mr. &amp; Mrs. George R.
Benson
Dr. &amp; Mrs. Robert 0. Biern
Hope Bliss
Mrs. Richard Borden
Mrs . Robert Bowen
Mrs. George B. Brown
Mr. &amp; Mrs. Donald B.
Carren
Mr. &amp; Mrs. William G.
Carter, Jr.
Virginia Ochs Clagett
Coastal Properties
Management, Inc.

Mr. &amp; Mrs. Donald
Dement
Capt. &amp; Mrs. Charles R.
Dodds
Virginia W. Earnshaw
R/Adm. &amp; Mrs. Ernest M.
Eller
Mr. &amp; Mrs. Charles Gildea
Capt. &amp; Mrs. Edwin
Greenberg
Mr. &amp; Mrs. George
Hayman
Mr. &amp; Mrs . Jackson
Hollis, Jr.
Capt. &amp; Mrs. Van Dyke
Johnson
Emily D. Joyce
Berta Lee
Mr. &amp; Mrs. Roger Lepage
Mr. &amp; Mrs. Irving Levy
Mr. &amp; Mrs. Robert Libson
Mr. &amp; Mrs . Richard
Littlefield
Mr. &amp; Mrs. Arnold S. Lott
Mr. &amp; Mrs. Frank J.
Martin, Jr.
Margaret Martin
Mr. &amp; Mrs. Archibald 0.
Mason, Jr.
Dr. &amp; Mrs. David McHold
Pamela McKee
Mr. &amp; Mrs. John B.
Moore, Jr.
Ruth N. Morgan
Joseph D . Moss
Mr. &amp; Mrs. John Murphy
Mr. &amp; Mrs. Mitchell
Nathanson
Esther Lee S. O'Brien
Rosamond Pappafotis
Picture Craft, Inc.
Elaine Reed
Mr. &amp; Mrs. Mrs. Charles E.
Reutter, III
Rose Marie Rice
Mrs. William W. Richards
Mr. &amp; Mrs. Philip
Richebourg
Mr. &amp; Mrs . William
Schwarz
Mr. &amp; Mrs. Bennett Shaver
Brooks M. Smith
Marguerite M. Smith
William A. Smith
Trudy Stukes
Mr. &amp; Mrs . Richard F.
Tyler
Dr. &amp; Mrs. Stanley Watkins
Mr. &amp; Mrs . Alan Weitzman
Elsie Whitman
Mr. &amp; Mrs. John P.
Williams, Jr.
Laura Young

Gifts-in-Kind
Sam Austell
Naomi S. Berlin
Ronald E. &amp; Linda Council
Black &amp; Decker
Virginia Houghton
Thomas Lusk
Richard T. Mallon

41

Marriott Corporation
Mr. &amp; Mrs. Stanley T.
Mitchell
Richard L. &amp; Joan Vinson
Stallings
Marylou Symonds
Sandra Van Landingham

Graduate Institute
Arco Chemical Company
Paul Finney
Rohm and Haas Company

Great Issues: Ethics and
Law
Anonymous
ARINC
Council, Baradel, Kosmerl
&amp; Nolan, P.A.
Hartman and Crain
Michaelson, Krause &amp;
Ferris, P.A.
Second National Federal
Savings Bank
UNC Incorporated
Kaplan Prize Fund
Fanny Kaplan
Jacob Klein Prize Fund
Else S. Klein
Library Book Fund
Robert C. Brown
Caritas Society of St. John's
College
Mrs . Fanny Kaplan
Mr. &amp; Mrs. Louis N . Kurs
Thomas May
Todo Mundo
Westminster Foundation of
Annapolis
Ann B. Worthington
Miscellaneous Restricted
Dr. &amp; Mrs. Robert 0 . Biern
Jeffrey Bishop
Booz-Allen &amp; Hamilton
Eva T. H. Brann
Caritas Society of St. John's
College
Mr. &amp; Mrs. Donald
Dement
David Dobreer
Capt. &amp; Mrs. Edwin
Greenberg
Nancy Hammond
Faith H. Howarth
Independent College Fund
of Maryland
Alfred J. Law
Barbara H. Leonard
Donald J. Maclver, Jr.
Frank B. Marshall, Jr.
Pamela McKee
Mrs. Elerk Rosenbloom
Dr. &amp; Mrs. George
Schoedinger
Mr. &amp; Mrs. Bennett Shaver
William W. Simmons
Theodore H. Smyth
Stag's Leap Wine Cellars
Thomas B. Turner
Peter Weiss

Preceptorials
Evalyn Cook Richter
Memorial Fund
Paul K. Richter Memorial
Fund
Renaissance Music Series
Abraham &amp; Ruth Krieger
Family Foundation, Inc.
A.R.G., Inc.
Art Things, Inc.
Benson Motor Cars, Ltd.
Mr. &amp; Mrs. George Breed
Howard K. Cohen
The Country Cat Clinic
Phyllis Sachs Dixon
Edgewater Liquors, Inc.
Essex Credit Corp.
Stephen L. Harris
Laurance Clothing
Manis, Snider, Buck &amp;
Migdal
Paul Reed Smith Guitars
Robert Pelrine
William B. Schreitz
Cabinetmaker, Inc.
Tydings Import
Service, Ltd.
Weller, Fishback &amp; Bohl
James B. Wooddell
Scholarships/Graduate
Institute
Marilyn B. Mylander
Scholarships
Anonymous
Mr. &amp; Mrs. Nicola Caiola
Ray C. Cave
Chesapeake &amp; Potomac
Telephone Company
Aurora L. Cosgrove
Steven Crockett
Mrs. William K. Enright
James H. Frame
Stella and Charles Guttman
Foundation
Sharon L. Hensley
Dr. &amp; Mrs. Raymond
Herzinger
Independent College Fund
of Maryland
James M .. Johnston Trust
Ensign C. Markland Kelly,
Jr. Memorial Foundation
LaPides Foundation
John J. Leidy
Foundation, Inc.
Mr. &amp; Mrs. Ewing
McDonald
Mrs. John A. McKinley
Stag's Leap Wine Cellars
St. John's Alumni
Association
Peter Weiss
Mr. &amp; Mrs. M. Gist Welling
John C. Wylie

William Smith Scholarship
Charlotte Fletcher
Barbara H. Leonard

�INSTITUTIONAL ADVANCEMENT - SANTA FE
Phonathon Volunteers
The success of the
Alumni Annual Fund
owes much to the many
volunteers who gave of
their time and energy to
participate in regional
phonathons in 1990-91.
Among the volunteers to
whom St. John 's extends its
thanks:
Annapolis - Gerald
Atterbury A'46, Miriam
Callahan-Hean AGI'87,
Jack Ladd Carr A'50,
Kathy Dulisse AGI'88,
Katherine Hsu Haas
A'60, Mary Pat Justice
SGI'71, Pamela Kinsely
A '85, S. David Krimins
A '63, Ranlet Lincoln
A'50, Merle Maffei
AGI'86mJane Pennington
AGI'87, Faye Polillo
A'56, Frank Wilson A'35
Chicago - Janet
Nelson Berggren A' 72,
Norma]. Cotton SGI'73,
Rick Lightburn SF'76,
Erin Milnes A'87,
Christopher B. Nelson,
SF'70, Cindy Rutz SF'82,
Tom Stepnowski SF'77,
Houston - Anne
O' Malley Culotta A'8l,
Margaret Couvillos A'86,
Geneva Fulgham SGI'90,
Matt Hartzell A'8l,
Jonathan Mark A'73
New York - Larry
Feinberg A '64, Malcolm
Handte A'75, P. Janee
Jacobs A '71, Sabine
Schweidt SF'8l, Ellen
Veden SGI'77, Joel
Weingarten A '82
San Francisco - Bob
DiSilverio SF'79, George
Elias A '71, Natasha Fisk
SF'84, Tom Hoover SF'70,
Olivia Jacobs A'82, Don
Kaplan A'48, Mark
Middlebrook A'83, AnneMartina Moore SF'84,
Joseph Moore SF'8l,Sue
Price A'84, Thomas L.
Sigman A'59, Tony
Wilkinson SF'87, David
Scott Williamson SF'86,

Friends of St. John 's
(continued)

St. John's Review
Thomas Prufer
Touchstones
Abell Foundation

Plant Funds - Capital
and Special Projects
Campus Lighting Plan
Fund
Aladdin Travel Agency, Inc.
Berliner Construction
Company
Mr. &amp; Mrs. John
Chandonnet
Mullen, Sondberg,
Wimbish &amp; Stone
Manpower Temporary
Services
Three Centuries Tours
Ward I Resident's
Association
McDowell Project
Annapolis Banking and
Trust
William Watt Campbell
First National Bank
Mellon Hall Project
Maryland National
Foundation, Inc.
Mellon Hall Laboratory
Equipment Fund
Chesapeake &amp; Potomac
Telephone Company
Deluxe Corporation
Foundation

Books to the Library
Aris T. Allen
Roy Armstrong
Mr. and Mrs. Barry Axford
Zoe Beaty '91
Charles Bell
Eva Brann
Martha Breed
Tom Carter
Virginia Ochs Clagett
Joseph Cohen
J.E. Cook
Maria Coughlin
Jim Cusick
Patrick D . Davis
Father Paul E. Duggan
Lovan Ely '92
Mrs. Vincent Engles
Mera Flaumenhaft
Brian Graney '92
Jacqualine Grisvard,
MacMillian
Publishing Company
Michelle Gurrrein
The Japan Society of
Northern California
Jennifer Johnston '89
Kathryn Kinzer

Samuel Kutler
Reed Lang
Ministry of Information,
Kingdom of Saudi Arabia
Nuclear Control Institute
Janet Orlin '89
Nancy Potter
Michael Quinn
John C. Richowsky
Judith Seeger
Thomas Slakey
J. Winfree Smith
Samuel V. Stiles '54
Syna Stevenson '93
Robert R. Sullivan
Jonathan Tuck
Richard Weigle
Robert Williamson
Curtis Wilson
Rebecca Wilson
Lyndsey Pilar Wyman '86

Donors to Santa Fe
Santa Fe Alumni
Donors 1990-91
By Class

1962
Justina H . Hayden

1966
George F. Bingham

1967
David N. Mischel

1968
Lynn Archer
Marilyn Joyce Avery
Bruce R. Baldwin
Chester Carl Bostek
Kirk D. Cheyfitz
Gregory C. Congleton
George E. Deering
Mr. &amp; Mrs . Richard Flint
Marajean Graham
Anne Cynthia Harlan
Vida Kazemi
Thomas G. Keens
Kenneth Lewis Kronberg
Stephanie T. Lang
Allison Karslake Lemons
Constance Weigle Mann
John Dunbar McCaffrey
Harold Maurice Morgan, Jr.
Rev. &amp; Mrs. Donald
Joseph Schell
Marilynne Scott
Wendy Watson
Donald Hugh Whitfield
Rick Wicks

1969
William R. Butler
Daniel L. Cleavinger
William Jamie Cromartie
Carmela C. Dominguez
Raymond J. Drolet
John D . Goodwin
Beth Kuper
Kyle V. McCard
Dorine A. Real
Joe P. Reynolds

42

Mr. &amp; Mrs. Carlton S.
Severance
Mr. &amp; Mrs. John Harvey
Strange
Anne Hayward Strasburg
Lee Tepper
Joseph H. Tooley
Benjamin Treuhaft
Karen J. Watkins

1970
Ted Eugene Crook
Nora Gallagher
Susheila Horwitz
Kathryn Teipel Morel
Christopher B. Nelson
Toni Karen Nelson
Richard Spencer Scully
Antoinette S. Shaller

1971
Jonathan L. Brewer
Maya Contractor Brewer
James Chris Brown
Michael Wardell Brown
Sally Dunn
Bonnie L. "BO" Gage
George H. Griffin
Marc Leland Haynes
Margaret Jacobs
Dennis P. Plummer
Travis L. Price, III
Amanda F. Stimson
Dolores A. Strickland
Rebecca Schwab Thompson
Twyla Fort Werstein

1972
Henry Bigelow Adams
Mark A. Appleby
Joseph M . Boroughs
Stephen DeLuca
Melissa Dee Drolet
Allen Gauler
Elizabeth L. Goldwin
Ellen C . Hearne
Kathleen Keenan Mclnturff
Pacrick Porter
Susann W. Ragsdale
Barbara Ann Rogan
Louise Rozak Romanow
Phyllis Marie Schoenberg
Kevin E. Snapp
Gretchen Vadnais
Koren Vincent

1973
Kit Callender
India Williams Clarke
Barbara Ann Harry
Mark Durham Jordan
Mary Gauler Knudsen
Paul Knudsen
Peter Joseph Meadow
Linda S. Randle Milbery
Michael Edward Mongeau
Sister Joan Marie Paine
Anne C. Ray
Mr. &amp; Mrs . Kenneth W.
Richman, Jr.
Thomas Stuart Robinson
Stephen Arnold Slusher
Kip Smith

Eric Osmon Springsted
Marcia Greenbaum Wake
David M . Weaver

1974
Lois Eve Ballen
H. Mark and Carmen
Belanger
Warren E. Buckles
Celia Yerger David
Alice Gibbs Ericsson
Joseph N. Granados
Mary Palevsky Granados
Catherine Gordon Gross
David F. Gross
Thomas B. J elliffe
Fr. Donald Franklin Merriell
Joseph P. Moeller
Eric Rosenblum
Vincent Cotton Stanley
Steven Dahl Thomas

1975
Cheryl Porter Brostrom
Christopher H . Chase
Ann Claassen
Robin E. Datel
Wendy Maxwell Donnelly
Charles W. Gunter, Jr.
Leslie Marie Johnson
Rani Kalita
Matthew Krane
Nancy Miller
Thomas J. Myers
Laura Waldron O'Brien
Margaret M. Sheehan
Richard Skaug
Sarah Abigail Smith
William D. Torcaso
Denis Yaro

1976
Dean L. Blobaum
Elizabeth Cochran Bowder
Christian Burks
Anne Leighton Calof
Mary C. Cason
Lorna Clymer
Pablo Collins
Betsy I. Davenport
Michael E. Dubetz
Glenda H. Eoyang
Inger Aarnas Flynn
Paula J. Fulks
Michael A. Gross
Brian L. Hiti
David B. Holtkamp
Michael Hurlock.er
Judy Kistler
Barbara L. Lauer
Richard O. Lightburn
Miriam S. Marcus-Smith
David Pex
Thomas W. Stepnowski
Denise C. Waxman
Ann E. Worth
Bradley P. Wronski
Daniel Songyi Zhang

1977
Mitchel K. Ahoyt
Lorin J. Cuoco
Grant Franks

�INSTITUT IONAL ADVANC EMENT - SANTA FE
Rachel B. Garfield
James Gollin
Preston S. Grant
Robert J. &amp; Andrea Ham
Frances Covington Hartogh
Janet Lynn Hellner-Burris
Rosalind A. Hutton
Catherine Elizabeth James
James Maldonado
Paula Maynes
Shawn K. McCoy
Susan M. Otto
Corinne Prescott-Robert son
Teresa Engler Raizen
Philip R. Regier
Thomas John Walrod

1978
Shaun Kelly Abshere
Vicki Allison Abshere
Rene Barnes
Leonard Blumberg
J. Kelly Adams Bradford
Edward David Bronfin
Brian Buchner
Christopher Martin Currin
Robert E . DiSilverio, Jr.
David Edwin Doremus
Teresa A. Doyle
Gregory W. Frame
Randall Fryer
Michael F. George
Cheryl Young Gillette
Stephen M. Hammel
Clark Stephen Kimerer
Steven Hunter Mackey
Ronald Wesley Mawby
Lydia Grace McCarthy
Martha McGinnis
Barbara McReynolds-De nt
Michael Hurd Paine
John Peter Rask
Colleen Marie Regan
Ross T. Robertson
Michael Gerard John
Theriault
James Kelly Walton
Janis E. White
Jeff Philip Winslow

1979
Mari Anixter
Glen P. Barrentine
Rachel Barrett
Robert Jay Bienenfeld
Jennifer Liepe Borders
Gregory R. Cowell
Stephen Melvin Crampton
Laura Judith Davidson
Martin J. Dobyns
Suzanne Gill Doremus
Gary D. Edwards
Owen M . Goldin
Benjamin R. Haggard
Charles R. Hamm, Jr.
Mary H . Hillstrom
Julie Berg Ki merer
Anker Anthony Lerret
Holly W . Montague
Joseph L. Morris
Diane Arlene Olsen

Nina Ellen Asinovsky
Patterson
Daniel J. Raizen
Natalie Page Robinson
William Angus Steadman, II

1980
Kathleen Burk
Elizabeth Church
C. Dory Eisenbeis Culver
Mary McCormick Freitas
Martha Brett Holliday
Maria Christina Ironside
Dave Reid Kingsbury
Lisa Lashley
James A. Lorenz
Paul Bryce Martin
Carla Ruth Meeske
Dawn Ellinwood Meredith
Theodore 0. Meredith
Joseph Sidney Moore
Jeffrey H. Olsen
David E. Parsons
Debra Ann Rutherford
Sabine Schweidt
Terry Hicks Simic
Karol Lawton Steadman
Lee Tarpley
Elaine Fulton Thompson
Patrick F. Woods
Nancy Jene Cline Wright

1981
Elizabeth Mills Acciani
Mark T. Burrows
Lance M. Forsythe
Hazen H . Hammel
Maha Khoury
Mark Lonsdale Langley
Nancy L. Loevinger
Amy Robson Morris
Rachel Dianne Stewart
KarlW. Stukenberg

1982
Stephen E. Acciani
Mark C. Dayton
Peter &amp; Natasha Fisk
Paul L. Frank
Karen Marie Gasser
Mark W. Gocke
Paula G. Gruber
Jeffrey James Harter
Geoffrey Michael Henebry
Rebecca L. King
Mark J. Krinock
Craig Randal Linder
Joshua McDavid
Cary R. Renfro
Peter Rossoni
Cynthia L. Rutz
Mara Schiffren
Pattie P. Swift
Colette Walczak
Gary Michael Wolff

1983
Charles G. Bell
Carmel F. Davis
Chava Doherty
Ellen Ruth Eissler
Ma:ry Mary Feldman
Michael S. Keilly

Stephen Knight
Robin Laylin
Susan Tive Lecuyer
Laura Beth McKey
Richard Morehouse
Nancy Morton- Bain
Sanjay Poovadan
Elizabeth J. Travis
Andrea Van Der Molen
Anne Margaret Winter Hart

1984
Scott Bartsch
Theodore DeWayne
Benson, II
Craig A. Burgdoff
Michael Cinkosky
Therese Anne Gilchrist
Wendy Barnwell
Anne Hayes
Laura Jane Medhurst
Alistair Morrison
James B. Trager, JR.
Valerie M. Uhlig
Peter H . Weis

1985
Judith Anne Houck
Mary Alice Lehman
Tambra Leonard
Donald H . Parker
Elizabeth Pantone
Rohrbach
John Ward Schillo
Gina Sorrentino
Helen R. Sparrow
Ann Stinson
Lucy Welch Van Tine
Rebecca Wiebe
Julie Spencer Walton

1986
Kristen Baumgardner
Jamie E. Hayden
James C. Laws
John Lawton
Andrew Pringle League
Mike Ryan
Michael Sanita
Michael Silitch
Timothy Wanzer
Christopher Watson

1987
Mortimer J. Adler
Shirley May Banks
Warren King Buss
Nathaniel Cohen
Elisabeth F. DuRard
Stephen Peter Hartzog
Alexander F. La Brunerie
George Martin Lewallen
Marshall Allan Miller
David A. Pierce
N. Jurgen Reinzuch
Anne Elisa M . Slakey

1988
Daniel Joseph Cassidy
John Francis Gibson
Rachel Ankeny Majeske
Clementine Peterson

43

1989

1967

Walter Alexander
Anna Antoniou
Lee Beers
Lael Gold
Jason Jeffers
Ronald Tony Kaplan
Charles Theodore "Ted"
Perkins
Denise Pope
Eric Hunter Poppele
Robert King Porter
Gail Pritchard
Sophie De Haven Romano
J. I. Staley
Elliott Allen Tulloch

Sandra S. Purrington

1990
Eden Brenner
Walter William Burk, Jr.
Deborah Lea Dodd
Hans David Elzinga
Aaron David Fishman
Ben Galison
Kelly Koepke
Tatiana N. Masters
Emma Morton
Elaine Francies Reiss Perea
Clinton Pittman
Jason Keith Spainhower

1991
Karen Ann Andrews
Alison Margaret Bentley
Bruce Forster Bond
John C. Carle
Karim G. Dajani
Frances Daniels
Nathan Adams Downey
Benjamin Francis Foley
Helene Dorothy Folkart
Arthur Tomlinson Fort
Amanda Ellen Fuller
Sara Keating
Shani Leonards
Katharine Neisha Macintosh
Anne-Marie Marlow
Sarah Maxwell
Samantha Ann Meranda
Heather Killian Miller
James Thomas Newman
Eric Olsson
Eric Carver Pope
Patricia J. Reppert
Jarrell Robert Robinson
Erik Kerner Selekman
Nadine Eleanor Shea
Christian Edward Skalka
E. Suzanne Small
Roland More Sonnenburg
Rachel Dea Taylor
James Gregory Wolff

Santa Fe Graduate
Institute
Alumni Donors

By Class

1958
Blakely L. Mechau

1969
Elizabeth A. Aiello
Lee Bowen
Richard Cima
Kathleen D. Flynn
Helen J. Starling
Lorna S. Weber

1970
Marjorie H. Davis
William &amp; Linda Douglas
Correen Najjar
Michael J. Quinette
Fred W. Schwendimann
R. Andrew Treacy
Maurice Trimmer

1971
Lucy MacGillivray Dix
Edna F. Frye
Cecilia M . Holtman
Bela Kissh
Mary Navratil
Eleanor B. Ortiz
Kathleen Kenny Peters
Dr. &amp; Mrs. Herbert
Weinstein
Paula M .B. Wilson

1972
Robert S. Johnson
Leland L. Lengel
Richard A. Mecagni
Richard A. Rhodes
Richard D.S. Rickard
Susan E. Ryan

1973
Mary Jean Bell
Joe B. Brooks
Norma Cotton
Sister Sharon Cross, O .P.
Susan Martin Dressel
Dalton M . Fogle
Mr. &amp; Mrs. Lee Hirst
Steven T . Hoort
Mozelle Lang
Alexander B. Morse
Ronald Rogosheske
George Schloss
Ann M. Yeck

1974
James F. Bell
Paula Hartman Cohen
Kathleen Horan
Virginia S. Newlin
Sandra N. Robinson
Laquita S. Wood

1975
Evelyn P. Burrell
Carol L. Hinds
Grace McNeley
Justin R. Moore
Franz Snyder

1976
Raquel Rose Bech
Diane Bell
Joan R. Buckmaster
Carolyn Davis

�INSTITUTIONAL ADVANCEMENT - SANTA FE
1976 (continued)
James A. Doherty
Phyllis P. Goodman
Phyllis H. Herman
Idell Kesselman
Judy Kistler
Robert 0 . Mills
Jeremy Shamos
Joyce C . Spray
Linda C. Stabler Talty
Elizabeth Trujillo

1977
Stewart Bolton
Mary Catherine Cernicek
Donald Dix
Suzanne Fielding
Anne Freeburger
Donna M. Gordon
Stephen J. Homann
Nancy Redman Hoort
Patricia McCullough
Susan Monahan
Peter M. Perhonis
Leland Smith
Ellen Veden

1978
George Cayley
Carolyn J. Howard
Clark Stephen Kimerer
Judith Greaves Rainger

1979
Stanley W . Byrd
Brother Thomas Patrick
Casey
S. Hugh Fitch
Jack A. Hollon
Donna M . Buehner
Patricia A. Prince
Susan Robeson
Marilyn L. Schaefer

1980
Ellen Bacigalupa
Mark Dulworth
Stanley &amp; Sandra Harbison
Celia King Hazzard
Edward T. Larkin
John P. McGuirk
Robert Neslund
Elin Oelke
John C. Pollak
Mary L. Williams

1981
Gregory N. Dolton
Paul Hagedorn
Mr. &amp; Mrs. Charles L. Judy
Marcy McKinley Martinez
Barbara Molinari
Charles E. Nowland
Michael T . Pojman
Susan S. Stocker
Thomas F. Woods

1982
Susan M. Allen
Matthew Charles Fontis
Don S. Lemons
Patricia A. Meyer

Mr. &amp; Mrs. Charles D .
Robinson
Priscilla Rouse
Eugene Scaglione
Stanley Schiff
Carol Schwendimann
Louise Solomon
Gail Storey
Sandra J. Thomas

1983
Mary E. Banwart
Egle Germanas
Michael F. Gray
Beth Hancock
Joan B. Kaplan
Darlene McCampbell
Laura K. McClure
Patrick E. McCue
Mara Robinson
Barbara Shiller
Edward D . Sutton
Frank E. Williams

1984
Murray Cohen
Reginald Dunstan
Anne L. Lane
Albert Orenstein
Leonard Padilla
Dennis W. Roberts
Noah Rodriguez
John W. Shomaker
Martha Young

1985
Joanne Flaherty
June B. Hunker
William H. McMullen
Jane H. Mills
Joel Shiller
Joel Snyder

1986
Gwendolyn J. Cheatham
Mary Finney
Susan L. Friedman
Lynda George
Leola Williams Hampton
Lee Harley
Martha Jordan
Georgia Leventis Kepler
Marjorie Priscilla Long
Keith R. Martindale
Margaret Moore-West
Michael Charles Slota
Jessica Smith

1987
Ruby Barnes
Margo Chavez-Charles
Joe T. Coxwell
Larry S. Davis
Peter Huidekoper
Brother Thomas Murphy
Stephen Rawls
Fauneil Joyce Rinn
Colin Sheppard
Mary Tracy Sigman
Marcus Robert Smith
Toni Wilkinson

1988

1954

Mary Jean Bower
William B. Crawford
Marian Ordway Dines
Geraldine Duffy-Schwartz
Jessica Lyn Elkins
Daniel Hilary Friedman
Bruce .Grigsby
Martha Griswold
Carolyn Dee Heffner
Mr. &amp; Mrs . James Johnson
Donna Macey
Marcia Maltz
John McLaughlin
Elaine B. Pinkerton
Christine Rachel
Karren L. Sahler

Robert Sacks

1989
Michael Cassady
Mariana Cook
David DePolo
John B. Draper
Margaret A. Foster
Paul Goodness
Marion Gunn Jenkins
Bill Kopp
Clark Lemons
Gregory Rhoades
Byron Schneider
Roger Sherman
Debbie Van Ryn
Matthew Wiebe

1990
Alexander Bram
Gerald D. Cohen
John H. Rubel
Kathy Ruffalo
EllenM. Ward

Annapolis Alumni
Donors 1990-91
By Class
1921
Thomas B. Turner

1944
David Dobreer

1945
Charles A. Nelson

1947
John Van Doren

1948
Ray C. Cave
William W. Simmons

1949
Allan P. Hoffman
Dr. &amp; Mrs. Richard D .
Weigle

1950
Robert A. Goldwin
John L. Williams

1952
Alice A. Carnes
Thomas M . Carnes
Warren P. Winiarski

44

1955
Barbara Leonard

1958
Mary Bittner Goldstein
Blakely L. Mechau

1959
Harvey M. Goldstein
Michael Mechau

1967
Lovejoy R. Duryea

1968
Joe Sachs
Jonathan Zavin

1969
Marielle Hammett
Kronberg

1973
Alexander B. Morse

1978
Peter A. Lavelle

1980
Lisa Ginsberg Rosenblum
Julie Nietz Wielga

1983
William King Hill

Annapolis Graduate
Institute Donors
1990-91
By Class
1957
Robert Bart

1980
Maryrose V. Patrone

Parents of Current
Students and Alumni
Anonymous
Mr. &amp; Mrs. John A. Baker
Mr. &amp; Mrs. Sam B. Ballen
Mr. &amp; Mrs . William F.
Banks
Mr. &amp; Mrs. Guillermo
Barnetche
Mr. &amp; Mrs. James N .
Bieneman
Kathryn Blue
Sharon Boggess
Mr. &amp; Mrs. Gene Bolton
Martha P. Bond
Mr. &amp; Mrs. Edmund S.
Boynton
Saundra Brenner
Mr. &amp; Mrs. William R.
Brew
Dr. &amp; Mrs. B.J. Brooks
Mr. &amp; Mrs . John H.
Burgess
Nicola Caiola
Ramona Caplan
Mr. &amp; Mrs. Robert Cargill
Carmel Cassidy

Mr. &amp; Mrs . Barry Castro
Peter Coburn
Mr. &amp; Mrs. John R.
Cogdell
Mitzi H.G. Condit
Ralph H. Condit
Mr. &amp; Mrs. Albert P.
Connelly, III
Don Cook
Mr. &amp; Mrs. Earl J. Cooney
Caroline W. Corwin
Gail Cramer
Bruce &amp; Francine
Crapuchettes
Anthony Daddino
Mr. &amp; Mrs. Gregory
Dangleis
Deborah Darby
B. Denise Davis
Ken E. Davis
Mr. &amp; Mrs . Frederick H .
Decker
Mr. &amp; Mrs . Paul E. Dietz
Mr. &amp; Mrs . Robert N .
Downey
Mr. &amp; Mrs. Peter W. Drake
Mr. &amp; Mrs . George F.
Dudik
Mr. &amp; Mrs . Sterling Dunbar
Carolyn A. Eddleman
Sandy Eubank
L. Diane Evans
Virginia Ford
Mr. &amp; Mrs. Arthur Fort, Sr.
Mr. &amp; Mrs. Charles
Freeland
Mr. &amp; Mrs . Gary Freeman
Mr. &amp; Mrs . Forrest F.
Fulton
Nancy Giles
Jane Goldberg
Harvey M . Goldstein
Louis Gouguet
Mr. &amp; Mrs. Eugene D .
Graham
Dr. &amp; Mrs . J. Glenn Gray
Mr. &amp; Mrs. Sidney Griest
Mr. &amp; Mrs. Del Harris
Joanna Harris
Thomas Harris
Gilbert Hersh
William Hersh
Mr. &amp; Mrs. James L.
Highsaw, Jr.
Lorraine Hill
Mary Ann Hinshelwood
Mr. &amp; Mrs . Charles A.
Hollis, III
John L. Huebert
Mr. &amp; Mrs. Woody L.
Hunt
G. Arthur Janssen
Jennifer U . Johnson
Mr. &amp; Mrs. David Jones
Mr. &amp; Mrs. J. Parry Jones
Lisa Juday
Mr. &amp; Mrs. Warren
Kalmanor
Mr. &amp; Mrs . T.M. Keenan
Walter Knight
William Kowalski, Jr.

�INSTITUTIONAL ADVANCEMENT - SANTA FE
Mr. &amp; Mrs. Kazimierz Kreft
Duane Kullberg
Mr. &amp; Mrs. Ronald A.
Landor
Mr. &amp; Mrs. Robert H. Laws
Dr. &amp; Mrs. John C.
Leadbeater
Marylou M. Lewis
Mr. &amp; Mrs. John P.
Leydon, Jr.
Mr. &amp; Mrs. William D.
Lippman
William P. Lundy
Dr. &amp; Mrs . Frank J.
Luparello
David R. Mac Donald
Rev. &amp; Mrs. Neil K.
MacIntosh
Garold Malcolm
Richard H. Marrone
Dr. &amp; Mrs. R. John
Maxwell
Mr. &amp; Mrs. Michael May
Mr. &amp; Mrs. Donald J.
Miller
Mr. &amp; Mrs. John Stephen
Montague
W .T. Musgrove
Lynda Myles
Mr. &amp; Mrs. Charles A.
Nelson
Mr. &amp; Mrs. Christopher B.
Nelson
Toni Karen Nelson
Mr. &amp; Mrs. Daniel W.
O'Brien
John A. Odom Jr.
Mr &amp; Mrs. Hironori Onishi
Wayne Packwood
C. Gordan Patterson
Dr. &amp; Mrs. S F. Phillips
James A. &amp; Constance
Pittman
Mr. &amp; Mrs . Richard E.
Poppele
Mr. &amp; Mrs . Rudy Pruden
Dr. &amp; Mrs. Douglas
Puryear
Mr. &amp; Mrs. Abraham A.
Raizen
Mr. &amp; Mrs. Richard
Redington
Catherine F. Reynal
Mr. &amp; Mrs. Charles L. Riley
George L. Robson
Mr. &amp; Mrs. Robert Saja
Frederic Sammons
Iona Sebastian
Mr. &amp; Mrs. Louis Seidman
Mary Shea
Roger Sherman
Mr. &amp; Mrs. Nathaniel H.
Siegel
Kathleen E. Siepel
Lesley B. Simpson
Mr. &amp; Mrs. Rudolph J.
Skalka
Charlotte Z. Smith
Maxine Sonnenburg
John Stutzman
Ruth Swartzberg

Mr. &amp; Mrs. Charles E.
Taylor
Mr. &amp; Mrs. Stephen
Vineberg
Charlotte Waite
Mr. &amp; Mrs. Don Walker
Julie Wallace
Alan E. Wicks
Mr. &amp; Mrs. Robert H .
Wilbur
Mr. &amp; Mrs. Warren P.
Winiarski
Mr. &amp; Mrs. Dwane Wolfe
Gordon Younger
Mr. &amp; Mrs. Steve Zinanti

Friends of St. John's
Anonymous
Mr. &amp; Mrs. Richard A.
Abeles
Ann Aceves
Hyman Adelman
Dr. &amp; Mrs. Lewis Agnew
Mr. &amp; Mrs. John Agresto
Anne Albrink
Mr. &amp; Mrs. Leo D . Allen
Peggy Allen
M. Brownell Anderson
Harold V. Argo
Gilbert Asher
Dr. &amp; Mrs. Harris Barber
Courtlandt D. Barnes
Robert Bart
Mr. &amp; Mrs. David Barton
Ann Baumann
William M. Beard
Mr. &amp; Mrs. Fred Bender
Mr. &amp; Mrs. Robert F.
Benjamin
Mr. &amp; Mrs . James Bernstein
Mark Bolsterli
Mary Huey Boshen
Mr. &amp; Mrs. John Boylan
James N . Bradbury
Dr. &amp; Mrs. Norris E.
Bradbury
Doris L. Braunstein
Barbara Brill
Barbara M. Bro
Kenneth H. Brooks
Dr. &amp; Mrs. Harold Brown
Richard L. Brown
Robert L. Burman
Mr. &amp; Mrs. Clifford C.
Burton
Mr. &amp; Mrs. Edward
Callahan
James Carey
Erick F. Carlgren
Mr. &amp; Mrs. Bengt Carlson
Mr. &amp; Mrs. Courtney H.
Carswell
Mr. &amp; Mrs . Philip M .
Casady
Marjorie Cavin
Leonard Chalmers
Else Martinus Chapman
Marie 0. Charles
Mr. &amp; Mrs. Hugh W.
Church

Ralph E. Clark
Mr. &amp; Mrs. James K.
Conrad
Don Cook
Pat Corelli
George A. Cowan
Mr. &amp; Mrs. Irwin D.
Cromwell
Eleanor J. Crosby
Henri De Compiegne, Jr.
Dr. &amp; Mrs. Peter Dechert
Helen M . Derbyshire
Virginia de Rochemont
Eleanor Ditzen
Mr. &amp; Mrs. Bob Donlan
Gaylord Donnelley
Mr. &amp; Mrs. Bill Dougherty
Janet Dougherty
Willard Draisin
Sally Dunn
Bobbe Dyer
Caroline B. Emeny
Sharon W. Ettinger
Richard M. Fairbanks, III
Stephen L. Feinberg
Janet Fennell
Beth Floyd
Joan Fondell
Robert E. Fox
Grant Franks
Mr. &amp; Mrs. J. Arthur Freed
Mr. &amp; Mrs. Edmond W.
Freeman, III
Susan L. Friedman
Ben Galison
Mary Ann Gerber
Mr. &amp; Mrs. William W.
Gilbert
Hamilton Gilkyson
William G. Gillespie
William Giloane
Mr. &amp; Mrs. Joseph N.
Ginocchio
Mr. &amp; Mrs. Kermit
Goddard
Byron Goldstein
Elizabeth Gonzales
Ted R. Gonzales
Marion F. Goodwin
Brig. Gen. &amp; Mrs. Samuel
McC. Goodwin
Gregory A. Gordon
Esther W. Gorey
Mr. &amp; Mrs. William H .
Grahn
Mr. &amp; Mrs . Wm . Alexander
Greene
Bruce M. Greenfield
Cynthia Grenfell
Martin L. Gursky
Samuel Gusman
Richard M. Hager
Edward T. Hall
Doris L. Hallowitz
Katherine S. Halpern
Nash Hancock
Mr. &amp; Mrs. Glen D. Hargis
Thomas Harris
Mr. &amp; Mrs . Hugh Harvey
Beverly B. Hassebrock

45

Gen. &amp; Mrs. W. Russell
Hedrick
Mr. &amp; Mrs. Julius D.
Heldman
Dr. &amp; Mrs. Leon Heller
Rabbi Leonard A. Helman
Virginia Hendley
Mr. &amp; Mrs . Bruce Herr
Dr. &amp; Mrs. Irwin Hoffman
Roy Hanstein
James E. and Lydia Hood
Mr. &amp; Mrs . Wade Hover
Willard Hunnewell
Mr. &amp; Mrs. Graeme Hunter
Allan Hurst
Nelson Jarmie
Dr. &amp; Mrs. Emery C.
Jennings
Kim Johnson
Robert Jay Johnson
Dr. &amp; Mrs. Joseph J. Jones
Dr. &amp; Mrs . William K.
Jones
Suzanne Jonsson
Margaret Ann Karl
Robert H. Keenleyside
Mr. &amp; Mrs. Daniel T.
Kelly, Jr.
David J. Keyes
L.D. Percival King
Elizabeth Kingman
Georgia S. Knight
C. Byron Kohr
Mr. &amp; Mrs . Bernard Kolbor
Mr. &amp; Mrs. Roger A. Kopp
Mr. &amp; Mrs. Robert W.
Kurth
Stanley N . Kurtz
John Pen La Farge
Barbara F. Lamberton
Philip LeCuyer
Mr. &amp; Mrs . Ralph L. Levy
Alfred Licklider
Anton V. Long
Adm. Robert L.J. Long,
USN (Ret)
Owen M. Lopez
Dr. &amp; Mrs. James E.
Loucks
Barbara Vogt Mallery
Mr. &amp; Mrs . J. Carson Mark
Mr. &amp; Mrs. Walton H .
Marshall
Harry J. Matz
Jane Maxwell
Dr. &amp; Mrs. Jack D.
McCarthy
Mr. &amp; Mrs. Milo L.
McGonagle
Thomas J. McLaughlin
Christian J. Meche ls
Mr. &amp; Mrs. James C. Meem
Virginia L. Mellencamp
Carolyn R. Mercer
Patricia Metropolis
John B. Metzenberg
Mr. &amp; Mrs. Barry Miller
Mr. &amp; Mrs. Haydock H.
Miller
Timothy Miller
Elizabeth Mitchell

Kathryn Mizrahi
Jean L. Moran
Jeffrey Morgan
Mr. &amp; Mrs. Henry Motz
Lucille G. Murchison
Victoria T. Murphy
The Native Plant Society
Mary J . Navatril
Mr. &amp; Mrs. Robert H. Neill
Andrew V. Nowak
Mr. &amp; Mrs. Montgomery
Orr
Frank V. Ortiz
Carole Owens
Frank Pagano
Donald H. Parker
Mr. &amp; Mrs. William R.
Peden
Roger S. Peterson
Mr. &amp; Mrs. Edoaurd
Petrequin
Frank L. Phillips
Mr. &amp; Mrs. Montgomery
Phister
Mr. &amp; Mrs. A. Lincoln
Pittinger
Nicholas T . Potter
T. Randolph Potter
Dr. &amp; Mrs. Gerald F.
Prohaska
C. Philip Randolph
Carol S. Redding
Paige Rense
Bill Richardson
Dr. &amp; Mrs. John S.
Rinehart
Ginger Roherty
Joyce Rumsfeld
Katherine H. Rust
Deborah A. Sarkas
Jean M. Scheidenhelm
Janet G. Schroeder
Mr. &amp; Mrs. Ernest Schwartz
Mr. &amp; Mrs . T .J. Shankland
Mr. &amp; Mrs . Carl D.
Sheppard
Judith Sherman
Marvin Slaves
Mr. &amp; Mrs. Craig Wheaton
Smith
Frances J. Smith
Theodore H. Smyth
Lionel J. Saracco, Jr.
Mr. &amp; Mrs . Francis E. Stack
Jack Stamm
Marlene F. Steinberg
Dorothy A. Stern
James C. Stevens
Mr. &amp; Mrs. William B.
Stevens
Mr. &amp; Mrs. Bergen R.
Suydam
Dr. &amp; Mrs. Richard F.
Taschek
Beverly Lacy Taylor
Dyanna Taylor
Michael Whitelaw Terry
W .T. Terry, Jr.
Flora Thornton
Edith "Marty" Timken

�INSTITUTIO NAL ADVANCEM ENT - SANTA FE
Friends (continued)
Helen T. Trik
Jean Tully
Robert P. Turner, Jr.
Bryan Valentine
Mr. &amp; Mrs. Edwin Van
Denbark
Jesse Vise
Mr. &amp; Mrs . Philip F.
Voegelin
Sallie Wagner
William Wallace
John T. Watson
Charles H. Watts, II
Mr. &amp; Mrs. Richard L.
Webb
Elizabeth West
Dr. &amp; Mrs. Mark A.
Wightman
Julia M. Wilkinson
Lois J. Willard
Mr. &amp; Mrs. Ted C.
Williams
David O. Wilson
Mr. &amp; Mrs . Sam Winograd
Mr. &amp; Mrs . Charles
Winston
John D. Wirth
Mr. &amp; Mrs. Edward R.
Wood
K. Rose Wood
K. Martin Worthy
John C. Wylie
Mr. &amp; Mrs. Oscar Yerburgh
Mr. &amp; Mrs. Melvin T.
Yost, Sr.
Ragni Zachariasen
Michael Zeilik

Special Funds and
Endowments
Ahmanson Restricted
Scholarship
Ahmanson Foundation
Alumni Restricted
Scholarship
St. John's Alumni
Association
Laure Anne Bosselaar
Scholarship - UG
Laure Anne Bosselaar
Class of 1991 Gift
Karen Ann Andrews
Alison Margaret Bentley
Bruce Forster Bond
John C. Carle
Karim G. Dajani
Frances Daniels
Nathan Adams Downey
Hans David Elzinga
Benjamin Francis Foley
Helene Dorothy Folkart
Arthur Tomlinson Fort
Amanda Ellen Fuller
Sara Keating
Shani Leonards
Katharine Neisha Macintosh
Anne-Marie Marlow

Sarah Maxwell
Samantha Ann Meranda
Heather Killian Miller
James Thomas Newman
Eric Olsson
Eric Carver Pope
Patricia J. Reppert
Jarrell Robert Robinson
Deborah A. Sarkas
Erik Kerner Selekrnan
Nadine Eleanor Shea
Christian Edward Skalka
E. Suzanne Small
Maxine Sonnenburg
Roland More Sonnenburg
Rachel Dea Taylor
Elliott Allen Tulloch
James Gregory Wolff

College Community
Restricted Scholarship
James Carey
Don Cook
Ted R. Gonzales
Thomas Harris
Philip LeCuyer
Fund for Faculty Travel to
Annapolis
Sacks Family Foundation
Robert Sacks
Gates Restricted Fellowship
Gates Foundation
Houston Endowment
Undergraduate Scholarship
Houston Endowment,
Inc.
Library Books Restricted
Mortimer J. Adler
Graduate Institute Class of
1990 Gift
Mrs. Virginia Hendley
Mrs. Dorothy A . Stern
Edith "Marty" Timken
Lounsbery Foundation
East-West Program
Lounsbery Foundation Inc.
Library Security System
Georgia S. Knight
Mr. &amp; Mrs. William
Lippeman
Frank Pagano

Mr. &amp; Mrs . Ted C.
Williams

Miller Foreign Scholarship
Timothy Miller

Music Library
Library Operations
Mrs . Jean M . Scheidenhelm
Clementine Peterson Senior
Scholarship
Mrs. Clementine Peterson
Student Activities Office
Restricted Fund
Austin Spiegel
Restricted Scholarships
Judy Kistler
Peat Marwick Main
Foundation

Sears-Roebuck Teaching
Excellence &amp; Campus
Leadership Award
New Mexico Independent
College Fund
Southwest Scholars
Scholarship
Empire Builders
Supply Co. Inc.
Dr. &amp; Mrs. Jack D .
McCarthy
Mr. &amp; Mrs. James C. Meem
Jeffrey Morgan
Pearl West Company
The Santa Fean Magazine
Bryan Valentine
Wadle Galleries Ltd.
Mrs. Sallie Wagner
Tennis Court Maintenance
(Resurfacing)
Barbara Brill
Joseph N. Ginocchio
Byron Goldstein
Christopher K. Watson Library Books
Christopher Watson
Winchester Foundation
Indiana Scholarship
Winchester Foundation

Henry Luce Foundation
Youth Leadership Program
Henry Luce Foundation,
Inc.
Andrew W. Mellon
Foundation, President 1s
Discretionary Fund
Andrew W . Mellon
Foundation
Richard M. Fairbanks, III

46

Alice Armstrong - Quasi
Endowment Fund
Estate of Alice H.
Armstrong
Sammuel Bravey
Scholarship Endowment
Dr. &amp; Mrs. Irwin Hoffman

Ruth E.S. Curtis - Quasi
Endowment
Estate of Ruth E. S. Curtis
Unrestricted Endowment
Ross T. Robertson
Faculty Salary Endowment
Challenge
Carmel F. Davis
Still Water Foundation
J. I. Staley
Mr. &amp; Mrs. Warren P.
Winiarski
Endowed Scholarship
William M. Beard
William Randolph Hearst
Scholarship
William R. Hearst
Foundation
Peter Lavel General
Endowment
Peter A. Lavelle

Robert Neidorf Scholarship
Joseph N . Granados

NEH Challenge Match
Contributions 1990
Robert Bart
Martha Sexsmith Endowed
Fellowship
Paul Hagedorn

The list of donors for the
1990-91 Annual Report
includes gifts made
between July 1, 1990 and
June 30, 1991 . Gifts
received after June 30,
1991 will be recorded in
the next Annual Report.
While we try not to make
mistakes in the donor lists,
we never fully succeed in
avoiding them. Please let
us know where we have
erred and accept our
apologies for any oversights, misspellings, or
errors.
Design &amp; production by
Zoe Pantelides Graphics
Annapolis, Maryland
Printing by
Whitmore Printing
Annapolis, Maryland

�BOARD OF VISITOR S AND GOVER NORS
Current Members
(as of 12/91)

James H. Frame
New York, New York

Jonathan Krane
Los Angeles, California

Harriet Higgins Warren
London, England

Adolph W. Schmidt
Ligonier, Pennsylvania

William Barclay Allen
Claremont, California

Thomas P. Geyer
Parsippany, New Jersey

Barbara L. Lauer
Laramie, Wyoming

Charles H. Watts, II
Boston, Massachusetts

Louise Talbot Trigg
Santa Fe, New Mexico

J. Burchenal Ault
Vail, Arizona

Mary Bittner Goldstein
New York, New York

Barbara H. Leonard
Oberlin, Ohio

Peter Weiss
New York, New York

Thomas B. Turner, M.D.
Baltimore, Maryland

Richard E. Berkowitz
Atlanta, Georgia

Harvey M. Goldstein
New York, New York

Herbert I. London
New York, New York

Julia M. Wilkinson
Austin, Texas

Karl R. Van Tassel
Lake Forest, Illinois

Nicola Caiola
New York, New York

Robert A. Goldwin
Washington) D. C.

Donald J. Maclver, Jr.
Santa Fe, New Mexico

Warren Winiarski
Napa, California

John L. Williams
Belvedere, California

Robert J. Carney
Houston, Texas

Anna E. Greenberg
Annapolis, Maryland

Charles Miller
Houston, Texas

John D. Wirth
Santa Fe, New Mexico

Ex Officio

Gerald D. Cohen
New York, New York

Allan P. Hoffman
Lawrence, New York

Lucille G. Murchison
Dallas, Texas

K. Martin Worthy
Washington, D. C.

John Agresto
Santa Fe, New Mexico

James E. Connor
Santa Fe, New Mexico

Irwin Hoffman, M.D.
Santa Fe, New Mexico

Joyce Rumsfeld
Chicago, Illinois

Jonathan Zavin
New York, New York

Eva T. H. Brann
Annapolis, Maryland

Charles M. Diker
New York, New York

Jennifer U. Johnson
Jacksonville, Florida

William W. Simmons
Severna Park, Maryland

Visitors Emeriti

The Honorable Bruce King
Santa Fe, New Mexico

David Dobreer, M.D.
Alhambra, California

Donald Kagan
New Haven, Connecticut

Theodore H . Smyth
Santa Barbara, California

Lovejoy R. Duryea
New York, New York

A. Scott Kelso

Carl A. TenHoopen
Annapolis) Maryland

Stephen L. Feinberg
El Paso, Texas

Rollin W. King
Dallas, Texas

Houston, Texas

W. T. Terry, Jr.
Clayton, Missouri

Mortimer J. Adler
Chicago, Illinois
Eleanor Ditzen
Washington, D. C.
Elizabeth Mitchell
Annapolis, Maryland
Clementine Peterson
Baltimore, Maryland

Christopher B. Nelson
Annapolis, Maryland
The Honorable William
Donald Schaefer
Annapolis, Maryland
Stephen Van Luchene
Santa Fe, New Mexico

ALUMN I ASSOCI ATION BOARD OF DIRECT ORS
Current Members
(as of 12/91)
Beverly Angel SGI'89
President
Austin Chapter
Alvin Aronson A'52
President
Boston Chapter
Devon Bailey SF'93
Student Representative
Santa Fe, New Mexico
Glenn Ballard SF'68
Director
Oakland, California
Stephen Bergen A'45
Director
Washington, D.C.
George Bingham SF'66
Secretary, 1992-94
Santa Fe, New Mexico
Sharon Bishop A'65
President, 1992-94
Reston, Virginia
Elizabeth H. Blume A'75
Director ofAlumni
Activities
Annapolis) Maryland

Roberta Carnevale SGI'87
President
Buffalo Chapter
Joseph Cohen A'56
Tutor Representative
Annapolis, Maryland
Michael David SF'87
Representative
Albuquerque, New Mexico
David Dobreer A'44
Past President
Alhambra, California
Suzanne Gill Doremus A'79
President
Dallas/ Ft. Worth Chapter
Lovejoy Reeves Duryea
A'67
Board of Visitors and
Governors
Representative, New York

Sharon Garvey SGI'78
President
Washington, D. C.
Chapter

Cindy Jokela
Director of Alumni
Activities
Santa Fe, New Mexico

Bernard Gessner A'27
Director Emeritus
Edgewater, Maryland

Barbara Skaug Lauer SF'76
Director, 1989-92
Laramie, Wyoming

Thomas Geyer A'68
Director, 1992-94
Parsippany, New Jersey

Joel Lehman A'61
President
Annapolis Chapter

Harvey Goldstein A'59
Past President
New York, New York

Barbara Leonard H'55
Director, 1992-94
Oberlin, Ohio

Mary Bittner Goldstein
A'58
Board of Visitors and
Governors
Representative, New York

Rick Lightburn SF'7 6
Treasurer 1992-94
Chicago, Illinois

Maya Hasegawa A'69
Representative
Richmond Chapter

Glenda Eoyang SF'76
President
Minneapolis/St. Paul
Chapter

Allan Hoffman A'49
Vice President, 1992-94
Lawrence, New York

Paul Frank SF'82
President
Chicago Chapter

H. Gerald Hoxby A'47
Director, 1989-92
Cincinnati, Ohio

47

Pedro Martinez-Fraga A'84
Director, 1991-93
Miami, Florida
Paula Maynes SF'77
Director, 1991-93
Santa Fe, New Mexico
John Oosterhout A'51
Director, 1992-94
Santa Fe, New Mexico

John Carroll Pollack SGI'80
President
Santa Fe Chapter
John Ross A'69
President
Seattle Chapter
Jim Schweidel A'63
President
Philadelphia Chapter
Sabine Schweidt SF'81
President
New York Chapter
Linda Stabler-Talty SGI'76
Director, 1989-92
New Haven, Connecticut
Bill Tilles A'59
Director, 1992
Rockville, Maryland
Jason Walsh A'85
Director, 1991-93
Corning, New York
Toni Wilkinson SGI '87
President
San Francisco Chapter
Lolita Wood AGI'80
Director, 1992-94
Hackensack, New Jersey

�READINGS IN THE CURRICULUM

Homer
Aeschylus

Sophocles

Thucydides
Euripedes
Herodotus
Aristophanes
Plato

Aristotle

Euclid
Lucretius
Plutarch

Nicomachus
Lavoisier
Essays by:

Harvey

Iliad, Odyssey
Agamemnon,
Choephorae,
Eumenides,
Prometheus Bound
Oedipus Rex,
Oedipus at Colonus,
Antigone,
Philocetes
Peloponnesian War
Hippolytus,
Bacchae,
Histories*
Clouds
Meno, Gorgias,
Republic, Apology,
Crito, Phaedo,
Symposium,
Paramenides,
Theaetetus, Sophist,
Timaeus, Phaedrus
Poetics, Physics*,
Metaphysics*,
Nichomachean
Ethics*,
On Generation
and Corruption*,
The Politics*,
Parts of Animals*,
Generation of
Animals*
Elements
On the Nature
ofThings
"Pericles,"
"Alcibiades,"
"Lycurgus,"
"Solon"
Arithmetic*
Elements of
Chemistry*
Archimedes,
Torricelli, Pascal,
Fahrenheit, Black,
Avogadro,
Cannizzaro
Motion of the
Heart and Blood

Aristotle

Apollonius
Virgil
Plutarch
Epictetus
Tacitus
Ptolemy
Plotinus
Augustine
Anselm
Aquinas
Dante
Chaucer
De Prez
Machiavelli
Copernicus
Luther

Rabelais
Palestrina
Montaigne
Viete
Bacon
Shakespeare

Poems by:

Descartes

Pascal
Bach
Haydn
Mozart
Beethoven
Schubert
Stravinsky
Webern

* Books read only in part are indicated by an askerisk.

Fourth
Year

Third
Year

Second
Year

First
Year

The Bible*
DeAnima,
On Interpretation*,
Prior Analytics*,
Categories*
Conics*
Aeneid
Lives*
Discourses, Manual
Annals
Almagest
The Enneads *
Confessions
Proslogium
Summa Theologica *
Divine Comedy
Canterbury Tales*
Mass
The Prince,
Discourses*
On the Revolution
of the Spheres*
The Freedom of
a Christian,
Secular Authority,
Commentary on
Galatians*,
Sincere Admonition
Gargantua*
Missae· Papae
Marcellis
Essays*
"Introduction to the
Analytical Art"
Novum Organum *
Richard II,
Henry VI,
The Tempest,
As You Like It,
Twelfth Night,
Hamlet, Othello,
Macbeth,
King Lear, Sonnets*
Marvell, Donne,
and other 16th- and
17th-century poets
Rules for the Direction of the Mind,
Geometry*
Generation of Conic
Sections
St. Matthew Passion,
Inventions
Selected works
Selected operas
Selected sonatas
Selected songs
Symphony of Psalms
Selected works

Cervantes
Galileo
Hobbes
Descartes

Milton
La
Rochefoucauld
La Fontaine
Pascal
Huygens

Spinoza
Locke
Racine
Newton
Kepler
Leibnitz

Swift
Berkeley
Hume
Rousseau

Adam Smith
Kant

Mozart
Jane Austen

Don Quixote
Two New Sciences*
Leviathan*
Discourse on
Method, Meditations, Rules for the
Direction of Mind*,
The World*
Paradise Lost
Maximes*
Fables*
Penses*
Treatise on Light*,
On the Movement of
Bodies by Impact
Theologico-Political
Treatise
Second Treatise of
Government
Phedre
Principia
Mathematica*
Epitome IV
Monadology,
Discourse on
Metaphysics,
What is Nature?
Essay on Dynamics
Gulliver's Travels
Principles of Human
Knowledge
Treatise of Human
Nature*
Social Contract,
The Origin of
Inequality
Wealth of Nations*
Critique of Pure
Reason*, Fundamental Principles of
Metaphysics of
Morals, Critique of
Judgement
Don Giovanni
Pride and Prejudice,
Emma

Hamilton, Jay
and Madison The Federalist*
Melville
Billy Budd,
Benito Cereno
Dedekind
Essay on the Theory
of Numbers
Fielding
Tom Jones
Tocqueville
Democracy in
America*
Young, Maxwell,
Essays by:
S. Carnot,
L. Carnot, Mayer,
Kelvin, Taylor,
Euler,
D. Bernoulli

Articles of
Confederation
"Declaration of
Independence"
Constitution of
the United States of
America,
Supreme Court
Opinions*
The Misanthrope,
Moliere
Tartuffe
Faust*
Goethe
Experiments in Plant
Mendel
Hybridization
Origin of Species
Darwin
Phenomenology*,
Hegel
Logic
(from the
Encyclopedia),
Lobachevsky Philosophy of History
Tocqueville
Theory of Parallels*
Democracy in
Lincoln
America*
Kierkegaard
Selected speeches
Philosophical
Fragments, Fear
Wagner
and Trembling
Marx
Tristan and Isolde
Communist
Manifesto,
Capital*, Political
and Economic
Manuscripts of 1844*
Dostoevski
Brothers Karamazov
Tolstoy
War and Peace
Mark Twain
The Adventures of
Huckleberry Finn
William James Psychology: Briefer
Course
Nietzsche
Birth of Tragedy,
Thus Spake
Zarathustra *, Beyond
Good and Evil*
Freud
General Intro duction to
Psychoanalysis
Valery
Selected poems
Kafka
The Metamorphosis,
The Penal Colony
Einstein
Selected papers
Millikan
The Electron *
Conrad
Heart of Darkness
Joyce
The Dead
Poems by:
Yeats, T.S. Eliot,
Wallace Stevens,
Baudelaire, Rimbaud, and others
Essays by:
Faraday, Lorenz,
J.J. Thomson,
Whitehead,
Minkowski,
Rutherford, Einstein,
Davisson,
Bohr, Schrodinger,
Maxwell, Bernard,
Weismann, Millikan,
de Broglie,
Heisenberg, John
Maynard Smith,
Dreisch, Boveri,
Mendel, Teilhard de
Chardin

�CLASSIFICATION OF AUTHORS
Literature

Philosophy
and Theology

History and
Social Science

Mathematics and
Natural Science

First
Year

Homer
Aeschylus
Sophocles
Euripedes
Aristophanes

Plato
Aristotle
Lucretius

Herodotus
Thucydides
Plutarch

Euclid
Nichomachus
Ptolemy
Lavoisier
Dalton
Archimedes
Torricelli
Pascal
Fahrenheit
Avogadro
Black
Wollaston
Gay-Lussac
Proust
Cannizzaro
Berthollet
T . Richter
Thomson
Berzelius
Dulong
Harvey
Galen
Breisch
Boveri

Second
Year

Virgil
Dante
Chaucer
Rabelais
Shakespeare
Donne
Marvell

Aristotle
Epicetus
Plotinus
Marcus Aurelius
The Bible
Augustine
Anselm
Thomas Aquinas
Luther
Montaigne
Bacon

Plutarch
Tacitus
Machiavelli

Ptolemy
Apollonius
Copernicus
Descartes
Pascal
Viete

Third
Year

Cervantes
Milton
Swift
Racine
Fielding
Melville
Lafontaine
Jane Austen
La Rochefoucauld

Descartes
Pascal
Hobbes
Spinoza
Locke
Berkeley
Leibniz
Hume
Kant

Locke
Rousseau
Adam Smith
U .S. Constitution
Hamilton, Madison, Jay
Tocqueville

Galileo
Kepler
Young
Euler
Mayer
S. Carnot
L. Carnot
Kelvin
Taylor

Fourth
Year

Moliere
Goethe
Tolstoy
Dostoevski
Baudelaire
Rimbaud
Valery
Yeats
Kafka
Wallace Stevens
T .S. Eliot
Mark Twain
James Joyce
Joseph Conrad

Hegel
Kierkegaard
Nietzsche
William James

Hegel
Marx
Documents from
American Political
History
Tocqueville
Lincoln
Supreme Court Opinions

Faraday
Lobachevski
Lorenz
Rutherford
Minkowski
Bernard
Davisson
de Broglie
Mendel
J.J. Thomson
Bohr
Millikan
Schrodinger
Darwin
Freud
Einstein
Heisenberg
Whitehead
Maxwell

Music

Palestrina
Bach
Mozart
Beethoven
Schubert
Stravinsky
Haydn
Des Prez
Webern

Bernoulli
Newton
Leibniz
Huygens
Dedekind
Maxwell

Mozart

Wagner

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="61">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113273">
                  <text>Annual Reports</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113274">
                  <text>Annual reports for St. John's College.  The collection includes Reports of the President.   &lt;br /&gt;&lt;br /&gt;Reports for the years 1933-1968 were published in &lt;a href="https://digitalarchives.sjc.edu/collections/show/37"&gt;&lt;em&gt;The Bulletin of St. John's College&lt;/em&gt;&lt;/a&gt;.  Reports for the years 1969-1979/80 were published in &lt;a href="https://digitalarchives.sjc.edu/collections/show/12"&gt;&lt;em&gt;The College&lt;/em&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Click on &lt;a href="https://digitalarchives.sjc.edu/items/browse?collection=61" title="Items in the Annual Reports Collection"&gt;Items in the Annual Reports Collection&lt;/a&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113863">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117756">
              <text>pdf</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117757">
              <text>50 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117739">
                <text>Annual Report, 1990-1991</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117740">
                <text>Annual report for St. John's College, 1990-1991.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117741">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117742">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117743">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117744">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117745">
                <text>Annapolis, MD</text>
              </elementText>
              <elementText elementTextId="117746">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117747">
                <text>1990-1991</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117748">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117749">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117750">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117751">
                <text>Universities and colleges--United States--Administration</text>
              </elementText>
              <elementText elementTextId="117752">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
              <elementText elementTextId="117753">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117754">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117755">
                <text>SJC_AnnualReport_1990-1991</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="7730" public="1" featured="0">
    <fileContainer>
      <file fileId="7879">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/859566e8b9ec222b5149e6512433fbad.pdf</src>
        <authentication>cc46597d16b53eff4cff8d565148e75c</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117718">
                    <text>TURNING
P INT
2021 Report
for Alumni &amp; Friends

St. JoHn’S coLLeGe
A

�E QUINDI USCIMMO A RIVEDER LE STELLE

“AnD tHen We emeRGeD
to See tHe StARS AGAIn.”
DAnte
(INFERNO, XXXIV, 139)

B

�We HAVe ReAcHeD
A tuRnInG PoInt.
It is stunning to refect on how far we have come. The
long, hard road we have traveled as a college community
has taken us from precarious to secure, from declining
enrollment to record applications, and from issues
left unaddressed to challenges met with spirit, resolve,
and newly committed resources.
Five years ago, St. John’s College was in a very different
place. Our structural defcit had risen along with our
tuition, pricing too many students out of St. John’s and
limiting the variety of voices in our classrooms.
Alumni shared their thoughts on how the college could
do better, and then gave us the means to achieve the goals
we set together.
As a result of these collective efforts and the tremendous
generosity of alumni and friends, St. John’s College has
emerged from years of fscal austerity to stand on higher,
frmer ground … and to see the stars again.

1

�tuRnInG PoInt

St. JoHn’S IS StRonGeR tHAn
eVeR. HeRe IS tHe eVIDence.

2

We achieved
our goal of ending
FY21 with a
balanced budget.

Enrollment
reached a
10-year high.

Applications
reached
historic highs.

The St. John’s
Endowment hit
a record high.

Tuition remained
at a 10-year low.

“Alumni and

friends met the
$50 million
Winiarski Family
Foundation
Challenge.

�FRom tHe PReSIDent

DeAR ALumnI
&amp; FRIenDS,
We could write a great deal in this Annual Report about the
impact of the pandemic. You should know that, so far,
thanks to the commitment of faculty, staff, and students,
we have gotten through it with little damage. But unlike
most colleges, it is not our most signifcant story.
To appreciate what has transpired at St. John’s, the ground
we have covered and the progress we have made, we need
to look further back—to at least 2017.
That was the year we issued our first Annual Report
after a long period in which very little information was
shared about the state of the college. In that report,
we were forthright about the very signifcant fnancial
and enrollment challenges that threatened the future of
St. John’s—issues that began well before 2017.
We told you the truth about our challenges; then one
year later we launched the Freeing Minds campaign and
asked for your trust and your help so we could address
these challenges. You responded with both.
At every critical step, you have rallied around the
college, the Program, and our students, offering advice and
gifts that have, over the course of fve years, enabled us to
balance our budget, lower our tuition, increase our
enrollment, and expand our student support systems. We
are now within a few percentage points of a campaign goal
that will protect and perpetuate the important work we
have accomplished together.
These accomplishments, however, are not fnish lines.
They are turning points. They show us where we are—and
the direction we must go in order to arrive where we next
want to be.

The issues we have begun to address are not ones which
we can check off as accomplished. For example, we must be
constantly alert to the needs of a student population that
faces different challenges than the students of generations
past. It is therefore critically important that we provide a
safe, supportive, and comfortable environment in which to
experience our transformational Program.
That includes addressing the needs of the physical
plants of both our beautiful campuses. Happily, in this
report, we are announcing the new Pritzker Challenge,
which will give us the opportunity to do just that. We must
now meet that challenge as we have met all the others over
the last few years.
I know we will.
As you read through St. John’s 2021 Annual Report,
I hope you will look back on the past few years with
satisfaction and well-earned optimism—and look ahead to
the next ten with confdence and excitement.

Gratefully,

Mark Roosevelt
President, Santa Fe

3

�Announcement

An eXtRAoRDInARY
neW GIFt AnD An eXcItInG
neW cHALLenGe ARe PoISeD
to FuRtHeR tRAnSFoRm
tHe FutuRe oF tHe coLLeGe,
ouR tWo cAmPuSeS, AnD
tHe FREEING MINDS cAmPAIGn.
The Jay Pritzker Foundation will commit $25 million
toward our campus improvement needs if the
St. John’s community can raise $2 for every $1 pledged
by the Foundation. Meeting this challenge will secure
$75 million for critical campus improvements that greatly
enhance the student experience.

4

�DeAR St. JoHn’S
communItY,
Our son, Jon, entered St. John’s College in 2016, with the
intention of staying for only one year; instead, he graduated
four years later, having fallen in love with Euclid and
mathematics the St. John’s way.
The college then helped Jon turn that love into meaningful
work. Santa Fe’s Offce of Personal and Professional
Development provided career leads, and everywhere Jon
interviewed, he was offered a position. He found it elating to
be sought-after, to be competent—and today he loves and
marvels at fnding himself back in the classroom as a high
school math teacher, instilling in his students the same
passion that St. John’s nurtured in him.

Jon’s experience showed us the
power that St. John’s has to
transform lives. Because of that,
we are committed to the Freeing
Minds campaign and the power it
has to transform the college.
We are impressed with the energy college leaders have
shown in examining where the college could do better and
then designing and implementing aggressive plans to
address these needs. We were pleased to fund a summer
bridge program for new students who may need help
adjusting to the demands of the college’s unique academic
Program. That bridge program is now entering its third year,
and we have been impressed with the results—and deeply
moved by the feedback we have received from students.
At the November meeting of the Board of Visitors and
Governors, there was much celebration of the great
progress that has been made. St. John’s budget is now
balanced, its tuition is lower than it has been in a decade,

enrollment is at a ten-year high, and we are at a place where
we can begin to restore salaries for tutors and staff, who
sacrifced a great deal during these years of austerity.
But the celebration was tempered by the realization that
a diffcult choice lay ahead. Could we continue to grow the
endowment so that we can keep tuition low and raise
salaries, while also expending the monies necessary to
address our signifcant physical infrastructure needs?
At the meeting, Mark Roosevelt said that the college
should spend roughly $75 million over the next ten years
to bring campus buildings up to a decent standard.

I am pleased to say that Dan
and I are committing $25 million
in a $1 to $2 match so the college
will have $75 million committed
to campus improvement projects
over the next decade.
We are thrilled that the board has committed to raising
the frst $25 million to match our pledge, and we are
confdent that the larger St. John’s community will
contribute the remaining $25 million.
Together we can once again expand our expectations
about what the Freeing Minds campaign can achieve. We can
ensure that while not fancy, the college’s two beautiful
campuses are clean, well-maintained, comfortable, and
entirely respectful of the seekers and strivers who come to
engage with St. John’s transformational academic Program.
Karen Pritzker
Member, St. John’s Board of Visitors and Governors

5

�Announcement

BIoGRAPHY
Nora Demleitner came to the United States
from Germany in search of the small college
experience, fnding it at Bates College in
Lewiston, Maine.
After graduating from Bates with a degree
in American studies, Nora earned her
Juris Doctor degree from Yale University and
her Master of Laws degree in international
and comparative law from Georgetown
University.
She has published extensively in the
Stanford Law Review and the National Law
Journal, among other publications, and is
widely considered an expert on criminal
justice issues. Following law school, she
clerked for Supreme Court Justice Samuel
A. Alito Jr. when he was a member of the
Third Circuit Court of Appeals.
Nora brings to St. John’s nearly thirty
years of experience in higher education,
including distinguished positions at
St. Mary’s University School of Law in San
Antonio and the Maurice A. Deane School of
Law at Hofstra University. She was most
recently the Roy L. Steinheimer Jr. Professor
of Law at Washington and Lee University,
where she also served for two years as dean.
Nora is joined at St. John’s by her husband,
Michael, and their two children, Cordell
and Venetia.

6

�Announcement

St. JoHn’S coLLeGe
WeLcomeS tHe LeADeRSHIP
oF noRA DemLeItneR.
From Nora: “Tocqueville’s Democracy in
“The Board of Visitors and Governors is
proud to appoint a great legal mind,
America is on my mind as I look at how far
prolifc writer, strategic leader, and
dedicated teacher as the frst woman
St. John’s has come and where the college is
to be president of the third oldest
college in America.”
headed. The text invites us to examine more
Ron FIeLDInG (A70),
deeply our structure as a society and to
cHAIR oF tHe BoARD
uncover, in a very logical way, how we got to
our current point. We are asked to look at
ourselves with an outside observer’s eye and
with a loving eye—to see the challenges but
also to see the hope.
Over the past few years, the college has been on a very audacious
and successful path. Cutting tuition was a calculated risk, a noble risk,
and one that some colleges are now replicating. What St. John’s has
done differently is to challenge alumni to build a college that can thrive
on their support rather than on tuition. Alumni have embraced that
challenge and that hope.
It is inspiring to see how people have stepped up to support the
college on behalf of students who are, and will likely continue to be,
in a very different climate than they were.”

7

�enRoLLment

ouR DIStInctIVe AnD
DemAnDInG PRoGRAm
IS AttRActInG A RISInG
numBeR oF SeeKeRS.
Interest in the college has accelerated as more students
discover that our rigorous Program is both transformative
and attainable. As a result, the Class of 2025 is the largest
in more than a decade, with applications surging to the
highest level in St. John’s history.
This impressive upward trend in our freshman enrollment
is the result of our lower tuition price, our commitment to
scholarship support, and our shift toward targeted
recruitment strategies that reach students who have a
genuine interest in the college.

153

135

Fall freshmen
in Annapolis
(13-year high)

Fall freshmen*
in Santa Fe
(18-year high)
*Plus an additional 21 January Freshmen.

8

�enRoLLment

9

�enRoLLment

neW VoIceS ARe JoInInG
tHe conVeRSAtIon.
The Class of 2025

Summer Academy remains one of
our most dependable pipelines.

20%

from least wealthy
households in America

Summer Academy gives high school students an opportunity
to engage with the Program. Many of these students later
enroll at the college with an understanding of what it offers
and what it demands. Among the Class of 2025, one in six
students participated in a St. John’s summer experience
during high school.

The Graduate Institute continues
to attract lifelong learners.

more than

25%

identify as
students of color

The Graduate Institute entered the frst full year of a pilot
program that lets students choose between a fully in-person
or low-residency format. Interest in both options has been
strong. Almost twice as many new GI students enrolled in
Fall 2021 than in Fall 2019, when only the residential
experience was available.

Students are returning post-pandemic.
In 2020, a signifcant number of students opted to take a leave
of absence for COVID-related reasons. As a result of organized
efforts to keep these students engaged with the Program, the
vast majority have now resumed their studies at the college.

Maintaining a diverse student body is a priority for St. John’s.
To that end, the college has developed a variety of recruitment
tools, including the new position of assistant director of
admissions for diversity recruitment.

10

�School partnerships are a source of Johnnies from around the world.
Our targeted approach to recruitment includes two partnership
initiatives: the Southwest Scholars and Partners Program,
which promotes the college across six southwestern states,
and our relationship with the high schools that make up the
United World Colleges. One in 11 fall freshmen chose the
college as a direct result of these partnerships.

“Thanks to my school’s
involvement with the
Southwest Scholars
program and the fnancial
support I received through
it, I found myself realizing
that St. John’s was not just
another small liberal arts
college. It was not just a
better place—it was the
only place for me.”
AVeRY LIn (SF25)

This fall, St. John’s welcomed the largest cohort of freshmen
from the global network of United World Colleges in a decade.
We have now reached our target of enrolling a minimum of
40 students from the UWC schools, which prepare them well
for St. John’s distinctive mode of learning. Crossing this
threshold means the Davis Foundation will increase their
annual support from $10,000 to $25,000 per UWC student.
“When I frst heard about
St. John’s while studying
at UWC Robert Bosch in
Germany, I was intrigued
by the concept but also
skeptical. I applied for the
online summer seminars,
which turned out to be so
engaging and eye-opening
that I was convinced of the
application and usefulness
of the Program. So far,
the reality has not
disappointed me.”
HeLen FeLBeK (A25)

Looking towards the future

Even as we celebrate our full campuses and the growing
diversity of our community, it is important that we look
ahead to the demographic cliff that awaits. In just a few
years, the national population of college-age students will
shrink by an estimated 15 percent, a result of the fnancial
crisis of 2008, which accelerated the trend toward smaller
families. To ensure that future students not only hear
about St. John’s but can also afford to come here, we must
strive to keep tuition increases below the rate of inﬂation,
increase the amount of scholarship support we offer,
and invest in our most reliable pipelines.

11

�StuDent SuPPoRt

ouR StuDent
SuPPoRt SYStemS ARe
GRoWInG StRonGeR.
The supportive infrastructure we began building before the
pandemic has played a crucial role in this year of return.
Coming home from the digital ether to the seminar table
has restored energy and intimacy to our classrooms, but
it has also generated new challenges for students. Of our
857 undergraduate students, only our seniors carry with
them the memory of a full year on campus. Others are
rediscovering a world they had only begun to explore
before the pandemic disrupted their experience. Some are
enjoying it for the frst time, after being forced to fnalize
their college decisions from afar.
In what is still a diffcult environment, we are listening
carefully to what our students are feeling—and we are
doing more than ever before to ensure that support is
readily available.

12

�StuDent SuPPoRt

“Being a Johnnie is hard work. As a resident
advisor, I see it as my job to accompany students
and provide hope, often through events but more
often through active listening. This type of care
is intentionally fostered through the training we
are given by the college.”
SImRAn tHAPA (SF22)

13

�StuDent SuPPoRt

“During my freshman year at
St. John’s, I initially felt very lost
and overwhelmed. That is why
I was so grateful to have a peer
mentor. That is also why, as a
sophomore, I chose to become
a mentor myself. I want new
students to have that same
experience of feeling
welcome and supported.”
“When I was a freshman, my class was
mostly left to our own devices to fgure
things out. I think it’s been really
benefcial to get the upperclassmen
more involved with welcoming the
freshmen and really show them what
St. John’s is all about.”

ZoHAR nAAmAn (SF24)

ALeX noRD (A22)

“Ms. Villa and I immediately bonded
because of her Italian and my
German accent. I am always happy
to hear a cheerful ‘Ciao Antonia
come stai?’ when we meet. It is
easy to get caught up in work, so it
helped to step back, look at the
year’s goals, and receive links to
the best Italian rock music from a
tutor who is trying to fgure out the
same things I am.”
AntonIA BonnAIRe (SF24)

14

“Deciding to participate in the Pritzker
Promise Summer Bridge Program was
one of the best decisions I have made.
I was quite nervous and afraid because
English is not my mother language.
I was worried about whether I could
make friends and go through my
academic program successfully. But
thanks to the Pritzker Promise, I am
more confdent. Attending the bridge
program was a great choice to start a
journey to a completely new world.”

14

YeJIn KIm (A25)

�StuDent SuPPoRt

St. John’s has taken important steps to enhance the
student experience, with a focus on helping new students
fnd their footing.
Pritzker Promise Summer Bridge Program
The Pritzker Promise Summer Bridge Program offered an
in-person pre-orientation experience to incoming freshmen
who can beneft from additional help as they transition into
college. The schedule of events included writing and math
workshops; panel discussions with staff, tutors, and alumni;
teambuilding activities; and quality time with peer mentors. At
the outset of the program, only 35 percent of participants felt
prepared for the St. John’s classroom; at the end of the week,
that fgure surged to 96 percent.

The Pritzker Promise also includes a peer mentorship
component, which pairs new students with upper classmates,
who serve as sources of guidance, support, advocacy, and
friendship. This year, 22 Pritzker Promise peer mentors are
helping nearly 100 members of the Class of 2025 navigate
their freshman year.

Percentage of students who felt prepared for St. John’s
Before program

35%

After program

96%

Freshman Advising

Peer-to-Peer Support

This fall we implemented a freshman advising program aimed
at fostering mutually supportive connections between
students and tutors, in and out of the classroom. All frst-year
students now have a faculty mentor.

Peer-to-peer support is also flourishing outside of the Pritzker
Promise, and the college has responded with extensive
training that empowers students to care for one another. Our
resident advisors, for example, learned how to identify and
compassionately intervene in situations ranging from mental
health crises to instances of bias.

Freshman Orientation
We also expanded our freshman orientation program, giving
new students a more thorough—and welcoming—introduction
to Johnnie life. Throughout the week, students engaged
in practice seminars, learned about helpful resources
on campus, and received advice from upper classmates on
adapting to college.

15

�StuDent SuPPoRt

“Before this internship, I saw my academic work as
just an end in itself, but now I see how it could
directly link to my future career path. As a result,
I am seriously considering graduate school, which
I was not interested in pursuing prior to fnding this
specialist area of interest in space policy.
This is a turning point in my thinking.”
Joe cunnInGHAm (A23)
InteRnSHIP, AnALYtIc SeRVIceS, Inc.

16

�StuDent SuPPoRt

The college continues to expand the breadth and scope of
our career services programming, bringing more Johnnies
closer to their postgraduate goals.
Collegewide Collaboration
In addition to providing individual career counseling to students
as well as alumni, the Annapolis Career Services Offce and
the Santa Fe Offce of Personal and Professional Development
partnered to produce workshops on writing resumes, applying
for internships and fellowships, and researching graduate
schools. Both campuses also collaborated with alumni to
co-host career panels in felds such as healthcare, education,
government contracting, and technology.

Jobs 4 Johnnies
Now in its third year, Jobs 4 Johnnies continues to bring
seniors together with alumni and board volunteers, who help
them identify felds of career interest, compile a job search
toolkit, and prepare for interviews. As a result of solid interest
from students and volunteers, both campuses have taken
steps to evolve Jobs 4 Johnnies into a year-long journey that
begins in the fall rather than the spring.

A New Liaison
The college also created and flled the new position of
assistant director of employer and alumni relations, providing
students with an additional resource for building connections.

Internships and Fellowships
Summer internship and fellowship opportunities remain
central to our career services programming. The former help
students learn valuable job skills while the latter let them dive
deep into areas of postgraduate study. Both opportunities
prompt students to think seriously about life after St. John’s
and how to prepare. As a result of funding provided by alumni
and friends, students spent the past summer working and
studying at institutions as diverse and influential as the
University of Chicago, the London School of Economics,
the Smithsonian Institution, and NASA.

“This internship defnitely broadened my horizons. I
experienced a different work environment, learned a lot
about methane emissions in marshes, used a new
programming language, and have a better understanding
of what I want to do in the future. I thought I wanted to
pursue data analysis, but now I fnd myself more heavily
focused on the active aspects of environmental science.”
GeneVIeVe DemAJIStRe (A22)
InteRnSHIP, SmItHSonIAn enVIRonmentAL
ReSeARcH centeR

“At the summer program in Rome, everything comes
together at once: food, friends, culture, books. The city is
hot, noisy, dirty—and everything beautiful and magical
you dreamed it would be. This singular experience has
awakened in me a desire to study art seriously.”
noAH WALDRon (SF20)
FeLLoWSHIP, Rome InStItute oF LIBeRAL ARtS

“This summer I had the opportunity to work as a litigation
assistant alongside attorneys who are skilled leaders in
their areas of practice. It has been an essential part of
my professional growth and future career in law—and I
even had the privilege to draft a statement of facts that
will be read by the New Mexico Supreme Court.”
ZHAnSAYA KuAtZHAn (SF22)
InteRnSHIP, HInKLe SHAnoR LLP

“Taking classes on East Asian philosophy, as well as Race
and Law, granted me valuable perspectives on a legal
career. I read texts from Taoist, Confucian, and Buddhist
schools of philosophy and sifted through influential U.S.
Supreme Court cases concerning racial minorities. I now
think that serving as an immigration lawyer could be a
valuable goal to pursue.”
WooSeoK Seo (A23)
FeLLoWSHIP, YonSeI unIVeRSItY

17

�cAmPAIGn RePoRt

ALumnI AnD FRIenDS HAVe
LeD tHe coLLeGe Into
tHe FInAL StRetcH oF tHe
FREEING MINDS cAmPAIGn.
This groundswell of generosity has already moved
St. John’s to a position of strength and is laying the
foundation for an even stronger future.

﹩280M

RAISeD toWARD A
*

﹩300M

GoAL

*Figures as of December 31, 2021.

18

�cAmPAIGn RePoRt

The St. John’s community has a history of meeting bold
challenges, highlighted in 2021 by the completion of the
Winiarski Family Foundation Challenge.

﹩50M
RAISeD

BY ALumnI &amp; FRIenDS

neARLY

﹩50 M

5,000

ALumnI AnD FRIenDS
ReSPonDeD

mAtcHeD
BY tHe WInIARSKI
FAmILY FounDAtIon

moRe tHAn

17,000

InDIVIDuAL GIFtS
oFFeReD

St. John’s Endowment

By providing an annual stream of investment income that
has historically risen over time, the St. John’s Endowment
protects our ability to keep tuition reasonable and provides
enduring support for the college, the Program, and the
student experience.
In FY21, the annual endowment distribution for
operations contributed nearly $10 million, an amount
equivalent to tuition from more than 275 students. This
income currently covers nearly 20 percent of the annual
operating budget. At our peer colleges, only 13 percent of
needs are met through the endowment. The national
average is even lower at 12 percent.
As the value of our endowment grows, through new gifts
and responsible investment, so will the annual distributions
that are made available for the college to use.

FY21 Annual Fund

Gifts to the Annual Fund address urgent priorities, including
the scholarships that help students afford a St. John’s
education and the support systems that help them succeed.

FY
16
17
18
19
20

(in millions)

$152
169
173
180
188

21

﹩240M
﹩2.9M

RAISeD to SuPPoRt tHe ImmeDIAte
neeDS oF StuDentS AnD tutoRS

19

�FInAncIALS

DeSPIte A GLoBAL cRISIS,
St. JoHn’S AcHIeVeD A
BALAnceD BuDGet In 2021—
tHe YeAR We commItteD
to DoInG So.
In 2017, when we began communicating with you about
the state of the college, we acknowledged that St. John’s
faced a serious threat: a structural defcit that had reached
$12 million, equivalent to approximately 20 percent of
St. John’s annual operating budget.
We also assured you that the board and college
leadership were committed to an aggressive plan of action
that would eliminate the defcit and balance St. John’s
budget by 2021. From then on, we met or exceeded our
defcit reduction goals in every fscal year; and now, as a
result of hard work, strict cost controls, and considerable
sacrifces on the part of many, we can say that St. John’s has
a balanced budget.
Reaching this milestone puts St. John’s in a position to
begin addressing staff and faculty compensation. We have
already taken steps to restore the salary cuts that were
made during our years of fnancial austerity; and, for the
frst time in well over a decade, we are able to consider
cost-of-living increases. Our ability to do so is a testament
to just how far the college has come.
We must now maintain our balanced budget, keep
tuition as low as possible, and still meet our critical needs.
For this the college will depend on new gifts to the Freeing
Minds campaign and on continued, generous support for the
Annual Fund, including the Fund for St. John’s.

20

Our defcit reduction from 2016 peak
FY

(in millions)

16

$12.0

17

7.5

18

4.5

19

2.8

20

1.9

21

0

�FInAncIALS

REVENU E
Student-Derived Revenue

$43.5

(in millions)

15.1

$43.5
16.3

Includes tuition, room and board,
and student fees.
Net of student fnancial aid

Income from the
St. John’s Endowment

Instruction &amp; Instructional Support
Includes tutor salaries and benefts as well as
support for our laboratories, lectures,
community programs, and libraries.

9.8
11.5

7.3

Includes targeted restricted gifts, smaller
realized bequests, and gifts to the
Fund for St. John’s or other components
of the Annual Fund.

8.4

Federal Relief Funds*

4.8

U.S. Naval Academy Rental Income*

2.6

Federal and State Grants

2.5

Other Income

1.4

Institutional Support
Meets the needs of our collegewide
administrative offces, including Human
Resources, Information Technology,
Development, Communications, Public Safety,
the Alumni Offce, and the Treasurer’s Offce.

Impact of Philanthropy

Approximately 5 percent of the net asset value
of the endowment, which consists of invested
gifts from alumni and friends, is made
available for the college to use every year.

Gifts of Support

EXPE N S E S

Student Services
Meets the needs of offces that support the
student experience, including the Assistant
Deans, Health Services, Career Services,
Counseling, Student Activities, Athletics,
Admissions, and Registrar.

5.2

Auxiliary
Includes food service in our two dining halls.

2.1

Includes registration fees from
Summer Academy and Summer Classics.

* These nonrecurring sources of revenue helped to offset
our COVID-related expenses and revenue losses.
All fgures are rounded and have not been audited.
Audited fnancial statements are available upon request.

Other Expenses
Includes debt service and retiree health benefts.

�FRom tHe BoARD oF VISItoRS AnD GoVeRnoRS

22

�FRom tHe BoARD oF VISItoRS AnD GoVeRnoRS

DeAR ALumnI
&amp; FRIenDS,
And then we emerged to see the stars again. And indeed we have.
Most arduous journeys, such as the one we have been
on, look a lot different in the rear-view mirror. We should
not forget this one was rugged, requiring commitment
and sacrifce from virtually everyone involved. Although
we are not done with our labors, we have accomplished an
enormous amount, and it is time to take stock of where we
are and where we need to go.
Over the past fve years, our college community, working
together, has climbed our way out of a staggering structural
defcit, reversed course on troubling enrollment trends,
greatly enhanced the support services that are available to
our students, and positioned the college to make additional
progress in the years ahead.
Our task now is to keep the lessons of the past fve
years in mind as we look ahead to the years, even decades,
to come.
Access and affordability must remain priorities, and for
that the college will need your ongoing support.
Enhancing the student experience is another area of
focus, one highlighted by the Pritzker Challenge, a once-ina-generation opportunity to signifcantly improve the
physical environment in which our Program is experienced
and enjoyed. This is another area where your support will
make a critical difference.

The voyage ahead will almost certainly take us in
unexpected directions. This is both the joy and the
challenge of any journey, whether it occurs around a
seminar table or among a global community of alumni
and friends. Rest assured, however, that the many arcs
on which we travel are still frmly fxed upon our center—
a life-changing academic Program that is now in its
85th year.
Together we will position it well for its 100th year—
and well beyond.

Gratefully,

Ron Fielding (A70)
Chair

Leslie Jump (A84)
Vice Chair

23

�FRom tHe BoARD oF VISItoRS AnD GoVeRnoRS

60 College Avenue
Annapolis, Maryland 21401
410–263–2371

24

SJc.eDu/GIVInG

1160 Camino de Cruz Blanca
Santa Fe, New Mexico 87505
505–984– 6000

�c

�D

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="61">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113273">
                  <text>Annual Reports</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113274">
                  <text>Annual reports for St. John's College.  The collection includes Reports of the President.   &lt;br /&gt;&lt;br /&gt;Reports for the years 1933-1968 were published in &lt;a href="https://digitalarchives.sjc.edu/collections/show/37"&gt;&lt;em&gt;The Bulletin of St. John's College&lt;/em&gt;&lt;/a&gt;.  Reports for the years 1969-1979/80 were published in &lt;a href="https://digitalarchives.sjc.edu/collections/show/12"&gt;&lt;em&gt;The College&lt;/em&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Click on &lt;a href="https://digitalarchives.sjc.edu/items/browse?collection=61" title="Items in the Annual Reports Collection"&gt;Items in the Annual Reports Collection&lt;/a&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113863">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117736">
              <text>pdf</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117737">
              <text>28 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117719">
                <text>Turning Point: 2021 Report for Alumni &amp; Friends </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117720">
                <text>Annual report for St. John's College, 2021.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117721">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117722">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117723">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117724">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117725">
                <text>Annapolis, MD</text>
              </elementText>
              <elementText elementTextId="117726">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117727">
                <text>2021</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117728">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117729">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117730">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117731">
                <text>Universities and colleges--United States--Administration</text>
              </elementText>
              <elementText elementTextId="117732">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
              <elementText elementTextId="117733">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117734">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117735">
                <text>SJC_AnnualReport_2021</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="7729" public="1" featured="0">
    <fileContainer>
      <file fileId="7878">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/d73c4fc46fb737ec4584cf4934c0d799.pdf</src>
        <authentication>0157eeab60db191db88e29d89e6e804d</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117698">
                    <text>SUSTAINING
STRENGTH
2022 Report for Alumni &amp; Friends

ST. JOHN’S COLLEGE

�“

...IN
EVERYTHING
IMPOSINGLY
BEAUTIFUL,
STRENGTH
HAS
MUCH 
TO DO
WITH THE 
MAGIC.

”

—Herman Melville, Moby Dick
1

ST. J O HN ’S CO LL EGE — 2022 REPORT

�2

ST. J O HN ’S CO LL EGE — 2022 REPORT

�LETTER FROM THE PRESIDENTS

DEAR ALUMNI
&amp; FRIENDS,
Last year we told you that St. John’s College was stronger than ever.
The evidence to support that claim was, and still is, abundant—and
yet it was a risky claim because it inevitably raises the following
questions: Where are we now? How strong is St. John’s today, and
can the college sustain its strength for the future?
The simple answer is that the college is doing very well.
After a two-decade period in which St. John’s experienced
signifcant fscal and enrollment troubles, followed by a
seven-year period of rigorous cost-cutting and operational
improvement, the college has reached a point where we
can confdently say we are healthy. Our budget is balanced,
enrollment remains at a long-time high, and the campuses
are full of energy and excitement. The unprecedented
success of the Freeing Minds campaign has allowed for a
new fnancial model and a revival.
Of course, it is also the case that our work is never done.
Resting on success is not a realistic option for any college other than the very rich, even in the best of times—and
times are very tough for small colleges like St. John’s.
With the population of college-age students shrinking
and the needs of those students increasing, the years ahead
are going to test us.
We know that without constant attention and creative
thinking, strength can diminish quickly. What we are doing
now is taking steps to ensure that the many strengths we
possess—strengths we have worked diligently to accrue and
are fortunate to have—will continue to serve the college well.
1. Our Program. Everything we do at St. John’s is done in
the interest of preserving the Program’s unique place in
American higher education and enhancing its impact.
2. A successful campaign. Freeing Minds enabled the college
to shift to a fnancial model that depends less on tuition
and more on the continued support of alumni and friends.

3

ST. J O HN ’S CO LL EGE — 2022 REPORT

3. Stable enrollment. To maintain our positive enrollment
trends, it is vitally important that we continue to
invest in initiatives that attract students with an affnity for the Program regardless of their family fnances or
personal background.
4. A transformational student experience. We want it to
be transformational for all, not some. We also want
the experience to contribute to a fulflling life, including
a life of meaningful work.
5. Two historic campuses. They are exceptionally
beautiful places in which to live and learn. They also
need signifcant investment to bring them back up to
a respectable standard.
6. A balanced budget. Many people worked hard and gave
generously to help us reach it. Now it is imperative that
we maintain it.
These six strengths sustain us as a college, a global
community of lifelong learners, and participants in an
enduring conversation. We must attend to these strengths
so they continue to sustain us.
That is the challenge we face—and it is because of your
generosity and love for the college that we will meet it.
Gratefully,

Mark Roosevelt
President, Santa Fe

Nora Demleitner
President, Annapolis

�PROGRAM

OUR
DISTINCTIVE
PROGRAM
IS OUR
GREATEST
STRENGTH
AND A
CONTINUING
CONVERSATION.
The pages of this annual report draw
some comparisons between St. John’s
and other institutions. When assessing our enrollment or the changing
demographics of college-age students,
this is instructive.
When it comes to the St. John’s
classroom, however, we cannot compare ourselves to even our most
similar peers. The way in which our
students and tutors put their preconceived notions to the test by reading
and discussing seminal texts in
small-group seminars where every
voice is given equal weight—and no
textbooks are to be found—is unique
in higher education.
4

ST. J O HN ’S CO LL EGE — 2022 REPORT

But without a basis of comparison,
how do we know what, if any, improvement is needed?
We begin by recognizing that the
St. John’s Program of Instruction is not,
and was never meant to be, a barometer of public opinion. We do not read a
given text because it is fashionable
or because the topics it addresses are
politically expedient. We explore
the words and ideas that, in the eyes,
hearts, and minds of our faculty can
best achieve our mission to “make
free adults from children by means of
books and a balance.”

The college continues to hold fast
to the core of what we do and to the
strengths that distinguish a St. John’s
education, including our Great Books
curriculum, low student-to-faculty
ratio, and discussion-based mode of
learning.
Yet the Program is not static.
It is a continuing conversation, and
maintaining its health and vitality is
a priority for the college. This work
is led on each campus by the
Instruction Committee, who guides
the St. John’s community through an
ongoing process of curricular review
and faculty development.

�HOW DOES
ST. JOHN’S
EVALUATE THE
ACADEMIC
STATE OF THE
COLLEGE?
The responsibility for safeguarding and, when
necessary, reinvigorating the Program rests
with the Instruction Committee on each campus.
In accordance with the Polity, each committee
consists of the dean and six faculty members,
who are elected to the position by their peers.
The committee meets regularly throughout
the year, and the two committees meet jointly
once a year.
Areas that fall within the scope of the committees’
work include the planning of preceptorials and
study groups; recommendations for faculty
appointments, reappointments, and tenure;
and an annual review of the list of books that
constitute the core of the St. John’s Program.
Instructional proposals for more substantive
changes, whether collegewide or campus-specifc,
are put forth by the dean to be considered and
voted upon by the faculty. An important example
of this process took place in 2020, when
the faculty approved an instructional proposal to
offer graduate education in a low-residency
format as part of a three-year pilot program.
By making the Program more accessible to a global
community, this collective effort on the part
of St. John’s faculty has led to a resurgence of
interest in the Graduate Institute.
sjc.edu/statement-of-the-program
sjc.edu/charter-polity

5

ST. J O HN ’S CO LL EGE — 2022 REPORT

New tutors enrich our
growing community.
Over the past three years,
St. John’s welcomed 24
new tenure-track tutors,
whose varied interests
include modern apocalyptic
fction, computer-generated
art, the music of North Africa
and the Middle East, the
literature of colonial Latin
America, and the phenomenology of Simone de Beauvoir.
By comparison, only four
tutors joined St. John’s in
the previous three-year
period, when fscal austerity
prevented the college from
hiring enough new tutors
to replace our retiring faculty.
As a result of our improving
fnancial health, St. John’s
was able to not only reverse
this trend, which will help
keep our class sizes small,
but also raise the base salary
for our faculty in FY22. ♦

Faculty summer study
groups nourish our tutors.
By providing tutors with
the time and space to
collaboratively explore a text
or theme, faculty summer
study groups build community, inform further study,
and generate new perspectives and questions that
ultimately beneft students as
well as tutors. Last summer,
nine summer study groups
gave tutors the opportunity to
delve into a wide array of
subjects, from the strange
beauty of wave motion to the
powerful rhetoric of Frederick
Douglass and the intense
prose of Brazilian novelist
Clarice Lispector. ♦

�ENROLLMENT

ENROLLMENT
IS STABLE
BUT VULNERABLE.
St. John’s met enrollment goals for the
second year in a row, with Annapolis
welcoming 141 new undergraduates
and Santa Fe welcoming 104 Fall
freshmen and 17 January Freshmen.
This is a particular success for Santa
Fe; apart from last year, we would have
to reach back more than a decade to
fnd a freshman class of similar size.
Applications also rose to a new high,
eclipsing the record we celebrated
in 2021.
Results like these are not the norm
for small colleges. For all but the most
selective institutions, application and
enrollment numbers are, on average,
trending down.
Enrollment at St. John’s, however,
is more than a numbers game. As
the Statement of the Program reminds
us, we have a higher obligation:
“Because it offers an education for all,
St. John’s College has sought and
continues to seek to make its program
of study known and available to people
of diverse backgrounds.”
Since the founding of the New
Program in 1937, when St. John’s
adopted an egalitarian model that was
rare in higher education, the range of
backgrounds represented in a
St. John’s classroom has steadily
expanded.
Compared to our peers, St. John’s
has a very high percentage of
6

ST. J O HN ’S CO LL EGE — 2022 REPORT

freshmen who receive need-based
fnancial aid and a high percentage
who qualify for a federal Pell Grant.
Almost 30 percent of new students identify as Black, Indigenous,
and people of color.
The St. John’s community can be
confdent that the college remains
committed to “an education for all.”
What we cannot do is grow complacent
about the threats we face. The population of college-age students is declining
(a phenomenon known as “the demographic cliff”), and competition will
intensify. St. John’s will face many of
the same enrollment challenges as
our peers, and we must also contend
with issues specifc to the college,
including our relatively small applicant
pool and the challenge of keeping a
balanced budget despite the extraordinary fnancial need of our students.
To remain competitive, St. John’s
must bring the college to the attention of more students, help them
understand what the Program has
to offer, and ensure that cost is not a
barrier.

HOW DOES ST. JOHN’S
FALL FRESHMAN CLASS
COMPARE TO OTHER TOP
LIBERAL ARTS COLLEGES?

81%
STU DENTS RECEIVI NG
N EED - BASED FI NANCIAL AI D

Higher than average

23%
PELL G R ANT RECI PI ENTS

Higher than average

1,470
APPLICATION S

Highest fgure in St. John’s history—
but much lower than our peers

�OUR PROVEN PIPELINES,
NEW  PARTNERSHIPS,
AND FAIR PRICE ARE KEY
STRENGTHS IN A
COMPETITIVE  ENVIRONMENT.
One in six Fall freshmen
attended Summer Academy
before enrolling at St. John’s.
This annual summer
program gives high school
students an opportunity
to enjoy great conversations
in a Socratic format alongside
St. John’s tutors. It also
allows the college to reach
high-performing students,
including prospective
Johnnies, who are interested
in the liberal arts and
intrigued by the Program. To
help grow Summer Academy
and keep it accessible, the
college works with partner
schools and community-based organizations to
identify students who could
beneft from Summer
Academy and provide them
with scholarships. ♦

7

Alumni are among the
college’s most
important partners.
When alumni share their
passion for the Program, they
inspire future students to
seek out the college. Among
Fall 2022 freshmen, one in
four learned about the college
from an alum, and almost
10 percent are the children or
grandchildren of Johnnies. ♦
Flexible options help the
Graduate Institute grow.
With 63 new students
pursuing a Master of Arts
degree, fall enrollment in
the Graduate Institute
continues to exceed pre-pandemic levels. Of note is the
Master of Arts in Liberal Arts
program in Annapolis, where
total enrollment is now at the
highest level since 2007.
This growth suggests that the
low-residency model, which
gives students the option to
take classes online, is raising
the profle of the Graduate
Institute and making it more
attractive to students who
cannot relocate. ♦

ST. J O HN ’S CO LL EGE — 2022 REPORT

The Southwest Scholars
Partners Program expands
St. John’s reach.
This partnership initiative
helps promote the college
to students in the American
Southwest, an area with
rapid population growth.
Approximately half of
our 23 partner high schools
are in lower-income communities and serve students
who are often the frst in their
families to seek a college
education. Students enrolled
in partner schools are eligible
for scholarships to attend
Santa Fe, and if they want
a preview of the college, they
are also eligible for scholarships to Summer Academy.
This year the number of
students participating
in Summer Academy from
Southwest Scholars partner
schools doubled. ♦

Tuition remains near
a 15-year low.
When the Freeing Minds
campaign launched in 2018,
alumni and friends enabled
the college to lower tuition by
one-third. In the years since
this historic reset, St. John’s
has raised tuition by a modest
three percent, well below
the rate of inflation over that
period. Even with a fve
percent increase planned for
the next academic year,
St. John’s tuition price will be
lower in Fall 2023 than it
was in Fall 2008. In addition,
Pell students, who represent
the nation’s least wealthy
households, qualify to
have their federal Pell Grants
matched 100 percent through
the Pritzker Promise. ♦

�STUDENT EXPERIENCE

ST. JOHN’S
OFFERS A
RADICALLY
DIFFERENT
COLLEGE
EXPERIENCE.
WE ARE
MAKING   IT
EVEN   BETTER.
Within our peer group, St. John’s yield
rate is reassuringly high. This fgure
refers not to the percentage of students
the college accepts but to the percentage of admitted students who choose
to attend the college. One-third
will do so, affrming what alumni
and friends already know: that what
we do at St. John’s has enduring
relevance and appeal.
In some ways the St. John’s classroom has changed very little since the
founding of the New Program eight
decades ago. Tutors and students—no
more than 20—still sit around a seminar table and wrestle with the
fundamental questions of human
8

ST. J O HN ’S CO LL EGE — 2022 REPORT

existence and meaning. The texts we
read and the ideas we ponder are
treasures we share with seekers and
searchers of decades, centuries,
and millennia past.
What has changed at St. John’s,
and dramatically so, are the needs
and expectations of students.
Compared to previous generations,
today’s students are less wealthy,
represent more diverse backgrounds,
and possess fewer resources. They
also have different expectations
about the kinds of opportunities
that will be available and the amount
of support they will receive.

This is an area where alumni have
been frank, saying that St. John’s did
not provide the resources that would
have helped them gain more from
their time at the college. The full
St. John’s experience—as it is lived in
seminars and labs, but also in student
clubs and residence halls, on the
athletic felds and in preparing for
future careers—must be a priority.
The college has listened and agreed.
The St. John’s experience is uniquely
transformational. It can also be better.
We have taken some important steps
in that direction.

�IMPROVED HEALTH
AND   WELLNESS
RESOURCES CONTRIBUTE
TO A MORE SATISFYING
STUDENT EXPERIENCE.
The Annapolis campus now
serves as a model for integrated health and
wellness care.
The newly renovated
Student Health and Wellness
Center has adopted a
more effective and holistic
approach to student wellbeing, with primary care,
mental health care, and
health education all conveniently housed together in
Randall Hall. Students can get
a flu shot, receive basic
medical care, and talk with
a counselor—without having
to leave the campus or
worry about cost. Staff also
conduct outreach programs
that address some of
students’ most common
health concerns, such as how
to manage stress, maintain
a healthy sleep schedule, and
select a balanced diet. ♦

9

Help is available around
the clock.
Demand for mental health
services has increased
signifcantly, with nearly one
in four St. John’s students
requesting help for anxiety,
depression, and other issues—
all of which can affect
academic performance. In
response to this rising need,
both campuses have partnered with Academic Live
Care, a telehealth platform
that offers unlimited counseling sessions at no cost to
students. The new service
supplements the college’s
on-campus care and gives
students more options
for scheduling appointments:
they can even select their
providers based on gender,
ethnic background, language,
and other preferences.
If students need to speak
to someone immediately,
a 24-hour crisis hotline
is available and staffed
by counselors who are aware
the call is from a St. John’s
student. ♦

ST. J O HN ’S CO LL EGE — 2022 REPORT

Students are empowered to
offer peer-to-peer care.
Both campuses have
expanded the training
provided to resident advisors,
enabling them to engage
more meaningfully with fellow
students who come to them
for support. Through a
specialized mental health
training program, which is
required of all resident
advisors, these student
leaders learn how to recognize signs of distress in a
classmate, start a conversation around sensitive matters,
and take the appropriate
next steps. New Student
Orientation also provides
incoming freshmen with
basic information on mental
health care, including tips
on how to help peers who are
struggling. ♦

New initiatives encourage
healthy lifestyles and
safer choices.
For Santa Fe students
who are concerned about
their drug and alcohol use,
the Recovery Support Group
offers a safe space to ask
questions and share advice.
The program is supervised
by a Santa Fe staff member
and alum who is familiar with
the rigors of a St. John’s
education and knows how
tempting it can be to
self-medicate. The campus
also launched “Spiritual
Journeys,” an exploration
of spiritual practices and
how they contribute to health
and well-being.
In Annapolis, students
who feel overwhelmed can
visit the Student Health
and Wellness Center and
schedule time in the Serenity
Space, a dedicated room
designed to provide an
immersive sensory experience that helps relieve stress
and anxiety. ♦

�STUDENT EXPERIENCE

“

“

I really benefted from
being mentored by
students who offered
a candid view of
St. John’s and the difference between what
is claimed on paper and
what actually plays out
in the classroom. It is
one thing to hear from a
member of administration; it’s another to hear
from a student. Getting
that no holds barred
perspective defnitely
helped me adjust to
college life.”

St. John’s is a very special place—but how to
step into this kind of environment? It is a hard
task for any freshman
but especially for an
international student.
The Bridge Program
gave me the chance to
ask questions, ‘How do
I survive a seminar?’
‘Which book of Plato
do you love the most?’
It also had something
to tell me in return:
‘We are so happy to see
you here.’ I can confdently say I am happy
to be here as well.”

—LUKE WIDENHOUSE
(A25)

—YUCEN HAN (A25)

“

Last year, I was welcomed onto campus
early through the
Pritzker Promise Bridge
Program. This year,
after an incredibly rich,
beautiful, and challenging summer researching
and traveling abroad,
I have returned early
to train as a resident
advisor—to move into
a new role where I
can support the next
generation of students
with the same care
I received.”
—AMINA
FEDERSPIEL-OTELEA
(SF25)
10

ST. J O HN ’S CO LL EGE — 2022 REPORT

“

When I began at
St. John’s, I had but a
blur of what it entailed.
I just knew I wanted
to read great books.
I thought I would be
prepared to start the
Program; yet the Program was more than I
thought, demanding me
to wrestle with myself
and nature at every
turn. Luckily the Pritzker Promise provided
amazing mentors, who
not only helped me understand the Program
but also introduced me
to the person I aim to
be: thoughtful, careful,
and with a sense of
civic duty.”
—NÉSTOR ARANIBAR
CAMPERO (SF24)

�ST. JOHN’S IS
DOING MORE TO
ENSURE  THAT
EVERY  STUDENT
FEELS  WELCOME.
The Pritzker Promise
breaks down the barriers
to frst-year success.
The college launched a
week-long summer bridge
program in 2020 for qualifed
freshmen who want additional preparation for the
form of study we do at
St. John’s. Now in its third
year, the Pritzker Promise
Summer Bridge Program
continues to evolve and add
new content tailored to the
specifc needs of eligible
students, whose backgrounds
and circumstances can be
obstacles to success at
St. John’s.
Fitting in and feeling
heard are among those
concerns, and Bridge Scholars
beneft from forging connections with a small cohort of
classmates and peer mentors
before meeting the larger
freshman body. Social growth
is consistently ranked as
one of the most benefcial
outcomes of the Bridge
Program, with nine out of
ten participants saying
the experience helped them
make friends, establish a
support system, and feel
11

more comfortable expressing
themselves.
Initial results indicate the
program is having a particularly positive impact on
students from lower-income
families. On both campuses,
88 percent of Pell students
who attended the 2021
Summer Bridge Program
returned as sophomores in
Fall 2022, which is 14
percentage points higher
than Santa Fe freshmen in
general and eight percentage
points higher than Annapolis
freshmen. ♦

ST. J O HN ’S CO LL EGE — 2022 REPORT

New students enjoy a
more thorough introduction
to college.
New Student Orientation
is the frst real opportunity for
the larger freshman class to
learn about life at St. John’s
and for the college to learn
about new students. The
experience can set the tone
for a student’s academic
career, and yet many alumni
say their own orientation
did not lay a proper foundation for the journey ahead.
The college has responded
by greatly expanding and
improving the programming
offered during New Student
Orientation. In Santa Fe,
for example, the schedule
grew from 20 events in
2017 to 50 events in 2022.
Incoming Johnnies will hear
about the resources available
at St. John’s and receive a
warm, helpful welcome from
their deans, student assistants, and resident advisors.
They can also expect to
have candid conversations
with upperclassmen who
remember what it was like to
enter a very different world. ♦

Paracurricular activities
nurture a flourishing
student community.
Vibrancy and creative
energy are returning to
campus life after years of
pandemic-related disruption.
Santa Fe has seen the
emergence of many new
clubs and activities, including
the tutor-led weekly flm
series and informal study
group “Cinema as a Liberal
Art;” the parkour club, in
which the entire campus
serves as a gym; and Kunai,
an intramural team for
female and non-cis-gendered
students. Fencing has
also returned to Santa Fe and
is growing in popularity.
In Annapolis, the art
program and intramural
athletics are back at full
strength, with art classes
frequently reaching capacity
and more than half the
student body regularly taking
part in intramural sports. ♦

�STUDENT EXPERIENCE

“

“

I have always wanted to
work with children, and I
have taught as a volunteer,
but I was not sure if teaching was something I wanted to pursue full-time. I put
that passion to the test with
an internship at the Mother
Child Rehabilitation Center,
which provides education
for disadvantaged children
in my hometown of Addis
Ababa, Ethiopia. In a few
short months, I saw my
passion turn into a potential career. This internship
solidifed my plans and
confrmed my desire to be
a teacher.”

Off the coast of Maine lies
the tiny island of Appledore, where a fellowship
from St. John’s gave me the
opportunity to further my
interest in marine biology
at the Shoals Marine
Laboratory. The work was
hard, it was specialized,
and it was not for the faint
of heart. It also taught me
something about my love
for the sciences—and the
many career pathways
I can take.”
—BENJAMIN BRUNT
(SF25)

—GELILA KEBEDE (A25)

“

This summer I completed
an important step toward
my career. I have wanted to
work as a museum curator
since I was 16, but the
job openings all require
some degree of formal
training. Last spring I took
my frst course toward a
museum studies certifcate;
a fellowship from St. John’s
enabled me to complete
the remaining two—and
gave me the confdence to
apply for, and get, my frst
museum job this summer.”
—ISABELLA KIEDROWSKI
(A23)

12

ST. J O HN ’S CO LL EGE — 2022 REPORT

“

When I applied for a summer fellowship, I was feeling the ‘what’s next’ dread
that comes with graduating
college. I just knew for
certain that I wanted to
point my compass toward
a career in art. An intensive course in the south
of France was the perfect
opportunity to step away
from that dread and discover what it means to live
for my craft. I learned how
to silence my inner critic so
I could push forward, and
I now have enough pieces
for a portfolio. I still have
a lot of planning to do, but
I know ‘what’s next’—and I
know that my education is
not going to end.”
—MADELEINE WEAVER
(A22)

�STRONGER SUPPORT
SYSTEMS HELP
STUDENTS MAKE
PROGRESS TOWARD
POSTGRADUATE GOALS.
CAREER
CONSULTATIONS

1082

+32%

818

FY21

FY22

Students are taking advantage of career guidance.
To raise student awareness
around the need for postgraduate planning, St. John’s
career services staff moved
to locations that are more
visible and accessible to
students. The Santa Fe Offce
of Personal and Professional
Development now shares
an entire building, Chamisa,
with members of the Alumni
Relations team. The Annapolis
Career Development Offce
moved to a well-traveled
corridor in Mellon Hall,
13

the main academic building.
Both campuses saw an
increase in student visits, with
the number of consultations
rising more than 30 percent. ♦
Competitive awards are
an area of focus.
Both campuses are collaborating to assist students and
alumni who are interested in
nationally competitive fellowships, including the prestigious Gaither, Truman, and
Fulbright awards. In 2022,
St. John’s advised six applicants: one received a
Fulbright award for public
health research in India and
one received a Projects for
Peace award. The college is
currently working with a
group of students as they
prepare their applications for
the 2023 award cycle. ♦
Alumni help students
launch careers.
The Odyssey Program
(formerly Jobs4Johnnies)
paired 48 members of the
Class of 2022 with alumni and
other volunteer mentors
who conducted mock interviews and offered career

ST. J O HN ’S CO LL EGE — 2022 REPORT

guidance. The number of
participating students more
than doubled in 2022, with
one-quarter of all graduating
seniors taking part in the
initiative. ♦
ODYSSEY PROGRAM
PARTICIPATION

48

+140%

20

FY21

FY22

More students are seeking
summer opportunities.
Summer internships give
students hands-on work
experience, often with prominent employers, while fellowships augment their St. John’s
education with specialized
coursework. These experiences are funded entirely
through philanthropy, making
them more accessible to
students who might otherwise

pursue seasonal employment
that does not address their
long-term goals. As pandemic
restrictions eased and word
spread about the support
St. John’s provides, demand
for internships and fellowships, including study abroad,
increased. Applications rose
60 percent collegewide,
with three-quarters of applications resulting in an award.
In Santa Fe, applications
doubled, reaching the highest
level since these programs
began. ♦
APPLICATIONS
FOR INTERNSHIPS
&amp; FELLOWSHIPS

172
108

FY21

FY22

+60%

�CAMPUS LIFE

OUR TWO BEAUTIFUL
CAMPUSES
ARE  INCREDIBLE
STRENGTHS,
BUT THEY NEED WORK.
YOUR PHILANTHROPY
IS MAKING
THAT  HAPPEN.
Having postponed a long list of repairs
and regular maintenance due to
fnancial constraints, St. John’s faced
an impending infrastructure crisis—
until the Jay Pritzker Foundation
stepped forward with an extraordinary
gift. Facilitated by St. John’s board
member and parent Karen Pritzker
and inspired by her son’s time at the
college, the $25 million Pritzker
Challenge will contribute $1 for every
$2 gift made in support of campus
improvements, setting the stage for a
$75 million investment over a
ten-year period.
The gift is a game-changer for
the college and will allow St. John’s to
undertake projects that will greatly
enhance community life and provide
students and tutors with more

14

ST. J O HN ’S CO LL EGE — 2022 REPORT

comfortable places to gather, read,
relax, think, and discuss.
None of these improvements will
be fashy, which would not be in
keeping with St. John’s commitment
to offering a rigorous education
rather than lavish amenities. They
will, however, meet modern standards of comfort and safety and
make the college a more attractive
option to prospective students.

FOLLOW OUR PLANS
AND GET INVOLVED
The Pritzker Challenge calls upon
alumni and friends to contribute $5
million each year, over a ten-year period,
to receive the Jay Pritzker Foundation’s
annual $2.5 million match. We met
our FY22 goal, and alumni and friends
have already pledged $4 million toward
FY23. The college has now received
a total commitment of $18 million,
with $32 million remaining to meet the
Pritzker Challenge.
sjc.edu/pritzker-challenge

�WHAT IS ST. JOHN’S
DOING TO ENHANCE
CAMPUS LIFE?
Creating interactive spaces.
The wait is almost over as
Mellon Hall completes its
multi-year transformation into
a social hub for the Annapolis
community. Key elements of
architect Richard Neutra’s original design remain intact, but
the lobby has now become a
spacious gathering area, a new
studio theatre awaits student
performers, and the muchloved Fishbowl offers a more
comfortable setting for deep
discussion. Some exterior
work will continue, but doors
to the newly remodeled social
spaces open this spring. ♦
Improving our student
residence halls.
With ages ranging from 18
to 185 years, our Annapolis
residence halls are cherished,
and often historically signifcant, spaces—but time has
taken its toll. Some of these
buildings are now in poor
condition and need to be
repaired and updated. We took
an important step in FY22 with
upgrades to Randall Hall.
Through the generosity of the
Jay Pritzker Foundation,
Campbell Hall is the next
residence hall to be revitalized
as part of a broader effort
to improve residential life and
attract new students. Work on
Campbell Hall will begin in
2023. ♦
15

Moving toward a carbon
neutral future.
Thanks to a gift from an
anonymous alumni couple
and an energy audit
supported by the Class of
2019, the Santa Fe campus
will run entirely on solar
power by the end of 2023.
The gift also funded a
campuswide conversion to
energy-effcient LED lighting,
a project that is now complete.
Future initiatives include
electric vehicle charging
stations and solar-powered
benches where students can
charge their phones and
laptops. ♦
Drawing students into
community.
The Pritzker Student Center
(formerly known as the
Peterson Student Center) will
undergo a full-scale renovation to create student lounges,
preserve signature pieces
by designer Alexander Girard,
and breathe new life into the
student-run performance
venue, the Cave. The project
will also expand the coffee
shop into a more inviting
space—complete with a
freplace and a connection
to the campus bookstore.
Construction is expected to
begin in 2023. ♦

ST. J O HN ’S CO LL EGE — 2022 REPORT

�FINANCIALS

WE HAVE A
BALANCED
BUDGET,
BUT WE NEED
TO STAY
VIGILANT.
Over the past seven years, the fnancial
health of St. John’s College has
improved considerably. The college is
not fush with cash, but we are secure.
Our structural defcit, which peaked
at $12 million, reached zero in FY21;
and the college has now completed
a second consecutive fscal year with
a structurally balanced budget.
Balanced—but vulnerable. Some
elements of our FY22 budget that seem
highly positive are the result of unusual
circumstances. We have a modest
operating surplus of $1.5 million, but
this is due entirely to nonrecurring
federal relief funds, and our substantial
year-over-year increase in student-derived revenue can largely be attributed
to the reopening of our campuses
and the return of students who took
time off during the pandemic.
We do have cause to be confdent,
however. The success of the
Freeing Minds campaign has made it
possible for St. John’s to switch to a

16

ST. J O HN ’S CO LL EGE — 2022 REPORT

philanthropy-centered fnancial model
in which gifts to the college play a
greater role than tuition. It is important
to note that St. John’s will beneft from
an estimated $90 million in deferred
gifts that will reach the endowment
in the near future. Because these gifts
will be invested for long-term growth,
they will infuse $4.5 million into
our budget each year—and this amount
will steadily increase over time.
Until then, the college must be prepared to face many of the same
fnancial pressures as our more tuition-dependent peers. Protecting
our budget will take the work of everyone who has a stake in the college,
from alumni and friends who make
the Annual Fund a priority to the staff
and faculty who make the college
a place where students want to be.

WHY PHILANTHROPY
MATTERED IN FY22
For the third consecutive year, cash
gifts and endowment income played
a greater role in funding the work of
the college than tuition.
As a result of philanthropic support,
students paid $15.1 million in tuition but
received $18.5 million in fnancial aid.
Credit rating agency S&amp;P Global raised
their outlook for St. John’s from stable
to positive, citing our fnancial
stability and successful campaign as
important factors.

All fgures are rounded and have not been audited.
Audited fnancial statements are available upon request.

�$49.2
(in millions)

FY22
REVENUE

﹩47.7
(in millions)

FY22
EXPENSES

NET TUITION
INSTRUCTION &amp;
INSTRUCTIONAL SUPPORT

Includes tutor salaries and benefts
as well as support for our
laboratories, lectures, community
programs, and libraries.

15.1
17.7
ROOM &amp; BOARD

9.6

INSTITUTIONAL SUPPORT

IMPACT OF PHILANTHROPY

INCOME FROM THE
ST. JOHN’S ENDOWMENT

10.7

2.7
2.6
1.5

17

Approximately fve percent of the net
asset value of the endowment, which
consists of invested gifts from alumni
and friends, is made available for the
college to use every year.

GIFTS OF SUPPORT

7.0

11.3

Includes targeted restricted gifts, some
bequests, and gifts to the Fund for
St. John’s or other components of the
Annual Fund.

FEDERAL AND STATE GRANTS

Covers the day-to-day operation of the
college and includes Public Safety,
Human Resources, Information
Technology, Advancement,
Communications, Alumni Offce, and
Finance Offces.

STUDENT SERVICES

9.2

Meets the needs of offces that
support the student experience,
including the Assistant Deans,
Health and Wellness Services,
Career Services, Student Activities,
Athletics, Admissions, and Registrar.

AUXILIARY

7.8

Includes bookstore operations and
food service in our dining halls and
coffee shops.

OTHER INCOME

Includes income from our bookstores as well as fees
from Summer Academy and other community programs.

COVID RELIEF FUNDS

ST. J O HN ’S CO LL EGE — 2022 REPORT

1.7

DEBT SERVICE

�CAMPAIGN REPORT

FREEING MINDS
SURPASSES
$300M GOAL.

320M

$

RAISED

Freeing Minds will continue through the offcial closing date of June 30, 2023.
There is still time to participate and further strengthen the college.

18

ST. J O HN ’S CO LL EGE — 2022 REPORT

�FOLIO

OUR SMALL COLLEGE HAS
DONE THE REMARKABLE.
The Freeing Minds campaign was
launched in 2018 with the goal of
raising $300 million to strengthen
the college’s fnancial health and help
more students afford a St. John’s
education. These gifts would serve
as the foundation of a new fnancial
model in which gifts play a greater
role and tuition a lesser one.

THE RESULTS ARE
ALREADY BEING FELT.
Of the $320 million raised to date,
$173 million has been received and
put to work. Nearly half the funds
were invested through the St. John’s
Endowment, which generates a
growing stream of annual income
for the college to use. The other half
enabled the college to increase
fnancial aid, introduce more student
support services, expand internship
and fellowship opportunities,
and cover an operating defcit
from FY16–FY20.

Campaign fgures as of December 31, 2022.

19

ST. J O HN ’S CO LL EGE — 2022 REPORT

It was an ambitious goal that was
not without skeptics, including those
who worried that St. John’s was
simply too small to raise such a lofty
fgure. Alumni and friends rallied
around the effort, raising $320 million
to date and leading our small college
beyond our goal—months ahead
of schedule.

THE IMPACT IS
FAR-REACHING.
The St. John’s Endowment consists
of permanently invested gifts that
provide lasting support for the
college. In addition to the $80 million
that has already been placed in
the endowment, $90 million in
deferred gifts will be added in the
coming years. Once these gifts
are received, annual income from
the St. John’s Endowment will,
under most market conditions,
cover more than a third of the cost
to educate our students.

WE HAVE A MEANS TO
SUSTAIN OUR STRENGTH.
Freeing Minds has heightened awareness
of the St. John’s Annual Fund as a way
for alumni and friends to regularly
support everything they love about the
college. More than 90 percent of the
5,500 gifts made to Freeing Minds in
FY22 were given through the Annual
Fund, and these gifts had an immediate
impact on life at St. John’s. Once the
campaign concludes, Annual Fund gifts
will remain a crucial resource for
meeting the needs of students while
maintaining a balanced budget and
keeping tuition as low as possible.

�LETTER FROM THE BOARD

DEAR ALUMNI
&amp; FRIENDS,
It is immensely gratifying to conclude this annual report on
such a celebratory note. Surpassing our Freeing Minds campaign
goal is a monumental achievement that will help ensure the
continued strength of St. John’s College for generations to come.
This is also an occasion for refection because it marks
yet another pivotal moment for the college—one of many
we have witnessed in the past few years. Lowering our
tuition in 2019 and reaching a balanced budget in 2021
are two other important examples. The launch of the
Pritzker Challenge, which will provide the resources to
make much-needed improvements to our beautiful and
historic campuses, is another.
How is it that our small college can stand so tall?
How have we been able, in less than a decade, to accomplish
so much?
The answer rests with the passion that alumni and
friends have for St. John’s—for the kind of education we
provide and the ideals we value: Open, frank conversations.
A willingness to entertain a different perspective and
challenge assumptions. A frm conviction that the restless,
exhilarating, profoundly rewarding search for truth and
understanding should be a journey accessible to anyone
who seeks it, regardless of personal background. And a
strong belief that this journey should last a lifetime.
These ideals fourish in few places but they fourish at
St. John’s College—and gifts to the Freeing Minds campaign
serve as a collective statement that this education will
endure because of its eternal value.
Our campaign success also points to a strength that
cannot be overstated: the St. John’s community. They
are alumni, staff, faculty, friends, and students. They are
the parents who see frsthand the impact of a St. John’s
education in their children’s lives and in their own.

20

ST. J O HN ’S CO LL EGE — 2022 REPORT

They are our neighbors in Annapolis and Santa Fe who
speak of us with pride.
Thank you for leading the college forward. St. John’s
is indeed a college distinguished by its many strengths,
and our community is the strength that sustains them all.
Gratefully,

Ron Fielding (A70)
Chair

Leslie Jump (A84)
Vice Chair

�60 College Avenue
Annapolis, Maryland 21401
410–263–2371

SJC.ED U/G I V I NG

1160 Camino de Cruz Blanca
Santa Fe, New Mexico 87505
505–984– 6000

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="61">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113273">
                  <text>Annual Reports</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113274">
                  <text>Annual reports for St. John's College.  The collection includes Reports of the President.   &lt;br /&gt;&lt;br /&gt;Reports for the years 1933-1968 were published in &lt;a href="https://digitalarchives.sjc.edu/collections/show/37"&gt;&lt;em&gt;The Bulletin of St. John's College&lt;/em&gt;&lt;/a&gt;.  Reports for the years 1969-1979/80 were published in &lt;a href="https://digitalarchives.sjc.edu/collections/show/12"&gt;&lt;em&gt;The College&lt;/em&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Click on &lt;a href="https://digitalarchives.sjc.edu/items/browse?collection=61" title="Items in the Annual Reports Collection"&gt;Items in the Annual Reports Collection&lt;/a&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="113863">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117716">
              <text>pdf</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117717">
              <text>22 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117699">
                <text>Sustaining Strength: 2022 Report for Alumni &amp; Friends </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117700">
                <text>Annual report for St. John's College, 2022.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117701">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117702">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117703">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117704">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117705">
                <text>Annapolis, MD</text>
              </elementText>
              <elementText elementTextId="117706">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117707">
                <text>2022</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117708">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117709">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117710">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117711">
                <text>Universities and colleges--United States--Administration</text>
              </elementText>
              <elementText elementTextId="117712">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
              <elementText elementTextId="117713">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117714">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117715">
                <text>SJC_AnnualReport_2022</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="7728" public="1" featured="0">
    <fileContainer>
      <file fileId="7877">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/b4ccaa67447dd146eaa040a8b1ada172.pdf</src>
        <authentication>a7defdefa7114cd33acc482cfc216759</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117684">
                    <text>Friday Night Lecture
St. John's College, Annapolis
September4, 1998

What, then, is Time?

Eva Brann

When our dean asked me to lecture this September it was because he had heard that I'd just
completed a book on time, and he thought I might like to talk about it. He was right, and here are
three possible kinds of profit that, on thinking it over, I figured might come to you and to me if I
gave what I guess one might call a book report.
First, even if the writing of books is a few decades off for most of you here tonight, it
turns out that writing papers and annual essays is not so different from writing books, and I
thought I might be able to tell you something useful. In fact I'll do it right now. \Vhen the time
comes to write, whether it's a small paper or a long annual essay, never think: "I've got to write
this thing! Help! I need a paper!" Instead search your soul for a question you have nursed for
quite a while, whether articulately or inarticulately, somethingj:hat bothered and puzzled you,
something that might be very intimate but is capable of public expression. Then flip mentally
through the books you've studied, or the music you've sung, or the theorems you've proved, or
the experiments you've re-enacted, and ask yourself which have a bearing, taken in the largest
sense, on your issue. What will happen next is the result of a mixture of concentration and luck:
some paradox or analogy or some other significant array will jump out at you. Seize that and
slowly pummel, stroke, and shape it into an articulate order. Of course, none of that can happen at

1

�the last minute. For looking into yourself, for calling on your studies, for finding a crystallizing
moment, for working all of it into a well-shaped' whole, time is of the essence.
My second thought was that time is one subject concerning which it does not matter
whether one is a freshman finishing the second week at the college or a senior beginning the fourth
year, or even a tutor who has taught most of the program. Stormy love is not a pressing issue to
all ages, nor is looming death, but there is, I think, no one, at any time of life, for whom time does
not become a problem in some way or other. I know this from experience. Of the things that have
urgently interested me from time to time, the mention of Being and Non-being, for example,
provokes mostly stupefied non-interest, the mention of the Imagination elicits an account of
people's favorite fantasy series, but the mention of Time gives rise to intelligently companionable
puzzlement. People have a different relation to the question concerning time than to other deep
matters, which they are either willing to bypass as too obscure for their taste or to treat with the
most unreflective but familiar particularity.
The title of this lecture -- and of my book -- is "What, then, is Time?" It is a quotation
from the most famous sentence ever written on time by the man who was most deeply immersed in
its elusive familiarity, Augustine. It comes from the eleventh book of his Confessions, which we
read in the sophomore year. Here is the \vhole sentence:
What, then, is time? If no one asks me, I know; if I want to explain
it to the questioner, I do not know.
My own concern with time started from two ends at once, intellectual puzzlement and deepfelt irritation, and it developed, as really good questions do, from annoyed fascination to serious
interest. The intellectual puzzlement was just that expressed by Augustine: What sort of a being, if
it was a being, could be so handily familiar in daily usage and so fugitive to the grasp of thought?
Here I did as all my fellow humans do: I make time, kill time, manage my time, waste time. To be
sure, I've never "done" time, though but for the grace of God I might have. I know that time heals

all wounds and ravages all the beauties of the world.

2

But if I ask myself what it is that does this, I

�see and touch nothing and think of less. That is at first just a puzzling and then an engaging state
of affairs.
The irritation I experienced had a superficially different source. In all the departments of
life people talk of time as a force or a power, not just in the sort of dead metaphor that makes up
the unconscious poetry of popular usage, as in all the phrases cited above. No, they mean it
literally, especially when they are talking of the so-called "phases" of time. "Phase" will be the
most important word in this lecture. It is my word -- different authors use different words -- for
the three parts of time, past, present, future. Perhaps I should have said the three parts of human
time, for I will argue that only human, or human-like, beings have pasts and presents and futures.
It is the future with which these people mostly play infuriating havoc. They say and they
inean that there is a future coming and our business is to form a reception committee for it. Some
see this Future with a capital Fas a doom, as in Yeats's great poem, "The Second Coming":
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
Far more of our contemporaries see it cheerfully as a benefactor, though a totally manipulative one:
It is the Information Age or the Global Age or the Age of Megacorporations, you name it, and our
duty is to be ready or to be run over by time. They engage in what I call to myself proactive
passivity. This time-mode -- the adjective, incidentally, is "temporal," so I will say, this temporal
mode -- strikes me as paralyzing the human will, and that is one form of immorality.
So besides the intellectual desire to understand the nature of time and whether it is a being
or a nothing, I also began to think about time in its human effects. Almost everyone who has lived
for some time has neat observations about these effects. For example, I have been at this college
forty-one years or almost fifteen thousand days. Sometimes it seems like forever and sometimes it
seems like a day. What accounts for this mad elasticity of time? But besides these timernminations there is also that sense I have of the important moral consequences of not thinking
about the nature of time, about accepting what seem to be abuses of our phase-nature. In fact, a
new hero of mine, Octavio Paz (whom I did not in fact discover for myself but through one of our

3

�Mexican alumni, Juan Villasenor) put my thought much more expansively than I would have had
the courage to do. He says in his book on India:
I believe that the reformation of our civilization must begin with a
reflection on time.
Recall that I am still laying out the possible profit of telling you about my book, and here is
the last one, chiefly to myself. Imagine what a pleasure it will be to come on campus and to be
able to fall easily into a conversation about this magical subject with some proportion of the people
that live and learn here -- with the more virtuous part, I might add, those who come to Friday night
lectures.
Now let me tell you of two discoveries or devices -- it's always hard to tell whether it's one
or the other -- about which the book crystallized. One was the discovery -- and I became
persuaded that it was a discovery, was really there to be found-- that writers on time who lived
millennia apart in time and who were worlds apart in thought were at crucial moments driven into
the same understanding, or at least the same problem. Once I had discovered one such pair of
time-twins I came on three others. And finally I came to believe that amongst them they pretty well
established the perennial possibilities and the pertinent problems concerning time. In a moment I
will tell who these writers are and what deep notion each pair shares. But let me say here that it
'

was a blessing to find such a principle of selection. For it is hard for most of us to think about
these enigmas without help. The trouble is, there is too much help on offer. I own a bibliography
of time which tells of nearly two hundred thousand books and articles written between 1900 and
now. Of course, much of it is piffling, but much of it is, I am sure, though!1'ul. I chose four great
writers, and they paired quite naturally with four more, and by good luck these are the eight among
the ancient and modern writers generally agreed to have the deepest theories. The pairs, then, are
Plato and Einstein, Aristotle and Kant, Plotinus and Heidegger, Augustine and Husserl. Since
many of you will not have read them, though all but Husserl are on the Program (and he ought to
be), I'll present their time-theories as simply and as unencumbered by terminology as possible.
But I'll omit completely telling you about one pair, Plotinus and Heidegger, because it is too tricky

4

�to do, although their similarity on the point of time is most spectacular in view of their diametric
opposition on everything else that matters.
The other discovery was that a human effect which never ceases to enchant me, namely the
images that arise before the mind's eye in our imagination, had a certain remarkable similarity with
our sense of time, a formal sort of similarity. Images are absent presences or present absences;
they are not what they are, they are made of Being and Non-being. What I mean is that any image,
but particularly a mental image, presents someone or something not actually present. To imagine
an absent friend is to have him there, but not really. Time as well, it turns out, has this curious
character of being and not-being, of being there but not really, of being present only in its absence.
My all-time favorite time-saying is by the priceless Yogi Berra. When someone asked him: "What
time is it?" he replied: "You mean now?" It is the wisest of answers, because you can't tell time,
and yet we do. It is always and never Now.
So the book began to have two parts. One part was a study of these eight philosophers for
the purpose of seeing what kinds of answers could be given to the question "What is time?" and
what problems were inherent in the answers. But studying, while a help to thinking, and for most
of us an indispensable help, is not thinking, since to understand what others think is simply a
different activity from the thinking that goes directly, without intermediary, to the question. So in
a second part I tried to go directly to the question, having absorbed all the help I could.
Therefore in this lecture, too, after telling what some of the best writers I could find have
thought about time, I will try to tell what I think. I should say right now, lest you be disappointed,
that what I conclude first and last is that it is a true mystery. I mean a potent effect whose
characteristics are poignantly clear but whose nature is finally unfathomable. You can specify a
mystery but you can't resolve it.
If you have a huge field of apparently possible answers to a question, it clears the decks
somewhat to begin by removing the answers that are simply unacceptable. In thinking about the
ways time is spoken of, it seemed to me that whatever else is said, time is spoken of either as

5

�occurring in nature or as being within the human being. Time is either external or internal, or
perhaps both.
External time has attracted by far the greater interest. Time is written of in religion, where
it is a great question how an eternal God acts in created time. Time is treated in history, where it is
a great question whether the times make history or people do. But above all time is a great subject
in physics, where the best-grounded and most remarkable theories of time are developed.
Without question, the physicist who has done most to make other physicists and people in
general think about time is Einstein. The work I chose to examine is his 1905 paper on what came
to be known as the Special Theory of Relativity. \Vhat struck me first was that every mention of
time was in quotation marks. This habit conveyed to

me that I was dealing with the most careful

and thoughtful of writers, one who knew that time in physics is a most problematic notion.
Einstein says right away:
It might appear possible to overcome all the difficulties attending the
definition of "time" by substituting "the position of the small hand of
my watch" for "time." And in fact such a definition is satisfactory ....

At least it is satisfactory when we are talking only of time here and now. Before Einstein,
physicists had believed what everyone believes: that it is the same time throughout the world, that
every other Here simply has the same Now as my Here. This situation was called simultaneity and
was regarded as a chief feature of external, I mean natural, time. Einstein goes on to show that for
any stationary Here far away from my own, it takes some calculating to synchronize our watches.
And when we are moving relative to each other one of our most entrenched senses about time is
overthrown, namely that what time it is is independent of our state of rest or motion. Einstein's
theory turns out to have to do entirely with the measurement of time -- what my local clock and
your local clock tell under different physical conditions. That is why Einstein puts "time" in
quotations: He is warning us that not the nature of time but its measurement is at issue.
Now I'll jump back two and a half millennia and quote to you what is the most famous, .
most often cited definition of time. It comes from Plato's dialogue called Timaeus. Timaeus is a

6

�made-up character, a visiting physicist. He and some of Socrates' friends have planned an
amusement for him. On the day before Socrates had produced for them a picture in words of the
ideal political community -- some people think it is the one set out in the dialogue called The

Republic. Now Timaeus will reciprocate by painting for Socrates' entertainment the cosmos, the
ordered world within which such an ideal city might fit. In the course of giving a mathematical
account of such a cosmos, Timaeus says this about the way the maker of the world introduced time
into it:
He planned to make a movable image of eternity, and as he ordered
heaven into a cosmos, he made an image of that eternity which stays
one and the same, an eternal image moving according to number.
And that is what we call time.
What Timaeus is saying is that the heavens move like a great cosmic dial and that this motion
allows us to tell time.
So the mythical early physicist and the greatest of modem physicists are saying the same
thing: Time is what the clock tells, in one case the cosmic clock, in the other a local watch. And so
say all working physicists in between. It is a working, a so-called operational definition of time,
and it works just fine -- until you begin to think about it. That time is what the clock tells is what
one might call a dispositive definition. It disposes of time as an issue. But if you turn it around
and try to say that the clock tells time you're in trouble. Time never appears on the face of a clock.
Nor does it appear anywhere else in nature, ever. All other natural phenomena appear somehow to
sight or hearing or touch. Of time not a trace.
What does appear is motion. An analog clock is a standard cyclical motion. A digital clock

"
is a standard
progressive motion. Clocks are calibrated motions. There is no time actually used in
physics and none that actually appears in nature. There is much more to be said about this
shocking claim, and I'm sure you'll want to argue it out in the question period.
Among other points then to be made, the seniors, who have read Newton, might want to
point out that Newton, at least, does stipulate true natural time, an equable flux that comes before
motion. And I would answer that it is not only as physicist but also as theologian that Newton

7

�puts time into nature. For this so-called absolute time, which has no &lt;:&gt;bservable features, is
probably not so much in nature as in God's mind, in that part of God's mind, called his
"sensorium," with which he is receptive to all of nature, its infinite spaces, its primary forces, its
ultimate bodies. My point at the moment is, however, only to reinforce a conclusion I came to:
Wherever time is seriously considered, mind, soul, consciousness and sensibility come on the
scene. Time can only be internal, meaning within a mind, possibly God's mind.
So I disposed to my own satisfaction of the vast majority of theories of time. Intricate and
interesting as they are, they are really theories of motion, not of time, and they don't tell what time

is. But time is the sort of subject for which every settling of the mind in one respect is punished by
a complementary problem popping up in another. You can, and I think you have to, take time out
of nature, b·ut I am not so perverse as to claim that the outside world isn't full of variations:
locomotions, processes, alterations. The mystery that has now popped up is that we have no idea
what is really going on in this time-deprived world. Let me show you what I mean.
Human time, internal time, will be distinguished by its phases, past, present, future. But
nothing in nature, except perhaps the near-human mammals, apes and dolphins, has a past or a
present or a future. Edwin Muir says in a poem called "The Animals":
But these have never trod
Twice the familiar track,
Never turned back
Into the memoried day.
All is new and near
In the unchanging Here ....
Animals and sticks and stones do not have a past, though they might be scµd to be their past. But
I, for one, just cannot imagine what it is like to live in the unchanging Here and not the have
memory, how such a being gets itself into and out of existence, in short how anything can change
without having phases of time. But then again the effort is love's labor lost: Hmv could I have
empathy with, feel my way into, that which has no inside? So the outer world becomes in this
'fespect opaque, and this is the price to be paid for making a philosophical choice. In corning to
conclusions in philosophical inquiries, I want to say as an aside, it is always a matter of what we

8

�can best live with for the time being -- which is why all philosophy as carried on by human beings
is ultimately moral philosophy.
There is perhaps a solution to the timelessness of nature. It is a commonplace for writers
o.n time that there are two kinds of time. They might be called succession-time and phase-time.
Phase-time is dynamic in the sense that the human present, about which time breaks into past and
. future, continually shifts -- as Yogi Berra's counter-question, "You mean now?" makes clear in its
unavoidable absurdity. Succession-time, on the other hand, is static. It is merely the endless chain
of before-and-after, established once and for all. It' is time all by itself, no one's time, the time of
all events taken only with relation to their succession and to nothing and nobody else. Perhaps
nature does have its time, succession-time. But even the successions of nature tum out to be more
intelligible as causal than as temporal sequences.
This is the moment to introduce Aristotle, who produced the first extensive treatment of
time ever, in Book Four of his Physics. Here is what he says time is:
Time, then, is not motion but that by which motion has number.
Aristotle seems to be making spectacularly short shrift of that mysterious power, time. It is
nothing but an attribute of motion . Then he says what sort of attribute:
Time ... is the number of motion with resnect to before and after.
L

'What th~ deep meaning of all this is can't come out unless we follow up what Aristotle means by
motion, number, before-and-after. But we might guess at two problematic elements of this
understanding of time. .
The first, which is by far the less deep of the two but is endlessly dis~ussed, is this. If
time is the number of motion as a progression in which the parts come before and after, if it is in
fact the succession-time I just introduced, it must somehow share in a chief feature of motion,
namely continuity. Physical motion borrows this feature from the fact that it takes place over
distance. Distances are representable as mathematical lines, and these lines, as the freshmen have
just begun to see, must be continuous -- no elements can be missing. So time, as Aristotle himself

9

�emphasizes, is continuous, like a line. Wherever you cut the line you get a point that belongs to
both parts of the cut. This point is the Now. Time is in every way like a line of geometry: It lies
upon its points, each of which is a Now. The only difference is that the geometric points are static,
whereas the Now moves forward, ever the same in its features, ever different in temporal location.
But as you know by now, a point is that which has no parts, so the Now has no parts . .Therefore
it has no extent, no bulk, no force, no presence. Therefore the point-Now of the mathematical
model of time is as far removed as anything can be from the humanly experienced present, which
is vivid, full, and altogether the most impressive phase of time. Insofar as time is continuous it is
not very human.
But then Aristotle has also said that which will make time totally discontinuous. For time is
a number by which motion is counted, and a number is a collection of completely discontinuous
units -- there is no way one unit can be tangent to another. Motion, locomotion at least, is bound
to distance and borrows from that fact its continuity. But number is bound to something else
which reinforces its discontinuity. Many things in the world are collections of items. Aristotle
mentions herds of horses and flocks of sheep. Other things, such as distances of all sorts, can be
marked off into artificial units. All these things have a number that belongs to them. But nothing
in nature gets its number unless someone is counting. Aristotle says that it is the soul that counts.
So time, in order to be the number of motion, requires a wide-awake counting soul. Now I shall
say a sentence, or rather a question, which is underlined in my typescript: When the soul is
countin2. does it take time to do it? Does it get its numbering from some motion? What distance
does that psychic motion cover?
Aristotle is in big - and I must say unacknowledged - trouble. Time in nature is only the
number of motion, but what is the counting that announces that number? I don't think he knew,
but perhaps in the question period someone will make his case.
Now let me leap two thousand plus years ahead. For Aristotle time originates with the
counting soul. To my mind, Aristotle's true modem successor, the one who takes Aristotle's

10

�thought and turns it thoroughly and precisely upside down, is Kant. Here is an aside: This kind of
inversion of thought, so that it is the same in name but utterly different in significance, is the chief
moving force of the philosophical tradition we study at this college. By "force" I don't mean some
magical attribute of the passage of time, but the way of proceeding that is congenial to those
immersed in this tradition. At any rate, whatever time is, if it has power it has it only as an aspect
of human consciousness.
Back to Kant. You will be relieved to hear that I do not plan to tell you what is in the

Critique of Pure Reason, Kant's founding book, although everything in there. is sooner or later
related to time. In any case, the Juniors will be studying it in spring, and it is that which makes
February a month of delights. Instead I will focus on a few sentences which show what it is that
brings Kant so very close to Aristotle in the letter, though he is worlds apart in meaning.
Kant regards time as a constitutional part of our receptive capacity, our ability to take in
what is given to us. Such a capacity is called "sensibility," and we are so made that whatever
comes to us, the world of nature especially, comes in the form of temporal sensibility. The

Critique is a great work of philosophical art, and I omit the many factors that feed beautifully into
rounding this notion out, in order to concentrate on just one thing: When we ask what it means that
nature comes to us in the form of time, the answer is that whenever we think about nature we begin
by noticing quantities, and we do that first of all by numbering-- not top-of-the-head counting, but
a deeply interior kind of beating out of units that add up into a number. Here is Kant's word on
what is happening in this counting: "I generate time itself .... "
So Aristotle and Kant agree that time is a kind of psychic beating or counting. It does not
save Kant from the question I asked of Aristotle that he calls time a form of the sensibility. Is this
form, I now ask, itself static or is it fluid? If it is static, how does it produce the psychic flow of
pulses? If it is fluid, is there yet another time behind Kant's deep constitutional time? Let me say
right now that all the authors who put time within the soul run into this trouble. And those who
put the origin or ground of time outside of the soul run into other and worse troubles.

11

�Both Aristotle and Kant have been primarily interested in what I have called successiontime, the steady chain of before-and-afters found in nature, though apprehended by our counting.
Now is the time to speak of human time, phase-time.
To my mind, Augustine is the greatest writer on time -- and the most beautiful one. Here's
another aside: Very broadly speaking, philosophers come in two kinds, those who inquire serenely
and hopefully into a subject they long to know and believe they can approach and those who
question severely and disenchantedly a matter they think is ultimately hopeless. Augustine
certainly has travails of the soul, and I would not be unfair to call Husserl, who takes up two
millennia later exactly where Augustine had left off, a fusspot. But both are not so much driven as
led by faith in their subject, and I want to say that these are the philosophers I trust and prefer to be
with.
Augustine wants to know what time is because it is the human counterpart of God's
eternity, the eternity of the God he has just found and acknowledged. But there is nothing exalted
about his questioning -- it is very down-to-earth. He loves to sing hymns, and the question is:
How do I measure times, the long and short syllables, the lengths of the stanzas? Distances are
easy to measure. They stay put while you lay a measuring stick alongside them. But the moment
slips away, the past is no longer, the future not yet, and there is no way to lay a time-stick along an
elapsed time. Lengths measure lengths, motions measure motions -- what measures time? Here is
his answer, as I said, to my mind the most illuminating thing ever uttered about time, a new
discovery, as he himself says:
Time is nothing else but a stretching out, though of what I do not
know. Yet I marvel if it be not of the mind itself.
Our mind or soul is distended and that makes it capable of holding time, so to speak. How
distended, how stretched? Here is Augustine again:
This then is clear and plain, that neither things to come nor things
past are, nor should we properly say: "There are three times, past,
present, and future." But probably we should say: "There are three
times, a present of things past, a present of things present, and a
present of things future" .... The present of things past is memory,

12

�the present of things present is sight [or perception], the present of
things future is expectation.
So we can measure times gone by and times to come because they are now present to us. But the
solution of the measuring problem is the least of it. What Augustine has done is to tell what makes
a human being temporal, how time is in us.
To be human is to be present and to have things present before or within. Yet another
aside: Certain so-called postmodern writers, ta19ng their departure from Heidegger, think that this
is a very derivative way of approaching human Being and that to think of human beings as
containing presences within and confronting things present without demeans the originality of
existence. But Augustine does think that to exist is both to be in the present and to be in the
presence of things.
Augustine's book on time in the Confessions is preceded by a book on memory, and this
book is the indispensable preparation for his understanding of time. For there he shows how we
can also be in the presence of absent things: We have the whole spacious world, its fields and
palaces, within us, not, however, the things themselves but their images. Here you can see how
the imagination, as a power for making the absent present, is essential to our inner sense of time.
For with it we can have memory of past times and also expectation of future things, since
expectation is a forward-directed imagination. And since much of what has happened to us is now
present to us or is now recoverable, we can not only measure time somewhat as we do space,
which is all there simultaneously. We can also see how our mind is a temporal image of God's
mind, who holds all creation toget~er there at once, in the eternal Now.

a

To be human, then, is to have mind so stretched that it encompasses in its present both
memory and foresight. One way to depict that condition is in a diagram like a coordinate system.
The horizontal axis is the time of the world, of Creation; it is succession-time. God knows how it
works; we don't. Astride of this horizontal coordinate sits a vertical stretch of line, our mind.
·Where the two intersect is the moment of sight, of perception, our point of intake for the world.
The segment below 'represents remembered events, dropped out of sight but not out of mind. The

13

�part above represents the dreams and plans we now have for the future -- and that is all the future
that actually exists. As the world passes by, our memory line grows longer and our expectation
line shortens. Then one day it ends.
Husserl, who actually draws diagrams of this sort, in fact marks one of his lines as the "tug
towards death." It is not, however, one of the axes he is marking in this way, but one of the
oblique lines with which he connects the horizontal axis of succession-time and the vertical axis of
phase-time. These oblique lines show how each perception offered by the horizontal successionline sinks away into vertical memory in an orderly and continuous manner, without any scrambling
or dislocation. Husserl's time-diagrams are clever and complex, and I had a lot of fun -- fun
bordering on agony, that is -- working them out. But I didn't give you any handouts, because then
you'd be trying to figure them out now instead of listening; I should know.
Many of you will not have heard of Husserl, and I'll say just enough for my purpose. He
is the founder of a way of inquiry called Phenomenology. Its chief feature is that is excludes all
questions of existence and reality, such as whether time is real. Instead a Phenomenologist pays
attention to the appearances within consciousness, articulating and ordering them. Our sense of
time is a perfect subject for Phenomenology and Husserl's lecture-series known as The

Phenomenology of Internal Time-Consciousness is the great first-fruit of his method.
Husserl makes hundreds of acute observations, but his main advance on Augustine is to
puzzle seriously over the extent of the present. Recall that the point-Now of mathematics is too
skimpy to live in, but consider also that an extended present is going to be part past, part future.
Husser! finds a way, fairly technical, to show that there is a discernible immediate past and an
immediate future that are so bound in with the present as to give room, so to speak, for perception,
so that there is time for a time-sequence, say a melody, to be taken in. He shows how the present
has time for the world to impress itself on us.
One last word about Husserl. The horizontal axis, which represented the world's time for
Augustine, represents an internal time-flux, a continuous sort of subjective succession-time, for

14

�Husserl. For he is withholding all claims about the reality of the world and its time, and attending
only to our inner experience, to our internal time-consciousness. In trying to understand this
internal flow Husserl is drawn into questions beyond Phenomenology. The question that finally
preoccupies him is the familiar one: How can this flux, which is one aspect of our sense of time
and for him the deepest, be spoken of? Are we fluid through and through, or is this flux grounded
in a stable form? But how can a fixed form be the source of a flow? Husserl, a man who is
willing to admit ultimate perplexity without losing faith in the worth of his problem, says:
For these things we have no names. ·
Now is the time for me to say what I think time is -- maybe it would be more sensible to
say "how time works."
I thiiik that phase-time is the fountain and origin of all time. Every phenomenon of time is
derivative from the fact that we have past, present and future. To me the most astounding
circumstance of our temporal life, surpassingly strange but apparently unavoidable, is the crux and
center of the three phases: the present. All that is ever real for us, all that is really there, really
present; occurs in these point-by-point moments of presence. This is the instant of perception
when we see and hear and touch the world. The rest, the long stretches behind and before, is
absence -- what has gone by and what is yet to come.
Human life would therefore be very pointillistic and poor if present existence were all we
had. Happily there are ways of being that are even more potent than present reality and momentary
existence. There is the actuality of imaginative memory and of imaginative expectation. The
present of perception is the point of intake for the novelties that the world offers to our senses, but
the past and the future are also present to us as images, as memories of things past and plans for
things to come. These are the present actualities, the powerfully present absences that give
coherence and resonance and significance to the moment They also make it possible for us to
measure time directly, not by observing external motions as of the hands of the clock which never
displays time at all, but by the thickness of the image-pictures we flip through or leap over to get to

15

�moment from which we want to estimate a stretch of time. Our memory is like a laminate of
transparencies or a carousel of slides, and my claim is that this accumulation we call the past and
this projection we call the future is what produces our inner sense of time. And this thickening of
the present by past and future is what Augustine calls "the stretching of the mind."
Now note that I have described the present as punctual, instantaneous, momentary. And
this description seems to be supported by the observations of all kinds of people, perhaps poets
above all. The Nows that matter are somewhat isolated - instants of recognition, moments of
meaning. In his book The Labyrinth of Solitude Octavio Paz calls the Now "explosive and
orgiastic" and wonders how it fits into ordinary historical passage.
But much of the time of our lives passes in seeming continuity, and this sort of time, the
time that seems like a continuous passage, usually called duration, has to be accounted for as well.
I think it works as follows.
Our present appears punctuated by the ever-varying world and our perception of it. Now
. we see our friends, now they've disappeared around the. corner; now we hear one note, now
another. But there is another time experience that we become conscious of when we are deprived
of most external sensation or when our inner images are pushed out of sight by fear and anxiety.
Or we can deliberately close off our senses and empty our minds to concentrate simply on our
inner duration. What then comes to the fore is a sort of inner pulsing, the very beat of our mere
consciousness, empty life itself. I am trying to describe the soul's aboriginal counting that both
Aristotle and Kant discovered. This inner beat then is the origin of that succession-time that is
mirrored in the before-and-after of physical motion and that plays so large a role in our practicaL
life.
Now most of the time we are not taking note of this pulse, or paying much attention to our
inner life at all. The beats recede and merge as in a long perspective; time's passage appears
continuous and acquires all the characteristics and problems of a line in space. Then,

16

�retrospedively, time is thought of -- not felt -- as a continuum that is continuously cut by a pointlike Now, the kind of Now in which nothing can happen.
So my description of time, which leaves time as what I call "a well-specified mystery,"
ends with the point-Now. And that is where a review of the various pathologies people attach to
the phases of time begins. I'll give the sketchiest summary of our time-troubles, partly because
time is short, partly because every one of us has a lot of personal experience with this aspect of
time, and it will make a good subject for the question period.
One way, then, to think of the way people wreak havoc with the perceptual present is that
they treat it as a mere, point-like Now, monotonously empty and featureless, while racing
unrestrainably forward. To try to live in this Now is to long to fill it with strong stimulation and
increasing novelty. Now-life is the pathological counterpart of present-life.
Similarly some people deprive themselves of the image-filled memory that gives the present
its anchor of significance by rushing to keep up with novelty and trashing not only their own past
but that past which their communities have in common, their external memories.
And finally, some people are so dominated by a future that is supposedly coming at them
that they give up what they really care about to make themselves into ready servants of this
oncoming power. But according to my understanding the future is nothing but the dreams and
plans we currently have, and as far as the humanly-made world is concerned, nothing is coming
but what we actively or passively agree to. It is that passivity which is, to my mind, the greatest
time-pathology.
Arid now time's up.

17

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109">
                  <text>Items in this collection are part of a series of lectures given every year at St. John's College. During the Fall and Spring semesters, lectures are given on Friday nights. Items include audio and video recordings and typescripts.&lt;br /&gt;&lt;br /&gt;For more information, and a schedule of upcoming lectures, please visit the &lt;strong&gt;&lt;a href="http://www.sjc.edu/programs-and-events/annapolis/formal-lecture-series/" target="_blank" rel="noreferrer noopener"&gt;St. John's College website&lt;/a&gt;&lt;/strong&gt;.  &lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Formal Lecture Series" href="https://digitalarchives.sjc.edu/items/browse?collection=5&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the St. John's College Formal Lecture Series—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.&lt;br /&gt;&lt;br /&gt;A growing number of lecture recordings are also available on the St. John's College (Annapolis) Lectures podcast. Visit &lt;a href="https://podcasts.apple.com/us/podcast/st-johns-college-annapolis-lectures/id1695157772"&gt;Apple Podcasts&lt;/a&gt; or &lt;a href="https://open.spotify.com/show/6GDsIRqC8SWZ28AY72BsYM?si=f2ecfa9e247a456f" title="Spotify"&gt;Spotify&lt;/a&gt; to listen and subscribe.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="111">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="137">
                  <text>St. John's College Formal Lecture Series—Annapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30710">
                  <text>formallectureseriesannapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117696">
              <text>paper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117697">
              <text>17 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117685">
                <text>What, Then, Is Time?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117686">
                <text>Typescript of a lecture delivered on September 4, 1998, by Eva Brann as part of the Formal Lecture Series. &lt;br /&gt;&lt;br /&gt;Brann's lecture is based on her book &lt;a href="https://rowman.com/ISBN/9780847692927/What-Then-Is-Time"&gt;What, Then, Is Time?&lt;/a&gt;, published by Rowman and Littlefield in 1999. &lt;br /&gt;&lt;br /&gt;The typescript of the lecture was reprinted in &lt;a href="https://digitalarchives.sjc.edu/items/show/553"&gt;The St. John's Review, volume XLV, number 3 (2000)&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117687">
                <text>Brann, Eva T. H.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117688">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117689">
                <text>1998-09-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117690">
                <text>St. John's College has been given permission to make this item available online.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117691">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117692">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117693">
                <text>Time</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117694">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117695">
                <text>LEC_Brann_Eva_1998-09-04</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="52">
        <name>Deans</name>
      </tag>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
      <tag tagId="3">
        <name>Tutors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7727" public="1" featured="0">
    <fileContainer>
      <file fileId="7882">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/bd6487e82acfe8726db960deda07e3d6.mp4</src>
        <authentication>55db992185ffeafadba895149dd31c73</authentication>
      </file>
    </fileContainer>
    <collection collectionId="66">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117674">
                  <text>Continuing the Conversation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117675">
                  <text>Continuing the Conversation is a web and podcast series produced by St. John's College. Episodes 1-20 were released in 2023. &lt;br /&gt;&lt;br /&gt;More information about the series is available on the Continuing the Conversation page of the St. John's College website: &lt;a href="https://www.sjc.edu/continuing-conversation"&gt;https://www.sjc.edu/continuing-conversation&lt;/a&gt;.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117676">
                  <text>St. John's College</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117677">
                  <text>2023</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117678">
                  <text>moving image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117679">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="117680">
                  <text>Annapolis, Md.&#13;
&#13;
</text>
                </elementText>
                <elementText elementTextId="117681">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117795">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="3">
      <name>Moving Image</name>
      <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117793">
              <text>mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117794">
              <text>52:52</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117776">
                <text>Louis Petrich + Jonathan Badger: Pursuing the Eternal Present</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117777">
                <text>Louis Petrich + Jonathan Badger: Pursuing the Eternal Present is episode 4 of the Continuing the Conversation series and podcast.  The episode was published on February 15, 2023.&#13;
&#13;
Does a contemplative life bring us closer to the divine, as Aristotle believed? Is it the highest form of human life or is it self-centered and lived at the expense of others? Can one lead a contemplative life while living in the real world? Philosophers, artists, mystics, and students have long pursued lives of solitude, contemplation, and creative exploration, only to encounter a recurring set of practical obstacles and vexing moral questions. In this episode of Continuing the Conversation, Annapolis host Louis Petrich and tutor Jonathan Badger explore a conversation that honors the pursuit of “the eternal present” in Somerset Maugham’s The Moon and Sixpence (based on the life of the painter Gauguin), while exploring its attendant questions with equal concern and gravity. This episode also includes conversation on works by Goethe, Rousseau, Thoreau, and Aristotle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117778">
                <text>Badger, Jonathan N.</text>
              </elementText>
              <elementText elementTextId="117779">
                <text>Petrich, Louis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117780">
                <text>St. John's College (Annapolis, Md.)</text>
              </elementText>
              <elementText elementTextId="117781">
                <text>St. John's College (Santa Fe, N.M.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117782">
                <text>Annapolis, Md.</text>
              </elementText>
              <elementText elementTextId="117783">
                <text>Santa Fe, N.M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117784">
                <text>2023-02-15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117785">
                <text>St. John's College owns the rights to this video.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117786">
                <text>moving image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117787">
                <text>mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117788">
                <text>Maugham, W. Somerset (William Somerset), 1874-1965. Moon and sixpence</text>
              </elementText>
              <elementText elementTextId="117789">
                <text>Solitude in literature</text>
              </elementText>
              <elementText elementTextId="117790">
                <text>Rousseau, Jean-Jacques, 1712-1778. Rêveries du promeneur solitaire</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117791">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117792">
                <text>CtC_Ep4_Badger_ac</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Tutors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7725" public="1" featured="0">
    <fileContainer>
      <file fileId="7868">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/920505d1b85fb4dc27afead813d7b8b4.pdf</src>
        <authentication>51101f57c700a8ef0dd401b27bbc29ca</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117621">
                    <text>2019
COMMENCEMENT
EXERCISES
Saturday | May Eighteenth
Two Thousand and Nineteen
SANTA FE | NEW MEXICO

�For the Fifty-Second
Commencement of the
Santa Fe Campus
in the
Three Hundred and
Twenty-Third Year of
St. John’s College.

�PROGRAM

Academic Procession	

Caprice String Quartet

Welcome	
	

Mr. Mark Roosevelt
President, St. John’s College

Announcement of Awards and Prizes	
	
	

Mr. J. Walter Sterling
Dean, St. John’s College
Mr. Roosevelt
St. John’s College Chorus

Sicut Cervus	
Giovanni Pierluigi da Palestrina

Address to the Graduating Class	
David Neidorf (SF80)
	
president of alternative higher
	
education institution Deep Springs College
	
and current Johnnie parent.
St. John’s College Chorus

Sitivit Anima Mea	
Giovanni Pierluigi da Palestrina
Conferring of Undergraduate Degrees	
	

Mr. Sterling
Mr. Roosevelt
St. John’s College Chorus

An Irish Blessing	
James E. Moore, Jr.
Conferring of Graduate Degrees	
	
	
	
	

Mr. David McDonald
Associate Dean for
Graduate Programs,
St. John’s College
Mr. Roosevelt

Closing Remarks	

Mr. Roosevelt

Academic Recession	

Caprice String Quartet

Please stand for the processional and closing procession
Graduates will process along the Evans Science Laboratory pathway.
Tutors and the platform party will process out of Weigle Hall.
Join us for lunch in Peterson Student Center, first floor.

1

�BACHELOR OF ARTS

Nicholas Elliot Adelman	
A Narrative Analysis of Characters and Events
in War and Peace

Anchorage, AK		

Pavitra Antony	
Tirunelvelli, Tamil Nadu, India 	
Cheating Fancy: The Role of Imagination in Keats’
“Ode to a Nightingale”
Adna Arnaout	
Sarajevo, Bosnia and Herzegovina 	
To Be and Not to Be – Heisenberg’s Third
Possibility: On physics as an art and a language
immersed in the strangeness of nature in
the quantum world
Agnieska Zofia Axer 	
The Hollow Silence of Modernity: In Search of
Transcendence in Thomas Mann’s The Magic Mountain

Portland, OR	

Michael David Barnes	
Night in Day: Making Peace with the Inevitability
of Striving in Wagner’s Tristan and Isolde

Plano, TX 	

Maxwell Teodor Barton	
Does Expression Preclude Being? Malte’s Struggle to “see”
the Actual in The Notebooks of Malte Laurids Brigge
by Rainer Maria Rilke

Parkton, MD		

Rasanjana Bhandari	
The American Veil: An Exploration of American
Identity and Double–consciousness In James Baldwin’s
essays and W.E.B. Dubois’s The Souls of Black Folk

Derry, NH	

Ngonidzashe Bhejana	
Mutare, Manicaland, Zimbabwe
The Secret to Progress: Mark Twain’s Challenge
To Ordinary Men
Zenith Bhurtel	
The Art of Living in a Society: Examining the Legitimacy
of the Society Founded On The Social Contract in Light
of Fallible Human Nature

Rupandehi, Nepal 	

Oona Bella Bjornstad	
Elizabeth Laughs: Unexpected Union in Pride and Prejudice

2

Sarasota, FL 	

�Silas Casimir Blunk	
Fiction: Form and Content in Mark Twain’s
Adventures of Huckleberry Finn

Inverness, CA		

Leah Danielle Brennan–Magidson	
Self-Revelation in Zora Neale Hurston’s
Their Eyes Were Watching God

Saint Paul, MN	

Matthew Gordon Bruggeman	
Sherborn, MA		
Technology as Symbol: Ernst Jünger and the
Irruption of Technological Consciousness into Bourgeois Space
Daniel O’Meara Carrell	
Within and Without: An Investigation of the Inner and
the Outer in Kierkegaard’s Either/Or

Madison, IN

David Thomas Carroll	
On Letting Others Down: Embodiment and Responsibility
across Inferno 1, Purgatorio 17/18, and Paradiso 33

San Antonio, TX

Robert Levon Castle	
The Brokenness of Language in Flaubert’s Madame Bovary

Moriarty, NM 	

Liliana Ione Dallett	
Cooks, Prostitutes, and Mothers: Erotic Objects
in Swann’s Way

Brooklyn, NY 	

Ashish Dhakal	
A Quiet Place: In Praise of Silence in Virginia
Woolf’s The Waves
Do Hai Anh	
Einstein’s theories of relativity: Unbinding ourselves
from the free creations of our own intelligence

Syangja, Nepal	

Vungtau City, Vietnam

Sarah Lynn Elliott	
A Poet Amongst Poets: Human Consolation and
Connectivity in Kierkegaard’s Fear and Trembling
Kalysta Renee Fern	
Then What Have I to Do with Thee? Re-uniting
the Blakeian Self
Gianni Sante Garubo 	
Thucydides’ Peloponnesian War: How Democratic
Athens Consumed Itself
Owen Christopher Gemmer	
Turning Towards Truth: On Being Open to Jesus’
Non–Rational Teachings in the Gospel According to John

3

Moriarty, NM	

Stevensvile, MT	

Ojai, CA 	

Naples, FL	

�Rebekah Joy Gilman	
In The Image of God: An Examination of Human
Nature Through the Story of Creation According to Genesis

Santa Rosa, CA 	

Seung Yeon Han	
Ulsan, South Korea	
Why Economics Cannot be Reduced to Mathematics:
The Connection between Adam Smith’s Wealth of Nations
and Theory of Moral Sentiments
Jared Gregory Harmon	
Don’t think, look! Wittgenstein’s Investigations: turning
philosophy around on the axis of meaning

Lehi, UT	

Paige Alyce Harrison	
Eros: Killing Within and Dying Without

Covington, LA

Joshua Burton Hirsch	
A Barrel Full of Ingredients: Understanding the Episodic
Life of Huckleberry Finn

Santa Teresa, NM	

Brian William Hoffman	
Becoming Who You Are: Nietzsche’s Project of Continual
Self–Overcoming, or Zarathustra’s “Doctrine of Life.”

Oceanside, NY 	

Jack William Isenberg	
What Does the Just Man Know? The Relation of Knowledge
and Justice in Book 1 of Plato’s Republic

Tucson, AZ

Su A Jang	
Gangwon-do, South Korea		
Human Nature, Loss, and Heroism in Homer’s Iliad
Christian Thomas Kennedy	
Composing the Life of the Soul: The Hand of the Ultimate
Artist in Leo Tolstoy’s Anna Karenina
Cecilia Elizabeth Kirkpatrick	
An Analysis of Two Kinds of Repentance in J.S. Bach’s
St. Mathew Passion
Juhan Lee	
Why is Gulliver So Restless?

Lancaster, PA 	

Newhall, CA	

Incheon, South Korea 	

Meng Fei Lu	
Chengdu, Sichuan, China
The Truth of Lies: on Discourse and Authenticity in
Heidegger’s Being and Time
Phoebe Rose Martel	
Individuality and Spirituality in Emerson’s “Self-Reliance”

4

Putney, VT

�Hannah Cody Mattingly	
Walnut Creek, CA	
“For There She Was’: The Creative Power of Clarissa Dalloway
Lauren Janelle Max	
Our Dance With Life: How Zarathustra Becomes more Alive
Olivia Cooper McHugh	
The Eloquent Subconscious: Soul and Sense in
Proust’s Swann’s Way

Pittsburgh, PA

Loren Carol Mudd	
The Land of Truth: The Epistemology of Objects in
Immanuel Kant’s Critique of Pure Reason

Colorado Springs, CO	

Sonia Ellen Carmola Neidorf	
The Noble Beast: Freedom, Beauty, and Broadness in
Fyodor Dostoevsky’s The Brothers Karamazov

Salisbury, VT 	

Joy Adirimchukwu Nwodo	
“A Person’s Conscience Ain’t Got No Sense”: An
Examination of Goodness in Huckleberry Finn
Adashi Margaret Odama	
Rousseau on Civil Society: Two Provocative
and Troubling Accounts

Enugu, Nigeria	

Masaka, Nasarawa State, Nigeria 	

Flor Del Rocio Ortiz	
What is an “affective truth”? An Analysis of the
Dynamic Between Style and Substance in Gustave
Flaubert’s Un Coeur Simple
Sophia Victoria Paffenroth	
Narrative Self and the Desire for Authenticity in
Virginia Woolf’s The Waves

Rio Rancho, NM	 	

Cornwall on Hudson, NY	

Bum Cheul Park	
A Novel about Novels: Lesser and False Psychological
Novels, and the First and Second True Novels
of The Brothers Karamazov
Asher Thomas Parker*	
All Solar Love is Innocence, &amp; We Must Learn to Love:
On Life as Comedy and Coming to Know in Nietzsche’s
Thus Spoke Sarathustra	
John Arthur Kadow Peterson	
Active Love Between Dimitri and Katerina
in The Brothers Karamazov

5

Littleton, CO 	

Seoul, South Korea	

Dripping Springs, TX

San Diego, CA			

�Louis Anthony Petrich IV	
The Motion of the Soul: Love and Rhetoric
in Plato’s Phaedrus

Severna Park, MD 	

Flavia Tennessee Pupura-Pontoniere	
Through the Eyes of Others: Shame and Its
Predicates in Homer’s Iliad

Hayward, CA	

Cole Eugene Rehbein	
The Internally Determined Self: Spinoza’s Ethics as a
remedy for postmodernity’s identity crisis

Des Moines, IA	

Clara Elizabeth Rhoades	
An Exploration of the Fall of Man in Milton’s Paradise Lost
Thomas George Samuels	
How the Funeral Oration of Pericles Works in
Thucydides’s History of the Peloponnesian War
John Alexander Saulog	
Words About Words About Words: Nietzsche’s
On the Utility and Liability of History for life.

Hardy, AR	
New York, NY	

South Pasadena, CA

Arthur Frederick Zachary Seltzer	
Great Barrington, MA
With the Clarity of a Fog: An Exploration of Inner
Truth and the Limits of Structure in The Hour of the Star
Nicholas James Sherwood*	

Montrose, CO

Sushmita Shrestha	
Kathmandu, Nepal
The Dream of Freedom: An Exploration of the Eternal
Struggle for Independence in Halldór Laxness’ Independent People
Michael McKeon Simoniello	
An Ethic for Milk and Honey: Hunting Instinct and
the Obligations of Sportsmanship in Aldo Leopold’s
Sand County Almanac
Dillon Parker Smith	
The Comedy of King Lear – An Insanity
Andrew James Sparks	
Sincerity is a Lie: Unmasking Misanthropy in
Molière The Misanthrope
Rebecca Lynn Sprague	
The World Made Flesh: Painting as a Culmination
of Knowledge and Action

6

Killingworth, CT 	

McKinney, TX
Dripping Springs, TX 	

North Scituate, RI

�Darian Alexander Stahl	
On Flaubert’s Camera Work, Félicité’s Smallness,
and the Decision to Laugh or Cry
John William Strauch*	

San Antonio, TX

Red Lion, PA

Michael Titus Tang	
Unjust Rhetoric and Its Origin in the Soul: An Analysis
of Callicles in Plato’s Gorgias
Graeme Charles Thistlewaite	
Lofty, Infinite Ego: The Incompatibility of Life and
Andrei in War and Peace

Shanghai, China

Hilo, HI

Ty Rex Wangsgaard	
Taylorsville, UT
Gods, Brutes, and Bridegrooms: Othello and the Tragic Ideal
Liam Simonos Warren	
Relational Thinking in Heidegger’s Lectures
on “The Nature of Language”
Noah Gabriel Watts-Fried	
Are we at War? A Comparison Between the Lives
of Civilians and Soldiers in The Warriors, by Glenn Gray
Lena Ann Wilder	
The Tragic Hero: Phèdre and the Consequences
of Her Interiority in Jean Racine’s Phèdre
Fei Xie	
Being the Knight of Faith: Self is Formed, Passion
is Presented, The World Is (Re)Affirmed
Jing Zhang	
Madness as Endurance: The Nature of Lear’s Madness
in Shakespeare’s King Lear

Staunton, VA

Springfield, MO

Thompson Falls, MT

Guangzhou, China

Beijing, China

Stryder Logan-Kim Zug	
Puyallup, WA
Does a character have control over their actions or end: An examination of
free will in Leo Tolstoy’s War and Peace
*Upon satisfactory completion of degree requirements

7

�MASTER OF ARTS IN LIBERAL ARTS

WINTER GRADUATES
Ryan Douglas Barrett	

Stone Mountain, GA

Thomas Isaac Hirschboeck	

Saint Paul, MN

Edward Casan Montgomery	

Kimball, NE

Ryan Raymond-James Nicholson	

Americus, GA

Matthew Dimas Pietrowski	

Madera, CA

Kathryn Marianne Richards	

Livingston, MT

Patrick Dixon Tull	

Palo Alto, CA

SPRING GRADUATES
Daniel M. Brooks	

Medway, MA

William Howard Cathers	

Los Angeles, CA

Erin Cherry	

Tesuque, NM

Jeremy Daniel Fiume	

Bethlehem, PA

Kelsey Ann Hesper	

Portland, OR

Llana Amber Jordan	

Truchas, NM

Badger Brown Koefoed	

Bethesda, MA

David Benton McCormack	

Santa Fe, NM

Darlena Michelle Oltman	

Denver, CO

Kenneth Scott Resnick	

Santa Fe, NM

Eric Benjamin Sanden	

Lewiston, ID

Marianne Strickland	

San Diego, CA

Sam Alan Wittmer	

Denver, CO

*Upon satisfactory completion of degree requirements

8

�MASTER’S ESSAY

Christian Buss	
	
	

“The Roots of Thought, the Genesis of the Eidos
and the Basis for Historicism in Heidegger’s
Introduction to Plato’s Sophist”

William Cathers	
	
	
	

“The Objects of Understanding:
How do Thomas Aquinas’ views on the sensible
and intelligible influence his epistemology
and theory of human nature?”

9

�AWARDS AND PRIZES

To the members of the Senior Class who have written the best senior essay,
the Richard D. Weigle Prize:
Fiction: Form and Content in Mark Twain’s
Adventures of Huckleberry Finn	
	
	
Class of 2019
		
Silas Casimir Blunk
How the Funeral Oration of Pericles Works in
Thucydides’s History of the Peloponnesian War
		
Class of 2019
		
Thomas George Samuels
	
Faculty Award for Sustained Academic Excellence
		
Class of 2018
		
Ambrym Sarah Ragan Smith
	
For his January Freshman first semester essay
Iokaste’s Answer to Event in Oidipous Tyrannous	
Class of 2021
		
Karl Evan von der Luft
	
For her Sophomore enabling essay
Purple Threads: The Question of True Individuality	
Class of 2021
		
Portia Louise Abbott
	
Honorable Mention
	
An Aesthetic Amendment	
Class of 2021
		
Tang Li
For their Undergraduate Essays Other than Annual
Biting the Head Off Eternity	
		

Class of 2019
Kalysta Renee Fern
Class of 2021
Karl von der Luft

Two Definitions and a Proof 	
		

For their Graduate Institute Liberal Arts fall 2018 preceptorial essay:	
Nietzsche’s Thus Spoke Zarathustra	GILA
		
Philippa Scott
For his Graduate Institute Liberal Arts summer 2018 preceptorial essay
	
Honorable Mention:	
	
On George Eliot’s Middlemarch	GILA
		
Jacob Culberson

10

�For his original music composition:	
“Enten/Eller: An Ecstatic Lecture in e minor”	
Class of 2022
		
George Bernard Stengren
	
“Threnody 313”	
Class of 2022
		
Christopher Young
For her solution to the set freshman-sophomore level mathematical problem:
	
Honorable mention:
		
Class of 2021
		
Seungyoon Bang
For their original fiction
	
Honorable Mention
	
Class Reunion	
GIEC
		
Eric Wifall
	
Honorable Mention
	
The Wolf Boy	
GIEC
	
For his original poetry
High Flight	
Class of 2019
		
John Alexander Saulog
	
For his Greek translations, the William A. Darkey Translation Prize:
(Xenophon, Memorabilia, 1.6.11-14)	
	
Honorable mention:
		
Class of 2021
		
Karl von der Luft
	
Honorable mention:
		
Class of 2021
		
Karl von der Luft
For his French translation, the William A. Darkey Translation Prize:
(“Une étoile tire de l’arc “ by Jules Supervielle))
		
		
	

11

Class of 2020
Cleo Ulatowski

�To a deserving student to help with the continuation of work at St. John’s College
through the cultivation of the liberal arts of Thinking – that is, aiming for and
acquiring knowledge; and of Friendship – that is, sharing inquiry and thought
joyfully and for its own sake, the Robert Neidorf Memorial Scholarship:
		
Class of 2020
		
Niko Angell-Gargiulo
		
William Hunter Winkel Thompson
	
To members of the Freshman, Sophomore, and Junior classes in recognition of
academic achievement and constructive service to the college community, the
St. John’s Community Scholarship provided by faculty, staff and students:
Rising Senior	
Class of 2019
		
Owen Christopher Gemmer
	
Rising Juniors	
Class of 2020
		
Nani Ordofa Detti
		
Abdullah Hussain Mirza
To members of the Senior Class for excellence in public speaking,
the Senator Millard E. Tydings Memorial Prize:
		
Class of 2018
		
Kahlieh Bernstein
		
Bryanna Destinee-Alexis Briley
	
	
Maxfield Abraham Lindig Hubych
To a member of the Senior Class who has been an outstanding leader in his class,
the Don Cook Student Leadership Award:
		
Class of 2018
		
Patrick Vivian Gentry
	
To members of the Senior Class who have excelled in service to the college,
the Dean’s Award for College Service:
		
Class of 2018
		
Natasha Esme Farmer
		
Jinxue Chen
	
To the student who has most contributed to the academic support of
their peers, the Assistant Dean’s Award:
		
Class of 2018
		
Xuanqi Zhao
		

12

�To a member of the Senior Class who has demonstrated achievement in the Arts and
Literature, the Walter S. Baird Prize:
	
For her Voice Recital	
Class of 2018
		
Hayriye Büşra Solak
	
STUDENT ACTIVITY AWARDS
To the seniors who, by his/her leadership, professionalism, hard work, and good will,
has made an outstanding contribution to the St. John’s Activities Center, an award
offered by the Student Activities Organization:
		
Class of 2019
		
Ngonidzashe Bhejana
		
Oona Bjornstad
		
Joshua Hirsch

13

�IMPORTANT INFORMATION FOR
COMMENCEMENT GUESTS
For your comfort and enjoyment of today’s commencement activities,
please note:
•	

Mark Parenti AGI92, president-elect of the Alumni Association, will be
present at Commencement to welcome the graduating students into the
Alumni Association.

•	

Water stations are located to the left of the front doors of Weigle Hall,
and at the entrance to Santa Fe Hall, under the breezeway connecting
Evans Science Laboratory and Santa Fe Hall.

•	

Shaded seating for our elders is available on the breezeway connecting
Evans Science Laboratory and Santa Fe Hall, under the Weigle Hall
breezeway, and the Weigle portal.

•	

The closest restrooms are located in Weigle Hall and Santa Fe Hall,
at the rear of the two main seating areas. Handicap-accessible
restrooms are in Weigle Hall.

•	

Please respect the recessional line by allowing the graduates to recess
completely. After the recessional, please meet your graduate at the Pond
Placita area.

•	

Join us for lunch in Peterson Student Center, 1st floor, following the
ceremony. Dining areas are also available outdoors.

14

�The seal of St. John’s
College shows seven open books
representing the
seven traditional liberal arts—
the trivium of grammar,
rhetoric, and logic; and
the quadrivium of arithmetic,
geometry, astronomy, and
music. The balance, or scale,
in the center represents
modern science. Encircling
the symbols is a Latin
inscription, which means:
“I make free [adults] out
of children by means
of books and a balance.”

15

�16

���</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="41">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68609">
                  <text>Santa Fe Commencement Programs and Addresses</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68610">
                  <text>St. John's College Meem Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117633">
              <text>paper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117634">
              <text>20 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117622">
                <text>Santa Fe Commencement Program, Spring 2019</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117623">
                <text>Program for the fifty-second commencement of the Santa Fe campus in the three hundred and twenty-third year of St. John's College. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117624">
                <text>St. John's College </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117625">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117626">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117627">
                <text>2019-05-18</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117628">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117629">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117630">
                <text>Commencement (St. John's College, Santa Fe)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117631">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117632">
                <text>SF Commencement Program 2019-05-18</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="37">
        <name>Commencement</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7724" public="1" featured="0">
    <fileContainer>
      <file fileId="7867">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/ca6ef9c474cbf75e1c9265c3504594c9.mp3</src>
        <authentication>e4ade901d18aef817aabecb731659ee7</authentication>
      </file>
    </fileContainer>
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40">
                  <text>St. John's College Lecture Recordings—Santa Fe</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="115">
                  <text>St. John's College Meem Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="120">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117619">
              <text>m4a</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117620">
              <text>01:01:50</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117607">
                <text>Moments in the Liberal Education of Frederick Douglass from ‘My Bondage and My Freedom’</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117608">
                <text>Audio recording of a lecture given by Dean Joseph Macfarland on March 3, 2023 as part of the Dean's Lecture &amp; Concert Series.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117609">
                <text>Macfarland, Joseph C.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117610">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117611">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117612">
                <text>2023-03-03</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117613">
                <text>Meem Library has been given permission to make this item available online.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117614">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117615">
                <text>mp3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117616">
                <text>Frederick Douglass&#13;
Liberal Education</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117617">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117618">
                <text>SF_MacfarlandJ_Moments_in_the_Liberal_Education_of_Frederick_Douglass_2023-03-03</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="52">
        <name>Deans</name>
      </tag>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7723" public="1" featured="0">
    <fileContainer>
      <file fileId="7866">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/aba4274cad303588c3e70edc670570b0.mp3</src>
        <authentication>ee7b1f84bb9e96aa4c5bf3c5220c9243</authentication>
      </file>
    </fileContainer>
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40">
                  <text>St. John's College Lecture Recordings—Santa Fe</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="115">
                  <text>St. John's College Meem Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="120">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117605">
              <text>m4a</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117606">
              <text>00:42:57</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117593">
                <text>Dante in Italian Cinema</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117594">
                <text>Audio recording of a lecture given by P. Adams Sitney on February 24, 2023 as part of the Dean's Lecture &amp; Concert Series.  The Dean's Office has provided this description of the event: Just as all English speakers casually refer to lines by Shakespeare, all Italians quote Dante. Film viewers must pay particular attention to these citations and similar scene structures. Examples will be given of Ugolino’s presence in La Dolce Vita and Ulysses in Il Deserto Rosso.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117595">
                <text>Sitney, P. Adams</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117596">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117597">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117598">
                <text>2023-02-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117599">
                <text>Meem Library has been given permission to make this item available online.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117600">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117601">
                <text>mp3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117602">
                <text>Dante.&#13;
Film.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117603">
                <text>English.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117604">
                <text>SF_SitneyP_Dante_in_Italian_Cinema_2023-02-24</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7722" public="1" featured="0">
    <fileContainer>
      <file fileId="7862">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/a6b0e707f0e7b6e1e9935ba88756f3b4.pdf</src>
        <authentication>3db26f32f3d7a5bb28d89ba2438c6768</authentication>
      </file>
    </fileContainer>
    <collection collectionId="9">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="41">
                  <text>St. John's College Lecture Transcripts—Santa Fe</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="114">
                  <text>St. John's College Meem Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="119">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3693">
                  <text>Items in this collection are part of a series of lectures given every year at St. John's College at the Santa Fe, NM campus. </text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117580">
              <text>paper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117581">
              <text>26 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117569">
                <text>Faraday's Galvanometer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117570">
                <text>Transcript of a lecture given on February 22, 2023 by Howard Fisher as part of the Dean's Lecture and Concert Series. The Dean's Office provided this description of the event: "Today we think of the galvanometer as a device that measures electric current. But Faraday’s galvanometer principally measured charge rather than current. That distinctive capability (which modern instruments do not possess) played a vital role in shaping Faraday’s understanding of magnetic lines of force—and especially their physical character.&#13;
&#13;
Faraday’s galvanometer shares essential mechanical characteristics with our old friend the pendulum. I will discuss the design of Faraday’s instrument and demonstrate its distinctive action with the aid of a simple homemade model."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117571">
                <text>Fisher, Howard J., 1942-</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117572">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117573">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117574">
                <text>2023-02-22</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117575">
                <text>Meem Library has been given permission to make this item available online.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117576">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117577">
                <text>Faraday, Michael, 1791-1867</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117578">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117579">
                <text>SF_FisherH_Faraday's_Galvanometer_2023-02-22</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="7721" public="1" featured="0">
    <fileContainer>
      <file fileId="7861">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/fd3b37ccf37cda39acc2c51d4037265b.mp3</src>
        <authentication>827475f3faf89363e548a9d65516a45c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109">
                  <text>Items in this collection are part of a series of lectures given every year at St. John's College. During the Fall and Spring semesters, lectures are given on Friday nights. Items include audio and video recordings and typescripts.&lt;br /&gt;&lt;br /&gt;For more information, and a schedule of upcoming lectures, please visit the &lt;strong&gt;&lt;a href="http://www.sjc.edu/programs-and-events/annapolis/formal-lecture-series/" target="_blank" rel="noreferrer noopener"&gt;St. John's College website&lt;/a&gt;&lt;/strong&gt;.  &lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Formal Lecture Series" href="https://digitalarchives.sjc.edu/items/browse?collection=5&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the St. John's College Formal Lecture Series—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.&lt;br /&gt;&lt;br /&gt;A growing number of lecture recordings are also available on the St. John's College (Annapolis) Lectures podcast. Visit &lt;a href="https://podcasts.apple.com/us/podcast/st-johns-college-annapolis-lectures/id1695157772"&gt;Apple Podcasts&lt;/a&gt; or &lt;a href="https://open.spotify.com/show/6GDsIRqC8SWZ28AY72BsYM?si=f2ecfa9e247a456f" title="Spotify"&gt;Spotify&lt;/a&gt; to listen and subscribe.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="111">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="137">
                  <text>St. John's College Formal Lecture Series—Annapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30710">
                  <text>formallectureseriesannapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117554">
              <text>wav</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117555">
              <text>00:55:11</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117539">
                <text>1001 Nights of Marcel Proust</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117540">
                <text>Audio recording of a lecture delivered on February 11, 2011, by Patricia Locke as part of the Formal Lecture Series. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117541">
                <text>Locke, Patricia M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117542">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117543">
                <text>2011-02-11</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117544">
                <text>A signed permission form has been received giving blanket permission to make recordings of lectures and to make them available in the library and online.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117545">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117546">
                <text>mp3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117547">
                <text>Proust, Marcel, 1871-1922. À la recherche du temps perdu</text>
              </elementText>
              <elementText elementTextId="117548">
                <text>Arabian nights. Selections</text>
              </elementText>
              <elementText elementTextId="117549">
                <text>Storytelling</text>
              </elementText>
              <elementText elementTextId="117550">
                <text>Sleep. Stages</text>
              </elementText>
              <elementText elementTextId="117551">
                <text>Sleep. Psychological aspects</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117552">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117553">
                <text>LEC_Locke_Patricia_2011-02-11_ac</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
      <tag tagId="3">
        <name>Tutors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7720" public="1" featured="0">
    <fileContainer>
      <file fileId="7857">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/a1a7e40c800e067373b0ba2619140fc6.mp3</src>
        <authentication>75a20e23439c3e825fb5a28076c7a498</authentication>
      </file>
    </fileContainer>
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40">
                  <text>St. John's College Lecture Recordings—Santa Fe</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="115">
                  <text>St. John's College Meem Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="120">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117533">
              <text>m4a</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117534">
              <text>01:43:42</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117522">
                <text>A Poetry Reading by Rita Dove</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117523">
                <text>Audio recording of a lecture given by Rita Dove on February 21, 2023 as part fo the Dean's Lecture &amp; Concert Series.  The Dean's Office has provided this description of the event: Rita Dove reads a selection of her poetry with commentary.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117524">
                <text>Dove, Rita</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117525">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117526">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117527">
                <text>2023-02-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117528">
                <text>Meem Library has been given permission to make this item available online.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117529">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117530">
                <text>mp3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117531">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117532">
                <text>SF_DoveR_Poetry_Reading_2023-02-21</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7719" public="1" featured="0">
    <fileContainer>
      <file fileId="7856">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/8fd6e550c715c92e7abbd6506394b59a.mp3</src>
        <authentication>607e3bfd3d1e1077c2aacd324cebf1d7</authentication>
      </file>
    </fileContainer>
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40">
                  <text>St. John's College Lecture Recordings—Santa Fe</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="115">
                  <text>St. John's College Meem Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="120">
                  <text>Santa Fe, NM</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117520">
              <text>m4a</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117521">
              <text>00:58:46</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117508">
                <text>"Sounding Alarm: (circa 1850)"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117509">
                <text>Audio recording of a lecture given by Alexander Rehding on February 3, 2023 as part of the Dean's Lecture &amp; Concert Series.  The Dean's Office has provided this description of the event: "The nineteenth century was a time of progress but also of crisis – and the study of musical sound was no exception. While around 1800 a sense prevailed that scientists like E.F.F. Chladni and Thomas Young had lifted the secret of sound, this was just the calm before the storm. The presentation of the mechanical siren in 1819 sounded an alarm—literally and metaphorically: the new mechanism threatened to overturn the foundations of the old theories and threw the study of sound into a profound crisis. But this crisis was also a time of great creativity: figures like F. Opelt and J.-G. Kastner came up with innovative approaches that turned the study of music and sound in new and unexpected directions. The important scientist H. v. Helmholtz managed to put a damper on this crisis in the 1860s with some wise and conciliatory pronouncements, but the benefits for music remained and continued to be developed – in compositions by Berlioz, Saint-Saëns, and far beyond."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117510">
                <text>Rehding, Alexander</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117511">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117512">
                <text>Santa Fe, NM</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117513">
                <text>2023-02-03</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117514">
                <text>Meem Library has been given permission to make this item available online.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117515">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117516">
                <text>mp3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117517">
                <text>Sound.&#13;
Music.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117518">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117519">
                <text>SF_RehdingA_Sounding_Alarm_circa_1850_2023-02-03</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7718" public="1" featured="0">
    <fileContainer>
      <file fileId="7855">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/d47e09bbb0112de63adc5f0dbe66e805.mp3</src>
        <authentication>925e7465e43f2d6e537f3b14082e8435</authentication>
      </file>
    </fileContainer>
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109">
                  <text>Items in this collection are part of a series of lectures given every year at St. John's College. During the Fall and Spring semesters, lectures are given on Friday nights. Items include audio and video recordings and typescripts.&lt;br /&gt;&lt;br /&gt;For more information, and a schedule of upcoming lectures, please visit the &lt;strong&gt;&lt;a href="http://www.sjc.edu/programs-and-events/annapolis/formal-lecture-series/" target="_blank" rel="noreferrer noopener"&gt;St. John's College website&lt;/a&gt;&lt;/strong&gt;.  &lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="Formal Lecture Series" href="https://digitalarchives.sjc.edu/items/browse?collection=5&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the St. John's College Formal Lecture Series—Annapolis Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.&lt;br /&gt;&lt;br /&gt;A growing number of lecture recordings are also available on the St. John's College (Annapolis) Lectures podcast. Visit &lt;a href="https://podcasts.apple.com/us/podcast/st-johns-college-annapolis-lectures/id1695157772"&gt;Apple Podcasts&lt;/a&gt; or &lt;a href="https://open.spotify.com/show/6GDsIRqC8SWZ28AY72BsYM?si=f2ecfa9e247a456f" title="Spotify"&gt;Spotify&lt;/a&gt; to listen and subscribe.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="111">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="137">
                  <text>St. John's College Formal Lecture Series—Annapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30710">
                  <text>formallectureseriesannapolis</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="5">
      <name>Sound</name>
      <description>A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117506">
              <text>audiocassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="117507">
              <text>00:59:09</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117492">
                <text>Another "Lollere in the Wynd"? Chaucer, His Miller, and Nicholas' Door</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117493">
                <text>Audio recording of a lecture delivered on March 30, 2007, by Christina von Nolcken as part of the Formal Lecture Series. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117494">
                <text>Nolcken, Christina von</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117495">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117496">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117497">
                <text>2007-03-30</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117498">
                <text>Permission received</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117499">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117500">
                <text>mp3&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117501">
                <text>Chaucer, Geoffrey, -1400. Miller's tale</text>
              </elementText>
              <elementText elementTextId="117502">
                <text>Bible--Translating--History</text>
              </elementText>
              <elementText elementTextId="117503">
                <text>Bible--Versions--History</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117504">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117505">
                <text>LEC_Nolcken_Christina_Von_2007-03-30_ac</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>Friday night lecture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7717" public="1" featured="0">
    <fileContainer>
      <file fileId="7853">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/6e30886e3a0094203084fe1cbca320c2.pdf</src>
        <authentication>d3384d59c9e18b9123db250cdbceb9e4</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117473">
                    <text>St. John’s College

Annapolis, Maryland

Vol. XLV, Issue 5

November 21, 2022

the Gadfly

�CONTENTS

Logos	

3
4
6
8
10
11
10

St. John's College Football Gameday 	
McDowell Lives!	
Club Spotlight: Energeia 	
Board of Visitors and Governors	
Bug Business	
Quite A Man, Quite A Hat!	
Bug Business	
Symposium
Finds From the Archives	
ξένος, pt. 2	
Language Is Like Restoring a House	
The Subversion of Identity	
Joy, Beauty, and Terror		

12
15
16
18
20

Questioning Questionable Lectures	
Amsterdam: Film Review	
Tutor Submission: Onyx Moon	
Good Hill Haunting	
The Crane	
Odyssey Translation	
Bubble Boy	

22
24
25
26
28
30
31

Polis

From the Editor’s Desk:
Dear Polity,
I have a very bad cold. I do not feel very well. I have been consuming
equal parts DayQuil and air. My day is suffering and my night is
pain. But the Gadfly is done, and it is in your hands now. I hope that
you enjoy it and that you have a wonderful thanksgiving break.
The theme for the next Symposium section will be time and temporality. Reflections over what it means to take a break, inhabit a
moment, fear the future, recall the past, and whatever else time is
signifcant for are welcome. Submissions will be due just a bit before
winter-break, December 9th is probably as late as it can be without
making our (newly bolstered!) layout team mad.
Send all submissions, questions, or concerns to either myself (cekoch@sjc.edu) or the gadfly email (sjca.gadfly@gmail.com).
Make sure to be nice to your parents; they've probably missed you.
Sincerely,
Craig Koch

THE STRUCTURE
Logos typically holds news reports and
narratives of immediate relevance to the
Polity. The purpose here is to develop a shared
reservoir of information relating to campus life
and the community. The Managing Editor for
Logos is El'ad Nichols-Kaufman. His email is
eanicholskaufman@sjc.edu.
Symposium offers the opportunity for our
readers to thoughtfully consider contrasting
opinions regarding a particular topic. The
Managing Editor for Symposium is Luke Briner.
His email is lbriner@sjc.edu.
Polis serves as a platform for elevating voices
in our community. Here we find letters to
the editor, columns, cartoons, and submitted
pieces. The Managing Editor for Polis is Daniel
Nathan. His email is djnathan@sjc.edu.

THE COVER
2

Illustration by Zeinep Kyzy
the Gadfly / λόγος / Sept 22, 2022

THE STAFF
Meliha Anthony
Luke Briner
Liz Dowdy
Helen Felbek
Catherine Greer
Louise Harden
Craig Koch
Bridget Mace

Paolo Medelius
Daniel Nathan
El'ad Nichols-Kaufman
Dolan Polglaze
Louis Rosenberg
Helen Wagner

SUBMISSIONS

J.H. Beall
Emily Caswell
Henry David Hills
Ranger Kasdorf
Zeinep Kyzy
Sibyl Kushnir
Paz Daniela Ortiz Santa María

Adam Powers
Lainey Rendelman
Lee Tague

�{St. John’s College Football Gameday}

Injury Casts Cloud Over Hard-Fought Naval Victory
Navy Snaps Two Game Losing Streak With Overtime Victory Against the Temple Owls

by Adam Powers '24 and Lainey Rendelman '26

October 29—Backup quarterback
Xavier Arline’s overtime rushing
heroics in Navy’s 27-20 victory
were not enough to prevent being
overshadowed by the news Sunday
that the injury suffered by starting
quarterback Tai Lavatai in the first
quarter would be season ending. The
veteran starter, a Junior, suffered an
unspecified left knee injury late in
the first quarter after being hit from
behind while running with the ball
when Arline came in to replace him.
Neither quarterback, though, was
able to get the offense into gear as the
Midshipmen were only able to manage

224 yards of total offense–a problem
that has been haunting the team all
season. However, an excellent first
half defensive performance, anchored
by Senior LB John Marshall, allowed
the Midshipmen to jump out to a
strong 13-3 lead going into halftime.
Marshall, a former Gonzaga standout,
had a career day, raking in 11 tackles,
5 pass breakups, 2.5 tackles for loss,
and a sack. However, Temple turned
the tide in the second half thanks to
a stellar performance from Junior
WR Amad Anderson Jr. and a strong
showing from true Freshman QB
E.J. Warner, son of NFL legend Kirk

Warner, who continued his series of
impressive, mercurial performances
this season. Late in the game, the
Owls drove 66 yards in under a
minute and a half and tied the game
at 20 with a 22-yard field goal with
1:08 remaining in the 4th, forcing
the contest into overtime. Xavier
Arline’s 23-yard touchdown run
on just the second play of overtime
gave the Midshipmen the lead, and
it was a Dashaun Peele interception
that clinched the Midshipmen their
third victory of the season.

the Gadfly / λόγος / Sept 22, 2022

3

�{Campus Life}

McDowell Lives!

Dr. Funkenstein's Psychedelic Garage Funk Experience Brings Down the House, Slays
Satan, Saves the Day; Hain Cho ('25) Slings Atmosphere and Spins Discs in DJ Set
Photos by Bridget Mace '24, Interviews by Daniel Nathan '24

“ELECTRIC. All caps. Wish they boogied down like this at the academy.
Wish we could transfer.” - Some Midshipman

Josh Flippo ('26) - Keyboard, Logan Arendt ('24) - Guitar, Chris Turney ('24) - Drums,
Hannah Chavers ('24) - Vocals, John Teague ('24) - Bass, Andrew Selway ('24) - Guitar

4

the Gadfly / λόγος / Sept 22, 2022

�“Have you been in there? You haven’t? It’s actually cool.”
- Some Freshman to another Freshman

“Hannah [Chavers] is an insane singer. When she
said nobody move, I felt moved.” - Some Other
Midshipman

“Surprisingly, it [the vibe] was good in there.”
- Dashiel Buyske-Friedberg ('23)

“There seems to be something distinctly European
about DJing.” - Craig Koch ('23)
the Gadfly / λόγος / Sept 22, 2022

5

�{Club Spotlight}

Getting Literary With the Archons of Energeia
An Interview with Allyson Brink (A24) and Kelly Kane (A24)
by Daniel Nathan '24

DN: Can you describe for me what
Energeia looks for in a submission,
whether it be poetry, prose, or art?
AB &amp; KK: We want to highlight
the polity’s strengths artistically, in
whatever format a submission comes
in. Throughout both of our times
working for Energeia, we’ve noticed
that each batch of submissions tend
to have general themes, reacting to the
world at large and the current culture
of campus of the given semester. We
look for the poetry, prose, and art that
we, and our review staff, personally feel
is the most gripping, refreshing, and
rings the most true of the community’s
current state.
DN: What originally attracted the
both of you to Energeia, and what
made you decide you wanted to be
archons?
AB &amp; KK: When we joined as
freshman, school was online and
campus was closed for the most part.
We were interested in ways to get more
involved in the creative side of St.
John’s while being online, so we started
attending the submissions review
meetings on Zoom. When campus

6

reopened, we attended meetings in
person and became acquainted with
the new archons. Working closely with
them, we had a lot of fun creating a
publication we each found vital to
the college’s artistic life, which led us
both to engaging a lot in the creation
and management process. We both
made mental notes of wanting to be
archons, so we were sure to attend all
the meetings and get on everyone’s
good side, masterminding our ways
into leadership.
DN: What are some initiatives that
you have taken as archons that differ
from archons in previous years?
AB &amp; KK: As you’ll notice when
this semester’s edition comes out,
we’ve decided to significantly cut the
amount of submissions we accept.
In the past, Energeia had increased
the length of each issue, which could
get overwhelming for both editors
and readers. We’ve taken a lot of
inspiration from editions from 20162018, which were shorter and allowed
readers to spend more time with each
piece. We’re also playing around with
new layout designs and ideas for other
content we can create that will keep
Energeia a “household” name, if you
will.
DN: I presume you’re somewhat
well-versed in the history of the
publication: What are some of the
ways that Energeia has changed over
the years?
AB &amp; KK: In the 80s, Energeia
published a Fall issue which consisted
of prize-winning work from the
previous year, while the Winter
and Spring issues were dedicated to
the current art that the polity was
making. In the 2010s, we published a
lot of prose and academic essays, but

the Gadfly / λόγος / Sept 22, 2022

we’ve since cut the length allowed for
submissions, leading contributors to
opt more towards poetry and short
prose. We’ve seen all kinds of mediums
published, from math proposition
demonstrations to pottery to music
scores. Of course, poetry, prose, and
two-dimensional art have remained
consistent contributions to our
publication.
DN: That leads me to my next
question: What do you hope for the
publication's future moving forward?
AB &amp; KK: We’d love to see more
variety in our submission types –
the bolder, the better. We strongly
encourage thinking outside the box
with submissions. Think: collages,
math and lab proofs, translations in
ANY language, three-dimensional
art, tattoos, etc. With the call for
more mediums, we’ve been working
on engaging the polity more between
releases. Before COVID, Energeia’s
presence wasn’t as prevalent as we’re
now pushing for it to be. We want to
see our stickers on all bottles, copies
on all coffee tables, and everyone we
know showing up to events. As we
expand our empire, we’re crossing the

�bounds from physical to digital. Along
with the announcement of zines next
semester, people can anticipate a
website where we could potentially
take digital submissions.
DN: This latest Winter issue comes
out soon: Did you notice anything in
particular about the submissions for
this issue? Are there any prevalent
themes that stuck out in the polity’s
contributions?
AB &amp; KK: We tend to get a lot
of similar themes for every edition.
We see a lot of cigarette motifs,
invocations of Genesis and the
Greek, and (sometimes concerning)
depictions of depressive slumps and

alcoholism. Other than that, each
AB &amp; KK: Daniel, please. Be
round of submissions may or may not f*cking for real.
have specific themes depending on
what’s going on in the world and in our
You can expect to see the Winter
community. For example, last year we 2022 edition before Winter break.
noticed a lot of cicada imagery as the
reemergence from the soil took place.
DN: Can we expect campus events
put on by Energeia, such as the open
mics, to continue?
AB &amp; KK: Yes! We’re planning
another party for the Winter edition
release, as well as more events for next
semester.
DN: My final, and perhaps most
important question: Why won’t you
publish Gore Vidaniel?

the Gadfly / λόγος / Sept 22, 2022

7

�{campus life}

Board of Visitors and Governors Meets
Inflation, Enrollment and Campus Renovations Discussed
by Elad Nichols-Kaufman '25

The fall meeting of the Board of
Visitors and Governors was hosted in
Santa Fe in early November this year.
This semester, rising inflation and
its implications on plans to renovate
the physical plant of the campus
and compensate faculty and staff, as
well as national trends in enrollment
and mental health dominated the
conversation. The conversation largely
focused on the college’s list of seven
institutional priorities, which include
maintaining a balanced operating
budget, maintaining full enrollment,
improving student supports and
retention rates, ensuring that students
from all backgrounds feel at home at
St. John’s, the Freeing Minds campaign,
meeting the Pritzker Challenge, and
developing the Program through
faculty development, curricular review
and revisions, and new offerings.
With an already balanced budget
for the 2023-24 academic year,
much of the discussion focused on
maintaining this financial position.
“We’ve gone through our existential
crisis, and now we’re a small liberal arts
college facing the difficulties of a small
liberal arts college,” explained Santa
Fe President Mark Roosevelt at the
Board’s plenary session. However, the
path towards keeping college finances
stable appears difficult, since there has
been a decrease in tuition revenue per
student thanks to improved financial
aid, and the college’s endowment has
suffered due to poor performance on
the stock market.
In addition to this decreased
revenue, costs have also increased. Ron
Fieldings, Board President, explained
that costs continue to rise for the
college like for all private businesses,
while the college cannot increase its

8

revenue like a business. “Productivity
is not going to go up, because of the
nature of St. John’s. Tutor productivity
hasn’t improved since Socrates, but
they still need to be paid a 21st century
wage.” Faculty and staff salaries are
still lower than at most comparable
institutions, and must be adjusted for
the high levels of inflation over the
past year. To fund this, the board voted
to raise tuition by 5%. While this is
below inflation, it is still a substantial
increase for students, and may require
even greater increases in financial aid
offered by the college. 71% of students
at St. John’s already receive needbased aid, the most of any of the Small
College Consortium, and thus the
college receives increasingly little of its
funding from tuition and fees.
Instead, the college must turn
increasingly to philanthropy to
fund its operations. Board members
highlighted the success of some
fundraising initiatives, with nearly
a hundred million raised from the
Freeing Minds campaign, primarily
directed towards the endowment,
as well as the ongoing efforts to raise
funds to meet the Pritzker Challenge.
Even here, however, inflation takes
its toll. The Pritzker funding, which
is meant to go towards campus
improvements, will not be able to fund
all the more extensive renovations
initially considered for the Annapolis
campus, with all discussion over
constructing a new residence hall
tabled. Even renovations to existing
buildings in great need of repairs
will be impacted. The renovations to
Campbell Hall, which were initial
estimated to cost around $4 million,
may now cost between $8-10 million
due to rises in construction cost. The

the Gadfly / λόγος / Sept 22, 2022

college now plans not to shut down
Campbell for a year to perform the
most substantial renovations, but
instead to run the renovations over the
course of two summers, and continue
housing students in it during the year.
Other major concerns of the board
were student enrollment and retention.
The national “demographic cliff,” the
phenomenon of their being, for the
first time in United States History, less
people of college age each year than
before, was mentioned frequently.
Santa Fe met, and Annapolis exceeded,
the enrollment goals for this year, but
total applications went down, and
further decreases are expected. Austin
Lignon, a board member, explained
that the decrease in applications has
been seen nationally at private colleges,
it is limited to certain demographics.
“The demographic cliff really means a
demographic cliff for white students.
We need to find ways to increase our
reach.”
Student retention has improved over
the past few years, although graduation
rates are still below the college’s goal.
Particular improvements have been
made for students who receive Pell
Grants: ever since 2017, Pell Grant
recipients have been graduating at an
equal or higher rate than the college
average. Annapolis President Nora
Demlitner explained that the college
has been working to implement many
different programs to support students
throughout their time at St. John’s.
“We start with the Prtizker Bridge
Program, and we work to continue
attentions to students. We’ve built one
of the best wellness centers for a small
college in the country, and moved the
Health Center to the lower level, or
as some like to say, “garden level” of

�Randall… Students are facing more
mental and physical health challenges
than any generation before, we need to
offer better mental health services.”
The Annapolis campus recently
underwent the accreditation process
by the Middle States Association
of Colleges and Schools, and the

notes from that accreditation also
informed the board’s discussions. The
accreditors were largely positive, with
reaccreditation recommended without
any requirements, also recommended
stronger focus on diversity and
inclusion, as well as more research by
faculty and better data management.

President Demlitner indicated a desire
to work on these recommendations,
as a way to maintain the intellectual
rigor of the program in the 21st
century. “We’re a distinctive college,
and we need to work to keep ourselves
distinctive.”

{Student art}

Mr. Sterling in Sketch
Quite a Man, Quite a Hat!
by Zeinep Kyzy '24

the Gadfly / λόγος / Sept 22, 2022

9

�{Bug Business}

Bug Bulletin

What’s Red and Grey and Spotted All Over? Lycorma delicatula!
by Louis Rosenberg '25

On a day not too long ago, in
a dining hall a bit too familiar to
most Johnnies, Lycorma delicatula,
commonly known as the spotted
lanternfly, initiated a heated debate
about the role of humans in addressing
invasive species. The prosecution
(read: those in favor of squishing those
unfortunate bugs they encountered)
argued that the bugs posed a threat to
agricultural and logging industries and
that — without established natural
predators in the infested areas —
their vigorously rising populations
could outcompete native species,
causing further ecological harm. Those
speaking in defense of the spotted
lanternflies asserted the innate value
of so many insect lives outweighed the
harm they might do. Further, killing
individual bugs would likely not be
enough to stave off the infestation.
Now, chances are that just one
decade ago, no one at St. John’s would
have been thinking about spotted
lanternflies — like most Americans of
that time, they probably would never
have heard of the species. Indeed, it
wasn’t until late 2014 when the insect
first arrived in the United States.
(Native to parts of China, the bug
had also established itself in Korea as
an invasive pest earlier in the 2000s.)
And it is only in the past few years
that the spotted lanternfly has more
broadly entered public discussion.
A Google Trends analysis shows
searches for “spotted lanternfly” peak
annually around September, with that
peak search volume increasing to its
all-time maximum this year. Those
seeking information on the spotted
lanternfly are most frequently located
in Pennsylvania (where the pests
first appeared), followed by other

10

Northeastern states (where they are
currently most prevalent), but their
range is rapidly expanding into the
Midwest, leading to more recent
searches in that area as well.
But what do we know about
spotted lanternflies? Let’s start with a
look at their taxonomy — they belong
to the family Fulgoridae (also known
as simply lanternflies), and in turn
to the infraorder Fulgoromorpha.
Fulgoromorpha are commonly known
as planthoppers because they tendto,
when startled, hop off of the leaves
they feed on. Like other members of
this infraorder, spotted lanternflies’
mouthparts have evolved to allow
them to pierce plant stems and suck
out the sap. Damage to the host plants
can sometimes occur as a result —
vineyards are at particular risk, for
the insects especially enjoy eating
grapevines.
Spotted lanternflies are also
gorgeous animals throughout their
lifecycle. Their forewings (which, as
for most planthoppers, are held in a
tent-like shape over the back when at
rest) are grey with black spots, with
red coloration on their hindwings and
antennae and, for females, the rear
end of their abdomen. They can reach
slightly more than an inch in length,
with females generally larger than the
males Starting in September of each
year (which likely explains the annual
peak in public interest in the bugs),
adults lay thirty to fifty eggs at a time,
with the mass of brown eggs covered
in a waxy grey coating for protection,
staying dormant through the winter.
Once they hatch, the nymphs are black
with white spots for the first three
instars before gaining red coloration
for their fourth instar. Adults can be

the Gadfly / λόγος / Sept 22, 2022

found starting in the summer months,
and they generally survive for four or
five months after their final molt.
Naturally, human intervention can
cut their lives short — and you may
soon be faced with determining a
spotted lanternfly’s fate, for they have
already been spotted in Maryland,
albeit not yet in Anne Arundel County.
Should you see a spotted lanternfly,
you should report the sighting to the
Maryland Department of Agriculture
through their online form.

Sources:
https://mda.maryland.gov/plantspests/Pages/spotted-lantern-fly.aspx
https ://trends.goog le.com/
trends/explore ?date=today%20
5-y&amp;geo=US&amp;q=%2Fm%2F012lb9lt
h t t p s : / / w w w . n p r .
org/2022/08/18/1118049864/what-apest-spotted-lanternflies-are-spreadingin-the-u-s
h t t p s : / / p hy s . o r g / n e w s / 2 0 1 4 11-entomologists-vigilance-newlylanternfly.html
https ://www.researchg ate.net/
publication/275651706_The_Wild_
Wonderful_World_of_Fulgoromorpha
https://www.sciencedirect.com/
topics/immunology-and-microbiology/
planthopper
h t t p s : / / w w w. c a b i . o r g / i s c /
datasheet/110524

�Finds From The Archives:
St. John's and the Peace Corps
Helen Wagner

I am of the opinion that every Johnnie ought to know
about the Peace Corps. Not only is it an intriguing option
for postgraduate work, but the Corps and the College
are, in fact, old friends. Let me tell you the story.
In case you’re not familiar with it, the Peace Corps is
a government agency that deploys volunteers abroad to
provide support and assistance to developing countries.
Perhaps you’re planning to join after you graduate—a
number of Johnnies do. But the Corps’ connection
to St. John’s runs deeper than that: In the 1960s, it
partnered with the College to create an experimental
training program for its incoming overseas volunteers.
A bit of archive digging brought me some gems: reports
and reading material from the program, as well as a few
photos of volunteers on campus. I was intrigued: what
sparked this partnership?
The reports highlighted the value of St. John’s
educational philosophy as preparation for the Peace
Corps. The Corps had experienced a few years of success
after its establishment in 1961, but its members sensed
something lacking in the training program. A 1965 report
in our archives says that, prior to the collaboration with
St. John’s, “There had been little opportunity in some

programs for the trainee to stretch his imagination.” 1 Like
many modern universities, the old training was lecture-based
and composed of separate-track disciplines. But this kind of
instruction did not translate well into the real world. The
report states, “[W]hen the Volunteer goes to his overseas
assignment, there is no one there to lecture him; he is on
his own. The key to his success is individual initiative and
responsibility.” There was a disconnect between training
and reality. So, how to remedy this deficiency? The Peace
Corps believed that St. John’s offered a better approach to
education— one that would smoothly translate to actual
fieldwork. See this excerpt from the same report:
This summer’s program is a special attempt to move
away from separate track, one-way instruction to a
program in which trainees can think, question, and
participate instead of just listen. Our aim is integration:
a single faculty, and one program built around common
principles of education. Seminars have replaced
lectures; books on India and America, among them
epics of the east and west, have become the substance
of the seminars. 2
The rest of this initial report contained more detailed
plans and reading lists for the summer curriculum, sprinkled
with some healthy praise of the College and many beautiful
words on behalf of the Great Books. One piece about
St. John’s was especially eloquent. It described how our
the Gadfly / συμπόσιον / Sept 22, 2022

11

�deeply, a little more carefully, a little more humbly,
about themselves and their assignments, America
and the west, India and the east, the world and its
terrifyingly complex problems.”
5. “[N]ot to violate the spirit, integrity, and
motivation of the trainees— however deep or
shallow— by unwarranted and unnecessary
intrusions, however well intentioned.” 4

own Program was founded to reclaim the essence of liberal
education amid a “crisis” of the American College. The Peace
Corps, sensing disorder in a fragmented world, wanted a
similar innovation in thinking. See this excerpt:
The American College, it was felt, faced a crisis. [It]
seemed dismembered, an unconnected series of specialties
and specialists, each arguing for supremacy…In short, the
essential role of a liberal education—to make free men—
no longer seemed the primary aim of the American
college. It was to recover this goal that the new program at
St. John's was founded…The world today reflects a similar
crisis. Its ideologies and competing systems, its political,
cultural, religious, social and economic specialties are
also disordered. The violent arguments amongst them are
what we call war, cold and hot; the mildest form of the
argument is what we call cross-cultural shock. Whatever
the term, it seems clear that these specialties require the
kind of understanding and unity that will make peace
and pluralism possible. 3

The final report also included a list of the St.
John’s tutors involved—among them Jacob Klein and
Eva Brann—as well as feedback from participating
volunteers, a report by the director, Philip A.
Camponeschi, and a commencement address by Klein.
Camponeschi, in his report, said something wonderful
about the value of seminars that I feel compelled to
share here:
Unfortunately, the term seminar is often
misunderstood; it is sometimes looked upon as so
much intellectualizing, or simply as a technique.
Divorced from its aims and ends - and they are
never fully realized - a seminar is just a talk session.
Not that there is anything wrong with good talk.

Thus, in response to these parallel crises— both academic
and cultural disintegration— the partnership was formed.
The final report on the 1965 summer program states its six
goals (some of which I’ve paraphrased):

12

1. To give volunteers good practical training in Indian
poultry (their specific area of fieldwork).
To acquaint them with Hindi.
2. To teach the volunteers about India’s “heritage and
traditions; its religious, political, economic and social
problems; its life and customs.”
3. To teach the volunteers about their own country, its
contemporary problems, and its Western roots.
4. “To do all this in too brief a time, in ways that would
encourage them to think a little more freely, a little more
the Gadfly / συμπόσιον / Sept 22, 2022

notes

(1)“Training Program Statement,” India XVI, St. John’s College: Peace Corps
Training Program, Annapolis, MD, June 1965.
(2) Ibid.
(3)“St. John’s College Evening Seminars,” India XVI, St. John’s College: Peace
Corps Training Program.
(4) Philip A. Camponeschi, “Report of the Director,” India XVI, Final
Report: Peace Corps Training Program, Annapolis, MD, June 18-September
10, 1965.
(5) Ibid.

�And even bad talk has its purgative value. But a seminar
is more than that. It has, as it were, two complementary
aims. The first is the pursuit, discovery and examination
of assumptions - in a book, an action, an idea, even so
quixotic an idea as the Peace Corps. The second is what
happens to the student or trainee in the process, the
opening and deepening of the mind and imagination. 5
Jacob Klein’s commencement address was eloquent in its
entirety, but here is one excerpt I particularly loved. He is
speaking to the recent graduates of the training program,
volunteers who are about to serve in India:
The horizons of your lives so far have been circles[,]
the identical center of which is our common heritage,
conscious to us in varying small degrees and never
apprehended by us with complete clarity. Our heritage
is in the main of Greek and of Christian origin.…
Superimposed upon these Greek and Christian
foundations, stemming, in part, directly from them and,
in part, breaking away from them,is our all-pervasive
scientific habit of mind which colors all our thinking
and feeling, no matter how great our ignorance of
science and its principles may be. This then is the
common center of the horizons in which you have been
living — more or less securely encircled — so far. But
now the circles of your lives will swell and will become
ellipses - if you permit me to stick to my geometrical
simile. You will have not one center but rather two foci
to gravitate around. One of these foci will be the center
I have just been describing, but the other focus will be
the invisible source of Indian life that will surround you.
While tending consciously and unconsciously to your
own focus, you will at the same time be pulled in work,
in play, in rest and in enforced inactivity - toward that
other focus, and as a result of these contrary motions
you will be out of focus altogether- unless you find the
inner strength to pursue calmly your new elliptical path.
I can’t help but think of Euclid’s Prop III.5, which says
that two circles cutting each other will not have the same
center. In Klein’s analogy, these two circles are the American
and Indian cultural experiences. They are not merely cutting
each other, but combining and merging into an ellipse: the
complex experience of one individual. The two separate
centers— the foci of the ellipse— must suddenly coexist.
Though we aren’t Klein’s original audience, we can take
note of his wisdom, too. Each of us comes from our own
experiential circle, and as we meet new people and expand
the horizons of our lives, we must take into account the new

foci of our growing ellipse.
	
If our archives are complete, it seems the St. John’sPeace Corps partnership only lasted about two years. After
the India reports in 1965, there are records of two more
summer programs in 1966—one of which was in Santa
Fe. The 1966 Annapolis program was for the Philippines,
while Santa Fe trained volunteers for Bolivia, Ecuador, and
Venezuela. I was not able to discover why the partnership
was discontinued after this: perhaps St. John’s had served
its purpose in reinvigorating the Corps, and was no longer
needed. Perhaps the Corps changed its priorities. Either
way, these two years of collaboration seem to have been
richly rewarding, and their records in the archives provide
a wealth of interesting reading. Unfortunately, I cannot
include it all here. Throughout are some scans of the written
records, as well as some pictures of the Annapolis program
in our digital archives.

Citations for material from the Digital Archives can be found on the back cover

the Gadfly / Sept 22, 2022

13

�How Language is Like
Restoring a House
Dolan Polglaze
Somewhere in the dwindling days of August, a friend
quoted a poem to me that has been drifting in and out
of my mind ever since. The poem is short and taut: it
strikes one head-on and feels somewhat like the blow
of a hammer. It is called Lightenings ii, and is written
by Seamus Heaney, an extraordinary Irish poet who
uses language in a way I have never before encountered.
Heaney is a master sculptor of language, and his poems
are brilliant examples of what it looks like to fully narrow
one’s attention on the specifics of physical sensation
and force. I have specifically chosen to write here about
Lightenings ii for this reason: the poem speaks tangibly
of language as an intentional action, and calls our
attention to the gap—sometimes narrow, sometimes
vast—between sensations and the words we choose to
express them. Let us take the poem two stanzas at a time:

knowing one’s door is both latched and barred against
whatever is outside. In the second stanza, the work
becomes finer. Someone is checking the straightness of
the “lintel, coping-stone, and chimney breast.” A lintel is
the support that stretches across a window top to support
the wall, and a coping stone is the highest stone in a wall.
Verifying the verticality of the walls and chimney breast
is essential to ensuring the structural life of a house. It
is a precise act, requiring attention to minute variations
and an acute awareness of the future. I say that ensuring
the straightness of the walls is an act of future-looking
because in such an act one is looking to build something
that will last. Such work must be sufficient for the house
to persist long after our labor on it has ended. Let us take
up the last two stanzas:

Roof it again. Batten down. Dig in.
Drink out of tin. Know the scullery cold,
A latch, a door-bar, forged tongs and a grate.

Relocate the bedrock in the threshold.
Take squarings from the recessed gable pane.
Make your study the unregarded floor.

Touch the crossbeam, drive iron into a wall,
Hang a line to verify the plumb
From lintel, coping-stone and chimney breast.

Sink every impulse like a bolt. Secure
The bastion of sensation. Do not waver
Into language. Do not waver in it.

As the first stanza begins, we can see someone
at work. “Roof it again. Batten down. Dig in,” he
begins arduously. We see someone sweating from the
difficulty of re-roofing a house, securing it against the
unpredictable sky. The second line shows that there is a
certain roughness to this period of restoring the house
against the harsh outside; things are in motion and
nothing is settled. There is only a tin to drink from, and
the scullery kitchen—normally a center of warmth for
any home—is cold. Yet even in this time of re-building,
there is strength and conviction. The listing of “latch,
a door-bar, forged tongs and a grate” in the third line
emphasizes the presence of security, the comfort of

14

the Gadfly / συμπόσιον / Sept 22, 2022

This third stanza brings us firmly into the earth, to
the foundation on which the house is built. A bedrock
is the ground of any created thing, and relocating is
surely no easy task. The bedrock is often the image of
the absolute foundation of all things, the first place on
which all else is built. In the second line, our vision is
quickly reflected upwards, towards the triangular gable
pane, which is usually the highest window in a house.
Here also the restorer is verifying the squarings (angles)
of the window in order to check whether the window is
rectilinearly sound or not. The description of the house
ends with a study of the floor, directly opposite of the
roof where we began in the very first line. At this point,
the poem is entirely charged with descriptions of force.

�The strength and power needed to restore a house is
immense: “Batten down… Touch the crossbeam… Drive
the iron… Relocate the bedrock.” These actions require
physical strength, power, conviction and time. Yet the
quality—goodness—of labor is paramount: to properly
restore a house, the actions of pure force—of roofing, of
driving iron, of toiling with one’s entire body—requires
a certain delicate attention and care.
As we reach the final stanza, we are no longer talking
about physical action; force is now a mode of human
impulse. Impulse seems to be somewhere between
endeavor and action. It is like endeavor in that it is a sort
of inward motion, but unlike endeavor in that an impulse
seems to possess a clarity that mere inward motion lacks.
Yet an impulse without a mooring is transient and passes
away in the tumult of desire. This is why the imagery of
sinking our impulses like a bolt strikes me as profound.
It calls us to secure our convictions in the same way that
one secures a structural beam out of the desire to secure
the future of the house. Yet, anyone who has sunk a
bolt into wood knows that it is destructive to under or
over-tighten a bolt— likewise, one must also sink their
impulses with a fine-tuned sensibility of the necessary
force. Every impulse is a call to commitment, a call to
sink and strengthen our unfolding sense of what must be
secured in ourselves.
Heaney’s call for us to commit to the full reality of
our experience culminates in his final meditations on
language. “Secure/The bastion of sensation./Do not
waver/Into language. Do not waver in it.” He likens
sensation to a kind of fortification, drawing forth the
thought that we must secure our trust in our sensations.
Perhaps Heaney is causing us to recognize that the sum
of our experience—which arises both inwardly from
impulses, and outwardly from sensation—is all we’ve got,
and so we must commit our trust to it. With language
too, although it is perhaps the greatest weakness of
human beings, it is also our greatest strength. When
Heaney says, “Do not waver/Into language. Do not
waver in it,” perhaps he means this: Do not allow the
structures of language to sway you from the inimitable
intricacies of your impulses and sensations, but when the
time does come to commit to speech—and it inevitably
will come—commit fully. Like the restoration explored
earlier, if absolute care and a fine-tuned awareness of
the force necessary for ensuring the strength of the
house is not present, the house will not stand. Thus,
there is a strong sense of quality and security required in
building. Likewise, in regards to language, Heaney asks
us to consider how important it is that we approach our

speech with these same sensibilities: we must not waver
in the ideas we deem worthy of being secured. As the
house must be made strong for its inhabitants, so our
language must be made to stand strong and unwavering
in the whirlwind of our ever-confused experience. Our
speech must be an intentional and forceful action—
the action of placing our trust in the security of our
language-house.
I would like to end with an open consideration of
language that this poem has lately stirred in my mind.
Reading Genesis and Job again for my preceptorial, I was
struck by the difference of the creation story as told in
both. In the former, God’s creative force is embedded in
his identity as a speaker, whereas in the latter, the same
force comes from his identity as a builder. We are all
familiar with the opening lines of Genesis: God’s use of
language seems to draw things into being from the watery
darkness of the pre-light cosmos: “When God began to
create heaven and earth, and the earth then was water
and waste and darkness over the deep and God’s breath
hovering over the waters, God said, “Let there be light.”
And there was light.” I have always regarded these lines
as a sort of paradigm of absolute speech: in Heaney’s
words, perhaps we could say unwavering speech. Now
compare those lines of Genesis with God’s speech to Job
about the same creation:
Where were you when I laid the earth’s foundations?
Do you know who fixed its dimensions
Or who measured it with a line?
Onto what were its bases sunk?
Who set its cornerstone
When the morning stars sang together
And all the divine beings shouted for joy? (38:4-7)
It is striking how Heaney’s poem seems to so closely
echo these lines from Job. God relays to Job the Genesis
moment as if He was but a house builder all along: God
laid the foundation stone, measured the straightness
with a line, and sunk the base through His creative
language. God secured what was worthy of battening
down, sinking the impulses most worthy of enduring
through the chaos. Perhaps God’s first speech was the
very first house.

the Gadfly / συμπόσιον / Sept 22, 2022

15

�The Subversion of Identity
Sibyl Kushnir
Within our current political climate, the question of
how to ground queer politics is more urgent than ever. The
political climate looks dire in this country, and to speak
personally, the future is scary from here. I’ve been trying to
think through what is necessary to ground a queer politics
for a while. For whatever I say here, I’m mostly a scared girl
who’s read a few too many books and wants to share. I’ve
read the following authors in the hope of answering my own
questions, and I hope that by showing you through some
prior critiques of earlier attempts at queer politics, I can
provide something of use, or of interest. At the very least,
this isn’t a recent question as far as our history goes: it’s been
the focus of both Foucault’s History of Sexuality Volume 1,
and Judith Butler’s Gender Trouble. In past movements for
the queer liberation, the issues they identify are frequently
in orbit of the related concepts: intelligibility and identity.
The movement of sexual politics in Foucault’s time was
largely a reaction to a perceived prior repression. In the

Nude Wrestling Women, Leonhard Kern

16

the Gadfly / συμπόσιον / Sept 22, 2022

Victorian age, it is said, we hid the truth of our sexual desires
from ourselves. Only recently have we allowed them to come
to light in speech. This speech must be multiplied, and our
understanding of our sex must be clarified—although its
truth (the “truth of sex” as he puts it) will always remain
a secret we cannot fully grasp. Thus, we must continue our
investigation indefinitely.
It’s with this paradox that Foucault starts his
investigation: despite sex (and the desire it entails) being
positioned as a secret we can never fully uncover, ever more
numerous modes of inquiry are being brought to bear on
it. It is hypothesized that during the Victorian age, a sort
of puritan cultural law had descended and repressed any
sexuality other than the married, heterosexual norm. This
is referred to by him as the repressive hypothesis—the idea
that cultural norms around sexuality took the form of a law
of prohibition. That is, everything abnormal was prohibited,
or driven out of view. Most importantly: sexuality was
excluded from speech; it was not something that could
be asked about nor could it answer. Our sexualities were
hidden, made unreadable, their truth obscured. In order to
bring them back into intelligibility, to understand ourselves,
it was necessary to speak constantly of sex.
Upon further examination, however, it becomes apparent
that during the Victorian age there was not so much a
repression of sexuality. Instead, we can find the roots of the
same search for a “truth of sex” that we see in Foucault’s time.
During the Victorian age, sex seemed omnipresent. It was of
great medical and psychiatric concern (sex was introduced
as a potential cause or cure of illnesses), there was an
ongoing campaign against masturbation (and methods to
stop it), social dynamics in families were structured around
unspoken, but present, sexuality. All this of course being
part of a questioning of sex, an attempt to make sex speak—
in a different tone, certainly! But nevertheless, dating back
to the Victorian age there can be traced an apparatus with a
purpose of producing truths about sex.
What Foucault is tracing is the genesis of a scientia
sexualis—attempting to make scientific inquiry of sex,
producing (rather than discovering) truths of it that are
ordered and intelligible. These truths often were truths
about us—that is, the fact of one’s sexual desires and habits
were constituted as a part of one’s very person. Think of how

�the descriptor “gay” conjures a certain image when thought
about, how it is reveals something seemingly essential to
the person it is applied to. As much as it tells you what it
is, it also excludes what it is not—both the heterosexual,
but also those who are not gay “correctly.” This makes
more sense when applied to something like transition: my
masculine style of dress does not suggest I am putting a
whole lot of effort towards “becoming a woman,” despite
the implications of my identity. In a certain way, I’m doing
something wrong—I am here, but I am a logical defect,
somehow or another excluded from the term meant to
encompass me.
With those examples we have grabbed the roots of what
“intelligibility” is. Inquiries into sexuality in search of a
“truth of sex” are seeking out truths that can correlate ideas
to people – the idea of a trans woman is used to identify
a set of people in the world and exclude those who don’t
fit the idea. One “passes” or not based on the actions one
takes—nobody is looking at me for some kind of eternal
womanly essence, just checking to see how I look and act.
So, to be intelligible then: this is to act in such a way that
accords with the classification-idea one identifies as.
The issues with forming a politics around intelligible
identity may be already clear: intelligibility is predicated on
the exclusion of the unintelligible. A political movement
which constitutes itself around a certain identity has locked
itself in: this identity cannot change and develop to reflect
the actions taken by the members, nor can it work to the
benefit of anyone who does not fit the standards it sets.
Throughout the 1900s, feminist movements were divided
over the question of whether or not trans women were part
of the same struggle, or even oppressed at all. Though it
would seem all involved were women, the way womanhood
had been made intelligible was in such a way that could
exclude trans women.
The intelligibility of identities is founded on a relationship
between an ideal and the actions one takes. One’s actions,
to remain intelligible, must remain in agreement with that
idea. I am not that idea, though – none of us are– whatever
idea I may be compared against as a defective mode, it is
my actions that are being compared, my actions that reflect
backwards and constitute who I am. Identity was never the
original: as Foucault understood, its genesis was predicated
on an inquiry into and categorization of actions. What is
primarily me is my actions, whether they correctly reflect
what my identity should be or not.
The alternative to a politics based on identity is a politics
based around actions. Identity is a limiter: in order to
remain intelligible under an organized framework of sexual
identities, I lock myself out of certain actions, and I lock

myself out of developing—my identity cannot change.
But queerness and politics both seem to be places where
change is essential—to lock myself down like that would be
untenable. By organizing ourselves around shared actions,
rather than shared identities, identity itself can be set free
to flourish and change with the free play of forms of life.
So, while we don’t have much of a choice about being
categorized, we seem to be always under the sign of one
identity or another. Paradoxically, our way forward is a kind
of a non-action: refusing to be determined by the marks of
one’s identity, making it consistently unclear through one’s
actions the “truth” of one’s identity. In not actively striving
to “be,” we may find a way to disrupt the apparatus of our
classification.

Émilie, Henri de Toulouse-Lautrec

the Gadfly / συμπόσιον / Sept 22, 2022

17

�Joy, Beauty, and Terror
Luke Briner
There are many times when I’m overwhelmed, at the
experience or even the prospect of joy, by a suffocating, allconsuming terror; crushed by the awareness of the beauty
of life whenever I turn my attention to it. When I'm pained
by the very existence of anything with the innocent sheen of
childhood, not because I think it’s bad, but exactly because
I think it’s too good—because the very idea of being present
to it is too heartbreaking to me. When I feel that simply
living in the world is something impossibly heavy to bear,
not insofar as it’s ugly, but insofar as it’s beautiful. When real
beauty presents itself to me as something so inconceivably
vast and terrible that to give myself up to it would be to
cripple myself beyond recovery. When the bright, happy sky
open wide above me, or the autumn leaves blowing gently
in the ambrosial gold of the late afternoon sun, or the sweet
innocence of a children’s book where nothing truly bad ever
happens and where there’s always a happy ending, or the
simple, unconditional love of my family, knocks the wind
right out of me—skewers me with such a violent, crippling
sadness that the only thing I’m able to do is skulk away to
my dorm, put down the blinds, and sit there alone in the
dark, trying to distance myself from what I’m feeling and
from what made me feel.
But why this terror? Why, when I experience things I
recognize clearly as joy and beauty, am I consumed with
melancholy and dread? If it’s true, as Plotinus observes and
as I believe, that the Good is “the desired of every Soul”
(Enneads, I.6.7), then what account can I give to myself for
my apparent aversion to that very Good, to the very things
that I actually value above all else?
Since I’ve had these feelings my whole life, I’ve had my
whole life to investigate them. In fact, the very attempt
to work out the psychological and spiritual mechanics of
them has become a common way for me to distract myself
from the pain of actually feeling them. What I’m confident
enough to say about them here and now is that they arise
not from joy or beauty in themselves, but from an inability
to dissociate them from evil, their contrary. This occurs to
me in three forms: the evil within myself, the evil within
others, and the evil of the world itself. By “evil” I mean
not just immorality, but whatever desecrates or destroys
beauty and joy. By “beauty” I mean anything I understand

18

the Gadfly / συμπόσιον / Sept 22, 2022

to be truly Good, and by “joy” I mean both the present
experience of beauty, and the oblivious, happy innocence
which can accompany it.
Now by “the evil within myself,” I mean the everlooming threat of my own ignorance or moral deficiency
threatening to ruin any kind of true joy I come into
contact with, provided I ever allow myself to be fully open
and present to it. The reality of this threat is confirmed
to me by a consistent series of actions and consequences
throughout my life. Whenever I’ve really given myself
permission to be immersed in the joy of any given moment
or situation, it’s resulted in shame, rejection, and regret.
And each instance of this throughout my life has appeared
to me as a polluting stain, irremovable and degrading
my very value as a human being, as that Scottish Lady
with virile ambition so unchecked and “soul so potent in
crime” (Baudelaire, “L’Idéal”) found out. What’s especially
disturbing to me is that it doesn't even have to be something
conscious—actually, it rarely ever is. I live in constant dread
of becoming like that fate-blighted Theban, undone by
inescapable ignorance in spite of the best intentions. The
fact that I’ll always end up doing something wrong when I
give myself any leeway to be present with joy fills me with
a deep reluctance to engage with it at all. To do so would
necessarily be to let my vigilance over myself slacken, and so
would risk ruining that joy by the smallest misstep, which I
would be bound to make. Innocence, then, is so crushing to
me because it reminds me that I feel I’ve lost my own.
By “the evil within others,” I mean something very
similar to what I’ve just said about myself, only extended
to human nature as a whole. I know that great capacity for
evil I so clearly see within myself is equally present in others,
and I’m fully aware of the sordid, abysmal depths that we
can and do sink to if we permit ourselves to. This makes the
world to me not simply a dangerous but profoundly tragic
place—one where even the most perfect innocence can be
brutally and mercilessly beaten down into nothing at any
moment, for any reason, and by anyone. The sadness I feel
at joy, then, is in this sense a product not of the joy itself,
but of the fact that I’m unable to get the thought of how
painful the desecration of that joy would or will be. Human
depravity at large, combined with the awareness of my

�own unique capacity for, and, indeed, apparent tendency
toward that depravity, is why I’m so often uncomfortable
around others. I usually can’t shake the feeling that every
interaction, no matter how small, is nothing more than
an opportunity for sin. And even in the rare cases where
that opportunity isn’t actualized, the dread of it being
actualized at any moment, for any reason, and by any
party, thereby ruining any innocent, wholesome joy there
was, always accompanies me. I observe, then, a dialectical
instability in joy: its juxtaposition with evil not only causes
unbearable melancholy at the very beholding of it, but it
also, in its carefreeness, inevitably produces the very evil
which it consequently enters into juxtaposition with. The
moments when our hearts are absolutely open are exactly
the moments when the securing sanction of Conscience
loses its sovereign power over it, and so when we hurt others
and ourselves the most.
Finally, by “the evil of the world itself,” I mean the even
more fundamental circumstances of life that naturally and
inevitably lead to joy’s negation and pollution. For even if
human nature was perfect, my own and that of others, the
certainty of death’s hellish dart finding its mark in the end
is still just as certain. The world itself, in its inexhaustible
vastness and variety, serves both as the foundation for all
beauty and as that very beauty’s immutable executioner. This
is perhaps the deepest and truest cause of my terror. Here,
joy is necessarily something ephemeral, something that,
even in its most jubilant Spring, can’t help but foreshadow
the abyssal Winter which will inevitably follow. I’d certainly
like to believe that there’s another, infinitely greater Spring
waiting beyond that Winter, but I’m not sure I’ll ever truly
be able to. If I did, then I doubt that I would have most if
any of my present terror, given that what I’m terrified of
is exactly joy’s ultimate dissolution. I realize that the very
ephemerality of joy makes it something even more precious
and beautiful; but the more precious and beautiful it
becomes, the more painful the consciousness of its ultimate
loss becomes. I find myself hopelessly trapped between
beauty and death, the one informing and accentuating
the other. I fear death, but I fear it because in thinking
of it I’m able at the same time to contemplate the utterly
overwhelming beauty of life, of which death is a negation.
On the other hand, I’m only able to recognize beauty
for what it is precisely by my awareness of that ultimate
negation. The tragic fragility of the state we find ourselves
in is itself the content of its beauty, and that beauty is at the
same time what makes that fragility so tragic.
All this is what makes me desperately want to be numb
to myself, to distract myself from the overbearing presences
of joy and beauty—to cut myself off from the world and

from my fellow human beings, and, in a perfectly safe and
controlled environment, pursue what I think is worth
pursuing without ever having to ever truly open my heart up
to That which I know is always there. But this is futile, and I
know it. I can’t hide or distract myself forever. I know in my
heart of hearts that someday, at the end of everything, I’ll
have no choice but to face joy and beauty in their absolute
fullness alongside evil and death in their own. In that great
and terrible and beautiful Moment, when I finally open
myself up to it all, I know beyond knowing that I will see
the bright, happy sky, and the late afternoon sun, and the
children’s books, and my family, and I will weep, and I will
understand what I was always meant to understand.

Spinario, Antico (Pier Jacopo Alari Bonacolsi)

"Longing," Luke Briner
May I speak to myself now as to that
Husband astrayed, whose tortured, homesick heart
Beat ‘gainst his visage artful and complex
As savage curls of that Ogygian drink
Crashed down upon the crags, with salty mist
Commingling with his every bygone tear.
Poor vagabond, is that the marriage left
To you? I urge you, get you up, and go—
Return to your dear Ithaca, who, sat
Before the loom, weaves divers shrouds of Love.

the Gadfly / συμπόσιον / Sept 22, 2022

19

�ξένος, pt. 2
Paz Daniela Ortiz
Santa María
As my first semester at St. John’s comes to an end,
something that I’ve found outrageous is the lack of
conversation, even of attempts at starting one, about
feminism. Finding myself at the early centuries of the
Western canon, I suppose I half-expected that seminar
conversations would not touch upon this topic for the sake
of sticking to notions present in the texts at hand; what I
did not expect, however, was the relief—almost glee—with
which any interpretation that could be remotely considered
as stemming from a place of feminist criticism was avoided
or otherwise immediately shut down.
For all the time spent discussing justice, whatever
this strange concept means based on what we manage
to understand from Platonic dialogues, it seems that
Johnnies struggle to connect this notion to the handling
of womanhood in the other texts in the Program, happy
to attribute any perceived misrepresentation or blatant
unfairness to the author’s historical or cultural context and
thereby dismiss any further conversation or criticism.
Even if we put up with the evasion of debates of this
nature, little is done to counter this in extra-academic life,
or even in casual conversation. Events like the Pangaea
Potluck and Hispanic Heritage Month go on to show that
celebrations surrounding diversity only attract Johnnies’
attention because they offer something, whether that be
food or entertainment. Based on several conversations,
first-hand information and attempts at dialogue, it appears
that our apathy is undeniable, inescapable, glaring.
The rest of the world does not wait for study groups to
catch up to what happens in it. The Mahsa Amini protests
in Iran are still going on, and human rights groups claim
that more than three-hundred people have been killed. As
alleged free-thinking adults, shouldn’t there be something
we ought to be doing to, at the very least, raise awareness
about it?
I do not feel familiar enough with the stories of the Irani
women taking part in the protests in order to recount their
narratives to you at the present time. Instead, I will recount
that of certain women from my country with the help of
my notebook and pen. With them, I’ve drawn some people
whose faces I want to share with you.

20

the Gadfly / συμπόσιον / Sept 22, 2022

The first woman I’ve drawn is 82 years. He was from
Huancavelica, Perú. The 31st of January this year, she was
beaten and suffocated to death by her neighbor because she
refused to have sexual intercourse with him. Her name was
Linda Valentina Condori Huamán.
This woman’s name is Sharoom Berusca León Jara.
She was 23 years old and from Lima, also in Perú. Her
dismembered and burned body was found inside a cave.
Her partner killed her on the 20th of March, 2019.
The next woman’s name is Sonia Ascate Chumpitaz.
She was 39 years old, also from Lima, and eight months
pregnant. The 13th of April she was beaten, disfigured, and
then killed by her partner.
The following woman's name is María Marleny Abad
Reyes. She was 34 years old and had four young children.
On the 21st of last June she was killed with a machete
wielded by her partner in front of her five year old daughter.
Further, this woman is Jessenia Rosmery Ramos Perez.
Despite being only 23 years old she had three children. On
the past 5th of July the father of her children beat her to
death because he found out that she had had an abortion.
Finally, this woman’s name is Silvia Saavedra Sangama.
This past 5th of September, her former partner broke into
the place where she worked and shot her in the head in
front of her daughter.
These are just six victims of the thousands of cases of
femicides registered in Perú every year, most of which have
been caused by a current or former male romantic partner or
other family member. None of these women have obtained
justice yet. If I were to draw the faces of the 70 women who
have been killed this year alone, I would run out of ink.
And if I were to draw the faces of all the women around the
world who have suffered from gender violence, the world
would run out of paper.
Despite the huge advances the fight for gender equality
has made, there’s still thousands of cases like the ones I’ve
mentioned happening all around the world, not just in my
country, but literally everywhere. Being a woman, in spite
of your age, sexual orientation, race, religion or occupation
means being constantly in danger of being assaulted, hurt,
and killed.
So we ask ourselves in seminar, “what is justice?” We
will turn to different definitions and endless discussions,
but if I were to speak from the heart, I’d say that for me,
justice—a little of it, at least—can be found in dignified
representation. In that arena, we Johnnies have a lot of work
to do.
For the women who have died victims fighting gender
violence, victims of a system designed to violently oppress
them, rest in power. We remember them.
No justice, no peace.

�Original Work by the Author
the Gadfly / συμπόσιον / Sept 22, 2022

21

�{Free Speech and Justice on Friday Eve-

Questioning Questionable Lectures
El'ad Nichols-Kaufman

Lecturers enjoy an odd position at St. John’s. At a
school that likes to frame every learning opportunity
as a conversation filled with questions, lecturers
are provided the chance to speak, in statements, for
an hour of their own specific findings and views.
In general, most of them approach this in the same
questioning spirit, and the atmosphere of question
and answer period provides that same ability to
examine their lecture from different people’s points
of view. Still, lecturers hold a larger platform than
any one tutor or student, and thus have an unusual
position of power granted to them by the college
as an institution. When the college recognizes
someone with the honor of giving a lecture, it is
in some way recognizing something special about
their thoughts, questions and beliefs. To some
extent we recognize the power of a lecture slot as a
place of respect or honor, like when we recognize
the dean for the first lecture of the year, but as
students, we largely fail to question the choice of

Scholars at a Lecture, William Hogarth

22

the Gadfly / πόλις / Sept 22, 2022

who the college chooses to honor in this way.
I was prompted to examine the granting of this
power by a recent lecturer. His lecture itself was
not the problem—it was rather unremarkable—but
rather his wider views on the world posed a challenge
to my understanding of the power granted by a
lecture slot. This lecturer has a past of anti-semitic
statements, arguing that the Catholic church was
justified to kidnap six year old Edgaro Mortara, a
Jewish child, since it was really the “the rescuing
of a Christian child from the custody of those
who would have defrauded him of the inheritance
that he was promised in Baptism by teaching him
to deny Christ,” or that the holocaust was really
an attack on the Christian God, as if for him the
racial hatred of Jews was not cause enough to
condemn it morally. As a Jewish student, this made
me uncomfortable, but as a Johnnie, I wondered
whether I was in some way obligated to ignore, or
at least put aside, these statements. After all, are we
not meant to confront difficult ideas from difficult
thinkers at this college, and address arguments
of writers in good faith regardless of what their
writers might have said in other contexts ?
This thinking , which allows us to examine texts
that we may find problematic, is deeply ingrained
in St. John’s culture. This is not only a concession
necessary for the function of the program; it lies
at the center of the very concept of a Great Books
education. The texts on the program are not great
because we like them or agree with them. Any kind
of growth we experience through discussing and
analyzing them should not, indeed cannot, come
simply from the strength of our affinity to their
authors.
The question at stake regarding lecturers,
however, is not whether we should be willing to
grapple with their difficult ideas. There are people
who believe things that I find repulsive, and it
doesn’t do any good to pretend they don’t exist.
Rather, the question that perplexes me is how
our willingness to approach difficult and even
morally abhorrent views comes into play with the
power inherent in the Friday night lecture. From

�We Have the Exhibition to Examine, William Heath
the lecturer’s unusual position of honor comes a
connection of the lecturer’s thinking to the college
itself. It is not that the college is actually endorsing
their opinions, but it is endorsing their intellect
in some way, saying that their thoughts are worth
engaging with, and that they are worth listening to
with the greater attention provided by the lecture
format By receiving a lecture slot, the lecturer is
also receiving an endorsement by the college of
their authority as a thinker.
This brings us to something which may be
obvious, but I think is important to state: it is vital
that we hear and examine thoughts we disagree
with. However, that does not mean that we should
automatically accept the intellectual authority
of those who think these thoughts. We should be
able to examine these two concepts separately,
and be able to agree with someone’s ideas without
recognizing their authority as a thinker, while also
being able to disagree with someone’s ideas while
recognizing their intellect.
With this, the college’s responsibility in
selecting a lecturer still remains uncertain for me.
If the college really is granting this power and
recognition to lecturers, the choice of lecturer is
an incredibly important, and delicate one. If the
college recognizes someone whose thoughts have led
them to hold repulsive opinions, it is in some way
recognizing those repulsive opinions as legitimate,
if not necessarily as correct, through its authority
as an institution. These opinions may be acceptable

to examine on their own, but if the college as an
institution recognizes them, it jeopardizes its own
mission as an institution. As a Jewish student, if I
sense the college endorses thinking that leads to
personal attacks against me and my community,
that damages the credibility of the college and the
program itself.
I do not feel like I am absolutely qualified to
judge what thought is worthy of being recognized
by the college, but neither do I feel that there is
any one person in the administration who is so
qualified. I see no easy way to absolutely determine
what is worthy of being honored by a lecture.
Maybe it is easy for me to declare that a lecturer
should not be honored when I feel personally
insulted, but even there my own personal feelings
may be getting in the way of the kind of detailed
meditation necessary to determine whether or not
the speaker should be invited. The best I can do now
is hope for further examination and consideration
of this issue, and encourage the rest of the polity to
think about it with me. As a community which is
constantly concerned with virtue, it is collectively
our responsibility to look at who we honor, and
what kind of thinking we see as worthy of our own
consideration.

Man and Woman in Attitudes of Distress, Henry Tresham
the Gadfly / πόλις / Sept 22, 2022

23

�{Black Box Reviews}

Amsterdam: Are Big Names Enough?
Ranger Kasdorf

I refuse to believe that David O. Russell’s latest
film—or at least this version of it—was ever actually
pitched. I can certainly believe that somebody at
some point long ago pitched a movie about the
Smedley Butler affair, a strange and obscure little
piece of American history ripe for dramatization,
and I can even believe that part of that pitch
involved casting Robert de Niro as Smedley Butler.
But Amsterdam—the 134-minute ensemble-periodpiece-cum-celebrity-orgy with more top-billed actors
than letters in its title—is the kind of film that can
only be the result of a long, long roll down the side
of a mountain of Hollywood cynicism, accumulating
more and more A-listers, money, and delusion before
finally barreling into theaters with a soft thud.
This kind of writing is admittedly outside of my
comfort zone. Each of my previous film reviews for
the Gadfly have been earnest analyses of films which—
flawed though they are—I view as respectable works
of art whose ideas deserve some sort of good-faith
engagement. But if Amsterdam has any ideas worth
engaging with, they are certainly not the ones the
filmmakers had intended. This is not a film about
undying friendship or prevailing justice or any of
the other themes which it so desperately wants to be
about; what Amsterdam is really about is clout. It’s
about a director taking a mediocre, unpretentious
script and stuffing it with stars until it chokes to
death on glitter.

24

the Gadfly / συμπόσιον / Sept 22, 2022

The marketing for Amsterdam shamelessly uses the
film’s cast as a major selling point. Indeed, it would
seem to be the only point worth selling : I saw the
trailer countless times in the months leading up to
the film’s premier, and yet when I invited friends to
see it with me I could only tell them I was pretty sure
it was a murder mystery, and, based on the use of Ten
Years After’s “I’d Love To Change The World” in the
trailer, that it was set in the ‘70s. But though the basic
premise of the film eluded me, I could say, without
any uncertainty, who was in it.
The remarkable thing about Amsterdam’s cast is not
merely that it has a lot of stars; it’s that they are stars
with completely different backgrounds, amounts of
experience, and—let’s be blunt here—levels of talent.
Long-established and widely-respected legends like
Robert de Niro and Christian Bale are given equal
billing with fresher faces like Rami Malek and Anya
Taylor-Joy, as well as off-genre wildcards like Chris
Rock and—most bafflingly—Taylor Swift. The result
of this names-drawn-from-a-hat approach to casting
is an ensemble which is much less than the sum of
its parts. Christian Bale, Margot Robbie, and Anya
Taylor-Joy are all thrilling here—Bale especially—
and even Rami Malek and Chris Rock provide some
memorable moments. But these performances, strong
though they are when taken individually, clash
hideously when taken together.
Although it’s the aim of an actor to make the

�audience see them not as themselves, but as their
character, the truth is that audience members
have a knee-jerk response to seeing an actor they
recognize, and the way they process the action of
a scene will inevitably be affected by how familiar
they already are with the actors involved. A skilled
director can use this effect to their advantage;
Steve McQueen’s excellent Twelve Years A Slave
wisely cast the beloved Brad Pitt as Canadian
abolitionist Samuel Bass, making the audience
trust him automatically even before they find
out that he wants to help free Solomon Northup
from slavery. But in Amsterdam, there is no such
intent. To borrow an observation from a friend
who accompanied me to the film’s premier, it very
often feels like an amateur theater production in
which the director keeps bringing people onstage
but forgets to have them exit. Director David O.
Russell just doesn’t seem to know what to do with
his actors much of the time; every scene is just a
hazy mess of recognizable faces, all pulling focus
from one another and ultimately making the
viewing experience incredibly dull.
Amsterdam’s box office performance appears
to have borne out my criticisms; the film cleared
a piddling $28 million at the box office compared
with its $80 million budget, a considerable amount
of which I imagine went towards securing its cast.
Certainly, Amsterdam is far from the first film to
lean on its A-list stars, but it’s hard to think of
another recent film that did it so flagrantly and was
punished so severely for it. 20th Century Studios
seems to have overplayed their hand here, perhaps
assuming that Amsterdam was too big to fail and
sinking an embarrassing amount of money into
it, only to be met with a round rejection from the
movie-going public. There is a lesson to be learned
here, and it’s one I hope Hollywood takes note of: if
you want to get butts in seats, you need more than
just a long list of famous people on your poster. If a
film does well, it will be because it had something
to say, because it pushed boundaries, because it
captivated people—not just because it had Taylor
Swift in it.

{Tutor Submission}

Onyx Moon
J.H. Beall

He died “East of here under an Onyx Moon”
in an older time. We have not seen his like
since. This is a letter from the Dark
Ages, of a place and time it is better
not to know. What is the wind coming to?
Or from? Which is the orb that rises North
of a convergence of tracks, dark rails
shining, seeming to have their own light.
We know in our minds these thin strings, barely
luminous, do not meet. But what does the mind
know, really? It is the heart that teaches us
dread. There is a mist in the sky in place
of stars. What compass can tell us, we
do not believe: the false convergence of tracks,
the true convergence of meridians, the pale
skin of a girl we knew once, becoming flame.

the Gadfly / πόλις / Sept 22, 2022

25

�Good Hill Haunting

Shirley Jackson, As It Turns Out, Has Written Things Other Than The Lottery. Who Would’ve Guessed?

Emily Caswell

The Haunting of Hill House by Shirley Jackson, and
adapted for the stage by F. Andrew Leslie, hides the
horror from you as long as it can. Right as it’s too late
to save her, we realize Eleanor Vance (Ranna Kisswani)
is the real force haunting the play and that the house
has already gripped her. This realization is the thrust of
Director Megli Micek’s production. Once it happens, the
audience remembers back to her strange moments earlier
passed off as character quirks. The terror of Eleanor is
snuck into the play, and it is terrible when it arrives.
Ranna Kisswani’s performance is the most gripping,
most chilling in the play, and she delivers it without
holding anything back. Compared to the surreal way she
talks in the latter half, and the intensity of her screams, her
delivery in the beginning feels regrettable. All the actors
suffer from what I call “actor-voice” at the start of the
play, Ms. Kisswani being no exception. She warms up as
her character gets closer to the brink, but I would’ve liked
to see her speaking more naturally with Theodora (Sarah
Lieberman) who is implied to be a love interest (more on
that below). The main four characters, Eleanor Vance, Dr.
John Montague (Wyatt Sweeney), Theodora, and Luke
Sanderson (Griffin Kearney) are shown to quickly develop
a cheerful, joking way of talking with each other. But the
actors carried their conversations without real laughter or
fluidity, and the lack made some scenes feel wooden. There
were moments, though, where the characters interrupted
each other, and those moments felt like genuine people
having a genuine conversation. Ms. Kisswani nailed the

26

the Gadfly / πόλις / Sept 22, 2022

delivery of Elanor’s most tragic moment when she asks
to go home with Theodora. Theodora’s initial warmth
has been growing colder throughout the play and at this
moment we see Eleanor open up. “I’m serious, Theodora.”
These words carry real weight, and later I thought back to
that scene and wished that Eleanor could have gotten her
escape. Theodora, however, at first rejects it as a silly joke
and then just walls herself off completely.
Sarah Lieberman excellently portrays that responding
chill. She does however continue to speak in a similar
tone throughout the play, giving the performance a
slightly artificial feel.
Griffin Kearney does a similar thing. His character
is constantly cracking jokes, but they are almost all told
in the same voice regardless of the scenario. While the
audience member suspects the jokes are meant to come
off as confident and suave (Mr. Kearney’s fine sweater
vest points in this direction), the surprising similarity
between his tone and Arthur Parker’s (whose character
is more of a joke than not) makes this hard to realize. A
more relaxed, sarcastic tone would have helped make his
character stand out.
Wyatt Sweeney’s performance was more dynamic,
but I think his portrayal could have been weirder. Dr.
Montague often has lines at the end of scenes, often ones
with troubling implications. When Mr. Sweeney says
these lines, he speaks like a character thinking aloud,
which would best suit the character’s eccentricity if it
carried through to all the rest of his lines. Well, almost
all—there are several parts where the character is on
autopilot, interacting with Mrs. Montague (Rachel
Schuman)—and increasing the eccentricity when he’s
earnest would only magnify his deep hatred. We would
learn that his absent-minded philosophical way of
speaking is more honest, and that he enjoys being around
these three relative strangers more than his own wife.
Rachel Schuman and Mirek Jungr are very funny, and
provide an excellent adversary for us to side with against
the cast’s main four. They don’t do very much except
be annoying, but they entertain and provide a certain
variety that makes the next scare scarier. Ms. Schuman
speaks in the style of high-theater, but it works with her
character. She exuded false confidence, which is just who

�Ms. Montague is supposed to be. Mirek Jungr is much
the same. These characters make me wish the other actors
were in contrast to them even more—more natural and
dynamic. Mrs. Dudley (Aviel Honey, Avery Laur) is also
very funny, her extreme, over-the-top seriousness gives an
opportunity for the main characters to bond and have
something to laugh at. Mrs. Dudley is actually giving us
fair warning of the house’s dangers, but the absurd way
she tells us is funny enough that we can look past it (as
the characters do themselves).
The scares throughout the play are fairly well done,
but only once did they really make me jump. A door
slam behind me was surprising and unsettling, and I
think the production could have utilized the boathouse
balcony. They did use the attic space well to make the

whole building shake, which was very effective. The music
was excellent when present, and in fact could have been
even more present without being too much. There were
some issues, like the lighting cutting in and out for some
reason. I don’t know if it was intentional or not, but its
effect was more distracting than eerie. Aside from this
flickering, the lights did have some clearly intentional,
good moments.
Overall, The Haunting of Hill House delivered an
interesting portrayal of loneliness. If the actors had been
able to be a bit less like actors, I think this portrayal could
have been even more convincing than it was. Nonetheless,
the intense conclusion of the play shined through despite
this, and the bleakness—the evil of the house—was felt
throughout the boathouse.

Cast of the Haunting of Hill House
Back: Aviel Honey, Rachel Schuman,
Silas Pilsbury, Joseph Bennett, Mirek Jungr
Front: Griffin Kearney,
Sarah Lieberman, Ranna Kisswani,
Wyatt Sweeney
the Gadfly / πόλις / Sept 22, 2022

27

�{Fiction}

The Crane
Lee Tague

Yesterday evening I thought about my reasons to go
on living. I thought about those reasons because I was
thinking about my reasons not to.
My body had become accustomed to the subtly wearing
jolt one feels when walking along a set stone path. My
mind no longer took in the clip clop of my cracked faux
leather shoes. I was supposed to carry on. I was supposed
to just stay on a path. A path that would supposedly take
me to a place I was supposed to go.
For some reason, I left that path and my body followed
with me. That constant shock wave disappeared, replaced
by a blanket of unnumbered blades of grass embracing my
every step. Before my eyes lay a small field, at its end was
a series of small buildings made of once deep red bricks
now washed away by the flood tide of countless Sun-filled
days. Not a soul around. Behind me, near that path, a
rush of automobiles came in a scattered cascade of sound,
growing quieter with each step. To my right a thin tree
line nestled itself against a hill and faded along its crest; I
directed myself towards its edge.
Sunset was drawing near, and needles of light pierced
the wave of broad green leaves swaying in the air up above.
The calming sight inspired me. I felt able to breathe. I
kept moving forward.
In the failing warmth of the day, my body felt
comfortable, warmed but not hot, it was enjoying the
light exhale of wind against its cheek. I was off in my
thoughts. The tree line came upon me faster than I had
expected, and my feet were confronted by a rather steep
but not unnavigable hill which led to a river.
Going downhill, I thought about my reasons for living,
because I was still thinking about my reasons not to. My
feet reached the bottom, and they weren’t so sure where
to go next. So, they just kept churning forward; they took
turns: up, down, up, down, but always forward.
Until, I noticed a little dock tucked between a thick
collection of cattails, willow trees, and an assortment
of water grass. My feet took me out onto the bleached
gray wood. The dock’s dead boards reminded me of
home for some reason. Such ugliness in that lumber. The
familiar feeling of walking on wooden planks made me
comfortable.

28

the Gadfly / πόλις / Sept 22, 2022

My eyes looked out on the quiet river, a brilliant fire
burning on its surface; its model, the Sun, hung up above.
My eyes moved slowly from detail to detail. I took in the
whole of my view, but I was still. I was still in my mind. I
was still mulling over my reasons to not live, so my mind
wandered over my reasons not to do that.
For some reason, my head turned to the right; with my
head turned my eyes, and with my eyes I saw something
that brought me back from my reasons not to anymore
and my reasons not to do that. On another dock, made
of those bleached planks, the form of a slender Water
Crane stood still, basking in the final rays of the Sun. I
didn’t think about much, aside from my days of fishing
as a boy and the hatred we had for such birds. You see,
a Crane hungers, and that hunger drives them forward
at a constant rate. In that hunger a Crane can deplete
an entire pond or small lake of life. Cranes are constant,
steady, efficient fishermen and stark competition can
build hatred. That was the boy me; the me of now, at
least of yesterday, wasn’t concerned with the comings and
goings of a Crane. I thought the Crane was beautiful, in
an ugly sort of way.
My head turned back to the water, carrying my eyes
onto the calm scene. I thought more about my reasons.
They were good reasons, I thought. So, the Crane and
I stood still there for a long time. I wondered what the
Crane was thinking about. My suspicions came true. The
corner of my eye caught motion. Turning my head and
eyes, I took in a strange dance.
In a sudden leap, a flutter of wings, and a splendid
circular motion, that for some reason I desired to have
gone on and on, the Crane demonstrated masterful its
grace.
Flying forth from the water, plucked from its world,
a silver form reflecting the light of the Sun was torn
from its once tranquil reality and thrown onto those dry
planks. It felt like a long dance, but it wasn’t. Time just
slowed down. I was focused on them. I know the nature
of animals well. I feel that nature in my self. I know the
hunger to take. I’ve taken life, just like the Crane, just like
this flopping silver form. Regardless of what I knew, the
scene was unpleasant to watch, but once you witness the

�start of such a thing it demands to be seen through to the
end, one way or another.
The silver form had little hope. It rested in the center
of the dock. Its shining body slowly drying out under the
beating of the setting Sun. Its sides working up and down
in a frantic and shocked motion, unsure why it could no
longer feel the reassuring breath of life. The silver form,
for all its struggling, went nowhere. The nature of its
situation was coming into view:
The silver form would shake and flip, then cease; in its
ceasing the Crane would pluck it from the dock testing its
resolve, testing its reasons. The silver form would struggle
inside the mouth of the Crane until it was dropped back
to the planks. Standing over it, the Crane would let it go
still and when all the silver form’s motion was gone, the
Crane would lunge, piercing its body with its grotesque
slender beak.
Then nothing. The scene would pause. The Crane
constant, the silver form still. Then the frantic motion.
Back to the mouth. Back to the planks. Piercing. Pause.
Over and again.
But with time the silver form seemed to forget some of
its reasons. The shaking became weak, the flipping ceased
entirely. Back to the beak. Into the air. Towards the Sun
up above. The nature of the silver form’s situation beamed
down on its now still body, reflected into my sight.
My head turned back to the water, it was growing dark,
the Sun was gone, only a burning horizon lingered. I
thought about my reasons. They all seemed good at the
time.

Young Man on a Riverbank, Umberto Boccioni

the Gadfly / πόλις / Sept 22, 2022

29

�{Lost in Translation}

Henry's Homer's Odyssey
Henry David Hills

Hello, I am one of your Greek assistants this year.
Although I know the other Greek assistants to be very
qualified persons worthy of their positions, I am the only
one named Henry. You do the math.
Translating is a sad work, especially when it’s poetry
being translated. It’s an impossible job to capture the
feel of the original language—its sounds, its rhythms—
which influences us on a level deeper than many think.
Add to this so many words lost in translation, and you’ve
got yourself a doozy. In truth, I can’t give you Homer’s
Odyssey. Only Homer can do that. I can only offer you
what little I know of it from my limited and brief exposure
to it: Henry’s Homer’s Odyssey.
So, here’s how translating a line goes for me. Take
the first one of book ix, “τὸν δ ̓ ἀπαμειβόμενος προσέφη
πολύμητις Ὀδυσσεύς” which I’ve rendered as “And in
response, Odysseus much-shrewd:”. I always tell my Greek
assistance clients to start with the subject, then to go to
the verb. Simple. Ὀδυσσεύς—“Odysseus”. προσέφη—
“answered” (literally something like “toward-spoke”).
“Odysseus answered.” And we go from there. τὸν is a
masculine singular accusative definite article—we call it
“the.” Homer uses “the” substantively very often, so it could
also be taken to mean “him” in this instance. “Odysseus
answered him.” δ ̓ is short for δέ, a particle which connects
thoughts together. It could mean “and,” “but,” or even go
untranslated. I used “and.” “And Odysseus answered him.”
“Homer” “wrote” in dactylic hexameter. And since
I regard anybody who translates poetry into prose as
someone making a grievous mistake, if not an outright
moron (and this goes for J.R.R. Tolkien’s translation of
Beowulf. Sorry, Tolkien.) I decided to use the dactylic
hexameter of the English-speaking world: iambic
pentameter. That’s how I ended up with “And in response,
Odysseus much-shrewd:”. I had to cut out some words
to fit the meter, of course. My translation doesn’t stress
Odysseus’s act of responding as much as the original, nor
does it preserve the original word order, nor does it specify
to whom Odysseus responds. Homer meant for these
small details to be included, otherwise they wouldn’t’ve
been written. So, I’ve butchered his hard work and danced
on his grave just to bring you a chip of the grand work he
made. You’re welcome.
So that’s how I translate a line of Homer. Rinse and
repeat five-hundred-and-sixty-five times over, and
you’ll have the entirety of book ix, which I hope to have
completed sooner than later. In the meantime, please
enjoy the provided 28 lines (although it’s technically 27.5
lines if I’m being honest).

30

the Gadfly / πόλις / Sept 22, 2022

“Oh lord Alkínoös, renowned by all,
a noble thing to listen to such bards
as this, his voice as though it were of gods.
For deem I no end gratifying more
than when a fest may hold secure the realm,
and meal-guests listen to a bard and sit
on benches, tables full of bread and meats
among the host, and the wine-man, drawing drink
from mixing-bowls, bears wine and fills the cups.
This looks to my wit a thing most beautiful.
But your heart is bent to beg my pitiable
cares, that I yet, lamenting, groan the more.
In that case, what tell o’er I the first? What last?
The sky-realm gods have giv’n me many cares.
But now will I reveal my name, that you
may know, and when I flee the ruthless day,
I’ll be your guest-friend, though my house lies far off.
Laërtēs’ son Odysseus am I, well-known
by all for craft; my fame to heaven goes.
I dwell in shining Ithaka; there’s a mountain,
leaf-shaking Néritos, jutting out;
around are many islands close together,
Doulíkhon, Sámē, tree-full Zákynthos.
Mine isle lies low and far into the sea
toward western-gloom – the others far toward east
and sun –
a jaggèd place, but good as a nurse. Oh, I
can’t see a sweeter land...

Still Life, Georg Fiegel

�{Notes From The Hermit}

Bubble Boy
Paolo Medelius

“Bubbles” constrain their members to specific,
collective experiences while reinforcing the attraction of
such experiences, and the common negative connotation
of bubbles comes from the fact that those in one tend
to become isolated from certain beneficial experiences
outside their bubble. I live in a bubble and have since soon
after I first arrived here. Mine is a version of the St. John’s
College bubble, and many of us live in our own version of
this bubble. Our small campus provides not only for the
simple needs of the so-called Room Johnnie, but also for
the more extensive needs many of us have as well. It is a
powerful and compelling form of solipsism, and therefore
it is worth investigating.
There are two main questions I’d like to pursue: 1.)
How fulfilled can we be inside this bubble? And 2.) To
what extent does being inside this physical bubble isolate
us from certain non-physical experiences? As a mode of
investigation, I’ll describe my own bubble.
My bubble first includes the essential destinations
on campus: my dorm in Humphreys, the dining hall,
my classrooms, and the most direct paths between these
places. Slightly less often, my bubble includes the gym
for exercise and jiu-jitsu, the Chasement for unspecified
extracurriculars, and McDowell for swing dancing. It
allows me to “touch grass” so to speak, usually through
gardening, playing soccer, or sunbathing. I am probably
on the more active and involved side when compared with
most Johnnies, but there are still many parts of campus
that I rarely frequent. For example, my bubble includes the
path in front of McDowell only once a week when I walk
to the BBC for Gadfly meetings, and it includes the coffee
shop only when I’m there to meet with someone.
While my bubble provides for most of my general
interests to some extent, the virtue of it lies in something
other than what I actively pursue. While I enjoy many of
the activities that I’m involved in on campus, and while
I appreciate my bubble for supplying me with the means
to take part in them, it is not any of these extracurricular
activities which really satisfy and fulfill me. Even in the
moments when my general interests are entirely satisfied,
I find that the majority of my fulfillment depends on
effectively pursuing those interests that I explicitly came
here to pursue: the St. John’s program and my own
education within it. This, I think, is the real concave limit
of my bubble to me.
Looking at it this way, I begin to love my bubble. Not
only does it provide for my “extra” needs in a way that’s for
the most part satisfactory, it also reminds me of the limited

fulfillment my “extra” needs can provide in comparison
to what I’m truly here for. Further, I do not feel isolated
from or that I’m missing any beneficial experiences that
may exist outside of my bubble. I assume that if those
experiences did exist within the bubble, they would still
pale in comparison to the curriculum and the experience
of seriously engaging with it.
Putting aside my flight of academic passion, I do still
require other sorts of fulfillment. Often this involves
some form of socializing, but I think this is best done on
campus anyhow, perhaps because others spend so much
time here in their own bubbles as well. Again, I find that
I love my bubble not only for what it does for me but also
for what it does for others. Perhaps this love, along with
my low evaluation of extracurricular interests, makes me
into something of a Room Johnnie. It feels like that may
be the way my progress is leading me. Even if this is so,
though, it is a life that I’m choosing for myself, and one
which the bubble in its extracurricular provisions always
challenges. There are always extracurricular activities
and satisfactions available on campus, and how far one
goes in indulging in them determines something about
the breadth of one’s bubble. Whatever choice each of
us make, however, it is my assertion that it is always a
voluntary one: we may all be bubble boys, but we are also
boys within a bubble of our own choosing.
I believe this voluntary decision is the virtue of the St.
John’s College bubble. The path to dedication to the Great
Books and perhaps even to becoming a Room Johnnie is
a just one, with constant opportunities to reevaluate one’s
interests. At the time of my writing, I have not stepped
foot off campus in four weeks, and this decision feels most
free, just, and fulfilling. I am a bubble boy, and I smile at
that fact.

Bubble Boy,
Max Anthon

the Gadfly / πόλις / Sept 22, 2022

31

�THE STUDENT
NEWSPAPER
OF

ST. JOHN’S
COLLEGE
Founded in 1980, the
Gadfly is the student
newsmagazine
distributed
to over
600 students,
faculty, staff, and alumni
of the Annapolis campus.
Opinions expressed within
are the responsibility of
the author(s). The Gadfly
reserves the right to accept,
reject, and edit submissions
in any way necessary to
publish
a
professional,
informative, and thought
provoking
newsmagazine.
Works Cited for Finds From the Archives in order of apperance:
Unknown, “Students Building Peace Corps Huts by College Creek and the
Beneficial Hodson Boathouse, Annapolis, Maryland,” St. John's College Digital
Archives, accessed October 21, 2022, https://digitalarchives.sjc.edu/items/
show/5122.
Unknown, “Students Working with Peace Corps Volunteers, Students Seated at
Seminar Table, and Students Eating in the Randall Hall Dining Room,” St. John's
College Digital Archives, accessed October 21, 2022, https://digitalarchives.sjc.
edu/items/show/5134.

32

the Gadfly / Sept 22, 2022

Submissions sent to the Gadfly
should either be in Google
Docs or JPEG format. The
deadline for submissions is the
Friday prior to publication.
For
more
information,
contact us via email at
sjca .g adfly@gmail.com
6 0 COLLEGE AVENUE

ANNAPOLIS, MARYLAND 21401

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="16">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9388">
                  <text>&lt;em&gt;The Gadfly&lt;/em&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9389">
                  <text>Founded in 1980, &lt;em&gt;The &lt;/em&gt;&lt;em&gt;Gadfly&lt;/em&gt; is a weekly student publication distributed to over 600 students, faculty, and staff of the Annapolis campus.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="The Gadfly" href="https://digitalarchives.sjc.edu/items/browse?collection=16&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the &lt;em&gt;The Gadfly&lt;/em&gt; Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9391">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30704">
                  <text>thegadfly</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117488">
              <text>pdf</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117489">
              <text>32 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117474">
                <text>The Gadfly, Vol. XLIV, Issue 5</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117475">
                <text>Volume XLIV, Issue 5 of The Gadfly. Published November 21, 2022.  The volume number is misprinted as XLV on the front cover. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117476">
                <text>Koch, Craig (Editor-in-Chief)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117477">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117478">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117479">
                <text>2022-11-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117480">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117481">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117482">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117483">
                <text>College students' writings--Periodicals</text>
              </elementText>
              <elementText elementTextId="117484">
                <text>College student newspapers and periodicals</text>
              </elementText>
              <elementText elementTextId="117485">
                <text>St. John's College--Periodicals</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117486">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117487">
                <text>Gadfly Vol XLIV issue 5</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="46">
        <name>Gadfly</name>
      </tag>
      <tag tagId="41">
        <name>Student publication</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7716" public="1" featured="0">
    <fileContainer>
      <file fileId="7852">
        <src>https://s3.us-east-1.amazonaws.com/sjcdigitalarchives/original/fefbfe98f9ca40724fdadb4a6f593e66.pdf</src>
        <authentication>5d8116dacd4c84d954108bbb713b0338</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="54">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="117456">
                    <text>St. John’s College
Vol. XLIV, Issue 4

the Gadfly

Annapolis, Maryland
Nov 3, 2022

�CONTENTS

From the Editor’s Desk:
Dear Polity,

Logos	

Updates From the Newsroom 	
Dispatches From the Boat Show	
Bed Bugs 	
Hop to It!	
Halloween Photo Spread	
Symposium
The Part and the Whole	
The Pursuit of Selfless Learning	
To Those Who Have Suffered	
Thoughts on the St. John's Class	
Defenestrate Your Time Pieces	
ξένος, pt. 1	

3
4
8
9
10

Guide to Local Second Hand Stores
Review of Acqua Al 2
Monthly Horoscopes	

22
24
26

Polis

12
14
16
18
20
21

The Gadfly is looking to increase its staff! If you're interested in editing, design, or simply helping to do the work that makes the Gadfly
run, please reach out to me at cekoch@sjc.edu. We are especially
looking to increase the staff for Logos and design.
That announcement aside, there are three notable facts about this
issue: (1) Finds From the Archives has been interpolated into the
Symposium section, (2) the Symposium section is themed around
the nature of our academic program and students' experience with it,
and (3) there is a contest on the back cover drawn by Cassie Desmond.
Submissions for the next issue will be due on the 18th so that we can
get an issue out before Thanksgiving break.
Hope you enjoy the issue!
Sincerely,
Craig Koch

THE STRUCTURE
Logos typically holds news reports and
narratives of immediate relevance to the
Polity. The purpose here is to develop a shared
reservoir of information relating to campus life
and the community. The Managing Editor for
Logos is El'ad Nichols-Kaufman. His email is
eanicholskaufman@sjc.edu
Symposium offers the opportunity for our
readers to thoughtfully consider contrasting
opinions regarding a particular topic. The
Managing Editor for Symposium is Luke Briner.
His email is lbriner@sjc.edu
Polis serves as a platform for elevating voices
in our community. Here we find letters to
the editor, columns, cartoons, and submitted
pieces. The Managing Editor for Polis is Daniel
Nathan. His email is djnathan@sjc.edu

THE COVER

Photo of Polis Editor Daniel Nathan, taken by
Craig Koch

2

the Gadfly / λόγος / Sept 22, 2022

THE STAFF
Audrey Fox
Cooper Ussery
Craig Koch
Daniel Nathan
El'ad Nichols-Kaufman
Helen Wagner
Isa Kiedrowski

Jenna Lee
Liz Dowdy
Luke Briner
Meliha Anthony
Bridget Mace
Paolo Medelius
Helen Felbek

SUBMISSIONS
Madame T
Nalini Venugopal
Paz Daniela Ortiz Santa
María

�{student life}

Updates From the Newsroom
by El'ad Nichols-Kaufman '25

pangea hosts global potluck: eating
around the globe
The quad was thriving on Friday, October 21st, with a plethora of
flags criss-crossing it over crowds of Johnnies busy eating new foods,
arguing over the identification of national banners, and standing
in line for even more food. This was no mere Friday on the quad,
but a special potluck hosted by Pangea, our campus international
student organization, to help students share their culture through
the universal language of food.
“I would like Johnnies to broaden their view through this and
learn different cultures so that we can be more understanding of
each other and be respectful,” explained Hyojeong Lee, Pangea
archon. “The theme of this event was language. For some people,
English is not their first language, so they make mistakes, or
mispronounce some words. I want polity to recognize that there
are diverse cultures and languages and be more understanding of
each other. I hope through these kinds of events, we would learn to
respect each other's different cultural backgrounds.”

Pies made glory won: Baking club
holds a pie off
Pastry baking may be a knack according to Plato, but the
combined baking forces of St. John’s proved that at very least pie
making may be an art. A variety of delectable pies were served up
to a panel of distinguished judges including our own dean and
assistant dean on October 14th, ranging from traditional apple pie
to creative varieties with spices and peppers. A dessert consisting
of homemade apple compote, ricotta, apples and puff pastry by
Regean Yang, A ‘25, won first place. “I just made a pie that people
liked,” explained Yang, “and it made me happy that people liked it.”

Bed Bugs Invade: A Learning
Opprotunity

Bed bugs recenetly attempted a seige on Pinkney. Signs point to
their defeat. Read more on page 8.

Delegate council passes
budget
At the meeting on Tuesday, October 18th,
after weeks of budget hearings, the Delegate
Council approved the Budget Omnibus Bill for
club spending in the Fall 2022 semester, funding
28 clubs for a total of $36,369.96. This was
substantially less than the Spring 2022 budget
of $58,474.82, but spread more across more
clubs. The average budget for this semester was
$1,298.93, and the median budget was $841.35.
Waltz Committee: $4000
Energeia: $3908.38
King William Players: $3659.69
Polo: $3510
Reality: $2587.81
The Gadfly: $2050
Platonic Players: $1805
Prank: $1500
Gardening Club $1400
Jiu Jitsu: $1400
Sewing and Mending: $1257.87
Film Club: $1150
Yearbook: 978.36
Insect Club: $975
HEMA: $721.7
Tea Eater Association: $682.40
Project Polity: $534
Alexander Hamilton Society: $515
3D printing Club: $500
Board Game Club: $486.38
Sinfonia: $452.48
Purls of Wisdom: $451
Orthodox Catholic Fellowship: $430
Gaming Club: $370
Baking Club: $344.99
Shammai: $319.9
Storytellers Guild: $300
Pangea: $80

the Gadfly / λόγος / Sept 22, 2022

3

�{Gonzo Journalism}

Some Captains Don't Even Need the Water
A Dispatch from the Boatshow
by Daniel Nathan '24

It was just past noon on Saturday,
October 8th, and the skies were
mostly clear as the sun peeked
through just enough to warm the crisp
autumn chill. Hurricane Ian had made
landfall about a week and a half prior,
devastating much of the Florida coast,
while higher than usual winds and a
steady onslaught of cool rain blanketed
much of the eastern seaboard for days
on end. After nearly a week of cruel,
oppressive weather, the sky had finally
opened up just in time for opening
day at the 50th annual United States
Powerboat Show.
My editor Craig Koch and I made
it down to the docks and bought our
tickets, running us $25 apiece. There
were very few of the typical uppercrust, boat shoes and white-sweatertied-around-the-neck,
Republican
Party donor WASPs that you would
expect to find at an event centered
around a hobby strictly for the affluent,
or at the very least, well-off.
Exasperated parents with alcohol in
hand (almost every adult in attendance
is already drinking by half past noon)
were followed by their children.
Some younger parents, including an
inordinate amount of blonde men,
had noticeably more energy and life in
their eyes, and brought along tantrumprone toddlers—who screamed at the
top of their lungs or violently cried
while their guardians ignored them
without a care in the world. Meanwhile
the more seasoned parenting vets,
including a crazy majority of bald
guys with beer guts, slight limps,
and thousand yard stares, brought
along their obviously forced-to-go,
extremely bored-looking teenagers,
ranging from obvious lacrosse players
to kids in Dickies carrying skateboards

4

and wearing Bladee sweatshirts.
Staring out into the tranquil
harbor, at around an hour past noon,
Craig pointed out an out-of-water
powerboat to me, maybe a twenty
or thirty footer, sitting atop a parked
trailer. Towering ten feet or so off
the ground, a bearded, heavyset man
in sunglasses wistfully sat near the
cockpit of the boat. His face had the
raw determination of a man in control
of his own destiny: solemn, upright,
stoic, and proud. Craig turned to me
and out of a brief silence, said to me “I
guess some captains don’t even need
the water” in a soft deadpan. His
comment, banal as it may have been,
was striking at the core—at the nerve
center—of the subconscious of those
submerged in the deep blue American
middle and their reliance on the
aspirational fantasies of leisure and
luxury. It shot through, piercing the
symbols and trappings, the status that
came along with the storied, mythic
ethos of the boating lifestyle, “Come
for the show and leave with a lifestyle,”
a slogan of the show goes.
As we headed back through the
main drag of the grounds, we cut our
way back towards the tents. At one of
these tents, two middle-aged blonde
women sipped coffee from Yeti brand
mugs. They’re suntanned and have
big aggressively white, dentist’s office
smiles painted on their faces. Studying
the pair, their salesmanship is an art
of seduction—subtle and friendly
and without a hint of the usual loan
officer’s sleaze and shiftiness. From the
outside looking in, the success of their
approach seems to be predicated by
the fact that they present themselves
as peers to the “Boat People” i.e., wellmannered, educated, and wealthy. I

the Gadfly / λόγος / Sept 22, 2022

couldn’t help but see yoga moms with
deep pockets who wanted to dive
back into the workforce after a messy
divorce, whose choices for their new
career path were between either multilevel-marketing Keto diet supplements
or this. They were eager to talk to
anybody who had any degree of that
unmistakable, impossible to describe
look of disposable income in their
eyes. That is to say, they did not wave,
nor smile, nor acknowledge in any way
our presence as we approached. Craig
and myself were not, it seems, visibly
“Boat People,” to say the least. We had
each tried to dress relatively sharply to
blend in to the Boat Show crowd, but
I still ended up with muddy Nikes, a
ratty sweatshirt, and wind-tossed hair.
Feeling adventurous, and somewhat
slighted by not being waved at, I wanted
to antagonize these almost-definitely
predatory lenders. I approached the
two bank representatives and asked
them “C’mon, how many people ruin
their financial status by financing a
boat?” They looked up and one of
the two ladies replied flatly “Not very
many, no.” in a deep, almost southernsounding, Marylander accent, her lips

�puckered almost all the way shut to
enunciate the tightness of the long ‘o’
sound like ‘oowh.’
“You have to be pretty financially
set to even get approved. And it
really is such a great investment,” the
lender continued. Even through her
polite tone, I sensed her indifference.
I thought she’d at least scowl at me; I
mean, I was leading her on. I wanted
her to tell me to “screw off,” or at least
sigh and roll her eyes in annoyance.
But no, she was cheerful and direct
as was her professional, public-facing
duty. Caught off guard in my failure
to properly incite mischief, I found
myself suddenly feigning genuine
interest and experience in boating to
her as I replied “Oh, so they have to vet
you then?” The lender responded in
the affirmative, somewhat unenthused,
and it became apparent that talking
to the marine lending ladies wasn’t
gonna be as much fun as I’d hoped
it’d be. No “gotcha” journalism here,
only “unwarranted antagonism and
compulsive lying” stuff around here.
After that, we found ourselves in
the tents again, ticket holders and
vendors blurring together, all of them
vaguely and uncomfortably smiling.
The customers and salespeople at
the booths swayed awkwardly, their
knees locked and their arms crossed at
their chests, their shoulders hunched

and stiff, and their eyes nervously
darting around the hostile, dimly-lit
fluorescents of the FEMA-relief-styled
canopy. It felt cramped but vacuous,
and the looming shadow of the
vaulted ceiling looked like the sky does
in Montana.
Everyday household necessities and
appliances were being sold as ways to
improve your boating hobby, like the
way toy train enthusiasts “ooh” and
“ahh” at tiny, scale model replicas
of windmills. The tents were selling
the sort of merchandise one would
expect to find at any large big-box
store: attachable back massagers for
the back of your captain’s chair, hightech electric grills, air conditioning
units (do boats not have central AC?),
humidifiers, supply kits of emergency
rations filled with non-perishable
canned foods and freeze-dried,
military-style MREs (Meals, ready to
eat), Roku-capable smart TVs, toilets
and holding tank systems, closet
organizers, Irish wool blankets, themed
wallpaper, hand-crafted faucets, door
knobs, and cabinet handles, etc., et al.
What was promised here seemed to
be a home away from home: a place
or, more accurately, a “thing” that you
enjoyed predominantly because it
wasn’t home. It was somewhere where
all the comforts of the suburbs met all
the thrills of the sea; a place where you
could finally drink and drive.
One of the more boat-centric
booths belonged to a business called
Nauticalite, which advertised “steel
backlit, BlueTooth controlled signs
&amp; custom lighting solutions to yacht
owners,” according to their webpage. I
asked the man standing by the booth if
there was anything he wouldn’t print
for a customer and he told me that
as long as they paid him, he’d make
whatever the customer wanted. Now,
to answer your question, the dirtiest
boat names the company’s owner had
ever been requested to make signage

for were “Wet Dream” and “Dirty
Oar.”

Unimpressed with the vibe in the
tents thus far, Craig and I decided
to make our way across the gangway
to the other side of the City Docks,
where the porta-potties and food and
drink options were outside Pusser’s
Caribbean Grille and the Fleet
Reserve Club. Plastic tables and chairs
outside the restaurants were filled with
an energy unlike what was happening
back at the tents on the main drag.
Older couples, obviously drunk and
only questionably in love, leaned on
the restaurant’s outer walls and slurped
chilled oysters that were doused with
hot sauce and lemon from paper plates.
The smell of smoked beef filled the air
as patrons buzzed and shouldered their
way through the thickening crowds.
Showgoers traded in their cash for
draft beers and Painkillers, Pusser’s
signature three-level cocktail. Craig
and I walked up to the bar and ordered
two level threes: two drinks, with three
shots each. Craig got the orange crush,
and I got the Painkiller. The bartender
looked us up and down suspiciously as
we handed our IDs over—just another
instance of our visibly not belonging at
the Boat Show.
With drinks in hand, we headed
away from the restaurants and towards

the Gadfly / λόγος / Sept 22, 2022

5

�the back lot of the show. Along the
way, we spotted another tent, this one
comparatively busy and seemingly
well-visited. This was the tasting tent:
holy house of free samples, boutique
liquors, and wines. Inside, they offered
tasting from a handful of start-up
brands, including a small batch gin
from California that “didn’t taste like a
christmas tree,” as one fellow showgoer
noted; a chardonnay, pinot noir, and a
rose petal-flavored rosé from the up
and coming winemaker Josh Cellars;
and Moscow Mules made with a
premium house-distilled vodka.
Not all too ripped, but getting there,
we left and walked past the cigar truck,
which seemed to be already shuttered
for the day, and finally, tucked all the
way in the back, Craig I stopped at
yet another large tent. A first for the
Boat Show, the Fishing Spot which
sold poles, lures, reels, aquatic-styled
art prints, and marine life-themed drifit shirts (which are abundantly and
unfailingly sold in every vendor tent
at the Boat Show). Just why people
would want oversized, lifelike fish

6

posing in action shots printed on their
SPF t-shirts and outerwear beats me.
Otis Redding’s “(Sittin’ On)
the Dock of the Bay” was playing
softly from the speakers overhead
as we approached a man smoking a
cigarette. Craig mentioned something
to him about how this was the only
fishing-related part of the show, and
how he’d thought fishing would be
a more featured part of the Boat
Show. I asked him something about
smoking a cigarette. He proceeded
to emphatically complain to us
about how there’s no more cigarette
smoking in hotel rooms even though
he’s always smelling pot smoke in
them, and about how everyone these
days think cigarette smokers are just
“deplorables,” his pitch rising, as Craig
and I hesitantly nodded our heads
and tried to repress our cracking grins.
A lively conversation all in all, we
expressed to him some not-all-that
feigned solidarity and bid him adieu.
I was hungry now, so we headed
back to the food options to grab a pit
beef sandwich. After waiting in a short

the Gadfly / λόγος / Sept 22, 2022

line, with the good omen of smoked
meat being carried through the air,
I paid my $12, grabbed a tinfoilwrapped sandwich from the tray, and
looked around for an empty table.
It was around 2:00 PM now, and the
outdoor seating options outside the
restaurants were still buzzing—not
to mention their patrons buzzed—
and there wasn’t a free table in sight.
So, finally, after scanning the patio,
I caved and asked a lonely, pleasant
looking, middle-aged woman in a
red polo shirt if I could join her at
her table. She told me to help myself
and introduced herself to Craig and
myself as Christine. We exchanged
some thoughts on the size of the
crowds—she comes every year due
to her job and this was the lowest
turnout she’d ever seen. Christine told
us her job was with BoatUS, one of the
nation’s largest recreational boating
advocacy and services group and an
annual sponsor of the United States
Powerboat Show. I asked her about
changes that have happened to the
world of boating since the pandemic
had started, and Christine said that her
employer had actually seen an increase
in recreational boaters after Covid hit.
On the other side of that increase, she
also told us that many of the boats that
were purchased during the pandemic
had been repossessed soon after, Many
new boaters that could no longer pay
their leases (or just didn’t care to)
didn’t even bother to put up a fight;
they knew they couldn’t keep up
with their payments, and sometimes
even called BoatUS to come repo the
boats for them so they could scurr the
docking fees.
Both Chrisitne and myself were
finishing up our sandwiches by this
point and her lunch break was almost
over, so we decided to head our separate
ways. Since the sandwich was less than
filling, Craig and I popped outside the
Boat Show grounds and over to Chick

�&amp; Ruth’s for a quick, more substantial
lunch.
Back at the show, Craig and I
walked along the docks, looking for
the perfect mega-yacht to take a tour
of, the sun launched high in the midafternoon sky. On the docks, beside
each of the dozens of top-of-theline behemoths, was a podium and a
velvet rope, where showgoers could
line up for a tour of the yachts. Onto
the unholy conflagration of affluence,
privilege, and time to kill, visitors
excitedly waited in line to experience
the Leviathans, to imagine themselves
casually manning the cockpits and
cinematically staring out from the deck
into the empty Chesapeake skyline.
Many of the boats for sale looked
similar, though extravagant: imposing
in presence, sleekly designed, sheening
white exterior, dark tinted windows,
and two story high sails. But one
stood out: a brand new 61 foot Sirena
58 luxury yacht with max speed of 30
knots and an asking price $2.4 million.
I waited in line with a man named
Steve who looked to be in his late
forties, early fifties maybe. After no less
than five minutes, a family of four with
two toddlers descended down a narrow
flight of stairs and hopped off. Steve
and I kicked off our shoes and the sales
rep led us aboard. We headed up to the
cockpit, and Steve regaled me with the
superiority of Volvo boat engines—
the one the Sirena had—and its builtin Dynamic Positioning Systems. I
had zero clue about boat engines or
boats altogether, and tried to say as
much, but Steve carried on with his
spiel, admiring the thrusters, joysticks,
Garmin electronic Fishfinder, and
navigational displays. Deciding I’d
keep following Steve, my guide kept
on, eyes wide—a cross between a
rural, one-room museum curator and
a kid in a candy shop. We went to the
front of the yacht, where Steve tested
the tactile security of some ropes and

opened storage hatches, assuring me
that they seemed airtight and that he
was overall impressed with the Sirena
but not all that blown away.
Down two flights of stairs, we
checked out her interior cabin. The
inside was tight but immaculate
down to each detail, a sort of modern,
minimalist luxury micro-hotel room
you’d expect to find in Hong Kong or
Helsinki. Stylish teak lined the cabin
walls, and two chic, off-white sofas
and a pear-shaped faux wood coffee
table centered the room’s feng shui.
Off from the main living room were
two bedrooms, one with a master bed
and the other with double fold out
twin beds, both with dimmable LED
strip lighting. Tucked into a corner
was a washer dryer unit, and one of the
Sirena’s three (!) bathrooms.
While Steve and I were jumping
on the king-size master bed to test
the springs, I asked him how he knew
so much about boats. He stopped
jumping, climbed down from the bed.
He pulled out his phone, and after
a long, awkward minute of scrolling
through his camera roll, he showed
me a picture of his very own boat. It
was his baby, he said, flipping through
carefully lit shots like a proud dad
showing pictures of his son in a little
league baseball uniform. She was 30
feet long, he said, and he had bought
her for just under a million dollars
a little over 10 years ago. It was his
baby indeed; a source of pride and
care and hard work paying off. Steve
didn’t seem like some entitled, wealthy
CEO-type at all; he was humble and
proud and he spoke of his boat like it
was a trophy—a trophy he’d earned.
I congratulated him on his beautiful
boat and we headed back upstairs to
the main deck. As we lept off the yacht
and back onto the dock, I wished him
all the best and told him to enjoy the
rest of his Boat Show As much as
I had wanted to knock the boaters

for all their excessive materialism,
environmental indifference, and
their posturing and status-seeking, I
couldn’t find it in me to knock Steve.
Steve wasn’t one of these people, I told
myself. Steve was different. Maybe,
even, more of the boaters at the show
were different; maybe they all were.
Around 5:00 PM, as the sun was
hunkering down, and the Painkillers
had nearly killed all the pain, Craig
and I walked away from the tents in the
main drag, through the gates, and away
from the Boat Show—comfortable, at
least, if that’s all I could say. I may not
ever be a captain on the water, but I
will be the master of my domain.
What I realized, then, after leaving,
was that the boating lifestyle was really
more of an idea here, rather than a true
product. Ads here show, they don’t
tell. The boats themselves are a blank
slate; a sturdy, white hull nearly devoid
of real substance. A boat, then, was
nothing more than just another place
where something akin to relaxation
can take place, a symbol of status that
tells us you A.) own a house, and B.)
also own a much smaller, floating
house that also moves.
But it makes sense that after nearly
two years of watching our lives play
out before us on zoom and our
smartphone screens, people seem to
be content now more than ever with
simple voyeurism. Spending tens or
even hundreds of thousands of dollars
on an unnecessary expense, like a boat
(not including upkeep and accessories)
is a swing big enough to financially
ruin you if the markets don’t tip your
way, and the sense is that people are
just increasingly not up for the risk.
Craig and I, like many others it seems,
came for the show, and left with the
lifestyle we already had.

the Gadfly / λόγος / Sept 22, 2022

7

�{campus Security}

Bed Bugs

What are those?

by Louis Rosenberg '25

What’s the difference between Cimex
lectularius and a vampire? There’s no
vampires at St. John’s!
On Oct. 24, a smattering of
students from across floors 2, 3,
and 4 of Pinkney Hall received an
ominous email from Jennifer Cline,
the Coordinator of Student Services:
“Important Notice! Please Read.” In
it, Cline explained that a professional
service was being hired to treat rooms
affected, or at risk of being affected, by
bed bugs. Students were informed that
they would have to launder all of their
fabric items on high heat — using a
provided 50 dollar balance to their
OneCards, which would be sufficient
for 20 loads of laundry — and then
stay out of their rooms from 9 a.m. to
8 p.m. on Oct. 26 as Home Paramount
Pest Control treated the rooms. The
Conference Room in Mellon Hall was
reserved for affected students, with
snacks and drinks also provided.
Although the infestation is an
unfortunate occurrence, it does
provide the polity with an excellent
starting point for learning about bed
bugs. It is first important to establish
that the common name “bed bugs”
technically describes not any one
species, but rather all bugs in the family
Cimicidae. All bed bugs are wingless
and have a flattened, oval body shape;
as hemipterans, they are also known
as true bugs. They are considered
ectoparasites, meaning that they
harm the organism they rely on for
survival but dwell outside their host.
Of the over 100 known Cimicidae
species, which fall into 24 different
genera, most do not use humans as
their primary host, instead feeding
off of birds or bats. Indeed, only two
species routinely use humans as their

8

hosts: C. hemipterus (the tropical bed
bug) and C. lectularius, the most likely
candidate for the Pinkney infestation
and the species most laymen mean
when they talk about bed bugs .
Obviously, for a group of insects
to become a true infestation (as has
developed on our very own campus),
they must reproduce. Cimicids are
interesting in this way, for they all
reproduce by way of “traumatic
insemination,” an uncommon form
of copulation that has nonetheless
evolved independently in a variety
of invertebrates, though it has been
most extensively studied in C.
lectularius and related species. In
traumatic insemination, rather than
impregnating the female directly via
her genital tract, the male pierces her
body cavity using his hypodermicstyle genitalia. Female cimicids have
developed a spermalege to make this
approach more successful — that is to
say, their abdominal wall has evolved
to redirect the males’ sperm from
their body cavity back to their genital
tract. Even though the spermalege
reduces the risk the insects face during
copulation, traumatic insemination
inherently comes with danger, and
thus C. lectularius females have been
observed to travel away from groups
including a disproportionate number
of adult males, leading to (assuming an
ample food supply) the expansion of
the bugs’ range.
Thus, in part due to this strange
way in which they reproduce, bed
bugs and their offspring can create
major infestations, especially in close
quarters. Due to their distaste for heat,
the bugs usually spread via fabric items
which are carried from room to room,
rather than traveling on human clothes

the Gadfly / λόγος / Sept 22, 2022

or bodies. And as the unfortunate
St. John's students who reside above
and below the affected rooms were
informed, the bugs are apparently also
able to navigate between floorboards
to avoid extermination efforts.
Indeed, getting rid of bed bugs is no
simple task. “Bug bombs” (devices
used to fill a room with a fog of
insecticides to control an infestation)
are usually ineffective for bed bugs,
and the bugs themselves can survive
for multiple months without food.
Thankfully, professional exterminators
— like those being called in by the
administration — do have several
effective techniques for getting rid of
bed bugs, such as heating surfaces to at
least 120°F and applying insecticides
on a smaller scale.
Though it might be just a small
comfort to the affected Pinkney
residents, bed bugs are considered
neither dangerous (barring an
uncommonly severe allergic reaction
to their bites) nor a vector of disease.
And, if all goes well following the
extermination, the infestation on our
campus will finally be controlled, and
all members of the polity can rest easy
at last.
Sources:
https://www.cdc.gov/parasites/
bedbugs/faqs.html
https://doi.org/10.1093/ae/55.4.244
https://entomolog y.ca.uky.edu/
ef636
Insect Biodiversity: Science and
Society, Volume 1 by Robert G. Foottit
and Peter H. Adler
https://www.scientificamerican.com/
article/top-10-myths-about-bedbugs/
https://www.biolog yonline.com/
dictionary/ectoparasite
“Important Notice! Please Read”
email by Jennifer Cline

�{Campus Sockhop}

Hop to It!

photos by Liz Dowdy '23

the Gadfly / λόγος / Sept 22, 2022

9

�10

the Gadfly / Sept 22, 2022

�photos by Liz Dowdy

the Gadfly / Sept 22, 2022

11

�The Part and the Whole:
Conversation for Connection
Nalini Venugopal

In his “Notes on Dialogue,” Stringfellow Barr makes
the bold assertion that “the most relevant sort of dialogue,
though perhaps the most difficult, for twentieth century
men to achieve and especially for Americans to achieve is
the Socratic.” Conversation is an integral part of the day to
day interactions of human life, and in a way that has only
become more true since Barr first penned these notes about
St. John’s College. It feels as though our generation has
been oversaturated with discourse—growing up with the
internet means finding an answer to a question simply by
typing it into a search engine. But just as I’ve found reading
physical books to be whole and comforting and real in a
way that reading online never could be, I’ve been touched
by the beauty of undistracted physical conversation in
the classroom. There’s something powerful in face-to-face
communication. But the problem is, classes haven’t been
as wholly satisfying and freeing to my mind as I expected
them to be based on my thoughts on conversation. That’s
partly due to the fact that Socrates is a high standard
to be holding anyone to for conversation, but there’s
another aspect to it that also puzzles me. Most of the time
the conversation seems to a hold a tension within it that
confused me, but I found that Barr illuminated it best in his
comparison of Thrasymachus and Socrates in the Republic.
He frames them both as making “a choice of weapon
appropriate to his purpose.” Thrasymachus brings “the
rising voice, the personal accusation, the withering scorn,
the crushing sarcasm, the panic at the possibility of being
out-maneuvered, the sweating, the unaccustomed blush of
a normally unblushing champion sophist, the volubility
that tries to shore up a crumbling argument and to ward off
the disgrace of refutation, the love of one's own opinions
precisely because they are one's own, [and]the vanity that
replaces love of truth with love for victory,” while Socrates
brings “courtesy” to Thrasymachus. This laying down of
weapons in the name of of a common aim is an admirable
one, but one hard to realize when faced with what can easily
be seen as blatant sophistry.

12

the Gadfly / συμπόσιον / Sept 22, 2022

He highlights the importance of experience in improving
our conversational skills, writing that “experience brings
a sixth sense” to Socratic dialogues as the “will of selfinsistence gives way to the will to learn.” To truly be able to
engage well in conversation, we have to focus on it rather
than only on ourselves. To me, one of the most poignant
things Barr advises us to let go of is the “subconscious
suspicion that we are really saying precisely nothing, and
that this nothing will stand up as conversation only if we say
it elaborately.” We need to trust that what we have to say is
valuable, and likewise treat others like what they have to say
is valuable. Barr says in one of his rules that students must
learn to be good listeners for each other,and that if we do so
we are likely to “attain a level of friendship that not many
men attain to.” This is a friendship based on mutual respect,
on the idea that everyone’s ideas are equally worth hearing.
When we come to the classroom, we are united by a
shared goal of truth, and conversation is a beautiful means
towards that end. But then each individual is called on
to do the hard work of becoming good at dialogue, an
experience we’re all having together. Barr highlights the
need for the “will for self-insistence give way to “the will to
learn. Learning is the goal that we share, and when we walk
into a classroom not only do we have to embrace the shared
goal of learning, we have to release ourselves from the
desire to be right or to know more than the people around
us. One of the easiest lies to believe is that intelligence is
a measurable trait, especially if one grew up in the typical
educational system - grades and comments and feedback
from the teacher are everywhere, and it can be really easy
to slip into a competitive mindset. Here, though, at least on
paper, there’s no curve to be graded on—everyone is equal
in class, and all of a sudden we’re being graded on skills
like confidence and eloquence. But listening is more than
just passively letting other people talk while you formulate
your next thought or flip through the book. It is an act of
friendship, of philía,, or love (specifically among friends).
What does it mean to listen from a place of love?

�In his book The Four Loves, C.S. Lewis meditates on
philía and identifies it with a moment of connection,
“when two or more of the companions discover that they
have in common some insight or interest or even taste
which the others do not share and which, till that moment,
each believed to be his own unique treasure (or burden).”
This, to me, is the beauty of Philosophy. I still find pieces of
my soul reflected in words written by people who are long
dead who looked nothing like me, people who, if they knew
me, would be shocked and upset at the idea of me having
opinions on their work. But ideas and words can transcend
perceptible differences like race and sex, and I can have rich
conversations with the text in spite of the fact that I live in
a different cultural context than them. Reading the Great
Books is already a practice in looking at the ideas of the
past, the ideas that shaped Western culture as it is today.
But as an American with a hyphenated identity, I find that
there are Indian parts of me that don’t fit with Western
culture, and that when I look at the history of the West
and America I see it differently because I see the ideas that
were used to justify the oppression of women and people
of color, and sometimes engaging with these texts seriously
feels like a disrespect to the people who fought for my right
to be in the classroom. I have to learn how to hold the ideas
separate from how I feel about them to be able to engage
with them seriously to a degree that makes it really clear.
But that’s true for everyone to some degree - even if you are
privileged, the program covers enough topics that there will
be topics that make you feel things strongly - whether it’s an
author validating a belief you already hold or challenging
something you thought to be true - our emotions will
be part of the process of conversation, and that’s ok. But
when it comes to the classroom, each of us brings our own
personal conversation with the text to a room where we
team up with fellow thinkers to seek truth and answers
and beauty and knowledge for the sake of itself, and that’s a
powerful thing, because we each have a wealth of different
experiences that have impact the way that we think and
interact with texts. But how do we keep ourselves from
that self-insistence that Barr speaks of ? How do we keep
our feelings from inhibiting our search for truth.
I believe we must begin with earnest self-reflection. If we
are to free ourselves from self-insistence so that we can be
free to engage with delight with learning, we must remove
competition and comparison. That frees us to listen to
others more effectively and openly, because rather than
focusing on the judgements we’re making of their points,
we can focus on how their points contribute in their
own unique way to the shared destination we’re traveling
towards. At the end of the day, the things we say in class

should only matter as stepping stones towards a goal. They
are not merely reflections of us or our intellectual abilities.
Tutors are there simply as sharers in the same goal who have
more familiarity with the ideas than us, so they have more
wisdom in guiding the conversation. There’s something
scary about learning as an active process after the rote
“knowledge in, knowledge out” experience of academia
that many of us had. We are being asked to engage with
ourselves, the text, and other people, to learn through
experience and reflection rather than showing up with our
finest work to be judged.
Academic validation was really important to me growing
up. On top of the fact that I simply wanted to do well, many
people just assumed my intelligence because I was Indian
rather than lauding it the way they did with my peers of
other races. I see that on countless levels, just in the field of
academia. As a woman, when I expressed my intelligence
assertively, it was discouraged by teachers who were holding
me to higher standards of kindness than the boys in my class
simply because girls are expected to be kinder than boys.
My little brother is nine years old and tells me stories of
how he talks to his teachers in school that shock me, both
in his audacity in saying what he says and the positivity of
the teacher’s response. I have to unlearn the complex image
of myself that I have in the classroom, and because I’m a
woman of color I have a lot of social lenses I can examine
that through. But it’s dangerous to think that if you have
been more privileged in the classroom that exempts you
from these issues. Everyone comes into the classroom with
baggage, simply by nature of living and learning for any
amount of years before joining higher education. It’s hard
work to leave that baggage at the door and simply engage,
but it’s vital if the class is to be truly unified in pursuit of
truth.

Students Performing an Experiment with Suspended Weights; n.d.
the Gadfly / συμπόσιον / Sept 22, 2022

13

�The Pursuit of
Selfless Learning
Catherine E. Greer

It is easy to mistake the St. John’s education as a thing
founded upon the acquisition of book-knowledge. More
often it is something so much more than that: a thing
founded upon human knowledge. It is not that this book
knowledge, our reading and examination of the Great
Books, is any less significant or integral to our program. But
our collective drive to build a truly meaningful relationship
with and understanding of these texts is only possible
alongside a desire to understand those who came before us,
those who are around us, and those who will come after us.
We must strive not only to study a text well, but through
studying it to also study other people: how we live together,
and learn together, and grow together.
Without this simultaneous sensitivity to those around us
our education at St. John’s would, effectively, be meaningless.
When we sit down together around a table, whether it be
in seminar or lab or music, we are committing to learning as
a group. We are no longer individuals pursuing knowledge

Students Building Peace Corps Huts and the Beneficial Hodson
Boathouse; 1965

14

the Gadfly / συμπόσιον / Sept 22, 2022

out of self-interest. We take on the responsibility of being
present and engaged for the whole class, tutors and students
alike—and our search for knowledge must not seek only
to propel our own selves forwards but to be an offering
for all else who desire to learn. To remain self-concerned
and apathetic towards the learning of our peers cripples
the very core of our program, the method of discussionbased learning that is meant to dissolve the barrier between
learning and teaching and unite them as a common pursuit.
This way of learning and engaging with others is a skill
that can only be strengthened through genuine effort to
understand how best to learn alongside others. Much of
our program confronts questions about human nature
and human interactions. These questions must not remain
cold and removed from us, merely words on paper to be
discussed with superficial interest. They are questions that
could push us to better understand the people around us,
to continuously question and reform how we treat others
and understand the human mind and spirit. It is through
this pursuit of understanding human beings that we can
learn to listen rather than simply to speak, to become open
to differing perspectives, to gain patience and compassion
for those who have fallen behind or those who have not yet
learned to bring others along with them.
The focus on learning together rather than individually
is vital to the spirit of the program, but also the most
challenging to practice. Each of us upon entering St. John’s
has some goal that propels us forwards and sets us apart
from other students. It is easy to become consumed by
the self-interest of knowledge, to desire your own growth
and expansion more strongly than you desire the same
for others. Even more dangerously are we plagued by
competitiveness, to not only be motivated by self-growth
but by a drive to become better than those around you, to
become the best. But these motivations are a hindrance to
true learning and engagement with our program. We must
focus on prioritizing the success of each student sitting with
us around the table. Their learning becomes our learning,
just as much as ours becomes theirs.

�In our classes, and in seminar especially, there is a
necessity for selflessness in a way that many other methods
of learning do not ever demand. We must come to
understand that our presence in class, our careful reading
of the texts and the conversations we conduct on them, are
not for our own sake alone. Each time we speak in class it
is to further the understanding and knowledge of every
person present in the room: and we must present our ideas
selflessly, with the hope that we might build upon not our
own knowledge but the collective knowledge that forms
when people seek to learn together. There must be an egodeath of sorts: the “I” dissolves and is replaced by the “we”,
represented by the class itself as a living subject and a single
force of knowledge-seeking. It no longer matters whether
it is you who asks a certain question or makes a significant
point—it becomes important only that it was said, not that
it was said by you or by another. And in this relinquishment
of a selfish pursuit of learning, we become infinitely more

open to growing in our understanding of those around us.
It is only in this mindset that a seminar can truly create a
depth of knowledge that is collective and inclusive rather
than individualistic and exclusionary.
We have a unique opportunity here to focus our learning
on far more than the acquisition of knowledge or the
improvement of skills. Our learning encompasses human
things as well. As we read the Great Books and engage
with these texts and our peers simultaneously, we must
seek to strengthen our knowledge of human beings so
that we might better live and learn alongside one another
and work collectively towards positive growth and mutual
understanding. The pursuit of this human knowledge is
a companion to the selflessness required of seminar. One
grows from the other, and together they strengthen not
only our study of the Great Books but our personal spirits
as well, building a foundation of compassion and sensitivity
to human beings.

Students Pulling Other Students in Wagons on Back Campus during the First Real Olympics;
1951

the Gadfly / συμπόσιον / Sept 22, 2022

15

�To Those Who Have
Suffered a Crisis of Meaning
Dolan Polgaze

It is difficult to explicate the full meaning of what I
am about to say without divulging the story of my own
personal life over the past three years here. Yet, because
such a story would be both too immense and too personal,
I will simply begin by saying this: I have suffered from, and
most likely will again suffer a crisis of meaning during my
time at the college. There are various reasons why one will
inevitably come to find themselves, at least once, in front of
the formidable face of utter un-inspiration. I confess that
when I found myself at such a moment, it was terrifying, in
the fullest sense of the word. For, somewhere in the course
of pursuing my deepest questions, I exhaustedly ground
to a halt, only to look around and become aware that the
horizon before me was entirely devoid of meaning. It felt
as if the innumerable questions I had been pursuing—
questions of goodness, evil, bodies, and God—had only
led me to despair. The events of my own life which brought
on this crisis of meaning were most likely different from
the events of your life which have perhaps stirred in you
the same intellectual and emotional apathy. The Program,
I’ve come to realize, is a complete mirror of who you are at
any specific moment in your life. The more earnestly you
engage with the books, the more clearly you are reflected
back—not only because of the content of a reading, but
also because of the sheer difficulty of the work. For from
difficulty of any kind arises an invitation for one to behold
themself exactly as they are, not as who they imagined
they had become. Thus, if one day you look in the mirror
of these books and the image that looks back at you is one
of personal despair, where do you turn? I ask this question
with utmost sincerity, for I believe this is something seldom
discussed here.
Yet, crisis or no crisis, the world at the college goes on.
And so, when I found myself confronted with this crisis
of meaning, I knew, however painful, that it was a calling
for me to change my thinking. In an attempt to regain
inspiration, I spent months circling in vain around this
question: can one really make themselves interested when
there is no will to be interested? I say that this was asked

16

the Gadfly / συμπόσιον / Sept 22, 2022

in vain because I realized far later that this question was
pointing me in the wrong direction. I believed then and
still believe now that the act of true interest—of focusing
one’s attention completely—is a spiritual activity. Yet, I
had somewhere gone amiss in how I was defining interest.
To explain, let me take you back to my senior year of
highschool: then, I was overjoyed with the prospect of
coming to St. John’s because I had a love of community
and earnest conversation. However, the driving idea which
inspired my coming to the college was a faraway notion that
I was somehow going to become a better human being by
being here; I had lofty ideas of the self I wanted to attain.

A Student Reading in McDowell Hall by a Portrait of Jacob Klein; n.d.

�And throughout my first two years here, these ideas still
inhabited my convictions. The aspiration of wanting to be
a better person by being here is not itself unadmirable, but
I realize now that such ideals are wholly incomplete. If one
is only guided by a vague expectation of becoming a better
human being by studying Euclid, or Leibniz, or reading by
the Bible, or by singing Palestrina, I will venture to say that
such a transformation of self will never come about. I am
realizing now that the way to be changed by the program
is to fiercely and fully take interest in the particulars at
hand, and for now, to leave aside expectations of bettering
oneself. In the aftermath of the crisis of meaning which
struck me last year, I had nothing to hold onto, because I
had never let myself be completely vulnerable in the face
of the particulars. The universal idea of becoming a better
person is not a substantial idea, and in times of despair, you
won’t be able to hold onto it. Yet, if you truly take interest
in the work for the sake of itself, eventually and without
even noticing it, you will be changed, but only because
you relinquished the very hope and expectation of being
changed.
I am not trying to merely draw a pedantic distinction
by encouraging the act of turning one’s attention onto the
particulars in order to find inspiration. Perhaps this is the
effect of Junior year on me, but I realized recently that if
I don’t have the courage to be vulnerable with the details,

I will drown in the vastness of my ideals. But what does
it mean, for example, to be vulnerable with mathematical
particulars? I am thinking of Leibniz’s calculus and the fact
that we are asked to suspend our imagination of all that we
know in favor of considering the endeavor of a single point.
If we are to follow Leibniz’s prompting, we have to think
of the point as having a primary desire, a want to move
in a certain straight line. In order to turn my attention to
such inconceivables, I must surrender myself wholly to the
particulars at hand: faraway ideas of who I want to become
won’t help anymore. Likewise, the same applies to God: it is
not that God is simply found in the particulars, but rather,
that if you surrender to the particulars, you are as likely to
sense the Divine in Genesis as you are to sense him in the
endeavor of a point. This nakedness of mind and heart,
which I call vulnerability, is the courage to let go of your
hope of becoming a better person in favor of a much truer
striving: the striving to care, with all the depth you can
muster, about the specifics of this world. I am not trying to
claim that this is a complete antidote to a crisis of meaning,
for nothing is ever easy, and life always gets in the way. I
am only writing this to share what I have learned through
my own encounters with despair: you will, with grace,
become stronger if you take the time to turn your attention
off yourself and towards what is small in the immensity of
experience.

Emily Martin (Kutler) and Three Female Students Studying in A Dorm Room in Campbell
Hall; circa 1954

the Gadfly / συμπόσιον / Sept 22, 2022

17

�Thoughts on the
St. John’s Class
Luke Briner

What’s the nature of the St. John’s class, and what attitude
should we, as members of the St. John’s community, take
toward it? These two questions are points of great dissent
among students and faculty alike, and the way in which
each person answers has radical effects on how they behave
in their classes and what they intend to get out of them.
Recognizing this, I’ve felt the desire to formally work
through both of them, looking to the philosophy of the
College itself as well as the firsthand experience of myself
and others. I hope that by setting out on this inquiry, and by
attempting to shed light on the principles upon which our
classes seem to be based as well as their natural consequences
for our own behavior, I can help the Polity come to a clearer
and more beneficial understanding of them, or at the very
least deepen the discourse surrounding them.
I take the first and ultimate principle of the Program to
be “the liberation of the human intellect.”1 This liberation is
not simply freedom from previous ignorance or bias, but is,
more profoundly, the achievement of a self-consciousness,
mental autonomy, and intellectual virtue through the
sincere application of one’s mind to what’s most essential
and worthy within itself. Our method for achieving this
ultimate kind of liberation is the study of Great Books.
Since these books, as Buchanan observes, “communicate
with great skill ideas that human experience has taught us
are important,”2 and thereby allow us to “tune in on the
Great Conversation that we call civilization,”3 The hope
of the program is that their sincere and sustained study
will produce in the student the eminent qualities of “an
educated man—that is, one who has learned to read, to use
his mind imaginatively and rigorously.”4
I take the second principle of the Program to be that this
liberation is to be pursued communally. “Liberal learning,”
as Brann observes, “is by its nature conversational….the
student is not the passive recipient of knowledge but an
active participant in a common search.”5 By participating
in this search, we do more than simply “tune in” to the
Great Conversation the each text is a part of; instead,
we actually simulate our own conversation around the

18

the Gadfly / συμπόσιον / Sept 22, 2022

Books themselves, and thereby give our ourselves a the
opportunity to exercise our minds in a way that surpasses
the limitations of solitary thought. Since classes thus
centered around dialogue and intellectual community can
“reach insights far beyond the views of any of its members,”6
the Program makes them the sole vehicle of our education;
our colleagues are made our very means of liberation, and
we’re made theirs.
Accepting these principles, the ideal nature of the St.
John’s class seems to me to take a clear shape, as does that
of each individual student. Recognizing that their ultimate
objective is the liberation of their own minds and that
communal dialogue centered around Great Books is the
way to achieve this, the ideal student will work as hard as
they can to promote the health of that dialogue. They’ll
understand that the conversational Whole is greater than
themselves and that their good is to be found only within
the Whole, and will therefore always act in accordance
with what’s best for that Whole. If each student submits
themselves to this responsibility, the class becomes its own
organism: a living, breathing order where insights spring
forth as naturally as water from a font, and where “harmony
is actual and immediate, and where its sustenance and
growth seem possible.”7 Such is the ideal of every class,
and each student should recognize working toward the
realization of that ideal as their highest responsibility.
However, by virtue of the very communal and voluntary
nature of our classes, many if not most classes will fall short
of this ideal. Nevertheless, if liberation remains our ultimate
end, and if communal inquiry around Great Books is our
only means to achieving that end, then the fact that this
very achievement is rare and unreliable puts our entire
education into jeopardy. An understanding of the natural
fragility of communal learning seems to be the foundation
for the Programs’ reasoning behind the institution of
tutors. Just as a polyphony, in order to achieve the supreme
interpersonal and suprapersonal Beauty it’s so capable of,
requires a conductor to keep each part in its place and
preserve the nómos of the whole, so too the intellectual

�polyphony of the St. John’s class requires an authoritative
presence capable of setting and enforcing its own necessary
nómos.
If this is right, then it seems to me that the identity
of the tutor as a laissez-faire facilitator is usually greatly
overemphasized. Tutors should not, as Luchene notes,
“merely facilitate conversations.”8 Rather, they should
“guide the conversation, sometimes steering it in a particular
direction, sometimes listening and letting it take its own
course, and occasionally, steering it around an unpromising
detour.”9 If tutors were merely facilitators or democratic
participants, then they would be just another student;
but the tutor should be an authoritative figure capable of
acting outside the specific context of the conversation in
order to always steer it in the right direction. If they aren’t,
then the intellectual chorus of the class will lack a true
conductor, and will therefore be exposed to the danger of
falling into anarchic cacophony without any clear direction
or correction. We should, then, resist the temptation to
interpret the Statement’s assertion that “the primary role
of the leaders [tutors] is not to give information, nor is it
to produce the ‘right’ opinion or interpretation” (p. 5) as
claiming that tutors simply shouldn’t assert anything in
class, but instead carefully distinguish between the two
modes of assertion that the tutor is capable of operating
within. While tutors should of course avoid dogmatic
assertions about the text insofar as they are simply another
participant in the conversation, they should actually at the
same time quite dogmatically assert the bounds within
which that very conversation must take place, e.g., keeping
it “cooperative and respectful, not competitive,”10 and
ensuring that no one person takes away from everyone else’s
education by their obstinacy or negligence.
I want to add to this my conviction that students who
participate too much in class are worse than those who
participate too little. While both cases do a disservice to
the class, the nature and intensity of the two are entirely
different. For while silent students harm the class passively
by withholding contributions they might have improved
the conversation with, the student who dominates
conversations actively derails and often outright destroys
the very communal cohesion and equity which a successful
class requires. If this is true, then I can’t help but question
why many tutors and the College itself tend to review and
grade silent students more harshly than toward students
that refuse to ever be silent, given that the latter is farther
from being a good citizen in an intellectual pólis than
the former. The “sons of pride”11 in our classes should be
humbled, not enabled.
On the same principles, we should view with

skepticism Barr’s suggestion that interrupting colleagues
in conversation can be acceptable or even beneficial.12
Perhaps in some exceptional cases a few quick interjections
might really be a “point of order”13 in dialogue; but this is a
dangerous precedent to set generally. Internalizing the idea
that interruption is acceptable will inevitably lead most of
us to feel bolder in crudely interrupting others, which only
causes disorder, and resentment.
Likewise, we should be very careful about how we
take Kalkavages’ exhortation to “not despair”14 when
conversational degeneration occurs, since, he claims, it’s
a part of the way in which “we learn the art of using our
freedom.”15 While certainly some space should be given
in which classes may do better or worse, since openness
and spontaneity is the lifeblood of dialogue, this must be
kept firmly within the realm of genuine dialectic rather
than allowed to degenerate into eristic. Our freedom,
our liberation consists not in the ever-looming threat of
devolving into anarchical bickering, but precisely in the
sustained and enforced existence of a real pólis between
ourselves and our colleagues.
What I want to communicate through all of this, and
above all to myself, is the necessity of taking responsibility
for our own education. What we give to the Program is
what the Program will give back to us, and if we wish to
have better classes, we must begin by holding ourselves
to the supreme and universal standard of academic and
conversational excellence. Let me, and let us all, then, aspire
to this standard, and to more liberating classes for everyone.

notes

(1) Statement of the Program, p. 3.
(2) “Now and to Come: Liberal Education: A Common Adventure,”
The Antioch Review, Autumn, 1955, Vol. 15, No. 3, p. 302.
(3) Ibid.
(4) Ibid, p. 304.
(5) A Manifesto for Liberal Education, 2015.
(6) Statement of the Program, p. 5.
(7) Luchene, Beginnings of Community, 1999, p. 4.
(8) Learning Through Conversation at St. John’s College, 2015.
(9) Ibid.
(10) Ibid.
(11) Job 41.34.
(12) Notes on Dialogue, pp. 3-4.
(13) Ibid, p. 4
(14) “Winged Words: On the Importance of Reading and Discussing
Great Books,” 2003, p. 15.
(15) Ibid.

the Gadfly / συμπόσιον / Sept 22, 2022

19

�Defenestrate Your
Timepieces: An Invitation to
the Present Moment

Helen Wagner

Any observant (i.e. good) Johnnie is aware of the absence
of clocks in College classrooms—perhaps painfully aware,
during long moments of morning lab; perhaps blissfully,
when an exhilarating seminar runs overtime. Maybe you’ve
also given some thought to the value (or lack thereof ) of
this practice. For my part, I think it’s wonderful. The lack of
timepieces during class allows us to be fully present to our
work, without the distraction of checking the clock — in
other words, without the distraction of the future. But the
mere practice of clockless classrooms is not enough. It’s too
easy to surreptitiously check your watch during seminar, or
to disengage from your tutorial as you wait for the 11:30
bell. If we truly want to embrace a clockless academic
experience, we need to change the way we think about time.
That is, we need to think less about it. Perhaps an awareness
of time is actually antithetical to doing good work.
We can all agree that we do our best work when we
are most focused. We must be free of distraction—and
the future is one such distraction. If we want to enjoy the
present (the only real time in which we exist), we must think
of the future as little as possible. In fact, this was the topic
of a recent Saturday morning seminar hosted by Professor
Patrick Deneen. The reading was an essay by Wendell Berry
called “Leaving the Future Behind.” Berry argues more
eloquently than I. “Actual work that is actually good,”
he writes, “requires us to give our minds entirely to the
present… to be distracted by the thought even of finishing
the work, or by the thought of the clock or a deadline, is to
work badly, and often to be in danger.” Good work requires
presence in the present moment.
This timelessness should extend beyond our classrooms
and into our personal studies. Although we have deadlines,
we will actually work better and more efficiently if we give
up all thought of reaching them. J.D. Salinger would agree:
in his novel Franny and Zooey, he quotes the Bhagavad

20

the Gadfly / συμπόσιον / Sept 22, 2022

Gita, saying, “[w]ork done with anxiety about results is
far inferior to work done without such anxiety, in the calm
of self-surrender…They who work selfishly for results are
miserable.” It’s counterintuitive: to achieve our goal, we
must forget about it. We must make our work more about
the process than about the results.
We all know how it feels to lose track of time. Since
we’re Johnnies, it was probably thanks to a good novel or
a particularly thrilling geometric proof. Maybe it was a
two-hour phone call with a friend that felt like 20 minutes.
Maybe it was such an exciting intramural game that you
were surprised to hear the whistle for halftime. Whatever it
was, though, you were fully engaged in the activity in front
of you—that’s why you never thought about the clock. It
feels good, doesn’t it? Forgetting time also seems to come
along with a sort of refreshing self-forgetfulness: your eyes
are open to the living world around you, and you look
outward instead of in. Wendell Berry puts it this way: “To
be dead to oneself is to be alive to the work. It is to be alive
in the present, the only time we are alive, and to continue to
live there, so long as we don’t look at the clock.”
Consider this article an exhortation to forget about the
clock. Embrace the empty space on the classroom walls.
Take off your watch for seminar. When you read, put your
phone across the room from you. If you need to stop at a
certain time, set an alarm and forget about it until it goes
off— allow yourself to get lost in the book. Trust that your
morning lab will end at its appointed moment, then banish
the thought from your mind. You are here, now, with work
in front of you and thinking to do. Strive, then, to forget the
future. Do not let it steal you away from the present.

�ξένος, pt. 1
Paz Daniela Ortiz Santa María
Seemingly endless F-1 VISA documentation. An airplane
flight that can last anywhere between four and thirty-six
hours. The first footstep into uncharted land that quickly
morphs into a new life. Ask any international student and
they will have different answers to the question: “when did
you first begin to feel like an outsider?”
Although officially our student VISAs would label us
as non-immigrants, we are aware of our status as such—I
am, at least. During my time here I have been called an
immigrant, an expat, a displaced; all of these used to point
out the foreignness they perceive in me. An outsider, a ξένος.
Yet, I wonder, what lies underneath this notion of “the
other”? Is there intellectual curiosity, perhaps? Or is there
a need for validation that the unknown is unknown for a
reason?
The current political climate in the United States
makes this discussion more relevant than ever due to the
presence of previously silenced voices and perspectives.
Social justice causes such as anti-racism, intersectional
feminism, indigenous environmentalism, heavily rooted in
philosophical and political theory, are finally occupying the
space they deserve at the at the center of the conversation.
What does that mean for a “talking college” such as ours?
Coming to St. John’s, I was aware of the richness of
its curriculum as well as the extent of its limitations. It is
not novel to point out the lack of BIPOC, non-cis male
perspectives in the reading list. Nonetheless, when a large
block of the college’s brochure is the percentage of the
student body that is made up of international, non-white, or
non-cis/heterosexual students, I believe that administration
and the student body itself should make more efforts to
counter the non-diverse perspective of the curriculum.
Curiosity should be the center of any education, and
especially of a Great Books education. Curiosity for what is
presented, yes, but also—and more importantly—for what
is not. It requires curiosity for the hidden, the purposefully
not-shown. The absence of historically silenced and
underprivileged voices needs to be seen as an opportunity
to amplify those voices in the present time, to create spaces
for them to be heard in our community, to celebrate the
diversity of our student body.
Social notions such as race, gender, class (among others)

aren’t contemporary. They have always been present because
the notion of “the other” has always been present, and they
deserve a place during class discussions and seminars. Being
critical about the way these notions are portrayed and
handled by the authors of great classics, in my opinion, has
for too long been seen as taboo, or wrongly perceived as a
violation of the rule of not bringing any outside knowledge
into the conversation. We are a school with one major
taught to all students in the same way for several decades.
The grandness of the experience lies in the unique twist one
can give to a debate.
And it mustn't end there. As an international student,
and having spoken to many of my international peers, I can
say with certainty that there is infinite passion to be found
in us when it comes to the places we grew up in, our cultures,
what we call home. Dare to be the guests for a change, if not
physically, then in conversation, and ask questions about
that which you don’t know. We are all someone else's other.
What that means and whether it is a pleasant experience for
either party involved depends entirely on you.

Students Sending Messages by Morse Code; n.d.
the Gadfly / συμπόσιον / Sept 22, 2022

21

�{Trash or Treasure?}

An Incomplete Guide to Local Second Hand Stores
Helen Felbek

The seasons are changing and perhaps you are looking for
a new fall wardrobe. Or you realized that a themed event is
just around the corner and have to come up with a creative
costume. Before you rush to order something on Amazon
with the hope of receiving it the next day due to their prime
delivery services, you should consider buying second-hand.
The environment and your wallet as well as B&amp;G are going
to thank you.
While the most affordable and sustainable option
would be to just re-wear clothing, this is not always an
option (particularly when an event calls for items that
are more likely to be used once than they are to become
closet staples). Of course, you could try to come up with
a so-called “closet costume” that doesn’t require you to
buy additional costume pieces (that you might never wear
again) but if you can’t or don’t want to do this, you can refer
to this (incomplete) guide to local second hand stores.
The most affordable options in Annapolis are most
likely the LMS Compassion Place on West Street and the
Goodwill Superstore (also on West Street). LMS is located
0.7 miles away from campus while Goodwill is farther away
(1.6 miles). Goodwill carries everything that you would
expect from a big thrift store of its kind meaning a big
variety of women’s, men’s, and kid’s clothing. They also carry
decoration and furniture (which might not be too relevant
unless you want to dress up as Lumière from Beauty and the
Beast). Goodwill also carries bedsheets in case you want to
just go as a ghost or maybe sew your own costume. They are
however lacking in the accessories department. Also, note
that there are no changing rooms anymore.
LMS is significantly smaller and has a more limited
range of clothing. Their assortment also changes less often.
They do, however, have a wide variety of interesting ties
and lots of shoes that are often in a better condition than
at Goodwill. They also often have a nice variety of formal
wear. But shoppers beware: LMS has quite limited opening
hours and usually closes at 4 pm. They also seem to lack a
changing room. Note, that they have rather limited opening
hours (it usually closes at 4 pm), and they apparently lack a
changing room.. To my knowledge, they also do not have a
changing room.
If you have a bigger budget, you could consider some
other second hand consignment stores in the area. In and
around Annapolis there are three of them: Honeysuckle
quality consignment, Return to Oz, and New To You

22

the Gadfly / πόλις / Sept 22, 2022

Consignment Shop.
Honeysuckle is the farthest away as it is located in Arnold
on Governor Richie Highway (4.2 miles from campus)
which means that you would need a car to get there. I
personally do not think it is worth the hassle as it mostly
carries very basic items. They carry quite a variety of items
(including bags and shoes as well as outerwear and formal
gowns) but given the rather high prices nothing really
stands out. They also only carry women’s and children’s
clothing. It is probably not the place to shop for an event.
Return to Oz on 2011 West Street is still walkable if you
are willing to walk 2.6 miles. They sell women’s, men’s, as
well as children’s clothing. They sell slightly more ‘higherend’ clothing compared to Goodwill but still at a reasonable
price point. The shopping experience is a bit annoying as
all of their racks are so full that it is virtually impossible to
look at a piece of clothing without something falling off its
hanger. They are relatively size-inclusive. Usually, they have
interesting jewelry. Note: they close relatively early at 5 pm.
Lastly, there is New To You Consignment Shop on 1916
Forest Dr which is like Return to Oz approximately 2.6 miles
away from campus. I would say that this store is in terms
of price-performance ratio the best option in Annapolis if
you are interested in women’s clothing (because they only
sell women’s clothing, shoes, accessories, and decoration,
and homeware). They have a huge selection of shoes that
are in good condition and have very interesting-looking
hats. They have a special rack with special deals which do
not differ from prices at Goodwill. Out of all the stores I
visited, this might be the most size-inclusive one.
On the pricier side, we have two consignment stores:
Belle me and Muse on Maryland Avenue (0.1 miles from
campus) and One Petticoat Lane (0.9 miles from campus)
Belle me and Muse resells designer goods like Channel
and Dior. Their sizes are very limited (mostly XS and S) but
they have a big variety of shoes in pristine condition as well
as sunglasses and berets. They only carry women’s clothing.
One Petticoat Lane is in West Annapolis (close to
Graul’s Market) and is slightly more affordable than Belle
me and Muse. Over two stories the store presents women’s
clothing as well as accessories like jewelry, bags, and shoes.
The owner organizes special events for seasonal changes or
holidays.
If you are more interested in vintage pieces and are also
willing to spend a bit more, I have three vintage stores for

�you that also carry clothing. Evergreen
Vintage and Treasure vintage are right
next to each other on Maryland avenue
(0.1 miles from campus). Both of them
offer a student discount for St. John’s
students. Vintage Treasure does not have
an official changing room as of now but
if you ask the owner, she will allow you to
use her storage room which is obviously
a bit messy but does the job. Vintage
treasure has a large assortment of women’s
headwear as well as jewelry. They do not
carry a lot of men’s clothing but usually
have some military jackets. The pricing
is a bit more affordable than evergreen,
however, the pieces are usually not sized
at all.

Evergreen carries men’s and women’s
clothing but the women’s wear selection is
bigger. They also carry some shoes and hats
as well as gloves and scarves. They have a
nice (but smaller than Vintage Treasure’s)
collection of jewelry. Evergreen has a
changing room, and the sizing is very clear
as they write the measurements of each
garment on the price tag.
The vintage store with the biggest
assortment of clothing is clearly All The
Rage Vintage on 208 West Street (0.8 miles
from the college). They carry women’s and
men’s clothing and have a big selection of
western boots. It is the most expensive of
the three vintage stores. They have a nice
selection of belts and jewelry too. Further,

they have a nice selection of outerwear
as well as kimonos and undergarments.
The owners organize special events for
seasonal changes or holidays. If you are
looking for a place where you can spend a
lot of time in and care about the shopping
atmosphere this might be ideal for you.
On campus, student activities
sometimes organize clothing swaps which
are a great option too since they are truly
circular. They are also the most affordable
and the most accessible because you do not
even need to leave campus. If you missed
the last one, you might think about trying
to organize one yourself with friends or
people on your floor because: “One man's
trash is another man's treasure”.

From left to right: Rage Vintage, Return to Oz, Goodwill, and Evergreen Antiques/True Vintage
the Gadfly / πόλις / Sept 22, 2022

23

�{Review of Acqua Al 2}

An Italian Menace Descends on Annapolis
Audrey Fox

I’ve always been wary of “high dining” Italian restaurants.
If it’s not the family run joint on the Main Line—the
kind I’ve been to at funeral receptions—I have pretty low
expectations. The “family owned” restaurant is a concept lost
to the Main Street Annapolis dining scene. No one seems at
home in the storefront sprawl of downtown restaurants—
none of that Olive Garden “When you’re here, you’re
family,” am I right? Jokes aside, what sort of impression does
this lack for a welcoming dining experience leave us? Some
of you are away from home for the first time ever, trying to
find spaces that you feel welcome at and build a new sense
of community. For those of us who are seasoned veterans
of the Annapolis lifestyle this is an ongoing struggle—I
can’t even say I’ve truly found a place to eat here where I
truly can forget I’m at a restaurant. Eating together is one of
our most important social habits. However, that does not
mean that it is always explicitly for pleasure that we eat with
each other. Sometimes, an important business meeting will
take place over lunch—which does not add pleasure to the
eating, but will (hopefully) add pleasure and anticipation to
the meeting. Going out to eat can serve a practical purpose,
but primarily it is an occasion! It is meant to be fun, to
take up a few hours of conversation, and make me forget
I’m spending money (to my social, and the restaurant's
economic benefit). Stave off Marxists! There is always space
for criticizing the restaurant industry, but if it’s here to stay
I at least want it to be worth my time.
I’m remembering a story: I was going somewhere
unimportant while my Uber driver went into detail about
how to go crabbing off the campus docks. He told me
that when he was younger he would do this all the time,
but now they no longer permit such activities. I may have
been coming home from a party actually, I think it was
dark out. All that I remember is the expressions of his
voice, methodically explaining how to tie up a whole raw
chicken to lure the crabs. Emphasis on methodical, but
with a hint of nostalgia and pleasure. Why am I thinking of
this? a difference between going to a restaurant compared
to seeking food relying on your own devices. On one hand
it seems much more of a practical experience, yet the soft,
inward joy in his voice suggests otherwise. Maybe it’s similar

24

the Gadfly / πόλις / Sept 22, 2022

to when I would go huckleberry picking and fishing with my
family. Oftentimes there would be no huckleberries to pick.
We always returned the fish to the water. Why does this feel
the same? It is more primary. Not primitive, but primary.
There are numerous social levels that contribute to a dining
experience, while seeking food on one’s own requires little
structure in place for its enabling. But we don’t do it just
for nutrition—there is socialization and the pleasure of
the food. Food plays a different role during the hunt versus
the restaurant, yet it seems to be a primary center for the
activity. In other words, the food is not the main aim but
rather the common ground we base an activity off of.
My apologies to the reader for such high brow tangents!
Let me get to what you really are here for, my thoughts
on the restaurant. The interior was comfortably crowded
as my party arrived there around 9 pm. The lighting was
soft and relaxing, and the decor, while very nice, was not
overwhelmingly nice. Appropriate for the Annapolis
audience in my opinion. We started off with a bottle of
San Pellegrino to set the mood and the Strozzapreti Al
pomodoro. For those of you unfamiliar with the Italian
language, those are fresh ricotta cheese balls with a tomato
sauce over them. They were rich yet not overpowering, and
went wonderfully with the house made bread. I got the
Fusilli Lunghi ai Mascarpone e Funghi–a corkscrew pasta
with a mushroom and parmesan sauce- which I think is best
described as warm and rustic. The flavor was simple, but
simple in the way most amateur cooks could never aspire to.
Others at the table got the house made Gnocchi (the Topini
Sugo Verde) with a pureed parsley basil rosemary sauce. It
was a refreshing sauce paired with the pillowy Gnocchi.
Overall the prices were very reasonable for the pasta entrees.
Around $16 was the average. The other entrees were more
expensive, but the pasta options were vast and definitely
more than filling. On the other hand the espresso we got
after our meal was $5 each, a little overpriced for just Illy.
We ended the meal with tiramisu, which was well made and
had the distinct flavors I expect from the dessert. It was a
surprisingly homey experience wrapped up in the guise of
fine dining. I recommend this place for a special night out
(perhaps graduation) or to take visiting family members.

�The sign for Acqua Al 2. It (and the restraunt) can be found on Main Street at door 236.

the Gadfly / πόλις / Sept 22, 2022

25

�{stargazing}

THIS MONTH IN HOROSCOPES—SEPT 2022
Madame T

ARIES

(March 21 - April 19)
all means velour, Aries!!! We love to see it! Not
only is it a wonderful texture, but the way light is
reflected off of it makes you look like a beautiful, exotic
fish. Better yet, due to the blue corn moon that is fast
approaching this November, all Aries’ are required to
have a secret sexy velour day. Wear your velour inside
out, no one else deserves to know what you’re wearing.
November dictates that it is just you, alone, with the
chafe of polyester against your sweaty, naked body.
f Nebraska, but your new face as a young philosophy
major in Annapolis has thrown everyone off your
trail. Where once a full grown, grizzled man with a body
count of 19 stood, now stands a 20 year old lad who has
much to learn about the nature of things. Isn’t it funny?
This Halloween you can be an escaped lunatic dressed as
a Johnnie dressed as a gaping minion.

F
o

TAURUS

(April 20 - May 20)
he weather may be frightful, Taurus but your
wardrobe naught be! This season both the position
of Mars and the most recent Vogue say that high waisted
pants are all the rage. Pair this with a very small shirt,
creating a fleshy vortex above your naval. That millimeter
of skin is where fashion happens!!!! The mites in your
skin are using this strip as a runway for all this season's
hottest microscopic fashions. They want to thank you
for contributing such a vast and beautiful venue.

T

GEMINI

(May 21 - June 20)
Vests are going to look so good on you this fall, Gemini!
A humble puffer vest let’s others know that you are hiding
many fun and naughty secrets (mostly foreign oil). Let others
know that your torso is cold but your big, tough, brawny
arms are strong and impervious to cold with a dashing little
leather number.

CANCER
( June 21 - July 22)
ring it on, big boy

B
26

the Gadfly / πόλις / Sept 22, 2022

LEO

( July 23 - Aug 22)
t’s a balmy 60 degrees this November, Leo! Leather is
all the rage this season, but you’re a man of principles,
a man of ethics. You are haute couture. And what is high
dressmaking if not an outfit that is made only for you?
Why slaughter a cow? Cows are all so similar, but you’ve
never seen two identical people. Authentic leather is a
rare commodity but you’ll make it work. This season skin
is in! Other peoples, your own, second hand or custom
made, the Haus of Bubba Sawyer is QUIVERING.

I

VIRGO

(Aug 23 - Sept 22)
he sun sets across the vast, dry wasteland that once
was Annapolis. Anything that once lived here is long
gone. Except you. In your government issued sweaters
and your cutest pair of dungarees you brave the desolate
world outside your bunker. The ash burns your skin as
you emerge from your den, your gun weighs you down
as you set foot outside for the first time in what feels like
weeks. It’s warm. It’s unbearably warm. You feel your skin
burning, you go to take off the sweater, its woolen weight
is crushing you. The burning is intense, you go to retreat
to safety, but the bunker is closed. Despite your screams,
despite the pounding, they can’t hear you. The heat is
overwhelming. Your skin blisters as the ash raining from
above burns holes in your clothes. This season, dress for
the worst.

T

LIBRA

(Sept 23 - Oct 22)
ou’ve been walking these streets so long, Libra.
Singing the same old songs, you know every crack
in these dirty sidewalks of Broadway, where hustle is the
name of the game and nice guys get washed away like
snow in the rain. There’s been a lot of compromising
on the road to your horizon, but you’re gonna be where
the lights are shining on you like a rhinestone cowboy;
riding out on a horse in a star-spangled rodeo, receiving
cards and letters from fans you don’t even know and
offers over the phone. This November is serving Glen
Campbell’s 1975 hit country-pop single.

Y

�SCORPIO

(Oct 23 - Nov 21)
appy birthday, Scorpio! Here's to another year of
raising hell on earth. Another year older means you
should try something new. This is the year you feel like
an adult. Let's get you some professional clothes, maybe a
suit. The orbit of Saturn and also the most recent runway
by Moscinio dictate that you should absolutely not buy
anything in your size. This month, big is beautiful! When
you go for your suit fitting, do not let the haberdasher
measure you, instead, pull out the polaroid photograph
of David Byrne in ‘stop making sense’ video that all

H

SAGITTARIUS

(Nov 22 - Dec 21)
all is a time of change, Sag. You’ve been doing a lot of
reflecting recently, and you’re starting to finally realize
what you really want. No no, not that stupid day dream
where you have a loving wife and two beautiful, well
behaved children. Not the one where you’ve finally paid
off your philosophy major debt, either. You want spice in
your life. Stability is for chumps. They say dress for the
job you want, and you should take this to heart, Sag. You
want to make art! You want to dance! Your fantasy is to
live the life of a clown. You want the oversized shoes and
the undersized car, you long for the comradery of other
silly, goofy jesters. You deserve to commit to this career,
Sag. Let’s get you a flower that sprays seltzer water.

F

CAPRICORN

(Dec 22 - Jan 19)
ou’re abstract, Capricorn. Just because other people
don’t know what they want doesn’t mean that you
don’t, and you refuse to slow down for those who won’t
catch up to you. Your fall wardrobe should reflect this.
This season, jumpsuits are in. Black and white, long
sleeved jumpsuits are the most fitting thing for your body
type as dictated by the epicycle of Mars in relation to the
moon. You also know you can’t dress for success without
a statement piece though, which is why this season brings
in both capes and masks. A pop of color is also a MUST,
try a red tie for that real ‘business bitch’ look. Do not let
others tell you you’re dressed like the Hamburglar. You
know in your heart they are wrong. I’m lovin’ it.

Y

AQUARIUS
( Jan 20 - Feb 18)
older weather means it is time to finally shoot
your shot, Aquarius! You’ve been planning this a
very long time, and based on the position of Venus I’ve
been told that you are more likely to succeed than you
think. You were built for attrition, Aquarius, your battle
prowess and bloodthirst guarantee that you’re destined
to conquer the residents of Paca. Your past attempts have
left many dead and more wounded, but this time the
stars are on your side. Dress for the spoils of war, you’re
going to want all the loot, wine and women you can carry
(cargo pants maybe?)

C

PISCES

(Feb 19 - March 20)
his season in couture is giving nature. You are the
Gardens of Versailles. You are the Hanging Gardens
of Babylon. Monet himself is moved to tears by your
beauty. You are full of so many new and exotic animals,
beautiful plants blessed with flowers and strange fruits.
You are fertile and there are secret trees that contain so
much knowledge within you; but it is a deadly knowledge.
You are vines, you are birds, you are the abstract concept
of a ‘mother nature’ we have long since abandoned. This
month the stars dictate you should wear only strategically
placed oak leaves. Adam and Eve are GASPING!!!!

T

the Gadfly / πόλις / Sept 22, 2022

27

�THE STUDENT
NEWSPAPER
OF

ST. JOHN’S
COLLEGE
Founded in 1980, the
Gadfly is the student
newsmagazine
distributed
to over
600 students,
faculty, staff, and alumni
of the Annapolis campus.
Fill in the speech bubbles and send us a picture of your creation to enter the
running for a $15 gift card! The winning submission and meaningful runner-ups
will be printed in the next issue.

Opinions expressed within
are the responsibility of
the author(s). The Gadfly
reserves the right to accept,
reject, and edit submissions
in any way necessary to
publish
a
professional,
informative, and thought
provoking
newsmagazine.
Submissions sent to the Gadfly
should either be in Google
Docs or JPEG format. The
deadline for submissions is the
Friday prior to publication.
For
more
information,
contact us via email at
sjca .g adfly@gmail.com
6 0 COLLEGE AVENUE

ANNAPOLIS, MARYLAND 21401

Excavation by Willem de Kooning

28

the Gadfly / Sept 22, 2022

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="16">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9388">
                  <text>&lt;em&gt;The Gadfly&lt;/em&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9389">
                  <text>Founded in 1980, &lt;em&gt;The &lt;/em&gt;&lt;em&gt;Gadfly&lt;/em&gt; is a weekly student publication distributed to over 600 students, faculty, and staff of the Annapolis campus.&lt;br /&gt;&lt;br /&gt;Click on &lt;strong&gt;&lt;a title="The Gadfly" href="https://digitalarchives.sjc.edu/items/browse?collection=16&amp;amp;sort_field=Dublin+Core%2CDate&amp;amp;sort_dir=d"&gt;Items in the &lt;em&gt;The Gadfly&lt;/em&gt; Collection&lt;/a&gt;&lt;/strong&gt; to view and sort all items in the collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9391">
                  <text>St. John's College Greenfield Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="30704">
                  <text>thegadfly</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="117471">
              <text>pdf</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Page numeration</name>
          <description>Number of pages in the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="117472">
              <text>28 pages</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117457">
                <text>The Gadfly, Vol. XLIV, Issue 4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117458">
                <text>Volume XLIV, Issue 4 of The Gadfly. Published November 3, 2022.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117459">
                <text>Koch, Craig (Editor-in-Chief)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="117460">
                <text>St. John's College</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="117461">
                <text>Annapolis, MD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117462">
                <text>2022-11-03</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117463">
                <text>St. John's College owns the rights to this publication.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117464">
                <text>text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117465">
                <text>pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117466">
                <text>College students' writings--Periodicals</text>
              </elementText>
              <elementText elementTextId="117467">
                <text>College student newspapers and periodicals</text>
              </elementText>
              <elementText elementTextId="117468">
                <text>St. John's College--Periodicals</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117469">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="117470">
                <text>Gadfly Vol XLIV issue 4</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="46">
        <name>Gadfly</name>
      </tag>
      <tag tagId="41">
        <name>Student publication</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
